Various
The Blue Poetry Book 7th. Ed

INTRODUCTION

The purpose of this Collection is to put before children, and young people, poems which are good in themselves, and especially fitted to live, as Theocritus says, ‘on the lips of the young.’ The Editor has been guided to a great extent, in making his choice, by recollections of what particularly pleased himself in youth. As a rule, the beginner in poetry likes what is called ‘objective’ art – verse with a story in it, the more vigorous the story the better. The old ballads satisfy this taste, and the Editor would gladly have added more of them, but for two reasons. First, there are parents who would see harm, where children see none, in ‘Tamlane’ and ‘Clerk Saunders.’ Next, there was reason to dread that the volume might become entirely too Scottish. It is certainly a curious thing that, in Mr. Palgrave’s Golden Treasury, where some seventy poets are represented, scarcely more than a tenth of the number were born north of Tweed. In this book, however, intended for lads and lassies, the poems by Campbell, by Sir Walter Scott, by Burns, by the Scottish song-writers, and the Scottish minstrels of the ballad, are in an unexpectedly large proportion to the poems by English authors. The Editor believes that this predominance of Northern verse is not due to any exorbitant local patriotism of his own. The singers of the North, for some reason or other, do excel in poems of action and of adventure, or to him they seem to excel. He is acquainted with no modern ballad by a Southern Englishman, setting aside ‘Christabel’ and the ‘Ancient Mariner– ’ poems hardly to be called ballads – which equals ‘The Eve of St. John.’ For spirit-stirring martial strains few Englishmen since Drayton have been rivals of Campbell, of Scott, of Burns, of Hogg with his song of ‘Donald McDonald.’ Two names, indeed, might be mentioned here: the names of the late Sir Francis Doyle and of Lord Tennyson. But the scheme of this book excludes a choice from contemporary poets. It is not necessary to dwell on the reasons for this decision. But the Editor believes that some anthologist of the future will find in the poetry of living English authors, or of English authors recently dead, a very considerable garden of that kind of verse which is good both for young and old. To think for a moment of this abundance is to conceive more highly of Victorian poetry. There must still, after all, be youth and mettle in the nation which could produce ‘The Ballad of the Revenge,’ ‘Lucknow,’ ‘The Red Thread of Honour,’ ‘The Loss of the Birkenhead,’ ‘The Forsaken Merman,’ ‘How they brought the Good News from Ghent to Aix,’ ‘The Pied Piper of Hamelin,’ and many a song of Charles Kingley’s, not to mention here the work of still later authors. But we only glean the fields of men long dead.

For this reason, then – namely, because certain admirable contemporary poems, like ‘Lucknow’ and ‘The Red Thread of Honour,’ are unavoidably excluded – the poems of action, of war, of adventure, chance to be mainly from Scottish hands. Thus Campbell and Scott may seem to hold a pre-eminence which would not have been so marked had the works of living poets, or of poets recently dead, been available. Yet in any circumstances these authors must have occupied a great deal of the field: Campbell for the vigour which the unfriendly Leyden had to recognise; Scott for that Homeric quality which, since Homer, no man has displayed in the same degree. Extracts from his long poems do not come within the scope of this selection. But, estimated even by his lyrics, Scott seems, to the Editor, to justify his right, now occasionally disdained, to rank among the great poets of his country. He has music, speed, and gaiety, as in ‘The Hunting Song’ or in ‘Nora’s Vow:’

For all the gold, for all the gear,
For all the lands both far and near
That ever valour lost or won,
I would not wed the Earlie’s son!

Lines like these sing themselves naturally in a child’s memory, while there is a woodland freshness and a daring note in

O, Brignall banks are wild and fair,
And Greta woods are green.

‘Young Lochinvar’ goes ‘as dauntingly as wantonly’ to his bridal, as the heir of Macpherson’s Rant to his death, in a wonderful swing and gallop of verse; while still, out of dim years of childhood far away, one hears how all the bells are ringing in Dunfermline town for the wedding of Alice Brand. From childhood, too, one remembers the quietism of Lucy Ashton’s song, and the monotone of the measure —

Vacant heart and hand and eye,
Easy live and quiet die.

The wisdom of it is as perceptible to a child as that other lesson of Scott’s, which rings like a clarion:

To all the sensual world proclaim
One glorious hour of crowded life
Is worth an age without a name.

Then there are his martial pieces, as the ‘Gathering Song of Donald Dhu’ and ‘The Cavalier,’ and there is the inimitable simplicity and sadness of ‘Proud Maisie,’ like the dirge for Clearista by Meleager, but with a deeper tone, a stronger magic; and there is the song, which the Fates might sing in a Greek chorus, the song which Meg Merrilies sang,

Twist ye, twine ye, even so!

These are but a few examples of Scott’s variety, his spontaneity, his hardly conscious mastery of his art. Like Phemius of Ithaca, he might say ‘none has taught me but myself, and the God has put into my heart all manner of lays’ – all but the conscious and elaborate ‘manner of lays,’ which has now such power over some young critics that they talk of Scott’s redeeming his bad verse by his good novels. The taste of childhood and of maturity is simpler and more pure.

In the development of a love of poetry it is probable that simple, natural, and adventurous poetry like Scott’s comes first, and that it is followed later – followed but not superseded – by admiration of such reflective poetry as is plain and even obvious, like that of Longfellow, from whom a number of examples are given. But, to the Editor at least, it seems that a child who cares for poetry is hardly ever too young to delight in mere beauty of words, in the music of metre and rhyme, even when the meaning is perhaps still obscure and little considered. A child, one is convinced, would take great pleasure in Mr. Swinburne’s choruses in ‘Atalanta,’ such as and in Shelley’s ‘Cloud’ and his ‘Arethusa.’ For this reason a number of pieces of Edgar Poe’s are given, and we have not shrunk even from including the faulty ‘Ulalume,’ because of the mere sound of it, apart from the sense. The three most famous poems of Coleridge may be above a child’s full comprehension, but they lead him into a world not realised, ‘an unsubstantial fairy place,’ bright in a morning mist, like our memories of childhood.

Before the beginning of years,

It is probably later, in most lives, that the mind wakens to delight in the less obvious magic of style, and the less ringing, the more intimate melody of poets like Keats and Lord Tennyson. The songs of Shakespeare, of course, are for all ages, and the needs of youth comparatively mature are met in Dryden’s ‘Ode on Alexander’s Feast,’ and in ‘Lycidas’ and the ‘Hymn for the Nativity.’

It does not appear to the Editor that poems about children, or especially intended for children, are those which a child likes best. A child’s imaginative life is much spent in the unknown future, and in the romantic past. He is the contemporary of Leonidas, of Agincourt, of Bannockburn, of the ‘45; he is living in an heroic age of his own, in a Phæacia where the Gods walk visibly. The poems written for and about children, like Blake’s and some of Wordsworth’s, rather appeal to the old, whose own childhood is now to them a distant fairy world, as the man’s life is to the child. The Editor can remember having been more mystified and puzzled by ‘Lucy Gray’ than by the ‘Eve of St. John,’ at a very early age. He is convinced that Blake’s ‘Nurse’s Song,’ for example, which brings back to him the long, the endless evenings of the Northern summer, when one had to go to bed while the hills beyond Ettrick were still clear in the silver light, speaks more intimately to the grown man than to the little boy or girl. Hood’s ‘I remember, I remember,’ in the same way, brings in the burden of reflection on that which the child cannot possibly reflect upon – namely, a childhood which is past. There is the same tone in Mr. Stevenson’s ‘Child’s Garden of Verse,’ which can hardly be read without tears – tears that do not come and should not come to the eyes of childhood. For, beyond the child and his actual experience of the world as the ballads and poems of battle are, he can forecast the years, and anticipate the passions. What he cannot anticipate is his own age, himself, his pleasures and griefs, as the grown man sees them in memory, and with a sympathy for the thing that he has been, and can never be again. It is his excursions into the untravelled world which the child enjoys, and this is what makes Shakespeare so dear to him – Shakespeare who has written so little on childhood. In The Midsummer Night’s Dream the child can lose himself in a world familiar to him, in the fairy age, and can derive such pleasure from Puck, or from Ariel, as his later taste can scarce recover in the same measure. Falstaff is his playfellow, ‘a child’s Falstaff, an innocent creature,’ as Dickens says of Tom Jones in David Copperfield.

A boy prefers the wild Prince and Poins to Barbara Lewthwaite, the little girl who moralised to the lamb. We make a mistake when we ‘write down’ to children; still more do we err when we tell a child not to read this or that because he cannot understand it. He understands far more than we give him credit for, but nothing that can harm him. The half-understanding of it, too, the sense of a margin beyond, as in a wood full of unknown glades, and birds, and flowers unfamiliar, is great part of a child’s pleasure in reading. For this reason many poems are included here in which the Editor does not suppose that the readers will be able to pass an examination. For another reason a few pieces of no great excellence as poetry are included. Though they may appear full of obviousness to us, there is an age of dawning reflection to which they are not obvious. Longfellow, especially, seems to the Editor to be a kind of teacher to bring readers to the more reflective poetry of Wordsworth, while he has a sort of simple charm in which there is a foretaste of the charm of Tennyson and Keats. But everyone who attempts to make such a collection must inevitably be guided by his own recollections of childhood, of his childish likings, and the development of the love of poetry in himself. We have really no other criterion, for children are such kind and good-natured critics that they will take pleasure in whatever is given or read to them, and it is hard for us to discern where the pleasure is keenest and most natural.

