HUNTER
LARS KEPLER
Translated from the Swedish by Neil Smith

Copyright

This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.

HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

Published by HarperCollinsPublishers 2018

Copyright © Lars Kepler 2016

Translation copyright © Neil Smith 2018

All rights reserved

Originally published in 2016 by Albert Bonniers Förlag, Sweden, as Kaninjägaren

Lars Kepler assert the moral right to be identified as the authors of this work

Cover design by Claire Ward © HarperCollinsPublishers 2019

Cover photographs © Mark Owen/Arcangel Images (man), David Paire/Arcangel Images (background)

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © MAY 2018 ISBN: 9780008205928

SOURCE ISBN: 9780008205904

Version: 2019-02-07

Table of Contents

Cover

Title Page

Copyright

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Chapter 52

Chapter 53

Chapter 54

Chapter 55

Chapter 56

Chapter 57

Chapter 58

Chapter 59

Chapter 60

Chapter 61

Chapter 62

Chapter 63

Chapter 64

Chapter 65

Chapter 66

Chapter 67

Chapter 68

Chapter 69

Chapter 70

Chapter 71

Chapter 72

Chapter 73

Chapter 74

Chapter 75

Chapter 76

Chapter 77

Chapter 78

Chapter 79

Chapter 80

Chapter 81

Chapter 82

Chapter 83

Chapter 84

Chapter 85

Chapter 86

Chapter 87

Chapter 88

Chapter 89

Chapter 90

Chapter 91

Chapter 92

Chapter 93

Chapter 94

Chapter 95

Chapter 96

Chapter 97

Chapter 98

Chapter 99

Chapter 100

Chapter 101

Chapter 102

Chapter 103

Chapter 104

Chapter 105

Chapter 106

Chapter 107

Chapter 108

Chapter 109

Chapter 110

Chapter 111

Chapter 112

Chapter 113

Chapter 114

Chapter 115

Epilogue

Keep Reading …

About the Author

Also by Lars Kepler

About the Publisher

It’s early morning, and the still water of the inlet is shimmering like brushed steel. The luxurious villas are asleep, but outdoor lights glint behind tall fences and hedges.

A drunk man is walking along the road by the shore, a bottle of wine in his hand. He stops in front of a white house whose elongated façade faces the water. Very carefully, he puts the bottle down in the middle of the road, steps across the ditch, and climbs the black metal railing.

The man weaves his way across the lawn, then stops and sways as he stares at the big windows, the reflections of the patio lights, the indistinct outline of the furniture inside.

He heads towards the house, waving at a large, porcelain garden gnome, and then stumbles out onto the wooden deck. He manages to hit one knee, but keeps his balance.

The water of the pool shines like a blue sheet of glass.

The man stands unsteadily on the edge, unzips his trousers and starts to urinate into the pool, then weaves his way over to the navy-blue garden furniture and proceeds to soak the cushions, chairs and round table.

Steam rises from his urine in the chill air.

He zips up his trousers and watches a white rabbit as it hops across the lawn and disappears under a bush.

Smiling, he walks back towards the house, leaning against the fence. He makes his way down to the lawn, then stops and turns around.

His befuddled brain tries to make sense of what he just saw.

A black-clad figure with a strange face was staring at him.

Either the person was standing inside the dark house, or was outside, watching him in the reflection.

1

Summer

Drizzle is falling from the dark sky. The city lights glow high above the rooftops. There’s no wind, and the illuminated drops form a misty dome that covers Djursholm.

Beside the still waters of Germaniaviken lies a sprawling villa.

Inside a young woman walks across the polished floor and Persian carpet as warily as an animal.

Her name is Sofia Stefansson.

Her anxiety makes her register tiny details about the room.

There’s a black remote control on the arm of the sofa, its battery cover taped in place. There are water rings on the table. An old plaster is stuck to the long fringe of the carpet.

The floor creaks, as if someone is creeping through the rooms behind Sofia.

There are splashes of mud from the wet stone path on her high heels and toned calves. Her legs are still muscular even though she stopped playing football two years ago.

Sofia keeps the pepper spray in her hand hidden from the man waiting for her. She keeps telling herself that she has chosen this situation. She’s in control and she wants to be here.

The man is standing by an armchair, watching her move with unabashed frankness.

Sofia’s features are symmetrical, but she has a youthful plumpness in her cheeks. She is wearing a blue dress that shows off her bare shoulders. A row of small, fabric-covered buttons stretches from her neck down between her breasts. The little gold heart on her necklace bobs up and down at the base of her throat in time with her increased heart-rate.

She could say she’s not feeling well, that she needs to go home. It would probably annoy him, but he’d accept it.

The man is looking at her with a hunger that makes her stomach flutter with fear.

She is seized by the feeling that she has met him before – could he have been a senior manager somewhere she worked, the father of a classmate a long time ago?

Sofia stops a short distance away from him, smiles, and feels the rapid beat of her heart. She’s planning to keep her distance until she’s figured out his tone and gestures.

His hands don’t look like they belong to a violent man: his nails are neatly trimmed and his plain wedding ring is scratched from years of marriage.

‘Nice house,’ she says, tucking a stray lock of hair away from her face.

‘Thanks,’ he replies.

He can’t be much more than fifty, but he still moves ponderously, like an old man in his old home.

