Jonathan Franzen
The Corrections

Copyright

4th Estate

An imprint of HarperCollinsPublishers

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London SE1 9GF

www.4thestate.co.uk

First published in Great Britain in 2002 by 4th Estate

THE CORRECTIONS. Copyright © Jonathan Franzen 2001

Cover images © Praethip Docekalova / Shutterstock (armchair); Photka / Shutterstock (pills)

The right of Jonathan Franzen to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988.

A catalogue record of this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental

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Source ISBN: 9780007232444

Ebook Edition © February 2017 ISBN: 9780007317998

Version: 2019-09-24

Praise

‘Intelligent, compellingly readable, funny and above all generous spirited, it is a rare thing, a modern novel with both head and heart’ TERENCE BLACKER, Daily Mail

‘A genuine masterpiece, the first great American novel of the twenty-first century. Sentence by whiplash sentence this novel offers extraordinary pleasures of language, of structure, of plot, of perception, of history, and, most dazzlingly, of character … A wisecracking, eloquent, heartbreaking beauty’ WILL BLYTH, Elle

‘For anyone who has ever found themselves guiltily yearning for Anne Tyler while in the middle of an Updike or Wolfe. The Lamberts are utterly believable, and once they have all told their stories you can’t help but sympathise with them. Be prepared to be moved’ LAURENCE PHELAN, Independent on Sunday

‘In its complexity, its scrutinising and utterly unsentimental humanity, and its grasp of the subtle relationships between drama and global events, The Corrections stands in the company of Mann’s Buddenbrooks and DeLillo’s White Noise. It is a major accomplishment’ MICHAEL CUNNINGHAM

‘The Corrections is the whole package … You will laugh, wince, groan, weep, leave the table and maybe the country, promise never to go home again, and be reminded of why you read serious fiction in the first place’ JOHN LEONARD, New York Review of Books

‘A major novel that reflects the achievements of Updike and DeLillo while being an entirely original voice. A big, beautiful novel’ GEORGE WALDEN, Evening Standard

‘A remarkably energetic novel, by turns funny, caustic, upsetting and dramatic’ CRAIG BROWN, Mail on Sunday

‘As good as anything I’ve ever read’ RACHEL CUSK, Daily Telegraph

‘A big-hearted, panoramic American epic, intelligent and wise but also wildly, stonkingly funny’ LIZ JENSEN, Independent

‘Compelling. A pleasure from beginning to end. Franzen, in one leap, has put himself into the league of Updike and Roth and that’s why there is so much excitement about it’ DAVID SEXTON, Evening Standard

‘Jonathan Franzen has built a powerful novel out of the swarming consciousness of a marriage, a family, a whole culture’ DON DELILLO

‘What this man writes is true, and what is true indicts us. The Corrections transcends its many wonderful moments to become that rarest of things, a contemporary novel that will endure’ SVEN BIRKERTS, Esquire

‘Funny and deeply sad, large-hearted and merciless, The Corrections is a testament to the range and depth of pleasures that great fiction affords’ DAVID FOSTER WALLACE

Dedication

To David Means and Genève Paterson

CONTENTS

Cover

Title Page

Copyright

Praise

Dedication

ST. JUDE

THE FAILURE

THE MORE HE THOUGHT ABOUT IT, THE ANGRIER HE GOT

AT SEA

THE GENERATOR

ONE LAST CHRISTMAS

THE CORRECTIONS

Keep Reading

About the Author

Also by Jonathan Franzen

About the Publisher

ST. JUDE

THE MADNESS of an autumn prairie cold front coming through. You could feel it: something terrible was going to happen. The sun low in the sky, a minor light, a cooling star. Gust after gust of disorder. Trees restless, temperatures falling, the whole northern religion of things coming to an end. No children in the yards here. Shadows lengthened on yellowing zoysia. Red oaks and pin oaks and swamp white oaks rained acorns on houses with no mortgage. Storm windows shuddered in the empty bedrooms. And the drone and hiccup of a clothes dryer, the nasal contention of a leaf blower, the ripening of local apples in a paper bag, the smell of the gasoline with which Alfred Lambert had cleaned the paintbrush from his morning painting of the wicker love seat.

Three in the afternoon was a time of danger in these gerontocratic suburbs of St. Jude. Alfred had awakened in the great blue chair in which he’d been sleeping since lunch. He’d had his nap and there would be no local news until five o’clock. Two empty hours were a sinus in which infections bred. He struggled to his feet and stood by the Ping-Pong table, listening in vain for Enid.

Ringing throughout the house was an alarm bell that no one but Alfred and Enid could hear directly. It was the alarm bell of anxiety. It was like one of those big cast-iron dishes with an electric clapper that send schoolchildren into the street in fire drills. By now it had been ringing for so many hours that the Lamberts no longer heard the message of “bell ringing” but, as with any sound that continues for so long that you have the leisure to learn its component sounds (as with any word you stare at until it resolves itself into a string of dead letters), instead heard a clapper rapidly striking a metallic resonator, not a pure tone but a granular sequence of percussions with a keening overlay of overtones; ringing for so many days that it simply blended into the background except at certain early-morning hours when one or the other of them awoke in a sweat and realized that a bell had been ringing in their heads for as long as they could remember; ringing for so many months that the sound had given way to a kind of metasound whose rise and fall was not the beating of compression waves but the much, much slower waxing and waning of their consciousness of the sound. Which consciousness was particularly acute when the weather itself was in an anxious mood. Then Enid and Alfred—she on her knees in the dining room opening drawers, he in the basement surveying the disastrous Ping-Pong table—each felt near to exploding with anxiety.

The anxiety of coupons, in a drawer containing candles in designer autumn colors. The coupons were bundled in a rubber band, and Enid was realizing that their expiration dates (often jauntily circled in red by the manufacturer) lay months and even years in the past: that these hundred-odd coupons, whose total face value exceeded sixty dollars (potentially one hundred twenty dollars at the Chiltsville supermarket that doubled coupons), had all gone bad. Tilex, sixty cents off. Excedrin PM, a dollar off. The dates were not even close. The dates were historical. The alarm bell had been ringing for years.

She pushed the coupons back in among the candles and shut the drawer. She was looking for a letter that had come by Registered mail some days ago. Alfred had heard the mailman knock on the door and had shouted, “Enid! Enid!” so loudly that he couldn’t hear her shouting back, “Al, I’m getting it!” He’d continued to shout her name, coming closer and closer, and because the sender of the letter was the Axon Corporation, 24 East Industrial Serpentine, Schwenksville, PA, and because there were aspects of the Axon situation that Enid knew about and hoped that Alfred didn’t, she’d quickly stashed the letter somewhere within fifteen feet of the front door. Alfred had emerged from the basement bellowing like a piece of earth-moving equipment, “There’s somebody at the door!” and she’d fairly screamed, “The mailman! The mailman!” and he’d shaken his head at the complexity of it all.

Enid felt sure that her own head would clear if only she didn’t have to wonder, every five minutes, what Alfred was up to. But, try as she might, she couldn’t get him interested in life. When she encouraged him to take up his metallurgy again, he looked at her as if she’d lost her mind. When she asked whether there wasn’t some yard work he could do, he said his legs hurt. When she reminded him that the husbands of her friends all had hobbies (Dave Schumpert his stained glass, Kirby Root his intricate chalets for nesting purple finches, Chuck Meisner his hourly monitoring of his investment portfolio), Alfred acted as if she were trying to distract him from some great labor of his. And what was that labor? Repainting the porch furniture? He’d been repainting the love seat since Labor Day. She seemed to recall that the last time he’d painted the furniture he’d done the love seat in two hours. Now he went to his workshop morning after morning, and after a month she ventured in to see how he was doing and found that all he’d painted of the love seat was the legs.

He seemed to wish that she would go away. He said that the brush had got dried out, that that was what was taking so long. He said that scraping wicker was like trying to peel a blueberry. He said that there were crickets. She felt a shortness of breath then, but perhaps it was only the smell of gasoline and of the dampness of the workshop that smelled like urine (but could not possibly be urine). She fled upstairs to look for the letter from Axon.

Six days a week several pounds of mail came through the slot in the front door, and since nothing incidental was allowed to pile up downstairs—since the fiction of living in this house was that no one lived here—Enid faced a substantial tactical challenge. She didn’t think of herself as a guerrilla, but a guerrilla was what she was. By day she ferried matériel from depot to depot, often just a step ahead of the governing force. By night, beneath a charming but too-dim sconce at a too-small table in the breakfast nook, she staged various actions: paid bills, balanced checkbooks, attempted to decipher Medicare co-payment records and make sense of a threatening Third Notice from a medical lab that demanded immediate payment of $0.22 while simultaneously showing an account balance of $0.00 carried forward and thus indicating that she owed nothing and in any case offering no address to which remittance might be made. It would happen that the First and Second Notices were underground somewhere, and because of the constraints under which Enid waged her campaign she had only the dimmest sense of where those other Notices might be on any given evening. She might suspect, perhaps, the family-room closet, but the governing force, in the person of Alfred, would be watching a network newsmagazine at a volume thunderous enough to keep him awake, and he had every light in the family room burning, and there was a non-negligible possibility that if she opened the closet door a cascade of catalogues and House Beautifuls and miscellaneous Merrill Lynch statements would come toppling and sliding out, incurring Alfred’s wrath. There was also the possibility that the Notices would not be there, since the governing force staged random raids on her depots, threatening to “pitch” the whole lot of it if she didn’t take care of it, but she was too busy dodging these raids to ever quite take care of it, and in the succession of forced migrations and deportations any lingering semblance of order was lost, and so the random Nordstrom shopping bag that was camped behind a dust ruffle with one of its plastic handles semidetached would contain the whole shuffled pathos of a refugee existence—non-consecutive issues of Good Housekeeping, black-and-white snapshots of Enid in the 1940s, brown recipes on high-acid paper that called for wilted lettuce, the current month’s telephone and gas bills, the detailed First Notice from the medical lab instructing co-payers to ignore subsequent billings for less than fifty cents, a complimentary cruise ship photo of Enid and Alfred wearing leis and sipping beverages from hollow coconuts, and the only extant copies of two of their children’s birth certificates, for example.

Although Enid’s ostensible foe was Alfred, what made her a guerrilla was the house that occupied them both. Its furnishings were of the kind that brooked no clutter. There were chairs and tables by Ethan Allen. Spode and Waterford in the breakfront. Obligatory ficuses, obligatory Norfolk pines. Fanned copies of Architectural Digest on a glass-topped coffee table. Touristic plunder—enamelware from China, a Viennese music box that Enid out of a sense of duty and mercy every so often wound up and raised the lid of. The tune was “Strangers in the Night.”

Unfortunately, Enid lacked the temperament to manage such a house, and Alfred lacked the neurological wherewithal. Alfred’s cries of rage on discovering evidence of guerrilla actions—a Nordstrom bag surprised in broad daylight on the basement stairs, nearly precipitating a tumble—were the cries of a government that could no longer govern. He’d lately developed a knack for making his printing calculator spit columns of meaningless eight-digit figures. After he devoted the better part of an afternoon to figuring the cleaning woman’s social security payments five different times and came up with four different numbers and finally just accepted the one number ($635.78) that he’d managed to come up with twice (the correct figure was $70.00), Enid staged a nighttime raid on his filing cabinet and relieved it of all tax files, which might have improved household efficiency had the files not found their way into a Nordstrom bag with some misleadingly ancient Good Housekeepings concealing the more germane documents underneath, which casualty of war led to the cleaning woman’s filling out the forms herself, with Enid merely writing the checks and Alfred shaking his head at the complexity of it all.

It’s the fate of most Ping-Pong tables in home basements eventually to serve the ends of other, more desperate games. After Alfred retired he appropriated the eastern end of the table for his banking and correspondence. At the western end was the portable color TV on which he’d intended to watch the local news while sitting in his great blue chair but which was now fully engulfed by Good Housekeepings and the seasonal candy tins and baroque but cheaply made candle holders that Enid never quite found time to transport to the Nearly New consignment shop. The Ping-Pong table was the one field on which the civil war raged openly. At the eastern end Alfred’s calculator was ambushed by floral print pot-holders and souvenir coasters from the Epcot Center and a device for pitting cherries which Enid had owned for thirty years and never used, while he, in turn, at the western end, for absolutely no reason that Enid could ever fathom, ripped to pieces a wreath made of pinecones and spray-painted filberts and brazil nuts.

To the east of the Ping-Pong table was the workshop that housed Alfred’s metallurgical lab. The workshop was now home to a colony of mute, dust-colored crickets, which, when startled, would scatter across the room like a handful of dropped marbles, some of them misfiring at crazy angles, others toppling over with the weight of their own copious protoplasm. They popped all too easily, and cleanup took more than one Kleenex. Enid and Alfred had many afflictions which they believed to be extraordinary, outsized—shameful—and the crickets were one of them.

The gray dust of evil spells and the cobwebs of enchantment thickly cloaked the old electric arc furnace, and the jars of exotic rhodium and sinister cadmium and stalwart bismuth, and the hand-printed labels browned by the vapors from a glass-stoppered bottle of aqua regia, and the quad-ruled notebook in which the latest entry in Alfred’s hand dated from a time, fifteen years ago, before the betrayals had begun. Something as daily and friendly as a pencil still occupied the random spot on the workbench where Alfred had laid it in a different decade; the passage of so many years imbued the pencil with a kind of enmity. Asbestos mitts hung from a nail beneath two certificates of U.S. patents, the frames warped and sprung by dampness. On the hood of a binocular microscope lay big chips of peeled paint from the ceiling. The only dust-free objects in the room were the wicker love seat, a can of Rust-Oleum and some brushes, and a couple of Yuban coffee cans which despite increasingly strong olfactory evidence Enid chose not to believe were filling up with her husband’s urine, because what earthly reason could he have, with a nice little half-bathroom not twenty feet away, for peeing in a Yuban can?

To the west of the Ping-Pong table was Alfred’s great blue chair. The chair was overstuffed, vaguely gubernatorial. It was made of leather, but it smelled like the inside of a Lexus. Like something modern and medical and impermeable that you could wipe the smell of death off easily, with a damp cloth, before the next person sat down to die in it.

The chair was the only major purchase Alfred had ever made without Enid’s approval. When he’d traveled to China to confer with Chinese railroad engineers, Enid had gone along and the two of them had visited a rug factory to buy a rug for their family room. They were unaccustomed to spending money on themselves, and so they chose one of the least expensive rugs, with a simple blue design from the Book of Changes on a solid field of beige. A few years later, when Alfred retired from the Midland Pacific Railroad, he set about replacing the old cow-smelling black leather armchair in which he watched TV and took his naps. He wanted something really comfortable, of course, but after a lifetime of providing for others he needed more than just comfort: he needed a monument to this need. So he went, alone, to a non-discount furniture store and picked out a chair of permanence. An engineer’s chair. A chair so big that even a big man got lost in it; a chair designed to bear up under heavy stress. And because the blue of its leather vaguely matched the blue in the Chinese rug, Enid had no choice but to suffer its deployment in the family room.

Soon, however, Alfred’s hands were spilling decaffeinated coffee on the rug’s beige expanses, and wild grandchildren were leaving berries and crayons underfoot, and Enid began to feel that the rug was a mistake. It seemed to her that in trying to save money in life she had made many mistakes like this. She reached the point of thinking it would have been better to buy no rug than to buy this rug. Finally, as Alfred’s naps deepened toward enchantment, she grew bolder. Her own mother had left her a tiny inheritance years ago. Interest had been added to principal, certain stocks had performed rather well, and now she had an income of her own. She reconceived the family room in greens and yellows. She ordered fabrics. A paperhanger came, and Alfred, who was napping temporarily in the dining room, leaped to his feet like a man with a bad dream.

“You’re redecorating again?”

“It’s my own money,” Enid said. “This is how I’m spending it.”

“And what about the money I made? What about the work I did?”

This argument had been effective in the past—it was, so to speak, the constitutional basis of the tyranny’s legitimacy—but it didn’t work now. “That rug is nearly ten years old, and we’ll never get the coffee stains out,” Enid answered.

Alfred gestured at his blue chair, which under the paperhanger’s plastic dropcloths looked like something you might deliver to a power station on a flatbed truck. He was trembling with incredulity, unable to believe that Enid could have forgotten this crushing refutation of her arguments, this overwhelming impediment to her plans. It was as if all the unfreedom in which he’d spent his seven decades of life were embodied in this six-year-old but essentially brand-new chair. He was grinning, his face aglow with the awful perfection of his logic.

“And what about the chair, then?” he said. “What about the chair?”

Enid looked at the chair. Her expression was merely pained, no more. “I never liked that chair.”

This was probably the most terrible thing she could have said to Alfred. The chair was the only sign he’d ever given of having a personal vision of the future. Enid’s words filled him with such sorrow—he felt such pity for the chair, such solidarity with it, such astonished grief at its betrayal—that he pulled off the dropcloth and sank into its arms and fell asleep.

(It was a way of recognizing places of enchantment: people falling asleep like this.)

When it became clear that both the rug and Alfred’s chair had to go, the rug was easily shed. Enid advertised in the free local paper and netted a nervous bird of a woman who was still making mistakes and whose fifties came out of her purse in a disorderly roll that she unpeeled and flattened with shaking fingers.

But the chair? The chair was a monument and a symbol and could not be parted from Alfred. It could only be relocated, and so it went into the basement and Alfred followed. And so in the house of the Lamberts, as in St. Jude, as in the country as a whole, life came to be lived underground.

Enid could hear Alfred upstairs now, opening and closing drawers. He became agitated whenever they were going to see their children. Seeing their children was the only thing he seemed to care about anymore.

In the streaklessly clean windows of the dining room there was chaos. The berserk wind, the negating shadows. Enid had looked everywhere for the letter from the Axon Corporation, and she couldn’t find it.

Alfred was standing in the master bedroom wondering why the drawers of his dresser were open, who had opened them, whether he had opened them himself. He couldn’t help blaming Enid for his confusion. For witnessing it into existence. For existing, herself, as a person who could have opened these drawers.

“Al? What are you doing?”

He turned to the doorway where she’d appeared. He began a sentence: “I am—” but when he was taken by surprise, every sentence became an adventure in the woods; as soon as he could no longer see the light of the clearing from which he’d entered, he would realize that the crumbs he’d dropped for bearings had been eaten by birds, silent deft darting things which he couldn’t quite see in the darkness but which were so numerous and swarming in their hunger that it seemed as if they were the darkness, as if the darkness weren’t uniform, weren’t an absence of light but a teeming and corpuscular thing, and indeed when as a studious teenager he’d encountered the word “crepuscular” in McKay’s Treasury of English Verse, the corpuscles of biology had bled into his understanding of the word, so that for his entire adult life he’d seen in twilight a corpuscularity, as of the graininess of the high-speed film necessary for photography under conditions of low ambient light, as of a kind of sinister decay; and hence the panic of a man betrayed deep in the woods whose darkness was the darkness of starlings blotting out the sunset or black ants storming a dead opossum, a darkness that didn’t just exist but actively consumed the bearings that he’d sensibly established for himself, lest he be lost; but in the instant of realizing he was lost, time became marvelously slow and he discovered hitherto unguessed eternities in the space between one word and the next, or rather he became trapped in that space between words and could only stand and watch as time sped on without him, the thoughtless boyish part of him crashing on out of sight blindly through the woods while he, trapped, the grownup Al, watched in oddly impersonal suspense to see if the panic-stricken little boy might, despite no longer knowing where he was or at what point he’d entered the woods of this sentence, still manage to blunder into the clearing where Enid was waiting for him, unaware of any woods—“packing my suitcase,” he heard himself say. This sounded right. Verb, possessive, noun. Here was a suitcase in front of him, an important confirmation. He’d betrayed nothing.

But Enid had spoken again. The audiologist had said that he was mildly impaired. He frowned at her, not following.

“It’s Thursday,” she said, louder. “We’re not leaving until Saturday.”

“Saturday!” he echoed.

She berated him then, and for a while the crepuscular birds retreated, but outside the wind had blown the sun out, and it was getting very cold.

THE FAILURE

DOWN THE LONG CONCOURSE they came unsteadily, Enid favoring her damaged hip, Alfred paddling at the air with loose-hinged hands and slapping the airport carpeting with poorly controlled feet, both of them carrying Nordic Pleasurelines shoulder bags and concentrating on the floor in front of them, measuring out the hazardous distance three paces at a time. To anyone who saw them averting their eyes from the dark-haired New Yorkers careering past them, to anyone who caught a glimpse of Alfred’s straw fedora looming at the height of Iowa corn on Labor Day, or the yellow wool of the slacks stretching over Enid’s out-slung hip, it was obvious that they were midwestern and intimidated. But to Chip Lambert, who was waiting for them just beyond the security checkpoint, they were killers.

Chip had crossed his arms defensively and raised one hand to pull on the wrought-iron rivet in his ear. He worried that he might tear the rivet right out of his earlobe—that the maximum pain his ear’s nerves could generate was less pain than he needed now to steady himself. From his station by the metal detectors he watched an azure-haired girl overtake his parents, an azure-haired girl of college age, a very wantable stranger with pierced lips and eyebrows. It struck him that if he could have sex with this girl for one second he could face his parents confidently, and that if he could keep on having sex with this girl once every minute for as long as his parents were in town he could survive their entire visit. Chip was a tall, gym-built man with crow’s-feet and sparse butter-yellow hair; if the girl had noticed him, she might have thought he was a little too old for the leather he was wearing. As she hurried past him, he pulled harder on his rivet to offset the pain of her departure from his life forever and to focus his attention on his father, whose face was brightening at the discovery of a son among so many strangers. In the lunging manner of a man floundering in water, Alfred fell upon Chip and grabbed Chip’s hand and wrist as if they were a rope he’d been thrown. “Well!” he said. “Well!”

Enid came limping up behind him. “Chip,” she cried, “what have you done to your ears?”

“Dad, Mom,” Chip murmured through his teeth, hoping the azure-haired girl was out of earshot. “Good to see you.”

