First published in the United States of America by HarperCollins Publishers in 2012

First published in Great Britain by HarperCollins Children’s Books in 2012

Published in this film tie-in edition by HarperCollins Children’s Books in 2020

Published in this ebook edition in 2020

HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd,

HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

The HarperCollins Children’s Books website address is

www.harpercollins.co.uk

Text copyright © Katherine Applegate 2012

Motion Picture Artwork TM and © 2020 by Disney

All rights reserved.

Katherine Applegate asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook onscreen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008408367

Ebook Edition © August 2020 ISBN: 9780007468461

Version: 2020-09-29

For Julia

Epigraph

It is never too late to be

what you might have been.

—George Eliot

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Hello

Names

Patience

How I Look

The Exit 8 Big Top Mall and Video Arcade

The Littlest Big Top on Earth

Gone

Artists

Shapes in Clouds

Imagination

The Loneliest Gorilla in the World

TV

The Nature Show

Stella

Stella’s Trunk

A Plan

Bob

Wild

Picasso

Three Visitors

My Visitors Return

Sorry

Julia

Drawing Bob

Bob and Julia

Mack

Not Sleepy

The Beetle

Change

Guessing

Jambo

Lucky

Arrival

Stella Helps

Old News

Tricks

Introductions

Stella and Ruby

Home of the One and Only Ivan

Art Lesson

Treat

Elephant Jokes

Children

The Parking Lot

Ruby’s Story

A Hit

Worry

The Promise

Knowing

Five Men

Comfort

Crying

The One and Only Ivan

Once Upon A Time

The Grunt

Mud

Protector

A Perfect Life

The End

Vine

The Temporary Human

Hunger

Still Life

Punishment

Babies

Beds

My Place

Nine Thousand Eight Hundred and Seventy-Six Days

A Visit

A New Beginning

Poor Mack

Colours

A Bad Dream

The Story

How

Remembering

What They Did

Something Else to Buy

Another Ivan

Days

Nights

Project

Not Right

Going Nowhere

Bad Guys

Ad

Imagining

Not-Tag

One More Thing

The Seven O’clock Show

Twelve

H

Nervous

Showing Julia

More Paintings

Chest Beating

Angry

Puzzle Pieces

Finally

The Next Morning

Mad Human

Phone Call

A Star Again

The Ape Artist

Interview

The Early News

Signs on Sticks

Protesters

Check Marks

Free Ruby

New Box

Training

Poking and Prodding

No Painting

More Boxes

Goodbye

Click

An Idea

Respect

Photo

Leaving

Good Boy

Moving

Awakening

Missing

Food

Not Famous

Something in the Air

A New TV

The Family

Excited

What I See

Still There

Watching

She

Door

Wondering

Ready

Outside at Last

Oops

What It Was Like

Pretending

Nest

More TV

It

Romance

More About Romance

Grooming

Talk

The Top of the Hill

The Wall

Safe

Silverback

Glossary

Author’s Note

Acknowledgments

Also by Katherine Applegate

About the Author

Books by Katherine Applegate

About the Publisher

Hello

I am Ivan. I am a gorilla.

It’s not as easy as it looks.

Names

People call me the Freeway Gorilla. The Ape at Exit 8. The One and Only Ivan, Mighty Silverback.

The names are mine, but they’re not me. I am Ivan, just Ivan, only Ivan.

Humans waste words. They toss them like banana peels and leave them to rot.

Everyone knows the peels are the best part.

I suppose you think gorillas can’t understand you. Of course, you also probably think we can’t walk upright.

Try knuckle walking for an hour. You tell me: which way is more fun?

Patience

I’ve learned to understand human words over the years, but understanding human speech is not the same as understanding humans.

Humans speak too much. They chatter like chimps, crowding the world with their noise even when they have nothing to say.

It took me some time to recognise all those human sounds, to weave words into things. But I was patient.

Patient is a useful way to be when you’re an ape.

Gorillas are as patient as stones. Humans, not so much.

How I Look

I used to be a wild gorilla, and I still look the part.

I have a gorilla’s shy gaze, a gorilla’s sly smile. I wear a snowy saddle of fur, the uniform of a silverback. When the sun warms my back, I cast a gorilla’s majestic shadow.