The Editor trusts that this book may be a guide into romance and fairyland to many children. Of a child’s enthusiasm for poetry, and the life which he leads by himself in poetry, it is very difficult to speak. Words cannot easily bring back the pleasure of it, now discerned in the far past like a dream, full of witchery, and music, and adventure. Some children, perhaps the majority, are of such a nature that they weave this dream for themselves, out of their own imaginings, with no aid or with little aid from the poets. Others, possibly less imaginative, if more bookish, gladly accept the poet’s help, and are his most flattering readers. There are moments in that remote life which remain always vividly present to memory, as when first we followed the chase with Fitz-James, or first learned how ‘The Baron of Smaylho’me rose with day,’ or first heard how

All day long the noise of battle roll’d
Among the mountains by the winter sea.

Almost the happiest of such moments were those lulled by the sleepy music of ‘The Castle of Indolence,’ a poem now perhaps seldom read, at least by the young. Yet they may do worse than visit the drowsy castle of him who wrote

So when a shepherd of the Hebrid isles
Placed far amid the melancholy main.

Childhood is the age when a love of poetry may be born and strengthened – a taste which grows rarer and more rare in our age, when examinations spring up and choke the good seed. By way of lending no aid to what is called Education, very few notes have been added. The child does not want everything to be explained; in the unexplained is great pleasure. Nothing, perhaps, crushes the love of poetry more surely and swiftly than the use of poems as school-books. They are at once associated in the mind with lessons, with long, with endless hours in school, with puzzling questions and the agony of an imperfect memory, with grammar and etymology, and everything that is the enemy of joy. We may cause children to hate Shakespeare or Spenser as Byron hated Horace, by inflicting poets on them, not for their poetry, but for the valuable information in the notes. This danger, at least, it is not difficult to avoid in the Blue Poetry Book.

NURSE’S SONG

When the voices of children are heard on the green
And laughing is heard on the hill,
My heart is at rest within my breast,
And everything else is still.

Then come home, my children, the sun is gone down,
And the dews of night arise;
Come, come, leave off play, and let us away
Till the morning appears in the skies.

No, no, let us play, for it is yet day,
And we cannot go to sleep;
Besides in the sky the little birds fly,
And the hills are all covered with sheep.

Well, well, go and play till the light fades away,
And then go home to bed.
The little ones leap’d and shouted and laugh’d;
And all the hills echoèd.

W. Blake.

A BOY’S SONG

Where the pools are bright and deep,
Where the grey trout lies asleep,
Up the river and o’er the lea,
That’s the way for Billy and me.

Where the blackbird sings the latest,
Where the hawthorn blooms the sweetest
Where the nestlings chirp and flee,
That’s the way for Billy and me.

Where the mowers mow the cleanest,
Where the hay lies thick and greenest;
There to trace the homeward bee,
That’s the way for Billy and me.

Where the hazel bank is steepest,
Where the shadow falls the deepest,
Where the clustering nuts fall free,
That’s the way for Billy and me.

Why the boys should drive away
Little sweet maidens from the play,
Or love to banter and fight so well,
That’s the thing I never could tell.

But this I know, I love to play,
Through the meadow, among the hay;
Up the water and o’er the lea,
That’s the way for Billy and me.

J. Hogg.

I REMEMBER, I REMEMBER

I

I remember, I remember
The house where I was born,
The little window where the sun
Came peeping in at morn;
He never came a wink too soon,
Nor brought too long a day,
But now, I often wish the night
Had borne my breath away!

II

I remember, I remember
The roses, red and white,
The vi’lets, and the lily-cups,
Those flowers made of light!
The lilacs where the robin built,
And where my brother set
The laburnum on his birthday, —
The tree is living yet!

III

I remember, I remember
Where I was used to swing,
And thought the air must rush as fresh
To swallows on the wing;
My spirit flew in feathers then,
That is so heavy now,
And summer pools could hardly cool
The fever on my brow!

IV

I remember, I remember
The fir trees dark and high;
I used to think their slender tops
Were close against the sky:
It was a childish ignorance,
But now ‘tis little joy
To know I’m farther off from heav’n
Than when I was a boy.

T. Hood.

THE LAMB

Little Lamb, who made thee?
Dost thou know who made thee,
Gave thee life, and bid thee feed
By the stream and o’er the mead;
Gave thee clothing of delight,
Softest clothing, woolly, bright;
Gave thee such a tender voice
Making all the vales rejoice;
Little Lamb, who made thee?
Dost thou know who made thee?

Little Lamb, I’ll tell thee.
Little Lamb, I’ll tell thee.
He is called by thy name,
For He calls Himself a Lamb: —
He is meek and He is mild;
He became a little child.
I a child, and thou a lamb,
We are called by His name.
Little Lamb, God bless thee;
Little Lamb, God bless thee.

W. Blake.

NIGHT

The sun descending in the west,
The evening star does shine;
The birds are silent in their nest,
And I must seek for mine.

The moon, like a flower
In heaven’s high bower,
With silent delight
Sits and smiles on the night.

Farewell, green fields and happy groves,
Where flocks have ta’en delight;
Where lambs have nibbled, silent moves
The feet of angels bright;
Unseen, they pour blessing,
And joy without ceasing,
On each bud and blossom,
And each sleeping bosom.

They look in every thoughtless nest,
Where birds are cover’d warm,
They visit caves of every beast,
To keep them all from harm: —
If they see any weeping
That should have been sleeping,
They pour sleep on their head,
And sit down by their bed.

W. Blake.

ON A SPANIEL CALLED ‘BEAU’ KILLING A YOUNG BIRD

A spaniel, Beau, that fares like you,
Well fed, and at his ease,
Should wiser be than to pursue
Each trifle that he sees.

But you have killed a tiny bird,
Which flew not till to-day,
Against my orders, whom you heard
Forbidding you the prey.

Nor did you kill that you might eat,
And ease a doggish pain,
For him, though chased with furious heat,
You left where he was slain.

Nor was he of the thievish sort,
Or one whom blood allures,
But innocent was all his sport
Whom you have torn for yours.

My dog! what remedy remains,
Since, teach you all I can,
I see you, after all my pains,
So much resemble man?

BEAU’S REPLY

Sir, when I flew to seize the bird
In spite of your command,
A louder voice than yours I heard,
And harder to withstand.

You cried – ‘Forbear!’ – but in my breast
A mightier cried – ‘Proceed!’ —
‘Twas Nature, sir, whose strong behest
Impell’d me to the deed.

Yet much as Nature I respect,
I ventured once to break
(As you perhaps may recollect)
Her precept for your sake;

And when your linnet on a day,
Passing his prison door,
Had flutter’d all his strength away,
And panting pressed the floor;

Well knowing him a sacred thing,
Not destined to my tooth,
I only kiss’d his ruffled wing,
And lick’d the feathers smooth.

Let my obedience then excuse
My disobedience now,
Nor some reproof yourself refuse
From your aggrieved Bow-wow;

If killing birds be such a crime,
(Which I can hardly see),
What think you, sir, of killing Time
With verse address’d to me?

W. Cowper.

LUCY GRAY; OR, SOLITUDE

Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.

No mate, no comrade Lucy knew;
She dwelt on a wide moor,
– The sweetest thing that ever grew
Beside a human door!

You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.

‘To-night will be a stormy night —
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow.’

‘That, Father! will I gladly do:
‘Tis scarcely afternoon —
The minster-clock has just struck two,
And yonder is the moon!’

At this the Father raised his hook,
And snapped a faggot-band;
He plied his work; – and Lucy took
The lantern in her hand.

Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.

The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb,
But never reached the town.

The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.

At day-break on a hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.

They wept – and, turning homeward, cried,
‘In heaven we all shall meet!’
– When in the snow the mother spied
The print of Lucy’s feet.

Then downwards from the steep hill’s edge
They tracked the footmarks small;
And through the broken hawthorn hedge,
And by the long stone wall;

And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.

They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!

– Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.

O’er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.

W. Wordsworth.

HUNTING SONG

Waken, lords and ladies gay!
On the mountain dawns the day;
All the jolly chase is here,
With hawk, and horse, and hunting spear!
Hounds are in their couples yelling,
Hawks are whistling, horns are knelling;
Merrily, merrily, mingle they,
‘Waken, lords and ladies gay.’

Waken, lords and ladies gay!
The mist has left the mountain grey,
Springlets in the dawn are steaming,
Diamonds on the brake are gleaming;
And foresters have busy been,
To track the buck in thicket green;
Now we come to chant our lay,
‘Waken, lords and ladies gay.’

Waken, lords and ladies gay!
To the greenwood haste away;
We can show you where he lies,
Fleet of foot, and tall of size;
We can show the marks he made,
When ’gainst the oak his antlers fray’d;
You shall see him brought to bay —
‘Waken, lords and ladies gay.’

Louder, louder chant the lay,
Waken, lords and ladies gay!
Tell them youth, and mirth, and glee,
Run a course as well as we;
Time, stern huntsman! who can baulk,
Stanch as hound, and fleet as hawk?
Think of this, and rise with day,
Gentle lords and ladies gay!

Sir W. Scott.

LORD ULLIN’S DAUGHTER

A chieftain, to the Highlands bound,
Cries, ‘Boatman, do not tarry!
And I’ll give thee a silver pound,
To row us o’er the ferry.’

‘Now who be ye, would cross Lochgyle,
This dark and stormy water?’
’O, I’m the chief of Ulva’s isle,
And this Lord Ullin’s daughter. —

‘And fast before her father’s men
Three days we’ve fled together,
For should he find us in the glen,
My blood would stain the heather.

