THE AMERICAN
Henry James

History of Collins

In 1819, millworker William Collins from Glasgow, Scotland, set up a company for printing and publishing pamphlets, sermons, hymn books and prayer books. That company was Collins and was to mark the birth of HarperCollins Publishers as we know it today. The long tradition of Collins dictionary publishing can be traced back to the first dictionary William published in 1824, Greek and English Lexicon. Indeed, from 1840 onwards, he began to produce illustrated dictionaries and even obtained a licence to print and publish the Bible.

Soon after, William published the first Collins novel, Ready Reckoner; however, it was the time of the Long Depression, where harvests were poor, prices were high, potato crops had failed and violence was erupting in Europe. As a result, many factories across the country were forced to close down and William chose to retire in 1846, partly due to the hardships he was facing.

Aged 30, William’s son, William II took over the business. A keen humanitarian with a warm heart and a generous spirit, William II was truly ‘Victorian’ in his outlook. He introduced new, up-to-date steam presses and published affordable editions of Shakespeare’s works and The Pilgrim’s Progress, making them available to the masses for the first time. A new demand for educational books meant that success came with the publication of travel books, scientific books, encyclopaedias and dictionaries. This demand to be educated led to the later publication of atlases and Collins also held the monopoly on scripture writing at the time.

In the 1860s Collins began to expand and diversify and the idea of ‘books for the millions’ was developed. Affordable editions of classical literature were published and in 1903 Collins introduced 10 titles in their Collins Handy Illustrated Pocket Novels. These proved so popular that a few years later this had increased to an output of 50 volumes, selling nearly half a million in their year of publication. In the same year, The Everyman’s Library was also instituted, with the idea of publishing an affordable library of the most important classical works, biographies, religious and philosophical treatments, plays, poems, travel and adventure. This series eclipsed all competition at the time and the introduction of paperback books in the 1950s helped to open that market and marked a high point in the industry.

HarperCollins is and has always been a champion of the classics and the current Collins Classics series follows in this tradition – publishing classical literature that is affordable and available to all. Beautifully packaged, highly collectible and intended to be reread and enjoyed at every opportunity.

Life & Times

About the Author

American Henry James was born and raised in New York City in 1843. His father was a prominent social theorist and intellectual who frequently traveled across Europe, and Henry and his brother William often accompanied him on these trips. Henry was exposed to this European society from a young age, and his fascination with the decadence and sophistication of Europe in comparison to the shiny optimism and sincerity of American is apparent in many of his works. Early on in his writing career, James moved to Europe and even became a British citizen in 1915 because he disagreed with America’s decision not to become involved with the First World War.

His novels The American, The Europeans, and Daisy Miller were all written with a mind to psychological realism, but it was not until the 1880s that he wrote The Portrait of a Lady, often considered his greatest novel. Critics sometimes voiced the opinion that James’s work was uneventful, or too slow-paced, but others delighted in his style of writing, which they cited as being elegant, concise, and fluid.

Despite James’s obvious delight in observing and noting the interaction of humans in society, he was a shy and socially removed individual who did not keep many close friends. He was never married and very open about his decision to choose a life of celibacy. He was a prolific writer and produced over 100 books in 40 years of writing, including some of his most well-known works, The Turn of the Screw and The Wings of the Dove.

The Portrait of a Lady

Generally considered Henry James’s finest piece of writing, The Portrait of a Lady was first written in the 1880s. A great lover of observing human behavior in society, James centers the novel on the conflict between American individualism and European custom, following the lives of American characters living in Europe. The young Isabel Archer is confident, independent, and well-read and is regarded in her home town of Albany, New York as too intimidating a woman for eligible men to pursue. Shortly after the death of her father, her American aunt Mrs. Touchett comes to invite Isabel to accompany her back to Europe. Isabel jumps at the chance and is soon turning down offers of marriage from British suitor Mr. Warburton and spurning the affections of her cousin Ralph in favor of maintaining her independence.

When Mr. Touchett’s health declines and he eventually dies, he leaves half his wealth to Isabel, rendering her a woman of independent means. Madame Merle befriends Isabel, her interest in their friendship piqued by Isabel’s inheritance, and accompanies Mrs. Touchett and Isabel to Florence. Madame Merle introduces her friend to Gilbert Osmond, building him up as a fine man of taste and devoted to the arts, despite the fact that he has no social standing or wealth of his own. Little does Isabel know that Madame Merle is romantically involved with Osmond and has plans to access Isabel’s fortune by persuading her to marry him. Isabel does marry him, despite the disapproval of those around her, and moves to live with him and his daughter Pansy in Rome. As Isabel and Osmond grow to detest each other more and more every day, Isabel attempts to save Pansy from marrying the wrong man, infuriating Osmond in the process because his daughter has rejected a wealthy suitor.

When Isabel hears that Ralph is ill, Osmond demands that she stay in Rome and not visit her cousin. After wrestling with the duty she feels toward her husband and her adherence to social propriety, she eventually decides to go to Ralph in England. She is even more resolved to do so when she finds out, to her horror, that Pansy is actually Madame Merle’s daughter. When Ralph dies, Isabel has to decide whether to honor her duty to her husband and return to Rome, even though the independent part of her tells her to flee and never return. Ultimately, Isabel feels the stronger pull of societal duty, the promise she made to her stepdaughter, and the weight of her marriage commitment to Osmond, and returns to Rome.

The American

An enduring concern among internationally minded Americans is the stereotypical image of “the American” held by the rest of the world, especially Europe, perceived to be a disapproving cultural and social parent. Henry James was aware that the French writer Alexandre Dumas had portrayed an American as uncivilized and disreputable in his play L’Étrangère (The Foreigner) in 1876, so he wanted to redress this point of view in his novel The American (1877).

The central character of the novel is a wealthy American who travels to France in the aftermath of the American Civil War, to experience the historical and cultural depth of Europe. In essence, James was exploring the juxtaposition of a civilized American reacting to the social environment and traditions he encounters on his travels. Put simply, James portrayed a New World mind contrasted against those of the Old World. The fundamental point being that Americans were free from the complexities and preposterousness of etiquette that exist in high-society Europe, such etiquette a fragile structure that existed only because the components had remained unchanged for countless generations. To counteract the perception that Americans were unrefined in thoughts and behavior, James portrays his character as thoughtful and intellectually searching. However, he inevitably comes across as rather gauche and pretentious to European sensibilities because he is naïve of their ways. His attempts to learn to be cultivated and sophisticated are at odds with those around him who supposedly already are.

The story works because James manages to exploit the comic value from this humorous interplay, as the American struggles to deal with the bound behaviors of the Europeans, which makes them seem somewhere between eccentric and insane. The overriding insight is that behavioural “normality” is a subjective judgment, based on one’s level of familiarity with the world view of others. It is largely a case of never the twain shall meet, which is why people tend to simplify matters by inventing stereotypes. It becomes easier for the mind to comprehend if all members of a culture are superimposed by a single personality.

Of course, in life this occurs mutually, so that all cultures stereotype other cultures. The rub with James, however, is that America is perceived as an adolescent nation, so that it is faced with either delinquently ignoring those who still belong to its parent cultures or perpetually seeking approval from them. Interestingly, this idea still persists to some degree almost 150 years on: Americans are still stereotyped as loud and unsubtle by many Europeans, and Europeans are still stereotyped as staid and superior by many Americans.

CONTENTS

Title Page

History of Collins

Life & Times

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Classic Literature: Words and Phrases adapted from the Collins English Dictionary

Copyright

About the Publisher

CHAPTER 1

On a brilliant day in May, in the year 1868, a gentleman was reclining at his ease on the great circular divan which at that period occupied the centre of the Salon Carre, in the Museum of the Louvre. This commodious ottoman has since been removed, to the extreme regret of all weak-kneed lovers of the fine arts, but the gentleman in question had taken serene possession of its softest spot, and, with his head thrown back and his legs outstretched, was staring at Murillo’s beautiful moon-borne Madonna in profound enjoyment of his posture. He had removed his hat, and flung down beside him a little red guide-book and an opera-glass. The day was warm; he was heated with walking, and he repeatedly passed his handkerchief over his forehead, with a somewhat wearied gesture. And yet he was evidently not a man to whom fatigue was familiar; long, lean, and muscular, he suggested the sort of vigor that is commonly known as “toughness.” But his exertions on this particular day had been of an unwonted sort, and he had performed great physical feats which left him less jaded than his tranquil stroll through the Louvre. He had looked out all the pictures to which an asterisk was affixed in those formidable pages of fine print in his Badeker; his attention had been strained and his eyes dazzled, and he had sat down with an aesthetic headache. He had looked, moreover, not only at all the pictures, but at all the copies that were going forward around them, in the hands of those innumerable young women in irreproachable toilets who devote themselves, in France, to the propagation of masterpieces, and if the truth must be told, he had often admired the copy much more than the original. His physiognomy would have sufficiently indicated that he was a shrewd and capable fellow, and in truth he had often sat up all night over a bristling bundle of accounts, and heard the cock crow without a yawn. But Raphael and Titian and Rubens were a new kind of arithmetic, and they inspired our friend, for the first time in his life, with a vague self-mistrust.

An observer with anything of an eye for national types would have had no difficulty in determining the local origin of this undeveloped connoisseur, and indeed such an observer might have felt a certain humorous relish of the almost ideal completeness with which he filled out the national mould. The gentleman on the divan was a powerful specimen of an American. But he was not only a fine American; he was in the first place, physically, a fine man. He appeared to possess that kind of health and strength which, when found in perfection, are the most impressive—the physical capital which the owner does nothing to “keep up.” If he was a muscular Christian, it was quite without knowing it. If it was necessary to walk to a remote spot, he walked, but he had never known himself to “exercise.” He had no theory with regard to cold bathing or the use of Indian clubs; he was neither an oarsman, a rifleman, nor a fencer—he had never had time for these amusements—and he was quite unaware that the saddle is recommended for certain forms of indigestion. He was by inclination a temperate man; but he had supped the night before his visit to the Louvre at the Cafe Anglais—some one had told him it was an experience not to be omitted—and

he had slept none the less the sleep of the just. His usual attitude and carriage were of a rather relaxed and lounging kind, but when under a special inspiration, he straightened himself, he looked like a grenadier on parade. He never smoked. He had been assured—such things are said—that cigars were excellent for the health, and he was quite capable of believing it; but he knew as little about tobacco as about homeopathy. He had a very well-formed head, with a shapely, symmetrical balance of the frontal and the occipital development, and a good deal of straight, rather dry brown hair. His complexion was brown, and his nose had a bold well-marked arch. His eye was of a clear, cold gray, and save for a rather abundant mustache he was clean-shaved. He had the flat jaw and sinewy neck which are frequent in the American type; but the traces of national origin are a matter of expression even more than of feature, and it was in this respect that our friend’s countenance was supremely eloquent. The discriminating observer we have been supposing might, however, perfectly have measured its expressiveness, and yet have been at a loss to describe it. It had that typical vagueness which is not vacuity, that blankness which is not simplicity, that look of being committed to nothing in particular, of standing in an attitude of general hospitality to the chances of life, of being very much at one’s own disposal so characteristic of many American faces. It was our friend’s eye that chiefly told his story; an eye in which innocence and experience were singularly blended. It was full of contradictory suggestions, and though it was by no means the glowing orb of a hero of romance, you could find in it almost anything you looked for. Frigid and yet friendly, frank yet cautious, shrewd yet credulous, positive yet skeptical, confident yet shy, extremely intelligent and extremely good-humored, there was something vaguely defiant in its concessions, and something profoundly reassuring in its reserve. The cut of this gentleman’s mustache, with the two premature wrinkles in the cheek above it, and the fashion of his garments, in which an exposed shirt-front and a cerulean cravat played perhaps an obtrusive part, completed the conditions of his identity. We have approached him, perhaps, at a not especially favorable moment; he is by no means sitting for his portrait. But listless as he lounges there, rather baffled on the aesthetic question, and guilty of the damning fault (as we have lately discovered it to be) of confounding the merit of the artist with that of his work (for he admires the squinting Madonna of the young lady with the boyish coiffure, because he thinks the young lady herself uncommonly taking), he is a sufficiently promising acquaintance. Decision, salubrity, jocosity, prosperity, seem to hover within his call; he is evidently a practical man, but the idea in his case, has undefined and mysterious boundaries, which invite the imagination to bestir itself on his behalf.

As the little copyist proceeded with her work, she sent every now and then a responsive glance toward her admirer. The cultivation of the fine arts appeared to necessitate, to her mind, a great deal of byplay, a great standing off with folded arms and head drooping from side to side, stroking of a dimpled chin with a dimpled hand, sighing and frowning and patting of the foot, fumbling in disordered tresses for wandering hair-pins. These performances were accompanied by a restless glance, which lingered longer than elsewhere upon the gentleman we have described. At last he rose abruptly, put on his hat, and approached the young lady. He placed himself before her picture and looked at it for some moments, during which she pretended to be quite unconscious of his inspection. Then, addressing her with the single word which constituted the strength of his French vocabulary, and holding up one finger in a manner which appeared to him to illuminate his meaning, “Combien?” he abruptly demanded.

The artist stared a moment, gave a little pout, shrugged her shoulders, put down her palette and brushes, and stood rubbing her hands.

“How much?” said our friend, in English. “Combien?”

“Monsieur wishes to buy it?” asked the young lady in French.

“Very pretty, splendide. Combien?” repeated the American.

“It pleases monsieur, my little picture? It’s a very beautiful subject,” said the young lady.

“The Madonna, yes; I am not a Catholic, but I want to buy it. Combien? Write it here.” And he took a pencil from his pocket and showed her the fly-leaf of his guide-book. She stood looking at him and scratching her chin with the pencil. “Is it not for sale?” he asked. And as she still stood reflecting, and looking at him with an eye which, in spite of her desire to treat this avidity of patronage as a very old story, betrayed an almost touching incredulity, he was afraid he had offended her. She simply trying to look indifferent, and wondering how far she might go. “I haven’t made a mistake—pas insulte, no?” her interlocutor continued. “Don’t you understand a little English?”

The young lady’s aptitude for playing a part at short notice was remarkable. She fixed him with her conscious, perceptive eye and asked him if he spoke no French. Then, “Donnez!” she said briefly, and took the open guide-book. In the upper corner of the fly-leaf she traced a number, in a minute and extremely neat hand. Then she handed back the book and took up her palette again.

Our friend read the number: “2,000 francs.” He said nothing for a time, but stood looking at the picture, while the copyist began actively to dabble with her paint. “For a copy, isn’t that a good deal?” he asked at last. “Pas beaucoup?”

The young lady raised her eyes from her palette, scanned him from head to foot, and alighted with admirable sagacity upon exactly the right answer. “Yes, it’s a good deal. But my copy has remarkable qualities, it is worth nothing less.”

The gentleman in whom we are interested understood no French, but I have said he was intelligent, and here is a good chance to prove it. He apprehended, by a natural instinct, the meaning of the young woman’s phrase, and it gratified him to think that she was so honest. Beauty, talent, virtue; she combined everything! “But you must finish it,” he said. “FINISH, you know;” and he pointed to the unpainted hand of the figure.

“Oh, it shall be finished in perfection; in the perfection of perfections!” cried mademoiselle; and to confirm her promise, she deposited a rosy blotch in the middle of the Madonna’s cheek.

But the American frowned. “Ah, too red, too red!” he rejoined. “Her complexion,” pointing to the Murillo, “is—more delicate.”

“Delicate? Oh, it shall be delicate, monsieur; delicate as Sevres biscuit. I am going to tone that down; I know all the secrets of my art. And where will you allow us to send it to you? Your address?”

“My address? Oh yes!” And the gentleman drew a card from his pocket-book and wrote something upon it. Then hesitating a moment he said, “If I don’t like it when it it’s finished, you know, I shall not be obliged to take it.”

The young lady seemed as good a guesser as himself. “Oh, I am very sure that monsieur is not capricious,” she said with a roguish smile.

“Capricious?” And at this monsieur began to laugh. “Oh no, I’m not capricious. I am very faithful. I am very constant. Comprenez?”

“Monsieur is constant; I understand perfectly. It’s a rare virtue. To recompense you, you shall have your picture on the first possible day; next week—as soon as it is dry. I will take the card of monsieur.” And she took it and read his name: “Christopher Newman.” Then she tried to repeat it aloud, and laughed at her bad accent. “Your English names are so droll!”

“Droll?” said Mr. Newman, laughing too. “Did you ever hear of Christopher Columbus?”

“Bien sur! He invented America; a very great man. And is he your patron?”

“My patron?”

“Your patron-saint, in the calendar.”

“Oh, exactly; my parents named me for him.”

“Monsieur is American?”

“Don’t you see it?” monsieur inquired.

“And you mean to carry my little picture away over there?” and she explained her phrase with a gesture.

“Oh, I mean to buy a great many pictures—beaucoup, beaucoup,” said Christopher Newman.

“The honor is not less for me,” the young lady answered, “for I am sure monsieur has a great deal of taste.”

“But you must give me your card,” Newman said; “your card, you know.”

The young lady looked severe for an instant, and then said, “My father will wait upon you.”

But this time Mr. Newman’s powers of divination were at fault. “Your card, your address,” he simply repeated.

“My address?” said mademoiselle. Then with a little shrug, “Happily for you, you are an American! It is the first time I ever gave my card to a gentleman.” And, taking from her pocket a rather greasy porte-monnaie, she extracted from it a small glazed visiting card, and presented the latter to her patron. It was neatly inscribed in pencil, with a great many flourishes, “Mlle. Noemie Nioche.” But Mr. Newman, unlike his companion, read the name with perfect gravity; all French names to him were equally droll.

“And precisely, here is my father, who has come to escort me home,” said Mademoiselle Noemie. “He speaks English. He will arrange with you.” And she turned to welcome a little old gentleman who came shuffling up, peering over his spectacles at Newman.

M. Nioche wore a glossy wig, of an unnatural color which overhung his little meek, white, vacant face, and left it hardly more expressive than the unfeatured block upon which these articles are displayed in the barber’s window. He was an exquisite image of shabby gentility. His scant ill-made coat, desperately brushed, his darned gloves, his highly polished boots, his rusty, shapely hat, told the story of a person who had “had losses” and who clung to the spirit of nice habits even though the letter had been hopelessly effaced. Among other things M. Nioche had lost courage. Adversity had not only ruined him, it had frightened him, and he was evidently going through his remnant of life on tiptoe, for fear of waking up the hostile fates. If this strange gentleman was saying anything improper to his daughter, M. Nioche would entreat him huskily, as a particular favor, to forbear; but he would admit at the same time that he was very presumptuous to ask for particular favors.

“Monsieur has bought my picture,” said Mademoiselle Noemie. “When it’s finished you’ll carry it to him in a cab.”

“In a cab!” cried M. Nioche; and he stared, in a bewildered way, as if he had seen the sun rising at midnight.

“Are you the young lady’s father?” said Newman. “I think she said you speak English.”

“Speak English—yes,” said the old man slowly rubbing his hands. “I will bring it in a cab.”

“Say something, then,” cried his daughter. “Thank him a little—not too much.”

“A little, my daughter, a little?” said M. Nioche perplexed. “How much?”

“Two thousand!” said Mademoiselle Noemie. “Don’t make a fuss or he’ll take back his word.”

“Two thousand!” cried the old man, and he began to fumble for his snuff-box. He looked at Newman from head to foot; he looked at his daughter and then at the picture. “Take care you don’t spoil it!” he cried almost sublimely.

“We must go home,” said Mademoiselle Noemie. “This is a good day’s work. Take care how you carry it!” And she began to put up her utensils.

“How can I thank you?” said M. Nioche. “My English does not suffice.”

“I wish I spoke French as well,” said Newman, good-naturedly. “Your daughter is very clever.”

“Oh, sir!” and M. Nioche looked over his spectacles with tearful eyes and nodded several times with a world of sadness. “She has had an education—tres-superieure! Nothing was spared. Lessons in pastel at ten francs the lesson, lessons in oil at twelve francs. I didn’t look at the francs then. She’s an artiste, ah!”

“Do I understand you to say that you have had reverses?” asked Newman.

“Reverses? Oh, sir, misfortunes—terrible.”

“Unsuccessful in business, eh?”

“Very unsuccessful, sir.”

“Oh, never fear, you’ll get on your legs again,” said Newman cheerily.

The old man drooped his head on one side and looked at him with an expression of pain, as if this were an unfeeling jest.

“What does he say?” demanded Mademoiselle Noemie.

