Titel: McTeague

von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris

ISBN 978-3-7429-0156-9

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

McTEAGUE
A Story of San Francisco

by Frank Norris

Contents

CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11
CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22

CHAPTER 1

It was Sunday, and, according to his custom on that day, McTeague took his dinner at two in the afternoon at the car conductors' coffee-joint on Polk Street. He had a thick gray soup; heavy, underdone meat, very hot, on a cold plate; two kinds of vegetables; and a sort of suet pudding, full of strong butter and sugar. On his way back to his office, one block above, he stopped at Joe Frenna's saloon and bought a pitcher of steam beer. It was his habit to leave the pitcher there on his way to dinner.

Once in his office, or, as he called it on his signboard, "Dental Parlors," he took off his coat and shoes, unbuttoned his vest, and, having crammed his little stove full of coke, lay back in his operating chair at the bay window, reading the paper, drinking his beer, and smoking his huge porcelain pipe while his food digested; crop-full, stupid, and warm. By and by, gorged with steam beer, and overcome by the heat of the room, the cheap tobacco, and the effects of his heavy meal, he dropped off to sleep. Late in the afternoon his canary bird, in its gilt cage just over his head, began to sing. He woke slowly, finished the rest of his beer—very flat and stale by this time—and taking down his concertina from the bookcase, where in week days it kept the company of seven volumes of "Allen's Practical Dentist," played upon it some half-dozen very mournful airs.

McTeague looked forward to these Sunday afternoons as a period of relaxation and enjoyment. He invariably spent them in the same fashion. These were his only pleasures—to eat, to smoke, to sleep, and to play upon his concertina.

The six lugubrious airs that he knew, always carried him back to the time when he was a car-boy at the Big Dipper Mine in Placer County, ten years before. He remembered the years he had spent there trundling the heavy cars of ore in and out of the tunnel under the direction of his father. For thirteen days of each fortnight his father was a steady, hard-working shift-boss of the mine. Every other Sunday he became an irresponsible animal, a beast, a brute, crazy with alcohol.

McTeague remembered his mother, too, who, with the help of the Chinaman, cooked for forty miners. She was an overworked drudge, fiery and energetic for all that, filled with the one idea of having her son rise in life and enter a profession. The chance had come at last when the father died, corroded with alcohol, collapsing in a few hours. Two or three years later a travelling dentist visited the mine and put up his tent near the bunk-house. He was more or less of a charlatan, but he fired Mrs. McTeague's ambition, and young McTeague went away with him to learn his profession. He had learnt it after a fashion, mostly by watching the charlatan operate. He had read many of the necessary books, but he was too hopelessly stupid to get much benefit from them.

Then one day at San Francisco had come the news of his mother's death; she had left him some money—not much, but enough to set him up in business; so he had cut loose from the charlatan and had opened his "Dental Parlors" on Polk Street, an "accommodation street" of small shops in the residence quarter of the town. Here he had slowly collected a clientele of butcher boys, shop girls, drug clerks, and car conductors. He made but few acquaintances. Polk Street called him the "Doctor" and spoke of his enormous strength. For McTeague was a young giant, carrying his huge shock of blond hair six feet three inches from the ground; moving his immense limbs, heavy with ropes of muscle, slowly, ponderously. His hands were enormous, red, and covered with a fell of stiff yellow hair; they were hard as wooden mallets, strong as vises, the hands of the old-time car-boy. Often he dispensed with forceps and extracted a refractory tooth with his thumb and finger. His head was square-cut, angular; the jaw salient, like that of the carnivora.

McTeague's mind was as his body, heavy, slow to act, sluggish. Yet there was nothing vicious about the man. Altogether he suggested the draught horse, immensely strong, stupid, docile, obedient.

When he opened his "Dental Parlors," he felt that his life was a success, that he could hope for nothing better. In spite of the name, there was but one room. It was a corner room on the second floor over the branch post-office, and faced the street. McTeague made it do for a bedroom as well, sleeping on the big bed-lounge against the wall opposite the window. There was a washstand behind the screen in the corner where he manufactured his moulds. In the round bay window were his operating chair, his dental engine, and the movable rack on which he laid out his instruments. Three chairs, a bargain at the second-hand store, ranged themselves against the wall with military precision underneath a steel engraving of the court of Lorenzo de' Medici, which he had bought because there were a great many figures in it for the money. Over the bed-lounge hung a rifle manufacturer's advertisement calendar which he never used. The other ornaments were a small marble-topped centre table covered with back numbers of "The American System of Dentistry," a stone pug dog sitting before the little stove, and a thermometer. A stand of shelves occupied one corner, filled with the seven volumes of "Allen's Practical Dentist." On the top shelf McTeague kept his concertina and a bag of bird seed for the canary. The whole place exhaled a mingled odor of bedding, creosote, and ether.

But for one thing, McTeague would have been perfectly contented. Just outside his window was his signboard—a modest affair—that read: "Doctor McTeague. Dental Parlors. Gas Given"; but that was all. It was his ambition, his dream, to have projecting from that corner window a huge gilded tooth, a molar with enormous prongs, something gorgeous and attractive. He would have it some day, on that he was resolved; but as yet such a thing was far beyond his means.

When he had finished the last of his beer, McTeague slowly wiped his lips and huge yellow mustache with the side of his hand. Bull-like, he heaved himself laboriously up, and, going to the window, stood looking down into the street.

The street never failed to interest him. It was one of those cross streets peculiar to Western cities, situated in the heart of the residence quarter, but occupied by small tradespeople who lived in the rooms above their shops. There were corner drug stores with huge jars of red, yellow, and green liquids in their windows, very brave and gay; stationers' stores, where illustrated weeklies were tacked upon bulletin boards; barber shops with cigar stands in their vestibules; sad-looking plumbers' offices; cheap restaurants, in whose windows one saw piles of unopened oysters weighted down by cubes of ice, and china pigs and cows knee deep in layers of white beans. At one end of the street McTeague could see the huge power-house of the cable line. Immediately opposite him was a great market; while farther on, over the chimney stacks of the intervening houses, the glass roof of some huge public baths glittered like crystal in the afternoon sun. Underneath him the branch post-office was opening its doors, as was its custom between two and three o'clock on Sunday afternoons. An acrid odor of ink rose upward to him. Occasionally a cable car passed, trundling heavily, with a strident whirring of jostled glass windows.

On week days the street was very lively. It woke to its work about seven o'clock, at the time when the newsboys made their appearance together with the day laborers. The laborers went trudging past in a straggling file—plumbers' apprentices, their pockets stuffed with sections of lead pipe, tweezers, and pliers; carpenters, carrying nothing but their little pasteboard lunch baskets painted to imitate leather; gangs of street workers, their overalls soiled with yellow clay, their picks and long-handled shovels over their shoulders; plasterers, spotted with lime from head to foot. This little army of workers, tramping steadily in one direction, met and mingled with other toilers of a different description—conductors and "swing men" of the cable company going on duty; heavy-eyed night clerks from the drug stores on their way home to sleep; roundsmen returning to the precinct police station to make their night report, and Chinese market gardeners teetering past under their heavy baskets. The cable cars began to fill up; all along the street could be seen the shopkeepers taking down their shutters.

Between seven and eight the street breakfasted. Now and then a waiter from one of the cheap restaurants crossed from one sidewalk to the other, balancing on one palm a tray covered with a napkin. Everywhere was the smell of coffee and of frying steaks. A little later, following in the path of the day laborers, came the clerks and shop girls, dressed with a certain cheap smartness, always in a hurry, glancing apprehensively at the power-house clock. Their employers followed an hour or so later—on the cable cars for the most part whiskered gentlemen with huge stomachs, reading the morning papers with great gravity; bank cashiers and insurance clerks with flowers in their buttonholes.

At the same time the school children invaded the street, filling the air with a clamor of shrill voices, stopping at the stationers' shops, or idling a moment in the doorways of the candy stores. For over half an hour they held possession of the sidewalks, then suddenly disappeared, leaving behind one or two stragglers who hurried along with great strides of their little thin legs, very anxious and preoccupied.

Towards eleven o'clock the ladies from the great avenue a block above Polk Street made their appearance, promenading the sidewalks leisurely, deliberately. They were at their morning's marketing. They were handsome women, beautifully dressed. They knew by name their butchers and grocers and vegetable men. From his window McTeague saw them in front of the stalls, gloved and veiled and daintily shod, the subservient provision men at their elbows, scribbling hastily in the order books. They all seemed to know one another, these grand ladies from the fashionable avenue. Meetings took place here and there; a conversation was begun; others arrived; groups were formed; little impromptu receptions were held before the chopping blocks of butchers' stalls, or on the sidewalk, around boxes of berries and fruit.

From noon to evening the population of the street was of a mixed character. The street was busiest at that time; a vast and prolonged murmur arose—the mingled shuffling of feet, the rattle of wheels, the heavy trundling of cable cars. At four o'clock the school children once more swarmed the sidewalks, again disappearing with surprising suddenness. At six the great homeward march commenced; the cars were crowded, the laborers thronged the sidewalks, the newsboys chanted the evening papers. Then all at once the street fell quiet; hardly a soul was in sight; the sidewalks were deserted. It was supper hour. Evening began; and one by one a multitude of lights, from the demoniac glare of the druggists' windows to the dazzling blue whiteness of the electric globes, grew thick from street corner to street corner. Once more the street was crowded. Now there was no thought but for amusement. The cable cars were loaded with theatre-goers—men in high hats and young girls in furred opera cloaks. On the sidewalks were groups and couples—the plumbers' apprentices, the girls of the ribbon counters, the little families that lived on the second stories over their shops, the dressmakers, the small doctors, the harness-makers—all the various inhabitants of the street were abroad, strolling idly from shop window to shop window, taking the air after the day's work. Groups of girls collected on the corners, talking and laughing very loud, making remarks upon the young men that passed them. The tamale men appeared. A band of Salvationists began to sing before a saloon.

Then, little by little, Polk Street dropped back to solitude. Eleven o'clock struck from the power-house clock. Lights were extinguished. At one o'clock the cable stopped, leaving an abrupt silence in the air. All at once it seemed very still. The ugly noises were the occasional footfalls of a policeman and the persistent calling of ducks and geese in the closed market. The street was asleep.

Day after day, McTeague saw the same panorama unroll itself. The bay window of his "Dental Parlors" was for him a point of vantage from which he watched the world go past.

On Sundays, however, all was changed. As he stood in the bay window, after finishing his beer, wiping his lips, and looking out into the street, McTeague was conscious of the difference. Nearly all the stores were closed. No wagons passed. A few people hurried up and down the sidewalks, dressed in cheap Sunday finery. A cable car went by; on the outside seats were a party of returning picnickers. The mother, the father, a young man, and a young girl, and three children. The two older people held empty lunch baskets in their laps, while the bands of the children's hats were stuck full of oak leaves. The girl carried a huge bunch of wilting poppies and wild flowers.

As the car approached McTeague's window the young man got up and swung himself off the platform, waving goodby to the party. Suddenly McTeague recognized him.

"There's Marcus Schouler," he muttered behind his mustache.

Marcus Schouler was the dentist's one intimate friend. The acquaintance had begun at the car conductors' coffee-joint, where the two occupied the same table and met at every meal. Then they made the discovery that they both lived in the same flat, Marcus occupying a room on the floor above McTeague. On different occasions McTeague had treated Marcus for an ulcerated tooth and had refused to accept payment. Soon it came to be an understood thing between them. They were "pals."

McTeague, listening, heard Marcus go up-stairs to his room above. In a few minutes his door opened again. McTeague knew that he had come out into the hall and was leaning over the banisters.

"Oh, Mac!" he called. McTeague came to his door.

"Hullo! 'sthat you, Mark?"

"Sure," answered Marcus. "Come on up."

"You come on down."

"No, come on up."

"Oh, you come on down."

"Oh, you lazy duck!" retorted Marcus, coming down the stairs.

"Been out to the Cliff House on a picnic," he explained as he sat down on the bed-lounge, "with my uncle and his people—the Sieppes, you know. By damn! it was hot," he suddenly vociferated. "Just look at that! Just look at that!" he cried, dragging at his limp collar. "That's the third one since morning; it is—it is, for a fact—and you got your stove going." He began to tell about the picnic, talking very loud and fast, gesturing furiously, very excited over trivial details. Marcus could not talk without getting excited.

"You ought t'have seen, y'ought t'have seen. I tell you, it was outa sight. It was; it was, for a fact."

"Yes, yes," answered McTeague, bewildered, trying to follow. "Yes, that's so."

In recounting a certain dispute with an awkward bicyclist, in which it appeared he had become involved, Marcus quivered with rage. "'Say that again,' says I to um. 'Just say that once more, and'"—here a rolling explosion of oaths—"'you'll go back to the city in the Morgue wagon. Ain't I got a right to cross a street even, I'd like to know, without being run down—what?' I say it's outrageous. I'd a knifed him in another minute. It was an outrage. I say it was an OUTRAGE."

"Sure it was," McTeague hastened to reply. "Sure, sure."

"Oh, and we had an accident," shouted the other, suddenly off on another tack. "It was awful. Trina was in the swing there—that's my cousin Trina, you know who I mean—and she fell out. By damn! I thought she'd killed herself; struck her face on a rock and knocked out a front tooth. It's a wonder she didn't kill herself. It IS a wonder; it is, for a fact. Ain't it, now? Huh? Ain't it? Y'ought t'have seen."

McTeague had a vague idea that Marcus Schouler was stuck on his cousin Trina. They "kept company" a good deal; Marcus took dinner with the Sieppes every Saturday evening at their home at B Street station, across the bay, and Sunday afternoons he and the family usually made little excursions into the suburbs. McTeague began to wonder dimly how it was that on this occasion Marcus had not gone home with his cousin. As sometimes happens, Marcus furnished the explanation upon the instant.

"I promised a duck up here on the avenue I'd call for his dog at four this afternoon."

Marcus was Old Grannis's assistant in a little dog hospital that the latter had opened in a sort of alley just off Polk Street, some four blocks above Old Grannis lived in one of the back rooms of McTeague's flat. He was an Englishman and an expert dog surgeon, but Marcus Schouler was a bungler in the profession. His father had been a veterinary surgeon who had kept a livery stable near by, on California Street, and Marcus's knowledge of the diseases of domestic animals had been picked up in a haphazard way, much after the manner of McTeague's education. Somehow he managed to impress Old Grannis, a gentle, simple-minded old man, with a sense of his fitness, bewildering him with a torrent of empty phrases that he delivered with fierce gestures and with a manner of the greatest conviction.

"You'd better come along with me, Mac," observed Marcus. "We'll get the duck's dog, and then we'll take a little walk, huh? You got nothun to do. Come along."

McTeague went out with him, and the two friends proceeded up to the avenue to the house where the dog was to be found. It was a huge mansion-like place, set in an enormous garden that occupied a whole third of the block; and while Marcus tramped up the front steps and rang the doorbell boldly, to show his independence, McTeague remained below on the sidewalk, gazing stupidly at the curtained windows, the marble steps, and the bronze griffins, troubled and a little confused by all this massive luxury.

After they had taken the dog to the hospital and had left him to whimper behind the wire netting, they returned to Polk Street and had a glass of beer in the back room of Joe Frenna's corner grocery.

