Titel: The Circus Boys on the Flying Rings : or, Making the Start in the Sawdust Life

von ca. 337-422 Faxian, Sir Samuel White Baker, Sax Rohmer, Bernardin de Saint-Pierre, Maria Edgeworth, Saint Sir Thomas More, Herodotus, L. Mühlbach, Herbert Allen Giles, G. K. Chesterton, Algernon Charles Swinburne, Rudyard Kipling, A. J. O'Reilly, William Bray, O. Henry, graf Leo Tolstoy, Anonymous, Lewis Wallace, Johann Wolfgang von Goethe, Edgar Allan Poe, Jack London, Elizabeth Cleghorn Gaskell, Jules Verne, Frank Frankfort Moore, Susan Fenimore Cooper, Anthony Trollope, Henry James, T. Smollett, Thomas Burke, Emma Goldman, George Eliot, Henry Rider Haggard, Baron Thomas Babington Macaulay Macaulay, A. Maynard Barbour, Edmund Burke, Gerold K. Rohner, Bernard Shaw, Sir Joshua Reynolds, Bret Harte, Nathaniel Hawthorne, Jerome K. Jerome, Isabella L. Bird, Christoph Martin Wieland, Rainer Maria Rilke, Ludwig Anzengruber, Freiherr von Ludwig Achim Arnim, G. Harvey Ralphson, John Galsworthy, George Sand, Pierre Loti, Fyodor Dostoyevsky, Giambattista Basile, Homer, John Webster, P. G. Wodehouse, William Shakespeare, Edward Payson Roe, Sir Walter Raleigh, Victor [pseud.] Appleton, Arnold Bennett, James Fenimore Cooper, James Hogg, Richard Harding Davis, Ernest Thompson Seton, William MacLeod Raine, E. Phillips Oppenheim, Maksim Gorky, Henrik Ibsen, George MacDonald, Sir Max Beerbohm, Lucy Larcom, Various, Sir Robert S. Ball, Charles Darwin, Charles Reade, Adelaide Anne Procter, Joseph Conrad, Joel Chandler Harris, Joseph Crosby Lincoln, Alexander Whyte, Kate Douglas Smith Wiggin, James Lane Allen, Richard Jefferies, Honoré de Balzac, Wilhelm Busch, General Robert Edward Lee, Charles Dickens, Wilkie Collins, David Cory, Booth Tarkington, George Rawlinson, Sir Arthur Conan Doyle, Dinah Maria Mulock Craik, Christopher Evans, Thomas Henry Huxley, Mary Roberts Rinehart, Erskine Childers, Alice Freeman Palmer, Florence Converse, William Congreve, Stephen Crane, Madame de La Fayette, United States. Army. Corps of Engineers. Manhattan District, Willa Sibert Cather, Anna Katharine Green, Oliver Wendell Holmes, Charlotte M. Brame, Alphonse Daudet, Booker T. Washington, Clemens Brentano, Sylvester Mowry, Geoffrey Chaucer, Ellen Anderson Gholson Glasgow, Gail Hamilton, William Roscoe Thayer, Margaret Wade Campbell Deland, Rafael Sabatini, Archibald Henderson, Albert Payson Terhune, George Wharton James, Padraic Colum, James MacCaffrey, John Albert Macy, Annie Sullivan, Helen Keller, Walter Pater, Sir Richard Francis Burton, Baron de Jean-Baptiste-Antoine-Marcelin Marbot, Aristotle, Gustave Flaubert, 12th cent. de Troyes Chrétien, Valentine Williams, Thomas Wentworth Higginson, Alexandre Dumas fils, John Gay, Andrew Lang, Hester Lynch Piozzi, Jeffery Farnol, Alexander Pope, George Henry Borrow, Mark Twain, Francis Bacon, Margaret Pollock Sherwood, Henry Walter Bates, Thornton W. Burgess, Edmund G. Ross, William Alexander Linn, Voltaire, Giles Lytton Strachey, Henry Ossian Flipper, Émile Gaboriau, Arthur B. Reeve, Hugh Latimer, Baron Edward Bulwer Lytton Lytton, Benito Pérez Galdós, Robert Smythe Hichens, Niccolò Machiavelli, Prosper Mérimée, Ivan Sergeevich Turgenev, Anatole Cerfberr, Jules François Christophe, Victor Cherbuliez, Edgar B. P. Darlington

ISBN 978-3-7429-2381-3

Alle Rechte vorbehalten.

Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.

***Project Gutenberg Etext: The Circus Boys on the Flying Rings***
Or Making the Start in the Sawdust Life, by Edgar B. P. Darlington

CONTENTS

CHAPTER

I THE LURE OF THE CIRCUS

II PHIL HEARS HIS DISMISSAL

III MAKING HIS START IN THE WORLD

IV THE CIRCUS COMES TO TOWN

V WHEN THE BANDS PLAYED

VI PROVING HIS METTLE

VII MAKING FRIENDS WITH THE ELEPHANTS

VIII IN THE SAWDUST ARENA

IX GETTING HIS FIRST CALL

X PHIL GETS A SURPRISE

XI THE FIRST NIGHT WITH THE SHOW

XII A THRILLING RESCUE

XIII THE DAWNING OF A NEW DAY

XIV AN UNEXPECTED HIT

XV A STROKE OF GOOD FORTUNE

XVI HIS FIRST SETBACK

XVII LEFT BEHIND

XVIII A STARTLING DISCOVERY

XIX TEDDY DISTINGUISHES HIMSELF

XX THE RETURN TO THE SAWDUST LIFE

XXI AN ELEPHANT IN JAIL

XXII EMPEROR ANSWERS THE SIGNAL

XXIII THE MYSTERY SOLVED

XXIV CONCLUSION

The Circus Boys on the Flying Rings

CHAPTER I

THE LURE OF THE CIRCUS

"I say, Phil, I can do that."

"Do what, Teddy?"

"A cartwheel in the air like that fellow is doing in the picture on the billboard there."

"Oh, pshaw! You only think you can. Besides, that's not a cartwheel; that's a double somersault. It's a real stunt, let me tell you. Why, I can do a cartwheel myself. But up in the air like that--well, I don't know. I guess not. I'd be willing to try it, though, if I had something below to catch me," added the lad, critically surveying the figures on the poster before them.

"How'd you like to be a circus man, Phil?"

Phil's dark eyes glowed with a new light, his slender figure straightening until the lad appeared fully half a head taller.

"More than anything else in the world," he breathed. "Would you?"

"Going to be," nodded Teddy decisively, as if the matter were already settled.

"Oh, you are, eh?"

"Uh-huh!"

"When?"

"I don't know. Someday--someday when I get old enough, maybe."

Phil Forrest surveyed his companion with a half critical smile on his face.

"What are you going to do--be a trapeze performer or what?"

"Well," reflected the lad wisely, "maybe I shall be an 'Or What.' I'm not sure. Sometimes I think I should like to be the fellow who cracks the whip with the long lash and makes the clowns hop around on one foot--"

"You mean the ringmaster?"