M. Nioche took a pinch of snuff. “He says I will make my fortune again.”

“Perhaps he will help you. And what else?”

“He says thou art very clever.”

“It is very possible. You believe it yourself, my father?”

“Believe it, my daughter? With this evidence!” And the old man turned afresh, with a staring, wondering homage, to the audacious daub on the easel.

“Ask him, then, if he would not like to learn French.”

“To learn French?”

“To take lessons.”

“To take lessons, my daughter? From thee?”

“From you!”

“From me, my child? How should I give lessons?”

“Pas de raisons! Ask him immediately!” said Mademoiselle Noemie, with soft brevity.

M. Nioche stood aghast, but under his daughter’s eye he collected his wits, and, doing his best to assume an agreeable smile, he executed her commands. “Would it please you to receive instruction in our beautiful language?” he inquired, with an appealing quaver.

“To study French?” asked Newman, staring.

M. Nioche pressed his finger-tips together and slowly raised his shoulders. “A little conversation!”

“Conversation—that’s it!” murmured Mademoiselle Noemie, who had caught the word. “The conversation of the best society.”

“Our French conversation is famous, you know,” M. Nioche ventured to continue. “It’s a great talent.”

“But isn’t it awfully difficult?” asked Newman, very simply.

“Not to a man of esprit, like monsieur, an admirer of beauty in every form!” and M. Nioche cast a significant glance at his daughter’s Madonna.

“I can’t fancy myself chattering French!” said Newman with a laugh. “And yet, I suppose that the more a man knows the better.”

“Monsieur expresses that very happily. Helas, oui!”

“I suppose it would help me a great deal, knocking about Paris, to know the language.”

“Ah, there are so many things monsieur must want to say: difficult things!”

“Everything I want to say is difficult. But you give lessons?”

Poor M. Nioche was embarrassed; he smiled more appealingly. “I am not a regular professor,” he admitted. “I can’t nevertheless tell him that I’m a professor,” he said to his daughter.

“Tell him it’s a very exceptional chance,” answered Mademoiselle Noemie; “an homme du monde—one gentleman conversing with another! Remember what you are—what you have been!”

“A teacher of languages in neither case! Much more formerly and much less to-day! And if he asks the price of the lessons?”

“He won’t ask it,” said Mademoiselle Noemie.

“What he pleases, I may say?”

“Never! That’s bad style.”

“If he asks, then?”

Mademoiselle Noemie had put on her bonnet and was tying the ribbons. She smoothed them out, with her soft little chin thrust forward. “Ten francs,” she said quickly.

“Oh, my daughter! I shall never dare.”

“Don’t dare, then! He won’t ask till the end of the lessons, and then I will make out the bill.”

M. Nioche turned to the confiding foreigner again, and stood rubbing his hands, with an air of seeming to plead guilty which was not intenser only because it was habitually so striking. It never occurred to Newman to ask him for a guarantee of his skill in imparting instruction; he supposed of course M. Nioche knew his own language, and his appealing forlornness was quite the perfection of what the American, for vague reasons, had always associated with all elderly foreigners of the lesson-giving class. Newman had never reflected upon philological processes. His chief impression with regard to ascertaining those mysterious correlatives of his familiar English vocables which were current in this extraordinary city of Paris was, that it was simply a matter of a good deal of unwonted and rather ridiculous muscular effort on his own part. “How did you learn English?” he asked of the old man.

“When I was young, before my miseries. Oh, I was wide awake, then. My father was a great commercant; he placed me for a year in a counting-house in England. Some of it stuck to me; but I have forgotten!”

“How much French can I learn in a month?”

“What does he say?” asked Mademoiselle Noemie.

M. Nioche explained.

“He will speak like an angel!” said his daughter.

But the native integrity which had been vainly exerted to secure M. Nioche’s commercial prosperity flickered up again. “Dame, monsieur!” he answered. “All I can teach you!” And then, recovering himself at a sign from his daughter, “I will wait upon you at your hotel.”

“Oh yes, I should like to learn French,” Newman went on, with democratic confidingness. “Hang me if I should ever have thought of it! I took for granted it was impossible. But if you learned my language, why shouldn’t I learn yours?” and his frank, friendly laugh drew the sting from the jest. “Only, if we are going to converse, you know, you must think of something cheerful to converse about.”

“You are very good, sir; I am overcome!” said M. Nioche, throwing out his hands. “But you have cheerfulness and happiness for two!”

“Oh no,” said Newman more seriously. “You must be bright and lively; that’s part of the bargain.”

M. Nioche bowed, with his hand on his heart. “Very well, sir; you have already made me lively.”

“Come and bring me my picture then; I will pay you for it, and we will talk about that. That will be a cheerful subject!”

Mademoiselle Noemie had collected her accessories, and she gave the precious Madonna in charge to her father, who retreated backwards out of sight, holding it at arm’s-length and reiterating his obeisance. The young lady gathered her shawl about her like a perfect Parisienne, and it was with the smile of a Parisienne that she took leave of her patron.

CHAPTER 2

He wandered back to the divan and seated himself on the other side, in view of the great canvas on which Paul Veronese had depicted the marriage-feast of Cana. Wearied as he was he found the picture entertaining; it had an illusion for him; it satisfied his conception, which was ambitious, of what a splendid banquet should be. In the left-hand corner of the picture is a young woman with yellow tresses confined in a golden head-dress; she is bending forward and listening, with the smile of a charming woman at a dinner-party, to her neighbor. Newman detected her in the crowd, admired her, and perceived that she too had her votive copyist—a young man with his hair standing on end. Suddenly he became conscious of the germ of the mania of the “collector;” he had taken the first step; why should he not go on? It was only twenty minutes before that he had bought the first picture of his life, and now he was already thinking of art-patronage as a fascinating pursuit. His reflections quickened his good-humor, and he was on the point of approaching the young man with another “Combien?” Two or three facts in this relation are noticeable, although the logical chain which connects them may seem imperfect. He knew Mademoiselle Nioche had asked too much; he bore her no grudge for doing so, and he was determined to pay the young man exactly the proper sum. At this moment, however, his attention was attracted by a gentleman who had come from another part of the room and whose manner was that of a stranger to the gallery, although he was equipped with neither guide-book nor opera-glass. He carried a white sun-umbrella, lined with blue silk, and he strolled in front of the Paul Veronese, vaguely looking at it, but much too near to see anything but the grain of the canvas. Opposite to Christopher Newman he paused and turned, and then our friend, who had been observing him, had a chance to verify a suspicion aroused by an imperfect view of his face. The result of this larger scrutiny was that he presently sprang to his feet, strode across the room, and, with an outstretched hand, arrested the gentleman with the blue-lined umbrella. The latter stared, but put out his hand at a venture. He was corpulent and rosy, and though his countenance, which was ornamented with a beautiful flaxen beard, carefully divided in the middle and brushed outward at the sides, was not remarkable for intensity of expression, he looked like a person who would willingly shake hands with anyone. I know not what Newman thought of his face, but he found a want of response in his grasp.

“Oh, come, come,” he said, laughing; “don’t say, now, you don’t know me—if I have NOT got a white parasol!”

The sound of his voice quickened the other’s memory, his face expanded to its fullest capacity, and he also broke into a laugh. “Why, Newman—I’ll be blowed! Where in the world—I declare—who would have thought? You know you have changed.”

“You haven’t!” said Newman.

“Not for the better, no doubt. When did you get here?”

“Three days ago.”

“Why didn’t you let me know?”

“I had no idea YOU were here.”

“I have been here these six years.”

“It must be eight or nine since we met.”

“Something of that sort. We were very young.”

“It was in St. Louis, during the war. You were in the army.”

“Oh no, not I! But you were.”

“I believe I was.”

“You came out all right?”

“I came out with my legs and arms—and with satisfaction. All that seems very far away.”

“And how long have you been in Europe?”

“Seventeen days.”

“First time?”

“Yes, very much so.”

“Made your everlasting fortune?”

Christopher Newman was silent a moment, and then with a tranquil smile he answered, “Yes.”

“And come to Paris to spend it, eh?”

“Well, we shall see. So they carry those parasols here—the menfolk?”

“Of course they do. They’re great things. They understand comfort out here.”

“Where do you buy them?”

“Anywhere, everywhere.”

“Well, Tristram, I’m glad to get hold of you. You can show me the ropes. I suppose you know Paris inside out.”

Mr. Tristram gave a mellow smile of self-gratulation. “Well, I guess there are not many men that can show me much. I’ll take care of you.”

“It’s a pity you were not here a few minutes ago. I have just bought a picture. You might have put the thing through for me.”

“Bought a picture?” said Mr. Tristram, looking vaguely round at the walls. “Why, do they sell them?”

“I mean a copy.”

“Oh, I see. These,” said Mr. Tristram, nodding at the Titians and Vandykes, “these, I suppose, are originals.”

“I hope so,” cried Newman. “I don’t want a copy of a copy.”

“Ah,” said Mr. Tristram, mysteriously, “you can never tell. They imitate, you know, so deucedly well. It’s like the jewelers, with their false stones. Go into the Palais Royal, there; you see ‘Imitation’ on half the windows. The law obliges them to stick it on, you know; but you can’t tell the things apart. To tell the truth,” Mr. Tristram continued, with a wry face, “I don’t do much in pictures. I leave that to my wife.”

“Ah, you have got a wife?”

“Didn’t I mention it? She’s a very nice woman; you must know her. She’s up there in the Avenue d’Iena.”

“So you are regularly fixed—house and children and all.”

“Yes, a tip-top house and a couple of youngsters.”

“Well,” said Christopher Newman, stretching his arms a little, with a sigh, “I envy you.”

“Oh no! you don’t!” answered Mr. Tristram, giving him a little poke with his parasol.

“I beg your pardon; I do!”

“Well, you won’t, then, when—when—”

“You don’t certainly mean when I have seen your establishment?”

“When you have seen Paris, my boy. You want to be your own master here.”

“Oh, I have been my own master all my life, and I’m tired of it.”

“Well, try Paris. How old are you?”

“Thirty-six.”

“C’est le bel age, as they say here.”

“What does that mean?”

“It means that a man shouldn’t send away his plate till he has eaten his fill.”

“All that? I have just made arrangements to take French lessons.”

“Oh, you don’t want any lessons. You’ll pick it up. I never took any.”

“I suppose you speak French as well as English?”

“Better!” said Mr. Tristram, roundly. “It’s a splendid language. You can say all sorts of bright things in it.”

“But I suppose,” said Christopher Newman, with an earnest desire for information, “that you must be bright to begin with.”

“Not a bit; that’s just the beauty of it.”

The two friends, as they exchanged these remarks, had remained standing where they met, and leaning against the rail which protected the pictures. Mr. Tristram at last declared that he was overcome with fatigue and should be happy to sit down. Newman recommended in the highest terms the great divan on which he had been lounging, and they prepared to seat themselves. “This is a great place; isn’t it?” said Newman, with ardor.

“Great place, great place. Finest thing in the world.” And then, suddenly, Mr. Tristram hesitated and looked about him. “I suppose they won’t let you smoke here.”

Newman stared. “Smoke? I’m sure I don’t know. You know the regulations better than I.”

“I? I never was here before!”

“Never! in six years?”

“I believe my wife dragged me here once when we first came to Paris, but I never found my way back.”

“But you say you know Paris so well!”

“I don’t call this Paris!” cried Mr. Tristram, with assurance. “Come; let’s go over to the Palais Royal and have a smoke.”

“I don’t smoke,” said Newman.

“A drink, then.”

And Mr. Tristram led his companion away. They passed through the glorious halls of the Louvre, down the staircases, along the cool, dim galleries of sculpture, and out into the enormous court. Newman looked about him as he went, but he made no comments, and it was only when they at last emerged into the open air that he said to his friend, “It seems to me that in your place I should have come here once a week.”

“Oh, no you wouldn’t!” said Mr. Tristram. “You think so, but you wouldn’t. You wouldn’t have had time. You would always mean to go, but you never would go. There’s better fun than that, here in Paris. Italy’s the place to see pictures; wait till you get there. There you have to go; you can’t do anything else. It’s an awful country; you can’t get a decent cigar. I don’t know why I went in there, to-day; I was strolling along, rather hard up for amusement. I sort of noticed the Louvre as I passed, and I thought I would go in and see what was going on. But if I hadn’t found you there I should have felt rather sold. Hang it, I don’t care for pictures; I prefer the reality!” And Mr. Tristram tossed off this happy formula with an assurance which the numerous class of persons suffering from an overdose of “culture” might have envied him.

The two gentlemen proceeded along the Rue de Rivoli and into the Palais Royal, where they seated themselves at one of the little tables stationed at the door of the cafe which projects into the great open quadrangle. The place was filled with people, the fountains were spouting, a band was playing, clusters of chairs were gathered beneath all the lime-trees, and buxom, white-capped nurses, seated along the benches, were offering to their infant charges the amplest facilities for nutrition. There was an easy, homely gayety in the whole scene, and Christopher Newman felt that it was most characteristically Parisian.

“And now,” began Mr. Tristram, when they had tested the decoction which he had caused to be served to them, “now just give an account of yourself. What are your ideas, what are your plans, where have you come from and where are you going? In the first place, where are you staying?”

“At the Grand Hotel,” said Newman.

Mr. Tristram puckered his plump visage. “That won’t do! You must change.”

“Change?” demanded Newman. “Why, it’s the finest hotel I ever was in.”

“You don’t want a ‘fine’ hotel; you want something small and quiet and elegant, where your bell is answered and you—your person is recognized.”

“They keep running to see if I have rung before I have touched the bell,” said Newman “and as for my person they are always bowing and scraping to it.”

“I suppose you are always tipping them. That’s very bad style.”

“Always? By no means. A man brought me something yesterday, and then stood loafing in a beggarly manner. I offered him a chair and asked him if he wouldn’t sit down. Was that bad style?”

“Very!”

“But he bolted, instantly. At any rate, the place amuses me. Hang your elegance, if it bores me. I sat in the court of the Grand Hotel last night until two o’clock in the morning, watching the coming and going, and the people knocking about.”

“You’re easily pleased. But you can do as you choose—a man in your shoes. You have made a pile of money, eh?”

“I have made enough”

“Happy the man who can say that? Enough for what?”

“Enough to rest awhile, to forget the confounded thing, to look about me, to see the world, to have a good time, to improve my mind, and, if the fancy takes me, to marry a wife.” Newman spoke slowly, with a certain dryness of accent and with frequent pauses. This was his habitual mode of utterance, but it was especially marked in the words I have just quoted.

“Jupiter! There’s a programme!” cried Mr. Tristram. “Certainly, all that takes money, especially the wife; unless indeed she gives it, as mine did. And what’s the story? How have you done it?”

Newman had pushed his hat back from his forehead, folded his arms, and stretched his legs. He listened to the music, he looked about him at the bustling crowd, at the plashing fountains, at the nurses and the babies. “I have worked!” he answered at last.

Tristram looked at him for some moments, and allowed his placid eyes to measure his friend’s generous longitude and rest upon his comfortably contemplative face. “What have you worked at?” he asked.

“Oh, at several things.”

“I suppose you’re a smart fellow, eh?”

Newman continued to look at the nurses and babies; they imparted to the scene a kind of primordial, pastoral simplicity. “Yes,” he said at last, “I suppose I am.” And then, in answer to his companion’s inquiries, he related briefly his history since their last meeting. It was an intensely Western story, and it dealt with enterprises which it will be needless to introduce to the reader in detail. Newman had come out of the war with a brevet of brigadier-general, an honor which in this case—without invidious comparisons—had lighted upon shoulders amply competent to bear it. But though he could manage a fight, when need was, Newman heartily disliked the business; his four years in the army had left him with an angry, bitter sense of the waste of precious things—life and time and money and “smartness” and the early freshness of purpose; and he had addressed himself to the pursuits of peace with passionate zest and energy. He was of course as penniless when he plucked off his shoulder-straps as when he put them on, and the only capital at his disposal was his dogged resolution and his lively perception of ends and means. Exertion and action were as natural to him as respiration; a more completely healthy mortal had never trod the elastic soil of the West. His experience, moreover, was as wide as his capacity; when he was fourteen years old, necessity had taken him by his slim young shoulders and pushed him into the street, to earn that night’s supper. He had not earned it but he had earned the next night’s, and afterwards, whenever he had had none, it was because he had gone without it to use the money for something else, a keener pleasure or a finer profit. He had turned his hand, with his brain in it, to many things; he had been enterprising, in an eminent sense of the term; he had been adventurous and even reckless, and he had known bitter failure as well as brilliant success; but he was a born experimentalist, and he had always found something to enjoy in the pressure of necessity, even when it was as irritating as the haircloth shirt of the mediaeval monk. At one time failure seemed inexorably his portion; ill-luck became his bed-fellow, and whatever he touched he turned, not to gold, but to ashes. His most vivid conception of a supernatural element in the world’s affairs had come to him once when this pertinacity of misfortune was at its climax; there seemed to him something stronger in life than his own will. But the mysterious something could only be the devil, and he was accordingly seized with an intense personal enmity to this impertinent force. He had known what it was to have utterly exhausted his credit, to be unable to raise a dollar, and to find himself at nightfall in a strange city, without a penny to mitigate its strangeness. It was under these circumstances that he made his entrance into San Francisco, the scene, subsequently, of his happiest strokes of fortune. If he did not, like Dr. Franklin in Philadelphia, march along the street munching a penny-loaf, it was only because he had not the penny-loaf necessary to the performance. In his darkest days he had had but one simple, practical impulse—the desire, as he would have phrased it, to see the thing through. He did so at last, buffeted his way into smooth waters, and made money largely. It must be admitted, rather nakedly, that Christopher Newman’s sole aim in life had been to make money; what he had been placed in the world for was, to his own perception, simply to wrest a fortune, the bigger the better, from defiant opportunity. This idea completely filled his horizon and satisfied his imagination. Upon the uses of money, upon what one might do with a life into which one had succeeded in injecting the golden stream, he had up to his thirty-fifth year very scantily reflected. Life had been for him an open game, and he had played for high stakes. He had won at last and carried off his winnings; and now what was he to do with them? He was a man to whom, sooner or later, the question was sure to present itself, and the answer to it belongs to our story. A vague sense that more answers were possible than his philosophy had hitherto dreamt of had already taken possession of him, and it seemed softly and agreeably to deepen as he lounged in this brilliant corner of Paris with his friend.

“I must confess,” he presently went on, “that here I don’t feel at all smart. My remarkable talents seem of no use. I feel as simple as a little child, and a little child might take me by the hand and lead me about.”

“Oh, I’ll be your little child,” said Tristram, jovially; “I’ll take you by the hand. Trust yourself to me.”

“I am a good worker,” Newman continued, “but I rather think I am a poor loafer. I have come abroad to amuse myself, but I doubt whether I know how.”

“Oh, that’s easily learned.”

“Well, I may perhaps learn it, but I am afraid I shall never do it by rote. I have the best will in the world about it, but my genius doesn’t lie in that direction. As a loafer I shall never be original, as I take it that you are.”

“Yes,” said Tristram, “I suppose I am original; like all those immoral pictures in the Louvre.”

“Besides,” Newman continued, “I don’t want to work at pleasure, any more than I played at work. I want to take it easily. I feel deliciously lazy, and I should like to spend six months as I am now, sitting under a tree and listening to a band. There’s only one thing; I want to hear some good music.”

“Music and pictures! Lord, what refined tastes! You are what my wife calls intellectual. I ain’t, a bit. But we can find something better for you to do than to sit under a tree. To begin with, you must come to the club.”

“What club?”

“The Occidental. You will see all the Americans there; all the best of them, at least. Of course you play poker?”

“Oh, I say,” cried Newman, with energy, “you are not going to lock me up in a club and stick me down at a card-table! I haven’t come all this way for that.”

“What the deuce HAVE you come for! You were glad enough to play poker in St. Louis, I recollect, when you cleaned me out.”

“I have come to see Europe, to get the best out of it I can. I want to see all the great things, and do what the clever people do.”

“The clever people? Much obliged. You set me down as a blockhead, then?”

Newman was sitting sidewise in his chair, with his elbow on the back and his head leaning on his hand. Without moving he looked a while at his companion with his dry, guarded, half-inscrutable, and yet altogether good-natured smile. “Introduce me to your wife!” he said at last.

Tristram bounced about in his chair. “Upon my word, I won’t. She doesn’t want any help to turn up her nose at me, nor do you, either!”