In my size humans see a test of themselves. They hear fighting words on the wind, when all I’m thinking is how the late-day sun reminds me of a ripe nectarine.

I’m mightier than any human, four hundred pounds of pure power. My body looks made for battle. My arms, outstretched, span taller than the tallest human.

My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins.

I know this is troubling.

I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns.

Chimps. There’s no excuse for them.

The Exit 8 Big Top Mall and Video Arcade

I live in a human habitat called the Exit 8 Big Top Mall and Video Arcade. We are conveniently located off I-95, with shows at two, four and seven, 365 days a year.

Mack says that when he answers the trilling telephone.

Mack works here at the mall. He is the boss.

I work here too. I am the gorilla.

At the Big Top Mall, a creaky-music carousel spins all day, and monkeys and parrots live amid the merchants. In the middle of the mall is a ring with benches where humans can sit on their rumps while they eat soft pretzels. The floor is covered with sawdust made of dead trees.

My domain is at one end of the ring. I live here because I am too much gorilla and not enough human.

Stella’s domain is next to mine. Stella is an elephant. She and Bob, who is a dog, are my dearest friends.

At present, I do not have any gorilla friends.

My domain is made of thick glass and rusty metal and rough cement. Stella’s domain is made of metal bars. The sun bears’ domain is wood; the parrots’ is wire mesh.

Three of my walls are glass. One of them is cracked, and a small piece, about the size of my hand, is missing from its bottom corner. I made the hole with a baseball bat Mack gave me for my sixth birthday. After that he took the bat away, but he let me keep the baseball that came with it.

A jungle scene is painted on one of my domain walls. It has a waterfall without water and flowers without scent and trees without roots. I didn’t paint it, but I enjoy the way the shapes flow across my wall, even if it isn’t much of a jungle.

I am lucky my domain has three windowed walls. I can see the whole mall and a bit of the world beyond: the frantic pinball machines, the pink billows of cotton candy, the vast and treeless parking lot.

Beyond the lot is a freeway where cars stampede without end. A giant sign at its edge beckons them to stop and rest like gazelles at a watering hole.

The sign is faded, the colours bleeding, but I know what it says. Mack read its words aloud one day: “COME TO THE EXIT 8 BIG TOP MALL AND VIDEO ARCADE, HOME OF THE ONE AND ONLY IVAN, MIGHTY SILVERBACK!”

Sadly, I cannot read, although I wish I could. Reading stories would make a fine way to fill my empty hours.

Once, however, I was able to enjoy a book left in my domain by one of my keepers.

It tasted like termite.

The freeway billboard has a drawing of Mack in his clown clothes and Stella on her hind legs and an angry animal with fierce eyes and unkempt hair.

That animal is supposed to be me, but the artist made a mistake. I am never angry.

Anger is precious. A silverback uses anger to maintain order and warn his troop of danger. When my father beat his chest, it was to say, Beware, listen, I am in charge. I am angry to protect you, because that is what I was born to do.

Here in my domain, there is no one to protect.

The Littlest Big Top on Earth

My neighbours here at the Big Top Mall know many tricks. They are an educated lot, more accomplished than I.

One of my neighbours plays baseball, although she is a chicken. Another drives a fire truck, although he is a rabbit.

I used to have a neighbour, a sleek and thoughtful seal, who could balance a ball on her nose from dawn till dusk. Her voice was like the throaty bark of a dog chained outside on a cold night.

Children wished on pennies and tossed them into her plastic pool. They glowed on the bottom like flat copper stones.

The seal was hungry one day, or bored, perhaps, so she ate one hundred pennies.

Mack said she’d be fine.

He was mistaken.

Mack calls our show “The Littlest Big Top on Earth”. Every day at two, four and seven, humans fan themselves, drink sodas, applaud. Babies wail. Mack, dressed like a clown, pedals a tiny bike. A dog named Snickers rides on Stella’s back. Stella sits on a stool.

It is a very sturdy stool.

I don’t do any tricks. Mack says it’s enough for me to be me.

Stella told me that some circuses move from town to town. They have humans who dangle on ropes twining from the tops of tents. They have grumbling lions with gleaming teeth and a snaking line of elephants, each clutching the limp tail in front of her. The elephants look far off into the distance so they won’t see the humans who want to see them.

Our circus doesn’t migrate. We sit where we are, like an old beast too tired to push on.