"I guess that's the fellow. He makes 'em all get around lively. Then, sometimes, I think I would rather be a clown. I can skin a cat on the flying rings to beat the band, now. What would you rather be, Phil?"

"Me? Oh, something up in the air--high up near the peak of the tent--something thrilling that would make the people sit up on the board seats and gasp, when, all dressed in pink and spangles, I'd go flying through the air--"

"Just like a bird?" questioned Teddy, with a rising inflection in his voice.

"Yes. That's what I'd like most to do, Teddy," concluded the lad, his face flushed with the thought of the triumphs that might be his.

Teddy Tucker uttered a soft, long-drawn whistle.

"My, you've got it bad, haven't you? Never thought you were that set on the circus. Wouldn't it be fine, now, if we both could get with a show?"

"Great!" agreed Phil, with an emphatic nod. "Sometimes I think my uncle would be glad to have me go away--that he wouldn't care whether I joined a circus, or what became of me."

"Ain't had much fun since your ma died, have you, Phil?" questioned Teddy sympathetically.

"Not much," answered the lad, a thin, gray mist clouding his eyes. "No, not much. But, then, I'm not complaining."

"Your uncle's a mean old--"

"There, there, Teddy, please don't say it. He may be all you think he is, but for all the mean things he's said and done to me, I've never given him an impudent word, Teddy. Can you guess why?"

"Cause he's your uncle, maybe," grumbled Teddy.

"No, 'cause he's my mother's brother--that's why."

"I don't know. Maybe I'd feel that way if I'd had a mother."

"But you did."

"Nobody ever introduced us, if I did. Guess she didn't know me. But if your uncle was my uncle do you know what I'd do with him, Phil Forrest?"

"Don't let's talk about him. Let's talk about the circus. It's more fun," interrupted Phil, turning to the billboard again and gazing at it with great interest.

They were standing before the glowing posters of the Great Sparling Combined Shows, that was to visit Edmeston on the following Thursday.

Phillip Forrest and Teddy Tucker were fast friends, though they were as different in appearance and temperament as two boys well could be. Phil was just past sixteen, while Teddy was a little less than a year younger. Phil's figure was slight and graceful, while that of his companion was short and chubby.

Both lads were orphans. Phil's parents had been dead for something more than five years. Since their death he had been living with a penurious old uncle who led a hermit-like existence in a shack on the outskirts of Edmeston.

But the lad could remember when it had been otherwise--when he had lived in his own home, surrounded by luxury and refinement, until evil days came upon them without warning. His father's property had been swept away, almost in a night. A year later both of his parents had died, leaving him to face the world alone.

The boy's uncle had taken him in begrudgingly, and Phil's life from that moment on had been one of self-denial and hard work. Yet he was thankful for one thing--thankful that his miserly old uncle had permitted him to continue at school.

Standing high in his class meant something in Phil's case, for the boy was obliged to work at whatever he could find to do after school hours, his uncle compelling him to contribute something to the household expenses every week. His duties done, Phil was obliged to study far into the night, under the flickering light of a tallow candle, because oil cost too much. Sometimes his candle burned far past the midnight hour, while he applied himself to his books that he might be prepared for the next day's classes.

Hard lines for a boy?

Yes. But Phil Forrest was not the lad to complain. He went about his studies the same as he approached any other task that was set for him to do--went about it with a grim, silent determination to conquer it. And he always did.

As for Teddy--christened Theodore, but so long ago that he had forgotten that that was his name--he studied, not because he possessed a burning desire for knowledge, but as a matter of course, and much in the same spirit he did the chores for the people with whom he lived.

Teddy was quite young when his parents died leaving him without a relative in the world. A poor, but kind-hearted family in Edmeston had taken the lad in rather than see him become a public charge. With them he had lived and been cared for ever since. Of late years, however, he had been able to do considerable toward lightening the burden for them by the money he managed to earn here and there.

The two boys were on their way home from school. There remained but one more day before the close of the term, which was a matter of sincere regret to Phil and of keen satisfaction to his companion. Just now both were too full of the subject of the coming show to think of much else.

"Going to the show, Phil?"

"I am afraid not."

"Why not?"

"I haven't any money; that's the principal reason," smiled the boy. "Are you?"

"Sure. Don't need any money to go to a circus."

"You don't?"

"No."

"How do you manage it?"

"Crawl in under the tent when the man ain't looking," answered Teddy promptly.

"I wouldn't want to do that," decided the older lad, with a shake of the head. "It wouldn't be quite honest. Do you think so?"

Teddy Tucker shrugged his shoulders indifferently.

"Never thought about it. Don't let myself think about it. Isn't safe, for I might not go to the show if I did. What's your other reason?"

"For not going to the circus?"

"Yes."

"Well, I don't think Uncle would let me; that's a fact."

"Why not?"

"Says circuses and all that sort of thing are evil influences."

"Oh, pshaw! Wish he was my uncle," decided Teddy belligerently. "How long are you going to stand for being mauled around like a little yellow dog?"

"I'll stand most anything for the sake of getting an education. When I get that then I'm going to strike out for myself, and do something in the world. You'll hear from me yet, Teddy Tucker, and maybe I'll hear from you, too."

"See me, you mean--see me doing stunts on a high something-or- other in a circus. Watch me turn a somersault."

The lad stood poised on the edge of the ditch, on the other side of which the billboard stood. This gave him the advantage of an elevated position from which to attempt his feat.

"Look out that you don't break your neck," warned Phil. "I'd try it on a haymow, or something like that, first."

"Don't you worry about me. See how easy that fellow in the picture is doing it. Here goes!"

Teddy launched himself into the air, with a very good imitation of a diver making a plunge into the water, hands stretched out before him, legs straight behind him.

He was headed straight for the ditch.

"Turn, Teddy! Turn! You'll strike on your head."

Teddy was as powerless to turn as if he had been paralyzed from head to foot. Down he went, straight as an arrow. There followed a splash as his head struck the water of the ditch, the lad's feet beating a tattoo in the air while his head was stuck fast in the mud at the bottom of the ditch.

"He'll drown," gasped Phil, springing down into the little stream, regardless of the damage liable to be done to his own clothes.

Throwing both arms about the body of his companion he gave a mighty tug. Teddy stuck obstinately, and Phil was obliged to take a fresh hold before he succeeded in hauling the lad from his perilous position. Teddy was gasping for breath. His face, plastered with mud, was unrecognizable, while his clothes were covered from head to foot.

Phil dumped him on the grass beneath the circus billboard and began wiping the mud from his companion's face, while Teddy quickly sat up, blinking the mud out of his eyes and grumbling unintelligibly.

"You're a fine circus performer, you are," laughed Phil. "Suppose you had been performing on a flying trapeze in a circus, what do you suppose would have happened to you?"

"I'd have had a net under me then, and I wouldn't have fallen in the ditch," grunted Teddy sullenly.

"What do you suppose the folks will say when you go home in that condition?"