‘You took a taxi here?’ he asks, and swallows hard.

‘Yes,’ she replies.

They fall silent again. The clock in the next room strikes twice with a brittle clang.

Some saffron-coloured pollen falls silently from a lily in a vase.

Sofia realised at an early age that she found sexually charged situations exciting. She enjoyed being appreciated, the sense of being chosen.

‘Have we met before?’ she asks.

‘I wouldn’t have forgotten something like that,’ he replies.

The man’s grey-blond hair is thin, combed back over his head. His slack face is shiny, and his brow is deeply furrowed.

‘Do you collect art?’ she asks, nodding towards the wall.

‘I’m interested in art,’ he says.

His pale eyes look at her through horn-rimmed glasses. She turns away and slides the pepper spray into her bag, then walks over to a large painting in a gilded frame.

He follows her and stands slightly too close, breathing through his nose. Sofia startles when he raises his right hand to point.

‘Nineteenth century … Carl Gustaf Hellqvist,’ he lectures. ‘He died young. He had a troubled life, full of pain. He got electric shock therapy, but he was a wonderful artist.’

‘Fascinating,’ she replies quietly.

‘I think so,’ the man says, then walks towards the dining room.

Sofia follows him even though she feels like she is being lured into a trap. It’s as if the way out is closing behind her with sluggish slowness, cutting off her escape route little by little.

The huge room is furnished with upholstered chairs and highly polished cupboards. There are rows of leaded windows looking out across the water.

She sees two glasses of red wine on the edge of the oval dining table.

‘Can I offer you a glass of wine?’ he asks, turning back towards her.

‘I’d prefer white, if you have any,’ she replies, worried that he might try to drug her.

‘Champagne?’ he says, without taking his eyes off her.

‘That would be lovely,’ she replies.

‘Then we shall have champagne,’ he declares.

When you visit the home of a complete stranger every room could be a trap, every object a weapon.

Sofia prefers hotels, because at least there’s a chance that someone would hear her if she had to call for help.

She’s following him towards the kitchen when she hears a peculiar, high-pitched sound. She can’t figure out where it’s coming from. The man doesn’t seem to have noticed it, but she stops, and turns to look at the dark windows. She’s about to say something when there’s a very distinct sound, like an ice-cube cracking in a glass.

‘Are you sure there’s no one else here?’ she asks.

She could slip her shoes off and run towards the front door if anything happened. She’s more agile than him, and if she were to run, leaving her coat hanging where it is, she’d be able to get out.

She stands in the kitchen door as he takes a bottle of Bollinger from a wine fridge. He opens it and fills two slender glasses, waits for the bubbles to settle and then tops them up before walking over to her.

2

Sofia sips the champagne. She lets the taste spread through her mouth, hears the bubbles burst in the glass. Something makes her look over towards the windows again. A deer, maybe, she thinks. It’s dark outside. In the reflection she can see the sharp outline of the kitchen and the man’s back.

The man raises his glass again and drinks. His hand is shaking ever so slightly as he gestures towards her.

‘Unbutton your dress a little,’ he says weakly.

Sofia empties her glass, sees the mark of her lipstick on the rim, and puts it down on the table before gently teasing the top button open.

‘You’re wearing a bra,’ he says.

‘Yes,’ she replies, and undoes the second button.

‘What size?’

‘Sixty C.’

The man stays where he is and watches her with a smile, and Sofia feels her armpits prickle as she starts to sweat.

‘What panties are you wearing?’

‘Pale blue, silk.’

‘Can I see?’

She hesitates, and he notices.

‘Sorry,’ he says quickly. ‘Am I being too direct? Is that it?’

‘We should probably handle payment first,’ she says, trying to sound simultaneously firm and casual.

‘I understand,’ he says tersely.

‘It’s best to get it out of the—’

‘You’ll get your money,’ he interrupts with a hint of irritation in his voice.

When she sees her regulars things are usually very straightforward – pleasant, even – but new clients always make her nervous. She worries about things she’s experienced in the past, like the father of two in Täby who bit her on the neck and locked her in his garage.

She advertises on Pink Pages and Stockholmgirls. Almost all the people who contact her are a waste of time. Lots of crude language, promises of wonderful sex, threats of violence and punishment.

She always trusts her gut instinct when she starts to correspond with someone new. This particular message was well-written. It was fairly direct, but not disrespectful. He said his name was Wille, his phone number was blocked, and he lived in a nice area.

In his third email he explained what he wanted to do to her, and how much he was willing to pay.

She took that as a warning.

If it sounds too good to be true, then there’s something wrong. There are no free meal-tickets in this world, and it’s better to miss out on a generous deal than put yourself in danger.

Still, she’s here now.

The man returns and hands her an envelope. She counts the money quickly and puts it in her bag.

‘Is that enough for you to show me your underwear?’ he says.

She smiles warmly, gently takes hold of both sides of her dress and slowly lifts it above her knees. The hem rubs against her nylon tights. She pauses and looks at him.

He doesn’t meet her gaze, just stares down between her legs as she gradually raises the dress to her waist. Her silk underwear shimmers like mother-of-pearl beneath her pale tights.

‘Are you shaved?’ he asks in a slightly hoarser voice.

‘Waxed.’

‘Completely?’

‘Yes,’ she replies.