Ever since they had left the huge mansion on the avenue, Marcus had been attacking the capitalists, a class which he pretended to execrate. It was a pose which he often assumed, certain of impressing the dentist. Marcus had picked up a few half-truths of political economy—it was impossible to say where—and as soon as the two had settled themselves to their beer in Frenna's back room he took up the theme of the labor question. He discussed it at the top of his voice, vociferating, shaking his fists, exciting himself with his own noise. He was continually making use of the stock phrases of the professional politician—phrases he had caught at some of the ward "rallies" and "ratification meetings." These rolled off his tongue with incredible emphasis, appearing at every turn of his conversation—"Outraged constituencies," "cause of labor," "wage earners," "opinions biased by personal interests," "eyes blinded by party prejudice." McTeague listened to him, awestruck.

"There's where the evil lies," Marcus would cry. "The masses must learn self-control; it stands to reason. Look at the figures, look at the figures. Decrease the number of wage earners and you increase wages, don't you? don't you?"

Absolutely stupid, and understanding never a word, McTeague would answer:

"Yes, yes, that's it—self-control—that's the word."

"It's the capitalists that's ruining the cause of labor," shouted Marcus, banging the table with his fist till the beer glasses danced; "white-livered drones, traitors, with their livers white as snow, eatun the bread of widows and orphuns; there's where the evil lies."

Stupefied with his clamor, McTeague answered, wagging his head:

"Yes, that's it; I think it's their livers."

Suddenly Marcus fell calm again, forgetting his pose all in an instant.

"Say, Mac, I told my cousin Trina to come round and see you about that tooth of her's. She'll be in to-morrow, I guess."

CHAPTER 2

After his breakfast the following Monday morning, McTeague looked over the appointments he had written down in the book-slate that hung against the screen. His writing was immense, very clumsy, and very round, with huge, full-bellied l's and h's. He saw that he had made an appointment at one o'clock for Miss Baker, the retired dressmaker, a little old maid who had a tiny room a few doors down the hall. It adjoined that of Old Grannis.

Quite an affair had arisen from this circumstance. Miss Baker and Old Grannis were both over sixty, and yet it was current talk amongst the lodgers of the flat that the two were in love with each other. Singularly enough, they were not even acquaintances; never a word had passed between them. At intervals they met on the stairway; he on his way to his little dog hospital, she returning from a bit of marketing in the street. At such times they passed each other with averted eyes, pretending a certain preoccupation, suddenly seized with a great embarrassment, the timidity of a second childhood. He went on about his business, disturbed and thoughtful. She hurried up to her tiny room, her curious little false curls shaking with her agitation, the faintest suggestion of a flush coming and going in her withered cheeks. The emotion of one of these chance meetings remained with them during all the rest of the day.

Was it the first romance in the lives of each? Did Old Grannis ever remember a certain face amongst those that he had known when he was young Grannis—the face of some pale-haired girl, such as one sees in the old cathedral towns of England? Did Miss Baker still treasure up in a seldom opened drawer or box some faded daguerreotype, some strange old-fashioned likeness, with its curling hair and high stock? It was impossible to say.

Maria Macapa, the Mexican woman who took care of the lodgers' rooms, had been the first to call the flat's attention to the affair, spreading the news of it from room to room, from floor to floor. Of late she had made a great discovery; all the women folk of the flat were yet vibrant with it. Old Grannis came home from his work at four o'clock, and between that time and six Miss Baker would sit in her room, her hands idle in her lap, doing nothing, listening, waiting. Old Grannis did the same, drawing his arm-chair near to the wall, knowing that Miss Baker was upon the other side, conscious, perhaps, that she was thinking of him; and there the two would sit through the hours of the afternoon, listening and waiting, they did not know exactly for what, but near to each other, separated only by the thin partition of their rooms. They had come to know each other's habits. Old Grannis knew that at quarter of five precisely Miss Baker made a cup of tea over the oil stove on the stand between the bureau and the window. Miss Baker felt instinctively the exact moment when Old Grannis took down his little binding apparatus from the second shelf of his clothes closet and began his favorite occupation of binding pamphlets—pamphlets that he never read, for all that.

In his "Parlors" McTeague began his week's work. He glanced in the glass saucer in which he kept his sponge-gold, and noticing that he had used up all his pellets, set about making some more. In examining Miss Baker's teeth at the preliminary sitting he had found a cavity in one of the incisors. Miss Baker had decided to have it filled with gold. McTeague remembered now that it was what is called a "proximate case," where there is not sufficient room to fill with large pieces of gold. He told himself that he should have to use "mats" in the filling. He made some dozen of these "mats" from his tape of non-cohesive gold, cutting it transversely into small pieces that could be inserted edgewise between the teeth and consolidated by packing. After he had made his "mats" he continued with the other kind of gold fillings, such as he would have occasion to use during the week; "blocks" to be used in large proximal cavities, made by folding the tape on itself a number of times and then shaping it with the soldering pliers; "cylinders" for commencing fillings, which he formed by rolling the tape around a needle called a "broach," cutting it afterwards into different lengths. He worked slowly, mechanically, turning the foil between his fingers with the manual dexterity that one sometimes sees in stupid persons. His head was quite empty of all thought, and he did not whistle over his work as another man might have done. The canary made up for his silence, trilling and chittering continually, splashing about in its morning bath, keeping up an incessant noise and movement that would have been maddening to any one but McTeague, who seemed to have no nerves at all.

After he had finished his fillings, he made a hook broach from a bit of piano wire to replace an old one that he had lost. It was time for his dinner then, and when he returned from the car conductors' coffee-joint, he found Miss Baker waiting for him.

The ancient little dressmaker was at all times willing to talk of Old Grannis to anybody that would listen, quite unconscious of the gossip of the flat. McTeague found her all a-flutter with excitement. Something extraordinary had happened. She had found out that the wall-paper in Old Grannis's room was the same as that in hers.

"It has led me to thinking, Doctor McTeague," she exclaimed, shaking her little false curls at him. "You know my room is so small, anyhow, and the wall-paper being the same—the pattern from my room continues right into his—I declare, I believe at one time that was all one room. Think of it, do you suppose it was? It almost amounts to our occupying the same room. I don't know—why, really—do you think I should speak to the landlady about it? He bound pamphlets last night until half-past nine. They say that he's the younger son of a baronet; that there are reasons for his not coming to the title; his stepfather wronged him cruelly."

No one had ever said such a thing. It was preposterous to imagine any mystery connected with Old Grannis. Miss Baker had chosen to invent the little fiction, had created the title and the unjust stepfather from some dim memories of the novels of her girlhood.

She took her place in the operating chair. McTeague began the filling. There was a long silence. It was impossible for McTeague to work and talk at the same time.

He was just burnishing the last "mat" in Miss Baker's tooth, when the door of the "Parlors" opened, jangling the bell which he had hung over it, and which was absolutely unnecessary. McTeague turned, one foot on the pedal of his dental engine, the corundum disk whirling between his fingers.

It was Marcus Schouler who came in, ushering a young girl of about twenty.

"Hello, Mac," exclaimed Marcus; "busy? Brought my cousin round about that broken tooth."

McTeague nodded his head gravely.

"In a minute," he answered.

Marcus and his cousin Trina sat down in the rigid chairs underneath the steel engraving of the Court of Lorenzo de' Medici. They began talking in low tones. The girl looked about the room, noticing the stone pug dog, the rifle manufacturer's calendar, the canary in its little gilt prison, and the tumbled blankets on the unmade bed-lounge against the wall. Marcus began telling her about McTeague. "We're pals," he explained, just above a whisper. "Ah, Mac's all right, you bet. Say, Trina, he's the strongest duck you ever saw. What do you suppose? He can pull out your teeth with his fingers; yes, he can. What do you think of that? With his fingers, mind you; he can, for a fact. Get on to the size of him, anyhow. Ah, Mac's all right!"

Maria Macapa had come into the room while he had been speaking. She was making up McTeague's bed. Suddenly Marcus exclaimed under his breath: "Now we'll have some fun. It's the girl that takes care of the rooms. She's a greaser, and she's queer in the head. She ain't regularly crazy, but I don't know, she's queer. Y'ought to hear her go on about a gold dinner service she says her folks used to own. Ask her what her name is and see what she'll say." Trina shrank back, a little frightened.

"No, you ask," she whispered.

"Ah, go on; what you 'fraid of?" urged Marcus. Trina shook her head energetically, shutting her lips together.

"Well, listen here," answered Marcus, nudging her; then raising his voice, he said:

"How do, Maria?" Maria nodded to him over her shoulder as she bent over the lounge.

"Workun hard nowadays, Maria?"

"Pretty hard."

"Didunt always have to work for your living, though, did you, when you ate offa gold dishes?" Maria didn't answer, except by putting her chin in the air and shutting her eyes, as though to say she knew a long story about that if she had a mind to talk. All Marcus's efforts to draw her out on the subject were unavailing. She only responded by movements of her head.

"Can't always start her going," Marcus told his cousin.

"What does she do, though, when you ask her about her name?"

"Oh, sure," said Marcus, who had forgotten. "Say, Maria, what's your name?"

"Huh?" asked Maria, straightening up, her hands on he hips.

"Tell us your name," repeated Marcus.

"Name is Maria—Miranda—Macapa." Then, after a pause, she added, as though she had but that moment thought of it, "Had a flying squirrel an' let him go."

Invariably Maria Macapa made this answer. It was not always she would talk about the famous service of gold plate, but a question as to her name never failed to elicit the same strange answer, delivered in a rapid undertone: "Name is Maria—Miranda—Macapa." Then, as if struck with an after thought, "Had a flying squirrel an' let him go."

Why Maria should associate the release of the mythical squirrel with her name could not be said. About Maria the flat knew absolutely nothing further than that she was Spanish-American. Miss Baker was the oldest lodger in the flat, and Maria was a fixture there as maid of all work when she had come. There was a legend to the effect that Maria's people had been at one time immensely wealthy in Central America.

Maria turned again to her work. Trina and Marcus watched her curiously. There was a silence. The corundum burr in McTeague's engine hummed in a prolonged monotone. The canary bird chittered occasionally. The room was warm, and the breathing of the five people in the narrow space made the air close and thick. At long intervals an acrid odor of ink floated up from the branch post-office immediately below.

Maria Macapa finished her work and started to leave. As she passed near Marcus and his cousin she stopped, and drew a bunch of blue tickets furtively from her pocket. "Buy a ticket in the lottery?" she inquired, looking at the girl. "Just a dollar."

"Go along with you, Maria," said Marcus, who had but thirty cents in his pocket. "Go along; it's against the law."

"Buy a ticket," urged Maria, thrusting the bundle toward Trina. "Try your luck. The butcher on the next block won twenty dollars the last drawing."

Very uneasy, Trina bought a ticket for the sake of being rid of her. Maria disappeared.

"Ain't she a queer bird?" muttered Marcus. He was much embarrassed and disturbed because he had not bought the ticket for Trina.

But there was a sudden movement. McTeague had just finished with Miss Baker.

"You should notice," the dressmaker said to the dentist, in a low voice, "he always leaves the door a little ajar in the afternoon." When she had gone out, Marcus Schouler brought Trina forward.

"Say, Mac, this is my cousin, Trina Sieppe." The two shook hands dumbly, McTeague slowly nodding his huge head with its great shock of yellow hair. Trina was very small and prettily made. Her face was round and rather pale; her eyes long and narrow and blue, like the half-open eyes of a little baby; her lips and the lobes of her tiny ears were pale, a little suggestive of anaemia; while across the bridge of her nose ran an adorable little line of freckles. But it was to her hair that one's attention was most attracted. Heaps and heaps of blue-black coils and braids, a royal crown of swarthy bands, a veritable sable tiara, heavy, abundant, odorous. All the vitality that should have given color to her face seemed to have been absorbed by this marvellous hair. It was the coiffure of a queen that shadowed the pale temples of this little bourgeoise. So heavy was it that it tipped her head backward, and the position thrust her chin out a little. It was a charming poise, innocent, confiding, almost infantile.

She was dressed all in black, very modest and plain. The effect of her pale face in all this contrasting black was almost monastic.

"Well," exclaimed Marcus suddenly, "I got to go. Must get back to work. Don't hurt her too much, Mac. S'long, Trina."

McTeague and Trina were left alone. He was embarrassed, troubled. These young girls disturbed and perplexed him. He did not like them, obstinately cherishing that intuitive suspicion of all things feminine—the perverse dislike of an overgrown boy. On the other hand, she was perfectly at her ease; doubtless the woman in her was not yet awakened; she was yet, as one might say, without sex. She was almost like a boy, frank, candid, unreserved.

She took her place in the operating chair and told him what was the matter, looking squarely into his face. She had fallen out of a swing the afternoon of the preceding day; one of her teeth had been knocked loose and the other altogether broken out.

McTeague listened to her with apparent stolidity, nodding his head from time to time as she spoke. The keenness of his dislike of her as a woman began to be blunted. He thought she was rather pretty, that he even liked her because she was so small, so prettily made, so good natured and straightforward.

"Let's have a look at your teeth," he said, picking up his mirror. "You better take your hat off." She leaned back in her chair and opened her mouth, showing the rows of little round teeth, as white and even as the kernels on an ear of green corn, except where an ugly gap came at the side.

McTeague put the mirror into her mouth, touching one and another of her teeth with the handle of an excavator. By and by he straightened up, wiping the moisture from the mirror on his coat-sleeve.

"Well, Doctor," said the girl, anxiously, "it's a dreadful disfigurement, isn't it?" adding, "What can you do about it?"

"Well," answered McTeague, slowly, looking vaguely about on the floor of the room, "the roots of the broken tooth are still in the gum; they'll have to come out, and I guess I'll have to pull that other bicuspid. Let me look again. Yes," he went on in a moment, peering into her mouth with the mirror, "I guess that'll have to come out, too." The tooth was loose, discolored, and evidently dead. "It's a curious case," McTeague went on. "I don't know as I ever had a tooth like that before. It's what's called necrosis. It don't often happen. It'll have to come out sure."

Then a discussion was opened on the subject, Trina sitting up in the chair, holding her hat in her lap; McTeague leaning against the window frame his hands in his pockets, his eyes wandering about on the floor. Trina did not want the other tooth removed; one hole like that was bad enough; but two—ah, no, it was not to be thought of.

But McTeague reasoned with her, tried in vain to make her understand that there was no vascular connection between the root and the gum. Trina was blindly persistent, with the persistency of a girl who has made up her mind.

McTeague began to like her better and better, and after a while commenced himself to feel that it would be a pity to disfigure such a pretty mouth. He became interested; perhaps he could do something, something in the way of a crown or bridge. "Let's look at that again," he said, picking up his mirror. He began to study the situation very carefully, really desiring to remedy the blemish.

It was the first bicuspid that was missing, and though part of the root of the second (the loose one) would remain after its extraction, he was sure it would not be strong enough to sustain a crown. All at once he grew obstinate, resolving, with all the strength of a crude and primitive man, to conquer the difficulty in spite of everything. He turned over in his mind the technicalities of the case. No, evidently the root was not strong enough to sustain a crown; besides that, it was placed a little irregularly in the arch. But, fortunately, there were cavities in the two teeth on either side of the gap—one in the first molar and one in the palatine surface of the cuspid; might he not drill a socket in the remaining root and sockets in the molar and cuspid, and, partly by bridging, partly by crowning, fill in the gap? He made up his mind to do it.