‘His horsemen hard behind us ride;
Should they our steps discover,
Then who will cheer my bonny bride
When they have slain her lover?’

Outspoke the hardy Highland wight,
‘I’ll go, my chief – I’m ready;
It is not for your silver bright,
But for your winsome lady:

‘And by my word! the bonny bird
In danger shall not tarry;
So though the waves are raging white,
I’ll row you o’er the ferry.’ —

By this the storm grew loud apace,
The water-wraith was shrieking;¹
And in the scowl of heaven each face
Grew dark as they were speaking.

But still as wilder blew the wind,
And as the night grew drearer,
Adown the glen rode armèd men,
Their trampling sounded nearer. —

‘O haste thee, haste!’ the lady cries,
‘Though tempests round us gather;
I’ll meet the raging of the skies,
But not an angry father.’ —

The boat has left a stormy land,
A stormy sea before her, —
When, oh! too strong for human hand,
The tempest gather’d o’er her.

And still they row’d amidst the roar
Of waters fast prevailing:
Lord Ullin reach’d that fatal shore,
His wrath was changed to wailing. —

For sore dismay’d, through storm and shade,
His child he did discover: —
One lovely hand she stretch’d for aid,
And one was round her lover.

‘Come back! come back!’ he cried in grief,
‘Across this stormy water:
And I’ll forgive your Highland chief,
My daughter! – oh my daughter!’ —

‘Twas vain: the loud waves lashed the shore,
Return or aid preventing; —
The waters wild went o’er his child, —
And he was left lamenting.

T. Campbell.

THE CHIMNEY-SWEEPER

When my mother died I was very young,
And my father sold me while yet my tongue
Could scarcely cry, ‘’weep! ’weep! ’weep! ’weep!’
So your chimneys I sweep, and in soot I sleep.

There’s little Tom Dacre, who cried when his head,
That curl’d like a lamb’s back, was shaved; so I said,
‘Hush, Tom! never mind it, for when your head’s bare,
You know that the soot cannot spoil your white hair.’

And so he was quiet: and that very night,
As Tom was a-sleeping, he had such a sight,
That thousands of sweepers, Dick, Joe, Ned, and Jack,
Were all of them lock’d up in coffins of black.

And by came an angel, who had a bright key,
And he open’d the coffins, and set them all free;
Then down a green plain, leaping, laughing they run,
And wash in a river, and shine in the sun.

Then, naked and white, all their bags left behind,
They rise upon clouds, and sport in the wind;
And the angel told Tom, if he’d be a good boy,
He’d have God for his father, and never want joy.

And so Tom awoke; and we rose in the dark,
And got with our bags and our brushes to work;
Though the morning was cold, Tom was happy and warm:
So, if all do their duty, they need not fear harm.

W. Blake.

NORA’S VOW

I

Hear what Highland Nora said, —
‘The Earlie’s son I will not wed,
Should all the race of nature die,
And none be left but he and I.
For all the gold, for all the gear,
And all the lands both far and near,
That ever valour lost or won,
I would not wed the Earlie’s son.’

II

‘A maiden’s vows,’ old Callum spoke,
‘Are lightly made, and lightly broke;
The heather on the mountain’s height
Begins to bloom in purple light;
The frost-wind soon shall sweep away
That lustre deep from glen and brae;
Yet Nora, ere its bloom be gone,
May blithely wed the Earlie’s son.’ —

III

‘The swan,’ she said, ‘the lake’s clear breast
May barter for the eagle’s nest;
The Awe’s fierce stream may backward turn,
Ben-Cruaichan fall, and crush Kilchurn;
Our kilted clans, when blood is high,
Before their foes may turn and fly;
But I, were all these marvels done,
Would never wed the Earlie’s son.’

IV

Still in the water-lily’s shade
Her wonted nest the wild-swan made;
Ben-Cruaichan stands as fast as ever,
Still downward foams the Awe’s fierce river;
To shun the clash of foeman’s steel,
No Highland brogue has turn’d the heel:
But Nora’s heart is lost and won,
– She’s wedded to the Earlie’s son!

Sir W. Scott.

BALLAD OF AGINCOURT

Fair stood the wind for France,
When we our sails advance,
Nor now to prove our chance
Longer will tarry;
But putting to the main,
At Caux, the mouth of Seine,
With all his martial train,
Landed King Harry.

And, taking many a fort,
Furnished in warlike sort,
Marcheth tow’rds Agincourt
In happy hour,
(Skirmishing day by day,
With those oppose his way)
Where the French general lay
With all his power.

Which in his height of pride,
King Henry to deride,
His ransom to provide
To the king sending;
Which he neglects the while,
As from a nation vile,
Yet with an angry smile
Their fall portending,

And, turning to his men,
Quoth our brave Henry then:
Though they to one be ten,
Be not amazèd!
Yet have we well begun;
Battles so bravely won,
Have ever to the sun
By fame been raisèd.

And for myself (quoth he), —
This my full rest shall be,
England ne’er mourn for me,
Nor more esteem me; —
Victor I will remain,
Or on this earth lie slain:
Never shall she sustain
Loss to redeem me.

Poitiers and Cressy tell,
When most their pride did swell,
Under our swords they fell;
No less our skill is
Than when our grandsire great,
Claiming the regal seat,
By many a warlike feat
Lopp’d the French lilies.

The Duke of York so dread
The eager vanward led,
With the main Henry sped,
Amongst his henchmen.
Exceter had the rear,
A braver man not there, —
O Lord! how hot they were,
On the false Frenchmen!

They now to fight are gone:
Armour on armour shone,
Drum now to drum did groan —
To hear was wonder;
That with the cries they make,
The very earth did shake;
Trumpet to trumpet spake —
Thunder to thunder.

Well it thine age became,
O noble Erpingham!
Which didst the signal aim
To our hid forces, —
When from a meadow by,
Like a storm suddenly,
The English archery
Stuck the French horses.

With Spanish yew so strong,
Arrows a cloth-yard long,
That like to serpents stung,
Piercing the weather, —
None from his fellow starts,
But, playing manly parts,
And like true English hearts
Stuck close together.

When down their bows they threw,
And forth their bilboes drew,
And on the French they flew,
Not one was tardy;
Arms from the shoulders sent,
Scalps to the teeth were rent,
Down the French peasants went, —
Our men were hardy.

This while our noble king,
His broadsword brandishing,
Into the host did fling,
As to o’erwhelm it,
And many a deep wound lent,
His arms with blood besprent,
And many a cruel dent
Bruizèd his helmet.

Gloster, that duke so good,
Next of the royal blood,
For famous England stood,
With his brave brother;
Clarence, in steel so bright,
Though but a maiden knight
Yet in that furious fight
Scarce such another.

Warwick in blood did wade;
Oxford the foe invade,
And cruel slaughter made
Still as they ran up;
Suffolk his axe did ply;
Beaumont and Willoughby
Bare them right doughtily,
Ferrars and Fanhope.

Upon Saint Crispin’s day
Fought was this noble fray,
Which fame did not delay
To England to carry.
O when shall Englishmen,
With such acts fill a pen,
Or England breed again
Such a King Harry?

M. Drayton.

YE MARINERS OF ENGLAND

A NAVAL ODE

I

Ye Mariners of England!
That guard our native seas;
Whose flag has braved, a thousand years,
The battle and the breeze!
Your glorious standard launch again
To meet another foe!
And sweep through the deep,
While the stormy tempests blow;
While the battle rages loud and long,
And the stormy tempests blow.

II

The spirits of your fathers
Shall start from every wave! —
For the deck it was their field of fame,
And Ocean was their grave:
Where Blake and mighty Nelson fell,
Your manly hearts shall glow,
As ye sweep through the deep,
While the stormy tempests blow
While the battle rages loud and long,
And the stormy tempests blow.

III

Britannia needs no bulwark,
No towers along the steep;
Her march is o’er the mountain-waves,
Her home is on the deep.
With thunders from her native oak
She quells the floods below, —
As they roar on the shore,
When the stormy tempests blow;
When the battle rages loud and long,
And the stormy tempests blow.

IV

The meteor flag of England
Shall yet terrific burn;
Till danger’s troubled night depart,
And the star of peace return.
Then, then, ye ocean-warriors!
Our song and feast shall flow
To the fame of your name,
When the storm has ceased to blow;
When the fiery fight is heard no more,
And the storm has ceased to blow.

T. Campbell.

THE GIRL DESCRIBES HER FAWN

With sweetest milk and sugar first
I it at my own fingers nursed;
And as it grew, so every day
It wax’d more white and sweet than they.
It had so sweet a breath! and oft
I blush’d to see its foot more soft
And white, shall I say, than my hand?
Nay, any lady’s of the land!
It is a wond’rous thing how fleet
’Twas on those little silver feet:
With what a pretty skipping grace
It oft would challenge me the race;
And when ’t had left me far away
’Twould stay, and run again, and stay,
For it was nimbler much than hinds;
And trod as if on the four winds.

I have a garden of my own,
But so with roses overgrown,
And lilies, that you would it guess
To be a little wilderness,
And all the spring-time of the year
It only loved to be there.
Among the beds of lilies I
Have sought it oft, where it should lie;
Yet could not, till itself would rise,
Find it, although before mine eyes.
For, in the flaxen lilies’ shade
It like a bank of lilies laid.
Upon the roses it would feed,
Until its lips e’en seem’d to bleed;
And then to me ’twould boldly trip,
And print those roses on my lip.
But all its chief delight was still
On roses thus itself to fill;
And its pure virgin limbs to fold
In whitest sheets of lilies cold.
Had it lived long, it would have been
Lilies without, roses within.