‘That must hurt?’ he says, sounding genuinely interested.

‘You get used to it,’ she says with a nod.

‘Like a lot of things in life,’ he whispers.

She lets her dress drop again and takes the opportunity to wipe the sweat from her palms as she smooths the fabric over her thighs.

Even though she has the money she’s starting to feel nervous again.

Possibly because he paid so much, five times more than any previous client.

In one of his emails he explained that he was prepared to pay extra for her discretion, and for his specific wishes, but this is way above her normal rate.

When he wrote to tell her what he wanted to do, she didn’t think it sounded that bad.

She remembers one man with worried eyes who dressed up in his mother’s underwear and wanted her to kick him in the crotch. He paid for her to pee on him as he lay on the floor crying in pain, but she couldn’t do it. She just grabbed the money and ran.

‘People get turned on by all sorts of things,’ Wille says with an embarrassed smile. ‘Obviously you can’t force anyone … I mean, you have to pay for some things. I’m not expecting you to actually enjoy what you do.’

‘It depends, but I do sometimes enjoy it if the man’s gentle,’ she lies.

Naturally Sofia promises full discretion in her ad, but she still has one safety measure as a precaution. She keeps a diary at home, where she makes a note of the names and addresses of people she’s arranged to meet, so that someone will be able to find her if she ever goes missing.

Besides, Tamara saw Wille once, just before she stopped working as an escort, got married and moved to Gothenburg. Sofia knows that Tamara would have posted a warning on the sex-workers’ forum if he’d behaved inappropriately.

‘As long as you don’t find me revolting and repulsive,’ the man says, taking a step closer to her. ‘I mean, you’re so beautiful, and I’m … well, I know what I look like. I was OK when I was your age, but …’

‘You look good now,’ she assures him.

Sofia thinks of all the times she’s heard people say that escorts have to be like psychologists, but most of the men she sees never say anything personal.

‘Shall we go up to the bedroom?’ Wille asks lightly.

3

Sofia follows him up the broad wooden staircase thinking about how badly she needs to pee. The soft carpet is held in place on each step by thin brass rods. The light from the large chandelier reflects off the varnished banister.

Sofia’s initial plan had been to concentrate on exclusive clients, the ones who were prepared to pay more for an entire night, ones who wanted company at a party or on a trip.

In the three years she’s been working as an escort she’s had maybe a couple of dozen jobs like that, but most of her clients just want a blow-job after work before they go home to their families.

The master bedroom is well-lit, dominated by an imposing double bed with beautiful grey silk sheets.

On the wife’s side there’s a Lena Andersson novel and a jar of fancy hand cream, and on Wille’s side there’s an iPad with finger-marks on the dark glass.

He shows her the black leather straps he’s already tied around the bedposts. She notes that they’re not new, the creases are slightly cracked and the colour has begun to flake off.

The room suddenly shudders and spins around a couple of times. She looks at the man, but he seems unconcerned.

He has white marks at the corners of his mouth, from toothpaste.

The staircase creaks and he glances towards the hallway before looking back at her.

‘I have to be able to trust you to release me when I say so,’ he says as he unbuttons his shirt. ‘I have to be sure that you won’t try to rob me or just run off now that you have your money.’

‘Of course,’ she replies.

His chest is covered with fair hair, and he’s making an effort to suck in his stomach while she looks at him.

Sofia thinks that she can ask to go to the bathroom once he’s tied up. There’s an en-suite. The door is open and she can see the shower and a patch of gold mosaic wall in the mirror.

‘I want you to tie me up, and take your time with it – I don’t like violence or force,’ he says.

Sofia nods and takes her shoes off. She feels dizzy again as she straightens up. She looks him in the eye before lifting her dress up to her navel. It crackles with static. She slips her thumbs beneath the top of her tights and starts to pull them down. The feeling of constriction eases as the thin fabric puddles around her calves.

‘Perhaps you’d rather be tied up instead?’ he asks, smiling at his suggestion.

‘No, thanks,’ she replies as she starts to unbutton her dress.

‘It’s actually pretty comfortable,’ he jokes, tugging gently at one of the straps.

‘I don’t do that sort of thing,’ she explains breezily.

‘I’ve never tried it the other way around … I’d be prepared to double your fee if you did it,’ he says with a laugh, as if the thought surprises and delights him.

What he’s now offering is more money than she earns in two months, but having to lie there tied up is much too dangerous.

‘What do you say?’ he smiles.

‘No,’ she replies.

‘OK,’ he says quickly, and lets go of the strap.

The buckle makes a tinkling sound as it hits the bedpost.

‘Do you want me to take all of my clothes off?’

‘Wait a while,’ he replies, giving her an oddly searching look.

‘Is it OK if I use the bathroom?’

‘Soon,’ he says. He sounds like he’s trying to control his breathing.

Sofia’s lips feel strangely cool. When she raises one hand to her mouth she sees his face break into a wide smile.

He walks over to her, takes hold of her chin tightly, and then spits straight in her face.

‘What are you doing?’ she asks, as a rush of giddiness sweeps through her head.

Her legs suddenly give out and she lands so heavily on the floor that she bites her tongue. She sinks onto her side as her mouth fills with blood, and she sees him standing over her, unbuttoning his corduroy trousers.