“I don’t turn up my nose at you, my dear fellow; nor at anyone, or anything. I’m not proud, I assure you I’m not proud. That’s why I am willing to take example by the clever people.”

“Well, if I’m not the rose, as they say here, I have lived near it. I can show you some clever people, too. Do you know General Packard? Do you know C. P. Hatch? Do you know Miss Kitty Upjohn?”

“I shall be happy to make their acquaintance; I want to cultivate society.”

Tristram seemed restless and suspicious; he eyed his friend askance, and then, “What are you up to, any way?” he demanded. “Are you going to write a book?”

Christopher Newman twisted one end of his mustache a while, in silence, and at last he made answer. “One day, a couple of months ago, something very curious happened to me. I had come on to New York on some important business; it was rather a long story—a question of getting ahead of another party, in a certain particular way, in the stock-market. This other party had once played me a very mean trick. I owed him a grudge, I felt awfully savage at the time, and I vowed that, when I got a chance, I would, figuratively speaking, put his nose out of joint. There was a matter of some sixty thousand dollars at stake. If I put it out of his way, it was a blow the fellow would feel, and he really deserved no quarter. I jumped into a hack and went about my business, and it was in this hack—this immortal, historical hack—that the curious thing I speak of occurred. It was a hack like any other, only a trifle dirtier, with a greasy line along the top of the drab cushions, as if it had been used for a great many Irish funerals. It is possible I took a nap; I had been traveling all night, and though I was excited with my errand, I felt the want of sleep. At all events I woke up suddenly, from a sleep or from a kind of a reverie, with the most extraordinary feeling in the world—a mortal disgust for the thing I was going to do. It came upon me like THAT!” and he snapped his fingers—“as abruptly as an old wound that begins to ache. I couldn’t tell the meaning of it; I only felt that I loathed the whole business and wanted to wash my hands of it. The idea of losing that sixty thousand dollars, of letting it utterly slide and scuttle and never hearing of it again, seemed the sweetest thing in the world. And all this took place quite independently of my will, and I sat watching it as if it were a play at the theatre. I could feel it going on inside of me. You may depend upon it that there are things going on inside of us that we understand mighty little about.”

“Jupiter! you make my flesh creep!” cried Tristram. “And while you sat in your hack, watching the play, as you call it, the other man marched in and bagged your sixty thousand dollars?”

“I have not the least idea. I hope so, poor devil! but I never found out. We pulled up in front of the place I was going to in Wall Street, but I sat still in the carriage, and at last the driver scrambled down off his seat to see whether his carriage had not turned into a hearse. I couldn’t have got out, any more than if I had been a corpse. What was the matter with me? Momentary idiocy, you’ll say. What I wanted to get out of was Wall Street. I told the man to drive down to the Brooklyn ferry and to cross over. When we were over, I told him to drive me out into the country. As I had told him originally to drive for dear life down town, I suppose he thought me insane. Perhaps I was, but in that case I am insane still. I spent the morning looking at the first green leaves on Long Island. I was sick of business; I wanted to throw it all up and break off short; I had money enough, or if I hadn’t I ought to have. I seemed to feel a new man inside my old skin, and I longed for a new world. When you want a thing so very badly you had better treat yourself to it. I didn’t understand the matter, not in the least; but I gave the old horse the bridle and let him find his way. As soon as I could get out of the game I sailed for Europe. That is how I come to be sitting here.”

“You ought to have bought up that hack,” said Tristram; “it isn’t a safe vehicle to have about. And you have really sold out, then; you have retired from business?”

“I have made over my hand to a friend; when I feel disposed, I can take up the cards again. I dare say that a twelvemonth hence the operation will be reversed. The pendulum will swing back again. I shall be sitting in a gondola or on a dromedary, and all of a sudden I shall want to clear out. But for the present I am perfectly free. I have even bargained that I am to receive no business letters.”

“Oh, it’s a real caprice de prince,” said Tristram. “I back out; a poor devil like me can’t help you to spend such very magnificent leisure as that. You should get introduced to the crowned heads.”

Newman looked at him a moment, and then, with his easy smile, “How does one do it?” he asked.

“Come, I like that!” cried Tristram. “It shows you are in earnest.”

“Of course I am in earnest. Didn’t I say I wanted the best? I know the best can’t be had for mere money, but I rather think money will do a good deal. In addition, I am willing to take a good deal of trouble.”

“You are not bashful, eh?”

“I haven’t the least idea. I want the biggest kind of entertainment a man can get. People, places, art, nature, everything! I want to see the tallest mountains, and the bluest lakes, and the finest pictures and the handsomest churches, and the most celebrated men, and the most beautiful women.”

“Settle down in Paris, then. There are no mountains that I know of, and the only lake is in the Bois du Boulogne, and not particularly blue. But there is everything else: plenty of pictures and churches, no end of celebrated men, and several beautiful women.”

“But I can’t settle down in Paris at this season, just as summer is coming on.”

“Oh, for the summer go up to Trouville.”

“What is Trouville?”

“The French Newport. Half the Americans go.”

“Is it anywhere near the Alps?”

“About as near as Newport is to the Rocky Mountains.”

“Oh, I want to see Mont Blanc,” said Newman, “and Amsterdam, and the Rhine, and a lot of places. Venice in particular. I have great ideas about Venice.”

“Ah,” said Mr. Tristram, rising, “I see I shall have to introduce you to my wife!”

CHAPTER 3

He performed this ceremony on the following day, when, by appointment, Christopher Newman went to dine with him. Mr. and Mrs. Tristram lived behind one of those chalk-colored facades which decorate with their pompous sameness the broad avenues manufactured by Baron Haussmann in the neighborhood of the Arc de Triomphe. Their apartment was rich in the modern conveniences, and Tristram lost no time in calling his visitor’s attention to their principal household treasures, the gas-lamps and the furnace-holes. “Whenever you feel homesick,” he said, “you must come up here. We’ll stick you down before a register, under a good big burner, and—”

“And you will soon get over your homesickness,” said Mrs. Tristram.

Her husband stared; his wife often had a tone which he found inscrutable he could not tell for his life whether she was in jest or in earnest. The truth is that circumstances had done much to cultivate in Mrs. Tristram a marked tendency to irony. Her taste on many points differed from that of her husband, and though she made frequent concessions it must be confessed that her concessions were not always graceful. They were founded upon a vague project she had of some day doing something very positive, something a trifle passionate. What she meant to do she could by no means have told you; but meanwhile, nevertheless, she was buying a good conscience, by installments.

It should be added, without delay, to anticipate misconception, that her little scheme of independence did not definitely involve the assistance of another person, of the opposite sex; she was not saving up virtue to cover the expenses of a flirtation. For this there were various reasons. To begin with, she had a very plain face and she was entirely without illusions as to her appearance. She had taken its measure to a hair’s breadth, she knew the worst and the best, she had accepted herself. It had not been, indeed, without a struggle. As a young girl she had spent hours with her back to her mirror, crying her eyes out; and later she had from desperation and bravado adopted the habit of proclaiming herself the most ill-favored of women, in order that she might—as in common politeness was inevitable—be contradicted and reassured. It was since she had come to live in Europe that she had begun to take the matter philosophically. Her observation, acutely exercised here, had suggested to her that a woman’s first duty is not to be beautiful, but to be pleasing, and she encountered so many women who pleased without beauty that she began to feel that she had discovered her mission. She had once heard an enthusiastic musician, out of patience with a gifted bungler, declare that a fine voice is really an obstacle to singing properly; and it occurred to her that it might perhaps be equally true that a beautiful face is an obstacle to the acquisition of charming manners. Mrs. Tristram, then, undertook to be exquisitely agreeable, and she brought to the task a really touching devotion. How well she would have succeeded I am unable to say; unfortunately she broke off in the middle. Her own excuse was the want of encouragement in her immediate circle. But I am inclined to think that she had not a real genius for the matter, or she would have pursued the charming art for itself. The poor lady was very incomplete. She fell back upon the harmonies of the toilet, which she thoroughly understood, and contented herself with dressing in perfection. She lived in Paris, which she pretended to detest, because it was only in Paris that one could find things to exactly suit one’s complexion. Besides out of Paris it was always more or less of a trouble to get ten-button gloves. When she railed at this serviceable city and you asked her where she would prefer to reside, she returned some very unexpected answer. She would say in Copenhagen, or in Barcelona; having, while making the tour of Europe, spent a couple of days at each of these places. On the whole, with her poetic furbelows and her misshapen, intelligent little face, she was, when you knew her, a decidedly interesting woman. She was naturally shy, and if she had been born a beauty, she would (having no vanity) probably have remained shy. Now, she was both diffident and importunate; extremely reserved sometimes with her friends, and strangely expansive with strangers. She despised her husband; despised him too much, for she had been perfectly at liberty not to marry him. She had been in love with a clever man who had slighted her, and she had married a fool in the hope that this thankless wit, reflecting on it, would conclude that she had no appreciation of merit, and that he had flattered himself in supposing that she cared for his own. Restless, discontented, visionary, without personal ambitions, but with a certain avidity of imagination, she was, as I have said before, eminently incomplete. She was full—both for good and for ill—of beginnings that came to nothing; but she had nevertheless, morally, a spark of the sacred fire.

Newman was fond, under all circumstances, of the society of women, and now that he was out of his native element and deprived of his habitual interests, he turned to it for compensation. He took a great fancy to Mrs. Tristram; she frankly repaid it, and after their first meeting he passed a great many hours in her drawing-room. After two or three talks they were fast friends. Newman’s manner with women was peculiar, and it required some ingenuity on a lady’s part to discover that he admired her. He had no gallantry, in the usual sense of the term; no compliments, no graces, no speeches. Very fond of what is called chaffing, in his dealings with men, he never found himself on a sofa beside a member of the softer sex without feeling extremely serious. He was not shy, and so far as awkwardness proceeds from a struggle with shyness, he was not awkward; grave, attentive, submissive, often silent, he was simply swimming in a sort of rapture of respect. This emotion was not at all theoretic, it was not even in a high degree sentimental; he had thought very little about the “position” of women, and he was not familiar either sympathetically or otherwise, with the image of a President in petticoats. His attitude was simply the flower of his general good-nature, and a part of his instinctive and genuinely democratic assumption of everyone’s right to lead an easy life. If a shaggy pauper had a right to bed and board and wages and

a vote, women, of course, who were weaker than paupers, and whose physical tissue was in itself an appeal, should be maintained, sentimentally, at the public expense. Newman was willing to be taxed for this purpose, largely, in proportion to his means. Moreover, many of the common traditions with regard to women were with him fresh personal impressions; he had never read a novel! He had been struck with their acuteness, their subtlety, their tact, their felicity of judgment. They seemed to him exquisitely organized. If it is true that one must always have in one’s work here below a religion, or at least an ideal, of some sort, Newman found his metaphysical inspiration in a vague acceptance of final responsibility to some illumined feminine brow.

He spent a great deal of time in listening to advice from Mrs. Tristram; advice, it must be added, for which he had never asked. He would have been incapable of asking for it, for he had no perception of difficulties, and consequently no curiosity about remedies. The complex Parisian world about him seemed a very simple affair; it was an immense, amazing spectacle, but it neither inflamed his imagination nor irritated his curiosity. He kept his hands in his pockets, looked on good-humoredly, desired to miss nothing important, observed a great many things narrowly, and never reverted to himself. Mrs. Tristram’s “advice” was a part of the show, and a more entertaining element, in her abundant gossip, than the others. He enjoyed her talking about himself; it seemed a part of her beautiful ingenuity; but he never made an application of anything she said, or remembered it when he was away from her. For herself, she appropriated him; he was the most interesting thing she had had to think about in many a month. She wished to do something with him—she hardly knew what. There was so much of him; he was so rich and robust, so easy, friendly, well-disposed, that he kept her fancy constantly on the alert. For the present, the only thing she could do was to like him. She told him that he was “horribly Western,” but in this compliment the adverb was tinged with insincerity. She led him about with her, introduced him to fifty people, and took extreme satisfaction in her conquest. Newman accepted every proposal, shook hands universally and promiscuously, and seemed equally unfamiliar with trepidation or with elation. Tom Tristram complained of his wife’s avidity, and declared that he could never have a clear five minutes with his friend. If he had known how things were going to turn out, he never would have brought him to the Avenue d’Iena. The two men, formerly, had not been intimate, but Newman remembered his earlier impression of his host, and did Mrs. Tristram, who had by no means taken him into her confidence, but whose secret he presently discovered, the justice to admit that her husband was a rather degenerate mortal. At twenty-five he had been a good fellow, and in this respect he was unchanged; but of a man of his age one expected something more. People said he was sociable, but this was as much a matter of course as for a dipped sponge to expand; and it was not a high order of sociability. He was a great gossip and tattler, and to produce a laugh would hardly have spared the reputation of his aged mother. Newman had a kindness for old memories, but he found it impossible not to perceive that Tristram was nowadays a very light weight. His only aspirations were to hold out at poker, at his club, to know the names of all the cocottes, to shake hands all round, to ply his rosy gullet with truffles and champagne, and to create uncomfortable eddies and obstructions among the constituent atoms of the American colony. He was shamefully idle, spiritless, sensual, snobbish. He irritated our friend by the tone of his allusions to their native country, and Newman was at a loss to understand why the United States were not good enough for Mr. Tristram. He had never been a very conscious patriot, but it vexed him to see them treated as little better than a vulgar smell in his friend’s nostrils, and he finally broke out and swore that they were the greatest country in the world, that they could put all Europe into their breeches’ pockets, and that an American who spoke ill of them ought to be carried home in irons and compelled to live in Boston. (This, for Newman was putting it very vindictively.) Tristram was a comfortable man to snub, he bore no malice, and he continued to insist on Newman’s finishing his evening at the Occidental Club.

Christopher Newman dined several times in the Avenue d’Iena, and his host always proposed an early adjournment to this institution. Mrs. Tristram protested, and declared that her husband exhausted his ingenuity in trying to displease her.

“Oh no, I never try, my love,” he answered. “I know you loathe me quite enough when I take my chance.”

Newman hated to see a husband and wife on these terms, and he was sure one or other of them must be very unhappy. He knew it was not Tristram. Mrs. Tristram had a balcony before her windows, upon which, during the June evenings, she was fond of sitting, and Newman used frankly to say that he preferred the balcony to the club. It had a fringe of perfumed plants in tubs, and enabled you to look up the broad street and see the Arch of Triumph vaguely massing its heroic sculptures in the summer starlight. Sometimes Newman kept his promise of following Mr. Tristram, in half an hour, to the Occidental, and sometimes he forgot it. His hostess asked him a great many questions about himself, but on this subject he was an indifferent talker. He was not what is called subjective, though when he felt that her interest was sincere, he made an almost heroic attempt to be. He told her a great many things he had done, and regaled her with anecdotes of Western life; she was from Philadelphia, and with her eight years in Paris, talked of herself as a languid Oriental. But some other person was always the hero of the tale, by no means always to his advantage; and Newman’s own emotions were but scantily chronicled. She had an especial wish to know whether he had ever been in love—seriously, passionately—and, failing to gather any satisfaction from his allusions, she at last directly inquired. He hesitated a while, and at last he said, “No!” She declared that she was delighted to hear it, as it confirmed her private conviction that he was a man of no feeling.

“Really?” he asked, very gravely. “Do you think so? How do you recognize a man of feeling?”

“I can’t make out,” said Mrs. Tristram, “whether you are very simple or very deep.”

“I’m very deep. That’s a fact.”

“I believe that if I were to tell you with a certain air that you have no feeling, you would implicitly believe me.”

“A certain air?” said Newman. “Try it and see.”

“You would believe me, but you would not care,” said Mrs. Tristram.

“You have got it all wrong. I should care immensely, but I shouldn’t believe you. The fact is I have never had time to feel things. I have had to DO them, to make myself felt.”

“I can imagine that you may have done that tremendously, sometimes.”

“Yes, there’s no mistake about that.”

“When you are in a fury it can’t be pleasant.”

“I am never in a fury.”

“Angry, then, or displeased.”

“I am never angry, and it is so long since I have been displeased that I have quite forgotten it.”

“I don’t believe,” said Mrs. Tristram, “that you are never angry. A man ought to be angry sometimes, and you are neither good enough nor bad enough always to keep your temper.”

“I lose it perhaps once in five years.”

“The time is coming round, then,” said his hostess. “Before I have known you six months I shall see you in a fine fury.”

“Do you mean to put me into one?”

“I should not be sorry. You take things too coolly. It exasperates me. And then you are too happy. You have what must be the most agreeable thing in the world, the consciousness of having bought your pleasure beforehand and paid for it. You have not a day of reckoning staring you in the face. Your reckonings are over.”

“Well, I suppose I am happy,” said Newman, meditatively.

“You have been odiously successful.”

“Successful in copper,” said Newman, “only so-so in railroads, and a hopeless fizzle in oil.”

“It is very disagreeable to know how Americans have made their money. Now you have the world before you. You have only to enjoy.”

“Oh, I suppose I am very well off,” said Newman. “Only I am tired of having it thrown up at me. Besides, there are several drawbacks. I am not intellectual.”

“One doesn’t expect it of you,” Mrs. Tristram answered. Then in a moment, “Besides, you are!”

“Well, I mean to have a good time, whether or no,” said Newman. “I am not cultivated, I am not even educated; I know nothing about history, or art, or foreign tongues, or any other learned matters. But I am not a fool, either, and I shall undertake to know something about Europe by the time I have done with it. I feel something under my ribs here,” he added in a moment, “that I can’t explain—a sort of a mighty hankering, a desire to stretch out and haul in.”

“Bravo!” said Mrs. Tristram, “that is very fine. You are the great Western Barbarian, stepping forth in his innocence and might, gazing a while at this poor effete Old World and then swooping down on it.”

“Oh, come,” said Newman. “I am not a barbarian, by a good deal. I am very much the reverse. I have seen barbarians; I know what they are.”

“I don’t mean that you are a Comanche chief, or that you wear a blanket and feathers. There are different shades.”

“I am a highly civilized man,” said Newman. “I stick to that. If you don’t believe it, I should like to prove it to you.”

Mrs. Tristram was silent a while. “I should like to make you prove it,” she said, at last. “I should like to put you in a difficult place.”

“Pray do,” said Newman.

“That has a little conceited sound!” his companion rejoined.

“Oh,” said Newman, “I have a very good opinion of myself.”

“I wish I could put it to the test. Give me time and I will.” And Mrs. Tristram remained silent for some time afterwards, as if she was trying to keep her pledge. It did not appear that evening that she succeeded; but as he was rising to take his leave she passed suddenly, as she was very apt to do, from the tone of unsparing persiflage to that of almost tremulous sympathy. “Speaking seriously,” she said, “I believe in you, Mr. Newman. You flatter my patriotism.”

“Your patriotism?” Christopher demanded.

“Even so. It would take too long to explain, and you probably would not understand. Besides, you might take it—really, you might take it for a declaration. But it has nothing to do with you personally; it’s what you represent. Fortunately you don’t know all that, or your conceit would increase insufferably.”

Newman stood staring and wondering what under the sun he “represented.”

“Forgive all my meddlesome chatter and forget my advice. It is very silly in me to undertake to tell you what to do. When you are embarrassed, do as you think best, and you will do very well. When you are in a difficulty, judge for yourself.”

“I shall remember everything you have told me,” said Newman. “There are so many forms and ceremonies over here—”

“Forms and ceremonies are what I mean, of course.”

“Ah, but I want to observe them,” said Newman. “Haven’t I as good a right as another? They don’t scare me, and you needn’t give me leave to violate them. I won’t take it.”

“That is not what I mean. I mean, observe them in your own way. Settle nice questions for yourself. Cut the knot or untie it, as you choose.”

“Oh, I am sure I shall never fumble over it!” said Newman.

The next time that he dined in the Avenue d’Iena was a Sunday, a day on which Mr. Tristram left the cards unshuffled, so that there was a trio in the evening on the balcony. The talk was of many things, and at last Mrs. Tristram suddenly observed to Christopher Newman that it was high time he should take a wife.

“Listen to her; she has the audacity!” said Tristram, who on Sunday evenings was always rather acrimonious.

“I don’t suppose you have made up your mind not to marry?” Mrs. Tristram continued.

“Heaven forbid!” cried Newman. “I am sternly resolved on it.”

“It’s very easy,” said Tristram; “fatally easy!”

“Well, then, I suppose you do not mean to wait till you are fifty.”

“On the contrary, I am in a great hurry.”