He had time for one subversive thought about his parents’ Nordic Pleasurelines shoulder bags—either Nordic Pleasurelines sent bags like these to every booker of its cruises as a cynical means of getting inexpensive walk-about publicity or as a practical means of tagging the cruise participants for greater ease of handling at embarkation points or as a benign means of building esprit de corps; or else Enid and Alfred had deliberately saved the bags from some previous Nordic Pleasurelines cruise and, out of a misguided sense of loyalty, had chosen to carry them on their upcoming cruise as well; and in either case Chip was appalled by his parents’ willingness to make themselves vectors of corporate advertising—before he shouldered the bags himself and assumed the burden of seeing LaGuardia Airport and New York City and his life and clothes and body through the disappointed eyes of his parents.

He noticed, as if for the first time, the dirty linoleum, the assassin-like chauffeurs holding up signs with other people’s names on them, the snarl of wires dangling from a hole in the ceiling. He distinctly heard the word “motherfucker.” Outside the big windows on the baggage level, two Bangladeshi men were pushing a disabled cab through rain and angry honking.

“We have to be at the pier by four,” Enid said to Chip. “And I think Dad was hoping to see your desk at the Wall Street Journal.” She raised her voice. “Al? Al?”

Though stooped in the neck now, Alfred was still an imposing figure. His hair was white and thick and sleek, like a polar bear’s, and the powerful long muscles of his shoulders, which Chip remembered laboring in the spanking of a child, usually Chip himself, still filled the gray tweed shoulders of his sport coat.

“Al, didn’t you say you wanted to see where Chip worked?” Enid shouted.

Alfred shook his head. “There’s no time.”

The baggage carousel circulated nothing.

“Did you take your pill?” Enid said.

“Yes,” Alfred said. He closed his eyes and repeated slowly, “I took my pill. I took my pill. I took my pill.”

“Dr. Hedgpeth has him on a new medication,” Enid explained to Chip, who was quite certain that his father had not, in fact, expressed interest in seeing his office. And since Chip had no association with the Wall Street Journal—the publication to which he made unpaid contributions was the Warren Street Journal: A Monthly of the Transgressive Arts; he’d also very recently completed a screenplay, and he’d been working part-time as a legal proofreader at Bragg Knuter & Speigh for the nearly two years since he’d lost his assistant professorship in Textual Artifacts at D—— College, in Connecticut, as a result of an offense involving a female undergraduate which had fallen just short of the legally actionable and which, though his parents never learned of it, had interrupted the parade of accomplishments that his mother could brag about, back home in St. Jude; he’d told his parents that he’d quit teaching in order to pursue a career in writing, and when, more recently, his mother had pressed him for details, he’d mentioned the Warren Street Journal, the name of which his mother had misheard and instantly begun to trumpet to her friends Esther Root and Bea Meisner and Mary Beth Schumpert, and though Chip in his monthly phone calls home had had many opportunities to disabuse her he’d instead actively fostered the misunderstanding; and here things became rather complex, not only because the Wall Street Journal was available in St. Jude and his mother had never mentioned looking for his work and failing to find it (meaning that some part of her knew perfectly well that he didn’t write for the paper) but also because the author of articles like “Creative Adultery” and “Let Us Now Praise Scuzzy Motels” was conspiring to preserve, in his mother, precisely the kind of illusion that the Warren Street Journal was dedicated to exploding, and he was thirty-nine years old, and he blamed his parents for the person he had become—he was happy when his mother let the subject drop.

“His tremor’s much better,” Enid added in a voice inaudible to Alfred. “The only side effect is that he may hallucinate.”

“That’s quite a side effect,” Chip said.

“Dr. Hedgpeth says that what he has is very mild and almost completely controllable with medication.”

Alfred was surveying the baggage-claim cavern while pale travelers angled for position at the carousel. There was a confusion of tread patterns on the linoleum, gray with the pollutants that the rain had brought down. The light was the color of car sickness. “New York City!” Alfred said.

Enid frowned at Chip’s pants. “Those aren’t leather, are they?”

“Yes.”

“How do you wash them?”

“They’re leather. They’re like a second skin.”

“We have to be at the pier no later than four o’clock,” Enid said.

The carousel coughed up some suitcases.

“Chip, help me,” his father said.

Soon Chip was staggering out into the wind-blown rain with all four of his parents’ bags. Alfred shuffled forward with the jerking momentum of a man who knew there would be trouble if he had to stop and start again. Enid lagged behind, intent on the pain in her hip. She’d put on weight and maybe lost a little height since Chip had last seen her. She’d always been a pretty woman, but to Chip she was so much a personality and so little anything else that even staring straight at her he had no idea what she really looked like.

“What’s that—wrought iron?” Alfred asked him as the taxi line crept forward.

“Yes,” Chip said, touching his ear.

“Looks like an old quarter-inch rivet.”

“Yes.”

“What do you do—crimp that? Hammer it?”

“It’s hammered,” Chip said.

Alfred winced and gave a low, inhaling whistle.

“We’re doing a Luxury Fall Color Cruise,” Enid said when the three of them were in a yellow cab, speeding through Queens. “We sail up to Quebec and then we enjoy the changing leaves all the way back down. Dad so enjoyed the last cruise we were on. Didn’t you, Al? Didn’t you have a good time on that cruise?”

The brick palisades of the East River waterfront were taking an angry beating from the rain. Chip could have wished for a sunny day, a clear view of landmarks and blue water, with nothing to hide. The only colors on the road this morning were the smeared reds of brake lights.

“This is one of the great cities of the world,” Alfred said with emotion.

“How are you feeling these days, Dad,” Chip managed to ask.

“Any better I’d be in heaven, any worse I’d be in hell.”

“We’re excited about your new job,” Enid said.

“One of the great papers in the country,” Alfred said. “The Wall Street Journal.”

“Does anybody smell fish, though?”

“We’re near the ocean,” Chip said.

“No, it’s you.” Enid leaned and buried her face in Chip’s leather sleeve. “Your jacket smells strongly of fish.”

He wrenched free of her. “Mother. Please.”

Chip’s problem was a loss of confidence. Gone were the days when he could afford to épater les bourgeois. Except for his Manhattan apartment and his handsome girlfriend, Julia Vrais, he now had almost nothing to persuade himself that he was a functioning male adult, no accomplishments to compare with those of his brother, Gary, who was a banker and a father of three, or of his sister, Denise, who at the age of thirty-two was the executive chef at a successful new high-end restaurant in Philadelphia. Chip had hoped he might have sold his screenplay by now, but he hadn’t finished a draft until after midnight on Tuesday, and then he’d had to work three fourteen-hour shifts at Bragg Knuter & Speigh to raise cash to pay his August rent and reassure the owner of his apartment (Chip had a sublease) about his September and October rent, and then there was a lunch to be shopped for and an apartment to be cleaned and, finally, sometime before dawn this morning, a long-hoarded Xanax to be swallowed. Meanwhile, nearly a week had gone by without his seeing Julia or speaking to her directly. In response to the many nervous messages he’d left on her voice mail in the last forty-eight hours, asking her to meet him and his parents and Denise at his apartment at noon on Saturday and also, please, if possible, not to mention to his parents that she was married to someone else, Julia had maintained a total phone and e-mail silence from which even a more stable man than Chip might have drawn disturbing conclusions.

It was raining so hard in Manhattan that water was streaming down façades and frothing at the mouths of sewers. Outside his building, on East Ninth Street, Chip took money from Enid and handed it through the cab’s partition, and even as the turbaned driver thanked him he realized the tip was too small. From his own wallet he took two singles and dangled them near the driver’s shoulder.

“That’s enough, that’s enough,” Enid squeaked, reaching for Chip’s wrist. “He already said thank you.”

But the money was gone. Alfred was trying to open the door by pulling on the window crank. “Here, Dad, it’s this one,” Chip said and leaned across him to pop the door.

“How big a tip was that?” Enid asked Chip on the sidewalk, under his building’s marquee, as the driver heaved luggage from the trunk.

“About fifteen percent,” Chip said.

“More like twenty, I’d say,” Enid said.

“Let’s have a fight about this, why don’t we.”

“Twenty percent’s too much, Chip,” Alfred pronounced in a booming voice. “It’s not reasonable.”

“You all have a good day now,” the taxi driver said with no apparent irony.

“A tip is for service and comportment,” Enid said. “If the service and comportment are especially good I might give fifteen percent. But if you automatically tip—”

“I’ve suffered from depression all my life,” Alfred said, or seemed to say.

“Excuse me?” Chip said.

“Depression years changed me. They changed the meaning of a dollar.”

“An economic depression, we’re talking about.”

“Then when the service really is especially good or especially bad,” Enid pursued, “there’s no way to express it monetarily.”

“A dollar is still a lot of money,” Alfred said.

“Fifteen percent if the service is exceptional, really exceptional.”

“I’m wondering why we’re having this particular conversation,” Chip said to his mother. “Why this conversation and not some other conversation.”

“We’re both terribly anxious,” Enid replied, “to see where you work.”

Chip’s doorman, Zoroaster, hurried out to help with the luggage and installed the Lamberts in the building’s balky elevator. Enid said, “I ran into your old friend Dean Driblett at the bank the other day. I never run into Dean but where he doesn’t ask about you. He was impressed with your new writing job.”

“Dean Driblett was a classmate, not a friend,” Chip said.

“He and his wife just had their fourth child. I told you, didn’t I, they built that enormous house out in Paradise Valley—Al, didn’t you count eight bedrooms?”

Alfred gave her a steady, unblinking look. Chip leaned on the Door Close button.

“Dad and I were at the housewarming in June,” Enid said. “It was spectacular. They’d had it catered, and they had pyramids of shrimp. It was solid shrimp, in pyramids. I’ve never seen anything like it.”

“Pyramids of shrimp,” Chip said. The elevator door had finally closed.

“Anyway, it’s a beautiful house,” Enid said. “There are at least six bedrooms, and you know, it looks like they’re going to fill them. Dean’s tremendously successful. He started that lawn care business when he decided the mortuary business wasn’t for him, well, you know, Dale Driblett’s his stepdad, you know, the Driblett Chapel, and now his billboards are everywhere and he’s started an HMO. I saw in the paper where it’s the fastest-growing HMO in St. Jude, it’s called DeeDeeCare, same as the lawn care business, and there are billboards for the HMO now, too. He’s quite the entrepreneur, I’d say.”

“Slo-o-o-o-w elevator,” Alfred said.

“This is a prewar building,” Chip explained in a tight voice. “An extremely desirable building.”

“But you know what he told me he’s doing for his mother’s birthday? It’s still a surprise for her, but I can tell you. He’s taking her to Paris for eight days. Two first-class tickets, eight nights at the Ritz! That’s the kind of person Dean is, very family-oriented. But can you believe that kind of birthday present? Al, didn’t you say the house alone probably cost a million dollars? Al?”

“It’s a large house but cheaply done,” Alfred said with sudden vigor. “The walls are like paper.”

“All the new houses are like that,” Enid said.

“You asked me if I was impressed with the house. I thought it was ostentatious. I thought the shrimp was ostentatious. It was poor.”

“It may have been frozen,” Enid said.

“People are easily impressed with things like that,” Alfred said. “They’ll talk for months about the pyramids of shrimp. Well, see for yourself,” he said to Chip, as to a neutral bystander. “Your mother’s still talking about it.”

For a moment it seemed to Chip that his father had become a likable old stranger; but he knew Alfred, underneath, to be a shouter and a punisher. The last time Chip had visited his parents in St. Jude, four years earlier, he’d taken along his then-girlfriend Ruthie, a peroxided young Marxist from the North of England, who, after committing numberless offenses against Enid’s sensibilities (she lit a cigarette indoors, laughed out loud at Enid’s favorite watercolors of Buckingham Palace, came to dinner without a bra, and failed to take even one bite of the “salad” of water chestnuts and green peas and cheddar-cheese cubes in a thick mayonnaise sauce which Enid made for festive occasions), had needled and baited Alfred until he pronounced that “the blacks” would be the ruination of this country, “the blacks” were incapable of coexisting with whites, they expected the government to take care of them, they didn’t know the meaning of hard work, what they lacked above all was discipline, it was going to end with slaughter in the streets, with slaughter in the streets, and he didn’t give a damn what Ruthie thought of him, she was a visitor in his house and his country, and she had no right to criticize things she didn’t understand; whereupon Chip, who’d already warned Ruthie that his parents were the squarest people in America, had smiled at her as if to say, You see? Exactly as advertised. When Ruthie had dumped him, not three weeks later, she’d remarked that he was more like his father than he seemed to realize.

“Al,” Enid said as the elevator lurched to a halt, “you have to admit that it was a very, very nice party, and that it was very nice of Dean to invite us.”

Alfred seemed not to have heard her.

Propped outside Chip’s apartment was a clear-plastic umbrella that Chip recognized, with relief, as Julia Vrais’s. He was herding the parental luggage from the elevator when his apartment door swung open and Julia herself stepped out. “Oh. Oh!” she said, as though flustered. “You’re early!”

By Chip’s watch it was 11:35. Julia was wearing a shapeless lavender raincoat and holding a DreamWorks tote bag. Her hair, which was long and the color of dark chocolate, was big with humidity and rain. In the tone of a person being friendly to large animals she said “Hi” to Alfred and “Hi,” separately, to Enid. Alfred and Enid bayed their names at her and extended hands to shake, driving her back into the apartment, where Enid began to pepper her with questions in which Chip, as he followed with the luggage, could hear subtexts and agendas.

“Do you live in the city?” Enid said. (You’re not cohabiting with our son, are you?) “And you work in the city, too?” (You are gainfully employed? You’re not from an alien, snobbish, moneyed eastern family?) “Did you grow up here?” (Or do you come from a trans-Appalachian state where people are warmhearted and down-to-earth and unlikely to be Jewish?) “Oh, and do you still have family in Ohio?” (Have your parents perhaps taken the morally dubious modern step of getting divorced?) “Do you have brothers or sisters?” (Are you a spoiled only child or a Catholic with a zillion siblings?)

Julia having passed this initial examination, Enid turned her attention to the apartment. Chip, in a late crisis of confidence, had tried to make it presentable. He’d bought a stain-removal kit and lifted the big semen stain off the red chaise longue, dismantled the wall of wine-bottle corks with which he’d been bricking in the niche above his fireplace at a rate of half a dozen Merlots and Pinot Grigios a week, taken down from his bathroom wall the close-up photographs of male and female genitalia that were the flower of his art collection, and replaced them with the three diplomas that Enid had long ago insisted on having framed for him.

This morning, feeling as if he’d surrendered too much of himself, he’d readjusted his presentation by wearing leather to the airport.

“This room is about the size of Dean Driblett’s bathroom,” Enid said. “Wouldn’t you say, Al?”

Alfred rotated his bobbing hands and examined their dorsal sides.

“I’d never seen such an enormous bathroom.”

“Enid, you have no tact,” Alfred said.

It might have occurred to Chip that this, too, was a tactless remark, since it implied that his father concurred in his mother’s criticism of the apartment and objected only to her airing of it. But Chip was unable to focus on anything but the hair dryer protruding from Julia’s DreamWorks tote bag. It was the hair dryer that she kept in his bathroom. She seemed, actually, to be heading out the door.

“Dean and Trish have a whirlpool and a shower stall and a tub, all separate,” Enid went on. “The sinks are his-and-hers.”

“Chip, I’m sorry,” Julia said.

He raised a hand to put her on hold. “We’re going to have lunch here as soon as Denise comes,” he announced to his parents. “It’s a very simple lunch. Just make yourselves at home.”

“It was nice to meet you both,” Julia called to Enid and Alfred. To Chip in a lower voice she said, “Denise will be here. You’ll be fine.”

She opened the door.

“Mom, Dad,” Chip said, “just one second.”

He followed Julia out of the apartment and let the door fall shut behind him.

“This is really unfortunate timing,” he said. “Just really, really unfortunate.”

Julia shook her hair back off her temples. “I’m feeling good about the fact that it’s the first time in my life I’ve ever acted self-interestedly in a relationship.”

“That’s nice. That’s a big step.” Chip made an effort to smile. “But what about the script? Is Eden reading it?”

“I think maybe this weekend sometime.”

“What about you?”

“I read, um.” Julia looked away. “Most of it.”

“My idea,” Chip said, “was to have this ‘hump’ that the moviegoer has to get over. Putting something offputting at the beginning, it’s a classic modernist strategy. There’s a lot of rich suspense toward the end.”

Julia turned toward the elevator and didn’t reply.

“Did you get to the end yet?” Chip asked.

“Oh, Chip,” she burst out miserably, “your script starts off with a six-page lecture about anxieties of the phallus in Tudor drama!”

He was aware of this. Indeed, for weeks now, he’d been awakening most nights before dawn, his stomach churning and his teeth clenched, and had wrestled with the nightmarish certainty that a long academic monologue on Tudor drama had no place in Act I of a commercial script. Often it took him hours—took getting out of bed, pacing around, drinking Merlot or Pinot Grigio—to regain his conviction that a theory-driven opening monologue was not only not a mistake but the script’s most powerful selling point; and now, with a single glance at Julia, he could see that he was wrong.

Nodding in heartfelt agreement with her criticism, he opened the door of his apartment and called to his parents, “One second, Mom, Dad. Just one second.” As he shut the door again, however, the old arguments came back to him. “You see, though,” he said, “the entire story is prefigured in that monologue. Every single theme is there in capsule form—gender, power, identity, authenticity—and the thing is … Wait. Wait. Julia?”

Bowing her head sheepishly, as though she’d somehow hoped he wouldn’t notice she was leaving, Julia turned away from the elevator and back toward him.

“The thing is,” he said, “the girl is sitting in the front row of the classroom listening to the lecture. It’s a crucial image. The fact that he is controlling the discourse—”

“And it’s a little creepy, though,” Julia said, “the way you keep talking about her breasts.”

This, too, was true. That it was true, however, seemed unfair and cruel to Chip, who would never have had the heart to write the script at all without the lure of imagining the breasts of his young female lead. “You’re probably right,” he said. “Although some of the physicality there is intentional. Because that’s the irony, see, that she’s attracted to his mind while he’s attracted to her—”

“But for a woman reading it,” Julia said obstinately, “it’s sort of like the poultry department. Breast, breast, breast, thigh, leg.”

“I can remove some of those references,” Chip said in a low voice. “I can also shorten the opening lecture. The thing is, though, I want there to be a ‘hump’—”

“Right, for the moviegoer to get over. That’s a neat idea.”

“Please come and have lunch. Please. Julia?”

The elevator door had opened at her touch.

“I’m saying it’s a tiny bit insulting to a person somehow.”

“But that’s not you. It’s not even based on you.”

“Oh, great. It’s somebody else’s breasts.”

“Jesus. Please. One second.” Chip turned back to his apartment door and opened it, and this time he was startled to find himself face to face with his father. Alfred’s big hands were shaking violently.

“Dad, hi, just another minute here.”

“Chip,” Alfred said, “ask her to stay! Tell her we want her to stay!”

Chip nodded and closed the door in the old man’s face; but in the few seconds his back had been turned the elevator had swallowed Julia. He punched the call button, to no avail, and then opened the fire door and ran down the spiral of the service stairwell. After a series of effulgent lectures celebrating the unfettered pursuit of pleasure as a strategy of subverting the bureaucracy of rationalism, BILL QUAINTENCE, an attractive young professor of Textual Artifacts, is seduced by his beautiful and adoring student MONA. Their wildly erotic affair has hardly begun, however, when they are discovered by Bill’s estranged wife, HILLAIRE. In a tense confrontation representing the clash of Therapeutic and Transgressive worldviews, Bill and Hillaire struggle for the soul of young Mona, who lies naked between them on tangled sheets. Hillaire succeeds in seducing Mona with her crypto-repressive rhetoric, and Mona publicly denounces Bill. Bill loses his job but soon discovers e-mail records proving that Hillaire has given Mona money to ruin his career. As Bill is driving to see his lawyer with a diskette containing the incriminating evidence, his car is run off the road into the raging D—— River, and the diskette floats free of the sunken car and is borne by ceaseless, indomitable currents into the raging, erotic/chaotic open sea, and the crash is ruled vehicular suicide, and in the film’s final scenes Hillaire is hired to replace Bill on the faculty and is seen lecturing on the evils of unfettered pleasure to a classroom in which is seated her diabolical lesbian lover Mona: This was the one-page précis that Chip had assembled with the aid of store-bought screenwriting manuals and had faxed, one winter morning, to a Manhattan-based film producer named Eden Procuro. Five minutes later he’d answered his phone to the cool, blank voice of a young woman saying, “Please hold for Eden Procuro,” followed by Eden Procuro herself crying, “I love it, love it, love it, love it, love it!” But now a year and a half had passed. Now the one-page précis had become a 124-page script called “The Academy Purple,” and now Julia Vrais, the chocolate-haired owner of that cool, blank personal-assistant’s voice, was running away from him, and as he raced downstairs to intercept her, planting his feet sideways to take the steps three and four at a time, grabbing the newel at each landing and reversing his trajectory with a jerk, all he could see or think of was a damning entry in his nearly photographic mental concordance of those 124 pages:

3: bee-stung lips, high round breasts, narrow hips and

3: over the cashmere sweater that snugly hugs her breasts

4: forward raptly, her perfect adolescent breasts eagerly

8: (eyeing her breasts)

9: (eyeing her breasts)

9: (his eyes drawn helplessly to her perfect breasts)

11: (eyeing her breasts)

12: (mentally fondling her perfect breasts)

13: (eyeing her breasts)

15: (eyeing and eyeing her perfect adolescent breasts)

23: (clinch, her perfect breasts surging against his

24: the repressive bra to unfetter her subversive breasts.)

28: to pinkly tongue one sweat-sheened breast.)

29: phallically jutting nipple of her sweat-drenched breast

29: I like your breasts.

30: absolutely adore your honeyed, heavy breasts.

33: (HILLAIRE’s breasts, like twin Gestapo bullets, can be

36: barbed glare as if to puncture and deflate her breasts

44: Arcadian breasts with stern puritanical terry cloth and

45: cowering, ashamed, the towel clutched to her breasts.)