A. Marvell.

THE SOLDIER’S DREAM

Our bugles sang truce, for the night-cloud had lower’d,
And the sentinel stars set their watch in the sky;
And thousands had sunk on the ground overpower’d,
The weary to sleep, and the wounded to die.

When reposing that night on my pallet of straw
By the wolf-scaring faggot that guarded the slain,
At the dead of the night a sweet Vision I saw;
And thrice ere the morning I dreamt it again.

Methought from the battle-field’s dreadful array
Far, far, I had roam’d on a desolate track:
’Twas Autumn, – and sunshine arose on the way
To the home of my fathers, that welcomed me back.

I flew to the pleasant fields traversed so oft
In life’s morning march, when my bosom was young;
I heard my own mountain-goats bleating aloft,
And knew the sweet strain that the corn-reapers sung.

Then pledged we the wine-cup, and fondly I swore
From my home and my weeping friends never to part;
My little ones kiss’d me a thousand times o’er,
And my wife sobb’d aloud in her fulness of heart.

‘Stay – stay with us! – rest! – thou art weary and worn!’ —
And fain was their war-broken soldier to stay; —
But sorrow return’d with the dawning of morn,
And the voice in my dreaming ear melted away.

T. Campbell.

JOHN GILPIN

John Gilpin was a citizen
Of credit and renown,
A train-band Captain eke was he
Of famous London town.

John Gilpin’s spouse said to her dear,
Though wedded we have been
These twice ten tedious years, yet we
No holiday have seen.

To-morrow is our wedding-day,
And we will then repair
Unto the Bell at Edmonton,
All in a chaise and pair.

My sister and my sister’s child,
Myself, and children three,
Will fill the chaise; so you must ride
On horseback after we.

He soon replied, – I do admire
Of womankind but one,
And you are she, my dearest dear,
Therefore it shall be done.

I am a linendraper bold,
As all the world doth know,
And my good friend, the Callender,
Will lend his horse to go.

Quoth Mistress Gilpin, – That’s well said;
And for that wine is dear,
We will be furnish’d with our own,
Which is both bright and clear.

John Gilpin kiss’d his loving wife;
O’erjoy’d was he to find
That though on pleasure she was bent,
She had a frugal mind.

The morning came, the chaise was brought,
But yet was not allow’d
To drive up to the door, lest all
Should say that she was proud.

So three doors off the chaise was stay’d,
Where they did all get in,
Six precious souls, and all agog
To dash through thick and thin.

Smack went the whip, round went the wheels;
Were never folks so glad,
The stones did rattle underneath,
As if Cheapside were mad.

John Gilpin at his horse’s side,
Seized fast the flowing mane,
And up he got in haste to ride,
But soon came down again.

For saddle-tree scarce reach’d had he,
His journey to begin,
When turning round his head he saw
Three customers come in.

So down he came, for loss of time
Although it grieved him sore,
Yet loss of pence, full well he knew,
Would trouble him much more.

’Twas long before the customers
Were suited to their mind,
When Betty screaming came downstairs,
The wine is left behind.

Good lack! quoth he, yet bring it me,
My leathern belt likewise
In which I bear my trusty sword
When I do exercise.

Now Mistress Gilpin, careful soul,
Had two stone bottles found,
To hold the liquor that she loved,
And keep it safe and sound.

Each bottle had a curling ear,
Through which the belt he drew,
And hung a bottle on each side
To make his balance true.

Then over all, that he might be
Equipp’d from top to toe,
His long red cloak well-brush’d and neat,
He manfully did throw.

Now see him mounted once again
Upon his nimble steed,
Full slowly pacing o’er the stones,
With caution and good heed.

But finding soon a smoother road
Beneath his well-shod feet,
The snorting beast began to trot,
Which gall’d him in his seat.

So, Fair and softly! John he cried,
But John he cried in vain;
That trot became a gallop soon,
In spite of curb and rein.

So stooping down, as needs he must
Who cannot sit upright,
He grasp’d the mane with both his hands
And eke with all his might.

His horse, who never in that sort
Had handled been before,
What thing upon his back had got
Did wonder more and more.

Away went Gilpin neck or nought,
Away went hat and wig;
He little dreamt, when he set out,
Of running such a rig.

The wind did blow, the cloak did fly,
Like streamer long and gay,
Till, loop and button failing both,
At last it flew away.

Then might all people well discern
The bottles he had slung;
A bottle swinging at each side
As hath been said or sung.

The dogs did bark, the children scream’d,
Up flew the windows all,
And every soul cried out, Well done!
As loud as he could bawl.

Away went Gilpin – who but he?
His fame soon spread around,
He carries weight, he rides a race,
’Tis for a thousand pound.

And still as fast as he drew near,
’Twas wonderful to view
How in a trice the turnpike-men
Their gates wide open threw.

And now as he went bowing down
His reeking head full low,
The bottles twain behind his back
Were shatter’d at a blow.

Down ran the wine into the road
Most piteous to be seen,
Which made his horse’s flanks to smoke
As they had basted been.

But still he seem’d to carry weight,
With leathern girdle braced,
For all might see the bottle-necks
Still dangling at his waist.

Thus all through merry Islington
These gambols he did play,
And till he came unto the Wash
Of Edmonton so gay.

And there he threw the Wash about
On both sides of the way,
Just like unto a trundling mop,
Or a wild-goose at play.

At Edmonton his loving wife
From the balcòny spied
Her tender husband, wondering much
To see how he did ride.

Stop, stop, John Gilpin! – Here’s the house —
They all at once did cry,
The dinner waits, and we are tired;
Said Gilpin – So am I!

But yet his horse was not a whit
Inclined to tarry there,
For why? his owner had a house
Full ten miles off, at Ware.

So like an arrow swift he flew
Shot by an archer strong,
So did he fly – which brings me to
The middle of my song.

Away went Gilpin, out of breath,
And sore against his will,
Till at his friend the Callender’s
His horse at last stood still.

The Callender, amazed to see
His neighbour in such trim,
Laid down his pipe, flew to the gate,
And thus accosted him —

What news? what news? your tidings tell,
Tell me you must and shall —
Say, why bareheaded you are come,
Or why you come at all?

Now Gilpin had a pleasant wit,
And loved a timely joke,
And thus unto the Callender
In merry guise he spoke —

I came because your horse would come;
And if I well forbode,
My hat and wig will soon be here,
They are upon the road.

The Callender, right glad to find
His friend in merry pin,
Return’d him not a single word,
But to the house went in.

Whence straight he came with hat and wig,
A wig that flow’d behind,
A hat not much the worse for wear,
Each comely in its kind.

He held them up, and in his turn
Thus show’d his ready wit,
My head is twice as big as yours,
They therefore needs must fit.

But let me scrape the dirt away,
That hangs upon your face;
And stop and eat, for well you may
Be in a hungry case.

Said John – It is my wedding-day,
And all the world would stare,
If wife should dine at Edmonton
And I should dine at Ware.

So, turning to his horse, he said,
I am in haste to dine,
’Twas for your pleasure you came here,
You shall go back for mine.

Ah, luckless speech, and bootless boast!
For which he paid full dear,
For while he spake a braying ass
Did sing most loud and clear.

Whereat his horse did snort as he
Had heard a lion roar,
And gallop’d off with all his might,
As he had done before.

Away went Gilpin, and away
Went Gilpin’s hat and wig;
He lost them sooner than at first,
For why? they were too big.

Now Mistress Gilpin, when she saw
Her husband posting down
Into the country far away,
She pull’d out half-a-crown;

And thus unto the youth she said,
That drove them to the Bell,
This shall be yours, when you bring back
My husband safe and well.

The youth did ride, and soon did meet
John coming back amain,
Whom in a trice he tried to stop
By catching at his rein.

But not performing what he meant,
And gladly would have done,
The frighten’d steed he frighten’d more
And made him faster run.

Away went Gilpin, and away
Went postboy at his heels,
The postboy’s horse right glad to miss
The lumbering of the wheels.

Six gentlemen upon the road
Thus seeing Gilpin fly,
With postboy scampering in the rear,
They raised the hue and cry.

Stop thief! – stop thief! – a highwayman!
Not one of them was mute,
And all and each that pass’d that way
Did join in the pursuit.

And now the turnpike gates again
Flew open in short space,
The toll-men thinking as before
That Gilpin rode a race.

And so he did and won it too,
For he got first to town,
Nor stopp’d till where he had got up
He did again get down.

– Now let us sing, Long live the king,
And Gilpin long live he,
And when he next doth ride abroad,
May I be there to see!

W. Cowper.

HOHENLINDEN

On Linden, when the sun was low,
All bloodless lay th’ untrodden snow;
And dark as winter was the flow
Of Iser, rolling rapidly.

But Linden saw another sight,
When the drum beat, at dead of night
Commanding fires of death to light
The darkness of her scenery.

By torch and trumpet fast array’d
Each horseman drew his battle-blade,
And furious every charger neigh’d
To join the dreadful revelry.

Then shook the hills with thunder riven;
Then rush’d the steed to battle driven,
And louder than the bolts of Heaven,
Far flash’d the red artillery.

But redder yet that light shall glow
On Linden’s hills of stainèd snow;
And bloodier yet the torrent flow
Of Iser, rolling rapidly.