Why he should pledge himself to this hazardous case McTeague was puzzled to know. With most of his clients he would have contented himself with the extraction of the loose tooth and the roots of the broken one. Why should he risk his reputation in this case? He could not say why.

It was the most difficult operation he had ever performed. He bungled it considerably, but in the end he succeeded passably well. He extracted the loose tooth with his bayonet forceps and prepared the roots of the broken one as if for filling, fitting into them a flattened piece of platinum wire to serve as a dowel. But this was only the beginning; altogether it was a fortnight's work. Trina came nearly every other day, and passed two, and even three, hours in the chair.

By degrees McTeague's first awkwardness and suspicion vanished entirely. The two became good friends. McTeague even arrived at that point where he could work and talk to her at the same time—a thing that had never before been possible for him.

Never until then had McTeague become so well acquainted with a girl of Trina's age. The younger women of Polk Street—the shop girls, the young women of the soda fountains, the waitresses in the cheap restaurants—preferred another dentist, a young fellow just graduated from the college, a poser, a rider of bicycles, a man about town, who wore astonishing waistcoats and bet money on greyhound coursing. Trina was McTeague's first experience. With her the feminine element suddenly entered his little world. It was not only her that he saw and felt, it was the woman, the whole sex, an entire new humanity, strange and alluring, that he seemed to have discovered. How had he ignored it so long? It was dazzling, delicious, charming beyond all words. His narrow point of view was at once enlarged and confused, and all at once he saw that there was something else in life besides concertinas and steam beer. Everything had to be made over again. His whole rude idea of life had to be changed. The male virile desire in him tardily awakened, aroused itself, strong and brutal. It was resistless, untrained, a thing not to be held in leash an instant.

Little by little, by gradual, almost imperceptible degrees, the thought of Trina Sieppe occupied his mind from day to day, from hour to hour. He found himself thinking of her constantly; at every instant he saw her round, pale face; her narrow, milk-blue eyes; her little out-thrust chin; her heavy, huge tiara of black hair. At night he lay awake for hours under the thick blankets of the bed-lounge, staring upward into the darkness, tormented with the idea of her, exasperated at the delicate, subtle mesh in which he found himself entangled. During the forenoons, while he went about his work, he thought of her. As he made his plaster-of-paris moulds at the washstand in the corner behind the screen he turned over in his mind all that had happened, all that had been said at the previous sitting. Her little tooth that he had extracted he kept wrapped in a bit of newspaper in his vest pocket. Often he took it out and held it in the palm of his immense, horny hand, seized with some strange elephantine sentiment, wagging his head at it, heaving tremendous sighs. What a folly!

At two o'clock on Tuesdays, Thursdays, and Saturdays Trina arrived and took her place in the operating chair. While at his work McTeague was every minute obliged to bend closely over her; his hands touched her face, her cheeks, her adorable little chin; her lips pressed against his fingers. She breathed warmly on his forehead and on his eyelids, while the odor of her hair, a charming feminine perfume, sweet, heavy, enervating, came to his nostrils, so penetrating, so delicious, that his flesh pricked and tingled with it; a veritable sensation of faintness passed over this huge, callous fellow, with his enormous bones and corded muscles. He drew a short breath through his nose; his jaws suddenly gripped together vise-like.

But this was only at times—a strange, vexing spasm, that subsided almost immediately. For the most part, McTeague enjoyed the pleasure of these sittings with Trina with a certain strong calmness, blindly happy that she was there. This poor crude dentist of Polk Street, stupid, ignorant, vulgar, with his sham education and plebeian tastes, whose only relaxations were to eat, to drink steam beer, and to play upon his concertina, was living through his first romance, his first idyl. It was delightful. The long hours he passed alone with Trina in the "Dental Parlors," silent, only for the scraping of the instruments and the pouring of bud-burrs in the engine, in the foul atmosphere, overheated by the little stove and heavy with the smell of ether, creosote, and stale bedding, had all the charm of secret appointments and stolen meetings under the moon.

By degrees the operation progressed. One day, just after McTeague had put in the temporary gutta-percha fillings and nothing more could be done at that sitting, Trina asked him to examine the rest of her teeth. They were perfect, with one exception—a spot of white caries on the lateral surface of an incisor. McTeague filled it with gold, enlarging the cavity with hard-bits and hoe-excavators, and burring in afterward with half-cone burrs. The cavity was deep, and Trina began to wince and moan. To hurt Trina was a positive anguish for McTeague, yet an anguish which he was obliged to endure at every hour of the sitting. It was harrowing—he sweated under it—to be forced to torture her, of all women in the world; could anything be worse than that?

"Hurt?" he inquired, anxiously.

She answered by frowning, with a sharp intake of breath, putting her fingers over her closed lips and nodding her head. McTeague sprayed the tooth with glycerite of tannin, but without effect. Rather than hurt her he found himself forced to the use of anaesthesia, which he hated. He had a notion that the nitrous oxide gas was dangerous, so on this occasion, as on all others, used ether.

He put the sponge a half dozen times to Trina's face, more nervous than he had ever been before, watching the symptoms closely. Her breathing became short and irregular; there was a slight twitching of the muscles. When her thumbs turned inward toward the palms, he took the sponge away. She passed off very quickly, and, with a long sigh, sank back into the chair.

McTeague straightened up, putting the sponge upon the rack behind him, his eyes fixed upon Trina's face. For some time he stood watching her as she lay there, unconscious and helpless, and very pretty. He was alone with her, and she was absolutely without defense.

Suddenly the animal in the man stirred and woke; the evil instincts that in him were so close to the surface leaped to life, shouting and clamoring.

It was a crisis—a crisis that had arisen all in an instant; a crisis for which he was totally unprepared. Blindly, and without knowing why, McTeague fought against it, moved by an unreasoned instinct of resistance. Within him, a certain second self, another better McTeague rose with the brute; both were strong, with the huge crude strength of the man himself. The two were at grapples. There in that cheap and shabby "Dental Parlor" a dreaded struggle began. It was the old battle, old as the world, wide as the world—the sudden panther leap of the animal, lips drawn, fangs aflash, hideous, monstrous, not to be resisted, and the simultaneous arousing of the other man, the better self that cries, "Down, down," without knowing why; that grips the monster; that fights to strangle it, to thrust it down and back.

Dizzied and bewildered with the shock, the like of which he had never known before, McTeague turned from Trina, gazing bewilderedly about the room. The struggle was bitter; his teeth ground themselves together with a little rasping sound; the blood sang in his ears; his face flushed scarlet; his hands twisted themselves together like the knotting of cables. The fury in him was as the fury of a young bull in the heat of high summer. But for all that he shook his huge head from time to time, muttering:

"No, by God! No, by God!"

Dimly he seemed to realize that should he yield now he would never be able to care for Trina again. She would never be the same to him, never so radiant, so sweet, so adorable; her charm for him would vanish in an instant. Across her forehead, her little pale forehead, under the shadow of her royal hair, he would surely see the smudge of a foul ordure, the footprint of the monster. It would be a sacrilege, an abomination. He recoiled from it, banding all his strength to the issue.

"No, by God! No, by God!"

He turned to his work, as if seeking a refuge in it. But as he drew near to her again, the charm of her innocence and helplessness came over him afresh. It was a final protest against his resolution. Suddenly he leaned over and kissed her, grossly, full on the mouth. The thing was done before he knew it. Terrified at his weakness at the very moment he believed himself strong, he threw himself once more into his work with desperate energy. By the time he was fastening the sheet of rubber upon the tooth, he had himself once more in hand. He was disturbed, still trembling, still vibrating with the throes of the crisis, but he was the master; the animal was downed, was cowed for this time, at least.

But for all that, the brute was there. Long dormant, it was now at last alive, awake. From now on he would feel its presence continually; would feel it tugging at its chain, watching its opportunity. Ah, the pity of it! Why could he not always love her purely, cleanly? What was this perverse, vicious thing that lived within him, knitted to his flesh?

Below the fine fabric of all that was good in him ran the foul stream of hereditary evil, like a sewer. The vices and sins of his father and of his father's father, to the third and fourth and five hundredth generation, tainted him. The evil of an entire race flowed in his veins. Why should it be? He did not desire it. Was he to blame?

But McTeague could not understand this thing. It had faced him, as sooner or later it faces every child of man; but its significance was not for him. To reason with it was beyond him. He could only oppose to it an instinctive stubborn resistance, blind, inert.

McTeague went on with his work. As he was rapping in the little blocks and cylinders with the mallet, Trina slowly came back to herself with a long sigh. She still felt a little confused, and lay quiet in the chair. There was a long silence, broken only by the uneven tapping of the hardwood mallet. By and by she said, "I never felt a thing," and then she smiled at him very prettily beneath the rubber dam. McTeague turned to her suddenly, his mallet in one hand, his pliers holding a pellet of sponge-gold in the other. All at once he said, with the unreasoned simplicity and directness of a child: "Listen here, Miss Trina, I like you better than any one else; what's the matter with us getting married?"

Trina sat up in the chair quickly, and then drew back from him, frightened and bewildered.

"Will you? Will you?" said McTeague. "Say, Miss Trina, will you?"

"What is it? What do you mean?" she cried, confusedly, her words muffled beneath the rubber.

"Will you?" repeated McTeague.

"No, no," she exclaimed, refusing without knowing why, suddenly seized with a fear of him, the intuitive feminine fear of the male. McTeague could only repeat the same thing over and over again. Trina, more and more frightened at his huge hands—the hands of the old-time car-boy—his immense square-cut head and his enormous brute strength, cried out: "No, no," behind the rubber dam, shaking her head violently, holding out her hands, and shrinking down before him in the operating chair. McTeague came nearer to her, repeating the same question. "No, no," she cried, terrified. Then, as she exclaimed, "Oh, I am sick," was suddenly taken with a fit of vomiting. It was the not unusual after effect of the ether, aided now by her excitement and nervousness. McTeague was checked. He poured some bromide of potassium into a graduated glass and held it to her lips.

"Here, swallow this," he said.

CHAPTER 3

Once every two months Maria Macapa set the entire flat in commotion. She roamed the building from garret to cellar, searching each corner, ferreting through every old box and trunk and barrel, groping about on the top shelves of closets, peering into rag-bags, exasperating the lodgers with her persistence and importunity. She was collecting junks, bits of iron, stone jugs, glass bottles, old sacks, and cast-off garments. It was one of her perquisites. She sold the junk to Zerkow, the rags-bottles-sacks man, who lived in a filthy den in the alley just back of the flat, and who sometimes paid her as much as three cents a pound. The stone jugs, however, were worth a nickel. The money that Zerkow paid her, Maria spent on shirt waists and dotted blue neckties, trying to dress like the girls who tended the soda-water fountain in the candy store on the corner. She was sick with envy of these young women. They were in the world, they were elegant, they were debonair, they had their "young men."

On this occasion she presented herself at the door of Old Grannis's room late in the afternoon. His door stood a little open. That of Miss Baker was ajar a few inches. The two old people were "keeping company" after their fashion.

"Got any junk, Mister Grannis?" inquired Maria, standing in the door, a very dirty, half-filled pillowcase over one arm.

"No, nothing—nothing that I can think of, Maria," replied Old Grannis, terribly vexed at the interruption, yet not wishing to be unkind. "Nothing I think of. Yet, however—perhaps—if you wish to look."

He sat in the middle of the room before a small pine table. His little binding apparatus was before him. In his fingers was a huge upholsterer's needle threaded with twine, a brad-awl lay at his elbow, on the floor beside him was a great pile of pamphlets, the pages uncut. Old Grannis bought the "Nation" and the "Breeder and Sportsman." In the latter he occasionally found articles on dogs which interested him. The former he seldom read. He could not afford to subscribe regularly to either of the publications, but purchased their back numbers by the score, almost solely for the pleasure he took in binding them.

"What you alus sewing up them books for, Mister Grannis?" asked Maria, as she began rummaging about in Old Grannis's closet shelves. "There's just hundreds of 'em in here on yer shelves; they ain't no good to you."

"Well, well," answered Old Grannis, timidly, rubbing his chin, "I—I'm sure I can't quite say; a little habit, you know; a diversion, a—a—it occupies one, you know. I don't smoke; it takes the place of a pipe, perhaps."

"Here's this old yellow pitcher," said Maria, coming out of the closet with it in her hand. "The handle's cracked; you don't want it; better give me it."

Old Grannis did want the pitcher; true, he never used it now, but he had kept it a long time, and somehow he held to it as old people hold to trivial, worthless things that they have had for many years.

"Oh, that pitcher—well, Maria, I—I don't know. I'm afraid—you see, that pitcher——"

"Ah, go 'long," interrupted Maria Macapa, "what's the good of it?"

"If you insist, Maria, but I would much rather—" he rubbed his chin, perplexed and annoyed, hating to refuse, and wishing that Maria were gone.

"Why, what's the good of it?" persisted Maria. He could give no sufficient answer. "That's all right," she asserted, carrying the pitcher out.

"Ah—Maria—I say, you—you might leave the door—ah, don't quite shut it—it's a bit close in here at times." Maria grinned, and swung the door wide. Old Grannis was horribly embarrassed; positively, Maria was becoming unbearable.

"Got any junk?" cried Maria at Miss Baker's door. The little old lady was sitting close to the wall in her rocking-chair; her hands resting idly in her lap.

"Now, Maria," she said plaintively, "you are always after junk; you know I never have anything laying 'round like that."

It was true. The retired dressmaker's tiny room was a marvel of neatness, from the little red table, with its three Gorham spoons laid in exact parallels, to the decorous geraniums and mignonettes growing in the starch box at the window, underneath the fish globe with its one venerable gold fish. That day Miss Baker had been doing a bit of washing; two pocket handkerchiefs, still moist, adhered to the window panes, drying in the sun.

"Oh, I guess you got something you don't want," Maria went on, peering into the corners of the room. "Look-a-here what Mister Grannis gi' me," and she held out the yellow pitcher. Instantly Miss Baker was in a quiver of confusion. Every word spoken aloud could be perfectly heard in the next room. What a stupid drab was this Maria! Could anything be more trying than this position?

"Ain't that right, Mister Grannis?" called Maria; "didn't you gi' me this pitcher?" Old Grannis affected not to hear; perspiration stood on his forehead; his timidity overcame him as if he were a ten-year-old schoolboy. He half rose from his chair, his fingers dancing nervously upon his chin.

Maria opened Miss Baker's closet unconcernedly. "What's the matter with these old shoes?" she exclaimed, turning about with a pair of half-worn silk gaiters in her hand. They were by no means old enough to throw away, but Miss Baker was almost beside herself. There was no telling what might happen next. Her only thought was to be rid of Maria.

"Yes, yes, anything. You can have them; but go, go. There's nothing else, not a thing."