Sofia doesn’t have the strength to crawl away. She rests her cheek on the floor and sees a dead fly in the dust under the bed. Her heart is beating so hard that she can hear it thudding in her ears. She realises that she must have been drugged.

‘Don’t. Don’t do it,’ she gasps, before closing her eyes.

Before Sofia loses consciousness it occurs to her that he might be about to murder her, and that this might be the last thing she ever experiences.

4

Sofia wakes up coughing. She suddenly remembers where she is. She is tied to Wille’s bed. She’s on her back, held in place by the leather straps. He’s tied her so tightly that the muscles in her legs and arms are straining. Her wrists are burning and her fingers are ice-cold.

Her mouth is bone-dry, her tongue feels swollen and sore.

Her thighs have been spread, pushing her dress up around her waist.

This can’t be happening, she thinks.

He must have drugged one of the champagne glasses while it was still in the cabinet.

Sofia hears a business-like conversation from the next room. Someone used to being in charge is talking.

She tries to lift her head up to look out of the window, to see if it’s night or morning, but she can’t. It hurts her arms too much.

It has just occurred to her that she has no idea how long she’s been lying there when he comes into the room.

Fear fills Sofia’s heart. She feels her throat constrict and her pulse race.

What definitely mustn’t happen has happened.

She tries to calm herself, thinks that she needs to get a conversation going. She has to make him realise that he’s picked the wrong girl, but that she won’t say anything if he lets her go right away.

Sofia promises herself that she’s going to quit being an escort, she’s been doing it for too long, and she wastes the money on things she doesn’t need.

The man is looking at her with the same hunger as before. She tries to adopt a relaxed expression. She knew right from the start there was something wrong here. But instead of turning around and walking away she ignored her gut instinct. She’s made a catastrophic mistake.

‘I said no to this,’ she says in a composed voice.

‘Yes,’ he replies with a slow smile, and lets his eyes roam all over her body.

‘I know girls who think this is OK. I can put you in touch with them if you’d like.’

He doesn’t answer, just breathes heavily through his nose and steps to the end of the bed, between her legs. She feels sweat break out all over her body, and tries to prepare herself for what’s to come.

‘This is assault, you do realise that, don’t you?’

He doesn’t respond, just pushes his glasses up his nose and looks at her with great interest.

‘This is making me feel very uncomfortable and violated,’ Sofia begins to say, but stops when her voice starts to tremble.

She forces herself to breathe more slowly, to try not to seem scared, not to beg. What would Tamara have done? She can see her friend’s freckled face in front of her, that slightly mocking smile, the hardness in her eyes.

‘I’ve got your information written down in a book in my flat,’ she says, looking him in the eye.

‘What details?’ he asks casually.

‘Your name, which is presumably made up, but the address here, your email, the time of our meeting …’

‘So now I know that,’ he nods.

The mattress rocks as he starts to crawl up the bed towards her. He stops between her thighs, swaying, then grabs her underwear and pulls. The seams don’t break, and her shoulder aches as if it’s been dislocated.

The man tugs again, with both hands. It stings as the underwear cuts into her hips, but the reinforced seams won’t tear.

He whispers something to himself, then leaves her on the bed.

The mattress sways again, and Sofia can feel her thighs starting to cramp.

She has a fleeting memory of football practice, the way she could tell when a cramp was on its way, the tightening of her calves as she tried to pick out lumps of mud from her cleats.

Her friends’ hot red faces. The noisy locker room, the smell of sweat, liniment and deodorant.

How has it come to this? How did she end up here?

Sofia tries not to cry. She feels like she’s finished if she shows fear.

The man returns with a small pair of scissors and cuts through her underwear on both sides, then pulls them off.

‘There are plenty of people willing to do bondage,’ Sofia says. ‘I know—’

‘I don’t want girls who are willing to do it,’ he interrupts, tossing her underwear onto the bed beside her.

‘I mean, there are girls who get turned on by being tied up,’ she says.

‘You shouldn’t have come here,’ he declares bluntly.

Sofia can’t hold her tears back any longer and starts to cry. She arches her back and tugs at the straps so hard that her skin tears and blood starts to trickle down the bottom of her right arm.

‘Don’t do it,’ she sobs.

The man pulls off his shirt, throws it on the floor, pushes his trousers down and rolls a condom onto his half-erect penis.

He kneels down on the bed and she can smell the rubber on his fingers as he pushes her shredded underwear into her mouth. She starts to retch and comes close to throwing up. Her tongue is completely dry and tears are streaming down her cheeks. The man squeezes one of her breasts through the dress, then lies down heavily on top of her.

Sofia wets herself with fear, and a hot pool of urine spreads out beneath her.

When he tries to push into her, she twists to the side quickly and shoves him with her hip.

A drop of sweat falls from his nose onto her forehead.

He grabs her throat with one hand, looks at her, tightens his grip and lies on top of her again. His weight makes her sink into the mattress, which pulls her thighs further apart. Her ankles sting as the bedposts creak.

She struggles to breathe, tossing her head until she manages to get some air into her lungs.

He tightens his grip on her throat, and her vision starts to flicker. The room fades away as she feels him trying to force his way inside her. Sofia struggles to twist aside, but it’s impossible, this is going to happen anyway. She can’t stay inside her body, she has to think about something else. Flashes of memory dart past, cool evenings on the big football field, ragged breathing, clouds in front of her mouth, the silence down by the lake, the old school in Bollstanäs.