"Don't care what they say. Fellow has got to learn sometime, and if I don't have any worse thing happen to me than falling in a ditch I ought to be pretty well satisfied. Guess I'll go back now. Come on, go 'long with me."

Phil turned and strode along by the side of his companion until they reached the house where Teddy lived.

"Come on in."

"I'm sorry, Teddy, but I can't. My uncle will be expecting me, and he won't like it if I am late."

"All right; see you tomorrow if you don't come out again tonight. We'll try some more stunts then."

"I wouldn't till after the circus, were I in your place," laughed Phil.

"Why not!"

"Cause, if you break your neck, you won't be able to go to the show."

"Huh!" grunted Teddy, hastily turning his back on his companion and starting for the house.

Phil took his way home silently and thoughtfully, carrying his precious bundle of books under an arm, his active mind planning as to how he might employ his time to the best advantage during the summer vacation that was now so close at hand.

A rheumatic, bent figure was standing in front of the shack where the lad lived, glaring up the street from beneath bushy eyebrows, noting Phil Forrest's leisurely gait disapprovingly.

Phil saw him a moment later.

"I'm in for a scolding," he muttered. "Wonder what it is all about this time. I don't seem able to do a thing to please Uncle Abner."

CHAPTER II

PHIL HEARS HIS DISMISSAL

"Where you been, young man?" The question was a snarl rather than a sentence.

"To school, Uncle, of course."

"School's been out more than an hour. I say, where have you been?"

"I stopped on the way for a few minutes."

"You did?" exploded Abner Adams. "Where?"

"Teddy Tucker and I stopped to read a circus bill over there on Clover Street. We did not stop but a few minutes. Was there any harm in that?"

"Harm? Circus bill--"

"And I want to go to the circus, too, Uncle, when it comes here. You know? I have not been to anything of that sort since mother died--not once. I'll work and earn the money. I can go in the evening after my work is finished. Please let me go, Uncle."

For a full minute Abner Adams was too overcome with his emotions to speak. He hobbled about in a circle, smiting the ground with his cane, alternately brandishing it threateningly in the air over the head of the unflinching Phil.

"Circus!" he shouted. "I might have known it! I might have known it! You and that Tucker boy are two of a kind. You'll both come to some bad ending. Only fools and questionable characters go to such places--"

"My mother and father went, and they always took me," replied the boy, drawing himself up with dignity. "You certainly do not include them in either of the two classes you have named?"

"So much the worse for them! So much the worse for them. They were a pair of--"

"Uncle, Uncle!" warned Phil. "Please don't say anything against my parents. I won't stand it. Don't forget that my mother was your own sister, too."

"I'm not likely to forget it, after she's bundled such a baggage as you into my care. You're turning out a worthless, good-for- nothing loaf--"

"You haven't said whether or not I might go to the circus, Uncle," reminded Phil.

"Circus? No! I'll have none of my money spent on any such worthless--"

"But I didn't ask you to spend your money, even though you have plenty of it. I said I would earn the money--"

"You'll have a chance to earn it, and right quick at that. No, you won't go to any circus so long as you're living under my roof."

"Very well, Uncle, I shall do as you wish, of course," answered Phil, hiding his disappointment as well as he could. The lad shifted his bundle of books to the other hand and started slowly for the house.

Abner Adams hobbled about until he faced the lad again, an angry gleam lighting up his squinting eyes.

"Come back here!"

Phil halted, turning.

"I said come back here."

The lad did so, his self-possession and quiet dignity never deserting him for an instant. This angered the crabbed old uncle more than ever.

"When will you get through school?"

"Tomorrow, I believe."

"Huh! Then, I suppose you intend to loaf for the rest of the summer and live on my hard earned savings. Is that it?"

"No, sir; I hadn't thought of doing anything of the sort. I thought--"

"What did you think?"

"I thought I would find something to do. Of course, I do not expect to be idle. I shall work at something until school begins again next fall, then, of course, I shall not be able to do so much."

"School! You've had enough school! In my days boys didn't spend the best part of their lives in going to school. They worked."

"Yes, sir; I am willing to work, too. But, Uncle, I must have an education. I shall be able to earn so much more then, and, if necessary, I shall be able to pay you for all you have spent on me, which isn't much, you know."

"What, what? You dare to be impudent to me? You--"

"No, sir, I am not impudent. I have never been that and I never shall be; but you are accusing me wrongfully."

"Enough. You have done with school--"

"You--you mean that I am not to go to school any more--that I have got to go through life with the little I have learned? Is that what you mean, Uncle?" asked the boy, with a sinking heart.

"You heard me."

"What do you want me to do?"

"Work!"

"I am working and I shall be working," Phil replied.

"You're right you will, or you'll starve. I have been thinking this thing over a lot lately. A boy never amounts to anything if he's mollycoddled and allowed to spend his days depending on someone else. Throw him out and let him fight his own way. That's what my father used to tell me, and that's what I'm going to say to you."

"What do you mean, Uncle?"

"Mean? Can't you understand the English language? Have I got to draw a picture to make you understand? Get to work!"

"I am going to as soon as school is out."

"You'll do it now. Get yourself out of my house, bag and baggage!"

"Uncle, Uncle!" protested the lad in amazement. "Would you turn me out?"

"Would I? I have, only you are too stupid to know it. You'll thank me for it when you get old enough to have some sense."

Phil's heart sank within him, and it required all his self-control to keep the bitter tears from his eyes.

"When do you wish me to go?" he asked without a quaver in his voice.

"Now."

"Very well, I'll go. But what do you think my mother would say, could she know this?"

"That will do, young man. Do your chores, and then--"

"I am not working for you now, Uncle, you know, so I shall have to refuse to do the chores. There is fifty cents due me from Mr. Churchill for fixing his chicken coop. You may get that, I don't want it."

Phil turned away once more, and with head erect entered the house, going straight to his room, leaving Abner Adams fuming and stamping about in the front yard. The old man's rage knew no bounds. He was so beside himself with anger over the fancied impudence of his nephew that, had the boy been present, he might have so far forgotten himself as to have used his cane on Phil.

But Phil by this time had entered his own room, locking the door behind him. The lad threw his books down on the bed, dropped into a chair and sat palefaced, tearless and silent. Slowly his eyes rose to the old-fashioned bureau, where his comb and brush lay. The eyes halted when at length they rested on the picture of his mother.

The lad rose as if drawn by invisible hands, reached out and clasped the photograph to him. Then the pent-up tears welled up in a flood. With the picture pressed to his burning cheek Phil Forrest threw himself on his bed and sobbed out his bitter grief. He did not hear the thump of Abner Adams' cane on the bedroom door, nor the angry demands that he open it.

"Mother, Mother!" breathed the unhappy boy, as his sobs gradually merged into long-drawn, trembling sighs.

Perhaps his appeal was not unheard. At least Phil Forrest sprang from his bed, holding the picture away from him with both hands and gazing into the eyes of his mother.

Slowly his shoulders drew back and his head came up, while an expression of strong determination flashed into his own eyes.

"I'll do it--I'll be a man, Mother!" he exclaimed in a voice in which there was not the slightest tremor now. "I'll fight the battle and I'll win."