After our show, humans forage through the stores. A store is where humans buy things they need to survive. At the Big Top Mall, some stores sell new things, things like balloons and T-shirts and caps to cover the gleaming heads of humans. Some stores sell old things, things that smell dusty and damp and long-forgotten.

All day, I watch humans scurry from store to store. They pass their green paper, dry as old leaves and smelling of a thousand hands, back and forth and back again.

They hunt frantically, stalking, pushing, grumbling. Then they leave, clutching bags filled with things – bright things, soft things, big things – but no matter how full the bags, they always come back for more.

Humans are clever indeed. They spin pink clouds you can eat. They build domains with flat waterfalls.

But they are lousy hunters.

Gone

Some animals live privately, unwatched, but that is not my life.

My life is flashing lights and pointing fingers and uninvited visitors. Inches away, humans flatten their little hands against the wall of glass that separates us.

The glass says you are this and we are that and that is how it will always be.

Humans leave their fingerprints behind, sticky with candy, slick with sweat. Each night a weary man comes to wipe them away.

Sometimes I press my nose against the glass. My noseprint, like your fingerprint, is the first and last and only one.

The man wipes the glass and then I am gone.

Artists

Here in my domain, I do not have much to do. You can only throw so many me-balls at humans before you get bored.

A me-ball is made by rolling up dung until it’s the size of a small apple, then letting it dry. I always keep a few on hand.

For some reason, my visitors never seem to carry any.

In my domain, I have a tyre swing, a baseball, a tiny plastic pool filled with dirty water, and even an old TV.

I have a stuffed toy gorilla too. Julia, the daughter of the weary man who cleans the mall each night, gave it to me.

The gorilla has empty eyes and floppy limbs, but I sleep with it every night. I call it Not-Tag.

Tag was my twin sister’s name.

Julia is ten years old. She has hair like black glass and a wide, half-moon smile. She and I have a lot in common. We are both great apes, and we are both artists.

It was Julia who gave me my first crayon, a stubby blue one, slipped through the broken spot in my glass along with a folded piece of paper.

I knew what to do with it. I’d watched Julia draw. When I dragged the crayon across the paper, it left a trail in its wake like a slithering blue snake.

Julia’s drawings are wild with colour and movement. She draws things that aren’t real: clouds that smile and cars that swim. She draws until her crayons break and her paper rips. Her pictures are like pieces of a dream.

I can’t draw dreamy pictures. I never remember my dreams, although I sometimes awaken with my fists clenched and my heart hammering.

My drawings seem pale and timid next to Julia’s. She draws ideas in her head. I draw things in my cage, the simple items that fill my days: an apple core, a banana peel, a candy wrapper. (I often eat my subjects before I draw them.)

But even though I draw the same things over and over again, I never get bored with my art. When I’m drawing, that’s all I think about. I don’t think about where I am, about yesterday or tomorrow. I just move my crayons across the paper.

Humans don’t always seem to recognise what I’ve drawn. They squint, cock their heads, murmur. I’ll draw a banana, a perfectly lovely banana, and they’ll say, “It’s a yellow airplane!” or “It’s a duck without wings!”

That’s all right. I’m not drawing for them. I’m drawing for me.

Mack soon realised that people will pay for a picture made by a gorilla, even if they don’t know what it is. Now I draw every day. My works sell for twenty dollars apiece (twenty-five with frame) at the gift shop near my domain.

If I get tired and need a break, I eat my crayons.

Shapes in Clouds

I think I’ve always been an artist.

Even as a baby, still clinging to my mother, I had an artist’s eye. I saw shapes in the clouds, and sculptures in the tumbled stones at the bottom of a stream. I grabbed at colours – the crimson flower just out of reach, the ebony bird streaking past.

I don’t remember much about my early life, but I do remember this: Whenever I got the chance, I would dip my fingers into cool mud and use my mother’s back for a canvas.

She was a patient soul, my mother.

Imagination

Someday, I hope I can draw the way Julia draws, imagining worlds that don’t yet exist.

I know what most humans think. They think gorillas don’t have imaginations. They think we don’t remember our pasts or ponder our futures.

Come to think of it, I suppose they have a point. Mostly I think about what is, not what could be.

I’ve learned not to get my hopes up.