Maria went out into the hall, leaving Miss Baker's door wide open, as if maliciously. She had left the dirty pillow-case on the floor in the hall, and she stood outside, between the two open doors, stowing away the old pitcher and the half-worn silk shoes. She made remarks at the top of her voice, calling now to Miss Baker, now to Old Grannis. In a way she brought the two old people face to face. Each time they were forced to answer her questions it was as if they were talking directly to each other.

"These here are first-rate shoes, Miss Baker. Look here, Mister Grannis, get on to the shoes Miss Baker gi' me. You ain't got a pair you don't want, have you? You two people have less junk than any one else in the flat. How do you manage, Mister Grannis? You old bachelors are just like old maids, just as neat as pins. You two are just alike—you and Mister Grannis—ain't you, Miss Baker?"

Nothing could have been more horribly constrained, more awkward. The two old people suffered veritable torture. When Maria had gone, each heaved a sigh of unspeakable relief. Softly they pushed to their doors, leaving open a space of half a dozen inches. Old Grannis went back to his binding. Miss Baker brewed a cup of tea to quiet her nerves. Each tried to regain their composure, but in vain. Old Grannis's fingers trembled so that he pricked them with his needle. Miss Baker dropped her spoon twice. Their nervousness would not wear off. They were perturbed, upset. In a word, the afternoon was spoiled.

Maria went on about the flat from room to room. She had already paid Marcus Schouler a visit early that morning before he had gone out. Marcus had sworn at her, excitedly vociferating; "No, by damn! No, he hadn't a thing for her; he hadn't, for a fact. It was a positive persecution. Every day his privacy was invaded. He would complain to the landlady, he would. He'd move out of the place." In the end he had given Maria seven empty whiskey flasks, an iron grate, and ten cents—the latter because he said she wore her hair like a girl he used to know.

After coming from Miss Baker's room Maria knocked at McTeague's door. The dentist was lying on the bed-lounge in his stocking feet, doing nothing apparently, gazing up at the ceiling, lost in thought.

Since he had spoken to Trina Sieppe, asking her so abruptly to marry him, McTeague had passed a week of torment. For him there was no going back. It was Trina now, and none other. It was all one with him that his best friend, Marcus, might be in love with the same girl. He must have Trina in spite of everything; he would have her even in spite of herself. He did not stop to reflect about the matter; he followed his desire blindly, recklessly, furious and raging at every obstacle. And she had cried "No, no!" back at him; he could not forget that. She, so small and pale and delicate, had held him at bay, who was so huge, so immensely strong.

Besides that, all the charm of their intimacy was gone. After that unhappy sitting, Trina was no longer frank and straight-forward. Now she was circumspect, reserved, distant. He could no longer open his mouth; words failed him. At one sitting in particular they had said but good-day and good-by to each other. He felt that he was clumsy and ungainly. He told himself that she despised him.

But the memory of her was with him constantly. Night after night he lay broad awake thinking of Trina, wondering about her, racked with the infinite desire of her. His head burnt and throbbed. The palms of his hands were dry. He dozed and woke, and walked aimlessly about the dark room, bruising himself against the three chairs drawn up "at attention" under the steel engraving, and stumbling over the stone pug dog that sat in front of the little stove.

Besides this, the jealousy of Marcus Schouler harassed him. Maria Macapa, coming into his "Parlor" to ask for junk, found him flung at length upon the bed-lounge, gnawing at his fingers in an excess of silent fury. At lunch that day Marcus had told him of an excursion that was planned for the next Sunday afternoon. Mr. Sieppe, Trina's father, belonged to a rifle club that was to hold a meet at Schuetzen Park across the bay. All the Sieppes were going; there was to be a basket picnic. Marcus, as usual, was invited to be one of the party. McTeague was in agony. It was his first experience, and he suffered all the worse for it because he was totally unprepared. What miserable complication was this in which he found himself involved? It seemed so simple to him since he loved Trina to take her straight to himself, stopping at nothing, asking no questions, to have her, and by main strength to carry her far away somewhere, he did not know exactly where, to some vague country, some undiscovered place where every day was Sunday.

"Got any junk?"

"Huh? What? What is it?" exclaimed McTeague, suddenly rousing up from the lounge. Often Maria did very well in the "Dental Parlors." McTeague was continually breaking things which he was too stupid to have mended; for him anything that was broken was lost. Now it was a cuspidor, now a fire-shovel for the little stove, now a China shaving mug.

"Got any junk?"

"I don't know—I don't remember," muttered McTeague. Maria roamed about the room, McTeague following her in his huge stockinged feet. All at once she pounced upon a sheaf of old hand instruments in a coverless cigar-box, pluggers, hard bits, and excavators. Maria had long coveted such a find in McTeague's "Parlor," knowing it should be somewhere about. The instruments were of the finest tempered steel and really valuable.

"Say, Doctor, I can have these, can't I?" exclaimed Maria. "You got no more use for them." McTeague was not at all sure of this. There were many in the sheaf that might be repaired, reshaped.

"No, no," he said, wagging his head. But Maria Macapa, knowing with whom she had to deal, at once let loose a torrent of words. She made the dentist believe that he had no right to withhold them, that he had promised to save them for her. She affected a great indignation, pursing her lips and putting her chin in the air as though wounded in some finer sense, changing so rapidly from one mood to another, filling the room with such shrill clamor, that McTeague was dazed and benumbed.

"Yes, all right, all right," he said, trying to make himself heard. "It WOULD be mean. I don't want 'em." As he turned from her to pick up the box, Maria took advantage of the moment to steal three "mats" of sponge-gold out of the glass saucer. Often she stole McTeague's gold, almost under his very eyes; indeed, it was so easy to do so that there was but little pleasure in the theft. Then Maria took herself off. McTeague returned to the sofa and flung himself upon it face downward.

A little before supper time Maria completed her search. The flat was cleaned of its junk from top to bottom. The dirty pillow-case was full to bursting. She took advantage of the supper hour to carry her bundle around the corner and up into the alley where Zerkow lived.

When Maria entered his shop, Zerkow had just come in from his daily rounds. His decrepit wagon stood in front of his door like a stranded wreck; the miserable horse, with its lamentable swollen joints, fed greedily upon an armful of spoiled hay in a shed at the back.

The interior of the junk shop was dark and damp, and foul with all manner of choking odors. On the walls, on the floor, and hanging from the rafters was a world of debris, dust-blackened, rust-corroded. Everything was there, every trade was represented, every class of society; things of iron and cloth and wood; all the detritus that a great city sloughs off in its daily life. Zerkow's junk shop was the last abiding-place, the almshouse, of such articles as had outlived their usefulness.

Maria found Zerkow himself in the back room, cooking some sort of a meal over an alcohol stove. Zerkow was a Polish Jew—curiously enough his hair was fiery red. He was a dry, shrivelled old man of sixty odd. He had the thin, eager, cat-like lips of the covetous; eyes that had grown keen as those of a lynx from long searching amidst muck and debris; and claw-like, prehensile fingers—the fingers of a man who accumulates, but never disburses. It was impossible to look at Zerkow and not know instantly that greed—inordinate, insatiable greed—was the dominant passion of the man. He was the Man with the Rake, groping hourly in the muck-heap of the city for gold, for gold, for gold. It was his dream, his passion; at every instant he seemed to feel the generous solid weight of the crude fat metal in his palms. The glint of it was constantly in his eyes; the jangle of it sang forever in his ears as the jangling of cymbals.

"Who is it? Who is it?" exclaimed Zerkow, as he heard Maria's footsteps in the outer room. His voice was faint, husky, reduced almost to a whisper by his prolonged habit of street crying.

"Oh, it's you again, is it?" he added, peering through the gloom of the shop. "Let's see; you've been here before, ain't you? You're the Mexican woman from Polk Street. Macapa's your name, hey?"

Maria nodded. "Had a flying squirrel an' let him go," she muttered, absently. Zerkow was puzzled; he looked at her sharply for a moment, then dismissed the matter with a movement of his head.

"Well, what you got for me?" he said. He left his supper to grow cold, absorbed at once in the affair.

Then a long wrangle began. Every bit of junk in Maria's pillow-case was discussed and weighed and disputed. They clamored into each other's faces over Old Grannis's cracked pitcher, over Miss Baker's silk gaiters, over Marcus Schouler's whiskey flasks, reaching the climax of disagreement when it came to McTeague's instruments.

"Ah, no, no!" shouted Maria. "Fifteen cents for the lot! I might as well make you a Christmas present! Besides, I got some gold fillings off him; look at um."

Zerkow drew a quick breath as the three pellets suddenly flashed in Maria's palm. There it was, the virgin metal, the pure, unalloyed ore, his dream, his consuming desire. His fingers twitched and hooked themselves into his palms, his thin lips drew tight across his teeth.

"Ah, you got some gold," he muttered, reaching for it.

Maria shut her fist over the pellets. "The gold goes with the others," she declared. "You'll gi' me a fair price for the lot, or I'll take um back."

In the end a bargain was struck that satisfied Maria. Zerkow was not one who would let gold go out of his house. He counted out to her the price of all her junk, grudging each piece of money as if it had been the blood of his veins. The affair was concluded.

But Zerkow still had something to say. As Maria folded up the pillow-case and rose to go, the old Jew said:

"Well, see here a minute, we'll—you'll have a drink before you go, won't you? Just to show that it's all right between us." Maria sat down again.

"Yes, I guess I'll have a drink," she answered.

Zerkow took down a whiskey bottle and a red glass tumbler with a broken base from a cupboard on the wall. The two drank together, Zerkow from the bottle, Maria from the broken tumbler. They wiped their lips slowly, drawing breath again. There was a moment's silence.

"Say," said Zerkow at last, "how about those gold dishes you told me about the last time you were here?"

"What gold dishes?" inquired Maria, puzzled.

"Ah, you know," returned the other. "The plate your father owned in Central America a long time ago. Don't you know, it rang like so many bells? Red gold, you know, like oranges?"

"Ah," said Maria, putting her chin in the air as if she knew a long story about that if she had a mind to tell it. "Ah, yes, that gold service."

"Tell us about it again," said Zerkow, his bloodless lower lip moving against the upper, his claw-like fingers feeling about his mouth and chin. "Tell us about it; go on."

He was breathing short, his limbs trembled a little. It was as if some hungry beast of prey had scented a quarry. Maria still refused, putting up her head, insisting that she had to be going.

"Let's have it," insisted the Jew. "Take another drink." Maria took another swallow of the whiskey. "Now, go on," repeated Zerkow; "let's have the story." Maria squared her elbows on the deal table, looking straight in front of her with eyes that saw nothing.

"Well, it was this way," she began. "It was when I was little. My folks must have been rich, oh, rich into the millions—coffee, I guess—and there was a large house, but I can only remember the plate. Oh, that service of plate! It was wonderful. There were more than a hundred pieces, and every one of them gold. You should have seen the sight when the leather trunk was opened. It fair dazzled your eyes. It was a yellow blaze like a fire, like a sunset; such a glory, all piled up together, one piece over the other. Why, if the room was dark you'd think you could see just the same with all that glitter there. There wa'n't a piece that was so much as scratched; every one was like a mirror, smooth and bright, just like a little pool when the sun shines into it. There was dinner dishes and soup tureens and pitchers; and great, big platters as long as that and wide too; and cream-jugs and bowls with carved handles, all vines and things; and drinking mugs, every one a different shape; and dishes for gravy and sauces; and then a great, big punch-bowl with a ladle, and the bowl was all carved out with figures and bunches of grapes. Why, just only that punch-bowl was worth a fortune, I guess. When all that plate was set out on a table, it was a sight for a king to look at. Such a service as that was! Each piece was heavy, oh, so heavy! and thick, you know; thick, fat gold, nothing but gold—red, shining, pure gold, orange red—and when you struck it with your knuckle, ah, you should have heard! No church bell ever rang sweeter or clearer. It was soft gold, too; you could bite into it, and leave the dent of your teeth. Oh, that gold plate! I can see it just as plain—solid, solid, heavy, rich, pure gold; nothing but gold, gold, heaps and heaps of it. What a service that was!"

Maria paused, shaking her head, thinking over the vanished splendor. Illiterate enough, unimaginative enough on all other subjects, her distorted wits called up this picture with marvellous distinctness. It was plain she saw the plate clearly. Her description was accurate, was almost eloquent.

Did that wonderful service of gold plate ever exist outside of her diseased imagination? Was Maria actually remembering some reality of a childhood of barbaric luxury? Were her parents at one time possessed of an incalculable fortune derived from some Central American coffee plantation, a fortune long since confiscated by armies of insurrectionists, or squandered in the support of revolutionary governments?

It was not impossible. Of Maria Macapa's past prior to the time of her appearance at the "flat" absolutely nothing could be learned. She suddenly appeared from the unknown, a strange woman of a mixed race, sane on all subjects but that of the famous service of gold plate; but unusual, complex, mysterious, even at her best.

But what misery Zerkow endured as he listened to her tale! For he chose to believe it, forced himself to believe it, lashed and harassed by a pitiless greed that checked at no tale of treasure, however preposterous. The story ravished him with delight. He was near someone who had possessed this wealth. He saw someone who had seen this pile of gold. He seemed near it; it was there, somewhere close by, under his eyes, under his fingers; it was red, gleaming, ponderous. He gazed about him wildly; nothing, nothing but the sordid junk shop and the rust-corroded tins. What exasperation, what positive misery, to be so near to it and yet to know that it was irrevocably, irretrievably lost! A spasm of anguish passed through him. He gnawed at his bloodless lips, at the hopelessness of it, the rage, the fury of it.

"Go on, go on," he whispered; "let's have it all over again. Polished like a mirror, hey, and heavy? Yes, I know, I know. A punch-bowl worth a fortune. Ah! and you saw it, you had it all!"

Maria rose to go. Zerkow accompanied her to the door, urging another drink upon her.

"Come again, come again," he croaked. "Don't wait till you've got junk; come any time you feel like it, and tell me more about the plate."

He followed her a step down the alley.

"How much do you think it was worth?" he inquired, anxiously.

"Oh, a million dollars," answered Maria, vaguely.

When Maria had gone, Zerkow returned to the back room of the shop, and stood in front of the alcohol stove, looking down into his cold dinner, preoccupied, thoughtful.

"A million dollars," he muttered in his rasping, guttural whisper, his finger-tips wandering over his thin, cat-like lips. "A golden service worth a million dollars; a punchbowl worth a fortune; red gold plates, heaps and piles. God!"

CHAPTER 4

The days passed. McTeague had finished the operation on Trina's teeth. She did not come any more to the "Parlors." Matters had readjusted themselves a little between the two during the last sittings. Trina yet stood upon her reserve, and McTeague still felt himself shambling and ungainly in her presence; but that constraint and embarrassment that had followed upon McTeague's blundering declaration broke up little by little. In spite of themselves they were gradually resuming the same relative positions they had occupied when they had first met.

But McTeague suffered miserably for all that. He never would have Trina, he saw that clearly. She was too good for him; too delicate, too refined, too prettily made for him, who was so coarse, so enormous, so stupid. She was for someone else—Marcus, no doubt—or at least for some finer-grained man. She should have gone to some other dentist; the young fellow on the corner, for instance, the poser, the rider of bicycles, the courser of grey-hounds. McTeague began to loathe and to envy this fellow. He spied upon him going in and out of his office, and noted his salmon-pink neckties and his astonishing waistcoats.