Phil Forest had come to the parting of the ways, which he faced with a courage unusual in one of his years. There was little to be done. He packed his few belongings in a bag that had been his mother's. The lad possessed one suit besides the one he wore, and this he stowed away as best he could, determining to press it out when he had located himself.

Finally his task was finished. He stood in the middle of the floor glancing around the little room that had been his home for so long. But he felt no regrets. He was only making sure that he had not left anything behind. Having satisfied himself on this point, Phil gathered up his bundle of books, placed the picture of his mother in his inside coat pocket, then threw open the door.

The lad's uncle had stamped to the floor below, where he was awaiting Phil's coming.

"Good-bye, Uncle," he said quietly, extending a hand.

"Let me see that bag," snapped the old man.

"The bag is mine--it belonged to my mother," explained the boy. "Surely you don't object to my taking it with me?"

"You're welcome to it, and good riddance; but I'm going to find out what's inside of it."

"You surely don't think I would take anything that doesn't belong to me--you can't mean that?"

"Ain't saying what I mean. Hand over that bag."

With burning cheeks, Phil did as he was bid, his unwavering eyes fixed almost sternly on the wrathful face of Abner Adams.

"Huh!" growled the old man, tumbling the contents out on the floor, shaking Phil's clothes to make sure that nothing was concealed in them.

Apparently satisfied, the old man threw the bag on the floor with an exclamation of disgust. Phil once more gathered up his belongings and stowed them away in the satchel.

"Turn out your pockets!"

"There is nothing in them, Uncle, save some trinkets of my own and my mother's picture."

"Turn them out!" thundered the old man.

"Uncle, I have always obeyed you. Obedience was one of the things that my mother taught me, but I'm sure that were she here she would tell me I was right in refusing to humiliate myself as you would have me do. There is nothing in my pockets that does not belong to me. I am not a thief."

"Then I'll turn them out myself!" snarled Abner Adams, starting forward.

Phil stepped back a pace, satchel in hand.

"Uncle, I am a man now," said the boy, straightening to his full height. "Please don't force me to do something that I should be sorry for all the rest of my life. Will you shake hands with me?"

"No!" thundered Abner Adams. "Get out of my sight before I lay the stick over your head!"

Phil stretched out an appealing hand, then hastily withdrew it.

"Good-bye, Uncle Abner," he breathed.

Without giving his uncle a chance to reply, the lad turned, opened the door and ran down the steps.

CHAPTER III

MAKING HIS START IN THE WORLD

The sun was just setting as Phil Forrest strode out of the yard. Once outside of the gate he paused, glancing irresolutely up and down the street. Which way to turn or where to go he did not know. He had not thought before of what he should do.

Phil heard the clatter of Abner Adams' stick as the old man thumped about in the kitchen.

Suddenly the door was jerked open with unusual violence.

"Begone!" bellowed Mr. Adams, brandishing his cane threateningly.

Phil turned down the street, without casting so much as a glance in the direction of his wrathful uncle, and continued on toward the open country. To anyone who had observed him there was nothing of uncertainty in the lad's walk as he swung along. As a matter of fact, Phil had not the slightest idea where he was going. He knew only that he wanted to get away by himself.

On the outskirts of the village men had been at work that day, cutting and piling up hay. The field was dotted with heaps of the fragrant, freshly garnered stuff.

Phil hesitated, glanced across the field, and, noting that the men had all gone home for the day, climbed the fence. He walked on through the field until he had reached the opposite side of it. Then the lad placed his bag on the ground and sat down on a pile of hay.

With head in hands, he tried to think, to plan, but somehow his mind seemed unable to perform its proper functions. It simply would not work.

"Not much of a start in the world, this," grinned Phil, shifting his position so as to command a better view of the world, for he did not want anyone to see him. "I suppose Uncle Abner is getting supper now. But where am I going to get mine? I hadn't thought of that before. It looks very much as if I should have to go without. But I don't care. Perhaps it will do me good to miss a meal," decided the boy sarcastically. "I've been eating too much lately, anyhow."

Twilight came; then the shadows of night slowly settled over the landscape, while the lad lay stretched out on the sweet-smelling hay, hands supporting his head, gazing up into the starlit sky.

Slowly his heavy eyelids fluttered and closed, and Phil was asleep. The night was warm and he experienced no discomfort. He was a strong, healthy boy, so that sleeping out of doors was no hardship to him. All through the night he slept as soundly as if he had been in his own bed at home. Nor did he awaken until the bright sunlight of the morning finally burned his eyelids apart.

Phil started up rubbing his eyes.

At first he wondered where he was. But the sight of his bag lying a little to one side brought back with a rush the memory of what had happened to him the evening before.

"Why, it's morning," marveled the lad, blinking in the strong sunlight. "And I've slept on this pile of hay all night. It's the first time I ever slept out of doors, and I never slept better in my life. Guess I'll fix myself up a little."

Phil remembered that a little trout stream cut across the field off to the right. Taking up his bag, he started for the stream, where he made his toilet as best he could, finishing up by lying flat on his stomach, taking a long, satisfying drink of the sparkling water.

"Ah, that feels better," he breathed, rolling over on the bank. After a little he helped himself to another drink. "But I've got to do something. I can't stay out here in this field all the rest of my life. And if I don't find something to eat I'll starve to death. I'll go downtown and see if I can't earn my breakfast somehow."

Having formed this resolution, Phil took up his belongings and started away toward the village. His course led him right past Abner Adams' house, but, fortunately, Mr. Adams was not in sight. Phil would have felt a keen humiliation had he been forced to meet the taunts of his uncle. He hurried on past the house without glancing toward it.

He had gone on for some little way when he was halted by a familiar voice.

"Hello, Phil! Where are you going in such a hurry and so early in the morning?"

Phil started guiltily and looked up quickly at the speaker.

"Good morning, Mrs. Cahill. What time is it?"

"It's just past four o'clock in the morning."

"Gracious! I had no idea it was so early as that," exclaimed the lad.

"If you are not in such a great hurry, stop a bit," urged the woman, her keen eyes noting certain things that she did not give voice to. She had known Phil Forrest for many years, and his parents before him. Furthermore, she knew something of the life he had led since the death of his parents. "Had your breakfast?"

"Well--"

"Of course you haven't. Come right in and eat with me," urged the good-hearted widow.

"If you will let me do some chores, or something to pay for it, I will," agreed Phil hesitatingly.

"Nothing of the kind! You'll keep me company at breakfast; then you'll be telling me all about it."

"About what?"

" 'Bout your going away," pointing significantly to the bag that Phil was carrying.

He was ravenously hungry, though he did not realize it fully until the odor of the widow's savory cooking smote his nostrils.

She watched him eat with keen satisfaction.

"Now tell me what's happened," urged Mrs. Cahill, after he had finished the meal.

Phil did so. He opened his heart to the woman who had known his mother, while she listened in sympathetic silence, now and then uttering an exclamation of angry disapproval when his uncle's words were repeated to her.