The Loneliest Gorilla in the World

When the Big Top Mall was first built, it smelled of new paint and fresh hay, and humans came to visit from morning till night. They drifted past my domain like logs on a lazy river.

Lately, a day might go by without a single visitor. Mack says he’s worried. He says I’m not cute any more. He says, “Ivan, you’ve lost your magic, old guy. You used to be a hit.”

It’s true that some of my visitors don’t linger the way they used to. They stare through the glass, they cluck their tongues, they frown while I watch my TV.

“He looks lonely,” they say.

Not long ago, a little boy stood before my glass, tears streaming down his smooth red cheeks. “He must be the loneliest gorilla in the world,” he said, clutching his mother’s hand.

At times like that, I wish humans could understand me the way I can understand them.

It’s not so bad, I wanted to tell the little boy. With enough time, you can get used to almost anything.

TV

My visitors are often surprised when they see the TV Mack put in my domain. They seem to find it odd, the sight of a gorilla staring at tiny humans in a box.

Sometimes I wonder, though: Isn’t the way they stare at me, sitting in my tiny box, just as strange?

My TV is old. It doesn’t always work, and sometimes days will go by before anyone remembers to turn it on.

I’ll watch anything, but I’m particularly fond of cartoons, with their bright jungle colours. I especially enjoy it when someone slips on a banana peel.

Bob, my dog friend, loves TV almost as much as I do. He prefers to watch professional bowling and cat-food commercials.

Bob and I have seen many romance movies too. In a romance there is much hugging and sometimes face licking.

I have yet to see a single romance starring a gorilla.

We also enjoy old western movies. In a western, someone always says, “This town ain’t big enough for the both of us, Sheriff.” In a western, you can tell who the good guys are and who the bad guys are, and the good guys always win.

Bob says westerns are nothing like real life.

The Nature Show

I have been in my domain for nine thousand eight hundred and fifty-five days.

Alone.

For a while, when I was young and foolish, I thought I was the last gorilla on earth.

I tried not to dwell on it. Still, it’s hard to stay upbeat when you think there are no more of you.

Then one night, after I watched a movie about men in black hats with guns and feeble-minded horses, a different show came on.

It was not a cartoon, not a romance, not a western.

I saw a lush forest. I heard birds murmuring. The grass moved. The trees rustled.

Then I saw him. He was bit threadbare and scrawny, and not as good-looking as I am, to be honest. But sure enough, he was a gorilla.

As suddenly as he’d appeared, the gorilla vanished, and in his place was a scruffy white animal called, I learned, a polar bear, and then a chubby water creature called a manatee, and then another animal, and another.

All night I sat wondering about the gorilla I’d glimpsed. Where did he live? Would he ever come to visit? If there was a he somewhere, could there be a she as well?

Or was it just the two of us in all the world, trapped in our own separate boxes?

Stella

Stella says she is sure I will see another real, live gorilla someday, and I believe her because she is even older than I and has eyes like black stars and knows more than I will ever know.

Stella is a mountain. Next to her I am a rock, and Bob is a grain of sand.

Every night, when the stores close and the moon washes the world with milky light, Stella and I talk.

We don’t have much in common, but we have enough. We are huge and alone and we both love yogurt raisins.

Sometimes Stella tells stories of her childhood, of leafy canopies hidden by mist and the busy songs of flowing water. Unlike me, she recalls every detail of her past.

Stella loves the moon, with its untroubled smile. I love the feel of the sun on my belly.

She says, “It is quite a belly, my friend,” and I say, “Thank you, and so is yours.”

We talk, but not too much. Elephants, like gorillas, do not waste words.

Stella used to perform in a large and famous circus, and she still does some of those tricks for our show. During one stunt, Stella stands on her hind legs while Snickers jumps on her head.

It’s hard to stand on your hind legs when you weigh more than forty men.

If you are a circus elephant and you stand on your hind legs while a dog jumps on your head, you get a treat. If you do not, the claw-stick comes swinging.

Elephant hide is thick as bark on an ancient tree, but a claw-stick can pierce it like a leaf.

Once Stella saw a trainer hit a bull elephant with a claw-stick. A bull is like a silverback, noble, contained, calm like a cobra is calm. When the claw-stick caught in the bull’s flesh, he tossed the trainer into the air with his tusk.