’Tis morn, but scarce yon level sun
Can pierce the war-clouds, rolling dun,
Where furious Frank, and fiery Hun,
Shout in their sulph’rous canopy.

The combat deepens. On, ye brave
Who rush to glory, or the grave!
Wave, Munich! all thy banners wave,
And charge with all thy chivalry!

Few, few, shall part, where many meet!
The snow shall be their winding-sheet,
And every turf beneath their feet
Shall be a soldier’s sepulchre.

T. Campbell.

THE VILLAGE BLACKSMITH

Under a spreading chestnut tree
The village smithy stands;
The smith, a mighty man is he,
With large and sinewy hands;
And the muscles of his brawny arms
Are strong as iron bands.

His hair is crisp, and black, and long,
His face is like the tan;
His brow is wet with honest sweat,
He earns whate’er he can,
And looks the whole world in the face,
For he owes not any man.

Week in, week out, from morn till night,
You can hear his bellows blow;
You can hear him swing his heavy sledge,
With measured beat and slow,
Like a sexton ringing the village bell,
When the evening sun is low.

And children coming home from school
Look in at the open door;
They love to see the flaming forge,
And hear the bellows roar,
And catch the burning sparks that fly
Like chaff from a threshing-floor.

He goes on Sunday to the church,
And sits among his boys;
He hears the parson pray and preach,
He hears his daughter’s voice,
Singing in the village choir,
And it makes his heart rejoice.

It sounds to him like her mother’s voice,
Singing in Paradise!
He needs must think of her once more,
How in the grave she lies;
And with his hard, rough hand he wipes
A tear out of his eyes.

Toiling, – rejoicing, – sorrowing,
Onward through life he goes;
Each morning sees some task begin,
Each evening sees it close;
Something attempted, something done,
Has earned a night’s repose.

Thanks, thanks to thee, my worthy friend,
For the lesson thou hast taught!
Thus at the flaming forge of life
Our fortunes must be wrought;
Thus on its sounding anvil shaped
Each burning deed and thought!

H. W. Longfellow.

ELEGY ON THE DEATH OF A MAD DOG

Good people all, of every sort,
Give ear unto my song;
And if you find it wondrous short,
It cannot hold you long.

In Islington there was a Man,
Of whom the world might say,
That still a godly race he ran,
Whene’er he went to pray.

A kind and gentle heart he had,
To comfort friends and foes,
The naked every day he clad,
When he put on his clothes.

And in that town a Dog was found,
As many dogs there be,
Both mongrel, puppy, whelp, and hound,
And curs of low degree.

This Dog and Man at first were friends;
But when a pique began,
The Dog, to gain some private ends,
Went mad and bit the Man.

Around from all the neighbouring streets
The wond’ring neighbours ran,
And swore the Dog had lost his wits,
To bite so good a Man.

The wound it seem’d both sore and sad
To every Christian eye;
And while they swore the Dog was mad,
They swore the Man would die.

But soon a wonder came to light,
That show’d the rogues they lied:
The Man recover’d of the bite,
The Dog it was that died.

O. Goldsmith.

THE OUTLAW

O, Brignall banks are wild and fair,
And Greta woods are green,
And you may gather garlands there
Would grace a summer queen.
And as I rode by Dalton Hall
Beneath the turrets high,
A Maiden on the castle wall
Was singing merrily, —
‘O, Brignall banks are fresh and fair,
And Greta woods are green;
I’d rather rove with Edmund there,
Than reign our English queen.’

– ‘If, Maiden, thou wouldst wend with me,
To leave both tower and town,
Thou first must guess what life lead we,
That dwell by dale and down?
And if thou canst that riddle read,
As read full well you may,
Then to the greenwood shalt thou speed
As blithe as Queen of May.’
Yet sung she, ‘Brignall banks are fair,
And Greta woods are green;
I’d rather rove with Edmund there
Than reign our English queen.’

‘I read you by your bugle horn
And by your palfrey good,
I read you for a Ranger sworn,
To keep the king’s greenwood.’
– ‘A Ranger, lady, winds his horn,
And ’tis at peep of light;
His blast is heard at merry morn,
And mine at dead of night.’
Yet sung she, ‘Brignall banks are fair,
And Greta woods are gay;
I would I were with Edmund there,
To reign his Queen of May!

‘With burnish’d brand and musketoon,
So gallantly you come,
I read you for a bold Dragoon
That lists the tuck of drum.’
– ‘I list no more the tuck of drum,
No more the trumpet hear;
But when the beetle sounds his hum,
My comrades take the spear.
And O! though Brignall banks be fair
And Greta woods be gay,
Yet mickle must the maiden dare,
Would reign my Queen of May!

‘Maiden! a nameless life I lead,
A nameless death I’ll die!
The fiend, whose lantern lights the mead
Were better mate than I!
And when I’m with my comrades met
Beneath the greenwood bough,
What once we were we all forget,
Nor think what we are now.’

CHORUS

Yet Brignall banks are fresh and fair,
And Greta woods are green.
And you may gather garlands there
Would grace a summer queen.

Sir W. Scott.

BATTLE OF THE BALTIC

Of Nelson and the North,
Sing the glorious day’s renown,
When to battle fierce came forth
All the might of Denmark’s crown,
And her arms along the deep proudly shone;
By each gun the lighted brand,
In a bold determined hand,
And the Prince of all the land
Led them on. —

Like leviathans afloat,
Lay their bulwarks on the brine;
While the sign of battle flew
On the lofty British line:
It was ten of April morn by the chime:
As they drifted on their path,
There was silence deep as death;
And the boldest held his breath
For a time. —

But the might of England flush’d
To anticipate the scene;
And her van the fleeter rush’d
O’er the deadly space between.
‘Hearts of oak!’ our captains cried, when each gun
From its adamantine lips
Spread a death-shade round the ships,
Like the hurricane eclipse
Of the sun.

Again! again! again!
And the havoc did not slack,
Till a feeble cheer the Dane
To our cheering sent us back; —
Their shots along the deep slowly boom; —
Then ceased – and all is wail,
As they strike the shatter’d sail;
Or, in conflagration pale,
Light the gloom.

Out spoke the victor then
As he hail’d them o’er the wave;
‘Ye are brothers! ye are men!
And we conquer but to save: —
So peace instead of death let us bring;
But yield, proud foe, thy fleet
With the crews, at England’s feet,
And make submission meet
To our King.’

Then Denmark bless’d our chief
That he gave her wounds repose;
And the sounds of joy and grief
From her people wildly rose,
As death withdrew his shades from the day.
While the sun look’d smiling bright
O’er a wide and woeful sight,
Where the fires of funeral light
Died away.

Now joy, old England, raise!
For the tidings of thy might,
By the festal cities’ blaze,
Whilst the wine-cup shines in light;
And yet amidst that joy and uproar,
Let us think of them that sleep,
Full many a fathom deep,
By thy wild and stormy steep,
Elsinore!

Brave hearts! to Britain’s pride
Once so faithful and so true,
On the deck of fame that died;
With the gallant good Riou;
Soft sigh the winds of heaven o’er their grave!
While the billow mournful rolls,
And the mermaid’s song condoles,
Singing Glory to the souls
Of the brave!

T. Campbell.

YOUNG LOCHINVAR

O, young Lochinvar is come out of the West!
Through all the wide Border his steed was the best;
And save his good broadsword, he weapons had none;
He rode all unarm’d, and he rode all alone.
So faithful in love, and so dauntless in war,
There never was knight like the young Lochinvar.

He stay’d not for brake and he stopp’d not for stone;
He swam the Eske river where ford there was none;
But ere he alighted at Netherby gate,
The bride had consented, the gallant came late;
For a laggard in love, and a dastard in war,
Was to wed the fair Ellen of brave Lochinvar.

So boldly he enter’d the Netherby Hall,
Among bridesmen, and kinsmen, and brothers, and all; —
Then spoke the bride’s father, his hand on his sword
(For the poor craven bridegroom said never a word),
’O, come ye in peace here, or come ye in war,
Or to dance at our bridal, young Lord Lochinvar?

‘I long woo’d your daughter, my suit you denied; —
Love swells like the Solway, but ebbs like its tide; —
And now am I come with this lost Love of mine
To lead but one measure, drink one cup of wine.
There are maidens in Scotland more lovely by far,
That would gladly be bride to the young Lochinvar!’

The bride kiss’d the goblet: the knight took it up,
He quaff’d off the wine and he threw down the cup.
She look’d down to blush, and she look’d up to sigh,
With a smile on her lips, and a tear in her eye.
He took her soft hand, ere her mother could bar, —
‘Now tread we a measure!’ said young Lochinvar.

So stately his form, and so lovely her face,
That never a hall such a galliard did grace;
While her mother did fret, and her father did fume,
And the bridegroom stood dangling his bonnet and plume;
And the bride-maidens whispered, ’‘Twere better by far,
To have match’d our fair cousin with young Lochinvar!’

One touch to her hand, and one word in her ear,
When they reach’d the hall door; and the charger stood near;
So light to the croupe the fair lady he swung,
So light to the saddle before her he sprung!
‘She is won! we are gone, over bank, bush, and scaur;
They’ll have fleet steeds that follow,’ quoth young Lochinvar.

There was mounting ’mong Græmes of the Netherby clan,
Forsters, Fenwicks, and Musgraves, they rode and they ran
There was racing and chasing, on Cannobie lea,
But the lost bride of Netherby ne’er did they see.
So daring in love, and so dauntless in war,
Have ye e’er heard of gallant like young Lochinvar?