"And you're turned out of house and home? Is that it, my boy?"

"Well, yes, that's about it," grinned Phil.

"It's a shame."

"I'm not complaining, you know, Mrs. Cahill. Perhaps it's the best thing that could have happened to me. I've got to start out for myself sometime, you know. I'm glad of one thing, and that is that I didn't have to go until school closed. I get through the term today, you know?"

"And you're going to school today?"

"Oh, yes. I wouldn't want to miss the last day."

"Then what?"

"I don't know. I shall find something else to do, I guess. I want to earn enough money this summer so that I can go to school again in the fall."

"And you shall. You shall stay right here with the Widow Cahill until you've got through with your schooling, my lad."

"I couldn't think of that. No; I am not going to be a burden to anyone. Don't you see how I feel--that I want to earn my own living now?"

She nodded understandingly.

"You can do some chores and--"

"I'll stay here until I find something else to do," agreed Phil slowly. "I shan't be able to look about much today, because I'll be too busy at school; but tomorrow I'll begin hunting for a job. What can I do for you this morning?"

"Well, you might chop some wood if you are aching to exercise your muscles," answered the widow, with a twinkle in her eyes. She knew that there was plenty of wood stored in the woodhouse, but she was too shrewd an observer to tell Phil so, realizing, as she did, that the obligation he felt for her kindness was too great to be lightly treated.

Phil got at his task at once, and in a few moments she heard him whistling an accompaniment to the steady thud, thud of the axe as he swung it with strong, resolute arms.

"He's a fine boy," was the Widow Cahill's muttered conclusion.

Phil continued at his work without intermission until an hour had passed. Mrs. Cahill went out, begging that he come in and rest.

"Rest? Why, haven't I been resting all night? I feel as if I could chop down the house and work it up into kindling wood, all before school time. What time is it?"

"Nigh on to seven o'clock. I've wanted to ask you something ever since you told me you had left Abner Adams. It's rather a personal question."

The lad nodded.

"Did your uncle send you away without any money?"

"Of course. Why should he have given me anything so long as I was going to leave him?"

"Did you ever hear him say that your mother had left a little money with him before she died--money that was to be used for your education as long as it lasted?"

Phil straightened up slowly, his axe falling to the ground, an expression of surprise appeared in his eyes.

"My mother left money--for me, you say?" he wondered.

"No, Phil, I haven't said so. I asked you if Abner had ever said anything of the sort?"

"No. Do you think she did?"

"I'm not saying what I think. I wish I was a man; I'd read old Abner Adams a lecture that he wouldn't forget as long as he lives."

Phil smiled indulgently.

"He's an old man, Mrs. Cahill. He's all crippled up with rheumatism, and maybe he's got a right to be cranky--"

"And to turn his own sister's child outdoors, eh? Not by a long shot. Rheumatics don't give anybody any call to do any such a thing as that. He ought to have his nose twisted, and it's me, a good church member, as says so."

The lad picked up his axe and resumed his occupation, while Mrs. Cahill turned up a chunk of wood and sat down on it, keeping up a running fire of comment, mostly directed at Abner Adams, and which must have made his ears burn.

Shortly after eight o'clock Phil gathered his books, strapped them and announced that he would be off for school.

"I'll finish the woodpile after school," he called back, as he was leaving the gate.

"You'll do nothing of the sort," retorted the Widow Cahill.

Darting out of the yard, Phil ran plump into someone, and halted sharply with an earnest apology.

"Seems to me you're in a terrible rush about something. Where you going?"

"Hello, Teddy, that you?"

"It's me," answered Teddy ungrammatically.

"I'm on my way to school."

"Never could understand why anybody should want to run when he's going to school. Now, I always run when I start off after school's out. What you doing here?" demanded the boy, drawing his eyelids down into a squint.

"I've been chopping some wood for Mrs. Cahill."

"Huh! What's the matter with the bear this morning?"

"The bear?"

Teddy jerked a significant thumb in the direction of Phil's former home.

"Bear's got a grouch on a rod wide this morning."

"Oh, you mean Uncle Abner," answered Phil, his face clouding.

"Yep."

"Why?"

"I just dropped in to see if you were ready to go to school. He yelled at me like he'd gone crazy."

"That all?" grinned the other boy.

"No. He chased me down the road till his game knee gave out; then he fell down."

Phil could not repress a broad grin at this news.

"Good thing for me that I could run. He'd have given me a walloping for sure if he'd caught me. I'll bet that stick hurts when it comes down on a fellow. Don't it, Phil?"

"I should think it would. I have never felt it, but I have had some pretty narrow escapes. What did the folks you are living with say when you got home all mud last night?"

Teddy grinned a sheepish sort of grin.

"Told me I'd better go out in the horse barn--said my particular style of beauty was better suited to the stable than to the kitchen."

"Did you?"

"Well, no, not so as you might notice it. I went down to the creek and went in swimming, clothes and all. That was the easiest way. You see, I could wash the mud off my clothes and myself all at the same time."

"It's a wonder they let you in at all, then."

"They didn't; at least not until I had wrung the water out of my trousers and twisted my hair up into a regular top-knot. Then I crawled in behind the kitchen stove and got dried out after a while. But I got my supper. I always do."

"Yes; I never knew you to go without meals."

"Sorry you ain't going to the circus tomorrow, Phil."

"I am. Teddy, I'm free. I can do as I like now. Yes, I'll go to the circus with you, and maybe if I can earn some money tonight I'll treat you to red lemonade and peanuts."

"Hooray!" shouted Teddy, tossing his hat high in the air.

CHAPTER IV

THE CIRCUS COMES TO TOWN

The Sparling Combined Shows came rumbling into Edmeston at about three o'clock the next morning. But, early as was the hour, two boys sat on the Widow Cahill's door-yard fence watching the wagons go by.

The circus was one of the few road shows that are now traveling through the country, as distinguished from the great modern organizations that travel by rail with from one to half a dozen massive trains. The Sparling people drove from town to town. They carried twenty-five wagons, besides a band wagon, a wild-west coach and a calliope.

"Phil! Phil! Look!" exclaimed Teddy, clutching at his companion's coat sleeve, as two hulking, swaying figures appeared out of the shadows of the early morning.

"Where?"

"There."

"Elephants! There's two of them."

"Ain't that great? I didn't suppose they'd have any elephants. Wonder if there's any lions and tigers in those big wagons."

"Of course there are. Didn't you see pictures of them on the bills, Teddy?"

"I don't know. Dan Marts, the postmaster, says you can't set any store by the pictures. He says maybe they've got the things you see in the pictures, and maybe they haven't. There's a camel! Look at it! How'd you like to ride on that hump all day?" questioned Teddy gleefully.

"Shouldn't like it at all."

"I read in my geography that they ride on them all the time on the--on--on Sarah's Desert."

"Oh, you mean the Sahara Desert--that's what you mean," laughed Phil.

"Well, maybe."

"I should rather ride an elephant. See, it's just like a rocking chair. I could almost go to sleep watching them move along."