The man flew, Stella said, like an ugly bird. She never saw the bull again.

Stella’s Trunk

Stella’s trunk is a miracle. She can pick up a single peanut with elegant precision, tickle a passing mouse, tap the shoulder of a dozing keeper.

Her trunk is remarkable, but still it can’t unlatch the door of her tumble-down domain.

Circling Stella’s legs are long-ago scars from the chains she wore as a youth: her bracelets, she calls them. When she worked at the famous circus Stella had to balance on a pedestal for her most difficult trick. One day, she fell off and injured her foot. When she went lame and lagged behind the other elephants, the circus sold her to Mack.

Stella’s foot never healed completely. She limps when she walks, and sometimes her foot gets infected when she stands in one place for too long.

Last winter, Stella’s foot swelled to twice its normal size. She had a fever, and she lay on the damp, cold floor of her domain for five days.

They were very long days.

Even now, I’m not sure she’s completely better. She never complains, though, so it’s hard to know.

At the Big Top Mall, no one bothers with iron shackles. A bristly rope tied to a bolt in the floor is all that’s required.

“They think I’m too old to cause trouble,” Stella says.

“Old age,” she says, “is a powerful disguise.”

A Plan

It’s been two days since anyone’s come to visit. Mack is in a bad mood. He says we are losing money hand over fist. He says he is going to sell the whole lot of us.

When Thelma, a blue and yellow macaw, demands “Kiss me, big boy,” for the third time in ten minutes, Mack throws a soda can at her. Thelma’s wings are clipped so that she can’t fly, but she still can hop. She leaps aside just in the nick of time. “Pucker up!” she says with a shrill whistle.

Mack stomps to his office and slams the door shut.

I wonder if my visitors have grown tired of me. Maybe if I learn a trick or two, it would help.

Humans do seem to enjoy watching me eat. Luckily, I am always hungry. I am a gifted eater.

A silverback must eat forty-five pounds of food a day if he wants to stay a silverback. Forty-five pounds of fruit and leaves and seeds and stems and bark and vines and rotten wood.

Also, I enjoy the occasional insect.

I am going to try to eat more. Maybe then we will get more visitors. Tomorrow I will eat fifty pounds of food. Maybe even fifty-five.

That should make Mack happy.

Bob

I explain my plan to Bob.

“Ivan,” he says, “trust me on this one: the problem is not your appetite.” He hops on to my chest and licks my chin, checking for leftovers.

Bob is a stray, which means he does not have a permanent address. He is so speedy, so wily, that mall workers long ago gave up trying to catch him. Bob can sneak into cracks and crevices like a tracked rat. He lives well off the ends of hot dogs he pulls from the trash. For dessert, he laps up spilled lemonade and splattered ice-cream cones.

I’ve tried to share my food with Bob, but he is a picky eater, and says he prefers to hunt for himself.

Bob is tiny, wiry and fast, like a barking squirrel. He is nut coloured and big eared. His tail moves like weeds in the wind, spiralling, dancing.

Bob’s tail makes me dizzy and confused. It has meanings within meanings, like human words. “I am sad,” it says. “I am happy.” It says, “Beware! I may be tiny, but my teeth are sharp.”

Gorillas don’t have any use for tails. Our feelings are uncomplicated. Our rumps are unadorned.

Bob used to have three brothers and two sisters. Humans tossed them out of a truck on to the freeway when they were a few weeks old. Bob rolled into a ditch.

The others did not.

His first night on the highway, Bob slept in the icy mud of the ditch. When he woke, he was so cold that his legs would not bend for an hour.

The next night, Bob slept under some dirty hay near the Big Top Mall garbage bins.

The following night, Bob found the spot in the corner of my domain where the glass is broken. I dreamed that I’d eaten a furry doughnut, and when I woke in the dark, I discovered a tiny puppy snoring on top of my belly.

It had been so long since I’d felt the comfort of another’s warmth that I wasn’t sure what to do. Not that I hadn’t had visitors. Mack had been in my domain, of course, and many other keepers. I’d seen my share of rats zip past, and the occasional wayward sparrow had fluttered in through a hole in my ceiling.

But they never stayed long.

I didn’t move all night, for fear of waking Bob.