76: her guileless breasts shrouded now in militaristic

83: I miss your body, I miss your perfect breasts, I

117: drowned headlights fading like two milk-white breasts

And there were probably even more! More than he could remember! And the only two readers who mattered now were women! It seemed to Chip that Julia was leaving him because “The Academy Purple” had too many breast references and a draggy opening, and that if he could correct these few obvious problems, both on Julia’s copy of the script and, more important, on the copy he’d specially laser-printed on 24-pound ivory bond paper for Eden Procuro, there might be hope not only for his finances but also for his chances of ever again unfettering and fondling Julia’s own guileless, milk-white breasts. Which by this point in the day, as by late morning of almost every day in recent months, was one of the last activities on earth in which he could still reasonably expect to take solace for his failures.

Exiting the stairwell into the lobby, he found the elevator waiting to torment its next rider. Through the open street door he saw a taxi extinguish its roof light and pull away. Zoroaster was mopping up inblown water from the lobby’s checkerboard marble. “Goodbye, Mister Chip!” he quipped, by no means for the first time, as Chip ran outside.

Big raindrops beating on the sidewalk raised a fresh, cold mist of pure humidity. Through the bead-curtain of water coming off the marquee, Chip saw Julia’s cab brake for a yellow light. Directly across the street, another cab had stopped to discharge a passenger, and it occurred to Chip that he could take this other cab and ask the driver to follow Julia. The idea was tempting; but there were difficulties.

One difficulty was that by chasing Julia he would arguably be committing the worst of the offenses for which the general counsel of D—— College, in a shrill, moralistic lawyer’s letter, had once upon a time threatened to countersue him or have him prosecuted. The alleged offenses had included fraud, breach of contract, kidnap, Title IX sexual harassment, serving liquor to a student under the legal drinking age, and possession and sale of a controlled substance; but it was the accusation of stalking—of making “obscene” and “threatening” and “abusive” telephone calls and trespassing with intent to violate a young woman’s privacy—that had really scared Chip and scared him still.

A more immediate difficulty was that he had four dollars in his wallet, less than ten dollars in his checking account, no credit to speak of on any of his major credit cards, and no prospect of further proofreading work until Monday afternoon. Considering that the last time he’d seen Julia, six days ago, she’d specifically complained that he “always” wanted to stay home and eat pasta and “always” be kissing her and having sex (she’d said that sometimes she almost felt like he used sex as a kind of medication, and that maybe the reason he didn’t just go ahead and self-medicate with crack or heroin instead was that sex was free and he was turning into such a cheapskate; she’d said that now that she was taking an actual prescription medication herself she sometimes felt like she was taking it for both of them and that this seemed doubly unfair, because she was the one who paid for the medication and because the medication made her slightly less interested in sex than she used to be; she’d said that, if it were up to Chip, they probably wouldn’t even go to movies anymore but would spend the whole weekend wallowing in bed with the shades down and then reheating pasta), he suspected that the minimum price of further conversation with her would be an overpriced lunch of mesquite-grilled autumn vegetables and a bottle of Sancerre for which he had no conceivable way of paying.

And so he stood and did nothing as the corner traffic light turned green and Julia’s cab drove out of sight. Rain was lashing the pavement in white, infected-looking drops. Across the street, a long-legged woman in tight jeans and excellent black boots had climbed out of the other cab.

That this woman was Chip’s little sister, Denise—i.e., was the only attractive young woman on the planet whom he was neither permitted nor inclined to feast his eyes on and imagine having sex with—seemed to him just the latest unfairness in a long morning of unfairnesses.

Denise was carrying a black umbrella, a cone of flowers, and a pastry box tied with twine. She picked her way through the pools and rapids on the pavement and joined Chip beneath the marquee.

“Listen,” Chip said with a nervous smile, not looking at her. “I need to ask you a big favor. I need you to hold the fort for me here while I find Eden and get my script back. There’s a major, quick set of corrections I have to make.”

As if he were a caddie or a servant, Denise handed him her umbrella and brushed water and grit from the ankles of her jeans. Denise had her mother’s dark hair and pale complexion and her father’s intimidating air of moral authority. She was the one who’d instructed Chip to invite his parents to stop and have lunch in New York today. She’d sounded like the World Bank dictating terms to a Latin debtor state, because, unfortunately, Chip owed her some money. He owed her whatever ten thousand and fifty-five hundred and four thousand and a thousand dollars added up to.

“See,” he explained, “Eden wants to read the script this afternoon sometime, and financially, obviously, it’s critical that we—”

“You can’t leave now,” Denise said.

“It’ll take me an hour,” Chip said. “An hour and a half at most.”

“Is Julia here?”

“No, she left. She said hello and left.”

“You broke up?”

“I don’t know. She’s gotten herself medicated and I don’t even trust—”

“Wait a minute. Wait a minute. Are you wanting to go to Eden’s, or chasing Julia?”

Chip touched the rivet in his left ear. “Ninety percent going to Eden’s.”

“Oh, Chip.”

“No, but listen,” he said, “she’s using the word ‘health’ like it has some kind of absolute timeless meaning.”

“This is Julia?”

“She takes pills for three months, the pills make her unbelievably obtuse, and the obtuseness then defines itself as mental health! It’s like blindness defining itself as vision. ‘Now that I’m blind, I can see there’s nothing to see.’”

Denise sighed and let her cone of flowers droop to the sidewalk. “What are you saying? You want to follow her and take away her medicine?”

“I’m saying the structure of the entire culture is flawed,” Chip said. “I’m saying the bureaucracy has arrogated the right to define certain states of mind as ‘diseased.’ A lack of desire to spend money becomes a symptom of disease that requires expensive medication. Which medication then destroys the libido, in other words destroys the appetite for the one pleasure in life that’s free, which means the person has to spend even more money on compensatory pleasures. The very definition of mental ‘health’ is the ability to participate in the consumer economy. When you buy into therapy, you’re buying into buying. And I’m saying that I personally am losing the battle with a commercialized, medicalized, totalitarian modernity right this instant.”

Denise closed one eye and opened the other very wide. Her open eye was like nearly black balsamic vinegar beading on white china. “If I grant that these are interesting issues,” she said, “will you stop talking about them and come upstairs with me?”

Chip shook his head. “There’s a poached salmon in the fridge. A crème fraîche with sorrel. A salad with green beans and hazelnuts. You’ll see the wine and the baguette and the butter. It’s good fresh butter from Vermont.”

“Has it occurred to you that Dad is sick?”

“An hour is all it’s going to take. Hour and a half at most.”

“I said has it occurred to you that Dad is sick?”

Chip had a vision of his father trembling and pleading in the doorway. To block it out, he tried to summon up an image of sex with Julia, with the azure-haired stranger, with Ruthie, with anyone, but all he could picture was a vengeful, Fury-like horde of disembodied breasts.

“The faster I get to Eden’s and make those corrections,” he said, “the sooner I’ll be back. If you really want to help me.”

An available cab was coming down the street. He made the mistake of looking at it, and Denise misunderstood him.

“I can’t give you any more money,” she said.

He recoiled as if she’d spat on him. “Jesus, Denise—”

“I’d like to but I can’t.”

“I wasn’t asking you for money!”

“Because where does it end?”

He turned on his heel and walked into the downpour and marched toward University Place, smiling with rage. He was ankle-deep in a boiling gray sidewalk-shaped lake. He was clutching Denise’s umbrella in his fist without opening it, and still it seemed unfair to him, it seemed not his fault, that he was getting drenched.

Until recently, and without ever giving the matter much thought, Chip had believed that it was possible to be successful in America without making lots of money. He’d always been a good student, and from an early age he’d proved unfit for any form of economic activity except buying things (this he could do), and so he’d chosen to pursue a life of the mind.

Since Alfred had once mildly but unforgettably remarked that he didn’t see the point of literary theory, and since Enid, in the florid biweekly letters by means of which she saved many dollars on long-distance dialing, had regularly begged Chip to abandon his pursuit of an “impractical” doctorate in the humanities (“I see your old science fair trophies,” she wrote, “and I think of what an able young man like you could be giving back to society as a medical doctor, but then, you see, Dad and I always hoped we’d raised children who thought of others, not just themselves”), Chip had had plenty of incentives to work hard and prove his parents wrong. By getting out of bed much earlier than his grad-school classmates, who slept off their Gauloise hangovers until noon or one o’clock, he’d piled up the prizes and fellowships and grants that were the coin of the academic realm.

For the first fifteen years of his adult life, his only experience with failure had come secondhand. His girlfriend in college and long after, Tori Timmelman, was a feminist theorist who’d become so enraged with the patriarchal system of accreditation and its phallometric yardsticks of achievement that she refused (or was unable) to finish her dissertation. Chip had grown up listening to his father pontificate on the topics of Men’s Work and Women’s Work and the importance of maintaining the distinction; in a spirit of correction, he stuck with Tori for nearly a decade. He did all of the laundry and most of the cleaning and cooking and cat care in the little apartment that he and Tori shared. He read secondary literature for Tori and helped her outline and reoutline the chapters of her thesis that she was too throttled by rage to write. Not until D—— College had offered him a five-year tenure-track appointment (while Tori, still minus a degree, took a two-year nonrenewable job at an agriculture school in Texas) did he fully exhaust his supply of male guilt and move on.

He arrived at D——, then, as an eligible and well-published thirty-three-year-old to whom the college’s provost, Jim Leviton, had all but guaranteed lifelong employment. Within a semester he was sleeping with the young historian Ruthie Hamilton and had teamed up at tennis with Leviton and brought Leviton the faculty doubles championship that had eluded him for twenty years.

D—— College, with an elite reputation and a middling endowment, depended for its survival on students whose parents could pay full tuition. To attract these students, the college had built a $30 million recreation center, three espresso bars, and a pair of hulking “residence halls” that were less like dorms than like vivid premonitions of the hotels in which the students would book rooms for themselves in their well-remunerated futures. There were herds of leather sofas and enough computers to ensure that no prospective matriculant or visiting parent could enter a room and not see at least one available keyboard, not even in the dining hall or field house.

Junior faculty lived in semi-squalor. Chip was lucky to have a two-story unit in a damp cinderblock development on Tilton Ledge Lane, on the western edge of campus. His back patio overlooked a waterway known to college administrators as Kuyper’s Creek and to everybody else as Carparts Creek. On the far side of the creek was a marshy automotive boneyard belonging to the Connecticut State Department of Corrections. The college had been suing in state and federal courts for twenty years to preserve this wetland from the “ecodisaster” of drainage and development as a medium-security prison.

Every month or two, for as long as things were good with Ruthie, Chip invited colleagues and neighbors and the occasional precocious student to dinner at Tilton Ledge and surprised them with langoustines, or a rack of lamb, or venison with juniper berries, and retro joke desserts like chocolate fondue. Sometimes late at night, presiding over a table on which empty Californian bottles were clustered like Manhattan high-rises, Chip felt safe enough to laugh at himself, open up a little, and tell embarrassing stories about his midwestern childhood. Like how his father not only had worked long hours at the Midland Pacific Railroad and read aloud to his children and done the yard work and home maintenance and processed a nightly briefcase full of executive paper but had also found time to operate a serious metallurgical laboratory in the family basement, staying up past midnight to subject strange alloys to electrical and chemical stresses. And how Chip at the age of thirteen had developed a crush on the buttery alkali metals that his father kept immersed in kerosene, on the blushing crystalline cobalt, the buxom heavy mercury, the ground-glass stopcocks and glacial acetic acid, and had put together his own junior lab in the shadow of his dad’s. How his new interest in science had delighted Alfred and Enid, and how, with their encouragement, he’d set his young heart on winning a trophy at the regional St. Jude science fair. How, at the St. Jude city library, he’d unearthed a plant-physiology paper both obscure enough and simple enough to be mistaken for the work of a brilliant eighth-grader. How he’d built a controlled plywood environment for growing oats and had photographed the young seedlings meticulously and then ignored them for weeks, and how, by the time he went to weigh the seedlings and determine the effects of gibberellic acid in concert with an unidentified chemical factor, the oats were dried-out blackish slime. How he’d gone ahead anyway and plotted the experiment’s “correct” results on graph paper, working backward to fabricate a list of seedling weights with some artful random scatter and then forward to make sure that the fictional data produced the “correct” results. And how, as a first-place winner at the science fair, he’d won a three-foot-tall silver-plated Winged Victory and the admiration of his father. And how, a year later, around the time his father was securing his first of two U.S. patents (despite his many grievances with Alfred, Chip was careful to impress on his dinner guests what a giant, in his own way, the old man was), Chip had pretended to study migratory bird populations in a park near some head shops and a bookstore and the house of a friend with foosball and a pool table. And how in a ravine at this park he’d uncovered a cache of downmarket porn over the weather-swollen pages of which, back home in the basement lab where, unlike his father, he never performed a real experiment or felt the faintest twinge of scientific curiosity, he’d endlessly dry-chafed the head of his erection without ever figuring out that this excruciating perpendicular stroke was actively suppressing orgasm (his dinner guests, many of them steeped in queer theory, took special delight in this detail), and how, as a reward for his mendacity and self-abuse and general laziness, he’d won a second Winged Victory.

In the haze of dinner-party smoke, as he entertained his sympathetic colleagues, Chip felt secure in the knowledge that his parents could not have been more wrong about who he was and what kind of career he was suited to pursue. For two and a half years, until the fiasco of Thanksgiving in St. Jude, he had no troubles at D—— College. But then Ruthie dumped him and a first-year female student rushed in, as it were, to fill the vacuum that Ruthie left behind.

Melissa Paquette was the most gifted student in the intro theory course, Consuming Narratives, that he taught in his third spring at D——. Melissa was a regal, theatrical person whom other students conspicuously avoided sitting close to, in part because they disliked her and in part because she always sat in the first row of desks, right in front of Chip. She was long-necked and broad-shouldered, not exactly beautiful, more like physically splendid. Her hair was very straight and had the cherry-wood color of new motor oil. She wore thrift-store clothes that tended not to flatter her—a man’s plaid polyester leisure suit, a paisley trapeze dress, gray Mr. Goodwrench coveralls with the name Randy embroidered on the left front pocket.

Melissa had no patience with people she considered fools. At the second meeting of Consuming Narratives, when an affable dreadlocked boy named Chad (every class at D—— had at least one affable dreadlocked boy in it) took a stab at summarizing the theories of Thorstein “Webern,” Melissa began to smirk at Chip complicitly. She rolled her eyes and mouthed the word “Veblen” and clutched her hair. Soon Chip was paying more attention to her distress than to Chad’s discourse.

“Chad, sorry,” she interrupted finally. “The name is Veblen?”

“Vebern. Veblern. That’s what I’m saying.”

“No, you were saying Webern. It’s Veblen.”

“Veblern. OK. Thank you very much, Melissa.”

Melissa tossed her hair and faced Chip again, her mission accomplished. She paid no attention to the dirty looks that came her way from Chad’s friends and sympathizers. But Chip drifted to a far corner of the classroom to dissociate himself from her, and he encouraged Chad to continue with his summary.

That evening, outside the student cinema in Hillard Wroth Hall, Melissa came pushing and squeezing through a crowd and told Chip that she was loving Walter Benjamin. She stood, he thought, too close to him. She stood too close to him at a reception for Marjorie Garber a few days later. She came galloping across the Lucent Technologies Lawn (formerly the South Lawn) to press into his hands one of the weekly short papers that Consuming Narratives required. She materialized beside him in a parking lot that a foot of snow had buried, and with her mittened hands and considerable wingspan she helped him dig out his car. She kicked a path clear with her fur-trimmed boots. She wouldn’t stop chipping at the underlayer of ice on his windshield until he took hold of her wrist and removed the scraper from her hand.

Chip had co-chaired the committee that drafted the college’s stringent new policy on faculty-student contacts. Nothing in the policy prevented a student from helping a professor clear snow off his car; and since he was also sure of his self-discipline, he had nothing to be afraid of. And yet, before long, he was ducking out of sight whenever he saw Melissa on campus. He didn’t want her to gallop over and stand too close to him. And when he caught himself wondering if the color of her hair was from a bottle, he made himself stop wondering. He never asked her if she was the one who’d left roses outside his office door on Valentine’s Day, or the chocolate statuette of Michael Jackson on Easter weekend.

In class he called on Melissa slightly less often than he called on other students; he lavished particular attention on her nemesis, Chad. He sensed, without looking, that Melissa was nodding in comprehension and solidarity when he unpacked a difficult passage of Marcuse or Baudrillard. She generally ignored her classmates, except to turn on them in sudden hot disagreement or cool correction; her classmates, for their part, yawned audibly when she raised her hand.

One warm Friday night near the end of the semester, Chip came home from his weekly grocery run and discovered that someone had vandalized his front door. Three of the four utility lights at Tilton Ledge had burned out, and the college was apparently waiting for the fourth to burn out before investing in replacements. In the poor light, Chip could see that somebody had poked flowers and foliage—tulips, ivy—through the holes in his rotting screen door. “What is this?” he said. “Melissa, you are jailbait.”

Possibly he said other things before he realized that his stoop was strewn with torn-up tulips and ivy, a vandalism still in progress, and that he was not alone. The holly bush by his door had produced two giggling young people. “Sorry, sorry!” Melissa said. “You were talking to yourself!”

Chip wanted to believe she hadn’t heard what he said, but the holly wasn’t three feet away. He set the groceries inside his house and turned a light on. Standing beside Melissa was the dreadlocked Chad.

“Professor Lambert, hello,” Chad said earnestly. He was wearing Melissa’s Mr. Goodwrench coveralls, and Melissa was wearing a Free Mumia T-shirt that might have belonged to Chad. She’d slung an arm around Chad’s neck and fitted a hip over his. She was flushed and sweaty and lit up on something.

“We were decorating your door,” she said.

“Actually, Melissa, it looks pretty horrible,” Chad said as he examined it in the light. Beat-up tulips were hanging down at every angle. The ivy runners had clods of dirt in their hairy feet. “Kind of a stretch to say ‘decorating.’”

“Well, you can’t see down here,” she said. “Where’s the light?”

“There is no light,” Chip said. “This is the Ghetto in the Woods. This is where your teachers live.”

“Dude, that ivy is pathetic.”

“Whose tulips are these?” Chip asked.

“College tulips,” Melissa said.

“Dude, I’m not even sure why we were doing this.” Chad turned to allow Melissa to put her mouth on his nose and suck it, which didn’t seem to bother him, although he drew his head back. “Wouldn’t you say this was sort of more your idea than mine?”

“Our tuition pays for these tulips,” Melissa said, pivoting to press her body more frontally into Chad. She hadn’t looked at Chip since he turned the outdoor light on.

“So then Hansel and Gretel came and found my screen door.”

“We’ll clean it up,” Chad said.

“Leave it,” Chip said. “I’ll see you on Tuesday.” And he went inside and shut the door and played some angry music from his college years.

For the last meeting of Consuming Narratives the weather turned hot. The sun was blazing in a pollen-filled sky, all the angiosperms in the newly rechristened Viacom Arboretum blooming hard. To Chip the air felt disagreeably intimate, like a warm spot in a swimming pool. He’d already cued up the video player and lowered the classroom shades when Melissa and Chad strolled in and took seats in a rear corner. Chip reminded the class to sit up straight like active critics rather than be passive consumers, and the students sat up enough to acknowledge his request without actually complying with it. Melissa, usually the one fully upright critic, today slumped especially low and draped an arm across Chad’s legs.

To test his students’ mastery of the critical perspectives to which he’d introduced them, Chip was showing a video of a six-part ad campaign called “You Go, Girl.” The campaign was the work of an agency, Beat Psychology, that had also created “Howl with Rage” for G—— Electric, “Do Me Dirty” for C—— Jeans, “Total F***ing Anarchy!” for the W—— Network, “Radical Psychedelic Underground” for E——.com, and “Love & Work” for M—— Pharmaceuticals. “You Go, Girl” had had its first airing the previous fall, one episode per week, on a prime-time hospital drama. The style was black-and-white cinema verité; the content, according to analyses in the Times and the Wall Street Journal, was “revolutionary.”

The plot was this: Four women in a small office—one sweet young African American, one middle-aged technophobic blonde, one tough and savvy beauty named Chelsea, and one radiantly benignant gray-haired Boss—dish together and banter together and, by and by, struggle together with Chelsea’s stunning announcement, at the end of Episode 2, that for nearly a year she’s had a lump in her breast that she’s too scared to see a doctor about. In Episode 3 the Boss and the sweet young African American dazzle the technophobic blonde by using the W—— Corporation’s Global Desktop Version 5.0 to get up-to-the-minute cancer information and to hook Chelsea into support networks and the very best local health care providers. The blonde, who is fast learning to love technology, marvels but objects: “There’s no way Chelsea can afford all this.” To which the angelic Boss replies: “I’m paying every cent of it.” By the middle of Episode 5, however—and this was the campaign’s revolutionary inspiration—it’s clear that Chelsea will not survive her breast cancer. Tear-jerking scenes of brave jokes and tight hugs follow. In the final episode the action returns to the office, where the Boss is scanning a snapshot of the departed Chelsea, and the now rabidly technophiliac blonde is expertly utilizing the W—— Corporation’s Global Desktop Version 5.0, and around the world, in rapid montage, women of all ages and races are smiling and dabbing away tears at the image of Chelsea on their own Global Desktops. Spectral Chelsea in a digital video clip pleads: “Help us Fight for the Cure.” The episode ends with the information, offered in a sober typeface, that the W—— Corporation has given more than $10,000,000.00 to the American Cancer Society to help it Fight for the Cure…

The slick production values of a campaign like “You Go, Girl” could seduce first-year students before they’d acquired the critical tools of resistance and analysis. Chip was curious, and somewhat afraid, to see how far his students had progressed. With the exception of Melissa, whose papers were written with force and clarity, none of them had persuaded him that they were doing more than parroting the weekly jargon. Each year, it seemed, the incoming freshmen were a little more resistant to hardcore theory than they’d been the year before. Each year the moment of enlightenment, of critical mass, came a little later. Now the end of a semester was at hand, and Chip still wasn’t sure that anyone besides Melissa really got how to criticize mass culture.