Sir W. Scott.

THE WRECK OF THE HESPERUS

It was the schooner Hesperus,
That sailed the wintry sea;
And the skipper had taken his little daughter,
To bear him company.

Blue were her eyes as the fairy-flax,
Her cheeks like the dawn of day,
And her bosom white as the hawthorn buds,
That ope in the month of May.

The skipper he stood beside the helm,
His pipe was in his mouth,
And he watched how the veering flaw did blow
The smoke now West, now South.

Then up and spake an old sailòr,
Had sail’d the Spanish Main,
’I pray thee, put into yonder port,
For I fear a hurricane.

‘Last night, the moon had a golden ring,
And to-night no moon we see!’
The skipper, he blew a whiff from his pipe,
And a scornful laugh laughed he.

Colder and louder blew the wind,
A gale from the North-east;
The snow fell hissing in the brine,
And the billows frothed like yeast.

Down came the storm, and smote amain
The vessel in its strength;
She shudder’d and paused, like a frighted steed,
Then leap’d her cable’s length.

‘Come hither! come hither! my little daughtèr.
And do not tremble so;
For I can weather the roughest gale
That ever wind did blow.’

He wrapp’d her warm in his seaman’s coat
Against the stinging blast;
He cut a rope from a broken spar,
And bound her to the mast.

‘O father! I hear the church-bells ring,
O say, what may it be?’
‘’Tis a fog-bell, on a rock-bound coast!’ —
And he steer’d for the open sea.

‘O father! I hear the sound of guns,
O say, what may it be?’
‘Some ship in distress that cannot live
In such an angry sea!’

‘O father! I see a gleaming light,
O say, what may it be?’
But the father answered never a word,
A frozen corpse was he.

Lashed to the helm, all stiff and stark,
With his face turned to the skies,
The lantern gleamed through the gleaming snow
On his fixed and glassy eyes.

Then the maiden clasped her hands and prayed
That savèd she might be;
And she thought of Christ, who stilled the waves
On the Lake of Galilee.

And fast through the midnight dark and drear,
Through the whistling sleet and snow,
Like a sheeted ghost, the vessel swept
Towards the reef of Norman’s Woe.

And ever the fitful gusts between
A sound came from the land;
It was the sound of the trampling surf,
On the rocks and the hard sea-sand.

The breakers were right beneath her bows,
She drifted a dreary wreck,
And a whooping billow swept the crew
Like icicles from her deck.

She struck where the white and fleecy waves
Look’d soft as carded wool,
But the cruel rocks, they gored her sides
Like the horns of an angry bull.

Her rattling shrouds, all sheathed in ice,
With the masts went by the board;
Like a vessel of glass, she stove and sank,
Ho! ho! the breakers roared!

At day-break, on the bleak sea-beach
A fisherman stood aghast,
To see the form of a maiden fair
Lashed close to a drifting mast.

The salt sea was frozen on her breast,
The salt tears in her eyes;
And he saw her hair like the brown sea-weed
On the billows fall and rise.

Such was the wreck of the Hesperus,
In the midnight and the snow!
Christ save us all from a death like this,
On the reef of Norman’s Woe!

H. W. Longfellow.

THE DOG AND THE WATER-LILY

The noon was shady, and soft airs
Swept Ouse’s silent tide,
When, ’scaped from literary cares,
I wander’d on his side.

My spaniel, prettiest of his race,
And high in pedigree, —
(Two nymphs adorn’d with every grace
That spaniel found for me,)

Now wanton’d lost in flags and reeds,
Now, starting into sight,
Pursued the swallow o’er the meads
With scarce a slower flight.

It was the time when Ouse display’d
His lilies newly blown;
Their beauties I intent survey’d,
And one I wish’d my own.

With cane extended far I sought
To steer it close to land;
But still the prize, though nearly caught,
Escaped my eager hand.

Beau mark’d my unsuccessful pains
With fix’d considerate face,
And puzzling set his puppy brains
To comprehend the case.

But with a cherup clear and strong
Dispersing all his dream,
I thence withdrew, and follow’d long
The windings of the stream.

My ramble ended, I return’d;
Beau, trotting far before,
The floating wreath again discern’d,
And plunging left the shore.

I saw him with that lily cropp’d
Impatient swim to meet
My quick approach, and soon he dropp’d
The treasure at my feet.

Charm’d with the sight, ‘The world,’ I cried,
Shall hear of this thy deed;
My dog shall mortify the pride
Of man’s superior breed;

‘But chief myself I will enjoin,
Awake at duty’s call,
To show a love as prompt as thine
To Him who gives me all.’

W. Cowper.

TO FLUSH, MY DOG

Loving friend, the gift of one,
Who her own true faith hath run
Through thy lower nature;
Be my benediction said
With my hand upon thy head,
Gentle fellow-creature!

Like a lady’s ringlets brown,
Flow thy silken ears adown
Either side demurely,
Of thy silver-suited breast
Shining out from all the rest
Of thy body purely.

Darkly brown thy body is,
Till the sunshine, striking this,
Alchemise its dulness, —
When the sleek curls manifold
Flash all over into gold,
With a burnished fulness.

Underneath my stroking hand,
Startled eyes of hazel bland
Kindling, growing larger, —
Up thou leapest with a spring,
Full of prank and curvetting,
Leaping like a charger.

Leap! thy broad tail waves a light;
Leap! thy slender feet are bright,
Canopied in fringes.
Leap – those tasselled ears of thine
Flicker strangely, fair and fine,
Down their golden inches.

Yet, my pretty sportive friend,
Little is’t to such an end
That I praise thy rareness!
Other dogs may be thy peers
Haply in these drooping ears,
And this glossy fairness.

But of thee it shall be said,
This dog watched beside a bed
Day and night unweary, —
Watched within a curtained room,
Where no sunbeam brake the gloom
Round the sick and dreary.

Roses, gathered for a vase,
In that chamber died apace,
Beam and breeze resigning —
This dog only, waited on,
Knowing that when light is gone,
Love remains for shining.

Other dogs in thymy dew
Tracked the hares and followed through
Sunny moor or meadow —
This dog only, crept and crept
Next a languid cheek that slept,
Sharing in the shadow.

Other dogs of loyal cheer
Bounded at the whistle clear,
Up the woodside hieing —
This dog only, watched in reach
Of a faintly uttered speech,
Or a louder sighing.

And if one or two quick tears
Dropped upon his glossy ears,
Or a sigh came double, —
Up he sprang in eager haste,
Fawning, fondling, breathing fast,
In a tender trouble.

And this dog was satisfied,
If a pale thin hand would glide,
Down his dewlaps sloping, —
Which he pushed his nose within,
After, – platforming his chin
On the palm left open.

This dog, if a friendly voice
Call him now to blyther choice
Than such chamber-keeping,
‘Come out!’ praying from the door,
Presseth backward as before,
Up against me leaping.

Therefore to this dog will I,
Tenderly not scornfully,
Render praise and favour!
With my hand upon his head,
Is my benediction said
Therefore, and for ever.

And because he loves me so,
Better than his kind will do
Often, man or woman, —
Give I back more love again
Than dogs often take of men, —
Leaning from my Human.

Blessings on thee, dog of mine,
Pretty collars make thee fine,
Sugared milk make fat thee!
Pleasures wag on in thy tail —
Hands of gentle motions fail
Nevermore, to pat thee!

Downy pillow take thy head,
Silken coverlid bestead,
Sunshine help thy sleeping!
No fly’s buzzing wake thee up —
No man break thy purple cup,
Set for drinking deep in.

Whiskered cats arointed flee —
Sturdy stoppers keep from thee
Cologne distillations!
Nuts lie in thy path for stones,
And thy feast-day macaroons
Turn to daily rations!

Mock I thee, in wishing weal? —
Tears are in my eyes to feel
Thou art made so straitly,
Blessing needs must straiten too, —
Little canst thou joy or do,
Thou who lovest greatly.

Yet be blessed to the height
Of all good and all delight
Pervious to thy nature, —
Only loved beyond that line,
With a love that answers thine,
Loving fellow-creature!

Mrs. Browning.

ALICE BRAND

I

Merry it is in the good greenwood,
When the mavis and merle are singing,
When the deer sweeps by, and the hounds are in cry,
And the hunter’s horn is ringing.

’O Alice Brand, my native land
Is lost for love of you;
And we must hold by wood and wold,
As outlaws wont to do!

’O Alice, ’twas all for thy locks so bright,
And ’twas all for thine eyes so blue,
That on the night of our luckless flight,
Thy brother bold I slew.

’Now must I teach to hew the beech,
The hand that held the glaive,
For leaves to spread our lowly bed,
And stakes to fence our cave.

’And for vest of pall, thy fingers small,
That wont on harp to stray,
A cloak must shear from the slaughter’d deer,
To keep the cold away.’ —

– ’O Richard! if my brother died,
’Twas but a fatal chance:
For darkling was the battle tried,
And fortune sped the lance.

’If pall and vair no more I wear,
Nor thou the crimson sheen,
As warm, we’ll say, is the russet gray;
As gay the forest-green.

‘And, Richard, if our lot be hard,
And lost thy native land,
Still Alice has her own Richàrd,
And he his Alice Brand.’

II

’Tis merry, ’tis merry, in good greenwood,
So blithe Lady Alice is singing;
On the beech’s pride, and oak’s brown side,
Lord Richard’s axe is ringing.