"I couldn't," declared Teddy. "I couldn't any more go to sleep when a circus is going by than I could fly without wings."

"See, there comes a herd of ponies. Look how small they are. Not much bigger than St. Bernard dogs. They could walk right under the elephants and not touch them."

"Where do they all sleep?" wondered Teddy.

"Who, the ponies?"

"No, of course not. The people."

"I don't know unless they sleep in the cages with the animals," laughed Phil. "Some of the folks appear to be sleeping on the horses."

"I'd be willing to go without sleep if I could be a showman," mused Teddy. "Wouldn't you?"

"Sure," agreed Phil. "Hello! There come some more wagons. Come on! We'll run down to meet them."

"No; Let's go over to the grounds where the circus is coming off. They'll be putting up the tents first thing we know."

"That's so, and I want to be around. You going to work any, Teddy?"

"Not I. I'm going to see the show, but you don't catch me carrying pails of water for the elephants for a ticket of admission that don't admit you to anything except a stand-up. I can stand up cheaper than that."

Both boys slipped from the fence, and, setting off at a jog trot, began rapidly overhauling and passing the slow-moving wagons with their tired horses and more tired drivers.

By the time Teddy and Phil reached the circus grounds several wagons were already there. Shouts sprang up from all parts of the field, while half a dozen men began measuring off the ground in the dim morning light, locating the best places in which to pitch the tents. Here and there they would drive in a stake, on one of which they tied a piece of newspaper.

"Wonder what that's for," thought Phil aloud.

"Hey, what's the paper tied on the peg for?" shouted Teddy to a passing showman.

"That's the front door, sonny."

"Funniest looking front door I ever saw," grunted Teddy.

"He means that's the place where the people enter and leave their tickets."

"Oh, yes. That's what they call the 'Main Entrance,'" nodded Teddy. "I've seen it, but I don't usually go in that way."

With the early dawn figures began emerging from several of the wagons. They were a sleepy looking lot, and for a time stood about in various attitudes, yawning, stretching their arms and rubbing their eyes.

"Hey, boy, what town is this?" questioned a red-haired youth, dragging himself toward the two lads.

"Edmeston."

"Oh, yes. I remember; I was here once before."

"With a show?" asked Teddy.

"Yes, with a Kickapoo Indian medicine man. And he was bad medicine. Say, where can I wash my countenance?"

"Come on; I'll show you," exclaimed Teddy and Phil in the same breath.

They led the way to the opposite side of the field, where there was a stream of water. While the circus boy was making his morning toilet the lads watched him in admiring silence.

"What do you do?" ventured Phil.

"I perform on the rings."

"Up in the air?"

"Uh-huh."

"Ever fall off?"

"I get my bumps," grinned the red-haired boy. "My name is Rodney Palmer. What's your names?"

They told him.

"We're going to be circus men, too," Teddy informed him, but the announcement did not seem to stir a deep interest in the circus boy. He had heard other boys say the same thing. "Is it very hard work?"

"Worst ever."

"When do you sleep?"

"When we ain't awake."

"And you perform on the flying rings?"

Rodney nodded his head indifferently.

"I should think you'd burn the tent up with that head of red hair," grinned Teddy.

Instead of getting angry at the boy's thrust, Rodney glanced at Teddy with a half questioning look in his eyes, then burst out laughing.

"You're a cheerful idiot, aren't you?" he twinkled. "I'll tell you why I don't. Confidentially, you know?"

"Sure."

"I wear a wig when I'm performing. Mebby if it wasn't for that I might set something on fire. I must get over on the lot now."

"You're in a lot already," Teddy informed him.

"We call the place where we pitch the tents 'the lot.' The cook tent must be up by this time, and I'm half starved. The performance was so late yesterday afternoon that they had the cook tent down before I got my supper. Will you come along?"

They did.

"Do you think there is anything I could do to earn a ticket to the show today?" asked Phil.

"Yes, there's most always something for a boy to do."

"Whom do I ask about it?"

"Go see the boss canvasman. I'll point him out to you as we go along."

"Thank you. You want to see him, too, Teddy?"

"No; I don't have to."

"That's him over there. He's a grouch, but just don't let him bluff you. Yes, the cook tent's about ready. I'll sneak in and hook something before breakfast; then mebby I'll come back and talk with you."

"We'll look for you in the show this afternoon," said Phil.

"All right, if I see you I'll swing my hand to you," Rodney replied, starting for the cook tent, where the meals were served to the show people.

"Now, I'm going to see that boss canvasman," announced Phil. "See, they are laying the pieces of the tents flat on the ground. I suppose they fasten them all together when they get them placed, then raise them up on the poles."

"I guess so. I don't care much so long as I don't have to do it."

"Teddy Tucker, actually you are the laziest boy I ever knew. Why don't you brace up?"

"Don't I have just as good a time and better, than you do?"

"Guess you do."

"Don't I get just as much to eat?"

"I presume so," admitted Phil.

"Don't I see all the shows that come to town, and go to all the picnics?"

"Yes."

"Then, what's the use of being any more'n lazy?"

Teddy's logic was too much for his companion, and Phil laughed heartily.

"Look, the elephant is butting one of the wagons," cried Teddy.

"No, they are using the elephant to push the cage around in place. I wonder what's in it," said Phil.

A roar that fairly made the ground shake answered Phil's question. The cage in question held a lion, and a big, ugly one if his voice was any indication. The great elephant, when the cage was being placed, would, at a signal from its keeper, place its ponderous head against one side of the cage and push, while a driver would steer the wagon by taking hold of the end of the tongue.

It was a novel sight for the two boys, and they watched it with the keenest interest. A man dressed in riding clothes, carrying a short crop in his hand, was observing the operations with equal interest. He was James Sparling, the proprietor and manager of the Great Combined Shows, but the lads were unaware of that fact. Even had they known, it is doubtful if Mr. Sparling would have been of sufficient attraction to draw their attention from the working elephant.

All at once there was a warning shout from Mr. Sparling.

The men set up a yell, followed by a sudden scurrying from the immediate vicinity of the cage that the elephant had been shunting about.

"Stop it! Brace it!" bellowed the owner of the show, making frantic motions with his free hand, cutting circles and dashes in the air with the short crop held in the other.

"What's the row?" wondered Teddy.

"I--I don't know," stammered Phil.

"The elephant's tipping the lion cage over!" shouted someone. "Run for your lives!"

For once in his life Teddy Tucker executed a lightning-like movement. He was one of several dark streaks on the landscape running as if Wallace, the biggest lion in captivity, were in reality hard upon his heels. As he ran, Teddy uttered a howl that could have been heard from one end of the circus lot to the other.

A few of the more fearless ones, the old hands of the show, did not attempt to run. Instead they stood still, fairly holding their breaths, waiting to see what would happen next.

Mr. Sparling was too far away to be able to do anything to prevent the catastrophe that was hanging over them, but it did not prevent him from yelling like a madman at the inactive employees of the show.

At the first cry--the instant he comprehended what was happening-- Phil Forrest moved every bit as quickly as had his companion, though he leaped in the opposite direction.