“One would never suppose it. Do you expect a lady to come and propose to you?”

“No; I am willing to propose. I think a great deal about it.”

“Tell me some of your thoughts.”

“Well,” said Newman, slowly, “I want to marry very well.”

“Marry a woman of sixty, then,” said Tristram.

“‘Well’ in what sense?”

“In every sense. I shall be hard to please.”

“You must remember that, as the French proverb says, the most beautiful girl in the world can give but what she has.”

“Since you ask me,” said Newman, “I will say frankly that I want extremely to marry. It is time, to begin with: before I know it I shall be forty. And then I’m lonely and helpless and dull. But if I marry now, so long as I didn’t do it in hot haste when I was twenty, I must do it with my eyes open. I want to do the thing in handsome style. I do not only want to make no mistakes, but I want to make a great hit. I want to take my pick. My wife must be a magnificent woman.”

“Voila ce qui s’appelle parler!” cried Mrs. Tristram.

“Oh, I have thought an immense deal about it.”

“Perhaps you think too much. The best thing is simply to fall in love.”

“When I find the woman who pleases me, I shall love her enough. My wife shall be very comfortable.”

“You are superb! There’s a chance for the magnificent women.”

“You are not fair.” Newman rejoined. “You draw a fellow out and put him off guard, and then you laugh at him.”

“I assure you,” said Mrs. Tristram, “that I am very serious. To prove it, I will make you a proposal. Should you like me, as they say here, to marry you?”

“To hunt up a wife for me?”

“She is already found. I will bring you together.”

“Oh, come,” said Tristram, “we don’t keep a matrimonial bureau. He will think you want your commission.”

“Present me to a woman who comes up to my notions,” said Newman, “and I will marry her tomorrow.”

“You have a strange tone about it, and I don’t quite understand you. I didn’t suppose you would be so coldblooded and calculating.”

Newman was silent a while. “Well,” he said, at last, “I want a great woman. I stick to that. That’s one thing I CAN treat myself to, and if it is to be had I mean to have it. What else have I toiled and struggled for, all these years? I have succeeded, and now what am I to do with my success? To make it perfect, as I see it, there must be a beautiful woman perched on the pile, like a statue on a monument. She must be as good as she is beautiful, and as clever as she is good. I can give my wife a good deal, so I am not afraid to ask a good deal myself. She shall have everything a woman can desire; I shall not even object to her being too good for me; she may be cleverer and wiser than I can understand, and I shall only be the better pleased. I want to possess, in a word, the best article in the market.”

“Why didn’t you tell a fellow all this at the outset?” Tristram demanded. “I have been trying so to make you fond of ME!”

“This is very interesting,” said Mrs. Tristram. “I like to see a man know his own mind.”

“I have known mine for a long time,” Newman went on. “I made up my mind tolerably early in life that a beautiful wife was the thing best worth having, here below. It is the greatest victory over circumstances. When I say beautiful, I mean beautiful in mind and in manners, as well as in person. It is a thing every man has an equal right to; he may get it if he can. He doesn’t have to be born with certain faculties, on purpose; he needs only to be a man. Then he needs only to use his will, and such wits as he has, and to try.”

“It strikes me that your marriage is to be rather a matter of vanity.”

“Well, it is certain,” said Newman, “that if people notice my wife and admire her, I shall be mightily tickled.”

“After this,” cried Mrs. Tristram, “call any man modest!”

“But none of them will admire her so much as I.”

“I see you have a taste for splendor.”

Newman hesitated a little; and then, “I honestly believe I have!” he said.

“And I suppose you have already looked about you a good deal.”

“A good deal, according to opportunity.”

“And you have seen nothing that satisfied you?”

“No,” said Newman, half reluctantly, “I am bound to say in honesty that I have seen nothing that really satisfied me.”

“You remind me of the heroes of the French romantic poets, Rolla and Fortunio and all those other insatiable gentlemen for whom nothing in this world was handsome enough. But I see you are in earnest, and I should like to help you.”

“Who the deuce is it, darling, that you are going to put upon him?” Tristram cried. “We know a good many pretty girls, thank Heaven, but magnificent women are not so common.”

“Have you any objections to a foreigner?” his wife continued, addressing Newman, who had tilted back his chair and, with his feet on a bar of the balcony railing and his hands in his pockets, was looking at the stars.

“No Irish need apply,” said Tristram.

Newman meditated a while. “As a foreigner, no,” he said at last; “I have no prejudices.”

“My dear fellow, you have no suspicions!” cried Tristram. “You don’t know what terrible customers these foreign women are; especially the ‘magnificent’ ones. How should you like a fair Circassian, with a dagger in her belt?”

Newman administered a vigorous slap to his knee. “I would marry a Japanese, if she pleased me,” he affirmed.

“We had better confine ourselves to Europe,” said Mrs. Tristram. “The only thing is, then, that the person be in herself to your taste?”

“She is going to offer you an unappreciated governess!” Tristram groaned.

“Assuredly. I won’t deny that, other things being equal, I should prefer one of my own countrywomen. We should speak the same language, and that would be a comfort. But I am not afraid of a foreigner. Besides, I rather like the idea of taking in Europe, too. It enlarges the field of selection. When you choose from a greater number, you can bring your choice to a finer point!”

“You talk like Sardanapalus!” exclaimed Tristram.

“You say all this to the right person,” said Newman’s hostess. “I happen to number among my friends the loveliest woman in the world. Neither more nor less. I don’t say a very charming person or a very estimable woman or a very great beauty; I say simply the loveliest woman in the world.”

“The deuce!” cried Tristram, “you have kept very quiet about her. Were you afraid of me?”

“You have seen her,” said his wife, “but you have no perception of such merit as Claire’s.”

“Ah, her name is Claire? I give it up.”

“Does your friend wish to marry?” asked Newman.

“Not in the least. It is for you to make her change her mind. It will not be easy; she has had one husband, and he gave her a low opinion of the species.”

“Oh, she is a widow, then?” said Newman.

“Are you already afraid? She was married at eighteen, by her parents, in the French fashion, to a disagreeable old man. But he had the good taste to die a couple of years afterward, and she is now twenty-five.”

“So she is French?”

“French by her father, English by her mother. She is really more English than French, and she speaks English as well as you or I—or rather much better. She belongs to the very top of the basket, as they say here. Her family, on each side, is of fabulous antiquity; her mother is the daughter of an English Catholic earl. Her father is dead, and since her widowhood she has lived with her mother and a married brother. There is another brother, younger, who I believe is wild. They have an old hotel in the Rue de l’Universite, but their fortune is small, and they make a common household, for economy’s sake. When I was a girl I was put into a convent here for my education, while my father made the tour of Europe. It was a silly thing to do with me, but it had the advantage that it made me acquainted with Claire de Bellegarde. She was younger than I but we became fast friends. I took a tremendous fancy to her, and she returned my passion as far as she could. They kept such a tight rein on her that she could do very little, and when I left the convent she had to give me up. I was not of her monde; I am not now, either, but we sometimes meet. They are terrible people—her monde; all mounted upon stilts a mile high, and with pedigrees long in proportion. It is the skim of the milk of the old noblesse. Do you know what a Legitimist is, or an Ultramontane? Go into Madame de Cintre’s drawing-room some afternoon, at five o’clock, and you will see the best preserved specimens. I say go, but no one is admitted who can’t show his fifty quarterings.”

“And this is the lady you propose to me to marry?” asked Newman. “A lady I can’t even approach?”

“But you said just now that you recognized no obstacles.”

Newman looked at Mrs. Tristram a while, stroking his mustache. “Is she a beauty?” he demanded.

“No.”

“Oh, then it’s no use—”

“She is not a beauty, but she is beautiful, two very different things. A beauty has no faults in her face, the face of a beautiful woman may have faults that only deepen its charm.”

“I remember Madame de Cintre, now,” said Tristram. “She is as plain as a pike-staff. A man wouldn’t look at her twice.”

“In saying that HE would not look at her twice, my husband sufficiently describes her,” Mrs. Tristram rejoined.

“Is she good; is she clever?” Newman asked.

“She is perfect! I won’t say more than that. When you are praising a person to another who is to know her, it is bad policy to go into details. I won’t exaggerate. I simply recommend her. Among all women I have known she stands alone; she is of a different clay.”

“I should like to see her,” said Newman, simply.

“I will try to manage it. The only way will be to invite her to dinner. I have never invited her before, and I don’t know that she will come. Her old feudal countess of a mother rules the family with an iron hand, and allows her to have no friends but of her own choosing, and to visit only in a certain sacred circle. But I can at least ask her.”

At this moment Mrs. Tristram was interrupted; a servant stepped out upon the balcony and announced that there were visitors in the drawing-room. When Newman’s hostess had gone in to receive her friends, Tom Tristram approached his guest.

“Don’t put your foot into THIS, my boy,” he said, puffing the last whiffs of his cigar. “There’s nothing in it!”

Newman looked askance at him, inquisitive. “You tell another story, eh?”

“I say simply that Madame de Cintre is a great white doll of a woman, who cultivates quiet haughtiness.”

“Ah, she’s haughty, eh?”

“She looks at you as if you were so much thin air, and cares for you about as much.”

“She is very proud, eh?”

“Proud? As proud as I’m humble.”

“And not good-looking?”

Tristram shrugged his shoulders: “It’s a kind of beauty you must be INTELLECTUAL to understand. But I must go in and amuse the company.”

Some time elapsed before Newman followed his friends into the drawing-room. When he at last made his appearance there he remained but a short time, and during this period sat perfectly silent, listening to a lady to whom Mrs. Tristram had straightway introduced him and who chattered, without a pause, with the full force of an extraordinarily high-pitched voice. Newman gazed and attended. Presently he came to bid good-night to Mrs. Tristram.

“Who is that lady?” he asked.

“Miss Dora Finch. How do you like her?”

“She’s too noisy.”

“She is thought so bright! Certainly, you are fastidious,” said Mrs. Tristram.

Newman stood a moment, hesitating. Then at last “Don’t forget about your friend,” he said, “Madame What’s-her-name? the proud beauty. Ask her to dinner, and give me a good notice.” And with this he departed.

Some days later he came back; it was in the afternoon. He found Mrs. Tristram in her drawing-room; with her was a visitor, a woman young and pretty, dressed in white. The two ladies had risen and the visitor was apparently taking her leave. As Newman approached, he received from Mrs. Tristram a glance of the most vivid significance, which he was not immediately able to interpret.

“This is a good friend of ours,” she said, turning to her companion, “Mr. Christopher Newman. I have spoken of you to him and he has an extreme desire to make your acquaintance. If you had consented to come and dine, I should have offered him an opportunity.”

The stranger turned her face toward Newman, with a smile. He was not embarrassed, for his unconscious sang-froid was boundless; but as he became aware that this was the proud and beautiful Madame de Cintre, the loveliest woman in the world, the promised perfection, the proposed ideal, he made an instinctive movement to gather his wits together. Through the slight preoccupation that it produced he had a sense of a long, fair face, and of two eyes that were both brilliant and mild.

“I should have been most happy,” said Madame de Cintre. “Unfortunately, as I have been telling Mrs. Tristram, I go on Monday to the country.”

Newman had made a solemn bow. “I am very sorry,” he said.

“Paris is getting too warm,” Madame de Cintre added, taking her friend’s hand again in farewell.

Mrs. Tristram seemed to have formed a sudden and somewhat venturesome resolution, and she smiled more intensely, as women do when they take such resolution. “I want Mr. Newman to know you,” she said, dropping her head on one side and looking at Madame de Cintre’s bonnet ribbons.

Christopher Newman stood gravely silent, while his native penetration admonished him. Mrs. Tristram was determined to force her friend to address him a word of encouragement which should be more than one of the common formulas of politeness; and if she was prompted by charity, it was by the charity that begins at home. Madame de Cintre was her dearest Claire, and her especial admiration but Madame de Cintre had found it impossible to dine with her and Madame de Cintre should for once be forced gently to render tribute to Mrs. Tristram.

“It would give me great pleasure,” she said, looking at Mrs. Tristram.

“That’s a great deal,” cried the latter, “for Madame de Cintre to say!”

“I am very much obliged to you,” said Newman. “Mrs. Tristram can speak better for me than I can speak for myself.”

Madame de Cintre looked at him again, with the same soft brightness. “Are you to be long in Paris?” she asked.

“We shall keep him,” said Mrs. Tristram.

“But you are keeping ME!” and Madame de Cintre shook her friend’s hand.

“A moment longer,” said Mrs. Tristram.

Madame de Cintre looked at Newman again; this time without her smile. Her eyes lingered a moment. “Will you come and see me?” she asked.

Mrs. Tristram kissed her. Newman expressed his thanks, and she took her leave. Her hostess went with her to the door, and left Newman alone a moment. Presently she returned, rubbing her hands. “It was a fortunate chance,” she said. “She had come to decline my invitation. You triumphed on the spot, making her ask you, at the end of three minutes, to her house.”

“It was you who triumphed,” said Newman. “You must not be too hard upon her.”

Mrs. Tristram stared. “What do you mean?”

“She did not strike me as so proud. I should say she was shy.”

“You are very discriminating. And what do you think of her face?”

“It’s handsome!” said Newman.

“I should think it was! Of course you will go and see her.”

“To-morrow!” cried Newman.

“No, not to-morrow; the next day. That will be Sunday; she leaves Paris on Monday. If you don’t see her; it will at least be a beginning.” And she gave him Madame de Cintre’s address.

He walked across the Seine, late in the summer afternoon, and made his way through those gray and silent streets of the Faubourg St. Germain whose houses present to the outer world a face as impassive and as suggestive of the concentration of privacy within as the blank walls of Eastern seraglios. Newman thought it a queer way for rich people to live; his ideal of grandeur was a splendid facade diffusing its brilliancy outward too, irradiating hospitality. The house to which he had been directed had a dark, dusty, painted portal, which swung open in answer to his ring. It admitted him into a wide, graveled court, surrounded on three sides with closed windows, and with a doorway facing the street, approached by three steps and surmounted by a tin canopy. The place was all in the shade; it answered to Newman’s conception of a convent. The portress could not tell him whether Madame de Cintre was visible; he would please to apply at the farther door. He crossed the court; a gentleman was sitting, bareheaded, on the steps of the portico, playing with a beautiful pointer. He rose as Newman approached, and, as he laid his hand upon the bell, said with a smile, in English, that he was afraid Newman would be kept waiting; the servants were scattered, he himself had been ringing, he didn’t know what the deuce was in them. He was a young man, his English was excellent, and his smile very frank. Newman pronounced the name of Madame de Cintre.

“I think,” said the young man, “that my sister is visible. Come in, and if you will give me your card I will carry it to her myself.”

Newman had been accompanied on his present errand by a slight sentiment, I will not say of defiance—a readiness for aggression or defense, as they might prove needful—but of reflection, good-humored suspicion. He took from his pocket, while he stood on the portico, a card upon which, under his name, he had written the words “San Francisco,” and while he presented it he looked warily at his interlocutor. His glance was singularly reassuring; he liked the young man’s face; it strongly resembled that of Madame de Cintre. He was evidently her brother. The young man, on his side, had made a rapid inspection of Newman’s person. He had taken the card and was about to enter the house with it when another figure appeared on the threshold—an older man, of a fine presence, wearing evening dress. He looked hard at Newman, and Newman looked at him. “Madame de Cintre,” the younger man repeated, as an introduction of the visitor. The other took the card from his hand, read it in a rapid glance, looked again at Newman from head to foot, hesitated a moment, and then said, gravely but urbanely, “Madame de Cintre is not at home.”

The younger man made a gesture, and then, turning to Newman, “I am very sorry, sir,” he said.

Newman gave him a friendly nod, to show that he bore him no malice, and retraced his steps. At the porter’s lodge he stopped; the two men were still standing on the portico.

“Who is the gentleman with the dog?” he asked of the old woman who reappeared. He had begun to learn French.

“That is Monsieur le Comte.”

“And the other?”

“That is Monsieur le Marquis.”

“A marquis?” said Christopher in English, which the old woman fortunately did not understand. “Oh, then he’s not the butler!”

CHAPTER 4

Early one morning, before Christopher Newman was dressed, a little old man was ushered into his apartment, followed by a youth in a blouse, bearing a picture in a brilliant frame. Newman, among the distractions of Paris, had forgotten M. Nioche and his accomplished daughter; but this was an effective reminder.

“I am afraid you had given me up, sir,” said the old man, after many apologies and salutations. “We have made you wait so many days. You accused us, perhaps, of inconstancy of bad faith. But behold me at last! And behold also the pretty Madonna. Place it on a chair, my friend, in a good light, so that monsieur may admire it.” And M. Nioche, addressing his companion, helped him to dispose the work of art.

It had been endued with a layer of varnish an inch thick and its frame, of an elaborate pattern, was at least a foot wide. It glittered and twinkled in the morning light, and looked, to Newman’s eyes, wonderfully splendid and precious. It seemed to him a very happy purchase, and he felt rich in the possession of it. He stood looking at it complacently, while he proceeded with his toilet, and M. Nioche, who had dismissed his own attendant, hovered near, smiling and rubbing his hands.

“It has wonderful finesse,” he murmured, caressingly. “And here and there are marvelous touches, you probably perceive them, sir. It attracted great attention on the Boulevard, as we came along. And then a gradation of tones! That’s what it is to know how to paint. I don’t say it because I am her father, sir; but as one man of taste addressing another I cannot help observing that you have there an exquisite work. It is hard to produce such things and to have to part with them. If our means only allowed us the luxury of keeping it! I really may say, sir—” and M. Nioche gave a little feebly insinuating laugh—“I really may say that I envy you! You see,” he added in a moment, “we have taken the liberty of offering you a frame. It increases by a trifle the value of the work, and it will save you the annoyance—so great for a person of your delicacy—of going about to bargain at the shops.”

The language spoken by M. Nioche was a singular compound, which I shrink from the attempt to reproduce in its integrity. He had apparently once possessed a certain knowledge of English, and his accent was oddly tinged with the cockneyism of the British metropolis. But his learning had grown rusty with disuse, and his vocabulary was defective and capricious. He had repaired it with large patches of French, with words anglicized by a process of his own, and with native idioms literally translated. The result, in the form in which he in all humility presented it, would be scarcely comprehensible to the reader, so that I have ventured to trim and sift it. Newman only half understood it, but it amused him, and the old man’s decent forlornness appealed to his democratic instincts. The assumption of a fatality in misery always irritated his strong good nature—it was almost the only thing that did so; and he felt the impulse to wipe it out, as it were, with the sponge of his own prosperity. The papa of Mademoiselle Noemie, however, had apparently on this occasion been vigorously indoctrinated, and he showed a certain tremulous eagerness to cultivate unexpected opportunities.

“How much do I owe you, then, with the frame?” asked Newman.

“It will make in all three thousand francs,” said the old man, smiling agreeably, but folding his hands in instinctive suppliance.

“Can you give me a receipt?”

“I have brought one,” said M. Nioche. “I took the liberty of drawing it up, in case monsieur should happen to desire to discharge his debt.” And he drew a paper from his pocket-book and presented it to his patron. The document was written in a minute, fantastic hand, and couched in the choicest language.

Newman laid down the money, and M. Nioche dropped the napoleons one by one, solemnly and lovingly, into an old leathern purse.

“And how is your young lady?” asked Newman. “She made a great impression on me.”

“An impression? Monsieur is very good. Monsieur admires her appearance?”

“She is very pretty, certainly.”

“Alas, yes, she is very pretty!”

“And what is the harm in her being pretty?”

M. Nioche fixed his eyes upon a spot on the carpet and shook his head. Then looking up at Newman with a gaze that seemed to brighten and expand, “Monsieur knows what Paris is. She is dangerous to beauty, when beauty hasn’t the sou.”

“Ah, but that is not the case with your daughter. She is rich, now.”

“Very true; we are rich for six months. But if my daughter were a plain girl I should sleep better all the same.”

“You are afraid of the young men?”

“The young and the old!”

“She ought to get a husband.”

“Ah, monsieur, one doesn’t get a husband for nothing. Her husband must take her as she is: I can’t give her a sou. But the young men don’t see with that eye.”

“Oh,” said Newman, “her talent is in itself a dowry.”

“Ah, sir, it needs first to be converted into specie!” and M. Nioche slapped his purse tenderly before he stowed it away. “The operation doesn’t take place every day.”

“Well, your young men are very shabby,” said Newman; “that’s all I can say. They ought to pay for your daughter, and not ask money themselves.”