The coach points at the ball, blows the whistle, and then silence.

The grip on her throat disappears, Sofia spits out her underwear and gasps for air as she blinks.

Someone’s ringing the doorbell downstairs.

He grabs her chin and forces her mouth open, then shoves the underwear back in, and she starts to retch again, breathing through her nose, unable to swallow.

The doorbell rings again.

The man spits on her and gets off the bed, pulls his trousers up and grabs his shirt before leaving the room.

As soon as he’s gone Sofia pulls her right hand as hard as she can, without thinking of the consequences.

She feels excruciating pain, but her hand comes out of the strap.

Only the underwear in her mouth stops her from screaming out loud.

Her head is thudding. She’s on the brink of passing out, and her whole body is shaking with pain. Her thumb could be broken, and the ligament feels torn. Her skin looks like an old glove and blood is coursing down her arm. She pulls the underwear from her mouth.

She whimpers out loud as she tries to loosen the strap around her left wrist. Her fingers keep slipping, but eventually she manages to pick the buckle open. She quickly tugs the strap through the catch, then sits up and removes the restraints from her ankles.

She gets up on unsteady legs, clutching her wounded hand to her stomach, and starts to walk across the thick carpet. Her head is pounding with shock and pain. Her feet feel numb and her dress is wet and cold over her backside.

Carefully she makes her way out of the bedroom and creeps along the hallway where the man has just disappeared.

Sofia stops before she reaches the staircase. She can hear another voice downstairs, and decides to shout for help. She can’t hear what the other man is saying, and tentatively moves closer. There are clothes from the dry-cleaners hanging over the banister. Through the thin plastic she can see bundles of identical white shirts.

She clears her throat carefully, ready to shout for help, when she realises that the other man isn’t inside the house. His voice is coming from the intercom. A messenger, asking to be let through the gate. Wille says that he’ll have to come back, then puts the phone down and walks back towards the staircase again.

She staggers but manages to keep her balance. She has pins and needles in her feet as the blood flow returns.

Sofia moves backwards. The floor creaks beneath her and she looks around and sees a larger room further down the hall, with painted portraits on the walls. She thinks about running in and opening a window to call for help, but realises that she doesn’t have time.

5

Sofia makes her way quickly along the wall and past the stairs, until she reaches a narrow cupboard door. She grabs the handle and pulls.

Locked.

Through the prisms of the chandelier, she watches the man walk up the stairs.

He’ll reach her soon.

She walks back towards the stairs and crouches down on the floor, hidden by the dry-cleaned shirts. If he looks directly at her he’ll see her, but if he just walks past she’ll have a few seconds’ headstart.

Her hand hurts so much that she’s shaking, and her neck and throat are swollen.

The steps are old and worn, and the staircase creaks. She sees him between the banisters and shrinks back cautiously.

Wille reaches the top and walks down the hallway.

He walks towards the bedroom without noticing the blood she’s left on the carpet.

Carefully she gets to her feet, watching his back and suntanned neck as he walks into the bedroom.

She walks silently around the railing and starts to run down the stairs.

She realises that he’s turned around, and is already coming after her.

The thudding footsteps speed up.

She clutches the throbbing, bleeding fingers of her injured hand with her good one.

All she knows is that she has to get out of the house. She rushes through the large hallway, hearing the harsh creak of the stairs as the man comes after her.

‘I don’t have time for this!’ he yells.

Sofia runs across a narrow rug towards the door. She trips over a pair of shoes but keeps her balance.

The alarm system is glowing on one side of the front door.

Her fingers are so wet with blood that the catch slips out of her hand. She wipes her hand on her dress and tries again, but it won’t budge. She pushes the handle down and shoves the door with her shoulder, but it’s locked. Her eyes dart around, looking for the keys as she tries twisting the catch again. She gives up and runs through the double doors leading to the living room.

Something metallic hits the floor in another room.

She moves away from the large windows, her own reflection a silhouette against the pale wall behind her.

She hears him coming from the other direction, retraces her steps and hides behind one of the doors.

‘Every door is locked,’ he says loudly as he enters the living room.

She holds her breath, her heart pounding in her chest, and the door creaks gently. He stops in the doorway. She can see him through the crack between the hinges, his mouth half-open, his cheeks flushed.

Her legs start to shake again.

He walks a few more steps, then stops to listen. She tries to keep quiet, but her frightened breathing is loud.

‘I’m tired of this game now,’ he says as he walks past her.

She hears him searching for her, opening doors and closing them again. He says loudly that he just wants to talk to her.

Furniture scrapes the floor, then silence.

She listens. She hears her own breathing, the ominous ticking of a clock, but nothing else.

Just silence.

She waits a little longer, listening for creeping footsteps, knowing this could be a trap, but still chooses to leave her hiding place, because this could be the only chance she gets.

She creeps further into the living room. Everything is quiet, as if enveloped in a hundred-year sleep.

Sofia goes over to one of the chairs around the polished table and tries to lift it, but it’s too heavy. Instead she drags it by its back with her one good hand, pulling it towards the windowed patio doors, groaning with pain when she has to use both hands. She runs two steps, spins her body, and yelps as she swings the heavy chair against the glass.