One Sunday, a few days after Trina's last sitting, McTeague met Marcus Schouler at his table in the car conductors' coffee-joint, next to the harness shop.

"What you got to do this afternoon, Mac?" inquired the other, as they ate their suet pudding.

"Nothing, nothing," replied McTeague, shaking his head. His mouth was full of pudding. It made him warm to eat, and little beads of perspiration stood across the bridge of his nose. He looked forward to an afternoon passed in his operating chair as usual. On leaving his "Parlors" he had put ten cents into his pitcher and had left it at Frenna's to be filled.

"What do you say we take a walk, huh?" said Marcus. "Ah, that's the thing—a walk, a long walk, by damn! It'll be outa sight. I got to take three or four of the dogs out for exercise, anyhow. Old Grannis thinks they need ut. We'll walk out to the Presidio."

Of late it had become the custom of the two friends to take long walks from time to time. On holidays and on those Sunday afternoons when Marcus was not absent with the Sieppes they went out together, sometimes to the park, sometimes to the Presidio, sometimes even across the bay. They took a great pleasure in each other's company, but silently and with reservation, having the masculine horror of any demonstration of friendship.

They walked for upwards of five hours that afternoon, out the length of California Street, and across the Presidio Reservation to the Golden Gate. Then they turned, and, following the line of the shore, brought up at the Cliff House. Here they halted for beer, Marcus swearing that his mouth was as dry as a hay-bin. Before starting on their walk they had gone around to the little dog hospital, and Marcus had let out four of the convalescents, crazed with joy at the release.

"Look at that dog," he cried to McTeague, showing him a finely-bred Irish setter. "That's the dog that belonged to the duck on the avenue, the dog we called for that day. I've bought 'um. The duck thought he had the distemper, and just threw 'um away. Nothun wrong with 'um but a little catarrh. Ain't he a bird? Say, ain't he a bird? Look at his flag; it's perfect; and see how he carries his tail on a line with his back. See how stiff and white his whiskers are. Oh, by damn! you can't fool me on a dog. That dog's a winner."

At the Cliff House the two sat down to their beer in a quiet corner of the billiard-room. There were but two players. Somewhere in another part of the building a mammoth music-box was jangling out a quickstep. From outside came the long, rhythmical rush of the surf and the sonorous barking of the seals upon the seal rocks. The four dogs curled themselves down upon the sanded floor.

"Here's how," said Marcus, half emptying his glass. "Ah-h!" he added, with a long breath, "that's good; it is, for a fact."

For the last hour of their walk Marcus had done nearly all the talking. McTeague merely answering him by uncertain movements of the head. For that matter, the dentist had been silent and preoccupied throughout the whole afternoon. At length Marcus noticed it. As he set down his glass with a bang he suddenly exclaimed:

"What's the matter with you these days, Mac? You got a bean about somethun, hey? Spit ut out."

"No, no," replied McTeague, looking about on the floor, rolling his eyes; "nothing, no, no."

"Ah, rats!" returned the other. McTeague kept silence. The two billiard players departed. The huge music-box struck into a fresh tune.

"Huh!" exclaimed Marcus, with a short laugh, "guess you're in love."

McTeague gasped, and shuffled his enormous feet under the table.

"Well, somethun's bitun you, anyhow," pursued Marcus. "Maybe I can help you. We're pals, you know. Better tell me what's up; guess we can straighten ut out. Ah, go on; spit ut out."

The situation was abominable. McTeague could not rise to it. Marcus was his best friend, his only friend. They were "pals" and McTeague was very fond of him. Yet they were both in love, presumably, with the same girl, and now Marcus would try and force the secret out of him; would rush blindly at the rock upon which the two must split, stirred by the very best of motives, wishing only to be of service. Besides this, there was nobody to whom McTeague would have better preferred to tell his troubles than to Marcus, and yet about this trouble, the greatest trouble of his life, he must keep silent; must refrain from speaking of it to Marcus above everybody.

McTeague began dimly to feel that life was too much for him. How had it all come about? A month ago he was perfectly content; he was calm and peaceful, taking his little pleasures as he found them. His life had shaped itself; was, no doubt, to continue always along these same lines. A woman had entered his small world and instantly there was discord. The disturbing element had appeared. Wherever the woman had put her foot a score of distressing complications had sprung up, like the sudden growth of strange and puzzling flowers.

"Say, Mac, go on; let's have ut straight," urged Marcus, leaning toward him. "Has any duck been doing you dirt?" he cried, his face crimson on the instant.

"No," said McTeague, helplessly.

"Come along, old man," persisted Marcus; "let's have ut. What is the row? I'll do all I can to help you."

It was more than McTeague could bear. The situation had got beyond him. Stupidly he spoke, his hands deep in his pockets, his head rolled forward.

"It's—it's Miss Sieppe," he said.

"Trina, my cousin? How do you mean?" inquired Marcus sharply.

"I—I—I don' know," stammered McTeague, hopelessly confounded.

"You mean," cried Marcus, suddenly enlightened, "that you are—that you, too."

McTeague stirred in his chair, looking at the walls of the room, avoiding the other's glance. He nodded his head, then suddenly broke out:

"I can't help it. It ain't my fault, is it?"

Marcus was struck dumb; he dropped back in his chair breathless. Suddenly McTeague found his tongue.

"I tell you, Mark, I can't help it. I don't know how it happened. It came on so slow that I was, that—that—that it was done before I knew it, before I could help myself. I know we're pals, us two, and I knew how—how you and Miss Sieppe were. I know now, I knew then; but that wouldn't have made any difference. Before I knew it—it—it—there I was. I can't help it. I wouldn't 'a' had ut happen for anything, if I could 'a' stopped it, but I don' know, it's something that's just stronger than you are, that's all. She came there—Miss Sieppe came to the parlors there three or four times a week, and she was the first girl I had ever known,—and you don' know! Why, I was so close to her I touched her face every minute, and her mouth, and smelt her hair and her breath—oh, you don't know anything about it. I can't give you any idea. I don' know exactly myself; I only know how I'm fixed. I—I—it's been done; it's too late, there's no going back. Why, I can't think of anything else night and day. It's everything. It's—it's—oh, it's everything! I—I—why, Mark, it's everything—I can't explain." He made a helpless movement with both hands.

Never had McTeague been so excited; never had he made so long a speech. His arms moved in fierce, uncertain gestures, his face flushed, his enormous jaws shut together with a sharp click at every pause. It was like some colossal brute trapped in a delicate, invisible mesh, raging, exasperated, powerless to extricate himself.

Marcus Schouler said nothing. There was a long silence. Marcus got up and walked to the window and stood looking out, but seeing nothing. "Well, who would have thought of this?" he muttered under his breath. Here was a fix. Marcus cared for Trina. There was no doubt in his mind about that. He looked forward eagerly to the Sunday afternoon excursions. He liked to be with Trina. He, too, felt the charm of the little girl—the charm of the small, pale forehead; the little chin thrust out as if in confidence and innocence; the heavy, odorous crown of black hair. He liked her immensely. Some day he would speak; he would ask her to marry him. Marcus put off this matter of marriage to some future period; it would be some time—a year, perhaps, or two. The thing did not take definite shape in his mind. Marcus "kept company" with his cousin Trina, but he knew plenty of other girls. For the matter of that, he liked all girls pretty well. Just now the singleness and strength of McTeague's passion startled him. McTeague would marry Trina that very afternoon if she would have him; but would he—Marcus? No, he would not; if it came to that, no, he would not. Yet he knew he liked Trina. He could say—yes, he could say—he loved her. She was his "girl." The Sieppes acknowledged him as Trina's "young man." Marcus came back to the table and sat down sideways upon it.

"Well, what are we going to do about it, Mac?" he said.

"I don' know," answered McTeague, in great distress. "I don' want anything to—to come between us, Mark."

"Well, nothun will, you bet!" vociferated the other. "No, sir; you bet not, Mac."

Marcus was thinking hard. He could see very clearly that McTeague loved Trina more than he did; that in some strange way this huge, brutal fellow was capable of a greater passion than himself, who was twice as clever. Suddenly Marcus jumped impetuously to a resolution.

"Well, say, Mac," he cried, striking the table with his fist, "go ahead. I guess you—you want her pretty bad. I'll pull out; yes, I will. I'll give her up to you, old man."

The sense of his own magnanimity all at once overcame Marcus. He saw himself as another man, very noble, self-sacrificing; he stood apart and watched this second self with boundless admiration and with infinite pity. He was so good, so magnificent, so heroic, that he almost sobbed. Marcus made a sweeping gesture of resignation, throwing out both his arms, crying:

"Mac, I'll give her up to you. I won't stand between you." There were actually tears in Marcus's eyes as he spoke. There was no doubt he thought himself sincere. At that moment he almost believed he loved Trina conscientiously, that he was sacrificing himself for the sake of his friend. The two stood up and faced each other, gripping hands. It was a great moment; even McTeague felt the drama of it. What a fine thing was this friendship between men! the dentist treats his friend for an ulcerated tooth and refuses payment; the friend reciprocates by giving up his girl. This was nobility. Their mutual affection and esteem suddenly increased enormously. It was Damon and Pythias; it was David and Jonathan; nothing could ever estrange them. Now it was for life or death.

"I'm much obliged," murmured McTeague. He could think of nothing better to say. "I'm much obliged," he repeated; "much obliged, Mark."

"That's all right, that's all right," returned Marcus Schouler, bravely, and it occurred to him to add, "You'll be happy together. Tell her for me—tell her—-tell her——" Marcus could not go on. He wrung the dentist's hand silently.

It had not appeared to either of them that Trina might refuse McTeague. McTeague's spirits rose at once. In Marcus's withdrawal he fancied he saw an end to all his difficulties. Everything would come right, after all. The strained, exalted state of Marcus's nerves ended by putting him into fine humor as well. His grief suddenly changed to an excess of gaiety. The afternoon was a success. They slapped each other on the back with great blows of the open palms, and they drank each other's health in a third round of beer.

Ten minutes after his renunciation of Trina Sieppe, Marcus astounded McTeague with a tremendous feat.

"Looka here, Mac. I know somethun you can't do. I'll bet you two bits I'll stump you." They each put a quarter on the table. "Now watch me," cried Marcus. He caught up a billiard ball from the rack, poised it a moment in front of his face, then with a sudden, horrifying distension of his jaws crammed it into his mouth, and shut his lips over it.

For an instant McTeague was stupefied, his eyes bulging. Then an enormous laugh shook him. He roared and shouted, swaying in his chair, slapping his knee. What a josher was this Marcus! Sure, you never could tell what he would do next. Marcus slipped the ball out, wiped it on the tablecloth, and passed it to McTeague.

"Now let's see you do it."

McTeague fell suddenly grave. The matter was serious. He parted his thick mustaches and opened his enormous jaws like an anaconda. The ball disappeared inside his mouth. Marcus applauded vociferously, shouting, "Good work!" McTeague reached for the money and put it in his vest pocket, nodding his head with a knowing air.

Then suddenly his face grew purple, his jaws moved convulsively, he pawed at his cheeks with both hands. The billiard ball had slipped into his mouth easily enough; now, however, he could not get it out again.

It was terrible. The dentist rose to his feet, stumbling about among the dogs, his face working, his eyes starting. Try as he would, he could not stretch his jaws wide enough to slip the ball out. Marcus lost his wits, swearing at the top of his voice. McTeague sweated with terror; inarticulate sounds came from his crammed mouth; he waved his arms wildly; all the four dogs caught the excitement and began to bark. A waiter rushed in, the two billiard players returned, a little crowd formed. There was a veritable scene.

All at once the ball slipped out of McTeague's jaws as easily as it had gone in. What a relief! He dropped into a chair, wiping his forehead, gasping for breath.

On the strength of the occasion Marcus Schouler invited the entire group to drink with him.

By the time the affair was over and the group dispersed it was after five. Marcus and McTeague decided they would ride home on the cars. But they soon found this impossible. The dogs would not follow. Only Alexander, Marcus's new setter, kept his place at the rear of the car. The other three lost their senses immediately, running wildly about the streets with their heads in the air, or suddenly starting off at a furious gallop directly away from the car. Marcus whistled and shouted and lathered with rage in vain. The two friends were obliged to walk. When they finally reached Polk Street, Marcus shut up the three dogs in the hospital. Alexander he brought back to the flat with him.

There was a minute back yard in the rear, where Marcus had made a kennel for Alexander out of an old water barrel. Before he thought of his own supper Marcus put Alexander to bed and fed him a couple of dog biscuits. McTeague had followed him to the yard to keep him company. Alexander settled to his supper at once, chewing vigorously at the biscuit, his head on one side.

"What you going to do about this—about that—about—about my cousin now, Mac?" inquired Marcus.

McTeague shook his head helplessly. It was dark by now and cold. The little back yard was grimy and full of odors. McTeague was tired with their long walk. All his uneasiness about his affair with Trina had returned. No, surely she was not for him. Marcus or some other man would win her in the end. What could she ever see to desire in him—in him, a clumsy giant, with hands like wooden mallets? She had told him once that she would not marry him. Was that not final?

"I don' know what to do, Mark," he said.

"Well, you must make up to her now," answered Marcus. "Go and call on her."

McTeague started. He had not thought of calling on her. The idea frightened him a little.

"Of course," persisted Marcus, "that's the proper caper. What did you expect? Did you think you was never going to see her again?"

"I don' know, I don' know," responded the dentist, looking stupidly at the dog.

"You know where they live," continued Marcus Schouler. "Over at B Street station, across the bay. I'll take you over there whenever you want to go. I tell you what, we'll go over there Washington's Birthday. That's this next Wednesday; sure, they'll be glad to see you." It was good of Marcus. All at once McTeague rose to an appreciation of what his friend was doing for him. He stammered:

"Say, Mark—you're—you're all right, anyhow."

"Why, pshaw!" said Marcus. "That's all right, old man. I'd like to see you two fixed, that's all. We'll go over Wednesday, sure."

They turned back to the house. Alexander left off eating and watched them go away, first with one eye, then with the other. But he was too self-respecting to whimper. However, by the time the two friends had reached the second landing on the back stairs a terrible commotion was under way in the little yard. They rushed to an open window at the end of the hall and looked down.

A thin board fence separated the flat's back yard from that used by the branch post-office. In the latter place lived a collie dog. He and Alexander had smelt each other out, blowing through the cracks of the fence at each other. Suddenly the quarrel had exploded on either side of the fence. The dogs raged at each other, snarling and barking, frantic with hate. Their teeth gleamed. They tore at the fence with their front paws. They filled the whole night with their clamor.

"By damn!" cried Marcus, "they don't love each other. Just listen; wouldn't that make a fight if the two got together? Have to try it some day."

CHAPTER 5

Wednesday morning, Washington's Birthday, McTeague rose very early and shaved himself. Besides the six mournful concertina airs, the dentist knew one song. Whenever he shaved, he sung this song; never at any other time. His voice was a bellowing roar, enough to make the window sashes rattle. Just now he woke up all the lodgers in his hall with it. It was a lamentable wail:

As he paused to strop his razor, Marcus came into his room, half-dressed, a startling phantom in red flannels.