“Those are very noble ideas, monsieur; but what will you have? They are not the ideas of this country. We want to know what we are about when we marry.”

“How big a portion does your daughter want?”

M. Nioche stared, as if he wondered what was coming next; but he promptly recovered himself, at a venture, and replied that he knew a very nice young man, employed by an insurance company, who would content himself with fifteen thousand francs.

“Let your daughter paint half a dozen pictures for me, and she shall have her dowry.”

“Half a dozen pictures—her dowry! Monsieur is not speaking inconsiderately?”

“If she will make me six or eight copies in the Louvre as pretty as that Madonna, I will pay her the same price,” said Newman.

Poor M. Nioche was speechless a moment, with amazement and gratitude, and then he seized Newman’s hand, pressed it between his own ten fingers, and gazed at him with watery eyes. “As pretty as that? They shall be a thousand times prettier—they shall be magnificent, sublime. Ah, if I only knew how to paint, myself, sir, so that I might lend a hand! What can I do to thank you? Voyons!” And he pressed his forehead while he tried to think of something.

“Oh, you have thanked me enough,” said Newman.

“Ah, here it is, sir!” cried M. Nioche. “To express my gratitude, I will charge you nothing for the lessons in French conversation.”

“The lessons? I had quite forgotten them. Listening to your English,” added Newman, laughing, “is almost a lesson in French.”

“Ah, I don’t profess to teach English, certainly,” said M. Nioche. “But for my own admirable tongue I am still at your service.”

“Since you are here, then,” said Newman, “we will begin. This is a very good hour. I am going to have my coffee; come every morning at half-past nine and have yours with me.”

“Monsieur offers me my coffee, also?” cried M. Nioche. “Truly, my beaux jours are coming back.”

“Come,” said Newman, “let us begin. The coffee is almighty hot. How do you say that in French?”

Every day, then, for the following three weeks, the minutely respectable figure of M. Nioche made its appearance, with a series of little inquiring and apologetic obeisances, among the aromatic fumes of Newman’s morning beverage. I don’t know how much French our friend learned, but, as he himself said, if the attempt did him no good, it could at any rate do him no harm. And it amused him; it gratified that irregularly sociable side of his nature which had always expressed itself in a relish for ungrammatical conversation, and which often, even in his busy and preoccupied days, had made him sit on rail fences in young Western towns, in the twilight, in gossip hardly less than fraternal with humorous loafers and obscure fortune-seekers. He had notions, wherever he went, about talking with the natives; he had been assured, and his judgment approved the advice, that in traveling abroad it was an excellent thing to look into the life of the country. M. Nioche was very much of a native and, though his life might not be particularly worth looking into, he was a palpable and smoothly-rounded unit in that picturesque Parisian civilization which offered our hero so much easy entertainment and propounded so many curious problems to his inquiring and practical mind. Newman was fond of statistics; he liked to know how things were done; it gratified him to learn what taxes were paid, what profits were gathered, what commercial habits prevailed, how the battle of life was fought. M. Nioche, as a reduced capitalist, was familiar with these considerations, and he formulated his information, which he was proud to be able to impart, in the neatest possible terms and with a pinch of snuff between finger and thumb. As a Frenchman—quite apart from Newman’s napoleons—M. Nioche loved conversation, and even in his decay his urbanity had not grown rusty. As a Frenchman, too, he could give a clear account of things, and—still as a Frenchman—when his knowledge was at fault he could supply its lapses with the most convenient and ingenious hypotheses. The little shrunken financier was intensely delighted to have questions asked him, and he scraped together information, by frugal processes, and took notes, in his little greasy pocket-book, of incidents which might interest his munificent friend. He read old almanacs at the book-stalls on the quays, and he began to frequent another cafe, where more newspapers were taken and his postprandial demitasse cost him a penny extra, and where he used to con the tattered sheets for curious anecdotes, freaks of nature, and strange coincidences. He would relate with solemnity the next morning that a child of five years of age had lately died at Bordeaux, whose brain had been found to weigh sixty ounces—the brain of a Napoleon or a Washington! or that Madame P—, charcutiere in the Rue de Clichy, had found in the wadding of an old petticoat the sum of three hundred and sixty francs, which she had lost five years before. He pronounced his words with great distinctness and sonority, and Newman assured him that his way of dealing with the French tongue was very superior to the bewildering chatter that he heard in other mouths. Upon this M. Nioche’s accent became more finely trenchant than ever, he offered to read extracts from Lamartine, and he protested that, although he did endeavor according to his feeble lights to cultivate refinement of diction, monsieur, if he wanted the real thing, should go to the Theatre Francais.

Newman took an interest in French thriftiness and conceived a lively admiration for Parisian economies. His own economic genius was so entirely for operations on a larger scale, and, to move at his ease, he needed so imperatively the sense of great risks and great prizes, that he found an ungrudging entertainment in the spectacle of fortunes made by the aggregation of copper coins, and in the minute subdivision of labor and profit. He questioned M. Nioche about his own manner of life, and felt a friendly mixture of compassion and respect over the recital of his delicate frugalities. The worthy man told him how, at one period, he and his daughter had supported existence comfortably upon the sum of fifteen sous per diem; recently, having succeeded in hauling ashore the last floating fragments of the wreck of his fortune, his budget had been a trifle more ample. But they still had to count their sous very narrowly, and M. Nioche intimated with a sigh that Mademoiselle Noemie did not bring to this task that zealous cooperation which might have been desired.

“But what will you have?” he asked, philosophically. “One is young, one is pretty, one needs new dresses and fresh gloves; one can’t wear shabby gowns among the splendors of the Louvre.”

“But your daughter earns enough to pay for her own clothes,” said Newman.

M. Nioche looked at him with weak, uncertain eyes. He would have liked to be able to say that his daughter’s talents were appreciated, and that her crooked little daubs commanded a market; but it seemed a scandal to abuse the credulity of this free-handed stranger, who, without a suspicion or a question, had admitted him to equal social rights. He compromised, and declared that while it was obvious that Mademoiselle Noemie’s reproductions of the old masters had only to be seen to be coveted, the prices which, in consideration of their altogether peculiar degree of finish, she felt obliged to ask for them had kept purchasers at a respectful distance. “Poor little one!” said M. Nioche, with a sigh; “it is almost a pity that her work is so perfect! It would be in her interest to paint less well.”

“But if Mademoiselle Noemie has this devotion to her art,” Newman once observed, “why should you have those fears for her that you spoke of the other day?”

M. Nioche meditated: there was an inconsistency in his position; it made him chronically uncomfortable. Though he had no desire to destroy the goose with the golden eggs—Newman’s benevolent confidence—he felt a tremulous impulse to speak out all his trouble. “Ah, she is an artist, my dear sir, most assuredly,” he declared. “But, to tell you the truth, she is also a franche coquette. I am sorry to say,” he added in a moment, shaking his head with a world of harmless bitterness, “that she comes honestly by it. Her mother was one before her!”

“You were not happy with your wife?” Newman asked.

M. Nioche gave half a dozen little backward jerks of his head. “She was my purgatory, monsieur!”

“She deceived you?”

“Under my nose, year after year. I was too stupid, and the temptation was too great. But I found her out at last. I have only been once in my life a man to be afraid of; I know it very well; it was in that hour! Nevertheless I don’t like to think of it. I loved her—I can’t tell you how much. She was a bad woman.”

“She is not living?”

“She has gone to her account.”

“Her influence on your daughter, then,” said Newman encouragingly, “is not to be feared.”

“She cared no more for her daughter than for the sole of her shoe! But Noemie has no need of influence. She is sufficient to herself. She is stronger than I.”

“She doesn’t obey you, eh?”

“She can’t obey, monsieur, since I don’t command. What would be the use? It would only irritate her and drive her to some coup de tete. She is very clever, like her mother; she would waste no time about it. As a child—when I was happy, or supposed I was—she studied drawing and painting with first-class professors, and they assured me she had a talent. I was delighted to believe it, and when I went into society I used to carry her pictures with me in a portfolio and hand them round to the company. I remember, once, a lady thought I was offering them for sale, and I took it very ill. We don’t know what we may come to! Then came my dark days, and my explosion with Madame Nioche. Noemie had no more twenty-franc lessons; but in the course of time, when she grew older, and it became highly expedient that she should do something that would help to keep us alive, she bethought herself of her palette and brushes. Some of our friends in the quartier pronounced the idea fantastic: they recommended her to try bonnet making, to get a situation in a shop, or—if she was more ambitious—to advertise for a place of dame de compagnie. She did advertise, and an old lady wrote her a letter and bade her come and see her. The old lady liked her, and offered her her living and six hundred francs a year; but Noemie discovered that she passed her life in her arm-chair and had only two visitors, her confessor and her nephew: the confessor very strict, and the nephew a man of fifty, with a broken nose and a government clerkship of two thousand francs. She threw her old lady over, bought a paint-box, a canvas, and a new dress, and went and set up her easel in the Louvre. There in one place and another, she has passed the last two years; I can’t say it has made us millionaires. But Noemie tells me that Rome was not built in a day, that she is making great progress, that I must leave her to her own devices. The fact is, without prejudice to her genius, that she has no idea of burying herself alive. She likes to see the world, and to be seen. She says, herself, that she can’t work in the dark. With her appearance it is very natural. Only, I can’t help worrying and trembling and wondering what may happen to her there all alone, day after day, amid all that coming and going of strangers. I can’t be always at her side. I go with her in the morning, and I come to fetch her away, but she won’t have me near her in the interval; she says I make her nervous. As if it didn’t make me nervous to wander about all day without her! Ah, if anything were to happen to her!” cried M. Nioche, clenching his two fists and jerking back his head again, portentously.

“Oh, I guess nothing will happen,” said Newman.

“I believe I should shoot her!” said the old man, solemnly.

“Oh, we’ll marry her,” said Newman, “since that’s how you manage it; and I will go and see her tomorrow at the Louvre and pick out the pictures she is to copy for me.”

M. Nioche had brought Newman a message from his daughter, in acceptance of his magnificent commission, the young lady declaring herself his most devoted servant, promising her most zealous endeavor, and regretting that the proprieties forbade her coming to thank him in person. The morning after the conversation just narrated, Newman reverted to his intention of meeting Mademoiselle Noemie at the Louvre. M. Nioche appeared preoccupied, and left his budget of anecdotes unopened; he took a great deal of snuff, and sent certain oblique, appealing glances toward his stalwart pupil. At last, when he was taking his leave, he stood a moment, after he had polished his hat with his calico pocket-handkerchief, with his small, pale eyes fixed strangely upon Newman.

“What’s the matter?” our hero demanded.

“Excuse the solicitude of a father’s heart!” said M. Nioche. “You inspire me with boundless confidence, but I can’t help giving you a warning. After all, you are a man, you are young and at liberty. Let me beseech you, then, to respect the innocence of Mademoiselle Nioche!”

Newman had wondered what was coming, and at this he broke into a laugh. He was on the point of declaring that his own innocence struck him as the more exposed, but he contented himself with promising to treat the young girl with nothing less than veneration. He found her waiting for him, seated upon the great divan in the Salon Carre. She was not in her working-day costume, but wore her bonnet and gloves and carried her parasol, in honor of the occasion. These articles had been selected with unerring taste, and a fresher, prettier image of youthful alertness and blooming discretion was not to be conceived. She made Newman a most respectful curtsey and expressed her gratitude for his liberality in a wonderfully graceful little speech. It annoyed him to have a charming young girl stand there thanking him, and it made him feel uncomfortable to think that this perfect young lady, with her excellent manners and her finished intonation, was literally in his pay. He assured her, in such French as he could muster, that the thing was not worth mentioning, and that he considered her services a great favor.

“Whenever you please, then,” said Mademoiselle Noemie, “we will pass the review.”

They walked slowly round the room, then passed into the others and strolled about for half an hour. Mademoiselle Noemie evidently relished her situation, and had no desire to bring her public interview with her striking-looking patron to a close. Newman perceived that prosperity agreed with her. The little thin-lipped, peremptory air with which she had addressed her father on the occasion of their former meeting had given place to the most lingering and caressing tones.

“What sort of pictures do you desire?” she asked. “Sacred, or profane?”

“Oh, a few of each,” said Newman. “But I want something bright and gay.”

“Something gay? There is nothing very gay in this solemn old Louvre. But we will see what we can find. You speak French to-day like a charm. My father has done wonders.”

“Oh, I am a bad subject,” said Newman. “I am too old to learn a language.”

“Too old? Quelle folie!” cried Mademoiselle Noemie, with a clear, shrill laugh. “You are a very young man. And how do you like my father?”

“He is a very nice old gentleman. He never laughs at my blunders.”

“He is very comme il faut, my papa,” said Mademoiselle Noemie, “and as honest as the day. Oh, an exceptional probity! You could trust him with millions.”

“Do you always obey him?” asked Newman.

“Obey him?”

“Do you do what he bids you?”

The young girl stopped and looked at him; she had a spot of color in either cheek, and in her expressive French eye, which projected too much for perfect beauty, there was a slight gleam of audacity. “Why do you ask me that?” she demanded.

“Because I want to know.”

“You think me a bad girl?” And she gave a strange smile.

Newman looked at her a moment; he saw that she was pretty, but he was not in the least dazzled. He remembered poor M. Nioche’s solicitude for her “innocence,” and he laughed as his eyes met hers. Her face was the oddest mixture of youth and maturity, and beneath her candid brow her searching little smile seemed to contain a world of ambiguous intentions. She was pretty enough, certainly to make her father nervous; but, as regards her innocence, Newman felt ready on the spot to affirm that she had never parted with it. She had simply never had any; she had been looking at the world since she was ten years old, and he would have been a wise man who could tell her any secrets. In her long mornings at the Louvre she had not only studied Madonnas and St. Johns; she had kept an eye upon all the variously embodied human nature around her, and she had formed her conclusions. In a certain sense, it seemed to Newman, M. Nioche might be at rest; his daughter might do something very audacious, but she would never do anything foolish. Newman, with his long-drawn, leisurely smile, and his even, unhurried utterance, was always, mentally, taking his time; and he asked himself, now, what she was looking at him in that way for. He had an idea that she would like him to confess that he did think her a bad girl.

“Oh, no,” he said at last; “it would be very bad manners in me to judge you that way. I don’t know you.”

“But my father has complained to you,” said Mademoiselle Noemie.

“He says you are a coquette.”

“He shouldn’t go about saying such things to gentlemen! But you don’t believe it.”

“No,” said Newman gravely, “I don’t believe it.”

She looked at him again, gave a shrug and a smile, and then pointed to a small Italian picture, a Marriage of St. Catherine. “How should you like that?” she asked.

“It doesn’t please me,” said Newman. “The young lady in the yellow dress is not pretty.”

“Ah, you are a great connoisseur,” murmured Mademoiselle Noemie.

“In pictures? Oh, no; I know very little about them.”

“In pretty women, then.”

“In that I am hardly better.”

“What do you say to that, then?” the young girl asked, indicating a superb Italian portrait of a lady. “I will do it for you on a smaller scale.”

“On a smaller scale? Why not as large as the original?”

Mademoiselle Noemie glanced at the glowing splendor of the Venetian masterpiece and gave a little toss of her head. “I don’t like that woman. She looks stupid.”

“I do like her,” said Newman. “Decidedly, I must have her, as large as life. And just as stupid as she is there.”

The young girl fixed her eyes on him again, and with her mocking smile, “It certainly ought to be easy for me to make her look stupid!” she said.

“What do you mean?” asked Newman, puzzled.

She gave another little shrug. “Seriously, then, you want that portrait—the golden hair, the purple satin, the pearl necklace, the two magnificent arms?”

“Everything—just as it is.”

“Would nothing else do, instead?”

“Oh, I want some other things, but I want that too.”

Mademoiselle Noemie turned away a moment, walked to the other side of the hall, and stood there, looking vaguely about her. At last she came back. “It must be charming to be able to order pictures at such a rate. Venetian portraits, as large as life! You go at it en prince. And you are going to travel about Europe that way?”

“Yes, I intend to travel,” said Newman.

“Ordering, buying, spending money?”

“Of course I shall spend some money.”

“You are very happy to have it. And you are perfectly free?”

“How do you mean, free?”

“You have nothing to bother you—no family, no wife, no fiancee?”

“Yes, I am tolerably free.”

“You are very happy,” said Mademoiselle Noemie, gravely.

“Je le veux bien!” said Newman, proving that he had learned more French than he admitted.

“And how long shall you stay in Paris?” the young girl went on.

“Only a few days more.”

“Why do you go away?”

“It is getting hot, and I must go to Switzerland.”

“To Switzerland? That’s a fine country. I would give my new parasol to see it! Lakes and mountains, romantic valleys and icy peaks! Oh, I congratulate you. Meanwhile, I shall sit here through all the hot summer, daubing at your pictures.”

“Oh, take your time about it,” said Newman. “Do them at your convenience.”

They walked farther and looked at a dozen other things. Newman pointed out what pleased him, and Mademoiselle Noemie generally criticised it, and proposed something else. Then suddenly she diverged and began to talk about some personal matter.

“What made you speak to me the other day in the Salon Carre?” she abruptly asked.

“I admired your picture.”

“But you hesitated a long time.”

“Oh, I do nothing rashly,” said Newman.

“Yes, I saw you watching me. But I never supposed you were going to speak to me. I never dreamed I should be walking about here with you to-day. It’s very curious.”

“It is very natural,” observed Newman.

“Oh, I beg your pardon; not to me. Coquette as you think me, I have never walked about in public with a gentleman before. What was my father thinking of, when he consented to our interview?”

“He was repenting of his unjust accusations,” replied Newman.

Mademoiselle Noemie remained silent; at last she dropped into a seat. “Well then, for those five it is fixed,” she said. “Five copies as brilliant and beautiful as I can make them. We have one more to choose. Shouldn’t you like one of those great Rubenses—the marriage of Marie de Medicis? Just look at it and see how handsome it is.”

“Oh, yes; I should like that,” said Newman. “Finish off with that.”

“Finish off with that—good!” And she laughed. She sat a moment, looking at him, and then she suddenly rose and stood before him, with her hands hanging and clasped in front of her. “I don’t understand you,” she said with a smile. “I don’t understand how a man can be so ignorant.”

“Oh, I am ignorant, certainly,” said Newman, putting his hands into his pockets.

“It’s ridiculous! I don’t know how to paint.”

“You don’t know how?”

“I paint like a cat; I can’t draw a straight line. I never sold a picture until you bought that thing the other day.” And as she offered this surprising information she continued to smile.

Newman burst into a laugh. “Why do you tell me this?” he asked.

“Because it irritates me to see a clever man blunder so. My pictures are grotesque.”

“And the one I possess—”

“That one is rather worse than usual.”

“Well,” said Newman, “I like it all the same!”

She looked at him askance. “That is a very pretty thing to say,” she answered; “but it is my duty to warn you before you go farther. This order of yours is impossible, you know. What do you take me for? It is work for ten men. You pick out the six most difficult pictures in the Louvre, and you expect me to go to work as if I were sitting down to hem a dozen pocket handkerchiefs. I wanted to see how far you would go.”

Newman looked at the young girl in some perplexity. In spite of the ridiculous blunder of which he stood convicted, he was very far from being a simpleton, and he had a lively suspicion that Mademoiselle Noemie’s sudden frankness was not essentially more honest than her leaving him in error would have been. She was playing a game; she was not simply taking pity on his aesthetic verdancy. What was it she expected to win? The stakes were high and the risk was great; the prize therefore must have been commensurate. But even granting that the prize might be great, Newman could not resist a movement of admiration for his companion’s intrepidity. She was throwing away with one hand, whatever she might intend to do with the other, a very handsome sum of money.

“Are you joking,” he said, “or are you serious?”

“Oh, serious!” cried Mademoiselle Noemie, but with her extraordinary smile.

“I know very little about pictures or how they are painted. If you can’t do all that, of course you can’t. Do what you can, then.”

“It will be very bad,” said Mademoiselle Noemie.

“Oh,” said Newman, laughing, “if you are determined it shall be bad, of course it will. But why do you go on painting badly?”

“I can do nothing else; I have no real talent.”

“You are deceiving your father, then.”

The young girl hesitated a moment. “He knows very well!”

“No,” Newman declared; “I am sure he believes in you.”

“He is afraid of me. I go on painting badly, as you say, because I want to learn. I like it, at any rate. And I like being here; it is a place to come to, every day; it is better than sitting in a little dark, damp room, on a court, or selling buttons and whalebones over a counter.”