The chair hits the window and falls back into the room. The inner pane shatters and crashes to the floor, scattering splinters of glass everywhere. Larger pieces slide down and are left leaning against the intact outer glass.

The burglar alarm starts howling at an ear-splitting volume.

Sofia grabs the chair again, ignoring the fact that the splinters are cutting her feet, and is just about to swing it against the window when she sees the man coming towards her.

She lets go of the chair and walks straight into the big kitchen, her eyes darting across the white floorboards and stainless steel countertops.

He follows with measured steps.

She remembers being chased as part of a game when she was little: the feeling of impotence when she realised her pursuer was so close that there was no chance of escape.

Sofia leans against the countertop for support and manages to knock a pair of glasses and an unusual-looking bracelet to the floor.

She doesn’t know what to do. She looks over at the closed patio doors, then goes over to the island unit which has two sparkling saucepans standing on top of it, and yanks the drawers open with shaking hands, panting hard. She finds herself staring at a row of knives.

The man comes into the kitchen and she picks up one of the knives and turns to face him, backing away slowly. He stares at her, clutching a soot-stained poker from the fireplace in both hands.

She holds the broad-bladed kitchen knife up at him, but realises immediately that she doesn’t stand a chance.

He could easily kill her. His weapon is much heavier.

The alarm is still shrieking. The soles of her feet are stinging from where she’s cut them, and her injured hand feels numb.

‘Please, stop,’ she gasps, backing into the island unit. ‘Let’s go back to bed, I promise, I won’t give you any trouble.’

She shows him the knife, then puts it down on the stainless steel countertop and tries to smile at him.

‘I’m still going to hit you,’ he says.

‘You don’t have to do that,’ she pleads. She feels like she’s losing control of her face.

‘I’m going to hurt you badly,’ he says, raising the improvised weapon above his head.

‘Please, I give up, I—’

‘You only have yourself to blame,’ he interrupts, then unexpectedly lets go of the poker.

It falls heavily to the floor with a clatter, then lies still. Ash flies up from the prongs.

The man smiles in surprise, then looks down at the circle of blood spreading out from his chest.

‘What the hell?’ he whispers. He fumbles for support with one hand, but misses the countertop and staggers.

Another bloodstain appears in the middle of his white shirt. The red wounds on his body blossom like stigmata.

The man presses one hand to his chest and starts to stumble towards the dining room, but stops and turns his blood-smeared palm over. He looks like a frightened child. He tries to say something before sinking to his knees.

Blood squirts out onto the floor in front of him.

The alarm is still blaring.

Sofia sees a man with a very oddly-shaped head over by the pale curtains.

He is standing with his feet wide apart, and he’s holding a pistol with both hands.

His face is completely covered by a black balaclava apart for his mouth and eyes. What look like strands of hair or stiff scraps of fabric hang down one cheek.

Wille presses his hand to his chest again, but the blood seeps through his fingers and down his arm.

Sofia turns unsteadily and looks straight at the man with the gun. Without taking his eyes from Wille, he takes one hand off the pistol and quickly snatches up the two spent shells from the floor.

He runs forward, passing her as if she doesn’t exist. He kicks the poker away with his military boot, grabs Wille by the hair, yanks his head back, and presses the barrel of the pistol against his right eye.

This is an execution, Sofia thinks, and walks towards the living room as if in a dream. She hits her hip against the edge of the counter, and slides her hand along it. As she passes the two men, a shiver runs down her spine and she starts to run but slips in the blood. Her feet slide away from her, and she falls back and hits her head hard on the floor.

Her vision blurs and goes black for a moment, then she opens her eyes again.

She sees that he hasn’t pulled the trigger yet, the barrel is still pressing softly against Wille’s closed eyelid.

The back of Sofia’s head is burning and throbbing.

Her vision is unfocused, everything is spinning. What she had thought were rough leather strips hanging down the man’s cheek now look more like wet feathers or matted hair.

She shuts her eyes as dizziness clutches at her, then hears voices above the loud wail of the alarm.

‘Wait, wait,’ Wille pleads, breathing fast. ‘You think you know what’s going on, but you don’t.’

‘I know that Ratjen opened the door and now …’

‘Who’s Ratjen?’ Wille gasps.

‘And now hell is going to devour you all,’ the masked man concludes.

They stop talking and Sofia opens her eyes again. A peculiar slow motion seems to have taken hold of the house. The masked man looks at his watch, then whispers something to Wille.

He doesn’t answer, but looks like he understands. Blood is welling from his stomach, pouring down to his crotch. It forms a puddle on the floor.

Sofia sees that his glasses are lying beside her on the floor, next to the object she initially thought was a bracelet.

Now she realises that it’s a personal alarm.

A small steel gadget with two buttons, attached to a watch-strap.

The masked man is standing perfectly still, looking at his victim.

Sofia carefully moves her hand sideways towards the alarm, tucks it against her body and presses the buttons several times.

Nothing happens.

The man lets go of Wille’s hair but continues to press the barrel of the pistol to his right eye. He waits a few seconds, then squeezes the trigger.

There’s a loud click as the bolt hits home. Wille’s head is thrown back and blood cascades from his skull. Fragments of bone and grey matter spray across the kitchen floor, all the way to the dining room.

Sofia feels warm drops spatter her lips as she sees the empty cartridge fall and bounce across the floor.