The weather wasn’t doing him any favors. He raised the shades and beach light poured into the classroom. Summerlust came wafting off the bared arms and legs of boys and girls alike.

A petite young woman named Hilton, a chihuahua-like person, offered that it was “brave” and “really interesting” that Chelsea had died of cancer instead of surviving like you might have expected in a commercial.

Chip waited for someone to observe that it was precisely this self-consciously “revolutionary” plot twist that had generated publicity for the ad. Normally Melissa, from her seat in the front row, could be counted on to make a point like this. But today she was sitting by Chad with her cheek on her desk. Normally, when students napped in class, Chip called on them immediately. But today he was reluctant to say Melissa’s name. He was afraid that his voice might shake.

Finally, with a tight smile, he said, “In case any of you were visiting a different planet last fall, let’s review what happened with these ads. Remember that Nielsen Media Research took the ‘revolutionary’ step of giving Episode Six its own weekly rating. The first rating ever given to an ad. And once Nielsen rated it, the campaign was all but guaranteed an enormous audience for its rebroadcast during the November sweeps. Also remember that the Nielsen rating followed a week of print and broadcast news coverage of the ‘revolutionary’ plot twist of Chelsea’s death, plus the Internet rumor about Chelsea’s being a real person who’d really died. Which, incredibly, several hundred thousand people actually believed. Beat Psychology, remember, having fabricated her medical records and her personal history and posted them on the Web. So my question for Hilton would be, how ‘brave’ is it to engineer a surefire publicity coup for your ad campaign?”

“It was still a risk,” Hilton said. “I mean, death is a downer. It could have backfired.”

Again Chip waited for someone, anyone, to take his side of the argument. No one did. “So a wholly cynical strategy,” he said, “if there’s a financial risk attached, becomes an act of artistic bravery?”

A brigade of college lawn mowers descended on the lawn outside the classroom, smothering discussion in a blanket of noise. The sunshine was bright.

Chip soldiered on. Did it seem realistic that a small-business owner would spend her own money on special health care options for an employee?

One student averred that the boss she’d had at her last summer job had been generous and totally great.

Chad was silently fighting off the tickling hand of Melissa while, with his free hand, he counterattacked the naked skin of her midriff.

“Chad?” Chip said.

Chad, impressively, was able to answer the question without having it repeated. “Like, that was just one office,” he said. “Maybe another boss wouldn’t have been so great. But that boss was great. I mean, nobody’s pretending that’s an average office, right?”

Here Chip tried to raise the question of art’s responsibilities vis-à-vis the Typical; but this discussion, too, was DOA.

“So, bottom line,” he said, “we like this campaign. We think these ads are good for the culture and good for the country. Yes?”

There were shrugs and nods in the sun-heated room.

“Melissa,” Chip said. “We haven’t heard from you.”

Melissa raised her head from her desk, shifted her attention from Chad, and looked at Chip with narrowed eyes. “Yes,” she said.

“Yes what?”

“Yes, these ads are good for the culture and good for the country.”

Chip took a deep breath, because this hurt. “Great, OK,” he said. “Thank you for your opinion.”

“As if you care about my opinion,” Melissa said.

“I beg your pardon?”

“As if you care about any of our opinions unless they’re the same as yours.”

“This is not about opinions,” Chip said. “This is about learning to apply critical methods to textual artifacts. Which is what I’m here to teach you.”

“I don’t think it is, though,” Melissa said. “I think you’re here to teach us to hate the same things you hate. I mean, you hate these ads, right? I can hear it in every word you say. You totally hate them.”

The other students were listening raptly now. Melissa’s connection with Chad might have depressed Chad’s stock more than it had raised her own, but she was attacking Chip like an angry equal, not a student, and the class ate it up.

“I do hate these ads,” Chip admitted. “But that’s not—”

“Yes it is,” Melissa said.

“Why do you hate them?” Chad called out.

“Tell us why you hate them,” the little Hilton yipped.

Chip looked at the wall clock. There were six minutes left of the semester. He pushed a hand through his hair and cast his eyes around the room as if he might find an ally somewhere, but the students had him on the run now, and they knew it.

“The W—— Corporation,” he said, “is currently defending three separate lawsuits for antitrust violations. Its revenues last year exceeded the gross domestic product of Italy. And now, to wring dollars out of the one demographic that it doesn’t yet dominate, it’s running a campaign that exploits a woman’s fear of breast cancer and her sympathy with its victims. Yes, Melissa?”

“It’s not cynical.”

“What is it, if not cynical?”

“It’s celebrating women in the workplace,” Melissa said. “It’s raising money for cancer research. It’s encouraging us to do our self-examinations and get the help we need. It’s helping women feel like we own this technology, like it’s not just a guy thing.”

“OK, good,” Chip said. “But the question is not whether we care about breast cancer, it’s what breast cancer has to do with selling office equipment.”

Chad took up the cudgels for Melissa. “That’s the whole point of the ad, though. That if you have access to information, it can save your life.”

“So if Pizza Hut puts a little sign about testicular self-exams by the hot-pepper flakes, it can advertise itself as part of the glorious and courageous fight against cancer?”

“Why not?” Chad said.

“Does anybody see anything wrong with that?”

Not one student did. Melissa was slouching with her arms crossed and unhappy amusement on her face. Unfairly or not, Chip felt as if she’d destroyed in five minutes a semester’s worth of careful teaching.

“Well, consider,” he said, “that ‘You Go, Girl’ would not have been produced if W—— had not had a product to sell. And consider that the goal of the people who work at W—— is to exercise their stock options and retire at thirty-two, and that the goal of the people who own W—— stock” (Chip’s brother and sister-in-law, Gary and Caroline, owned a great deal of W—— stock) “is to build bigger houses and buy bigger SUVs and consume even more of the world’s finite resources.”

“What’s wrong with making a living?” Melissa said. “Why is it inherently evil to make money?”

“Baudrillard might argue,” Chip said, “that the evil of a campaign like ‘You Go, Girl’ consists in the detachment of the signifier from the signified. That a woman weeping no longer just signifies sadness. It now also signifies: ‘Desire office equipment.’ It signifies: ‘Our bosses care about us deeply.’”

The wall clock showed two-thirty. Chip paused and waited for the bell to ring and the semester to end.

“Excuse me,” Melissa said, “but that is just such bullshit.”

“What is bullshit?” Chip said.

“This whole class,” she said. “It’s just bullshit every week. It’s one critic after another wringing their hands about the state of criticism. Nobody can ever quite say what’s wrong exactly. But they all know it’s evil. They all know ‘corporate’ is a dirty word. And if somebody’s having fun or getting rich—disgusting! Evil! And it’s always the death of this and the death of that. And people who think they’re free aren’t ‘really’ free. And people who think they’re happy aren’t ‘really’ happy. And it’s impossible to radically critique society anymore, although what’s so radically wrong with society that we need such a radical critique, nobody can say exactly. It is so typical and perfect that you hate those ads!” she said to Chip as, throughout Wroth Hall, bells finally rang. “Here things are getting better and better for women and people of color, and gay men and lesbians, more and more integrated and open, and all you can think about is some stupid, lame problem with signifiers and signifieds. Like, the only way you can make something bad out of an ad that’s great for women—which you have to do, because there has to be something wrong with everything—is to say it’s evil to be rich and evil to work for a corporation, and yes, I know the bell rang.” She closed her notebook.

“OK,” Chip said. “On that note. You’ve now satisfied your Cultural Studies core requirement. Have a great summer.”

He was powerless to keep the bitterness out of his voice. He bent over the video player and gave his attention to rewinding and re-cuing “You Go, Girl” and touching buttons for the sake of touching buttons. He sensed a few students lingering behind him, as if they wanted to thank him for teaching his heart out or to tell him they’d enjoyed the class, but he didn’t look up from the video player until the room was empty. Then he went home to Tilton Ledge and started drinking.

Melissa’s accusations had cut him to the quick. He’d never quite realized how seriously he’d taken his father’s injunction to do work that was “useful” to society. Criticizing a sick culture, even if the criticism accomplished nothing, had always felt like useful work. But if the supposed sickness wasn’t a sickness at all—if the great Materialist Order of technology and consumer appetite and medical science really was improving the lives of the formerly oppressed; if it was only straight white males like Chip who had a problem with this order—then there was no longer even the most abstract utility to his criticism. It was all, in Melissa’s word, bullshit.

Lacking the spirit to work on his new book, as he’d planned to do all summer, Chip bought an overpriced ticket to London and hitchhiked to Edinburgh and overstayed his welcome with a Scottish performance artist who had lectured and performed at D—— the previous winter. Eventually the woman’s boyfriend said, “Time to be off now, laddie,” and Chip hit the road with a backpack full of Heidegger and Wittgenstein that he was too lonely to read. He hated to think of himself as a man who couldn’t live without a woman, but he hadn’t been laid since Ruthie dumped him. He was the only male professor in D—— history to have taught Theory of Feminism, and he understood how important it was for women not to equate “success” with “having a man” and “failure” with “lacking a man,” but he was a lonely straight male, and a lonely straight male had no equivalently forgiving Theory of Masculinism to help him out of this bind, this key to all misogynies:

¶ To feel as if he couldn’t survive without a woman made a man feel weak;

¶ And yet, without a woman in his life, a man lost the sense of agency and difference that, for better or worse, was the foundation of his manhood.

On many a morning, in green Scottish places splashed with rain, Chip felt close to escaping this spurious bind and regaining a sense of self and purpose, only to find himself at four in the afternoon drinking beer at a train station, eating chips and mayonnaise, and hitting on Yankee college girls. As a seducer, he was hampered by ambivalence and by his lack of the Glaswegian accent that made American girls go weak in the knees. He scored exactly once, with a young hippie from Oregon who had ketchup stains on her chemise and a scalpy smell so overpowering that he spent much of the night breathing through his mouth.

His failures seemed more funny than squalid, though, when he came home to Connecticut and regaled his misfit friends with stories at his own expense. He wondered if somehow his Scottish depression had been the product of a greasy diet. His stomach heaved when he remembered the glistening wedges of browned whateverfish, the glaucous arcs of lipidy chips, the smell of scalp and deep-fry, or even just the words “Firth of Forth.”

At the weekly farmers’ market near D—— he loaded up on heirloom tomatoes, white eggplants, and thin-skinned golden plums. He ate arugula (“rocket,” the old farmers called it) so strong it made his eyes water, like a paragraph of Thoreau. As he remembered the Good and the Healthful, he began to recover his self-discipline. He weaned himself off alcohol, got better sleep, drank less coffee, and went to the college gym twice a week. He read the damned Heidegger and did his crunches every morning. Other pieces of the self-improvement puzzle fell into place, and for a while, as cool working weather returned to the Carparts Creek valley, he experienced an almost Thoreauvian well-being. Between sets on the tennis court, Jim Leviton assured him that his tenure review would be a mere formality—that he shouldn’t worry about competing with the department’s other young theorist, Vendla O’Fallon. Chip’s fall course load consisted of Renaissance Poetry and Shakespeare, neither of which required him to rethink his critical perspectives. As he girded himself for the last stage of his ascent of Mount Tenure, he was relieved to be traveling light; almost happy, after all, not to have a woman in his life.

He was at home on a Friday in September, making himself a dinner of broccoli rabe and acorn squash and fresh haddock and looking forward to a night of grading papers, when a pair of legs sashayed past his kitchen window. He knew this sashay. He knew the way Melissa walked. She couldn’t pass a picket fence without trailing her fingertips against it. She stopped in hallways to do dance steps or hopscotch. She went backwards or sideways, or skipped, or loped.

Her knock on his screen door was not apologetic. Through the screen he saw that she had a plate of cupcakes with pink frosting.

“Yeah, what’s up?” he said.

Melissa raised the plate on upturned palms. “Cupcakes,” she said. “Thought you might be needing some cupcakes in your life right around now.”

Not being theatrical, Chip felt disadvantaged around people who were. “Why are you bringing me cupcakes?” he said.

Melissa knelt and set the plate on his doormat among the pulverized remains of ivy and dead tulips. “I’ll just leave them here,” she said, “and you can do whatever you want with them. Goodbye!” She spread her arms and pirouetted off the doorstep and ran up the flagstone path on tiptoe.

Chip went back to wrestling with the haddock filet, through the center of which ran a blood-brown fault of gristle that he was determined to cut out. But the fish had a starchy grain and was hard to get a grip on. “Fuck you, little girl,” he said as he threw the knife into the sink.

The cupcakes were full of butter and frosted with a butter frosting. After he’d washed his hands and opened a bottle of Chardonnay he ate four of them and put the uncooked fish in the refrigerator. The skins of the overbaked squash were like inner-tube rubber. Cent Ans de Cinéma Erotique, an edifying video that had sat on a shelf for months without making a peep, suddenly demanded his immediate and full attention. He lowered the blinds and drank the wine, and brought himself off again and again, and ate two more cupcakes, detecting peppermint in them, a faint buttery peppermint, before he slept.

The next morning he was up at seven and did four hundred crunches. He immersed Cent Ans de Cinéma Erotique in dishwater and rendered it, so to speak, non-combustible. (He’d done this with many a pack of cigarettes while kicking the habit.) He had no idea what he’d meant when he’d thrown the knife into the sink. His voice had sounded nothing like him.

He went to his office in Wroth Hall and graded papers. He wrote in a margin: Cressida’s character may inform Toyota’s choice of product name; that Toyota’s Cressida informs the Shakespearean text requires more argument than you present here. He added an exclamation point to soften his criticism. Sometimes, when ripping apart especially feeble student work, he drew smiley faces.

Spell-check! he exhorted a student who’d written “Trolius” for “Troilus” throughout her eight-page paper.

And the ever-softening question mark. Beside the sentence “Here Shakespeare proves Foucault all too right about the historicity of morals,” Chip wrote: Rephrase? Perhaps: “Here the Shakespearean text seems almost to anticipate Foucault (better: Nietzsche?)…”?

He was still grading papers five weeks later, ten or fifteen thousand student errors later, on a windy night just after Halloween, when he heard a scrabbling outside his office door. Opening the door, he found a dime-store trick-or-treat bag hanging from the hall-side doorknob. The leaver of this gift, Melissa Paquette, was backpedaling up the hall.

“What are you doing?” he said.

“Just trying to be friends,” she said.

“Well, thanks,” he said. “I don’t get it.”

Melissa came back down the hall. She was wearing white painter’s overalls, a long-sleeve thermal undershirt, and hot-pink socks. “I went trick-or-treating,” she said. “This was like one-fifth of my haul.”

She stepped closer to Chip and he backed away. She followed him into his office and circled it on tiptoe, reading titles on his shelves. Chip leaned against his desk and folded his arms tightly.

“So I’m taking Theory of Feminism with Vendla,” Melissa said.

“That would be the logical next step. Now that you’ve rejected the nostalgic patriarchal tradition of critical theory.”

“Exactly my thinking,” Melissa said. “Unfortunately, her class is so bad. People who took it with you last year said it was great. But Vendla’s idea is that we should sit around and talk about our feelings. Because the Old Theory was about the head, see. And therefore the New True Theory has to be about the heart. I’m not convinced she’s even read all the stuff she assigns us.”

Through his open door Chip could see the door of Vendla O’Fallon’s office. It was papered with healthful images and adages—Betty Friedan in 1965, beaming Guatemalan peasant women, a triumphant female soccer star, a Bass Ale poster of Virginia Woolf, SUBVERT THE DOMINANT PARADIGM—that reminded him, in a dreary way, of his old girlfriend Tori Timmelman. His feeling about decorating doors was: What are we, high-school kids? Are these our bedrooms?

“So basically,” he said, “even though you thought my class was bullshit, it now seems like a superior brand of bullshit because you’re taking hers.”

Melissa blushed. “Basically! Except you’re a much better teacher. I mean, I learned a ton from you. That’s what I wanted to tell you.”

“Consider me told.”

“See, my mom and dad split up in April.” Melissa flung herself down on Chip’s college-issue leather sofa and assumed the full therapeutic position. “For a while it was kind of great that you were being so anti-corporate, and then suddenly it really, really irritated me. Like, my parents have a lot of money, and they’re not evil people, although my dad did just move in with this character named Vicki who’s like four years older than me. But he still loves my mom. I know he does. As soon as I was out of the house, things deteriorated a little, but I know he still loves her.”

“The college has a lot of services,” Chip said, arms folded, “for students going through these things.”

“Thanks. On the whole I’m doing brilliantly, except for having been rude to you in class that time.” Melissa hooked her heels on the arm of the sofa, pried her shoes off, and let them drop to the floor. Soft curves in thermal knitwear spilled out to either side of her overalls’ bib, Chip noticed.

“I had an excellent childhood,” she said. “My parents have always been my best friends. They homeschooled me till seventh grade. My mom was in med school in New Haven and my dad had this punk band, the Nomatics, that was touring, and at my mom’s first ever punk show she went out with my dad and ended up in his hotel room. She quit school, he quit the Nomatics, and they were never apart after that. Totally romantic. See, and my dad had some money from a trust fund, and it was really brilliant what they did then. There were all these new IPOs, and my mom was up on all the biotech and reading JAMA, and Tom—my dad—could vet the numbers part of it, and they just made really great investments. Clair—my mom—stayed home with me and we hung out all day, you know, and I learned my times tables, et cetera, and it was always just the three of us. They were so, so in love. And parties every weekend. And finally it occurred to us, we know everybody, and we’re really good investors, so why not start a mutual fund? Which we did. And it was incredible. It’s still a great fund. It’s called the Westportfolio Biofund Forty? We started some other funds, too, when the climate got more competitive. You kind of have to offer a full array of services. That’s what the institutional investors were telling Tom, at any rate. So he started these other funds, which unfortunately have pretty much tanked. I think that’s the big problem between him and Clair. Because her fund, the Biofund Forty, where she makes the picks, is still doing great. And now she’s heartbroken and depressed. She’s holed up in our house and she never goes out. Meanwhile Tom wants me to meet this Vicki person, who he says is ‘lots of fun’ and a roller blader. The thing is, we all know my mom and dad are made for each other. They complement each other perfectly. And I just think if you knew how cool it is to start a company, and how great it is when the money starts coming in, and how romantic it can be, you wouldn’t be so harsh.”

“Possibly,” Chip said.

“Anyway, I thought you’d be somebody I could talk to. On the whole I’m coping brilliantly, but I could kind of use a friend.”

“How’s Chad?” Chip said.

“A sweet boy. Good for about three weekends.” Melissa swung a leg off the sofa and planted a stockinged foot on Chip’s leg, close to his hip. “It’s hard to imagine two people less long-term compatible than him and me.”

Through his jeans Chip could feel the deliberate flexing of her toes. He was trapped against his desk, and so, to escape, he had to take hold of her ankle and swing her leg back onto the sofa. Her pink feet immediately grasped his wrist and pulled him toward her. It was all very playful, but his door was open, and his lights were on, and his blinds were raised, and somebody was in the hall. “Code,” he said, pulling free. “There’s a code.”

Melissa rolled off the sofa, stood up, and came closer. “It’s a stupid code,” she said. “If you care about somebody.”

Chip retreated to the doorway. Up the hall, by the department office, a tiny blue-uniformed woman with a Toltec face was vacuuming. “There are good reasons to have it,” he said.

“So I can’t even give you a hug now.”

“That’s right.”

“It’s stupid.” Melissa stepped into her shoes and joined Chip in the doorway. She kissed him on the cheek, near his ear. “So there.”

He watched her slide-step and pirouette down the hall and out of sight. He heard a fire door bang shut. He carefully examined every word he’d said, and he gave himself an A for correctness. But when he returned to Tilton Ledge, where the last of the utility lights had burned out, he was swamped by loneliness. To erase the tactile memory of Melissa’s kiss, and her lively warm feet, he phoned an old college friend in New York and made a date for lunch the next day. He took Cent Ans de Cinéma Erotique from the cabinet where, in expectation of a night like this, he’d stashed it after soaking it. The tape was still playable. The image was snowy, though, and during the first really hot bit, a hotel-room scene with a wanton chambermaid, the snow thickened to a blizzard and the screen went blue. The VCR made a dry, thin choking sound. Air, need air, it seemed to say. Tape had leaked out and wound itself around the machine’s endoskeleton. Chip extracted the cassette and several handfuls of Mylar, but then something broke and the machine spat up a plastic spool. Which, all right, these things happened. But the trip to Scotland had been a financial Waterloo, and he couldn’t afford a new VCR.

Nor was New York City, on a cold rainy Saturday, the treat he needed. Every sidewalk in lower Manhattan was dotted with the metallic squared spirals of antitheft badges. The badges were bonded to the wet pavement with the world’s strongest glue, and after Chip had bought some imported cheeses (he did this every time he visited New York to be sure of accomplishing at least one thing before returning to Connecticut, and yet it felt a little sad to buy the same baby Gruyère and Fourme d’Ambert at the same store; it brought him up against the more general failure of consumerism as an approach to human happiness), and after he’d lunched with his college friend (who had recently quit teaching anthropology and hired himself out to Silicon Alley as a “marketing psychologist” and who advised Chip, now, to wake up and do the same), he returned to his car and discovered that each of his plastic-wrapped cheeses was protected by its own antitheft badge and that, indeed, a fragment of antitheft badge had stuck to the bottom of his left shoe.