“Of course it is much more amusing,” said Newman. “But for a poor girl isn’t it rather an expensive amusement?”

“Oh, I am very wrong, there is no doubt about that,” said Mademoiselle Noemie. “But rather than earn my living as some girls do—toiling with a needle, in little black holes, out of the world—I would throw myself into the Seine.”

“There is no need of that,” Newman answered; “your father told you my offer?”

“Your offer?”

“He wants you to marry, and I told him I would give you a chance to earn your dot.”

“He told me all about it, and you see the account I make of it! Why should you take such an interest in my marriage?”

“My interest was in your father. I hold to my offer; do what you can, and I will buy what you paint.”

She stood for some time, meditating, with her eyes on the ground. At last, looking up, “What sort of a husband can you get for twelve thousand francs?” she asked.

“Your father tells me he knows some very good young men.”

“Grocers and butchers and little maitres de cafes! I will not marry at all if I can’t marry well.”

“I would advise you not to be too fastidious,” said Newman. “That’s all the advice I can give you.”

“I am very much vexed at what I have said!” cried the young girl. “It has done me no good. But I couldn’t help it.”

“What good did you expect it to do you?”

“I couldn’t help it, simply.”

Newman looked at her a moment. “Well, your pictures may be bad,” he said, “but you are too clever for me, nevertheless. I don’t understand you. Good-by!” And he put out his hand.

She made no response, and offered him no farewell. She turned away and seated herself sidewise on a bench, leaning her head on the back of her hand, which clasped the rail in front of the pictures. Newman stood a moment and then turned on his heel and retreated. He had understood her better than he confessed; this singular scene was a practical commentary upon her father’s statement that she was a frank coquette.

CHAPTER 5

When Newman related to Mrs. Tristram his fruitless visit to Madame de Cintre, she urged him not to be discouraged, but to carry out his plan of “seeing Europe” during the summer, and return to Paris in the autumn and settle down comfortably for the winter. “Madame de Cintre will keep,” she said; “she is not a woman who will marry from one day to another.” Newman made no distinct affirmation that he would come back to Paris; he even talked about Rome and the Nile, and abstained from professing any especial interest in Madame de Cintre’s continued widowhood. This circumstance was at variance with his habitual frankness, and may perhaps be regarded as characteristic of the incipient stage of that passion which is more particularly known as the mysterious one. The truth is that the expression of a pair of eyes that were at once brilliant and mild had become very familiar to his memory, and he would not easily have resigned himself to the prospect of never looking into them again. He communicated to Mrs. Tristram a number of other facts, of greater or less importance, as you choose; but on this particular point he kept his own counsel. He took a kindly leave of M. Nioche, having assured him that, so far as he was concerned, the blue-cloaked Madonna herself might have been present at his interview with Mademoiselle Noemie; and left the old man nursing his breast-pocket, in an ecstasy which the acutest misfortune might have been defied to dissipate. Newman then started on his travels, with all his usual appearance of slow-strolling leisure, and all his essential directness and intensity of aim. No man seemed less in a hurry, and yet no man achieved more in brief periods. He had certain practical instincts which served him excellently in his trade of tourist. He found his way in foreign cities by divination, his memory was excellent when once his attention had been at all cordially given, and he emerged from dialogues in foreign tongues, of which he had, formally, not understood a word, in full possession of the particular fact he had desired to ascertain. His appetite for facts was capacious, and although many of those which he noted would have seemed woefully dry and colorless to the ordinary sentimental traveler, a careful inspection of the list would have shown that he had a soft spot in his imagination. In the charming city of Brussels—his first

stopping-place after leaving Paris—he asked a great many

questions about the street-cars, and took extreme satisfaction in the reappearance of this familiar symbol of American civilization; but he was also greatly struck with the beautiful Gothic tower of the Hotel de Ville, and wondered whether it would not be possible to “get up” something like it in San Francisco. He stood for half an hour in the crowded square before this edifice, in imminent danger from carriage-wheels, listening to a toothless old cicerone mumble in broken English the touching history of Counts Egmont and Horn; and he wrote the names of these gentlemen—for reasons best known to himself—on the back of an old letter.

At the outset, on his leaving Paris, his curiosity had not been intense; passive entertainment, in the Champs Elysees and at the theatres, seemed about as much as he need expect of himself, and although, as he had said to Tristram, he wanted to see the mysterious, satisfying BEST, he had not the Grand Tour in the least on his conscience, and was not given to cross-questioning the amusement of the hour. He believed that Europe was made for him, and not he for Europe. He had said that he wanted to improve his mind, but he would have felt a certain embarrassment, a certain shame, even—a false shame, possibly—if he had caught himself looking intellectually into the mirror. Neither in this nor in any other respect had Newman a high sense of responsibility; it was his prime conviction that a man’s life should be easy, and that he should be able to resolve privilege into a matter of course. The world, to his sense, was a great bazaar, where one might stroll about and purchase handsome things; but he was no more conscious, individually, of social pressure than he admitted the existence of such a thing as an obligatory purchase. He had not only a dislike, but a sort of moral mistrust, of uncomfortable thoughts, and it was both uncomfortable and slightly contemptible to feel obliged to square one’s self with a standard. One’s standard was the ideal of one’s own good-humored prosperity, the prosperity which enabled one to give as well as take. To expand, without bothering about it—without shiftless timidity on one side, or loquacious eagerness on the other—to the full compass of what he would have called a “pleasant” experience, was Newman’s most definite programme of life. He had always hated to hurry to catch railroad trains, and yet he had always caught them; and just so an undue solicitude for “culture” seemed a sort of silly dawdling at the station, a proceeding properly confined to women, foreigners, and other unpractical persons. All this admitted, Newman enjoyed his journey, when once he had fairly entered the current, as profoundly as the most zealous dilettante. One’s theories, after all, matter little; it is one’s humor that is the great thing. Our friend was intelligent, and he could not help that. He lounged through Belgium and Holland and the Rhineland, through Switzerland and Northern Italy, planning about nothing, but seeing everything. The guides and valets de place found him an excellent subject. He was always approachable, for he was much addicted to standing about in the vestibules and porticos of inns, and he availed himself little of the opportunities for impressive seclusion which are so liberally offered in Europe to gentlemen who travel with long purses. When an excursion, a church, a gallery, a ruin, was proposed to him, the first thing Newman usually did, after surveying his postulant in silence, from head to foot, was to sit down at a little table and order something to drink. The cicerone, during this process, usually retreated to a respectful distance; otherwise I am not sure that Newman would not have bidden him sit down and have a glass also, and tell him as an honest fellow whether his church or his gallery was really worth a man’s trouble. At last he rose and stretched his long legs, beckoned to the man of monuments, looked at his watch, and fixed his eye on his adversary. “What is it?” he asked. “How far?” And whatever the answer was, although he sometimes seemed to hesitate, he never declined. He stepped into an open cab, made his conductor sit beside him to answer questions, bade the driver go fast (he had a particular aversion to slow driving) and rolled, in all probability through a dusty suburb, to the goal of his pilgrimage. If the goal was a disappointment, if the church was meagre, or the ruin a heap of rubbish, Newman never protested or berated his cicerone; he looked with an impartial eye upon great monuments and small, made the guide recite his lesson, listened to it religiously, asked if there was nothing else to be seen in the neighborhood, and drove back again at a rattling pace. It is to be feared that his perception of the difference between good architecture and bad was not acute, and that he might sometimes have been seen gazing with culpable serenity at inferior productions. Ugly churches were a part of his pastime in Europe, as well as beautiful ones, and his tour was altogether a pastime. But there is sometimes nothing like the imagination of these people who have none, and Newman, now and then, in an unguided stroll in a foreign city, before some lonely, sad-towered church, or some angular image of one who had rendered civic service in an unknown past, had felt a singular inward tremor. It was not an excitement or a perplexity; it was a placid, fathomless sense of diversion.

He encountered by chance in Holland a young American, with whom, for a time, he formed a sort of traveler’s partnership. They were men of a very different cast, but each, in his way, was so good a fellow that, for a few weeks at least, it seemed something of a pleasure to share the chances of the road. Newman’s comrade, whose name was Babcock, was a young Unitarian minister, a small, spare, neatly-attired man, with a strikingly candid physiognomy. He was a native of Dorchester, Massachusetts, and had spiritual charge of a small congregation in another suburb of the New England metropolis. His digestion was weak and he lived chiefly on Graham bread and hominy—a regimen to which he was so much attached that his tour seemed to him destined to be blighted when, on landing on the Continent, he found that these delicacies did not flourish under the table d’hote system. In Paris he had purchased a bag of hominy at an establishment which called itself an American Agency, and at which the New York illustrated papers were also to be procured, and he had carried it about with him, and shown extreme serenity and fortitude in the somewhat delicate position of having his hominy prepared for him and served at anomalous hours, at the hotels he successively visited. Newman had once spent a morning, in the course of business, at Mr. Babcock’s birthplace, and, for reasons too recondite to unfold, his visit there always assumed in his mind a jocular cast. To carry out his joke, which certainly seems poor so long as it is not explained, he used often to address his companion as “Dorchester.” Fellow-travelers very soon grow intimate but it is highly improbable that at home these extremely dissimilar characters would have found any very convenient points of contact. They were, indeed, as different as possible. Newman, who never reflected on such matters, accepted the situation with great equanimity, but Babcock used to meditate over it privately; used often, indeed, to retire to his room early in the evening for the express purpose of considering it conscientiously and impartially. He was not sure that it was a good thing for him to associate with our hero, whose way of taking life was so little his own. Newman was an excellent, generous fellow; Mr. Babcock sometimes said to himself that he was a NOBLE fellow, and, certainly, it was impossible not to like him. But would it not be desirable to try to exert an influence upon him, to try to quicken his moral life and sharpen his sense of duty? He liked everything, he accepted everything, he found amusement in everything; he was not discriminating, he had not a high tone. The young man from Dorchester accused Newman of a fault which he considered very grave, and which he did his best to avoid: what he would have called a want of “moral reaction.” Poor Mr. Babcock was extremely fond of pictures and churches, and carried Mrs. Jameson’s works about in his trunk; he delighted in aesthetic analysis, and received peculiar impressions from everything he saw. But nevertheless in his secret soul he detested Europe, and he felt an irritating need to protest against Newman’s gross intellectual hospitality. Mr. Babcock’s moral malaise, I am afraid, lay deeper than where any definition of mine can reach it. He mistrusted the European temperament, he suffered from the European climate, he hated the European dinner-hour; European life seemed to him unscrupulous and impure. And yet he had an exquisite sense of beauty; and as beauty was often inextricably associated with the above displeasing conditions, as he wished, above all, to be just and dispassionate, and as he was, furthermore, extremely devoted to “culture,” he could not bring himself to decide that Europe was utterly bad. But he thought it was very bad indeed, and his quarrel with Newman was that this unregulated epicure had a sadly insufficient perception of the bad. Babcock himself really knew as little about the bad, in any quarter of the world, as a nursing infant, his most vivid realization of evil had been the discovery that one of his college classmates, who was studying architecture in Paris had a love affair with a young woman who did not expect him to marry her. Babcock had related this incident to Newman, and our hero had applied an epithet of an unflattering sort to the young girl. The next day his companion asked him whether he was very sure he had used exactly the right word to characterize the young architect’s mistress. Newman stared and laughed. “There are a great many words to express that idea,” he said; “you can take your choice!”

“Oh, I mean,” said Babcock, “was she possibly not to be considered in a different light? Don’t you think she really expected him to marry her?”

“I am sure I don’t know,” said Newman. “Very likely she did; I have no doubt she is a grand woman.” And he began to laugh again.

“I didn’t mean that either,” said Babcock, “I was only afraid that I might have seemed yesterday not to remember—not to consider; well, I think I will write to Percival about it.”

And he had written to Percival (who answered him in a really impudent fashion), and he had reflected that it was somehow, raw and reckless in Newman to assume in that off-hand manner that the young woman in Paris might be “grand.” The brevity of Newman’s judgments very often shocked and discomposed him. He had a way of damning people without farther appeal, or of pronouncing them capital company in the face of uncomfortable symptoms, which seemed unworthy of a man whose conscience had been properly cultivated. And yet poor Babcock liked him, and remembered that even if he was sometimes perplexing and painful, this was not a reason for giving him up. Goethe recommended seeing human nature in the most various forms, and Mr. Babcock thought Goethe perfectly splendid. He often tried, in odd half-hours of conversation to infuse into Newman a little of his own spiritual starch, but Newman’s personal texture was too loose to admit of stiffening. His mind could no more hold principles than a sieve can hold water. He admired principles extremely, and thought Babcock a mighty fine little fellow for having so many. He accepted all that his high-strung companion offered him, and put them away in what he supposed to be a very safe place; but poor Babcock never afterwards recognized his gifts among the articles that Newman had in daily use.

They traveled together through Germany and into Switzerland, where for three or four weeks they trudged over passes and lounged upon blue lakes. At last they crossed the Simplon and made their way to Venice. Mr. Babcock had become gloomy and even a trifle irritable; he seemed moody, absent, preoccupied; he got his plans into a tangle, and talked one moment of doing one thing and the next of doing another. Newman led his usual life, made acquaintances, took his ease in the galleries and churches, spent an unconscionable amount of time in strolling in the Piazza San Marco, bought a great many bad pictures, and for a fortnight enjoyed Venice grossly. One evening, coming back to his inn, he found Babcock waiting for him in the little garden beside it. The young man walked up to him, looking very dismal, thrust out his hand, and said with solemnity that he was afraid they must part. Newman expressed his surprise and regret, and asked why a parting had became necessary. “Don’t be afraid I’m tired of you,” he said.

“You are not tired of me?” demanded Babcock, fixing him with his clear gray eye.

“Why the deuce should I be? You are a very plucky fellow. Besides, I don’t grow tired of things.”

“We don’t understand each other,” said the young minister.

“Don’t I understand you?” cried Newman. “Why, I hoped I did. But what if I don’t; where’s the harm?”

“I don’t understand YOU,” said Babcock. And he sat down and rested his head on his hand, and looked up mournfully at his immeasurable friend.

“Oh Lord, I don’t mind that!” cried Newman, with a laugh.

“But it’s very distressing to me. It keeps me in a state of unrest. It irritates me; I can’t settle anything. I don’t think it’s good for me.”

“You worry too much; that’s what’s the matter with you,” said Newman.

“Of course it must seem so to you. You think I take things too hard, and I think you take things too easily. We can never agree.”

“But we have agreed very well all along.”

“No, I haven’t agreed,” said Babcock, shaking his head. “I am very uncomfortable. I ought to have separated from you a month ago.”

“Oh, horrors! I’ll agree to anything!” cried Newman.

Mr. Babcock buried his head in both hands. At last looking up, “I don’t think you appreciate my position,” he said. “I try to arrive at the truth about everything. And then you go too fast. For me, you are too passionate, too extravagant. I feel as if I ought to go over all this ground we have traversed again, by myself, alone. I am afraid I have made a great many mistakes.”

“Oh, you needn’t give so many reasons,” said Newman. “You are simply tired of my company. You have a good right to be.”

“No, no, I am not tired!” cried the pestered young divine. “It is very wrong to be tired.”

“I give it up!” laughed Newman. “But of course it will never do to go on making mistakes. Go your way, by all means. I shall miss you; but you have seen I make friends very easily. You will be lonely, yourself; but drop me a line, when you feel like it, and I will wait for you anywhere.”

“I think I will go back to Milan. I am afraid I didn’t do justice to Luini.”

“Poor Luini!” said Newman.

“I mean that I am afraid I overestimated him. I don’t think that he is a painter of the first rank.”

“Luini?” Newman exclaimed; “why, he’s enchanting—he’s magnificent! There is something in his genius that is like a beautiful woman. It gives one the same feeling.”

Mr. Babcock frowned and winced. And it must be added that this was, for Newman, an unusually metaphysical flight; but in passing through Milan he had taken a great fancy to the painter. “There you are again!” said Mr. Babcock. “Yes, we had better separate.” And on the morrow he retraced his steps and proceeded to tone down his impressions of the great Lombard artist.

A few days afterwards Newman received a note from his late companion which ran as follows:—

My Dear Mr. Newman,—I am afraid that my conduct at Venice, a week ago, seemed to you strange and ungrateful, and I wish to explain my position, which, as I said at the time, I do not think you appreciate. I had long had it on my mind to propose that we should part company, and this step was not really so abrupt as it seemed. In the first place, you know, I am traveling in Europe on funds supplied by my congregation, who kindly offered me a vacation and an opportunity to enrich my mind with the treasures of nature and art in the Old World. I feel, therefore, as if I ought to use my time to the very best advantage. I have a high sense of responsibility. You appear to care only for the pleasure of the hour, and you give yourself up to it with a violence which I confess I am not able to emulate. I feel as if I must arrive at some conclusion and fix my belief on certain points. Art and life seem to me intensely serious things, and in our travels in Europe we should especially remember the immense seriousness of Art. You seem to hold that if a thing amuses you for the moment, that is all you need ask for it, and your relish for mere amusement is also much higher than mine. You put, however, a kind of reckless confidence into your pleasure which at times, I confess, has seemed to me—shall I say it?—almost cynical. Your way at any rate is not my way, and it is unwise that we should attempt any longer to pull together. And yet, let me add that I know there is a great deal to be said for your way; I have felt its attraction, in your society, very strongly. But for this I should have left you long ago. But I was so perplexed. I hope I have not done wrong. I feel as if I had a great deal of lost time to make up. I beg you take all this as I mean it, which, Heaven knows, is not invidiously. I have a great personal esteem for you and hope that some day, when I have recovered my balance, we shall meet again. I hope you will continue to enjoy your travels, only DO remember that Life and Art ARE extremely serious. Believe me your sincere friend and well-wisher,

BENJAMIN BABCOCK

P. S. I am greatly perplexed by Luini.

This letter produced in Newman’s mind a singular mixture of exhilaration and awe. At first, Mr. Babcock’s tender conscience seemed to him a capital farce, and his traveling back to Milan only to get into a deeper muddle appeared, as the reward of his pedantry, exquisitely and ludicrously just. Then Newman reflected that these are mighty mysteries, that possibly he himself was indeed that baleful and barely mentionable thing, a cynic, and that his manner of considering the treasures of art and the privileges of life was probably very base and immoral. Newman had a great contempt for immorality, and that evening, for a good half hour, as he sat watching the star-sheen on the warm Adriatic, he felt rebuked and depressed. He was at a loss how to answer Babcock’s letter. His good nature checked his resenting the young minister’s lofty admonitions, and his tough, inelastic sense of humor forbade his taking them seriously. He wrote no answer at all but a day or two afterward he found in a curiosity shop a grotesque little statuette in ivory, of the sixteenth century, which he sent off to Babcock without a commentary. It represented a gaunt, ascetic-looking monk, in a tattered gown and cowl, kneeling with clasped hands and pulling a portentously long face. It was a wonderfully delicate piece of carving, and in a moment, through one of the rents of his gown, you espied a fat capon hung round the monk’s waist. In Newman’s intention what did the figure symbolize? Did it mean that he was going to try to be as “high-toned” as the monk looked at first, but that he feared he should succeed no better than the friar, on a closer inspection, proved to have done? It is not supposable that he intended a satire upon Babcock’s own asceticism, for this would have been a truly cynical stroke. He made his late companion, at any rate, a very valuable little present.