A cloud of grey powder hangs in the air, and the dead body falls like a sack of wet clothes to the floor and lies there motionless.

The masked man bends over to pick up the shell and his watch slips down towards the back of his hand.

He stands with his legs on either side of the dead body, leans forward and presses the barrel of the pistol to the corpse’s other eye. Then he flicks his head to shake what looks like matted hair away from his face before squeezing the trigger again.

6

Her work phone’s ringtone becomes part of a dream about a stream running through dense vegetation. A moment later Saga Bauer is wrenched from sleep and gets out of bed so fast that she drags the covers onto the floor.

She hurries over to the gun-cabinet in her underwear as she dials the number she knows by heart. The glow of the streetlights filters through the slats of the blind, illuminating her sinuous legs and naked back.

She quickly unlocks the heavy steel door and listens to the instructions on the phone as she pulls out a black bag, and tucks a holstered Glock 21, along with five spare magazines, into it.

Saga Bauer works as an operative with the Security Police, specialising in counter-terrorism.

The ringtone that woke her means that a Code Platinum has been declared.

She runs to the hall as she listens to the final instructions, then drops the phone in her bag.

There’s no time to lose.

She pulls her black leather bodysuit over her naked body, feeling the cool fabric against her back and breasts, then pushes her bare feet into her boots and grabs her helmet, heavy bulletproof vest and gloves from the rack.

Without wasting time locking the door she leaves her flat, tugging her zipper up to her chin. She pulls her helmet on, tucking in a few stray strands of blonde hair.

There’s a filthy Triumph motorcycle out on Tavast Street. It has a shoddy muffler, frame sliders that have been repaired a number of times, and a broken transmission. She runs over to it, and lets the lock fall to the tarmac with its heavy chain.

She straddles the motorcycle, kicks the engine into gear and sets off as fast as she can.

Ignoring traffic lights and stop signs, she accelerates to pass a taxi.

The engine vibrates against the inside of her knees and thighs, and the noise in her helmet sounds like a creature bellowing underwater.

Officer Saga Bauer is five foot six, with muscles like a ballet dancer. She was once one of the best boxers in northern Europe, but stopped fighting competitively a couple of years ago.

She’s twenty-nine years old, and still breathtakingly beautiful with her pale skin, slender neck and clear blue eyes.

She doesn’t think about her appearance much, and never notices that people tend to smile and blush in her presence.

A plastic bag swirls into the air in front of the motorcycle and she is dragged from her thoughts.

When she reaches Söder Mälarstrand she turns sharply left. The pedal scrapes the road but she manages to hold the line as she passes beneath the Central Bridge and up the access ramp.

This is the first time she’s been involved with a Code Platinum. It’s the alert reserved for the highest threats to national security.

She feels like she’s flying as she passes the spires and narrow alleyways of Gamla stan and Riddarholmen.

Saga has trained for scenarios like this. She is expected to act independently and not be swayed by anything, even the law.

She can see the gloomy brick buildings of Karolinska Hospital ahead, and pulls onto the E4, pushing the three-cylinder, 900cc engine to its limits and hitting two hundred and twenty kilometres an hour. She passes Roslagstull and turns left towards the university.

The cold air helps her stay calm as she thinks through the information she has been given and formulates an initial operational strategy.

Saga gets off the highway and speeds along Vendevägen towards Djursholm with its lush greenery and sprawling villas. The turquoise glow of swimming pools shimmers between fruit trees and bushes.

She pulls onto a roundabout too quickly, and takes the first exit to the right. Before her brain has time to notice the parked car her muscles instinctively react and the bike swerves sharply. She almost falls, but manages to counteract the momentum using her bodyweight. The rear wheel slides across the road. There’s a muffled thud as she hits a large plastic dustbin before she regains control of the bike and accelerates hard.

Her heart is pumping.

Fortunately, her motorcycle has a low centre of gravity and extremely responsive steering.

That’s probably what saved her.

Saga sees big yachts out on the water as she follows the wide curve of the road through the imposing houses. She’s already leaning hard to her left, but accelerates further as she reaches the shore.

7

Saga slows down as she approaches the address she was given.

She lets the bike fall sideways onto the grass beside the road, drops her helmet and pulls on her bulletproof vest and holster.

Thirteen minutes have passed since her phone woke her up.

The alarm is shrieking inside the house.

For a moment, she wishes Detective Joona Linna was there. She has worked alongside him in all her biggest cases so far. He’s the best police officer she’s ever met.

She let him down once, but will never do it again.

They lost touch after he received his prison sentence. She would have liked to visit him, but she knows he needs to construct a new life for himself. It’s going to take a lot to win the trust of the other prisoners.

Now a Code Platinum has been declared, and Saga is on her own.

No one else from the Security Police has arrived yet.

She climbs over the gate and runs up to the main entrance of the villa. She inserts an opener into the lock, then the thin end of her lock-pick. She moves the pick slightly to the right inside the mechanism until the catch releases.

The lock opens with a dull click.

Dropping her tools on the ground she draws her Glock, releases the safety and opens the door. The sound of the howling alarm drowns out everything else.

Saga quickly checks the entrance and large hallway beyond it, then hurries back to the alarm control panel and taps in the code she memorised.

Silence sweeps through the house. It feels foreboding.