Tilton Ledge was glazed with ice and very dark. In the mail Chip found an envelope containing a short note from Enid lamenting Alfred’s moral failures (“he sits in that chair all day, every day”) and a lengthy profile of Denise, clipped from Philadelphia magazine, with a slavering review of her restaurant, Mare Scuro, and a full-page glamour photo of the young chef. Denise in the photo was wearing jeans and a tank top and was all muscled shoulders and satiny pecs (“Very young and very good: Lambert in her kitchen,” the caption read), and this was just the kind of girl-as-object horseshit, Chip thought bitterly, that sold magazines. A few years ago Enid’s letters had reliably contained a paragraph of despair about Denise and Denise’s failing marriage, with phrases like he is too OLD for her! double-underlined, and a paragraph festooned with thrilleds and prouds apropos of Chip’s hiring by D—— College, and although he knew that Enid was skilled at playing her children off against each other and that her praise was usually double-edged, he was dismayed that a woman as smart and principled as Denise had used her body for marketing purposes. He threw the clipping in the trash. He opened the Saturday half of the Sunday Times and—yes, he was contradicting himself, yes, he was aware of this—paged through the Magazine in search of ads for lingerie or swimwear to rest his weary eyes on. Finding none, he began to read the Book Review, where a memoir called Daddy’s Girl, by Vendla O’Fallon, was declared “astonishing” and “courageous” and “deeply satisfying” in St. Jude. The name Vendla O’Fallon was rather unusual, but Chip had been so completely unaware that Vendla was publishing a book that he refused to believe she’d written Daddy’s Girl until, near the end of the review, he encountered a sentence that began: “O’Fallon, who teaches at D—— College…”

He closed the Book Review and opened a bottle.

In theory both he and Vendla were in line for tenure in Textual Artifacts, but in practice the department was already overtenured. That Vendla commuted to work from New York (thus flouting the college’s informal requirement that faculty live in town), and that she skipped important meetings and taught every gut she could, had been steady sources of comfort to Chip. He still had the edge in scholarly publications, student evaluations, and support from Jim Leviton; but he found that two glasses of wine had no effect on him.

He was pouring himself his fourth when his telephone rang. It was Jim Leviton’s wife, Jackie. “I just wanted you to know,” Jackie said, “that Jim’s going to be OK.”

“Was something wrong?” Chip said.

“Well, he’s resting fine. We’re over at St. Mary’s.”

“What happened?”

“Chip, I asked him if he thought he could play tennis, and do you know what? He nodded! I said I was going to call you, and he nodded, yes, he was good for tennis. His motor skills appear to be fully normal. Fully—normal. And he’s lucid, that is the important thing. That is the really good news here, Chip. His eyes are bright. He’s the same old Jim.”

“Jackie, did he have a stroke?”

“There’ll be some rehabilitation,” Jackie said. “Obviously today will be his effective retirement date, which, Chip, as far as I’m concerned, is an absolute blessing. We can make some changes now, and in three years—well, it’s not going to take any three years for him to rehabilitate. When all is said and done, we’re going to be ahead of this game. His eyes are so bright, Chip. He’s the same old Jim!”

Chip rested his forehead against his kitchen window and turned his head so that he could open one eye directly against the cold, damp glass. He knew what he was going to do.

“The same old lovable Jim!” Jackie said.

The following Thursday, Chip made dinner for Melissa and had sex with her on his red chaise longue. He’d taken a fancy to the chaise back in the days when dropping eight hundred dollars on an antique-store impulse was somewhat less suicidal financially. The chaise’s backrest was angled in erotic invitation, its padded shoulders thrown back, its spine arching; the plush of its chest and belly looked ready to burst the fabric buttons that crisscrossed it. Breaking his initial clinch with Melissa, Chip excused himself for one second to turn off lights in the kitchen and stop in the bathroom. When he returned to the living room, he found her stretched out on the chaise wearing only the pants half of her plaid polyester leisure suit. In the dim light she could have been a hairless, heavy-titted man. Chip, who much preferred queer theory to queer practice, basically hated the suit and wished she hadn’t worn it. Even after she’d taken off the pants there was a residue of gender confusion on her body, not to mention the rank b.o. that was the bane of synthetic fabrics. But from her underpants, which to his relief were delicate and sheer—distinctly gendered—an affectionate warm rabbit came springing, a kicking wet autonomous warm animal. It was almost more than he could handle. He hadn’t slept two hours in the previous two nights, and he had a head full of wine and a gut full of gas (he couldn’t remember why he’d made a cassoulet for dinner; possibly for no good reason), and he worried that he hadn’t locked the front door—that there was a gap in the blinds somewhere, that one of his neighbors would drop by and try the door and find it unlocked or peer in through the window and see him flagrantly violating Sections I, II, and VI of a code that he himself had helped draft. Altogether for him it was a night of anxiety and effortful concentration, punctuated by little stabs of throttled pleasure, but at least Melissa seemed to find it exciting and romantic. Hour after hour, she wore a big crinkled U of a smile.

It was Chip’s proposal, after a second extremely stressful tryst at Tilton Ledge, that he and Melissa leave campus for the weeklong Thanksgiving break and find a cottage on Cape Cod where they wouldn’t feel observed and judged; and it was Melissa’s proposal, as they departed through D——’s little-used eastern gate under cover of darkness, that they stop in Middletown and buy drugs from a high-school friend of hers at Wesleyan. Chip waited in front of Wesleyan’s impressively weatherproofed Ecology House and drummed on the steering wheel of his Nissan, drummed so hard his fingers throbbed, because it was important not to think about what he was doing. He’d left behind mountains of ungraded papers and exams, and he had not yet managed to visit Jim Leviton in the rehab unit. That Jim had lost his powers of speech and now impotently strained his jaw and lips to form words—that he’d become, according to reports from colleagues who’d visited him, an angry man—made Chip all the more reluctant to visit. He was in the mode now of avoiding anything that might make him experience an emotion. He beat on the steering wheel until his fingers were stiff and burning and Melissa came out of the Ecology House. She brought into the car a smell of woodsmoke and frozen flower beds, the smell of an affair in late autumn. She put into Chip’s palm a golden caplet marked with what appeared to be the old Midland Pacific Railroad logo—without the text. “Take this,” she told him, closing the door.

“This is? Some kind of Ecstasy?”

“No. Mexican A.”

Chip felt culturally anxious. Not long ago, there had been no drugs he hadn’t heard of. “What does it do?”

“Nothing and everything,” she said, swallowing one herself. “You’ll see.”

“How much do I owe you for this?”

“Never mind that.”

For a while the drug did seem, as promised, to do nothing. But on the industrial outskirts of Norwich, still two or three hours from the Cape, he turned down the trip hop that Melissa was playing on his stereo and said, “We have to stop immediately and fuck.”

She laughed. “I guess so.”

“Why don’t I pull over,” he said.

She laughed again. “No, let’s find a room.”

They stopped at a Comfort Inn that had lost its franchise and now called itself the Comfort Valley Lodge. The night clerk was obese and her computer was down. She manually registered Chip with the labored breathing of someone lately stranded by a systems malfunction. Chip put his hand on Melissa’s belly and was about to reach into her pants when it occurred to him that fingering a woman in public was inappropriate and might cause trouble. For similar, purely rational reasons he suppressed the impulse to pull his dick out of his pants and show it to the wheezing, perspiring clerk. But he did think the clerk would be interested in seeing it.

He took Melissa down on the cigarette-divoted carpeting of Room 23 without even shutting the door.

“It is so much better like this!” Melissa said, kicking the door shut. She yanked her pants down and practically wailed with delight, “This is so much better!”

He didn’t dress all weekend. The towel he was wearing when he took delivery of a pizza fell open before the delivery man could turn away. “Hey, love, it’s me,” Melissa said into her cell phone while Chip lay down behind her and went at her. She kept her phone arm free and made supportive filial noises. “Uh-huh … Uh-huh … Sure, sure … No, that’s hard, Mom … No, you’re right, that is hard … Sure … Sure … Uh-huh … Sure … That’s really, really hard,” she said, with a twinkle in her voice, as Chip sought leverage for an extra sweet half inch of penetration while he shot. On Monday and Tuesday he dictated large chunks of a term paper on Carol Gilligan which Melissa was too annoyed with Vendla O’Fallon to write by herself. His near-photographic recall of Gilligan’s arguments, his total mastery of theory, got him so excited that he began to tease Melissa’s hair with his erection. He ran the head of it up and down the keyboard of her computer and applied a gleaming smudge to the liquid-crystal screen. “Darling,” she said, “don’t come on my computer.” He nudged her cheeks and ears and tickled her armpits and finally backed her up against the bathroom door while she bathed him in her cherry-red smile.

Each night around dinnertime, for four nights running, she went to her luggage and got two more golden caplets. Then on Wednesday Chip took her to a cineplex and they sneaked into an extra movie and a half for the price of the original matinee bargain. Back at the Comfort Valley Lodge, after a late pancake dinner, Melissa called her mother and spoke at such length that Chip fell asleep without swallowing a caplet.

He awoke on Thanksgiving in the gray light of his undrugged self. For a while, as he lay listening to the sparse holiday traffic on Route 2, he couldn’t place what was different. Something about the body beside him was making him uneasy. He considered turning and burying his face in Melissa’s back, but it seemed to him she must be sick of him. He could hardly believe she hadn’t minded his attacks on her, all his pushing and pawing and poking. That she didn’t feel like a piece of meat that he’d been using.

In a matter of seconds, like a market inundated by a wave of panic selling, he was plunged into shame and self-consciousness. He couldn’t bear to stay in bed a moment longer. He pulled on his shorts and snagged Melissa’s toiletries kit and locked himself in the bathroom.

His problem consisted of a burning wish not to have done the things he’d done. And his body, its chemistry, had a clear instinctive understanding of what he had to do to make this burning wish go away. He had to swallow another Mexican A.

He searched the toiletries kit exhaustively. He wouldn’t have thought it possible to feel dependent on a drug with no hedonic kick, a drug that on the evening of his fifth and final dose he hadn’t even craved. He uncapped Melissa’s lipsticks and removed twin tampons from their pink plastic holder and probed with a bobby pin down through her jar of skin cleanser. Nothing.

He took the kit back out to the main room, which was fully light now, and whispered Melissa’s name. Receiving no answer, he dropped to his knees and rifled her canvas travel bag. Paddled his fingers in the empty cups of bras. Squeezed her sock balls. Touched the various private pouches and compartments of the bag. This new and different violation of Melissa was sensationally painful to him. In the orange light of his shame he felt as if he were abusing her internal organs. He felt like a surgeon atrociously fondling her youthful lungs, defiling her kidneys, sticking his finger in her perfect, tender pancreas. The sweetness of her little socks, and the thought of the even littler socks of her all too proximate girlhood, and the image of a hopeful bright romantic sophomore packing clothes for a trip with her esteemed professor—each sentimental association added fuel to his shame, each image recalled him to the unfunny raw comedy of what he’d done to her. The jismic grunting butt-oink. The jiggling frantic nut-swing.

By now his shame was boiling so furiously it felt liable to burst things in his brain. Nevertheless, while keeping a close eye on Melissa’s sleeping form, he managed to paw her clothing a second time. Only after he’d resqueezed and rehandled each piece of it did he conclude that the Mexican A was in the big zippered outer pocket of her bag. This zipper he eased open tooth by tooth, clenching his own teeth to survive the noise of it. He’d worked the pocket open just far enough to push his hand through it (and the stress of this latest of his penetrations released fresh gusts of flammable memory; he felt mortified by each of the manual liberties he’d taken with Melissa here in Room 23, by the insatiable lewd avidity of his fingers; he wished he could have left her alone) when the cell phone on the nightstand tinkled and with a groan she came awake.

He snatched his hand from the forbidden place, ran to the bathroom, and took a long shower. By the time he came out, Melissa was dressed and had repacked her bag. She looked utterly uncarnal in the morning light. She was whistling a happy tune.

“Darling, a change of plans,” she said. “My father, who really is a lovely man, is coming out to Westport for the day. I want to go be with them.”

Chip wished he could fail to feel the shame that she was failing to feel; but to beg for another pill was acutely embarrassing. “What about our dinner?” he said.

“I’m sorry. It’s just really important that I be there.”

“So it’s not enough to be on the phone with them for a couple of hours every day.”

“Chip, I’m sorry. But we’re talking about my best friends.”

Chip had never liked the sound of Tom Paquette: a dilettante rocker and trust-fund baby who ditched his family for a roller blader. And in the last few days Clair’s boundless capacity to yak about herself while Melissa listened had turned Chip against her, too.

“Great,” he said. “I’ll take you to Westport.”

Melissa flipped her hair so that it fanned across her back. “Darling? Don’t be mad.”

“If you don’t want to go to the Cape, you don’t want to go to the Cape. I’ll take you to Westport.”

“Good. Are you going to get dressed?”

“It’s just that, Melissa, you know, there’s something a little sick about being so close to your parents.”

She seemed not to have heard him. She went to the mirror and applied mascara. She put on lipstick. Chip stood in the middle of the room with a towel around his waist. He felt warty and egregious. He felt that Melissa was right to be disgusted by him. And yet he wanted to be clear.

“Do you understand what I’m saying?”

“Darling. Chip.” She pressed her painted lips together. “Get dressed.”

“I’m saying, Melissa, that children are not supposed to get along with their parents. Your parents are not supposed to be your best friends. There’s supposed to be some element of rebellion. That’s how you define yourself as a person.”

“Maybe it’s how you define yourself,” she said. “But then you’re not exactly an advertisement for happy adulthood.”

He grinned and bore this.

“I like myself,” she said. “But you don’t seem to like yourself so much.”

“Your parents seem very fond of themselves, too,” he said. “You seem very fond of yourselves as a family.”

He’d never seen Melissa really angry. “I love myself,” she said. “What’s wrong with that?”

He was unable to say what was wrong with it. He was unable to say what was wrong with anything about Melissa—her self-adoring parents, her theatricality and confidence, her infatuation with capitalism, her lack of good friends her own age. The feeling he’d had on the last day of Consuming Narratives, the feeling that he was mistaken about everything, that there was nothing wrong with the world and nothing wrong with being happy in it, that the problem was his and his alone, returned with such force that he had to sit down on the bed.

“What’s our drug situation?”

“We’re out,” Melissa said.

“OK.”

“I got six of them and you’ve had five.”

“What?”

“And it was a big mistake, evidently, not to give you all six.”

“What have you been taking?”

“Advil, darling.” Her tone with this endearment had moved beyond the arch to the outright ironic. “For saddle soreness?”

“I never asked you to get that drug,” he said.

“Not in so many words,” she said.

“What do you mean by that?”

“Well, a fat lot of fun we were going to have without it.”

Chip didn’t ask her to explain. He was afraid she meant he’d been a lousy, anxious lover until he took Mexican A. He had, of course, been a lousy, anxious lover; but he’d allowed himself to hope she hadn’t noticed. Under the weight of this fresh shame, and with no drug left in the room to alleviate it, he bowed his head and pressed his hands into his face. Shame was pushing down and rage was boiling up.

“Are you going to drive me to Westport?” Melissa said.

He nodded, but she must not have been looking at him, because he heard her flipping through a phone book. He heard her tell a dispatcher she needed a ride to New London. He heard her say: “The Comfort Valley Lodge. Room twenty-three.”

“I’ll drive you to Westport,” he said.

She shut the phone. “No, this is fine.”

“Melissa. Cancel the cab. I’ll drive you.”

She parted the room’s rear curtains, exposing a vista of Cyclone fencing, stick-straight maples, and the back side of a recycling plant. Eight or ten snowflakes drifted dismally. In the eastern sky was a raw patch where the cloud cover was abraded, the white sun wearing through. Chip dressed quickly while Melissa’s back was turned. If he hadn’t been so strangely full of shame, he might have gone to the window and put his hands on her, and she might have turned and forgiven him. But his hands felt predatory. He imagined her recoiling, and he wasn’t entirely convinced that some dark percentage of his being didn’t really want to rape her, to make her pay for liking herself in a way he couldn’t like himself. How he hated and how he loved the lilt in her voice, the bounce in her step, the serenity of her amour propre! She got to be her and he didn’t. And he could see that he was ruined—that he didn’t like her but would miss her disastrously.

She dialed another number. “Hey, love,” she said into her cell phone. “I’m on my way to New London. I’ll take the first train that comes … No, I just want to be with you guys … Totally … Yes, totally…OK, kiss kiss, I’ll see you when I see you … Yep.”

A car honked outside the door.

“There’s my cab,” she told her mother. “Right, OK. Kiss kiss. Bye.”

She shrugged into her jacket, lifted her bag, and waltzed across the room. At the door she announced in a general way that she was leaving. “I’ll see you later,” she said, almost looking at Chip.

He couldn’t figure out if she was immensely well adjusted or seriously messed up. He heard a cab door slam, an engine rumble. He went to the front window and got a glimpse of her cherrywood hair through the rear window of a red-and-white cab. He decided, after five years without, that the time had come to buy some cigarettes.

He put on a jacket and crossed expanses of cold asphalt indifferent to pedestrians. He pushed money through a slot in the bulletproof glass of a minimart.

It was the morning of Thanksgiving. The flurries had stopped and the sun was halfway out. A gull’s wings rattled and clacked. The breeze had a ruffly quality, it didn’t quite seem to touch the ground. Chip sat on a freezing guardrail and smoked and took comfort in the sturdy mediocrity of American commerce, the unpretending metal and plastic roadside hardware. The thunk of a gas-pump nozzle halting when a tank was filled, the humility and promptness of its service. And a 99¢ Big Gulp banner swelling with wind and sailing nowhere, its nylon ropes whipping and pinging on a galvanized standard. And the black sanserif numerals of gasoline prices, the company of so many 9s. And American sedans moving down the access road at nearly stationary speeds like thirty. And orange and yellow plastic pennants shivering overhead on guys.

“Dad fell down the basement stairs again,” Enid said while the rain came down in New York City. “He was carrying a big box of pecans to the basement and he didn’t hold the railing and he fell. Well, you can imagine how many pecans are in a twelve-pound box. Those nuts rolled everywhere. Denise, I spent half a day on my hands and knees. And I’m still finding them. They’re the same color as those crickets we can’t get rid of. I reach down to pick up a pecan, and it jumps in my face!”

Denise was trimming the stems of the sunflowers she’d brought. “Why was Dad carrying twelve pounds of pecans down the basement stairs?”

“He wanted a project he could work on in his chair. He was going to shell them.” Enid hovered at Denise’s shoulder. “Is there something I can do here?”

“You can find me a vase.”

The first cabinet that Enid opened contained a carton of wine-bottle corks and nothing else. “I don’t understand why Chip invited us here if he wasn’t even going to eat lunch with us.”

“Conceivably,” Denise said, “he didn’t plan on getting dumped this morning.”

Denise’s tone of voice was forever informing Enid that she was stupid. Denise was not, Enid felt, a very warm or giving person. However, Denise was a daughter, and a few weeks ago Enid had done a shameful thing that she was now in serious need of confessing to somebody, and she hoped Denise might be that person.

“Gary wants us to sell the house and move to Philadelphia,” she said. “Gary thinks Philadelphia makes sense because he’s there and you’re there and Chip’s in New York. I said to Gary, I love my children, but St. Jude is where I’m comfortable. Denise, I’m a midwesterner. I’d be lost in Philadelphia. Gary wants us to sign up for assisted living. He doesn’t understand that it’s already too late. Those places won’t let you in if you have a condition like Dad’s.”

“But if Dad keeps falling down the stairs.”

“Denise, he doesn’t hold the railing! He refuses to accept that he shouldn’t be carrying things on the stairs.”

Underneath the sink Enid found a vase behind a stack of framed photographs, four pictures of pinkish furry things, some sort of kooky art or medical photos. She tried to reach past them quietly, but she knocked over an asparagus steamer that she’d given Chip for Christmas once. As soon as Denise looked down, Enid could not pretend she hadn’t seen the pictures. “What on earth?” she said, scowling. “Denise, what are these?”

“What do you mean, ‘what are these?’?”

“Some sort of kooky thing of Chip’s, I guess.”

Denise had an “amused” expression that drove Enid crazy. “Obviously you know what they are, though.”

“No. I don’t.”

“You don’t know what they are?”

Enid took the vase out and closed the cabinet. “I don’t want to know,” she said.

“Well, that’s something else entirely.”

In the living room, Alfred was summoning the courage to sit down on Chip’s chaise longue. Not ten minutes ago, he’d sat down on it without incident. But now, instead of simply doing it again, he’d stopped to think. He’d realized only recently that at the center of the act of sitting down was a loss of control, a blind backwards free fall. His excellent blue chair in St. Jude was like a first baseman’s glove that gently gathered in whatever body was flung its way, at whatever glancing angle, with whatever violence; it had big helpful ursine arms to support him while he performed the crucial blind pivot. But Chip’s chaise was a low-riding, impractical antique. Alfred stood facing away from it and hesitated, his knees bent to the rather small degree that his neuropathic lower legs permitted, his hands scooping and groping in the air behind him. He was afraid to take the plunge. And yet there was something obscene about standing half-crouched and quaking, some association with the men’s room, some essential vulnerability which felt to him at once so poignant and degraded that, simply to put an end to it, he shut his eyes and let go. He landed heavily on his bottom and continued on over backwards, coming to rest with his knees in the air above him.

“Al, are you all right?” Enid called.

“I don’t understand this furniture,” he said, struggling to sit up and sound powerful. “Is this meant to be a sofa?”

Denise came out and put a vase of three sunflowers on the spindly table by the chaise. “It’s like a sofa,” she said. “You can put your legs up and be a French philosophe. You can talk about Schopenhauer.”

Alfred shook his head.

Enid enunciated from the kitchen doorway, “Dr. Hedgpeth says you should only sit in high, straight-backed chairs.”

Since Alfred showed no interest in these instructions, Enid repeated them to Denise when she returned to the kitchen. “High, straight-backed chairs only,” she said. “But Dad won’t listen. He insists on sitting in his leather chair. Then he shouts for me to come and help him get up. But if I hurt my back, then where are we? I put one of those nice old ladder-back chairs by the TV downstairs and told him sit here. But he’d rather sit in his leather chair, and then to get out of it he slides down the cushion until he’s on the floor. Then he crawls on the floor to the Ping-Pong table and uses the Ping-Pong table to hoist himself up.”

“That’s actually pretty resourceful,” Denise said as she took an armload of food from the refrigerator.