Wild

Once I asked Bob why he didn’t want a home. Humans, I’d noticed, seem to be irrationally fond of dogs, and I could see why a puppy would be easier to cuddle with than, say, a gorilla.

“Everywhere is my home,” Bob answered. “I am a wild beast, my friend: untamed and undaunted.”

I told Bob he could work in the shows like Snickers, the poodle who rides Stella.

Bob said Snickers sleeps on a pink pillow in Mack’s office. He said she eats foul-smelling meat from a can.

He made a face. His lips curled, revealing tiny needles of teeth.

“Poodles,” he said, “are parasites.”

Picasso

Mack gives me a fresh crayon, a yellow one, and ten pieces of paper. “Time to earn your keep, Picasso,” he mutters.

I wonder who this Picasso is. Did he have a tyre swing like me? Did he ever eat his crayons?

I know I have lost my magic, so I try my very best. I clutch the crayon and think.

I scan my domain. What is yellow?

A banana.

I draw a banana. The paper tears, but only a little.

I lean back, and Mack picks up the drawing. “Another day, another scribble,” he says. “One down, nine to go.”

What else is yellow? I wonder, scanning my domain.

I draw another banana. And then I draw eight more.

Three Visitors

Three visitors are here: a woman, a boy, a girl.

I strut across my domain for them. I dangle from my tyre swing. I eat three banana peels in a row.

The boy spits at my window. The girl throws a handful of pebbles.

Sometimes I’m glad the glass is there.

My Visitors Return

After the show, the spit-pebble children come back.

I display my impressive teeth. I splash in my filthy pool. I grunt and hoot. I eat and eat and eat some more.

The children pound their pathetic chests. They toss more pebbles.

“Slimy chimps,” I mutter. I throw a me-ball at them.

Sometimes I wish the glass were not there.

Sorry

I’m sorry I called those children slimy chimps.

My mother would be ashamed of me.

Julia

Like the spit-pebble children, Julia is a child, but that, after all, is not her fault.

While her father, George, cleans the mall each night, Julia sits by my domain. She could sit anywhere she wants: by the carousel, in the empty food court, on the bleachers coated in sawdust. But I am not bragging when I say that she always chooses to sit with me.

I think it’s because we both love to draw.

Sara, Julia’s mother, used to help clean the mall. But when she got sick and grew pale and stooped, Sara stopped coming. Every night Julia offers to help George, and every night he says firmly, “Homework, Julia. The floors will just get dirty again.”

Homework, I have discovered, involves a sharp pencil and thick books and long sighs.

I enjoy chewing pencils. I am sure I would excel at homework.

Sometimes Julia dozes off, and sometimes she reads her books, but mostly she draws pictures and talks about her day.

I don’t know why people talk to me, but they often do. Perhaps it’s because they think I can’t understand them.

Or perhaps it’s because I can’t talk back.

Julia likes science and art. She doesn’t like Lila Burpee, who teases her because her clothes are old, and she does like Deshawn Williams, who teases her too, but in a nice way, and she would like to be a famous artist when she grows up.

Sometimes Julia draws me. I am an elegant fellow in her pictures, with my silver back gleaming like moon on moss. I never look angry, the way I do on the fading billboard by the highway.

I always look a bit sad, though.

Drawing Bob

I love Julia’s pictures of Bob.

She draws him flying across the page, a blur of feet and fur. She draws him motionless, peeking out from behind a trash can or the soft hill of my belly.

Sometimes in her drawings, Julia gives Bob wings or a lion’s mane. Once she gave him a tortoise shell.

But the best thing she ever gave him wasn’t a drawing. Julia gave Bob his name.

For a long time, no one knew what to call Bob. Now and then, a mall worker would try to approach him with a tidbit. “Here, doggie,” they’d call, holding out a French fry. “Come on, pooch,” they’d say. “How about a little piece of sandwich?”

But he would always vanish into the shadows before anyone could get too close.

One afternoon, Julia decided to draw the little dog curled up in the corner of my domain. First, she watched him for a long time, chewing on her thumbnail. I could tell she was looking at him the way an artist looks at the world when she’s trying to understand it.

Finally she grabbed her pencil and set to work. When she was finished, she held up the page.

There he was, the tiny, big-eared dog. He was smart and cunning, but his gaze was wistful.

Under the picture were three bold, confident marks, circled in black.