Marcus often ran back and forth between his room and the dentist's "Parlors" in all sorts of undress. Old Miss Baker had seen him thus several times through her half-open door, as she sat in her room listening and waiting. The old dressmaker was shocked out of all expression. She was outraged, offended, pursing her lips, putting up her head. She talked of complaining to the landlady. "And Mr. Grannis right next door, too. You can understand how trying it is for both of us." She would come out in the hall after one of these apparitions, her little false curls shaking, talking loud and shrill to any one in reach of her voice.

"Well," Marcus would shout, "shut your door, then, if you don't want to see. Look out, now, here I come again. Not even a porous plaster on me this time."

On this Wednesday morning Marcus called McTeague out into the hall, to the head of the stairs that led down to the street door.

"Come and listen to Maria, Mac," said he.

Maria sat on the next to the lowest step, her chin propped by her two fists. The red-headed Polish Jew, the ragman Zerkow, stood in the doorway. He was talking eagerly.

"Now, just once more, Maria," he was saying. "Tell it to us just once more." Maria's voice came up the stairway in a monotone. Marcus and McTeague caught a phrase from time to time.

"There were more than a hundred pieces, and every one of them gold—just that punch-bowl was worth a fortune-thick, fat, red gold."

"Get onto to that, will you?" observed Marcus. "The old skin has got her started on the plate. Ain't they a pair for you?"

"And it rang like bells, didn't it?" prompted Zerkow.

"Sweeter'n church bells, and clearer."

"Ah, sweeter'n bells. Wasn't that punch-bowl awful heavy?"

"All you could do to lift it."

"I know. Oh, I know," answered Zerkow, clawing at his lips. "Where did it all go to? Where did it go?"

Maria shook her head.

"It's gone, anyhow."

"Ah, gone, gone! Think of it! The punch-bowl gone, and the engraved ladle, and the plates and goblets. What a sight it must have been all heaped together!"

"It was a wonderful sight."

"Yes, wonderful; it must have been."

On the lower steps of that cheap flat, the Mexican woman and the red-haired Polish Jew mused long over that vanished, half-mythical gold plate.

Marcus and the dentist spent Washington's Birthday across the bay. The journey over was one long agony to McTeague. He shook with a formless, uncertain dread; a dozen times he would have turned back had not Marcus been with him. The stolid giant was as nervous as a schoolboy. He fancied that his call upon Miss Sieppe was an outrageous affront. She would freeze him with a stare; he would be shown the door, would be ejected, disgraced.

As they got off the local train at B Street station they suddenly collided with the whole tribe of Sieppes—the mother, father, three children, and Trina—equipped for one of their eternal picnics. They were to go to Schuetzen Park, within walking distance of the station. They were grouped about four lunch baskets. One of the children, a little boy, held a black greyhound by a rope around its neck. Trina wore a blue cloth skirt, a striped shirt waist, and a white sailor; about her round waist was a belt of imitation alligator skin.

At once Mrs. Sieppe began to talk to Marcus. He had written of their coming, but the picnic had been decided upon after the arrival of his letter. Mrs. Sieppe explained this to him. She was an immense old lady with a pink face and wonderful hair, absolutely white. The Sieppes were a German-Swiss family.

"We go to der park, Schuetzen Park, mit alle dem childern, a little eggs-kursion, eh not soh? We breathe der freshes air, a celubration, a pignic bei der seashore on. Ach, dot wull be soh gay, ah?"

"You bet it will. It'll be outa sight," cried Marcus, enthusiastic in an instant. "This is m' friend Doctor McTeague I wrote you about, Mrs. Sieppe."

"Ach, der doktor," cried Mrs. Sieppe.

McTeague was presented, shaking hands gravely as Marcus shouldered him from one to the other.

Mr. Sieppe was a little man of a military aspect, full of importance, taking himself very seriously. He was a member of a rifle team. Over his shoulder was slung a Springfield rifle, while his breast was decorated by five bronze medals.

Trina was delighted. McTeague was dumfounded. She appeared positively glad to see him.

"How do you do, Doctor McTeague," she said, smiling at him and shaking his hand. "It's nice to see you again. Look, see how fine my filling is." She lifted a corner of her lip and showed him the clumsy gold bridge.

Meanwhile, Mr. Sieppe toiled and perspired. Upon him devolved the responsibility of the excursion. He seemed to consider it a matter of vast importance, a veritable expedition.

"Owgooste!" he shouted to the little boy with the black greyhound, "you will der hound und basket number three carry. Der tervins," he added, calling to the two smallest boys, who were dressed exactly alike, "will releef one unudder mit der camp-stuhl und basket number four. Dat is comprehend, hay? When we make der start, you childern will in der advance march. Dat is your orders. But we do not start," he exclaimed, excitedly; "we remain. Ach Gott, Selina, who does not arrive."

Selina, it appeared, was a niece of Mrs. Sieppe's. They were on the point of starting without her, when she suddenly arrived, very much out of breath. She was a slender, unhealthy looking girl, who overworked herself giving lessons in hand-painting at twenty-five cents an hour. McTeague was presented. They all began to talk at once, filling the little station-house with a confusion of tongues.

"Attention!" cried Mr. Sieppe, his gold-headed cane in one hand, his Springfield in the other. "Attention! We depart." The four little boys moved off ahead; the greyhound suddenly began to bark, and tug at his leash. The others picked up their bundles.

"Vorwarts!" shouted Mr. Sieppe, waving his rifle and assuming the attitude of a lieutenant of infantry leading a charge. The party set off down the railroad track.

Mrs. Sieppe walked with her husband, who constantly left her side to shout an order up and down the line. Marcus followed with Selina. McTeague found himself with Trina at the end of the procession.

"We go off on these picnics almost every week," said Trina, by way of a beginning, "and almost every holiday, too. It is a custom."

"Yes, yes, a custom," answered McTeague, nodding; "a custom—that's the word."

"Don't you think picnics are fine fun, Doctor McTeague?" she continued. "You take your lunch; you leave the dirty city all day; you race about in the open air, and when lunchtime comes, oh, aren't you hungry? And the woods and the grass smell so fine!"

"I don' know, Miss Sieppe," he answered, keeping his eyes fixed on the ground between the rails. "I never went on a picnic."

"Never went on a picnic?" she cried, astonished. "Oh, you'll see what fun we'll have. In the morning father and the children dig clams in the mud by the shore, an' we bake them, and—oh, there's thousands of things to do."

"Once I went sailing on the bay," said McTeague. "It was in a tugboat; we fished off the heads. I caught three codfishes."

"I'm afraid to go out on the bay," answered Trina, shaking her head, "sailboats tip over so easy. A cousin of mine, Selina's brother, was drowned one Decoration Day. They never found his body. Can you swim, Doctor McTeague?"

"I used to at the mine."

"At the mine? Oh, yes, I remember, Marcus told me you were a miner once."

"I was a car-boy; all the car-boys used to swim in the reservoir by the ditch every Thursday evening. One of them was bit by a rattlesnake once while he was dressing. He was a Frenchman, named Andrew. He swelled up and began to twitch."

"Oh, how I hate snakes! They're so crawly and graceful—but, just the same, I like to watch them. You know that drug store over in town that has a showcase full of live ones?"

"We killed the rattler with a cart whip."

"How far do you think you could swim? Did you ever try? D'you think you could swim a mile?"

"A mile? I don't know. I never tried. I guess I could."

"I can swim a little. Sometimes we all go out to the Crystal Baths."

"The Crystal Baths, huh? Can you swim across the tank?"

"Oh, I can swim all right as long as papa holds my chin up. Soon as he takes his hand away, down I go. Don't you hate to get water in your ears?"

"Bathing's good for you."

"If the water's too warm, it isn't. It weakens you."

Mr. Sieppe came running down the tracks, waving his cane.

"To one side," he shouted, motioning them off the track; "der drain gomes." A local passenger train was just passing B Street station, some quarter of a mile behind them. The party stood to one side to let it pass. Marcus put a nickel and two crossed pins upon the rail, and waved his hat to the passengers as the train roared past. The children shouted shrilly. When the train was gone, they all rushed to see the nickel and the crossed pins. The nickel had been jolted off, but the pins had been flattened out so that they bore a faint resemblance to opened scissors. A great contention arose among the children for the possession of these "scissors." Mr. Sieppe was obliged to intervene. He reflected gravely. It was a matter of tremendous moment. The whole party halted, awaiting his decision.

"Attend now," he suddenly exclaimed. "It will not be soh soon. At der end of der day, ven we shall have home gecommen, den wull it pe adjudge, eh? A REward of merit to him who der bes' pehaves. It is an order. Vorwarts!"

"That was a Sacramento train," said Marcus to Selina as they started off; "it was, for a fact."

"I know a girl in Sacramento," Trina told McTeague. "She's forewoman in a glove store, and she's got consumption."

"I was in Sacramento once," observed McTeague, "nearly eight years ago."

"Is it a nice place—as nice as San Francisco?"

"It's hot. I practised there for a while."

"I like San Francisco," said Trina, looking across the bay to where the city piled itself upon its hills.

"So do I," answered McTeague. "Do you like it better than living over here?"

"Oh, sure, I wish we lived in the city. If you want to go across for anything it takes up the whole day."

"Yes, yes, the whole day—almost."

"Do you know many people in the city? Do you know anybody named Oelbermann? That's my uncle. He has a wholesale toy store in the Mission. They say he's awful rich."

"No, I don' know him."

"His stepdaughter wants to be a nun. Just fancy! And Mr. Oelbermann won't have it. He says it would be just like burying his child. Yes, she wants to enter the convent of the Sacred Heart. Are you a Catholic, Doctor McTeague?"

"No. No, I—"

"Papa is a Catholic. He goes to Mass on the feast days once in a while. But mamma's Lutheran."

"The Catholics are trying to get control of the schools," observed McTeague, suddenly remembering one of Marcus's political tirades.

"That's what cousin Mark says. We are going to send the twins to the kindergarten next month."

"What's the kindergarten?"

"Oh, they teach them to make things out of straw and toothpicks—kind of a play place to keep them off the street."

"There's one up on Sacramento Street, not far from Polk Street. I saw the sign."

"I know where. Why, Selina used to play the piano there."

"Does she play the piano?"

"Oh, you ought to hear her. She plays fine. Selina's very accomplished. She paints, too."

"I can play on the concertina."

"Oh, can you? I wish you'd brought it along. Next time you will. I hope you'll come often on our picnics. You'll see what fun we'll have."

"Fine day for a picnic, ain't it? There ain't a cloud."

"That's so," exclaimed Trina, looking up, "not a single cloud. Oh, yes; there is one, just over Telegraph Hill."

"That's smoke."

"No, it's a cloud. Smoke isn't white that way."

"'Tis a cloud."

"I knew I was right. I never say a thing unless I'm pretty sure."

"It looks like a dog's head."

"Don't it? Isn't Marcus fond of dogs?"

"He got a new dog last week—a setter."

"Did he?"

"Yes. He and I took a lot of dogs from his hospital out for a walk to the Cliff House last Sunday, but we had to walk all the way home, because they wouldn't follow. You've been out to the Cliff House?"

"Not for a long time. We had a picnic there one Fourth of July, but it rained. Don't you love the ocean?"

"Yes—yes, I like it pretty well."

"Oh, I'd like to go off in one of those big sailing ships. Just away, and away, and away, anywhere. They're different from a little yacht. I'd love to travel."

"Sure; so would I."

"Papa and mamma came over in a sailing ship. They were twenty-one days. Mamma's uncle used to be a sailor. He was captain of a steamer on Lake Geneva, in Switzerland."

"Halt!" shouted Mr. Sieppe, brandishing his rifle. They had arrived at the gates of the park. All at once McTeague turned cold. He had only a quarter in his pocket. What was he expected to do—pay for the whole party, or for Trina and himself, or merely buy his own ticket? And even in this latter case would a quarter be enough? He lost his wits, rolling his eyes helplessly. Then it occurred to him to feign a great abstraction, pretending not to know that the time was come to pay. He looked intently up and down the tracks; perhaps a train was coming. "Here we are," cried Trina, as they came up to the rest of the party, crowded about the entrance. "Yes, yes," observed McTeague, his head in the air.

"Gi' me four bits, Mac," said Marcus, coming up. "Here's where we shell out."

"I—I—I only got a quarter," mumbled the dentist, miserably. He felt that he had ruined himself forever with Trina. What was the use of trying to win her? Destiny was against him. "I only got a quarter," he stammered. He was on the point of adding that he would not go in the park. That seemed to be the only alternative.

"Oh, all right!" said Marcus, easily. "I'll pay for you, and you can square with me when we go home."

They filed into the park, Mr. Sieppe counting them off as they entered.

"Ah," said Trina, with a long breath, as she and McTeague pushed through the wicket, "here we are once more, Doctor." She had not appeared to notice McTeague's embarrassment. The difficulty had been tided over somehow. Once more McTeague felt himself saved.

"To der beach!" shouted Mr. Sieppe. They had checked their baskets at the peanut stand. The whole party trooped down to the seashore. The greyhound was turned loose. The children raced on ahead.

From one of the larger parcels Mrs. Sieppe had drawn forth a small tin steamboat—August's birthday present—a gaudy little toy which could be steamed up and navigated by means of an alcohol lamp. Her trial trip was to be made this morning.

"Gi' me it, gi' me it," shouted August, dancing around his father.

"Not soh, not soh," cried Mr. Sieppe, bearing it aloft. "I must first der eggsperimunt make."

"No, no!" wailed August. "I want to play with ut."

"Obey!" thundered Mr. Sieppe. August subsided. A little jetty ran part of the way into the water. Here, after a careful study of the directions printed on the cover of the box, Mr. Sieppe began to fire the little boat.

"I want to put ut in the wa-ater," cried August.

"Stand back!" shouted his parent. "You do not know so well as me; dere is dandger. Mitout attention he will eggsplode."

"I want to play with ut," protested August, beginning to cry.

"Ach, soh; you cry, bube!" vociferated Mr. Sieppe. "Mommer," addressing Mrs. Sieppe, "he will soh soon be ge-whipt, eh?"

"I want my boa-wut," screamed August, dancing.

"Silence!" roared Mr. Sieppe. The little boat began to hiss and smoke.

"Soh," observed the father, "he gommence. Attention! I put him in der water." He was very excited. The perspiration dripped from the back of his neck. The little boat was launched. It hissed more furiously than ever. Clouds of steam rolled from it, but it refused to move.

"You don't know how she wo-rks," sobbed August.

"I know more soh mudge as der grossest liddle fool as you," cried Mr. Sieppe, fiercely, his face purple.

"You must give it sh—shove!" exclaimed the boy.

"Den he eggsplode, idiot!" shouted his father. All at once the boiler of the steamer blew up with a sharp crack. The little tin toy turned over and sank out of sight before any one could interfere.

"Ah—h! Yah! Yah!" yelled August. "It's go-one!"

Instantly Mr. Sieppe boxed his ears. There was a lamentable scene. August rent the air with his outcries; his father shook him till his boots danced on the jetty, shouting into his face:

"Ach, idiot! Ach, imbecile! Ach, miserable! I tol' you he eggsplode. Stop your cry. Stop! It is an order. Do you wish I drow you in der water, eh? Speak. Silence, bube! Mommer, where ist mein stick? He will der grossest whippun ever of his life receive."