All about on the ground lay tent poles of various length and thickness, side poles, quarter poles and the short side poles used to hold the tent walls in place. These were about twenty feet in length and light enough to be easily handled.

With ready resourcefulness and quick comprehension, Phil pounced upon one of these and darted toward the cage which was toppling over in his direction.

The roof of the lion cage that housed Wallace projected over the edge some six inches, and this had caught the keen eyes of the lad at the first alarm. His plan had been formed in a flash.

He shot one end of the side pole up under the projecting roof, jammed the other end into the ground, throwing his whole weight upon the foot of the pole to hold it in place.

For an instant the tent pole bent like a bow under the pull of the archer. It seemed as if it must surely snap under the terrific strain.

Phil saw this, too. Now that the foot of the pole was firmly imbedded in the ground, there was no further need for him to hold it down. He sprang under the pole with the swaying cage directly over him, grabbed the pole at the point where it was arching so dangerously, and pulling himself from the ground, held to the slippery stick desperately.

Light as he was the boy's weight saved the pole. It bent no further.

The cage swayed from side to side, threatening to topple over at one end or the other.

"Get poles under the ends," shouted the boy in a shrill voice. "I can't hold it here all day."

"Get poles, you lazy good-for-nothings!" bellowed the owner. "Brace those ends. Look out for the elephant. Don't you see he's headed for the cage again?"

Orders flew thick and fast, but through it all Phil Forrest hung grimly to the side pole, taking a fresh overhand hold, now and then, as his palms slipped down the painted stick.

Now that he had shown the way, others sprang to his assistance. Half a dozen poles were thrust up under the roof and the cage began slowly settling back the other way.

"Hadn't you better have some poles braced against the other side, sir?" suggested Phil, touching his hat to Mr. Sparling, who, he had discovered, was some person in authority. "The cage may tip clear over on the other side, or it may drop so heavily on the wheels as to break the axles."

"Right. Brace the off side. That's right. Now let it down slowly. Not so hard on the nigh side there. Ease off there, Bill. Push, Patsy. What do you think this is--a game of croquet? There you go. Right. Now let's see if you woodenheads know enough to keep the wagon right side up."

Mr. Sparling took off his hat and wiped the perspiration from his forehead, while Phil stood off calmly surveying the men who were straightening the wagon, but with more caution than they had exercised before.

"Come here, boy."

Someone touched Phil on the arm.

"What is it?"

"Boss wants to speak to you."

"Who?"

"Boss Sparling, the fellow over there with the big voice and the sombrero."

Phil walked over and touched his hat to Mr. Sparling.

The showman looked the lad over from head to foot.

"What's your name?" He shot the question at the lad as if angry about something, and he undoubtedly was.

"Phil Forrest."

"Do they grow your kind around here?"

"I can't say, sir."

"If they do, I'd like to hire a dozen or more of them. You've got more sense than any boy of your age I ever saw. How old are you?"

"Sixteen."

"Huh! I wish I had him!" growled Mr. Sparling. "What do you want?"

"I should like to have a chance to earn a pass to the show this afternoon. Rodney Palmer said the boss canvasman might give me a chance to earn one."

"Earn one? Earn one?" Mr. Sparling's voice rose to a roar again. "What in the name of Old Dan Rice do you think you've been doing? Here you've kept a cage with a five-thousand-dollar lion from tipping over, to say nothing of the people who might have been killed had the brute got out, and you want to know how you can earn a pass to the show? What d'ye think of that?" and the owner appealed helplessly to an assistant who had run across the lot, having been attracted to the scene by the uproar.

The assistant grinned.

"He's too modest to live."

"Pity modesty isn't more prevalent in this show, then. How many do you want? Have a whole section if you say the word."

"How many are there in a section?" asked Phil.

" 'Bout a hundred seats."

Phil gasped.

"I--I guess two will be enough," he made answer.

"Here you are," snapped the owner, thrusting a card at the lad, on which had been scribbled some characters, puzzling to the uninitiated. "If you want anything else around this show you just ask for it, young man. Hey, there! Going to be all day getting that canvas up? Don't you know we've got a parade coming along in a few hours?"

Phil Forrest, more light of heart than in many days, turned away to acquaint his companion of his good fortune. Teddy Tucker was making his way cautiously back to the scene of the excitement of a few moments before.

"Did he get away?" Teddy questioned, ready to run at the drop of the hat should the danger prove to be still present.

"Who, the manager?"

"No, the lion."

"He's in the cage where he's been all the time. They haven't opened it yet, but I guess he's all right. Say, Teddy!"

"Say it."

"I've got a pass to the show for two people for both performances--this afternoon and tonight."

The interest that the announcement brought to Teddy's eyes died away almost as soon as it appeared.

"Going?"

"Am I going? I should say so. Want to go in with me on my pass, Teddy?"

The lad hitched his trousers, took a critical squint at the canvas that was slowly mounting the center pole to the accompaniment of creaking ropes, groaning tackle and confused shouting.

"They're getting the menagerie tent up. I'll bet it's going to be a dandy show," he vouchsafed. "How'd you get the tickets?"

"Manager gave them to me."

"What for?"

"I did a little work for him. Helped get the lion's cage straightened up. How about it--are you going in on my pass?"

"N-o-o," drawled Teddy. "Might get me into bad habits to go in on a pass. I'd rather sneak in under the tent when the boss isn't looking."

CHAPTER V

WHEN THE BANDS PLAYED

Phil started for the Widow Cahill's on the run after having procured his tickets. "Here's a ticket for the circus, Mrs. Cahill," he shouted, bursting into the room, with excited, flushed face.

"What's this you say--the circus? Land sakes, I haven't seen one since I was--well, since I was a girl. I don't know."

"You'll go, won't you?" urged Phil.

"Of course, I'll go," she made haste to reply, noting the disappointment in his face over her hesitation. "And thank you very much."

"Shall I come and get you, Mrs. Cahill, or can you get over to the circus grounds alone?"

"Don't worry about me, my boy. I'll take care of myself."

"Your seat will be right next to mine, and we can talk while we are watching the performers."

"Yes; you run along now. Here's a quarter for spending money. Never mind thanking me. Just take it and have a good time. Where's your friend?"

"Teddy?"

"Yes."

"Over on the lot."

"He going in with you, too?"

"Oh, no. Teddy is too proud to go in that way. He crawls in under the tent," laughed Phil, running down the steps and setting off for the circus grounds with all speed.

When he arrived there he saw at once that something was going on. The tents were all in place, the little white city erected with as much care and attention to detail as if the show expected to remain in Edmeston all summer. The lad could scarcely make himself believe that, only a few hours before, this very lot had been occupied by the birds alone. It was a marvel to him, even in after years, when he had become as thoroughly conversant with the details of a great show as any man in America.

Just now there was unusual activity about the grounds. Men in gaudy uniforms, clowns in full makeup, and women with long glistening trains, glittering with spangles from head to feet, were moving about, while men were decorating the horses with bright blankets and fancy headdress.