Newman, on leaving Venice, went through the Tyrol to Vienna, and then returned westward, through Southern Germany. The autumn found him at Baden-Baden, where he spent several weeks. The place was charming, and he was in no hurry to depart; besides, he was looking about him and deciding what to do for the winter. His summer had been very full, and he sat under the great trees beside the miniature river that trickles past the Baden flower-beds, he slowly rummaged it over. He had seen and done a great deal, enjoyed and observed a great deal; he felt older, and yet he felt younger too. He remembered Mr. Babcock and his desire to form conclusions, and he remembered also that he had profited very little by his friend’s exhortation to cultivate the same respectable habit. Could he not scrape together a few conclusions? Baden-Baden was the prettiest place he had seen yet, and orchestral music in the evening, under the stars, was decidedly a great institution. This was one of his conclusions! But he went on to reflect that he had done very wisely to pull up stakes and come abroad; this seeing of the world was a very interesting thing. He had learned a great deal; he couldn’t say just what, but he had it there under his hat-band. He had done what he wanted; he had seen the great things, and he had given his mind a chance to “improve,” if it would. He cheerfully believed that it had improved. Yes, this seeing of the world was very pleasant, and he would willingly do a little more of it. Thirty-six years old as he was, he had a handsome stretch of life before him yet, and he need not begin to count his weeks. Where should he take the world next? I have said he remembered the eyes of the lady whom he had found standing in Mrs. Tristram’s drawing-room; four months had elapsed, and he had not forgotten them yet. He had looked—he had made a point of looking—into a great many other eyes in the interval, but the only ones he thought of now were Madame de Cintre’s. If he wanted to see more of the world, should he find it in Madame de Cintre’s eyes? He would certainly find something there, call it this world or the next. Throughout these rather formless meditations he sometimes thought of his past life and the long array of years (they had begun so early) during which he had had nothing in his head but “enterprise.” They seemed far away now, for his present attitude was more than a holiday, it was almost a rupture. He had told Tristram that the pendulum was swinging back and it appeared that the backward swing had not yet ended. Still “enterprise,” which was over in the other quarter wore to his mind a different aspect at different hours. In its train a thousand forgotten episodes came trooping back into his memory. Some of them he looked complacently enough in the face; from some he averted his head. They were old efforts, old exploits, antiquated examples of “smartness” and sharpness. Some of them, as he looked at them, he felt decidedly proud of; he admired himself as if he had been looking at another man. And, in fact, many of the qualities that make a great deed were there: the decision, the resolution, the courage, the celerity, the clear eye, and the strong hand. Of certain other achievements it would be going too far to say that he was ashamed of them for Newman had never had a stomach for dirty work. He was blessed with a natural impulse to disfigure with a direct, unreasoning blow the comely visage of temptation. And certainly, in no man could a want of integrity have been less excusable. Newman knew the crooked from the straight at a glance, and the former had cost him, first and last, a great many moments of lively disgust. But none the less some of his memories seemed to wear at present a rather graceless and sordid mien, and it struck him that if he had never done anything very ugly, he had never, on the other hand, done anything particularly beautiful. He had spent his years in the unremitting effort to add thousands to thousands, and, now that he stood well outside of it, the business of money-getting appeared tolerably dry and sterile. It is very well to sneer at money-getting after you have filled your pockets, and Newman, it may be said, should have begun somewhat earlier to moralize thus delicately. To this it may be answered that he might have made another fortune, if he chose; and we ought to add that he was not exactly moralizing. It had come back to him simply that what he had been looking at all summer was a very rich and beautiful world, and that it had not all been made by sharp railroad men and stock-brokers.

During his stay at Baden-Baden he received a letter from Mrs. Tristram, scolding him for the scanty tidings he had sent to his friends of the Avenue d’Iena, and begging to be definitely informed that he had not concocted any horrid scheme for wintering in outlying regions, but was coming back sanely and promptly to the most comfortable city in the world. Newman’s answer ran as follows:—

I supposed you knew I was a miserable letter-writer, and didn’t expect anything of me. I don’t think I have written twenty letters of pure friendship in my whole life; in America I conducted my correspondence altogether by telegrams. This is a letter of pure friendship; you have got hold of a curiosity, and I hope you will value it. You want to know everything that has happened to me these three months. The best way to tell you, I think, would be to send you my half dozen guide-books, with my pencil-marks in the margin. Wherever you find a scratch or a cross, or a ‘Beautiful!’ or a ‘So true!’ or a ‘Too thin!’ you may know that I have had a sensation of some sort or other. That has been about my history, ever since I left you. Belgium, Holland, Switzerland, Germany, Italy, I have been through the whole list, and I don’t think I am any the worse for it. I know more about Madonnas and church-steeples than I supposed any man could. I have seen some very pretty things, and shall perhaps talk them over this winter, by your fireside. You see, my face is not altogether set against Paris. I have had all kinds of plans and visions, but your letter has blown most of them away. ‘L’appetit vient en mangeant,’ says the French proverb, and I find that the more I see of the world the more I want to see. Now that I am in the shafts, why shouldn’t I trot to the end of the course? Sometimes I think of the far East, and keep rolling the names of Eastern cities under my tongue: Damascus and Bagdad, Medina and Mecca. I spent a week last month in the company of a returned missionary, who told me I ought to be ashamed to be loafing about Europe when there are such big things to be seen out there. I do want to explore, but I think I would rather explore over in the Rue de l’Universite. Do you ever hear from that pretty lady? If you can get her to promise she will be at home the next time I call, I will go back to Paris straight. I am more than ever in the state of mind I told you about that evening; I want a first-class wife. I have kept an eye on all the pretty girls I have come across this summer, but none of them came up to my notion, or anywhere near it. I should have enjoyed all this a thousand times more if I had had the lady just mentioned by my side. The nearest approach to her was a Unitarian minister from Boston, who very soon demanded a separation, for incompatibility of temper. He told me I was low-minded, immoral, a devotee of ‘art for art’—whatever that is: all of which greatly afflicted me, for he was really a sweet little fellow. But shortly afterwards I met an Englishman, with whom I struck up an acquaintance which at first seemed to promise well—a very bright man, who writes in the London papers and knows Paris nearly as well as Tristram. We knocked about for a week together, but he very soon gave me up in disgust. I was too virtuous by half; I was too stern a moralist. He told me, in a friendly way, that I was cursed with a conscience; that I judged things like a Methodist and talked about them like an old lady. This was rather bewildering. Which of my two critics was I to believe? I didn’t worry about it and very soon made up my mind they were both idiots. But there is one thing in which no one will ever have the impudence to pretend I am wrong, that is, in being your faithful friend,

C. N.

CHAPTER 6

Newman gave up Damascus and Bagdad and returned to Paris before the autumn was over. He established himself in some rooms selected for him by Tom Tristram, in accordance with the latter’s estimate of what he called his social position. When Newman learned that his social position was to be taken into account, he professed himself utterly incompetent, and begged Tristram to relieve him of the care. “I didn’t know I had a social position,” he said, “and if I have, I haven’t the smallest idea what it is. Isn’t a social position knowing some two or three thousand people and inviting them to dinner? I know you and your wife and little old Mr. Nioche, who gave me French lessons last spring. Can I invite you to dinner to meet each other? If I can, you must come to-morrow.”

“That is not very grateful to me,” said Mrs. Tristram, “who introduced you last year to every creature I know.”

“So you did; I had quite forgotten. But I thought you wanted me to forget,” said Newman, with that tone of simple deliberateness which frequently marked his utterance, and which an observer would not have known whether to pronounce a somewhat mysteriously humorous affection of ignorance or a modest aspiration to knowledge; “you told me you disliked them all.”

“Ah, the way you remember what I say is at least very flattering. But in future,” added Mrs. Tristram, “pray forget all the wicked things and remember only the good ones. It will be easily done, and it will not fatigue your memory. But I forewarn you that if you trust my husband to pick out your rooms, you are in for something hideous.”

“Hideous, darling?” cried Tristram.

“To-day I must say nothing wicked; otherwise I should use stronger language.”

“What do you think she would say, Newman?” asked Tristram. “If she really tried, now? She can express displeasure, volubly, in two or three languages; that’s what it is to be intellectual. It gives her the start of me completely, for I can’t swear, for the life of me, except in English. When I get mad I have to fall back on our dear old mother tongue. There’s nothing like it, after all.”

Newman declared that he knew nothing about tables and chairs, and that he would accept, in the way of a lodging, with his eyes shut, anything that Tristram should offer him. This was partly veracity on our hero’s part, but it was also partly charity. He knew that to pry about and look at rooms, and make people open windows, and poke into sofas with his cane, and gossip with landladies, and ask who lived above and who below—he knew that this was of all pastimes the dearest to Tristram’s heart, and he felt the more disposed to put it in his way as he was conscious that, as regards his obliging friend, he had suffered the warmth of ancient good-fellowship somewhat to abate. Besides, he had no taste for upholstery; he had even no very exquisite sense of comfort or convenience. He had a relish for luxury and splendor, but it was satisfied by rather gross contrivances. He scarcely knew a hard chair from a soft one, and he possessed a talent for stretching his legs which quite dispensed with adventitious facilities. His idea of comfort was to inhabit very large rooms, have a great many of them, and be conscious of their possessing a number of patented mechanical devices—half of which he should never have occasion to use. The apartments should be light and brilliant and lofty; he had once said that he liked rooms in which you wanted to keep your hat on. For the rest, he was satisfied with the assurance of any respectable person that everything was “handsome.” Tristram accordingly secured for him an apartment to which this epithet might be lavishly applied. It was situated on the Boulevard Haussmann, on the first floor, and consisted of a series of rooms, gilded from floor to ceiling a foot thick, draped in various light shades of satin, and chiefly furnished with mirrors and clocks. Newman thought them magnificent, thanked Tristram heartily, immediately took possession, and had one of his trunks standing for three months in his drawing-room.

One day Mrs. Tristram told him that her beautiful friend, Madame de Cintre, had returned from the country; that she had met her three days before, coming out of the Church of St. Sulpice; she herself having journeyed to that distant quarter in quest of an obscure lace-mender, of whose skill she had heard high praise.

“And how were those eyes?” Newman asked.

“Those eyes were red with weeping, if you please!” said Mrs. Tristram. “She had been to confession.”

“It doesn’t tally with your account of her,” said Newman, “that she should have sins to confess.”

“They were not sins; they were sufferings.”

“How do you know that?”

“She asked me to come and see her; I went this morning.”

“And what does she suffer from?”

“I didn’t ask her. With her, somehow, one is very discreet. But I guessed, easily enough. She suffers from her wicked old mother and her Grand Turk of a brother. They persecute her. But I can almost forgive them, because, as I told you, she is a saint, and a persecution is all that she needs to bring out her saintliness and make her perfect.”

“That’s a comfortable theory for her. I hope you will never impart it to the old folks. Why does she let them bully her? Is she not her own mistress?”

“Legally, yes, I suppose; but morally, no. In France you must never say nay to your mother, whatever she requires of you. She may be the most abominable old woman in the world, and make your life a purgatory; but, after all, she is ma mere, and you have no right to judge her. You have simply to obey. The thing has a fine side to it. Madame de Cintre bows her head and folds her wings.”

“Can’t she at least make her brother leave off?”

“Her brother is the chef de la famille, as they say; he is the head of the clan. With those people the family is everything; you must act, not for your own pleasure, but for the advantage of the family.”

“I wonder what my family would like me to do!” exclaimed Tristram.

“I wish you had one!” said his wife.

“But what do they want to get out of that poor lady?” Newman asked.

“Another marriage. They are not rich, and they want to bring more money into the family.”

“There’s your chance, my boy!” said Tristram.

“And Madame de Cintre objects,” Newman continued.

“She has been sold once; she naturally objects to being sold again. It appears that the first time they made rather a poor bargain; M. de Cintre left a scanty property.”

“And to whom do they want to marry her now?”

“I thought it best not to ask; but you may be sure it is to some horrid old nabob, or to some dissipated little duke.”

“There’s Mrs. Tristram, as large as life!” cried her husband. “Observe the richness of her imagination. She has not a single question—it’s vulgar to ask questions—and yet she knows everything. She has the history of Madame de Cintre’s marriage at her fingers’ ends. She has seen the lovely Claire on her knees, with loosened tresses and streaming eyes, and the rest of them standing over her with spikes and goads and red-hot irons, ready to come down on her if she refuses the tipsy duke. The simple truth is that they made a fuss about her milliner’s bill or refused her an opera-box.”

Newman looked from Tristram to his wife with a certain mistrust in each direction. “Do you really mean,” he asked of Mrs. Tristram, “that your friend is being forced into an unhappy marriage?”

“I think it extremely probable. Those people are very capable of that sort of thing.”

“It is like something in a play,” said Newman; “that dark old house over there looks as if wicked things had been done in it, and might be done again.”

“They have a still darker old house in the country Madame de Cintre tells me, and there, during the summer this scheme must have been hatched.”

“MUST have been; mind that!” said Tristram.

“After all,” suggested Newman, after a silence, “she may be in trouble about something else.”

“If it is something else, then it is something worse,” said Mrs. Tristram, with rich decision.

Newman was silent a while, and seemed lost in meditation. “Is it possible,” he asked at last, “that they do that sort of thing over here? That helpless women are bullied into marrying men they hate?”

“Helpless women, all over the world, have a hard time of it,” said Mrs. Tristram. “There is plenty of bullying everywhere.”

“A great deal of that kind of thing goes on in New York,” said Tristram. “Girls are bullied or coaxed or bribed, or all three together, into marrying nasty fellows. There is no end of that always going on in the Fifth Avenue, and other bad things besides. The Mysteries of the Fifth Avenue! Some one ought to show them up.”

“I don’t believe it!” said Newman, very gravely. “I don’t believe that, in America, girls are ever subjected to compulsion. I don’t believe there have been a dozen cases of it since the country began.”

“Listen to the voice of the spread eagle!” cried Tristram.

“The spread eagle ought to use his wings,” said Mrs. Tristram. “Fly to the rescue of Madame de Cintre!”

“To her rescue?”

“Pounce down, seize her in your talons, and carry her off. Marry her yourself.”

Newman, for some moments, answered nothing; but presently, “I should suppose she had heard enough of marrying,” he said. “The kindest way to treat her would be to admire her, and yet never to speak of it. But that sort of thing is infamous,” he added; “it makes me feel savage to hear of it.”

He heard of it, however, more than once afterward. Mrs. Tristram again saw Madame de Cintre, and again found her looking very sad. But on these occasions there had been no tears; her beautiful eyes were clear and still. “She is cold, calm, and hopeless,” Mrs. Tristram declared, and she added that on her mentioning that her friend Mr. Newman was again in Paris and was faithful in his desire to make Madame de Cintre’s acquaintance, this lovely woman had found a smile in her despair, and declared that she was sorry to have missed his visit in the spring and that she hoped he had not lost courage. “I told her something about you,” said Mrs. Tristram.

“That’s a comfort,” said Newman, placidly. “I like people to know about me.”

A few days after this, one dusky autumn afternoon, he went again to the Rue de l’Universite. The early evening had closed in as he applied for admittance at the stoutly guarded Hotel de Bellegarde. He was told that Madame de Cintre was at home; he crossed the court, entered the farther door, and was conducted through a vestibule, vast, dim, and cold, up a broad stone staircase with an ancient iron balustrade, to an apartment on the second floor. Announced and ushered in, he found himself in a sort of paneled boudoir, at one end of which a lady and gentleman were seated before the fire. The gentleman was smoking a cigarette; there was no light in the room save that of a couple of candles and the glow from the hearth. Both persons rose to welcome Newman, who, in the firelight, recognized Madame de Cintre. She gave him her hand with a smile which seemed in itself an illumination, and, pointing to her companion, said softly, “My brother.” The gentleman offered Newman a frank, friendly greeting, and our hero then perceived him to be the young man who had spoken to him in the court of the hotel on his former visit and who had struck him as a good fellow.

“Mrs. Tristram has spoken to me a great deal of you,” said Madame de Cintre gently, as she resumed her former place.

Newman, after he had seated himself, began to consider what, in truth, was his errand. He had an unusual, unexpected sense of having wandered into a strange corner of the world. He was not given, as a general thing, to anticipating danger, or forecasting disaster, and he had had no social tremors on this particular occasion. He was not timid and he was not impudent. He felt too kindly toward himself to be the one, and too good-naturedly toward the rest of the world to be the other. But his native shrewdness sometimes placed his ease of temper at its mercy; with every disposition to take things simply, it was obliged to perceive that some things were not so simple as others. He felt as one does in missing a step, in an ascent, where one expected to find it. This strange, pretty woman, sitting in fire-side talk with her brother, in the gray depths of her inhospitable-looking house—what had he to say to her? She seemed enveloped in a sort of fantastic privacy; on what grounds had he pulled away the curtain? For a moment he felt as if he had plunged into some medium as deep as the ocean, and as if he must exert himself to keep from sinking. Meanwhile he was looking at Madame de Cintre, and she was settling herself in her chair and drawing in her long dress and turning her face towards him. Their eyes met; a moment afterwards she looked away and motioned to her brother to put a log on the fire. But the moment, and the glance which traversed it, had been sufficient to relieve Newman of the first and the last fit of personal embarrassment he was ever to know. He performed the movement which was so frequent with him, and which was always a sort of symbol of his taking mental possession of a scene—he extended his legs. The impression Madame de Cintre had made upon him on their first meeting came back in an instant; it had been deeper than he knew. She was pleasing, she was interesting; he had opened a book and the first lines held his attention.

She asked him several questions: how lately he had seen Mrs. Tristram, how long he had been in Paris, how long he expected to remain there, how he liked it. She spoke English without an accent, or rather with that distinctively British accent which, on his arrival in Europe, had struck Newman as an altogether foreign tongue, but which, in women, he had come to like extremely. Here and there Madame de Cintre’s utterance had a faint shade of strangeness but at the end of ten minutes Newman found himself waiting for these soft roughnesses. He enjoyed them, and he marveled to see that gross thing, error, brought down to so fine a point.

“You have a beautiful country,” said Madame de Cintre, presently.

“Oh, magnificent!” said Newman. “You ought to see it.”

“I shall never see it,” said Madame de Cintre with a smile.

“Why not?” asked Newman.

“I don’t travel; especially so far.”

“But you go away sometimes; you are not always here?”

“I go away in summer, a little way, to the country.”

Newman wanted to ask her something more, something personal, he hardly knew what. “Don’t you find it rather—rather quiet here?” he said; “so far from the street?” Rather “gloomy,” he was going to say, but he reflected that that would be impolite.

“Yes, it is very quiet,” said Madame de Cintre; “but we like that.”

“Ah, you like that,” repeated Newman, slowly.

“Besides, I have lived here all my life.”

“Lived here all your life,” said Newman, in the same way.

“I was born here, and my father was born here before me, and my grandfather, and my great-grandfathers. Were they not, Valentin?” and she appealed to her brother.

“Yes, it’s a family habit to be born here!” the young man said with a laugh, and rose and threw the remnant of his cigarette into the fire, and then remained leaning against the chimney-piece. An observer would have perceived that he wished to take a better look at Newman, whom he covertly examined, while he stood stroking his mustache.

“Your house is tremendously old, then,” said Newman.

“How old is it, brother?” asked Madame de Cintre.

The young man took the two candles from the mantel-shelf, lifted one high in each hand, and looked up toward the cornice of the room, above the chimney-piece. This latter feature of the apartment was of white marble, and in the familiar rococo style of the last century; but above it was a paneling of an earlier date, quaintly carved, painted white, and gilded here and there. The white had turned to yellow, and the gilding was tarnished. On the top, the figures ranged themselves into a sort of shield, on which an armorial device was cut. Above it, in relief, was a date—1627. “There you have it,” said the young man. “That is old or new, according to your point of view.”

“Well, over here,” said Newman, “one’s point of view gets shifted round considerably.” And he threw back his head and looked about the room. “Your house is of a very curious style of architecture,” he said.

“Are you interested in architecture?” asked the young man at the chimney-piece.

“Well, I took the trouble, this summer,” said Newman, “to examine—as well as I can calculate—some four hundred and seventy churches. Do you call that interested?”

“Perhaps you are interested in theology,” said the young man.

“Not particularly. Are you a Roman Catholic, madam?” And he turned to Madame de Cintre.

“Yes, sir,” she answered, gravely.

Newman was struck with the gravity of her tone; he threw back his head and began to look round the room again. “Had you never noticed that number up there?” he presently asked.

She hesitated a moment, and then, “In former years,” she said.

Her brother had been watching Newman’s movement. “Perhaps you would like to examine the house,” he said.

Newman slowly brought down his eyes and looked at him; he had a vague impression that the young man at the chimney-piece was inclined to irony. He was a handsome fellow, his face wore a smile, his mustaches were curled up at the ends, and there was a little dancing gleam in his eye. “Damn his French impudence!” Newman was on the point of saying to himself. “What the deuce is he grinning at?” He glanced at Madame de Cintre; she was sitting with her eyes fixed on the floor. She raised them, they met his, and she looked at her brother. Newman turned again to this young man and observed that he strikingly resembled his sister. This was in his favor, and our hero’s first impression of the Count Valentin, moreover, had been agreeable. His mistrust expired, and he said he would be very glad to see the house.

The young man gave a frank laugh, and laid his hand on one of the candlesticks. “Good, good!” he exclaimed. “Come, then.”

But Madame de Cintre rose quickly and grasped his arm, “Ah, Valentin!” she said. “What do you mean to do?”

“To show Mr. Newman the house. It will be very amusing.”