Little by little the boy subsided, swallowing his sobs, knuckling his eyes, gazing ruefully at the spot where the boat had sunk. "Dot is better soh," commented Mr. Sieppe, finally releasing him. "Next dime berhaps you will your fat'er better pelief. Now, no more. We will der glams ge-dig, Mommer, a fire. Ach, himmel! we have der pfeffer forgotten."

The work of clam digging began at once, the little boys taking off their shoes and stockings. At first August refused to be comforted, and it was not until his father drove him into the water with his gold-headed cane that he consented to join the others.

What a day that was for McTeague! What a never-to-be-forgotten day! He was with Trina constantly. They laughed together—she demurely, her lips closed tight, her little chin thrust out, her small pale nose, with its adorable little freckles, wrinkling; he roared with all the force of his lungs, his enormous mouth distended, striking sledge-hammer blows upon his knee with his clenched fist.

The lunch was delicious. Trina and her mother made a clam chowder that melted in one's mouth. The lunch baskets were emptied. The party were fully two hours eating. There were huge loaves of rye bread full of grains of chickweed. There were weiner-wurst and frankfurter sausages. There was unsalted butter. There were pretzels. There was cold underdone chicken, which one ate in slices, plastered with a wonderful kind of mustard that did not sting. There were dried apples, that gave Mr. Sieppe the hiccoughs. There were a dozen bottles of beer, and, last of all, a crowning achievement, a marvellous Gotha truffle. After lunch came tobacco. Stuffed to the eyes, McTeague drowsed over his pipe, prone on his back in the sun, while Trina, Mrs. Sieppe, and Selina washed the dishes. In the afternoon Mr. Sieppe disappeared. They heard the reports of his rifle on the range. The others swarmed over the park, now around the swings, now in the Casino, now in the museum, now invading the merry-go-round.

At half-past five o'clock Mr. Sieppe marshalled the party together. It was time to return home.

The family insisted that Marcus and McTeague should take supper with them at their home and should stay over night. Mrs. Sieppe argued they could get no decent supper if they went back to the city at that hour; that they could catch an early morning boat and reach their business in good time. The two friends accepted.

The Sieppes lived in a little box of a house at the foot of B Street, the first house to the right as one went up from the station. It was two stories high, with a funny red mansard roof of oval slates. The interior was cut up into innumerable tiny rooms, some of them so small as to be hardly better than sleeping closets. In the back yard was a contrivance for pumping water from the cistern that interested McTeague at once. It was a dog-wheel, a huge revolving box in which the unhappy black greyhound spent most of his waking hours. It was his kennel; he slept in it. From time to time during the day Mrs. Sieppe appeared on the back doorstep, crying shrilly, "Hoop, hoop!" She threw lumps of coal at him, waking him to his work.

They were all very tired, and went to bed early. After great discussion it was decided that Marcus would sleep upon the lounge in the front parlor. Trina would sleep with August, giving up her room to McTeague. Selina went to her home, a block or so above the Sieppes's. At nine o'clock Mr. Sieppe showed McTeague to his room and left him to himself with a newly lighted candle.

For a long time after Mr. Sieppe had gone McTeague stood motionless in the middle of the room, his elbows pressed close to his sides, looking obliquely from the corners of his eyes. He hardly dared to move. He was in Trina's room.

It was an ordinary little room. A clean white matting was on the floor; gray paper, spotted with pink and green flowers, covered the walls. In one corner, under a white netting, was a little bed, the woodwork gayly painted with knots of bright flowers. Near it, against the wall, was a black walnut bureau. A work-table with spiral legs stood by the window, which was hung with a green and gold window curtain. Opposite the window the closet door stood ajar, while in the corner across from the bed was a tiny washstand with two clean towels.

And that was all. But it was Trina's room. McTeague was in his lady's bower; it seemed to him a little nest, intimate, discreet. He felt hideously out of place. He was an intruder; he, with his enormous feet, his colossal bones, his crude, brutal gestures. The mere weight of his limbs, he was sure, would crush the little bed-stead like an eggshell.

Then, as this first sensation wore off, he began to feel the charm of the little chamber. It was as though Trina were close by, but invisible. McTeague felt all the delight of her presence without the embarrassment that usually accompanied it. He was near to her—nearer than he had ever been before. He saw into her daily life, her little ways and manners, her habits, her very thoughts. And was there not in the air of that room a certain faint perfume that he knew, that recalled her to his mind with marvellous vividness?

As he put the candle down upon the bureau he saw her hairbrush lying there. Instantly he picked it up, and, without knowing why, held it to his face. With what a delicious odor was it redolent! That heavy, enervating odor of her hair—her wonderful, royal hair! The smell of that little hairbrush was talismanic. He had but to close his eyes to see her as distinctly as in a mirror. He saw her tiny, round figure, dressed all in black—for, curiously enough, it was his very first impression of Trina that came back to him now—not the Trina of the later occasions, not the Trina of the blue cloth skirt and white sailor. He saw her as he had seen her the day that Marcus had introduced them: saw her pale, round face; her narrow, half-open eyes, blue like the eyes of a baby; her tiny, pale ears, suggestive of anaemia; the freckles across the bridge of her nose; her pale lips; the tiara of royal black hair; and, above all, the delicious poise of the head, tipped back as though by the weight of all that hair—the poise that thrust out her chin a little, with the movement that was so confiding, so innocent, so nearly infantile.

McTeague went softly about the room from one object to another, beholding Trina in everything he touched or looked at. He came at last to the closet door. It was ajar. He opened it wide, and paused upon the threshold.

Trina's clothes were hanging there—skirts and waists, jackets, and stiff white petticoats. What a vision! For an instant McTeague caught his breath, spellbound. If he had suddenly discovered Trina herself there, smiling at him, holding out her hands, he could hardly have been more overcome. Instantly he recognized the black dress she had worn on that famous first day. There it was, the little jacket she had carried over her arm the day he had terrified her with his blundering declaration, and still others, and others—a whole group of Trinas faced him there. He went farther into the closet, touching the clothes gingerly, stroking them softly with his huge leathern palms. As he stirred them a delicate perfume disengaged itself from the folds. Ah, that exquisite feminine odor! It was not only her hair now, it was Trina herself—her mouth, her hands, her neck; the indescribably sweet, fleshly aroma that was a part of her, pure and clean, and redolent of youth and freshness. All at once, seized with an unreasoned impulse, McTeague opened his huge arms and gathered the little garments close to him, plunging his face deep amongst them, savoring their delicious odor with long breaths of luxury and supreme content.

The picnic at Schuetzen Park decided matters. McTeague began to call on Trina regularly Sunday and Wednesday afternoons. He took Marcus Schouler's place. Sometimes Marcus accompanied him, but it was generally to meet Selina by appointment at the Sieppes's house.

But Marcus made the most of his renunciation of his cousin. He remembered his pose from time to time. He made McTeague unhappy and bewildered by wringing his hand, by venting sighs that seemed to tear his heart out, or by giving evidences of an infinite melancholy. "What is my life!" he would exclaim. "What is left for me? Nothing, by damn!" And when McTeague would attempt remonstrance, he would cry: "Never mind, old man. Never mind me. Go, be happy. I forgive you."

Forgive what? McTeague was all at sea, was harassed with the thought of some shadowy, irreparable injury he had done his friend.

"Oh, don't think of me!" Marcus would exclaim at other times, even when Trina was by. "Don't think of me; I don't count any more. I ain't in it." Marcus seemed to take great pleasure in contemplating the wreck of his life. There is no doubt he enjoyed himself hugely during these days.

The Sieppes were at first puzzled as well over this change of front.

"Trina has den a new younge man," cried Mr. Sieppe. "First Schouler, now der doktor, eh? What die tevil, I say!"

Weeks passed, February went, March came in very rainy, putting a stop to all their picnics and Sunday excursions.

One Wednesday afternoon in the second week in March McTeague came over to call on Trina, bringing his concertina with him, as was his custom nowadays. As he got off the train at the station he was surprised to find Trina waiting for him.

"This is the first day it hasn't rained in weeks," she explained, "an' I thought it would be nice to walk."

"Sure, sure," assented McTeague.

B Street station was nothing more than a little shed. There was no ticket office, nothing but a couple of whittled and carven benches. It was built close to the railroad tracks, just across which was the dirty, muddy shore of San Francisco Bay. About a quarter of a mile back from the station was the edge of the town of Oakland. Between the station and the first houses of the town lay immense salt flats, here and there broken by winding streams of black water. They were covered with a growth of wiry grass, strangely discolored in places by enormous stains of orange yellow.

Near the station a bit of fence painted with a cigar advertisement reeled over into the mud, while under its lee lay an abandoned gravel wagon with dished wheels. The station was connected with the town by the extension of B Street, which struck across the flats geometrically straight, a file of tall poles with intervening wires marching along with it. At the station these were headed by an iron electric-light pole that, with its supports and outriggers, looked for all the world like an immense grasshopper on its hind legs.

Across the flats, at the fringe of the town, were the dump heaps, the figures of a few Chinese rag-pickers moving over them. Far to the left the view was shut off by the immense red-brown drum of the gas-works; to the right it was bounded by the chimneys and workshops of an iron foundry.

Across the railroad tracks, to seaward, one saw the long stretch of black mud bank left bare by the tide, which was far out, nearly half a mile. Clouds of sea-gulls were forever rising and settling upon this mud bank; a wrecked and abandoned wharf crawled over it on tottering legs; close in an old sailboat lay canted on her bilge.

But farther on, across the yellow waters of the bay, beyond Goat Island, lay San Francisco, a blue line of hills, rugged with roofs and spires. Far to the westward opened the Golden Gate, a bleak cutting in the sand-hills, through which one caught a glimpse of the open Pacific.

The station at B Street was solitary; no trains passed at this hour; except the distant rag-pickers, not a soul was in sight. The wind blew strong, carrying with it the mingled smell of salt, of tar, of dead seaweed, and of bilge. The sky hung low and brown; at long intervals a few drops of rain fell.

Near the station Trina and McTeague sat on the roadbed of the tracks, at the edge of the mud bank, making the most out of the landscape, enjoying the open air, the salt marshes, and the sight of the distant water. From time to time McTeague played his six mournful airs upon his concertina.

After a while they began walking up and down the tracks, McTeague talking about his profession, Trina listening, very interested and absorbed, trying to understand.

"For pulling the roots of the upper molars we use the cowhorn forceps," continued the dentist, monotonously. "We get the inside beak over the palatal roots and the cow-horn beak over the buccal roots—that's the roots on the outside, you see. Then we close the forceps, and that breaks right through the alveolus—that's the part of the socket in the jaw, you understand."

At another moment he told her of his one unsatisfied desire. "Some day I'm going to have a big gilded tooth outside my window for a sign. Those big gold teeth are beautiful, beautiful—only they cost so much, I can't afford one just now."

"Oh, it's raining," suddenly exclaimed Trina, holding out her palm. They turned back and reached the station in a drizzle. The afternoon was closing in dark and rainy. The tide was coming back, talking and lapping for miles along the mud bank. Far off across the flats, at the edge of the town, an electric car went by, stringing out a long row of diamond sparks on the overhead wires.

"Say, Miss Trina," said McTeague, after a while, "what's the good of waiting any longer? Why can't us two get married?"

Trina still shook her head, saying "No" instinctively, in spite of herself.

"Why not?" persisted McTeague. "Don't you like me well enough?"

"Yes."

"Then why not?"

"Because."

"Ah, come on," he said, but Trina still shook her head.

"Ah, come on," urged McTeague. He could think of nothing else to say, repeating the same phrase over and over again to all her refusals.

"Ah, come on! Ah, come on!"

Suddenly he took her in his enormous arms, crushing down her struggle with his immense strength. Then Trina gave up, all in an instant, turning her head to his. They kissed each other, grossly, full in the mouth.

A roar and a jarring of the earth suddenly grew near and passed them in a reek of steam and hot air. It was the Overland, with its flaming headlight, on its way across the continent.

The passage of the train startled them both. Trina struggled to free herself from McTeague. "Oh, please! please!" she pleaded, on the point of tears. McTeague released her, but in that moment a slight, a barely perceptible, revulsion of feeling had taken place in him. The instant that Trina gave up, the instant she allowed him to kiss her, he thought less of her. She was not so desirable, after all. But this reaction was so faint, so subtle, so intangible, that in another moment he had doubted its occurrence. Yet afterward it returned. Was there not something gone from Trina now? Was he not disappointed in her for doing that very thing for which he had longed? Was Trina the submissive, the compliant, the attainable just the same, just as delicate and adorable as Trina the inaccessible? Perhaps he dimly saw that this must be so, that it belonged to the changeless order of things—the man desiring the woman only for what she withholds; the woman worshipping the man for that which she yields up to him. With each concession gained the man's desire cools; with every surrender made the woman's adoration increases. But why should it be so?

Trina wrenched herself free and drew back from McTeague, her little chin quivering; her face, even to the lobes of her pale ears, flushed scarlet; her narrow blue eyes brimming. Suddenly she put her head between her hands and began to sob.

"Say, say, Miss Trina, listen—listen here, Miss Trina," cried McTeague, coming forward a step.

"Oh, don't!" she gasped, shrinking. "I must go home," she cried, springing to her feet. "It's late. I must. I must. Don't come with me, please. Oh, I'm so—so,"—she could not find any words. "Let me go alone," she went on. "You may—you come Sunday. Good-by."

"Good-by," said McTeague, his head in a whirl at this sudden, unaccountable change. "Can't I kiss you again?" But Trina was firm now. When it came to his pleading—a mere matter of words—she was strong enough.

"No, no, you must not!" she exclaimed, with energy. She was gone in another instant. The dentist, stunned, bewildered, gazed stupidly after her as she ran up the extension of B Street through the rain.

But suddenly a great joy took possession of him. He had won her. Trina was to be for him, after all. An enormous smile distended his thick lips; his eyes grew wide, and flashed; and he drew his breath quickly, striking his mallet-like fist upon his knee, and exclaiming under his breath:

"I got her, by God! I got her, by God!" At the same time he thought better of himself; his self-respect increased enormously. The man that could win Trina Sieppe was a man of extraordinary ability.

Trina burst in upon her mother while the latter was setting a mousetrap in the kitchen.

"Oh, mamma!"

"Eh? Trina? Ach, what has happun?"

Trina told her in a breath.

"Soh soon?" was Mrs. Sieppe's first comment. "Eh, well, what you cry for, then?"

"I don't know," wailed Trina, plucking at the end of her handkerchief.

"You loaf der younge doktor?"

"I don't know."

"Well, what for you kiss him?"

"I don't know."

"You don' know, you don' know? Where haf your sensus gone, Trina? You kiss der doktor. You cry, and you don' know. Is ut Marcus den?"

"No, it's not Cousin Mark."

"Den ut must be der doktor."

Trina made no answer.

"Eh?"

"I—I guess so."

"You loaf him?"

"I don't know."

Mrs. Sieppe set down the mousetrap with such violence that it sprung with a sharp snap.