Julia’s father peered over her shoulder. “That’s him exactly,” he said, nodding. He pointed to the circled marks. “I didn’t realise his name was Bob,” he said.

“Me neither,” said Julia. She smiled. “I had to draw him first.”

Bob and Julia

Bob will not let humans touch him. He says their scent upsets his digestion.

But every now and then I see him sitting at Julia’s feet. Her fingers move gently, just behind his right ear.

Mack

Usually Mack leaves after the last show, but tonight he is in his office working late. When he’s done, he stops by my domain and stares at me for a long time while he drinks from a brown bottle.

George joins him, broom in hand, and Mack says the things he always says: “How about that game last night?” and “Business has been slow, but it’ll get better, you’ll see,” and “Don’t forget to empty the trash.”

Mack glances over at the picture Julia is drawing. “What’re you making?” he asks.

“It’s for my mum,” Julia says. “It’s a flying dog.” She holds up her drawing, eyeing it critically. “She likes airplanes. And dogs.”

“Hmm,” Mack murmurs, sounding unconvinced. He looks at George. “How’s the wife doing, anyway?”

“About the same,” George says. “She has good days and bad days.”

“Yeah, don’t we all,” Mack says.

Mack starts to leave, then pauses. He reaches into his pocket, pulls out a crumpled green bill, and presses it into George’s hand.

“Here,” Mack says with a shrug. “Buy the kid some more crayons.”

Mack is already out the door before George can yell “Thanks.”

Not Sleepy

“Stella,” I say after Julia and her father go home. “I can’t sleep.”

“Of course you can,” she says. “You are the king of sleepers.”

“Shh,” Bob says from his perch on my belly. “I’m dreaming about chilli fries.”

“I’m tired,” I say, “but I’m not sleepy.”

“What are you tired of?” Stella asks.

I think for a while. It’s hard to put into words. Gorillas are not complainers. We’re dreamers, poets, philosophers, nap takers.

“I don’t know exactly.” I kick at my tyre swing. “I think I may be a little tired of my domain.”

“That’s because it’s a cage,” Bob tells me.

Bob is not always tactful.

“I know,” Stella says gently. “It’s a very small domain.”

“And you’re a very big gorilla,” Bob adds.

“Stella?” I ask.

“Yes?”

“I noticed you were limping more than usual today. Is your leg bothering you?”

“Just a little,” Stella answers.

I sigh. Bob resettles. His ears flick. He drools a bit, but I don’t mind. I’m used to it.

“Try eating something,” Stella says. “That always makes you happy.”

I eat an old, brown carrot. It doesn’t help, but I don’t tell Stella. She needs to sleep.

“You could try remembering a good day,” Stella suggests. “That’s what I do when I can’t sleep.”

Stella remembers every moment since she was born: every scent, every sunset, every slight, every victory.

“You know I can’t remember much,” I say.

“There’s a difference,” Stella says gently, “between ‘can’t remember’ and ‘won’t remember’.”

“That’s true,” I admit. Not remembering can be difficult, but I’ve had a lot of time to work on it.

“Memories are precious,” Stella adds. “They help tell us who we are. Try remembering all your keepers. You always liked Karl, the one with the harmonica.”

Karl. Yes. I remember how he gave me a coconut when I was still a juvenile. It took me all day to open it.

I try to recall other keepers I have known – the humans who cleaned my domain and prepared my food and sometimes kept me company. There was Juan, who poured Pepsis into my waiting mouth, and Katrina, who used to poke me with a broom when I was sleeping, and Ellen, who sang “How Much is That Monkey in the Window?” with a wistful smile while she scrubbed my water bowl.

And there was Gerald, who once brought me a box of fat, sweet strawberries.

I haven’t had a real keeper in a long time. Mack says he doesn’t have the money to pay for an ape babysitter. These days, George cleans my cage and Mack is the one who feeds me.

When I think about all the people who’ve taken care of me, mostly it’s Mack I recall, day in and day out, year after year after year. Mack, who bought me and raised me and says I’m no longer cute.

As if a silverback could ever be cute.

Moonlight falls on the frozen carousel, on the silent popcorn stand, on the stall of leather belts that smell like long-gone cows.

The heavy work of Stella’s breathing sounds like the wind in trees, and I wait for sleep to find me.

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