“Denise, he’s crawling across the floor. Rather than sit in a nice, comfortable straight-backed chair which the doctor says it’s important that he sit in, he crawls across the floor. He shouldn’t be sitting so much to begin with. Dr. Hedgpeth says his condition is not at all severe if he would just get out and do a little. Use it or lose it, that’s what every doctor says. Dave Schumpert has had ten times more health problems than Dad, he’s had a colostomy for fifteen years, he’s got one lung and a pacemaker, and look at all the things that he and Mary Beth are doing. They just got back from snorkeling in Fiji! And Dave never complains, never complains. You probably don’t remember Gene Grillo, Dad’s old friend from Hephaestus, but he has bad Parkinson’s—much, much worse than Dad’s. He’s still at home in Fort Wayne but in a wheelchair now. He’s really in awful shape, but, Denise, he’s interested in things. He can’t write anymore but he sent us an ‘audio letter’ on a cassette tape, really thoughtful, where he talks about each of his grandchildren in detail, because he knows his grandkids and takes an interest in them, and about how he’s started to teach himself Cambodian, which he calls Khmer, from listening to a tape and watching the Cambodian (or Khmer, I guess) TV channel in Fort Wayne, because their youngest son is married to a Cambodian woman, or Khmer, I guess, and her parents don’t speak any English and Gene wants to be able to talk to them a little. Can you believe? Here Gene is in a wheelchair, completely crippled, and he’s still thinking about what he can do for somebody else! While Dad, who can walk, and write, and dress himself, does nothing all day but sit in his chair.”

“Mother, he’s depressed,” Denise said in a low voice, slicing bread.

“That’s what Gary and Caroline say, too. They say he’s depressed and he should take a medication. They say he was a workaholic and that work was a drug which when he couldn’t have it anymore he got depressed.”

“So drug him and forget him. A convenient theory.”

“That’s not fair to Gary.”

“Don’t get me started on Gary and Caroline.”

“Golly, Denise, the way you throw that knife around I don’t see how you haven’t lost a finger.”

From the end of a French loaf Denise had made three little crust-bottomed vehicles. On one she set shavings of butter curved like sails full of wind, into another she loaded Parmesan shards packed in an excelsior of shredded arugula, and the third she paved with minced olive meat and olive oil and covered with a thick red tarp of pepper.

Enid spoke—“Mm, don’t those look nice”—as she reached, cat-quick, for the plate on which Denise had arranged the snacks. But the plate eluded Enid.

“These are for Dad.”

“Just a corner of one.”

“I’ll make some more for you.”

“No, I just want one corner of his.”

But Denise left the kitchen and took the plate to Alfred, for whom the problem of existence was this: that, in the manner of a wheat seedling thrusting itself up out of the earth, the world moved forward in time by adding cell after cell to its leading edge, piling moment on moment, and that to grasp the world even in its freshest, youngest moment provided no guarantee that you’d be able to grasp it again a moment later. By the time he’d established that his daughter, Denise, was handing him a plate of snacks in his son Chip’s living room, the next moment in time was already budding itself into a pristinely ungrasped existence in which he couldn’t absolutely rule out the possibility, for example, that his wife, Enid, was handing him a plate of feces in the parlor of a brothel; and no sooner had he reconfirmed Denise and the snacks and Chip’s living room than the leading edge of time added yet another layer of new cells, so that he again faced a new and ungrasped world; which was why, rather than exhaust himself playing catch-up, he preferred more and more to spend his days down among the unchanging historical roots of things.

“Something to tide you while I get lunch,” Denise said.

Alfred gazed with gratitude at the snacks, which were holding about ninety percent steady as food, flickering only occasionally into objects of similar size and shape.

“Maybe you’d like a glass of wine?”

“Not necessary,” he said. As the gratitude spread outward from his heart—as he was moved—his clasped hands and lower arms began to bounce more freely on his lap. He tried to find something in the room that didn’t move him, something he could rest his eyes on safely; but because the room was Chip’s and because Denise was standing in it, every fixture and every surface—even a radiator knob, even a thigh-level expanse of faintly scuffed wall—was a reminder of the separate, eastern worlds in which his children led their lives and hence of the various vast distances that separated him from them; which made his hands shake all the more.

That the daughter whose attentions most aggravated his affliction was the person he least wanted to be seen by in the grip of this affliction was the sort of Devil’s logic that confirmed a man’s pessimism.

“I’ll leave you alone for a minute,” Denise said, “while I get the lunch going.”

He closed his eyes and thanked her. As if waiting for a break in a downpour so that he could run from his car into a grocery store, he waited for a lull in his tremor so that he could reach out and safely eat what she’d brought him.

His affliction offended his sense of ownership. These shaking hands belonged to nobody but him, and yet they refused to obey him. They were like bad children. Unreasoning two-year-olds in a tantrum of selfish misery. The more sternly he gave orders, the less they listened and the more miserable and out of control they got. He’d always been vulnerable to a child’s recalcitrance and refusal to behave like an adult. Irresponsibility and undiscipline were the bane of his existence, and it was another instance of that Devil’s logic that his own untimely affliction should consist of his body’s refusal to obey him.

If thy right hand offend thee, Jesus said, cut it off.

As he waited for the tremor to abate—as he watched his hands’ jerking rowing motions impotently, as if he were in a nursery with screaming misbehaving infants and had lost his voice and couldn’t make them quiet down—Alfred took pleasure in the imagination of chopping his hand off with a hatchet: of letting the transgressing limb know how deeply he was angry with it, how little he loved it if it insisted on disobeying him. It brought a kind of ecstasy to imagine the first deep bite of the hatchet’s blade in the bone and muscle of his offending wrist; but along with the ecstasy, right beside it, was an inclination to weep for this hand that was his, that he loved and wished the best for, that he’d known all its life.

He was thinking about Chip again without noticing it.

He wondered where Chip had gone. How he’d driven Chip away again.

Denise’s voice and Enid’s voice in the kitchen were like a larger bee and a smaller bee trapped behind a window screen. And his moment came, the lull that he’d been waiting for. Leaning forward and steadying his taking hand with his supporting hand, he grasped the butter-sailed schooner and got it off the plate, bore it aloft without capsizing it, and then, as it floated and bobbed, he opened his mouth and chased it down and got it. Got it. Got it. The crust cut his gums, but he kept the whole thing in his mouth and chewed carefully, giving his sluggish tongue wide berth. The sweet butter melting, the feminine softness of baked leavened wheat. There were chapters in Hedgpeth’s booklets that even Alfred, fatalist and man of discipline that he was, couldn’t bring himself to read. Chapters devoted to the problems of swallowing; to the late torments of the tongue; to the final breakdown of the signal system…

The betrayal had begun in Signals.

The Midland Pacific Railroad, where for the last decade of his career he’d run the Engineering Department (and where, when he’d given an order, it was carried out, Mr. Lambert, right away, sir), had served hundreds of one-elevator towns in west Kansas and west and central Nebraska, towns of the kind that Alfred and his fellow executives had grown up in or near, towns that in their old age seemed the sicker for the excellent health of the Midpac tracks running through them. Although the railroad’s first responsibility was to its stockholders, its Kansan and Missourian officers (including Mark Jamborets, the corporation counsel) had persuaded the Board of Managers that because a railroad was a pure monopoly in many hinterland towns, it had a civic duty to maintain service on its branches and spurs. Alfred personally had no illusions about the economic future of prairie towns where the median age was fifty-plus, but he believed in rail and he hated trucks, and he knew firsthand what scheduled service meant to a town’s civic pride, how the whistle of a train could raise the spirits on a February morning at 41°N 101°W; and in his battles with the EPA and various DOTs he’d learned to appreciate rural state legislators who could intercede on your behalf when you needed more time to clean up your waste-oil tanks in the Kansas City yards, or when some goddamned bureaucrat was insisting that you pay for forty percent of a needless grade-separation project at Country Road H. Years after the Soo Line and Great Northern and Rock Island had stranded dead and dying towns all across the northern Plains, then, the Midpac had persisted in running short semiweekly or even biweekly trains through places like Alvin and Pisgah Creek, New Chartres and West Centerville.

Unfortunately, this program had attracted predators. In the early 1980s, as Alfred neared retirement, the Midpac was known as a regional carrier that despite outstanding management and lush profit margins on its long-haul lines had very ordinary earnings. The Midpac had already repulsed one unwelcome suitor when it came under the acquisitive gaze of Hillard and Chauncy Wroth, fraternal twin brothers from Oak Ridge, Tennessee, who had expanded a family meat-packing business into an empire of the dollar. Their company, the Orfic Group, included a chain of hotels, a bank in Atlanta, an oil company, and the Arkansas Southern Railroad. The Wroths had lopsided faces and dirty hair and no discernible desires or interests apart from making money; Oak Ridge Raiders, the financial press called them. At an early exploratory meeting that Alfred attended, Chauncy Wroth persisted in addressing the Midpac’s CEO as “Dad”: I’m well aware it don’t seem like “fair play” to you, DAD … Well, DAD, why don’t you and your lawyers go ahead and have that little chat right now … Gosh, and here Hillard and myself was under the impression, DAD, that you’re operating a business, not a charity … This kind of anti-paternalism played well with the railroad’s unionized workforce, which after months of arduous negotiations voted to offer the Wroths a package of wage and work-rule concessions worth almost $200 million; with these prospective savings in hand, plus twenty-seven percent of the railroad’s stock, plus limitless junk financing, the Wroths made an irresistible tender offer and bought the railroad outright. A former Tennessee highway commissioner, Fenton Creel, was hired to merge the railroad with the Arkansas Southern. Creel shut down the Midpac’s headquarters in St. Jude, fired or retired a third of its employees, and moved the rest to Little Rock.

Alfred retired two months before his sixty-fifth birthday. He was at home watching Good Morning America in his new blue chair when Mark Jamborets, the Midpac’s retired corporation counsel, called with the news that a sheriff in New Chartres (pronounced “Charters”), Kansas, had had himself arrested for shooting an employee of Orfic Midland. “The sheriff’s name is Bryce Halstrom,” Jamborets told Alfred. “He got a call that some roughnecks were trashing Midpac signal wires. He went over to the siding and saw three fellows ripping down the wire, smashing signal boxes, coiling up anything copper. One of them took a county bullet in his hip before the others made Halstrom understand they were working for the Midpac. Hired for copper salvage at sixty cents a pound.”

“But that’s a good new system,” Alfred said. “It’s not three years since we upgraded the whole New Chartres spur.”

“The Wroths are scrapping everything but the trunk lines,” Jamborets said. “They’re junking the Glendora cutoff! You think the Atchison, Topeka wouldn’t make a bid on that?”

“Well,” Alfred said.

“It’s a Baptist morality gone sour,” said Jamborets. “The Wroths can’t abide that we admitted any principle but the ruthless pursuit of profit. I’m telling you: they hate what they can’t comprehend. And now they’re sowing salt in the fields. Close down headquarters in St. Jude? When we’re twice the size of Arkansas Southern? They’re punishing St. Jude for being the home of the Midland Pacific. And Creel’s punishing the towns like New Chartres for being Midpac towns. He’s sowing salt in the fields of the financially unrighteous.”

“Well,” Alfred said again, his eyes drawn to his new blue chair and its delicious potential as a sleep site. “Not my concern anymore.”

But he’d worked for thirty years to make the Midland Pacific a strong system, and Jamborets continued to call him and send him news reports of fresh Kansan outrages, and it all made him very sleepy. Soon hardly a branch or spur in Midpac’s western district remained in service, but apparently Fenton Creel was satisfied with pulling down the signal wires and gutting the boxes. Five years after the takeover, the rails were still in place, the right-of-way was undisposed of. Only the copper nervous system, in an act of corporate self-vandalism, had been dismantled.

“And now I’m worried about our health insurance,” Enid told Denise. “Orfic Midland is switching all the old Midpac employees to managed care no later than April. I have to find an HMO that has some of Dad’s and my doctors on their list. I’m deluged with prospectuses, where the differences are all in the fine print, and honestly, Denise, I don’t think I can handle this.”

As if to forestall being asked for help, Denise quickly said: “What plans does Hedgpeth accept?”

“Well, except for his old fee-for-service patients, like Dad, he’s exclusive now with Dean Driblett’s HMO,” Enid said. “I told you about the big party at Dean’s gorgeous, huge new house. Dean and Trish really are about the nicest young couple I know, but golly, Denise, I called his company last year after Dad fell down on the lawn mower, and you know what they wanted for cutting our little lawn? Fifty-five dollars a week! I’m not opposed to profit, I think it’s wonderful that Dean’s successful, I told you about his trip to Paris with Honey, I’m not saying anything against him. But fifty-five dollars a week!”

Denise sampled Chip’s green-bean salad and reached for the olive oil. “What would it cost to stay with fee-for-service?”

“Denise, hundreds of dollars a month extra. Not one of our good friends has managed care, everybody has fee-for-service, but I don’t see how we can afford it. Dad was so conservative with his investments, we’re lucky to have any cushion for emergencies. And this is something else I’m very, very, very, very worried about.” Enid lowered her voice. “One of Dad’s old patents is finally paying off, and I need your advice.”

She stepped out of the kitchen and made sure that Alfred couldn’t hear. “Al, how are you doing?” she shouted.

He was cradling his second hors d’oeuvre, the little green boxcar, below his chin. As if he’d captured a small animal that might escape again, he shook his head without looking up.

Enid returned to the kitchen with her purse. “He finally has a chance to make some money, and he’s not interested. Gary talked to him on the phone last month and tried to get him to be a little more aggressive, but Dad blew up.”

Denise stiffened. “What was Gary wanting you to do?”

“Just be a little more aggressive. Here, I’ll show you the letter.”

“Mother, those patents are Dad’s. You have to let him handle it however he wants.”

Enid hoped that the envelope at the bottom of her purse might be the missing Registered letter from the Axon Corporation. In her purse, as in her house, lost objects did sometimes marvelously resurface. But the envelope she found was the original Certified letter, which had never been lost.

“Read this,” she said, “and see if you agree with Gary.”

Denise set down the can of cayenne pepper with which she’d dusted Chip’s salad. Enid stood at her shoulder and reread the letter to make sure it still said what she remembered.

Dear Dr. Lambert:

On behalf of the Axon Corporation, 24 East Industrial Serpentine, Schwenksville, Pennsylvania, I’m writing to offer you a lump sum payment of five thousand dollars ($5000.00) for the full, exclusive, and irrevocable right to United States Patent #4,934,417 (THERAPEUTIC FERROACETATE-GEL ELECTROPOLYMERIZATION), for which you are original and sole holder of license.

The management of Axon regrets that it cannot offer you a larger fee. The company’s own product is in the earliest stages of testing, and there is no guarantee that its investment will bear fruit.

If the terms outlined in the attached Licensing Agreement are acceptable, please sign and have notarized all three copies and return them to me no later than September 30.

Sincerely yours,

Joseph K. Prager

Senior Associate Partner

Bragg Knuter & Speigh

When this letter had arrived in the mail in August and Enid had awakened Alfred in the basement, he’d shrugged and said, “Five thousand dollars won’t change the way we live.” Enid had suggested that they write to the Axon Corporation and ask for a larger fee, but Alfred shook his head. “We’ll have soon spent five thousand dollars on a lawyer,” he said, “and then where are we?” It didn’t hurt to ask, though, Enid said. “I will not ask,” Alfred said. But if he just wrote back, Enid said, and asked for ten thousand … She fell silent as Alfred fixed her with a look. She might as well have proposed that they make love.

Denise had taken a bottle of wine from the refrigerator, as if to underline her indifference to a matter of consequence to Enid. Sometimes Enid believed that Denise had disdain for every last thing she cared about. The sexual tightness of Denise’s blue jeans, as she bumped a drawer shut with her hip, sent this message. The assurance with which she drove a corkscrew into the cork sent this message. “Do you want some wine?”

Enid shuddered. “It’s so early in the day.”

Denise drank it like water. “Knowing Gary,” she said, “I’m guessing he said try to gouge them.”

“No, well, see—” Enid reached toward the bottle with both hands. “Just a tiny drop, pour me just a swallow, honestly, I never drink this early in the day, never—you see, but Gary wonders why the company is even bothering with the patent if they’re still so early in their development. I guess the usual thing is just to infringe on the other person’s patent. —That’s too much! Denise, I don’t like so much wine! Because, see, the patent expires in six years, so Gary thinks the company must stand to make a lot of money soon.”

“Did Dad sign the agreement?”

“Oh, yeah. He went over to the Schumperts’ and had Dave notarize it.” “Then you have to respect his decision.”

“Denise, he’s being stubborn and unreasonable. I can’t—”

“Are you saying this is an issue of competency?”

“No. No. This is fully in character. I just can’t—”

“If he already signed the agreement,” Denise said, “what is Gary imagining you’re going to do?”

“Nothing, I guess.”

“So what’s the point here?”

“Nothing. You’re right,” Enid said. “There’s nothing we can do,” although in fact there was. If Denise had been a little less partisan in her support of Alfred, Enid might have confessed that after Alfred had given her the notarized agreement to mail at the post office on her way to the bank, she’d hidden the agreement in the glove compartment of their car, and had let the envelope sit and radiate guilt for several days; and that later, while Alfred was napping, she’d hidden the envelope more securely at the back of a laundry-room cabinet containing jars of undesirable jams and spreads going gray with age (kumquat-raisin, brandy-pumpkin, Korean barfleberry) and vases and baskets and cubes of florist’s clay too good to throw away but not good enough to use; and that, as a result of this dishonest act, she and Alfred could still extract a big licensing fee from Axon, and that it was therefore crucial that she locate the second, Registered letter from Axon and hide it before Alfred found out that she’d deceived and disobeyed him. “Oh, but that reminds me,” she said, emptying her glass, “there’s something else I really need your help with.”

Denise hesitated before replying with a polite and cordial “Yes?” This hesitation confirmed Enid’s long-held belief that she and Alfred had taken a wrong turn somewhere in Denise’s upbringing. Had failed to instill in their youngest child the proper spirit of generosity and cheerful service.

“Well, as you know,” Enid said, “we’ve gone to Philadelphia for the last eight Christmases in a row, and Gary’s boys are old enough now that they might like to have a memory of Christmas at their grandparents’ house, and so I thought—”

“Damn!” came a cry from the living room.

Enid set down her glass and hurried from the kitchen. Alfred was sitting on the edge of the chaise in a somehow penal posture, his knees high and his back a little hunched, and was surveying the crash site of his third hors d’oeuvre. The gondola of bread had slipped from his fingers on its approach to his mouth and plunged to his knee, scattering wreckage and tumbling to the floor and finally coming to rest beneath the chaise. A wet pelt of roasted red pepper had adhered to the chaise’s flank. Shadows of oil-soak were forming around each clump of olive morsels on the upholstery. The emptied gondola lay on its side with its yellow-soaked, brown-stained white interior showing.

Denise squeezed past Enid with a damp sponge and went and knelt by Alfred. “Oh, Dad,” she said, “these are hard to handle, I should have realized.”

“Just get me a rag and I’ll clean it up.”

“No, here,” Denise said. Cupping one hand for a receptacle, she brushed the bits of olive from his knees and thighs. His hands shook in the air near her head as if he might have to push her away, but she did her work quickly, and soon she’d sponged the bits of olive up from the floor and was carrying the dirtied food back to the kitchen, where Enid had wanted a tiny extra splash of wine and in her hurry not to be conspicuous had poured a rather substantial tiny splash and downed it quickly.

“Anyway,” she said, “I thought that if you and Chip were interested, we could all have one last Christmas in St. Jude. What do you think of that idea?”

“I’ll be wherever you and Dad want to be,” Denise said.

“No, I’m asking you, though. I want to know if it’s something you’re especially interested in doing. If you’d especially like to have one last Christmas in the house you grew up in. Does it sound like it might be fun for you?”

“I can tell you right now,” Denise said, “there’s no way Caroline’s leaving Philly. It’s a fantasy to think otherwise. So if you want to see your grandkids, you’ll have to come east.”

“Denise, I’m asking what you want. Gary says he and Caroline haven’t ruled it out. I need to know if a Christmas in St. Jude is something that you really, really want for yourself. Because if all the rest of us are agreed that it’s important to be together as a family in St. Jude one last time—”

“Mother, it’s fine with me, if you think you can handle it.”

“I’ll need a little help in the kitchen is all.”

“I can help you in the kitchen. But I can only come for a few days.”

“You can’t take a week?”

“No.”

“Why not?”

“Mother.”

“Damn!” Alfred cried again from the living room as something vitreous, maybe a vase containing sunflowers, hit the floor with a cracking-open sound, a gulp of breakage. “Damn! Damn!”

Enid’s own nerves were so splintery she almost dropped her wineglass, and yet a part of her was grateful for this second mishap, whatever it was, because it gave Denise a small taste of what she had to put up with every day, around the clock, at home in St. Jude.

The night of Alfred’s seventy-fifth birthday had found Chip alone at Tilton Ledge pursuing sexual congress with his red chaise longue.

It was early January and the woods around Carparts Creek were soggy with melting snow. Only the shopping-center sky above central Connecticut and the digital readouts of his home electronics cast light on his carnal labors. He was kneeling at the feet of his chaise and sniffing its plush minutely, inch by inch, in hopes that some vaginal tang might still be lingering eight weeks after Melissa Paquette had lain here. Ordinarily distinct and identifiable smells—dust, sweat, urine, the dayroom reek of cigarette smoke, the fugitive afterscent of quim—became abstract and indistinguishable from oversmelling, and so he had to pause again and again to refresh his nostrils. He worked his lips down into the chaise’s buttoned navels and kissed the lint and grit and crumbs and hairs that had collected in them. None of the three spots where he thought he smelled Melissa was unambiguously tangy, but after exhaustive comparison he was able to settle on the least questionable of the three spots, near a button just south of the backrest, and give it his full nasal attention. He fingered other buttons with both hands, the cool plush chafing his nether parts in a poor approximation of Melissa’s skin, until finally he achieved sufficient belief in the smell’s reality—sufficient faith that he still possessed some relic of Melissa—to consummate the act. Then he rolled off his compliant antique and slumped on the floor with his pants undone and his head on the cushion, an hour closer to having failed to call his father on his birthday.

He smoked two cigarettes, lighting the second off the first. He turned on his television to a cable channel that was running a marathon of old Warner Bros. cartoons. At the edge of the pool of tubal glow he could see the mail that for nearly a week he’d been dropping, unopened, on the floor. Three letters from the college’s new acting provost were in the pile, also something ominous from the teachers’ retirement fund, also a letter from the college housing office with the words NOTICE OF EVICTION on the front of the envelope.