CHAPTER 6

No, Trina did not know. "Do I love him? Do I love him?" A thousand times she put the question to herself during the next two or three days. At night she hardly slept, but lay broad awake for hours in her little, gayly painted bed, with its white netting, torturing herself with doubts and questions. At times she remembered the scene in the station with a veritable agony of shame, and at other times she was ashamed to recall it with a thrill of joy. Nothing could have been more sudden, more unexpected, than that surrender of herself. For over a year she had thought that Marcus would some day be her husband. They would be married, she supposed, some time in the future, she did not know exactly when; the matter did not take definite shape in her mind. She liked Cousin Mark very well. And then suddenly this cross-current had set in; this blond giant had appeared, this huge, stolid fellow, with his immense, crude strength. She had not loved him at first, that was certain. The day he had spoken to her in his "Parlors" she had only been terrified. If he had confined himself to merely speaking, as did Marcus, to pleading with her, to wooing her at a distance, forestalling her wishes, showing her little attentions, sending her boxes of candy, she could have easily withstood him. But he had only to take her in his arms, to crush down her struggle with his enormous strength, to subdue her, conquer her by sheer brute force, and she gave up in an instant.

But why—why had she done so? Why did she feel the desire, the necessity of being conquered by a superior strength? Why did it please her? Why had it suddenly thrilled her from head to foot with a quick, terrifying gust of passion, the like of which she had never known? Never at his best had Marcus made her feel like that, and yet she had always thought she cared for Cousin Mark more than for any one else.

When McTeague had all at once caught her in his huge arms, something had leaped to life in her—something that had hitherto lain dormant, something strong and overpowering. It frightened her now as she thought of it, this second self that had wakened within her, and that shouted and clamored for recognition. And yet, was it to be feared? Was it something to be ashamed of? Was it not, after all, natural, clean, spontaneous? Trina knew that she was a pure girl; knew that this sudden commotion within her carried with it no suggestion of vice.

Dimly, as figures seen in a waking dream, these ideas floated through Trina's mind. It was quite beyond her to realize them clearly; she could not know what they meant. Until that rainy day by the shore of the bay Trina had lived her life with as little self-consciousness as a tree. She was frank, straightforward, a healthy, natural human being, without sex as yet. She was almost like a boy. At once there had been a mysterious disturbance. The woman within her suddenly awoke.

Did she love McTeague? Difficult question. Did she choose him for better or for worse, deliberately, of her own free will, or was Trina herself allowed even a choice in the taking of that step that was to make or mar her life? The Woman is awakened, and, starting from her sleep, catches blindly at what first her newly opened eyes light upon. It is a spell, a witchery, ruled by chance alone, inexplicable—a fairy queen enamored of a clown with ass's ears.

McTeague had awakened the Woman, and, whether she would or no, she was his now irrevocably; struggle against it as she would, she belonged to him, body and soul, for life or for death. She had not sought it, she had not desired it. The spell was laid upon her. Was it a blessing? Was it a curse? It was all one; she was his, indissolubly, for evil or for good.

And he? The very act of submission that bound the woman to him forever had made her seem less desirable in his eyes. Their undoing had already begun. Yet neither of them was to blame. From the first they had not sought each other. Chance had brought them face to face, and mysterious instincts as ungovernable as the winds of heaven were at work knitting their lives together. Neither of them had asked that this thing should be—that their destinies, their very souls, should be the sport of chance. If they could have known, they would have shunned the fearful risk. But they were allowed no voice in the matter. Why should it all be?

It had been on a Wednesday that the scene in the B Street station had taken place. Throughout the rest of the week, at every hour of the day, Trina asked herself the same question: "Do I love him? Do I really love him? Is this what love is like?" As she recalled McTeague—recalled his huge, square-cut head, his salient jaw, his shock of yellow hair, his heavy, lumbering body, his slow wits—she found little to admire in him beyond his physical strength, and at such moments she shook her head decisively. "No, surely she did not love him." Sunday afternoon, however, McTeague called. Trina had prepared a little speech for him. She was to tell him that she did not know what had been the matter with her that Wednesday afternoon; that she had acted like a bad girl; that she did not love him well enough to marry him; that she had told him as much once before.

McTeague saw her alone in the little front parlor. The instant she appeared he came straight towards her. She saw what he was bent upon doing. "Wait a minute," she cried, putting out her hands. "Wait. You don't understand. I have got something to say to you." She might as well have talked to the wind. McTeague put aside her hands with a single gesture, and gripped her to him in a bearlike embrace that all but smothered her. Trina was but a reed before that giant strength. McTeague turned her face to his and kissed her again upon the mouth. Where was all Trina's resolve then? Where was her carefully prepared little speech? Where was all her hesitation and torturing doubts of the last few days? She clasped McTeague's huge red neck with both her slender arms; she raised her adorable little chin and kissed him in return, exclaiming: "Oh, I do love you! I do love you!" Never afterward were the two so happy as at that moment.

A little later in that same week, when Marcus and McTeague were taking lunch at the car conductors' coffee-joint, the former suddenly exclaimed:

"Say, Mac, now that you've got Trina, you ought to do more for her. By damn! you ought to, for a fact. Why don't you take her out somewhere—to the theatre, or somewhere? You ain't on to your job."

Naturally, McTeague had told Marcus of his success with Trina. Marcus had taken on a grand air.

"You've got her, have you? Well, I'm glad of it, old man. I am, for a fact. I know you'll be happy with her. I know how I would have been. I forgive you; yes, I forgive you, freely."

McTeague had not thought of taking Trina to the theatre.

"You think I ought to, Mark?" he inquired, hesitating. Marcus answered, with his mouth full of suet pudding:

"Why, of course. That's the proper caper."

"Well—well, that's so. The theatre—that's the word."

"Take her to the variety show at the Orpheum. There's a good show there this week; you'll have to take Mrs. Sieppe, too, of course," he added. Marcus was not sure of himself as regarded certain proprieties, nor, for that matter, were any of the people of the little world of Polk Street. The shop girls, the plumbers' apprentices, the small tradespeople, and their like, whose social position was not clearly defined, could never be sure how far they could go and yet preserve their "respectability." When they wished to be "proper," they invariably overdid the thing. It was not as if they belonged to the "tough" element, who had no appearances to keep up. Polk Street rubbed elbows with the "avenue" one block above. There were certain limits which its dwellers could not overstep; but unfortunately for them, these limits were poorly defined. They could never be sure of themselves. At an unguarded moment they might be taken for "toughs," so they generally erred in the other direction, and were absurdly formal. No people have a keener eye for the amenities than those whose social position is not assured.

"Oh, sure, you'll have to take her mother," insisted Marcus. "It wouldn't be the proper racket if you didn't."

McTeague undertook the affair. It was an ordeal. Never in his life had he been so perturbed, so horribly anxious. He called upon Trina the following Wednesday and made arrangements. Mrs. Sieppe asked if little August might be included. It would console him for the loss of his steamboat.

"Sure, sure," said McTeague. "August too—everybody," he added, vaguely.

"We always have to leave so early," complained Trina, "in order to catch the last boat. Just when it's becoming interesting."

At this McTeague, acting upon a suggestion of Marcus Schouler's, insisted they should stay at the flat over night. Marcus and the dentist would give up their rooms to them and sleep at the dog hospital. There was a bed there in the sick ward that old Grannis sometimes occupied when a bad case needed watching. All at once McTeague had an idea, a veritable inspiration.

"And we'll—we'll—we'll have—what's the matter with having something to eat afterward in my 'Parlors'?"

"Vairy goot," commented Mrs. Sieppe. "Bier, eh? And some damales."

"Oh, I love tamales!" exclaimed Trina, clasping her hands.

McTeague returned to the city, rehearsing his instructions over and over. The theatre party began to assume tremendous proportions. First of all, he was to get the seats, the third or fourth row from the front, on the left-hand side, so as to be out of the hearing of the drums in the orchestra; he must make arrangements about the rooms with Marcus, must get in the beer, but not the tamales; must buy for himself a white lawn tie—so Marcus directed; must look to it that Maria Macapa put his room in perfect order; and, finally, must meet the Sieppes at the ferry slip at half-past seven the following Monday night.

The real labor of the affair began with the buying of the tickets. At the theatre McTeague got into wrong entrances; was sent from one wicket to another; was bewildered, confused; misunderstood directions; was at one moment suddenly convinced that he had not enough money with him, and started to return home. Finally he found himself at the box-office wicket.

"Is it here you buy your seats?"

"How many?"

"Is it here—"

"What night do you want 'em? Yes, sir, here's the place."

McTeague gravely delivered himself of the formula he had been reciting for the last dozen hours.

"I want four seats for Monday night in the fourth row from the front, and on the right-hand side."

"Right hand as you face the house or as you face the stage?" McTeague was dumfounded.

"I want to be on the right-hand side," he insisted, stolidly; adding, "in order to be away from the drums."

"Well, the drums are on the right of the orchestra as you face the stage," shouted the other impatiently; "you want to the left, then, as you face the house."

"I want to be on the right-hand side," persisted the dentist.

Without a word the seller threw out four tickets with a magnificent, supercilious gesture.

"There's four seats on the right-hand side, then, and you're right up against the drums."

"But I don't want to be near the drums," protested McTeague, beginning to perspire.

"Do you know what you want at all?" said the ticket seller with calmness, thrusting his head at McTeague. The dentist knew that he had hurt this young man's feelings.

"I want—I want," he stammered. The seller slammed down a plan of the house in front of him and began to explain excitedly. It was the one thing lacking to complete McTeague's confusion.

"There are your seats," finished the seller, shoving the tickets into McTeague's hands. "They are the fourth row from the front, and away from the drums. Now are you satisfied?"

"Are they on the right-hand side? I want on the right—no, I want on the left. I want—I don' know, I don' know."

The seller roared. McTeague moved slowly away, gazing stupidly at the blue slips of pasteboard. Two girls took his place at the wicket. In another moment McTeague came back, peering over the girls' shoulders and calling to the seller:

"Are these for Monday night?"

The other disdained reply. McTeague retreated again timidly, thrusting the tickets into his immense wallet. For a moment he stood thoughtful on the steps of the entrance. Then all at once he became enraged, he did not know exactly why; somehow he felt himself slighted. Once more he came back to the wicket.

"You can't make small of me," he shouted over the girls' shoulders; "you—you can't make small of me. I'll thump you in the head, you little—you little—you little—little—little pup." The ticket seller shrugged his shoulders wearily. "A dollar and a half," he said to the two girls.

McTeague glared at him and breathed loudly. Finally he decided to let the matter drop. He moved away, but on the steps was once more seized with a sense of injury and outraged dignity.

"You can't make small of me," he called back a last time, wagging his head and shaking his fist. "I will—I will—I will—yes, I will." He went off muttering.

At last Monday night came. McTeague met the Sieppes at the ferry, dressed in a black Prince Albert coat and his best slate-blue trousers, and wearing the made-up lawn necktie that Marcus had selected for him. Trina was very pretty in the black dress that McTeague knew so well. She wore a pair of new gloves. Mrs. Sieppe had on lisle-thread mits, and carried two bananas and an orange in a net reticule. "For Owgooste," she confided to him. Owgooste was in a Fauntleroy "costume" very much too small for him. Already he had been crying.

"Woult you pelief, Doktor, dot bube has torn his stockun alreatty? Walk in der front, you; stop cryun. Where is dot berliceman?"

At the door of the theatre McTeague was suddenly seized with a panic terror. He had lost the tickets. He tore through his pockets, ransacked his wallet. They were nowhere to be found. All at once he remembered, and with a gasp of relief removed his hat and took them out from beneath the sweatband.

The party entered and took their places. It was absurdly early. The lights were all darkened, the ushers stood under the galleries in groups, the empty auditorium echoing with their noisy talk. Occasionally a waiter with his tray and clean white apron sauntered up and doun the aisle. Directly in front of them was the great iron curtain of the stage, painted with all manner of advertisements. From behind this came a noise of hammering and of occasional loud voices.

While waiting they studied their programmes. First was an overture by the orchestra, after which came "The Gleasons, in their mirth-moving musical farce, entitled 'McMonnigal's Court-ship.'" This was to be followed by "The Lamont Sisters, Winnie and Violet, serio-comiques and skirt dancers." And after this came a great array of other "artists" and "specialty performers," musical wonders, acrobats, lightning artists, ventriloquists, and last of all, "The feature of the evening, the crowning scientific achievement of the nineteenth century, the kinetoscope." McTeague was excited, dazzled. In five years he had not been twice to the theatre. Now he beheld himself inviting his "girl" and her mother to accompany him. He began to feel that he was a man of the world. He ordered a cigar.

Meanwhile the house was filling up. A few side brackets were turned on. The ushers ran up and down the aisles, stubs of tickets between their thumb and finger, and from every part of the auditorium could be heard the sharp clap-clapping of the seats as the ushers flipped them down. A buzz of talk arose. In the gallery a street gamin whistled shrilly, and called to some friends on the other side of the house.

"Are they go-wun to begin pretty soon, ma?" whined Owgooste for the fifth or sixth time; adding, "Say, ma, can't I have some candy?" A cadaverous little boy had appeared in their aisle, chanting, "Candies, French mixed candies, popcorn, peanuts and candy." The orchestra entered, each man crawling out from an opening under the stage, hardly larger than the gate of a rabbit hutch. At every instant now the crowd increased; there were but few seats that were not taken. The waiters hurried up and down the aisles, their trays laden with beer glasses. A smell of cigar-smoke filled the air, and soon a faint blue haze rose from all corners of the house.

"Ma, when are they go-wun to begin?" cried Owgooste. As he spoke the iron advertisement curtain rose, disclosing the curtain proper underneath. This latter curtain was quite an affair. Upon it was painted a wonderful picture. A flight of marble steps led down to a stream of water; two white swans, their necks arched like the capital letter S, floated about. At the head of the marble steps were two vases filled with red and yellow flowers, while at the foot was moored a gondola. This gondola was full of red velvet rugs that hung over the side and trailed in the water. In the prow of the gondola a young man in vermilion tights held a mandolin in his left hand, and gave his right to a girl in white satin. A King Charles spaniel, dragging a leading-string in the shape of a huge pink sash, followed the girl. Seven scarlet roses were scattered upon the two lowest steps, and eight floated in the water.

"Ain't that pretty, Mac?" exclaimed Trina, turning to the dentist.

"Ma, ain't they go-wun to begin now-wow?" whined Owgooste. Suddenly the lights all over the house blazed up. "Ah!" said everybody all at once.

"Ain't ut crowdut?" murmured Mr. Sieppe. Every seat was taken; many were even standing up.

"I always like it better when there is a crowd," said Trina. She was in great spirits that evening. Her round, pale face was positively pink.

The orchestra banged away at the overture, suddenly finishing with a great flourish of violins. A short pause followed. Then the orchestra played a quick-step strain, and the curtain rose on an interior furnished with two red chairs and a green sofa. A girl in a short blue dress and black stockings entered in a hurry and began to dust the two chairs. She was in a great temper, talking very fast, disclaiming against the "new lodger." It appeared that this latter never paid his rent; that he was given to late hours. Then she came down to the footlights and began to sing in a tremendous voice, hoarse and flat, almost like a man's. The chorus, of a feeble originality, ran:

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