"What are they going to do?" asked Phil of a showman.

"Going to parade."

"Oh, yes, that's so; I had forgotten about that."

"Hello, boy--I've forgotten your name--"

"Forrest," explained Phil, turning. The speaker was Mr. Sparling's assistant, whom the lad had seen just after saving the lion cage from turning over.

"Can you blow a horn as well as you can stop a wagon?"

"Depends upon what kind of a horn. I think I can make as much noise on a fish horn as anyone else."

"That'll do as well as anything else. Want to go in the parade?"

"I'd love to!" The color leaped to the cheeks of Phil Forrest and a sparkle to his eyes. This was going beyond his fondest dreams.

The assistant motioned to a clown.

"Fix this boy up in some sort of a rig. I'm going to put him in the Kazoo Band. Bring him back here when he is ready. Be quick."

A long, yellow robe was thrown about the boy, a peaked cap thrust on his head, after which a handful of powder was slapped on his face and rubbed down with the flat of the clown's hand. The fine dust got into the lad's nostrils and throat, causing him to sneeze until the tears rolled down his cheeks, streaking his makeup like a freshet through a plowed field.

"Good," laughed the clown. "That's what your face needs. You'd make a good understudy for Chief Rain-In-The-Face. Now hustle along."

Phil picked up the long skirts and ran full speed to the place where the assistant had been standing. There he waited until the assistant returned from a journey to some other part of the lot.

"That's right; you know how to obey orders," he nodded. "That's a good clown makeup. Did Mr. Miaco put those streaks on your face?"

"No, I sneezed them there," answered Phil, with a sheepish grin.

The assistant laughed heartily. Somehow, he had taken a sudden liking to this boy.

"Do you live at home, Forrest?"

"No; I have no home now."

"Here's a fish horn. Now get up in the band wagon--no, not the big one, I mean the clowns' band wagon with the hayrack on it. When the parade starts blow your confounded head off if you want to. Make all the noise you can. You'll have plenty of company. When the parade breaks up, just take off your makeup and turn it over to Mr. Miaco."

"You mean these clothes?"

"Yes. They're a part of the makeup. You'll have to wash the makeup off your face. I don't expect you to return the powder to us," grinned the assistant humorously.

The clowns were climbing to the hayrack. A bugle had blown as a signal that the parade was ready to move. Phil had not seen Teddy Tucker since returning to the lot. He did not know where the boy was, but he was quite sure that Teddy was not missing any of the fun. Tucker had been around circuses before, and knew how to make the most of his opportunities. And he was doing so now.

"Ta ra, ta ra, ta ra!" sang the bugle.

Crash! answered the cymbals and the bass drums. The snare drums buzzed a long, thrilling roll; then came the blare of the brass as the whole band launched into a lively tune such as only circus bands know how to play.

The parade had begun to move.

It was a thrilling moment--the moment of all moments of Phil Forrest's life.

The clowns' wagon had been placed well back in the line, so as not to interfere with the music of the band itself. But Phil did not care where he was placed. He only knew that he was in a circus parade, doing his part with the others, and that, so far as anyone knew, he was as much a circus man as any of them.

As the cavalcade drew out into the main street and straightened away, Phil was amazed to see what a long parade it was. It looked as if it might reach the whole length of the village.

The spring sun was shining brightly, lighting up the line, transforming it into a moving, flashing, brilliant ribbon of light and color.

"Splendid!" breathed the boy, removing the fish horn from his lips for a brief instant, then blowing with all his might again.

As the wagons moved along he saw many people whom he knew. As a matter of fact, Phil knew everyone in the village, but there were hundreds of people who had driven in from the farms whom he did not know. Nor did anyone appear to recognize him.

"If they only knew, wouldn't they be surprised?" chuckled the lad. "Hello, there's Mrs. Cahill."

The widow was standing on her front door step with a dishtowel in one hand.

In the excess of his excitement, Phil stood up, waving his horn and yelling.

She heard him--as everybody else within a radius of a quarter of a mile might have--and she recognized the voice. Mrs. Cahill brandished the dishtowel excitedly.

"He's a fine boy," she glowed. "And he's having the first good time he's had in five years."

The Widow Cahill was right. For the first time in all these years, since the death of his parents, Phil Forrest was carefree and perfectly happy.

The clowns on the wagon with him were uproariously funny. When the wagon stopped now and then, one whom Phil recognized as the head clown, Mr. Miaco, would spring to the edge of the rack and make a stump speech in pantomime, accompanied by all the gestures included in the pouring and drinking of a glass of water. So humorous were the clown's antics that the spectators screamed with laughter.

Suddenly the lad espied that which caused his own laughter to die away, and for the moment he forgot to toot the fish horn. The parade was passing his former home, and there, standing hunched forward, leaning on his stick and glaring at the procession from beneath bushy eyebrows, stood Phil's uncle, Abner Adams.

Phil's heart leaped into his throat; at least that was the sensation that he experienced.

"I--I hope he doesn't know me," muttered the lad, shrinking back a little. "But I'm a man now. I don't care. He's driven me out and he has no right to say a thing."

The lad lost some of his courage, however, when the procession halted, and he found that his wagon was directly in front of Mr. Adams' dooryard, with his decrepit uncle not more than twenty feet away from him. The surly, angry eyes of Abner Adams seemed to be burning through Phil's makeup, and the lad instinctively shrank back ever so little.

However, at that instant the boy's attention was attracted to another part of the wagon. The head clown stepped from the wagon and, with dignified tread, approached Abner Adams. He grasped the old man by the hand, which he shook with great warmth, making a courtly bow.

At first Abner Adams was too surprised to protest. Then, uttering an angry snarl, he threw the clown off, making a vicious pass at him with his heavy stick.

The clown dodged the blow, and made a run for the wagon, which was now on the move again.

Phil breathed a sigh of relief. The people had roared at the funny sight of the clown shaking hands with the crabbed old man; but to Phil Forrest there had been nothing of humor in it. The sight of his uncle brought back too many unhappy memories.

The lad soon forgot his depression, however, in the rapid changes that followed each other in quick succession as on a moving- picture film.

Reaching the end of the village street the procession was obliged to turn and retrace its steps over the same ground until it reached the business part of the town, where it would turn off and pass through some of the side streets.

Now there were two lines, moving in opposite directions. This was of interest to Phil, enabling him, as it did, to get a good look at the other members of the troupe. Mr. Sparling was riding ahead in a carriage drawn by four splendid white horses, driven by a coachman resplendent in livery and gold lace, while the bobbing plumes on the heads of the horses added to the impressiveness of the picture.

"I'd give anything in the world to be able to ride in a carriage like that," decided Phil. "Maybe someday I shall. We'll see."

Now came the elephants, lumbering along on velvet feet. On the second one there crouched a figure that somehow seemed strangely familiar to Phil Forrest. The figure was made up to represent a huge frog.

A peculiar gesture of one of the frog's legs revealed the identity of the figure beneath the mask.

"Teddy!" howled Phil.

Конец ознакомительного фрагмента.

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