Up spoke the moody Elfin King,
Who wonn’d within the hill, —
Like wind in the porch of a ruin’d church,
His voice was ghostly shrill.

’Why sounds yon stroke on beech and oak,
Our moonlight circle’s screen?
Or who comes here to chase the deer,
Beloved of our Elfin Queen?

Or who may dare on wold to wear
The fairies’ fatal green?
’Up, Urgan, up! to yon mortal hie,
For thou wert christen’d man:

For cross or sign thou wilt not fly,
For mutter’d word or ban.
‘Lay on him the curse of the wither’d heart,
The curse of the sleepless eye;

Till he wish and pray that his life would part,
Nor yet find leave to die!’

III

’Tis merry, ’tis merry, in good greenwood,
Though the birds have still’d their singing;
The evening blaze doth Alice raise,
And Richard is fagots bringing.

Up Urgan starts, that hideous dwarf,
Before Lord Richard stands,
And as he cross’d and bless’d himself,
‘I fear not sign,’ quoth the grisly elf,

‘That is made with bloody hands.’
But out then spoke she, Alice Brand,
That woman void of fear, —
‘And if there’s blood upon his hand,

’Tis but the blood of deer.’
– ‘Now loud thou liest, thou bold of mood!
It cleaves unto his hand,
The stain of thine own kindly blood,

The blood of Ethert Brand.’
Then forward stepp’d she, Alice Brand,
And made the holy sign, —
‘And if there’s blood on Richard’s hand,

A spotless hand is mine.
‘And I conjure thee, Demon elf,
By Him whom Demons fear,
To show us whence thou art thyself,

And what thine errand here?’

IV

– ‘’Tis merry, ’tis merry, in Fairy-land,
When fairy birds are singing,
When the court doth ride by their monarch’s side,
With bit and bridle ringing:

’And gaily shines the Fairy-land —
But all is glistening show,
Like the idle gleam that December’s beam
Can dart on ice and snow.

’And fading, like that varied gleam,
Is our inconstant shape,
Who now like knight and lady seem,
And now like dwarf and ape.

’It was between the night and day,
When the Fairy King has power,
That I sunk down in a sinful fray,
And ’twixt life and death, was snatch’d away

To the joyless Elfin bower.
‘But wist I of a woman bold,
Who thrice my brow durst sign,
I might regain my mortal mould,

As fair a form as thine.’
She cross’d him once – she cross’d him twice —
That lady was so brave;
The fouler grew his goblin hue,

The darker grew the cave.
She cross’d him thrice, that lady bold!
– He rose beneath her hand
The fairest knight on Scottish mould,

Her brother, Ethert Brand!
– Merry it is in good greenwood,
When the mavis and merle are singing;
But merrier were they in Dumfermline gray

When all the bells were ringing.

Sir W. Scott.

O, WERT THOU IN THE CAULD BLAST

O, wert thou in the cauld blast,
On yonder lea, on yonder lea,
My plaidie to the angry airt,
I’d shelter thee, I’d shelter thee.
Or did misfortune’s bitter storms
Around thee blaw, around thee blaw,
Thy bield should be my bosom,
To share it a’, to share it a’.

Or were I in the wildest waste
Of earth and air, of earth and air,
The desart were a paradise,
If thou wert there, if thou wert there.
Or were I monarch o’ the globe,
Wi’ thee to reign, wi’ thee to reign,
The only jewel in my crown
Wad be my queen, wad be my queen.

R. Burns.

I LOVE MY JEAN

Of a’ the airts the wind can blaw,
I dearly like the west,
For there the bonie lassie lives,
The lassie I lo’e best:
There wild woods grow, and rivers row
And monie a hill between;
But day and night my fancy’s flight
Is ever wi’ my Jean.

I see her in the dewy flowers,
I see her sweet and fair;
I hear her in the tunefu’ birds,
I hear her charm the air:
There’s not a bonie flower that springs
By fountain, shaw, or green;
There’s not a bonie bird that sings,
But minds me o’ my Jean.

R. Burns.

THERE’LL NEVER BE PEACE TILL JAMIE COMES HAME

A SONG

By yon castle wa’, at the close of the day,
I heard a man sing, tho’ his head it was grey:
And as he was singing, the tears fast down came —
There’ll never be peace till Jamie comes hame.

The church is in ruins, the state is in jars,
Delusions, oppressions, and murderous wars;
We dare na weel say’t but we ken wha’s to blame —
There’ll never be peace till Jamie comes hame.

My seven braw sons for Jamie drew sword,
And now I greet round their green beds in the yerd;
It brak the sweet heart o’ my faithfu’ auld dame —
There’ll never be peace till Jamie comes hame.

Now life is a burden that bows me down,
Sin’ I tint my bairns, and he tint his crown;
But till my last moment my words are the same —
There’ll never be peace till Jamie comes hame.

R. Burns.

THE BANKS O’ DOON

Ye flowery banks o’ bonie Doon,
How can ye blume sae fair!
How can ye chant, ye little birds,
And I sae fu’ o’ care.

Thou’lt break my heart, thou bonie bird,
That sings upon the bough;
Thou minds me o’ the happy days,
When my fause luve was true.

Thou’lt break my heart, thou bonie bird,
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o’ my fate.

Aft hae I rov’d by bonie Doon,
To see the woodbine twine,
And ilka bird sang o’ its love,
And sae did I o’ mine.

Wi’ lightsome heart I pu’d a rose
Frae off its thorny tree;
And my fause luver staw the rose,
But left the thorn wi’ me.

R. Burns.

AS SLOW OUR SHIP

As slow our ship her foamy track
Against the wind was cleaving,
Her trembling pennant still looked back
To that dear isle ’twas leaving.
So loth we part from all we love,
From all the links that bind us;
So turn our hearts, where’er we rove,
To those we’ve left behind us!

When, round the bowl, of vanished years
We talk, with joyous seeming, —
With smiles, that might as well be tears
So faint, so sad their beaming;
While memory brings us back again
Each early tie that twined us,
Oh, sweet’s the cup that circles then
To those we’ve left behind us!

And when, in other climes, we meet
Some isle or vale enchanting,
Where all looks flowery, wild, and sweet,
And nought but love is wanting;
We think how great had been our bliss,
If Heaven had but assigned us
To live and die in scenes like this,
With some we’ve left behind us!

As travellers oft look back, at eve,
When eastward darkly going,
To gaze upon that light they leave
Still faint behind them glowing, —
So, when the close of pleasure’s day
To gloom hath near consigned us,
We turn to catch one fading ray
Of joy that’s left behind us.

T. Moore.

A RED, RED ROSE

O, my luve’s like a red, red rose,
That’s newly sprung in June:
O, my luve’s like the melodie
That’s sweetly play’d in tune.

As fair art thou, my bonnie lass,
So deep in luve am I:
And I will luve thee still, my dear,
Till a’ the seas gang dry.

Till a’ the seas gang dry, my dear,
And the rocks melt wi’ the sun:
I will luve thee still, my dear,
While the sands o’ life shall run.

And fare thee weel, my only luve,
And fare thee weel awhile!
And I will come again, my luve,
Tho’ it were ten thousand mile.

BANNOCKBURN

ROBERT BRUCE’S ADDRESS TO HIS ARMY

Scots, wha hae wi’ Wallace bled,
Scots, wham Bruce has aften led;
Welcome to your gory bed,
Or to glorious victorie.

Now’s the day, and now’s the hour;
See the front o’ battle lower;
See approach proud Edward’s power —
Edward! chains and slaverie!

Wha will be a traitor knave?
Wha can fill a coward’s grave?
Wha sae base as be a slave?
Traitor! coward! turn and flee!

Wha for Scotland’s King and law
Freedom’s sword will strongly draw,
Free-man stand, or free-man fa’?
Caledonian! on wi’ me!

By oppression’s woes and pains!
By your sons in servile chains!
We will drain our dearest veins,
But they shall – they shall be free!

Lay the proud usurpers low!
Tyrants fall in every foe!
Liberty’s in every blow!
Forward! let us do, or die!

R. Burns.

THE MINSTREL-BOY

The Minstrel-boy to the war is gone,
In the ranks of death you’ll find him;
His father’s sword he has girded on,
And his wild harp slung behind him. —
‘Land of song!’ said the warrior-bard,
‘Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!’

The Minstrel fell! – but the foeman’s chain
Could not bring his proud soul under;
The harp he loved ne’er spoke again,
For he tore its chords asunder;
And said, ‘No chains shall sully thee,
Thou soul of love and bravery!
Thy songs were made for the brave and free,
They shall never sound in slavery!’

T. Moore.

THE FAREWELL

It was a’ for our rightfu’ King,
We left fair Scotland’s strand;
It was a’ for our rightfu’ King
We e’er saw Irish land,
My dear;
We e’er saw Irish land.

Now a’ is done that men can do,
And a’ is done in vain;
My love and native land farewell,
For I maun cross the main,
My dear;
For I maun cross the main.

He turn’d him right and round about
Upon the Irish shore;
And gae his bridle-reins a shake,
With adieu for evermore,
My dear;
With adieu for evermore.

The sodger from the wars returns,
The sailor frae the main;
But I hae parted frae my love,
Never to meet again,
My dear;
Never to meet again.

When day is gane, and night is come,
And a’ folk bound to sleep;
I think on him that’s far awa’,
The lee-lang night, and weep,
My dear;
The lee-lang night, and weep.