Earlier in the day, while killing some hours by circling in blue ballpoint ink every uppercase M in the front section of a month-old New York Times, Chip had concluded that he was behaving like a depressed person. Now, as his telephone began to ring, it occurred to him that a depressed person ought to continue staring at the TV and ignore the ringing—ought to light another cigarette and, with no trace of emotional affect, watch another cartoon while his machine took whoever’s message.

That his impulse, instead, was to jump to his feet and answer the phone—that he could so casually betray the arduous wasting of a day—cast doubt on the authenticity of his suffering. He felt as if he lacked the ability to lose all volition and connection with reality the way depressed people did in books and movies. It seemed to him, as he silenced the TV and hurried into his kitchen, that he was failing even at the miserable task of falling properly apart.

He zipped up his pants, turned on a light, and lifted the receiver. “Hello?”

“What’s going on there, Chip?” Denise said without preliminaries. “I just talked to Dad and he said he hadn’t heard from you.”

“Denise. Denise. Why are you shouting?”

“I’m shouting,” she said, “because I’m upset because it’s Dad’s seventy-fifth birthday and you haven’t called him and you didn’t send him a card. I’m upset because I’ve been working for twelve hours and I just called Dad and he’s worried about you. What’s going on there?”

Chip surprised himself by laughing. “What’s going on is that I’ve lost my job.”

“You didn’t get tenure?”

“No, I was fired,” he said. “They didn’t even let me teach the last two weeks of classes. Somebody else had to give my exams. And I can’t appeal the decision without calling a witness. And if I try to talk to my witness it’s just further evidence of my crime.”

“Who’s the witness? Witness to what?”

Chip took a bottle from the recycling bin, double-checked its emptiness, and returned it to the bin. “A former student of mine says I’m obsessed with her. She says I had a relationship with her and wrote her a term paper in a motel room. And unless I get a lawyer, which I can’t afford to do because they’ve cut my pay off, I’m not allowed to speak to this student. If I try to see her, it’s considered stalking.”

“Is she lying?” Denise said.

“Not that this is anything Mom and Dad need to know about.”

“Chip, is she lying?”

Spread open on Chip’s kitchen counter was the section of the Times in which he’d circled all the uppercase M’s. Rediscovering this artifact now, hours later, would have been like remembering a dream except that a remembered dream didn’t have the power to pull a waking person back into it, whereas the sight of a heavily marked story about severe new curtailments in Medicare and Medicaid benefits induced in Chip the same feeling of unease and unrealized lust, the same longing for unconsciousness, that had sent him to the chaise to sniff and grope. He had to struggle now to remind himself that he’d already gone to the chaise, he’d already taken that route to comfort and forgetfulness.

He folded the Times and dropped it on top of his heaping trash can.

“‘I never had sexual relations with that woman,’” he said.

“You know I’m judgmental about a lot of things,” Denise said, “but not about things like this.”

“I said I didn’t sleep with her.”

“I’m stressing, though,” Denise said, “that this is one area where absolutely anything you say to me will fall on sympathetic ears.” And she cleared her throat pointedly.

If Chip had wanted to come clean to someone in his family, his little sister would have been the obvious choice. Having dropped out of college and having married badly, Denise at least had some acquaintance with darkness and disappointment. Nobody but Enid, however, had ever mistaken Denise for a failure. The college she’d dropped out of was better than the one that Chip had graduated from, and her early marriage and more recent divorce had given her an emotional maturity that Chip was all too aware of lacking himself, and he suspected that even though Denise was working eighty hours a week she still managed to read more books than he did. In the last month, since he’d embarked on projects like digitally scanning Melissa Paquette’s face from a freshman facebook and suturing her head to obscene downloaded images and tinkering with these images pixel by pixel (and the hours did fly by when you were tinkering with pixels), he’d read no books at all.

“There was a misunderstanding,” he told Denise dully. “And then it was like they could hardly wait to fire me. And now I’m being denied due process.”

“Frankly,” Denise said, “it’s hard to see being fired as a bad thing. Colleges are nasty.”

“This was the one place in the world I thought I fit in.”

“I’m saying it’s very much to your credit that you don’t. Although what are you surviving on, financially?”

“Who said I was surviving?”

“Do you need a loan?”

“Denise, you don’t have any money.”

“Yes I do. I’m also thinking you should talk to my friend Julia. She’s the one in film development. I told her about that idea you had for an East Village Troilus and Cressida. She said you should call her if you’re interested in writing.”

Chip shook his head as if Denise were with him in the kitchen and could see him. They’d talked on the phone, months ago, about modernizing some of Shakespeare’s less famous plays, and he couldn’t bear that Denise had taken that conversation seriously; that she still believed in him.

“What about Dad, though?” she said. “Did you forget it’s his birthday?”

“I lost track of time here.”

“I wouldn’t push you,” Denise said, “except that I was the person who opened your Christmas box.”

“Christmas was a bad scene, no question.”

“Which package went to whom was pretty much guesswork.”

Outside, a wind from the south had picked up, a thawing wind that quickened the patter of snowmelt on the back patio. The sense that Chip had had when the phone rang—that his misery was optional—had left him again.

“So are you going to call him?” Denise said.

He replaced the receiver in its cradle without answering her, turned off the ringer, and pressed his face into the doorframe. He’d solved the problem of family Christmas gifts on the last possible mailing day, when, in a great rush, he’d pulled old bargains and remainders off his bookshelves and wrapped them in aluminum foil and tied them up with red ribbon and refused to imagine how his nine-year-old nephew Caleb, for example, might react to an Oxford annotated edition of Ivanhoe whose main qualification as a gift was that it was still in its original shrink-wrap. The corners of the books had immediately poked through the aluminum foil, and the foil he’d added to cover up the holes hadn’t adhered well to the underlying layers, and the result had been a soft and peely kind of effect, like onion skin or phyllo dough, which he’d tried to mitigate by plastering each package with the National Abortion Rights Action League holiday stickers that he’d received in his annual membership kit. His handiwork had looked so clumsy and childish, so mentally unbalanced really, that he tossed the packages into an old grapefruit carton just to get them out of sight. Then he FedExed the carton down to Gary’s house in Philadelphia. He felt as if he’d taken an enormous dump, as if, no matter how smeary and disagreeable it had been, he at least was emptied out now and would not be back in this position soon. But three days later, returning home late on Christmas night after a twelve-hour vigil at the Dunkin’ Donuts in Norwalk, Connecticut, he faced the problem of opening the gifts his family had sent him: two boxes from St. Jude, a padded mailer from Denise, and a box from Gary. He decided that he would open the packages in bed and that the way he would get them up to his bedroom would be to kick them up the stairs. Which proved to be a challenge, because oblong objects had a tendency not to roll up a staircase but to catch on the steps and tumble back down. Also, if the contents of a padded mailer were too light to offer inertial resistance, it was difficult to get any lift when you kicked it. But Chip had had such a frustrating and demoralizing Christmas—he’d left a message on Melissa’s college voice mail, asking her to call him at the pay phone at the Dunkin’ Donuts or, better yet, to come over in person from her parents’ house in nearby Westport, and not until midnight had exhaustion compelled him to accept that Melissa probably wasn’t going to call him and certainly wasn’t going to come and see him—that he was now psychically capable neither of breaking the rules of the game he’d invented nor of quitting the game before he’d achieved its object. And it was clear to him that the rules permitted only genuine sharp kicks (prohibited, in particular, working his foot under the padded mailer and advancing it with any sort of pushing or lofting motion), and so he was obliged to kick his Christmas package from Denise with escalating savagery until it tore open and spilled its ground-newsprint stuffing and he succeeded in catching its ripped sheathing with the toe of his boot and launching the gift in a long clean arc that landed it one step shy of the second floor. From there, however, the mailer refused to be budged up over the lip of the final step. Chip trampled and kicked and shredded the mailer with his heels. Inside was a mess of red paper and green silk. He broke his own rule and scraped the mess up over the last step, kicked it down the hall, and left it by his bed while he went down for the other boxes. These, too, he pretty well destroyed before he developed a method of bouncing them off a low step and then, while they were airborne, punting them all the way upstairs. When he punted the box from Gary it exploded in a cloud of white Styrofoam saucers. A bubble-wrapped bottle fell out and rolled down the stairs. It was a bottle of vintage Californian port. Chip carried it up to his bed and worked out a rhythm whereby he swallowed one large mouthful of port for each gift that he succeeded in unwrapping. From his mother, who was under the impression that he still hung a stocking by his fireplace, he’d received a box marked Stocking Stuffers containing small individually wrapped items: a package of cough drops, a miniature second-grade school photo of himself in a tarnished brass frame, plastic bottles of shampoo and conditioner and hand lotion from a Hong Kong hotel where Enid and Alfred had stayed en route to China eleven years earlier, and two carved wooden elves with sentimentally exaggerated smiles and loops of silver string that penetrated their little craniums so they could be hung from a tree. For placement under this presumptive tree, Enid had sent a second box of larger gifts wrapped in Santa-faced red paper: an asparagus steamer, three pairs of white Jockey underwear, a jumbo candy cane, and two calico throw pillows. From Gary and his wife, in addition to the port, Chip received a clever vacuum-pump system for preserving leftover wine from oxidation, as if leftover wine were a problem Chip had ever had. From Denise, to whom he’d given The Selected Letters of André Gide after erasing from the flyleaf the evidence that he’d paid one dollar for this particularly tone-deaf translation, he received a beautiful lime-green silk shirt, and from his father a hundred-dollar check with the handwritten instruction to buy himself something he liked.

Except for the shirt, which he’d worn, and the check, which he’d cashed, and the bottle of port, which he’d killed in bed on Christmas night, the gifts from his family were still on the floor of his bedroom. Stuffing from Denise’s mailer had drifted into the kitchen and mixed with splashed dishwater to form a mud that he’d tracked all over. Flocks of sheep-white Styrofoam pebbles had collected in sheltered places.

It was nearly ten-thirty in the Midwest.

Hello, Dad. Happy seventy-fifth. Things are going well here. How are things in St. Jude?

Chip felt he couldn’t make the call without some kind of pick-me-up or treat. Some kind of energizer. But TV caused him such critical and political anguish that he could no longer watch even cartoons without smoking cigarettes, and he now had a lung-sized region of pain in his chest, and there was no intoxicant of any sort in his house, not even cooking sherry, not even cough syrup, and after the labor of taking his pleasure with the chaise his endorphins had gone home to the four corners of his brain like war-weary troops, so spent by the demands he’d made of them in the last five weeks that nothing, except possibly Melissa in the flesh, could marshal them again. He needed a little morale-booster, a little pick-me-up, but he had nothing better than the month-old Times, and he felt that he’d circled quite enough uppercase M’s for one day, he could circle no more.

He went to his dining table and confirmed the absence of dregs in the wine bottles on it. He’d used the last $220 of credit on his Visa card to buy eight bottles of a rather tasty Fronsac, and on Saturday night he’d thrown one last dinner party to rally his supporters on the faculty. A few years ago, after D——’s drama department had fired a popular young professor, Cali Lopez, for having claimed to have a degree she didn’t have, outraged students and junior faculty had organized boycotts and candlelight vigils that had forced the college not only to rehire Lopez but to promote her to full professor. Granted, Chip was neither a lesbian nor a Filipina, as Lopez was, but he’d taught Theory of Feminism, and he had a hundred-percent voting record with the Queer Bloc, and he routinely packed his syllabi with non-Western writers, and all he’d really done in Room 23 of the Comfort Valley Lodge was put into practice certain theories (the myth of authorship; the resistant consumerism of transgressive sexual (trans)act(ion)s) that the college had hired him to teach. Unfortunately, the theories sounded somewhat lame when he wasn’t lecturing to impressionable adolescents. Of the eight colleagues who’d accepted his invitation for dinner on Saturday, only four had shown up. And despite his efforts to steer the conversation around to his predicament, the only collective action his friends had taken on his behalf had been to serenade him, as they killed the eighth bottle of wine, with an a capella rendition of “Non, Je Ne Regrette Rien.”

He hadn’t had the strength to clear the table in the intervening days. He considered the blackened red leaf lettuce, the skin of congealed grease on an uneaten lamb chop, the mess of corks and ashes. The shame and disorder in his house were like the shame and disorder in his head. Cali Lopez was now the college’s acting provost, Jim Leviton’s replacement.

Tell me about your relationship with your student Melissa Paquette.

My former student?

Your former student.

I’m friendly with her. We’ve had dinner. I spent some time with her at the beginning of Thanksgiving break. She’s a brilliant student.

Did you give Melissa any help with a paper she wrote last week for Vendla O’Fallon?

We talked about the paper in a general way. She had some areas of confusion that I was able to help her clear up.

Is your relationship with her sexual?

No.

Chip, what I think we’ll do is suspend you with pay until we can have a full hearing. That’s what we’ll do. We’ll have a hearing early next week, and in the meantime you should probably get a lawyer and talk to your union rep. I also have to insist that you not speak to Melissa Paquette.

What does she say? That I wrote that paper?

Melissa violated the honor code by handing in work that was not her own. She’s facing a one-semester suspension, but we understand that there are mitigating factors. For example, your grossly inappropriate sexual relationship with her.

That’s what she says?

My personal advice, Chip, is resign now.

That’s what she says?

You have no chance.

The snowmelt was raining down harder on his patio. He lit a cigarette on the front burner of his stove, took two painful drags, and pressed the coal into the palm of his hand. He groaned through clenched teeth and opened his freezer and put his palm to its floor and stood for a minute smelling flesh smoke. Then, holding an ice cube, he went to the phone and dialed the ancient area code, the ancient number.

While the phone rang in St. Jude, he planted a foot on the section of Times in his trash and mashed it down deeper, got it out of sight.

“Oh, Chip,” Enid cried, “he’s already gone to bed!”

“Don’t wake him,” Chip said. “Just tell him—”

But Enid set the phone down and shouted Al! Al! at volumes that diminished as she moved farther from the phone and up the stairs toward the bedrooms. Chip heard her shout, It’s Chip! He heard their upstairs extension click into action. He heard Enid instructing Alfred, “Don’t just say hello and hang up. Visit with him a little.”

There was a rustling transfer of the receiver.

“Yes,” Alfred said.

“Hey, Dad, happy birthday,” Chip said.

“Yes,” Alfred said again in exactly the same flat voice.

“I’m sorry to call so late.”

“I was not asleep,” Alfred said.

“I was afraid I woke you up.”

“Yes.”

“Well, so happy seventy-fifth.”

“Yes.”

Chip hoped that Enid was motoring back down to the kitchen as fast as she could, ailing hip and all, to bail him out. “I guess you’re tired and it’s late,” he said. “We don’t have to talk.”

“Thank you for the call,” Alfred said.

Enid was back on the line. “I’m going to finish these dishes,” she said. “We had a party here tonight! Al, tell Chip about the party we had! I’m getting off the phone now.”

She hung up. Chip said, “You had a party.”

“Yes. The Roots were here for dinner and bridge.”

“Did you have a cake?”

“Your mother made a cake.”

The cigarette had made a hole in Chip’s body through which, he felt, painful harms could enter and vital factors painfully escape. Melting ice was leaking through his fingers. “How was the bridge?”

“My typical terrible cards.”

“That doesn’t seem fair on your birthday.”

“I imagine,” Alfred said, “that you are gearing up for another semester.”

“Right. Right. Although actually not. Actually I’m deciding not to teach at all this semester.”

“I didn’t hear.”

Chip raised his voice. “I said I’ve decided not to teach this semester. I’m going to take the semester off and work on my writing.”

“My recollection is that you are due for tenure soon.”

“Right. In April.”

“It seems to me that a person hoping to be offered tenure would be advised to stay and teach.”

“Right.”

“If they see you working hard, they will have no reason not to offer you tenure.”

“Right. Right.” Chip nodded. “At the same time, I have to prepare for the possibility that I won’t get it. And I’ve got a, uh. A very attractive offer from a Hollywood producer. A college friend of Denise’s who produces movies. Potentially very lucrative.”

“A great worker is almost impossible to fire,” Alfred said.

“The process can get very political, though. I have to have alternatives.”

“As you wish,” Alfred said. “However, I’ve found that it’s usually best to choose one plan and stick with it. If you don’t succeed here, you can always do something else. But you’ve worked many years to reach this point. One more semester’s hard work won’t hurt you.”

“Right.”

“You can relax when you have tenure. Then you’re safe.”

“Right.”

“Well, thank you for the call.”

“Right. Happy birthday, Dad.”

Chip dropped the phone, left the kitchen, and took a Fronsac bottle by the neck and brought its body down hard on the edge of his dining table. He broke a second bottle. The remaining six he smashed two at a time, a neck in each fist.

Anger carried him through the difficult weeks that followed. He borrowed ten thousand dollars from Denise and hired a lawyer to threaten to sue D—— College for wrongful termination of his contract. This was a waste of money, but it felt good. He went to New York and ponied up four thousand dollars in fees and deposits for a sublet on Ninth Street. He bought leather clothes and had his ears pierced. He borrowed more money from Denise and reconnected with a college friend who edited the Warren Street Journal. He conceived revenge in the form of a screenplay that would expose the narcissism and treachery of Melissa Paquette and the hypocrisy of his colleagues; he wanted the people who’d hurt him to see the movie, recognize themselves, and suffer. He flirted with Julia Vrais and asked her on a date, and soon he was spending two or three hundred dollars a week to feed and entertain her. He borrowed more money from Denise. He hung cigarettes on his lower lip and banged out a draft of a script. Julia in the back seat of cabs pressed her face against his chest and clutched his collar. He tipped waiters and cabbies thirty and forty percent. He quoted Shakespeare and Byron in funny contexts. He borrowed more money from Denise and decided that she was right, that getting fired was the best thing that had ever happened to him.

He wasn’t so naïve, of course, as to take Eden Procuro’s professional effusions at face value. But the more he saw of Eden socially, the more confident he became that his script would get a sympathetic reading. For one thing, Eden was like a mother to Julia. She was only five years older, but she’d undertaken a wholesale recalibration and improvement of her personal assistant. Although Chip never quite shook the feeling that Eden was hoping to cast someone else in the role of Julia’s love interest (she habitually referred to Chip as Julia’s “escort,” not her “boyfriend,” and when she talked about Julia’s “untapped potential” and her “lack of confidence” he suspected that mate selection was one area in which she hoped to see improvement in Julia), Julia assured him that Eden thought he was “really dear” and “extremely smart.” Certainly Eden’s husband, Doug O’Brien, was on his side. Doug was a mergers-and-acquisitions specialist at Bragg Knuter & Speigh. He’d set Chip up with a flextime proofreading job and had seen to it that Chip was paid the top hourly wage. Whenever Chip tried to thank him for this favor, Doug made pshawing motions with his hand. “You’re the man with the Ph.D.,” he said. “That book of yours is scary smart stuff.” Chip had soon become a frequent guest at the O’Brien-Procuros’ dinner parties in Tribeca and their weekend house parties in Quogue. Drinking their liquor and eating their catered food, he had a foretaste of a success a hundred times sweeter than tenure. He felt that he was really living.

Then one night Julia sat him down and said there was an important fact that she hadn’t mentioned earlier, and would he promise not to be too mad at her? The important fact was that she sort of had a husband. The deputy prime minister of Lithuania—a small Baltic country—was a man named Gitanas Miseviius? Well, the fact was that Julia had married him a couple of years ago, and she hoped Chip wouldn’t be too mad at her.

Her problem with men, she said, was that she’d grown up without. Her father was a manic-depressive boat salesman whom she remembered meeting once and wished she’d never met at all. Her mother, a cosmetics-company executive, had fobbed Julia off on her own mother, who’d enrolled her in a Catholic girls’ school. Julia’s first significant experience with men was at college. Then she moved to New York and embarked on the long process of sleeping with every dishonest, casually sadistic, terminally uncommitted really gorgeous guy in the borough of Manhattan. By the age of twenty-eight, she had little to feel good about except her looks, her apartment, and her steady job (which mainly consisted, however, of answering the phone). So when she met Gitanas at a club and Gitanas took her seriously, and by and by produced an actual not-small diamond in a white-gold setting, and seemed to love her (and the guy was, after all, an honest-to-God ambassador to the United Nations; she’d gone and heard him do his Baltic thundering at the General Assembly), she did her level best to repay his kindness. She was As Agreeable As Humanly Possible. She refused to disappoint Gitanas even though, in hindsight, it probably would have been better to disappoint him. Gitanas was quite a bit older and fairly attentive in bed (not like Chip, Julia hastened to say, but not, you know, terrible), and he seemed to know what he was doing with the marriage thing, and so one day she went to City Hall with him. She might even have gone by “Mrs. Miseviius?” if it had sounded less idiotic. Once she was married, she realized that the marble floors and black lacquer furniture and heavy modern smoked-glass fixtures of the ambassador’s apartment on the East River weren’t as entertainingly campy as she’d thought. They were more like unbearably depressing. She made Gitanas sell the place (the chief of the Paraguayan delegation was delighted to get it) and buy a smaller, nicer place on Hudson Street near some good clubs. She found a competent hairstylist for Gitanas and taught him how to pick out clothes with natural fibers. Things seemed to be going great. But somewhere she and Gitanas must have misunderstood each other, because when his party (the VIPPPAKJRIINPB17: the One True Party Unswervingly Dedicated to the Revanchist Ideals of Kazimieras Jaramaitis and the “Independent” Plebiscite of April Seventeen) lost a September election and recalled him to Vilnius to join the parliamentary opposition, he took it for granted that Julia would come along with him. And Julia understood the concept of one flesh, wife cleaving to husband, and so forth; but Gitanas in his descriptions of post-Soviet Vilnius had painted a picture of chronic coal and electricity shortages, freezing drizzles, drive-by shootings, and heavy dietary reliance on horsemeat. And so she did a really terrible thing to Gitanas, definitely the worst thing she’d ever done to anybody. She agreed to go and live in Vilnius, and she sort of got on the plane with Gitanas and sat down in first class and then sneaked off the plane and sort of changed their home phone number and had Eden tell Gitanas, when he called, that she had disappeared. Six months later Gitanas returned to New York for a weekend and made Julia feel really, really guilty. And, yes, no argument, she’d disgraced herself. But Gitanas proceeded to call her certain rough names and he slapped her pretty hard. The upshot of which was that they couldn’t be together anymore, but she continued to use their apartment on Hudson Street in exchange for staying married in case Gitanas needed quick asylum in the United States, because apparently things were going from bad to worse in Lithuania.