She kept her hand on his arm, and turned to Newman with a smile. “Don’t let him take you,” she said; “you will not find it amusing. It is a musty old house, like any other.”

“It is full of curious things,” said the count, resisting. “Besides, I want to do it; it is a rare chance.”

“You are very wicked, brother,” Madame de Cintre answered.

“Nothing venture, nothing have!” cried the young man. “Will you come?”

Madame de Cintre stepped toward Newman, gently clasping her hands and smiling softly. “Would you not prefer my society, here, by my fire, to stumbling about dark passages after my brother?”

“A hundred times!” said Newman. “We will see the house some other day.”

The young man put down his candlestick with mock solemnity, and, shaking his head, “Ah, you have defeated a great scheme, sir!” he said.

“A scheme? I don’t understand,” said Newman.

“You would have played your part in it all the better. Perhaps some day I shall have a chance to explain it.”

“Be quiet, and ring for the tea,” said Madame de Cintre.

The young man obeyed, and presently a servant brought in the tea, placed the tray on a small table, and departed. Madame de Cintre, from her place, busied herself with making it. She had but just begun when the door was thrown open and a lady rushed in, making a loud rustling sound. She stared at Newman, gave a little nod and a “Monsieur!” and then quickly approached Madame de Cintre and presented her forehead to be kissed. Madame de Cintre saluted her, and continued to make tea. The new-comer was young and pretty, it seemed to Newman; she wore her bonnet and cloak, and a train of royal proportions. She began to talk rapidly in French. “Oh, give me some tea, my beautiful one, for the love of God! I’m exhausted, mangled, massacred.” Newman found himself quite unable to follow her; she spoke much less distinctly than M. Nioche.

“That is my sister-in-law,” said the Count Valentin, leaning towards him.

“She is very pretty,” said Newman.

“Exquisite,” answered the young man, and this time, again, Newman suspected him of irony.

His sister-in-law came round to the other side of the fire with her cup of tea in her hand, holding it out at arm’s-length, so that she might not spill it on her dress, and uttering little cries of alarm. She placed the cup on the mantel-shelf and begun to unpin her veil and pull off her gloves, looking meanwhile at Newman.

“Is there any thing I can do for you, my dear lady?” the Count Valentin asked, in a sort of mock-caressing tone.

“Present monsieur,” said his sister-in-law.

The young man answered, “Mr. Newman!”

“I can’t courtesy to you, monsieur, or I shall spill my tea,” said the lady. “So Claire receives strangers, like that?” she added, in a low voice, in French, to her brother-in-law.

“Apparently!” he answered with a smile. Newman stood a moment, and then he approached Madame de Cintre. She looked up at him as if she were thinking of something to say. But she seemed to think of nothing; so she simply smiled. He sat down near her and she handed him a cup of tea. For a few moments they talked about that, and meanwhile he looked at her. He remembered what Mrs. Tristram had told him of her “perfection” and of her having, in combination, all the brilliant things that he dreamed of finding. This made him observe her not only without mistrust, but without uneasy conjectures; the presumption, from the first moment he looked at her, had been in her favor. And yet, if she was beautiful, it was not a dazzling beauty. She was tall and moulded in long lines; she had thick fair hair, a wide forehead, and features with a sort of harmonious irregularity. Her clear gray eyes were strikingly expressive; they were both gentle and intelligent, and Newman liked them immensely; but they had not those depths of splendor—those many-colored rays—which illumine the brows of famous beauties. Madame de Cintre was rather thin, and she looked younger than probably she was. In her whole person there was something both youthful and subdued, slender and yet ample, tranquil yet shy; a mixture of immaturity and repose, of innocence and dignity. What had Tristram meant, Newman wondered, by calling her proud? She was certainly not proud now, to him; or if she was, it was of no use, it was lost upon him; she must pile it up higher if she expected him to mind it. She was a beautiful woman, and it was very easy to get on with her. Was she a countess, a marquise, a kind of historical formation? Newman, who had rarely heard these words used, had never been at pains to attach any particular image to them; but they occurred to him now and seemed charged with a sort of melodious meaning. They signified something fair and softly bright, that had easy motions and spoke very agreeably.

“Have you many friends in Paris; do you go out?” asked Madame de Cintre, who had at last thought of something to say.

“Do you mean do I dance, and all that?”

“Do you go dans le monde, as we say?”

“I have seen a good many people. Mrs. Tristram has taken me about. I do whatever she tells me.”

“By yourself, you are not fond of amusements?”

“Oh yes, of some sorts. I am not fond of dancing, and that sort of thing; I am too old and sober. But I want to be amused; I came to Europe for that.”

“But you can be amused in America, too.”

“I couldn’t; I was always at work. But after all, that was my amusement.”

At this moment Madame de Bellegarde came back for another cup of tea, accompanied by the Count Valentin. Madame de Cintre, when she had served her, began to talk again with Newman, and recalling what he had last said, “In your own country you were very much occupied?” she asked.

“I was in business. I have been in business since I was fifteen years old.”

“And what was your business?” asked Madame de Bellegarde, who was decidedly not so pretty as Madame de Cintre.

“I have been in everything,” said Newman. “At one time I sold leather; at one time I manufactured wash-tubs.”

Madame de Bellegarde made a little grimace. “Leather? I don’t like that. Wash-tubs are better. I prefer the smell of soap. I hope at least they made your fortune.” She rattled this off with the air of a woman who had the reputation of saying everything that came into her head, and with a strong French accent.

Newman had spoken with cheerful seriousness, but Madame de Bellegarde’s tone made him go on, after a meditative pause, with a certain light grimness of jocularity. “No, I lost money on wash-tubs, but I came out pretty square on leather.”

“I have made up my mind, after all,” said Madame de Bellegarde, “that the great point is—how do you call it?—to come out square. I am on my knees to money; I don’t deny it. If you have it, I ask no questions. For that I am a real democrat—like you, monsieur. Madame de Cintre is very proud; but I find that one gets much more pleasure in this sad life if one doesn’t look too close.”

“Just Heaven, dear madam, how you go at it,” said the Count Valentin, lowering his voice.

“He’s a man one can speak to, I suppose, since my sister receives him,” the lady answered. “Besides, it’s very true; those are my ideas.”

“Ah, you call them ideas,” murmured the young man.

“But Mrs. Tristram told me you had been in the army—in your war,” said Madame de Cintre.

“Yes, but that is not business!” said Newman.

“Very true!” said M. de Bellegarde. “Otherwise perhaps I should not be penniless.”

“Is it true,” asked Newman in a moment, “that you are so proud? I had already heard it.”

Madame de Cintre smiled. “Do you find me so?”

“Oh,” said Newman, “I am no judge. If you are proud with me, you will have to tell me. Otherwise I shall not know it.”

Madame de Cintre began to laugh. “That would be pride in a sad position!” she said.

“It would be partly,” Newman went on, “because I shouldn’t want to know it. I want you to treat me well.”

Madame de Cintre, whose laugh had ceased, looked at him with her head half averted, as if she feared what he was going to say.

“Mrs. Tristram told you the literal truth,” he went on; “I want very much to know you. I didn’t come here simply to call to-day; I came in the hope that you might ask me to come again.”

“Oh, pray come often,” said Madame de Cintre.

“But will you be at home?” Newman insisted. Even to himself he seemed a trifle “pushing,” but he was, in truth, a trifle excited.

“I hope so!” said Madame de Cintre.

Newman got up. “Well, we shall see,” he said smoothing his hat with his coat-cuff.

“Brother,” said Madame de Cintre, “invite Mr. Newman to come again.”

The Count Valentin looked at our hero from head to foot with his peculiar smile, in which impudence and urbanity seemed perplexingly commingled. “Are you a brave man?” he asked, eying him askance.

“Well, I hope so,” said Newman.

“I rather suspect so. In that case, come again.”

“Ah, what an invitation!” murmured Madame de Cintre, with something painful in her smile.

“Oh, I want Mr. Newman to come—particularly,” said the young man. “It will give me great pleasure. I shall be desolate if I miss one of his visits. But I maintain he must be brave. A stout heart, sir!” And he offered Newman his hand.

“I shall not come to see you; I shall come to see Madame de Cintre,” said Newman.

“You will need all the more courage.”

“Ah, Valentin!” said Madame de Cintre, appealingly.

“Decidedly,” cried Madame de Bellegarde, “I am the only person here capable of saying something polite! Come to see me; you will need no courage,” she said.

Newman gave a laugh which was not altogether an assent, and took his leave. Madame de Cintre did not take up her sister’s challenge to be gracious, but she looked with a certain troubled air at the retreating guest.

CHAPTER 7

One evening very late, about a week after his visit to Madame de Cintre, Newman’s servant brought him a card. It was that of young M. de Bellegarde. When, a few moments later, he went to receive his visitor, he found him standing in the middle of his great gilded parlor and eying it from cornice to carpet. M. de Bellegarde’s face, it seemed to Newman, expressed a sense of lively entertainment. “What the devil is he laughing at now?” our hero asked himself. But he put the question without acrimony, for he felt that Madame de Cintre’s brother was a good fellow, and he had a presentiment that on this basis of good fellowship they were destined to understand each other. Only, if there was anything to laugh at, he wished to have a glimpse of it too.

“To begin with,” said the young man, as he extended his hand, “have I come too late?”

“Too late for what?” asked Newman.

“To smoke a cigar with you.”

“You would have to come early to do that,” said Newman. “I don’t smoke.”

“Ah, you are a strong man!”

“But I keep cigars,” Newman added. “Sit down.”

“Surely, I may not smoke here,” said M. de Bellegarde.

“What is the matter? Is the room too small?”

“It is too large. It is like smoking in a ball-room, or a church.”

“That is what you were laughing at just now?” Newman asked; “the size of my room?”

“It is not size only,” replied M. de Bellegarde, “but splendor, and harmony, and beauty of detail. It was the smile of admiration.”

Newman looked at him a moment, and then, “So it IS very ugly?” he inquired.

“Ugly, my dear sir? It is magnificent.”

“That is the same thing, I suppose,” said Newman. “Make yourself comfortable. Your coming to see me, I take it, is an act of friendship. You were not obliged to. Therefore, if anything around here amuses you, it will be all in a pleasant way. Laugh as loud as you please; I like to see my visitors cheerful. Only, I must make this request: that you explain the joke to me as soon as you can speak. I don’t want to lose anything, myself.”

M. de Bellegarde stared, with a look of unresentful perplexity. He laid his hand on Newman’s sleeve and seemed on the point of saying something, but he suddenly checked himself, leaned back in his chair, and puffed at his cigar. At last, however, breaking silence,—“Certainly,” he said, “my coming to see you is an act of friendship. Nevertheless I was in a measure obliged to do so. My sister asked me to come, and a request from my sister is, for me, a law. I was near you, and I observed lights in what I supposed were your rooms. It was not a ceremonious hour for making a call, but I was not sorry to do something that would show I was not performing a mere ceremony.”

“Well, here I am as large as life,” said Newman, extending his legs.

“I don’t know what you mean,” the young man went on “by giving me unlimited leave to laugh. Certainly I am a great laugher, and it is better to laugh too much than too little. But it is not in order that we may laugh together—or separately—that I have, I may say, sought your acquaintance. To speak with almost impudent frankness, you interest me!” All this was uttered by M. de Bellegarde with the modulated smoothness of the man of the world, and in spite of his excellent English, of the Frenchman; but Newman, at the same time that he sat noting its harmonious flow, perceived that it was not mere mechanical urbanity. Decidedly, there was something in his visitor that he liked. M. de Bellegarde was a foreigner to his finger-tips, and if Newman had met him on a Western prairie he would have felt it proper to address him with a “How-d’ye-do, Mosseer?” But there was something in his physiognomy which seemed to cast a sort of aerial bridge over the impassable gulf produced by difference of race. He was below the middle height, and robust and agile in figure. Valentin de Bellegarde, Newman afterwards learned, had a mortal dread of the robustness overtaking the agility; he was afraid of growing stout; he was too short, as he said, to afford a belly. He rode and fenced and practiced gymnastics with unremitting zeal, and if you greeted him with a “How well you are looking” he started and turned pale. In your WELL he read a grosser monosyllable. He had a round head, high above the ears, a crop of hair at once dense and silky, a broad, low forehead, a short nose, of the ironical and inquiring rather than of the dogmatic or sensitive cast, and a mustache as delicate as that of a page in a romance. He resembled his sister not in feature, but in the expression of his clear, bright eye, completely void of introspection, and in the way he smiled. The great point in his face was that it was intensely alive—frankly, ardently, gallantly alive. The look of it was like a bell, of which the handle might have been in the young man’s soul: at a touch of the handle it rang with a loud, silver sound. There was something in his quick, light brown eye which assured you that he was not economizing his consciousness. He was not living in a corner of it to spare the furniture of the rest. He was squarely encamped in the centre and he was keeping open house. When he smiled, it was like the movement of a person who in emptying a cup turns it upside down: he gave you the last drop of his jollity. He inspired Newman with something of the same kindness that our hero used to feel in his earlier years for those of his companions who could perform strange and clever tricks—make their joints crack in queer places or whistle at the back of their mouths.

“My sister told me,” M. de Bellegarde continued, “that I ought to come and remove the impression that I had taken such great pains to produce upon you; the impression that I am a lunatic. Did it strike you that I behaved very oddly the other day?”

“Rather so,” said Newman.

“So my sister tells me.” And M. de Bellegarde watched his host for a moment through his smoke-wreaths. “If that is the case, I think we had better let it stand. I didn’t try to make you think I was a lunatic, at all; on the contrary, I wanted to produce a favorable impression. But if, after all, I made a fool of myself, it was the intention of Providence. I should injure myself by protesting too much, for I should seem to set up a claim for wisdom which, in the sequel of our acquaintance, I could by no means justify. Set me down as a lunatic with intervals of sanity.”

“Oh, I guess you know what you are about,” said Newman.

“When I am sane, I am very sane; that I admit,” M. de Bellegarde answered. “But I didn’t come here to talk about myself. I should like to ask you a few questions. You allow me?”

“Give me a specimen,” said Newman.

“You live here all alone?”

“Absolutely. With whom should I live?”

“For the moment,” said M. de Bellegarde with a smile “I am asking questions, not answering them. You have come to Paris for your pleasure?”

Newman was silent a while. Then, at last, “Everyone asks me that!” he said with his mild slowness. “It sounds so awfully foolish.”

“But at any rate you had a reason.”

“Oh, I came for my pleasure!” said Newman. “Though it is foolish, it is true.”

“And you are enjoying it?”

Like any other good American, Newman thought it as well not to truckle to the foreigner. “Oh, so-so,” he answered.

M. de Bellegarde puffed his cigar again in silence. “For myself,” he said at last, “I am entirely at your service. Anything I can do for you I shall be very happy to do. Call upon me at your convenience. Is there anyone you desire to know—anything you wish to see? It is a pity you should not enjoy Paris.”

“Oh, I do enjoy it!” said Newman, good-naturedly. “I’m much obligated to you.”

“Honestly speaking,” M. de Bellegarde went on, “there is something absurd to me in hearing myself make you these offers. They represent a great deal of goodwill, but they represent little else. You are a successful man and I am a failure, and it’s a turning of the tables to talk as if I could lend you a hand.”

“In what way are you a failure?” asked Newman.

“Oh, I’m not a tragical failure!” cried the young man with a laugh. “I have fallen from a height, and my fiasco has made no noise. You, evidently, are a success. You have made a fortune, you have built up an edifice, you are a financial, commercial power, you can travel about the world until you have found a soft spot, and lie down in it with the consciousness of having earned your rest. Is not that true? Well, imagine the exact reverse of all that, and you have me. I have done nothing—I can do nothing!”

“Why not?”

“It’s a long story. Some day I will tell you. Meanwhile, I’m right, eh? You are a success? You have made a fortune? It’s none of my business, but, in short, you are rich?”

“That’s another thing that it sounds foolish to say,” said Newman. “Hang it, no man is rich!”

“I have heard philosophers affirm,” laughed M. de Bellegarde, “that no man was poor; but your formula strikes me as an improvement. As a general thing, I confess, I don’t like successful people, and I find clever men who have made great fortunes very offensive. They tread on my toes; they make me uncomfortable. But as soon as I saw you, I said to myself. ‘Ah, there is a man with whom I shall get on. He has the good-nature of success and none of the morgue; he has not our confoundedly irritable French vanity.’ In short, I took a fancy to you. We are very different, I’m sure; I don’t believe there is a subject on which we think or feel alike. But I rather think we shall get on, for there is such a thing, you know, as being too different to quarrel.”

“Oh, I never quarrel,” said Newman.

“Never! Sometimes it’s a duty—or at least it’s a pleasure. Oh, I have had two or three delicious quarrels in my day!” and M. de Bellegarde’s handsome smile assumed, at the memory of these incidents, an almost voluptuous intensity.

With the preamble embodied in his share of the foregoing fragment of dialogue, he paid our hero a long visit; as the two men sat with their heels on Newman’s glowing hearth, they heard the small hours of the morning striking larger from a far-off belfry. Valentin de Bellegarde was, by his own confession, at all times a great chatterer, and on this occasion he was evidently in a particularly loquacious mood. It was a tradition of his race that people of its blood always conferred a favor by their smiles, and as his enthusiasms were as rare as his civility was constant, he had a double reason for not suspecting that his friendship could ever be importunate. Moreover, the flower of an ancient stem as he was, tradition (since I have used the word) had in his temperament nothing of disagreeable rigidity. It was muffled in sociability and urbanity, as an old dowager in her laces and strings of pearls. Valentin was what is called in France a gentilhomme, of the purest source, and his rule of life, so far as it was definite, was to play the part of a gentilhomme. This, it seemed to him, was enough to occupy comfortably a young man of ordinary good parts. But all that he was he was by instinct and not by theory, and the amiability of his character was so great that certain of the aristocratic virtues, which in some aspects seem rather brittle and trenchant, acquired in his application of them an extreme geniality. In his younger years he had been suspected of low tastes, and his mother had greatly feared he would make a slip in the mud of the highway and bespatter the family shield. He had been treated, therefore, to more than his share of schooling and drilling, but his instructors had not succeeded in mounting him upon stilts. They could not spoil his safe spontaneity, and he remained the least cautious and the most lucky of young nobles. He had been tied with so short a rope in his youth that he had now a mortal grudge against family discipline. He had been known to say, within the limits of the family, that, light-headed as he was, the honor of the name was safer in his hands than in those of some of it’s other members, and that if a day ever came to try it, they should see. His talk was an odd mixture of almost boyish garrulity and of the reserve and discretion of the man of the world, and he seemed to Newman, as afterwards young members of the Latin races often seemed to him, now amusingly juvenile and now appallingly mature. In America, Newman reflected, lads of twenty-five and thirty have old heads and young hearts, or at least young morals; here they have young heads and very aged hearts, morals the most grizzled and wrinkled.

“What I envy you is your liberty,” observed M. de Bellegarde, “your wide range, your freedom to come and go, your not having a lot of people, who take themselves awfully seriously, expecting something of you. I live,” he added with a sigh, “beneath the eyes of my admirable mother.”

“It is your own fault; what is to hinder your ranging?” said Newman.

“There is a delightful simplicity in that remark! Everything is to hinder me. To begin with, I have not a penny.”

“I had not a penny when I began to range.”

“Ah, but your poverty was your capital. Being an American, it was impossible you should remain what you were born, and being born poor—do I understand it?—it was therefore inevitable that you should become rich. You were in a position that makes one’s mouth water; you looked round you and saw a world full of things you had only to step up to and take hold of. When I was twenty, I looked around me and saw a world with everything ticketed ‘Hands off!’ and the deuce of it was that the ticket seemed meant only for me. I couldn’t go into business, I couldn’t make money, because I was a Bellegarde. I couldn’t go into politics, because I was a Bellegarde—the Bellegardes don’t recognize the Bonapartes. I couldn’t go into literature, because I was a dunce. I couldn’t marry a rich girl, because no Bellegarde had ever married a roturiere, and it was not proper that I should begin. We shall have to come to it, yet. Marriageable heiresses, de notre bord, are not to be had for nothing; it must be name for name, and fortune for fortune. The only thing I could do was to go and fight for the Pope. That I did, punctiliously, and received an apostolic flesh-wound at Castlefidardo. It did neither the Holy Father nor me any good, that I could see. Rome was doubtless a very amusing place in the days of Caligula, but it has sadly fallen off since. I passed three years in the Castle of St. Angelo, and then came back to secular life.”

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