R. Burns.

THE HARP THAT ONCE THROUGH TARA’S HALLS

The harp that once through Tara’s halls
The soul of music shed,
Now hangs as mute on Tara’s walls
As if that soul were fled.
So sleeps the pride of former days,
So glory’s thrill is o’er,
And hearts, that once beat high for praise,
Now feel that pulse no more.

No more to chiefs and ladies bright
The harp of Tara swells:
The chord alone, that breaks at night,
Its tale of ruin tells.
Thus Freedom now so seldom wakes,
The only throb she gives
Is when some heart indignant breaks,
To show that still she lives.

T. Moore.

STANZAS

Could Love for ever
Run like a river,
And Time’s endeavour
Be tried in vain —
No other pleasure
With this could measure;
And like a treasure
We’d hug the chain.
But since our sighing
Ends not in dying,
And, form’d for flying,
Love plumes his wing;
Then for this reason
Let’s love a season;
But let that season be only Spring.

When lovers parted
Feel broken-hearted,
And, all hopes thwarted
Expect to die;
A few years older,
Ah! how much colder
They might behold her
For whom they sigh!

Lord Byron.

A SEA DIRGE

Full fathom five thy father lies:
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell;
Hark! now I hear them —
Ding, Dong, Bell.

W. Shakespeare.

ROSE AYLMER

Ah! what avails the sceptred race,
Ah! what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine.

Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and of sighs
I consecrate to thee.

W. S. Landor.

SONG

Who is Silvia? what is she,
That all our swains commend her?
Holy, fair and wise is she;
The heaven such grace did lend her
That she might admired be.

Is she kind, as she is fair?
For beauty lives with kindness.
Love doth to her eyes repair,
To help him of his blindness;
And, being help’d, inhabits there.

Then to Silvia let us sing,
That Silvia is excelling;
She excels each mortal thing
Upon the dull earth dwelling;
To her let us garlands bring.

W. Shakespeare.

LUCY ASHTON’S SONG

Look not thou on beauty’s charming, —
Sit thou still when kings are arming, —
Taste not when the wine-cup glistens, —
Speak not when the people listens, —
Stop thine ear against the singer, —
From the red gold keep thy finger, —
Vacant heart, and hand, and eye,
Easy live and quiet die.

Sir W. Scott.

EVENING

The sun upon the lake is low,
The wild birds hush their song;
The hills have evening’s deepest glow,
Yet Leonard tarries long.

Now all whom varied toil and care
From home and love divide,
In the calm sunset may repair
Each to the loved one’s side.

The noble dame on turret high,
Who waits her gallant knight,
Looks to the western beam to spy
The flash of armour bright.
The village maid, with hand on brow
The level ray to shade,
Upon the footpath watches now
For Colin’s darkening plaid.

Now to their mates the wild swans row,
By day they swam apart;
And to the thicket wanders slow
The hind beside the hart.
The woodlark at his partner’s side
Twitters his closing song —
All meet whom day and care divide, —
But Leonard tarries long!

Sir W. Scott.

SONG

Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music, plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.

Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or, hearing, die.

W. Shakespeare.

THE TWA CORBIES

As I was walking all alane,
I heard twa corbies making a mane;
The tane unto the t’other say,
‘Whar sall we gang and dine the day?’

’In behint yon auld fail² dyke,
I wot there lies a new-slain knight;
And naebody kens that he lies there
But his hawk, his hound, and lady fair.

’His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady’s ta’en another mate,
So we may make our dinner sweet.

’Ye’ll sit on his white hause bane,
And I’ll pike out his bonny blue e’en:
Wi’ ae lock o’ his gowden hair,
We’ll theek our nest when it grows bare.

‘Mony a one for him makes mane,
But nane sall ken whae he is gane:
O’er his white banes, when they are bare,
The wind sall blaw for evermair.’

TO ONE IN PARADISE

I

Thou wast all to me, love,
For which my soul did pine —
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.

II

Ah, dream, too bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from out the Future cries,
‘On! on!’ – but o’er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!

III

For, alas! alas! with me
The light of Life is o’er!
‘No more – no more – no more’ —
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar!

IV

And all my days are trances,
And all my nightly dreams
Are where thy dark eye glances,
And where thy footstep gleams;
In what ethereal dances,
By what eternal streams.

E. A. Poe.

HYMN TO DIANA

Queen and Huntress, chaste and fair.
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.

Earth, let not thy envious shade
Dare itself to interpose;
Cynthia’s shining orb was made
Heav’n to clear, when day did close:
Bless us then with wished sight,
Goddess excellently bright.

Lay thy bow of pearl apart
And thy crystal shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak’st a day of night,
Goddess excellently bright.

B. Jonson.

COUNTY GUY

Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark, his lay who trill’d all day,
Sits hush’d his partner nigh;
Breeze, bird, and flower, confess the hour
But where is County Guy?

The village maid steals through the shade,
Her shepherd’s suit to hear;
To beauty shy, by lattice high,
Sings high-born Cavalier.
The star of Love, all stars above,
Now reigns o’er earth and sky;
And high and low the influence know —
But where is County Guy?

Sir W. Scott.

GATHERING SONG OF DONALD DHU

Pibroch of Donuil Dhu,
Pibroch of Donuil,
Wake thy wild voice anew,
Summon Clan Conuil.
Come away, come away,
Hark to the summons!
Come in your war-array,
Gentles and commons.

Come from deep glen, and
From mountain so rocky,
The war-pipe and pennon
Are at Inverlochy.
Come every hill-plaid, and
True heart that wears one,
Come every steel blade, and
Strong hand that bears one.

Leave untended the herd,
The flock without shelter;
Leave the corpse uninterr’d,
The bride at the altar;
Leave the deer, leave the steer,
Leave nets and barges:
Come with your fighting gear,
Broadswords and targes.

Come as the winds come, when
Forests are rended;
Come as the waves come, when
Navies are stranded:
Faster come, faster come,
Faster and faster,
Chief, vassal, page and groom,
Tenant and master.

Fast they come, fast they come;
See how they gather!
Wide waves the eagle plume
Blended with heather.
Cast your plaids, draw your blades,
Forward each man set!
Pibroch of Donuil Dhu
Knell for the onset!

Sir W. Scott.

THE DESTRUCTION OF SENNACHERIB

The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen;
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay wither’d and strown.

For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he pass’d;
And the eyes of the sleepers wax’d deadly and chill,
And their hearts but once heaved, and for ever grew still!

And there lay the steed with his nostril all wide,
But through it there roll’d not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider distorted and pale,
With the dew on his brow, and the rust on his mail:
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!

Lord Byron.

THE CAVALIER

While the dawn on the mountain was misty and gray,
My true love has mounted his steed, and away
Over hill, over valley, o’er dale, and o’er down, —
Heaven shield the brave Gallant that fights for the Crown!

He has doff’d the silk doublet the breastplate to bear,
He has placed the steel cap o’er his long-flowing hair,
From his belt to his stirrup his broadsword hangs down, —
Heaven shield the brave Gallant that fights for the Crown!

For the rights of fair England that broadsword he draws;
Her King is his leader, her Church is his cause;
His watchword is honour, his pay is renown, —
God strike with the Gallant that strikes for the Crown!

They may boast of their Fairfax, their Waller, and all
The roundheaded rebels of Westminster Hall;
But tell these bold traitors of London’s proud town,
That the spears of the North have encircled the Crown.

There’s Derby and Cavendish, dread of their foes;
There’s Erin’s high Ormond, and Scotland’s Montrose!
Would you match the base Skippon, and Massey, and Brown
With the Barons of England, that fight for the Crown?

Now joy to the crest of the brave Cavalier!
Be his banner unconquer’d, resistless his spear,
Till in peace and in triumph his toils he may drown,
In a pledge to fair England, her Church, and her Crown.

Sir W. Scott.

ON FIRST LOOKING INTO CHAPMAN’S HOMER

Much have I travell’d in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.

Oft of one wide expanse had I been told
That deep-brow’d Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:

Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez when with eagle eyes

He stared at the Pacific – and all his men
Look’d at each other with a wild surmise —
Silent, upon a peak in Darien.

J. Keats.

SONG

FOR MUSIC

A lake and a fairy boat
To sail in the moonlight clear, —
And merrily we would float
From the dragons that watch us here!

Thy gown should be snow-white silk,
And strings of orient pearls,
Like gossamers dipped in milk,
Should twine with thy raven curls

Red rubies should deck thy hands,
And diamonds should be thy dower —
But Fairies have broke their wands,
And wishing has lost its power!

T. Hood.

ODE WRITTEN IN MDCCXLVI

How sleep the brave, who sink to rest,
By all their country’s wishes bless’d!
When Spring, with dewy fingers cold,
Returns to deck their hallow’d mould,
She there shall dress a sweeter sod
Than Fancy’s feet have ever trod.

By fairy hands their knell is rung;
By forms unseen their dirge is sung;
There Honour comes, a pilgrim gray,
To bless the turf that wraps their clay;
And Freedom shall a while repair
To dwell a weeping hermit there!

W. Collins.

TO DAFFODILS

Fair Daffodils, we weep to see
You haste away so soon:
As yet the early-rising Sun
Has not attain’d his noon.
Stay, stay,
Until the hasting day
Has run
But to the even-song;
And, having pray’d together, we
Will go with you along.

We have short time to stay, as you,
We have as short a Spring;

Конец ознакомительного фрагмента.

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1

The evil spirit of the waters.

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2

Fail, ‘turf.’

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