Anyway, that was the story of her and Gitanas, and she hoped that Chip wouldn’t be too mad at her.

And Chip was not. Indeed, at first he not only didn’t mind that Julia was married, he adored the fact. He was fascinated by her rings; he talked her into wearing them in bed. Down at the offices of the Warren Street Journal, where he sometimes felt insufficiently transgressive, as if his innermost self were still a nice midwestern boy, he took pleasure in alluding to the European statesman he was “cuckolding.” In his doctoral thesis (“Doubtful It Stood: Anxieties of the Phallus in Tudor Drama”) he’d written extensively about cuckolds, and under the cloak of his reproving modern scholarship he’d been excited by the idea of marriage as a property right, of adultery as theft.

Before long, though, the thrill of poaching on the diplomat’s preserve gave way to bourgeois fantasies in which Chip himself was Julia’s husband—her lord, her liege. He became spasmodically jealous of Gitanas Miseviius?, who, though Lithuanian, and a slapper, was a successful politician whose name Julia now pronounced with guilt and wistfulness. On New Year’s Eve Chip asked her point-blank if she ever thought about divorce. She replied that she liked her apartment (“Can’t beat the rent!”) and she didn’t want to look for another one right now.

After New Year’s, Chip returned to his rough draft of “The Academy Purple,” which he’d completed in a euphoric twenty-page blaze of keyboard-pounding, and discovered that it had a lot of problems. It looked, in fact, like incoherent hackwork. During the month that he’d spent expensively celebrating its completion, he’d imagined that he could remove certain hackneyed plot elements—the conspiracy, the car crash, the evil lesbians—and still tell a good story. Without these hackneyed plot elements, however, he seemed to have no story at all.

In order to salvage his artistic and intellectual ambitions, he added a long theoretical opening monologue. But this monologue was so unreadable that every time he turned on his computer he had to go and tinker with it. Soon he was spending the bulk of each work session compulsively honing the monologue. And when he despaired of shortening it any further without sacrificing important thematic material, he started fussing with the margins and hyphenation to make the monologue end at the bottom of page 6 rather than the top of page 7. He replaced the word “continue” with “go on” to save three spaces, thus allowing the word “(trans)act(ion)s” to be hyphenated after the second t, which triggered a whole cascade of longer lines and more efficient hyphenations. Then he decided that “go on” had the wrong rhythm and that “(trans)act(ion)s” should not be hyphenated under any circumstances, and so he scoured the text for other longish words to replace with shorter synonyms, all the while struggling to believe that stars and producers in Prada jackets would enjoy reading six pages (but not seven!) of turgid academic theorizing.

Once, when he was a boy, there was a total eclipse of the sun in the Midwest, and a girl in one of the poky towns across the river from St. Jude had sat outside and, in defiance of myriad warnings, studied the dwindling crescent of the sun until her retinas combusted.

“It didn’t hurt at all,” the blinded girl had told the St. Jude Chronicle. “It felt like nothing.”

Each day that Chip spent grooming the corpse of a dramatically dead monologue was a day in which his rent and food and entertainment expenses were paid for, in large part, with his little sister’s money. And yet as long as the money lasted, his pain was not acute. One day led to another. He rarely got out of bed before noon. He enjoyed his food and his wine, he dressed well enough to persuade himself that he was not a quivering gelatinous mess, and he managed, on four out of five evenings, to hide the worst of his anxiety and foreboding and enjoy himself with Julia. Because the sum he owed Denise was large in comparison to his proofreading wage but small by Hollywood standards, he worked less and less at Bragg Knuter & Speigh. His only real complaint was with his health. On a summer day when his work session consisted of rereading Act I, being struck afresh by its irredeemable badness, and hurrying outside to get some air, he might walk down Broadway and sit on a bench at Battery Park City and let the breeze off the Hudson flow under his collar, and listen to the ceaseless fut-fut of copter traffic and the distant shouts of millionaire Tribeca toddlers, and be overcome with guilt. To be so vigorous and healthy and yet so nothing: neither taking advantage of his good night’s sleep and his successful avoidance of a cold to get some work done, nor yet fully entering into the vacation spirit and flirting with strangers and knocking back margaritas. It would have been better, he thought, to do his getting sick and dying now, while he was failing, and save his health and vitality for some later date when, unimaginable though the prospect was, he would perhaps no longer be failing. Of all the things he was wasting—Denise’s money, Julia’s goodwill, his own abilities and education, the opportunities afforded by the longest sustained economic boom in American history—his sheer physical well-being, there in the sunlight by the river, hurt the worst.

He ran out of money on a Friday in July. Facing a weekend with Julia, who could cost him fifteen dollars at a cinema refreshments counter, he purged the Marxists from his bookshelves and took them to the Strand in two extremely heavy bags. The books were in their original jackets and had an aggregate list price of $3,900. A buyer at the Strand appraised them casually and delivered his verdict: “Sixty-five.”

Chip laughed in a breathy way, willing himself not to argue; but his U.K. edition of Jürgen Habermas’s Reason and the Rationalization of Society, which he’d found too difficult to read, let alone annotate, was in mint condition and had cost him £95.00. He couldn’t help pointing this out by way of example.

“Try somewhere else, if you like,” the buyer said, his hand hesitating above the cash register.

“No, no, you’re right,” Chip said. “Sixty-five is great.”

It was pathetically obvious that he’d believed his books would fetch him hundreds of dollars. He turned away from their reproachful spines, remembering how each of them had called out in a bookstore with a promise of a radical critique of late-capitalist society, and how happy he’d been to take them home. But Jürgen Habermas didn’t have Julia’s long, cool, pear-tree limbs, Theodor Adorno didn’t have Julia’s grapy smell of lecherous pliability, Fred Jameson didn’t have Julia’s artful tongue. By the beginning of October, when Chip sent his finished script to Eden Procuro, he’d sold his feminists, his formalists, his structuralists, his poststructuralists, his Freudians, and his queers. To raise money for lunch for his parents and Denise, all he had left was his beloved cultural historians and his complete hardcover Arden Shakespeare; and because a kind of magic resided in the Shakespeare—the uniform volumes in their pale blue jackets were like an archipelago of safe retreats—he piled his Foucault and Greenblatt and hooks and Poovey into shopping bags and sold them all for $115.

He spent sixty dollars on a haircut, some candy, a stain-removal kit, and two drinks at the Cedar Tavern. Back in August, when he’d invited his parents, he’d hoped that Eden Procuro might have read his script and advanced him money before they arrived, but now the only accomplishment and the only gift he had to offer was a home-cooked meal. He went to an East Village deli that sold reliably excellent tortellini and crusty bread. He was envisioning a rustic and affordable Italian lunch. But the deli appeared to have gone out of business, and he didn’t feel like walking ten blocks to a bakery that he was certain had good bread, and so he wandered the East Village randomly, trudging in and out of meretricious food stores, hefting cheeses, rejecting breads, examining inferior tortellini. Finally he abandoned the Italian idea altogether and fixed on the only other lunch he could think of—a salad of wild rice, avocado, and smoked turkey breast. The problem then was to find ripe avocados. In store after store he found either no avocados or walnut-hard avocados. He found ripe avocados that were the size of limes and cost $3.89 apiece. He stood holding five of them and considered what to do. He put them down and picked them up and put them down and couldn’t pull the trigger. He weathered a spasm of hatred of Denise for having guilted him into inviting his parents to lunch. He had the feeling that he’d never eaten anything in his life but wild-rice salad and tortellini, so blank was his culinary imagination.

Around eight o’clock he ended up outside the new Nightmare of Consumption (“Everything—for a Price!”) on Grand Street. A humidity had stolen over the sky, a sulfurous uneasy wind from Rahway and Bayonne. The supergentry of SoHo and Tribeca were streaming through the Nightmare’s brushed-steel portals. The men came in various shapes and sizes, but all the women were slim and thirty-six; many were both slim and pregnant. Chip had a collar rash from his haircut and felt unready to be seen by so many perfect women. But right inside the Nightmare’s door he glimpsed a box of greens marked SORREL from Belize $0.99.

He entered the Nightmare, snagged a basket, and put one bunch of sorrel in it. Ninety-nine cents. Installed above the Nightmare’s coffee bar was a screen that gave running ironic tallies of TODAY’S GROSS RECEIPTS and TODAY’S PROFIT and PROJECTED QUARTERLY PER-SHARE DIVIDEND (Unofficial Non-Binding Estimate Based on Past Quarterly Performances / This Information Provided for Entertainment Purposes Only), and COFFEE SALES THIS STATION. Chip wove among strollers and cell phone antennae to the fish counter, where, as in a dream, he found WILD NORWEGIAN SALMON, LINE CAUGHT on sale at a reasonable price. He pointed at a midsize filet, and to the fishman’s question, “What else?” he replied in a crisp tone, almost a smug tone, “That’ll do it.”

The price on the beautiful paper-wrapped filet that he was handed was $78.40. Luckily, this discovery knocked the wind out of him, otherwise he might have lodged a protest before realizing, as he did now, that the prices at the Nightmare were per quarter pound. Two years ago, two months ago, he would not have made a mistake like this.

“Ha, ha!” he said, palming the seventy-eight-dollar filet like a catcher’s mitt. He dropped to one knee and touched his bootlaces and took the salmon right up inside his leather jacket and underneath his sweater and tucked the sweater into his pants and stood up again.

“Daddy, I want swordfish,” a little voice behind him said.

Chip took two steps, and the salmon, which was quite heavy, escaped from his sweater and covered his groin, for one unstable moment, like a codpiece.

“Daddy! Swordfish!”

Chip put his hand to his crotch. The dangling filet felt like a cool, loaded diaper. He repositioned it against his abs and tucked in the sweater more securely, zipped his jacket to the neck, and strode purposefully toward the whatever. Toward the dairy wall. Here he found a selection of French crèmes fraîches at prices implying transport via SST. The less unaffordable domestic crème fraîche was blocked by a man in a Yankees cap who was shouting into his cell phone while a child, apparently his, peeled back the foil tops of half-liters of French yogurt. She’d peeled back five or six already. Chip leaned to reach behind the man, but his fish belly sagged. “Excuse me,” he said.

Like a sleepwalker the man on the phone shuffled aside. “I said fuck him. Fuck him! Fuck that asshole! We never closed. There’s no ink on the line. I’ll take that asshole down another thirty, you watch me. Honey, don’t tear those, if we tear those we have to pay for them. I said it is a fucking buyer’s ball as of yesterday. We close on nuffin till this thing bottoms out. Nuffin! Nuffin! Nuffin! Nuffin!”

Chip was approaching the checkout lanes with four plausible items in his basket when he caught sight of a head of hair so new-penny bright it could only belong to Eden Procuro. Who was, herself, slim and thirty-six and hectic. Eden’s little son, Anthony, was seated on the upper level of a shopping cart with his back to a four-figure avalanche of shellfish, cheeses, meats, and caviars. Eden was leaning over Anthony and letting him pull on the taupe lapels of her Italian suit and suck on her blouse while, behind his back, she turned the pages of a script that Chip could only pray was not his own. The line-caught Norwegian salmon was soaking through its wrapping, his body heat melting the fats that had given the filet a degree of rigidity. He wanted to escape the Nightmare, but he wasn’t prepared to discuss “The Academy Purple” under the current circumstances. He veered down a frosty aisle where the gelati came in plain white cartons with small black lettering. A man in a suit was crouching beside a little girl with hair like copper in sunshine. The girl was Eden’s daughter, April. The man was Eden’s husband, Doug O’Brien.

“Chip Lambert, what’s happening?” Doug said.

There seemed to be no ways but girly ways for Chip to hold his grocery basket while he shook Doug’s square hand.

“April’s picking out her treat for after dinner,” Doug said.

“Three treats,” April said.

“Her three treats, right.”

“What’s that one?” April said, pointing.

“That is a grenadine-nasturtium sorbetto, sugar bunny.”

“Do I like it?”

“That I can’t tell you.”

Doug, who was younger and shorter than Chip, so persistently claimed to be in awe of Chip’s intellect and so consistently tested free of any irony or condescension that Chip had finally accepted that Doug really did admire him. This admiration was more grueling than belittlement.

“Eden tells me you finished the script,” Doug said, restacking some gelati that April had upset. “Man, I am psyched. This project sounds phenomenal.”

April was cradling three rimed cartons against her corduroy jumper.

“What kind did you get?” Chip asked her.

April shrugged extremely, a beginner’s shrug.

“Sugar bunny, run those up to Mommy. I’m going to talk to Chip.”

As April ran back up the aisle Chip wondered what it would be like to father a child, to always be needed instead of always needing.

“Something I wanted to ask you,” Doug said. “Do you have a second? Say somebody offered you a new personality: would you take it? Say somebody said to you, I will permanently rewire your mental hardware in whatever way you want. Would you pay to have that done?”

The salmon paper was sweat-bonded to Chip’s skin and tearing open at the bottom. This was not the ideal time to be providing Doug with the intellectual companionship he seemed to crave, but Chip wanted Doug to keep thinking highly of him and encourage Eden to buy his script. He asked why Doug asked.

“A lot of crazy stuff crosses my desk,” Doug said. “Especially now with all the money coming home from overseas. All the dot-com issues, of course. We’re still trying our very hardest to persuade the average American to happily engineer his own financial ruin. But the biotech is fascinating. I’ve been reading whole prospectuses about genetically altered squash. Apparently people in this country are eating a lot more squash than I was aware of, and squashes are prone to more diseases than you’d infer from their robust exterior. Either that or … Southern Cucumtech is seriously overvalued at thirty-five a share. Whatever. But Chip, this brain thing, man, it caught my eye. Bizarre fact number one is that I’m allowed to talk about it. It’s all public knowledge. Is this bizarre?”

Chip was trying to keep his eyes focused on Doug in an interested manner, but his eyes were like children, they wanted to skip up and down the aisles. He was ready, basically, to jump out of his skin. “Yeah. Bizarre.”

“The idea,” Doug said, “is your basic gut cerebral rehab. Leave the shell and roof, replace the walls and plumbing. Design away that useless dining nook. Put a modern circuit breaker in.”

“Uh huh.”

“You get to keep your handsome façade,” Doug said. “You still look serious and intellectual, a little Nordic, on the outside. Sober, bookish. But inside you’re more livable. A big family room with an entertainment console. A kitchen that’s roomier and handier. You’ve got your In-Sink-Erator, your convection oven. An ice-cube dispenser on the refrigerator door.”

“Do I still recognize myself?”

“Do you want to? Everybody else still will—at least, the outside of you.”

The big glowing tally for TODAY’S GROSS RECEIPTS paused for a moment at $444,447.41 and then went higher.

“My furnishings are my personality,” Chip said.

“Say it’s a gradual rehab. Say the workmen are very tidy. The brain’s cleaned up every night when you get home from work, and nobody can bother you on the weekend, per local ordinance and the usual covenantal restrictions. The whole thing happens in stages—you grow into it. Or it grows into you, so to speak. Nobody’s making you buy new furniture.”

“You’re asking hypothetically.”

Doug raised a finger. “The only thing is there might be some metal involved. It’s possible you’d set off alarms at the airport. I’m imagining you might get some unwanted talk radio, too, on certain frequencies. Gatorade and other high-electrolyte drinks might be a problem. But what do you say?”

“You’re joking, right?”

“Check out the Web site. I’ll give you the address. ‘The implications are disturbing, but there’s no stopping this powerful new technology.’ That could be the motto for our age, don’t you think?”

That a salmon filet was now spreading down into Chip’s underpants like a wide, warm slug did seem to have everything to do with his brain and with a number of poor decisions that this brain had made. Rationally Chip knew that Doug would let him go soon and that eventually he might even escape the Nightmare of Consumption and find a restaurant bathroom where he could take the filet out and regain his full critical faculties—that there would come a moment when he was no longer standing amid pricey gelati with lukewarm fish in his pants, and that this future moment would be a moment of extraordinary relief—but for now he still inhabited an earlier, much less pleasant moment from the vantage point of which a new brain looked like just the ticket.

“The desserts were a foot tall!” Enid said, her instincts having told her that Denise didn’t care about pyramids of shrimp. “It was elegant elegant. Have you ever seen anything like that?”

“I’m sure it was very nice,” Denise said.

“The Dribletts really do things super-deluxe. I’d never seen a dessert that tall. Have you?”

The subtle signs that Denise was exercising patience—the slightly deeper breaths she took, the soundless way she set her fork down on her plate and took a sip of wine and set the glass back down—were more hurtful to Enid than a violent explosion.

“I’ve seen tall desserts,” Denise said.

“Are they tremendously difficult to make?”

Denise folded her hands in her lap and exhaled slowly. “It sounds like a great party. I’m glad you had fun.”

Enid had, true enough, had fun at Dean and Trish’s party, and she’d wished that Denise had been there to see for herself how elegant it was. At the same time, she was afraid that Denise would not have found the party elegant at all, that Denise would have picked apart its specialness until there was nothing left but ordinariness. Her daughter’s taste was a dark spot in Enid’s vision, a hole in her experience through which her own pleasures were forever threatening to leak and dissipate.

“I guess there’s no accounting for tastes,” she said.

“That’s true,” Denise said. “Although some tastes are better than others.”

Alfred had bent low over his plate to ensure that any salmon or haricots verts that fell from his fork would land on china. But he was listening. He said, “Enough.”

“That’s what everybody thinks,” Enid said. “Everybody thinks their taste is the best.”

“But most people are wrong,” Denise said.

“Everybody’s entitled to their own taste,” Enid said. “Everybody gets one vote in this country.”

“Unfortunately!”

“Enough,” Alfred said to Denise. “You’ll never win.”

“You sound like a snob,” Enid said.

“Mother, you’re always telling me how much you like a good home-cooked meal. Well, that’s what I like, too. I think there’s a kind of Disney vulgarity in a foot-tall dessert. You are a better cook than—”

“Oh, no. No.” Enid shook her head. “I’m a nothing cook.”

“That’s not true at all! Where do you think I—”

“Not from me,” Enid interrupted. “I don’t know where my children got their talents. But not from me. I’m a nothing as a cook. A big nothing.” (How strangely good it felt to say this! It was like putting scalding water on a poison-ivy rash.)

Denise straightened her back and raised her glass. Enid, who all her life had been helpless not to observe the goings-on on other people’s plates, had watched Denise take a three-bite portion of salmon, a small helping of salad, and a crust of bread. The size of each was a reproach to the size of each of Enid’s. Now Denise’s plate was empty and she hadn’t taken seconds of anything.

“Is that all you’re going to eat?” Enid said.

“Yes. That was my lunch.”

“You’ve lost weight.”

“In fact not.”

“Well, don’t lose any more,” Enid said with the skimpy laugh with which she tried to hide large feelings.

Alfred was guiding a forkful of salmon and sorrel sauce to his mouth. The food dropped off his fork and broke into violently shaped pieces.

“I think Chip did a good job with this,” Enid said. “Don’t you think? The salmon is very tender and good.”

“Chip has always been a good cook,” Denise said.

“Al, are you enjoying this? Al?”

Alfred’s grip on his fork had slackened. There was a sag in his lower lip, a sullen suspicion in his eyes.

“Are you enjoying the lunch?” Enid said.

He took his left hand in his right and squeezed it. The mated hands continued their oscillation together while he stared at the sunflowers in the middle of the table. He seemed to swallow the sour set of his mouth, to choke back the paranoia.

“Chip made all this?” he said.

“Yes.”

He shook his head as though Chip’s having cooked, Chip’s absence now, overwhelmed him. “I am increasingly bothered by my affliction,” he said.

“What you have is very mild,” Enid said. “We just need to get the medication adjusted.”

He shook his head. “Hedgpeth said it’s unpredictable.”

“The important thing is to keep doing things,” Enid said, “to keep active, to always just go.”

“No. You were not listening. Hedgpeth was very careful not to promise anything.”

“According to what I read—”

“I don’t give a damn what your magazine article said. I am not well, and Hedgpeth admitted as much.”

Denise set her wine down with a stiff, fully extended arm.

“So what do you think about Chip’s new job?” Enid asked her brightly.

“His—?”

“Well, at the Wall Street Journal.”

Denise studied the tabletop. “I have no opinion about it.”

“It’s exciting, don’t you think?”

“I have no opinion about it.”

“Do you think he works there full-time?”

“No.”

“I don’t understand what kind of job it is.”

“Mother, I know nothing about it.”

“Is he still doing law?”

“You mean proofreading? Yes.”

“So he’s still at the firm.”

“He’s not a lawyer, Mother.”

“I know he’s not a lawyer.”

“Well, when you say, ‘doing law,’ or ‘at the firm’—is that what you tell your friends?”

“I say he works at a law firm. That’s all I say. A New York City law firm. And it’s the truth. He does work there.”

“It’s misleading and you know it,” Alfred said.

“I guess I should just never say anything.”

“Just say things that are true,” Denise said.

“Well, I think he should be in law,” Enid said. “I think the law would be perfect for Chip. He needs the stability of a profession. He needs structure in his life. Dad always thought he’d make an excellent lawyer. I used to think doctor, because he was interested in science, but Dad always saw him as a lawyer. Didn’t you, Al? Didn’t you think Chip could be an excellent lawyer? He’s so quick with words.”

“Enid, it’s too late.”

“I thought maybe working for the firm he’d get interested and go back to school.”

“Far too late.”

“The thing is, Denise, there are so many things you can do with law. You can be a company president. You can be a judge! You can teach. You can be a journalist. There are so many directions Chip could go in.”

“Chip will do what he wants to do,” Alfred said. “I’ve never understood it, but he is not going to change now.”

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