With her pistol raised and her finger on the trigger she goes through the hallway, past the staircase, and reaches a large living room. She checks behind the doors and along the wall to the right, then continues in a crouch.

One of the big windows at the back of the house has been broken. A chair is lying overturned on the floor, surrounded by sparkling fragments of glass.

Saga moves on, towards the door to the kitchen, and sees herself reflected in the glass surfaces.

Blood and fragments of skull are splattered across the floor, sofa and coffee table.

She sweeps the room with her pistol then keeps moving slowly as more and more of the kitchen comes into view. She sees white cupboards and stainless steel countertops.

She stops and listens.

She can hear a low ticking, as if someone is tapping a fingernail on a tabletop.

Aiming her gun at the door to the kitchen, Saga moves silently to one side of it, and sees a man lying on his back on the floor.

He’s been shot through his chest and both eyes.

The back of his head is gone.

A dark puddle has spread out beneath him.

His hands are lying by his sides, as if he’s sunbathing.

Saga raises her pistol again and checks the rest of the kitchen.

The curtains in front of the patio doors are swaying, billowing into the room. The rings on the curtain rod are tapping against each other.

Blood from the first shot to the man’s head has sprayed far across the floor, and been trodden about by bare feet.

The prints lead directly towards Saga.

She quickly turns and sweeps her pistol around the room before walking back towards the double doors leading to the living room.

Saga startles when, from the corner of her eye, she sees a person crawling out from their hiding place behind one of the sofas.

She spins around just as the person stands up. It’s a woman in a blue dress. Saga points her pistol between the woman’s breasts as she takes an unsteady step.

‘Hands behind your head!’ Saga calls out. ‘Get on your knees, get down on your knees!’

Keeping the pistol raised, Saga runs forward.

‘Please,’ the woman whispers, dropping the personal alarm on the floor.

She barely has time to show that her hands are empty before Saga kicks her from the side, just below her knee, so hard that both her legs are knocked out from under her and she falls to the floor with a thud, hip first, then her cheek and temple.

Saga is on her instantly. She punches her in her left kidney, then presses the pistol to the back of her head, holding her down with her right knee as she scans the room again.

‘Is there anyone else in the house?’

‘Only the gunman, he went into the kitchen,’ the woman replies, gasping for breath. ‘He fired and then went—’

‘Quiet!’ Saga interrupts.

Saga quickly rolls her onto her stomach and pulls her arms behind her. The woman submits to everything in a disconcertingly calm way. Saga handcuffs her with a zip tie, then gets to her feet and hurries into the kitchen, past the dead man.

The curtains are still billowing, blown by the wind.

Aiming the pistol ahead of her, she steps over a soot-smeared poker, checks the left-hand side of the kitchen, then moves behind the island unit towards the sliding doors.

There’s a round hole in the glass, made by a diamond cutter, and the door is open. Saga goes out onto the deck, and sweeps the lawn and flowerbeds with her pistol.

The water is still, the night silent.

Someone who broke into a house and carried out such a clean execution would never stay at the scene of the crime.

Saga goes back inside to the woman. She ties her ankles with more zip ties, but keeps one knee on the small of her back.

‘I need some answers,’ she says quietly.

‘I have nothing to do with this, I just happened to be here, I didn’t see anything,’ the woman whispers.

Saga pulls the woman’s dress down to cover her bare backside before she gets up. Soon five SUVs will pull up outside and the Security Police will pour into the house.

‘How many gunmen?’

‘Just one, I only saw one.’

‘Can you describe him?’

‘I don’t know. He had a mask over his face, I didn’t see anything, black clothes, gloves, it all happened so quickly. I thought he was going to kill me too, I thought—’

‘OK, just wait,’ Saga interrupts.

She goes over to the dead body. The man’s round face is intact enough that she has no trouble identifying him. She pulls out her phone, moves a short distance away and calls the head of the Security Police. It’s the middle of the night, but he’s been waiting for the call and answers immediately.

‘The Foreign Minister’s dead,’ she says.

8

Seven minutes later the house and grounds are swarming with members of the Security Police’s specialist unit.

For the past two years the Security Police has dramatically increased the level of protection for members of the government, with bodyguards and modern personal alarms. There are different levels of alert, but because the terrified woman managed to press both buttons on the alarm simultaneously for longer than three seconds, a Code Platinum was declared.

The crime scene has been cordoned off, three separate zones around the Greater Stockholm area are being closely monitored, and roadblocks have been set up.

Janus Mickelsen comes in and shakes Saga’s hand. He’s taking over command of the operation inside the house, and she quickly briefs him on the situation.

Janus has an almost hippie-like charm, with his strawberry-blond hair and pale ginger stubble. Saga always thinks he looks all peace and love, but she knows he used to be a professional soldier before he ended up in the Security Police. He took part in Operation Atalanta, and was stationed in the waters off Somalia.

Janus positions one agent at the door, even though they won’t be keeping the usual list of people visiting the crime scene. Under Code Platinum regulations, no one can know who is informed or aware of events and who isn’t.

Two Security Police officers walk over to the young woman Saga handcuffed. Her eyes are red from crying and her mascara has run down her temple.

One of the two men kneels down beside her and takes out a syringe. She becomes so scared that she starts to shake, but the other officer holds her tightly as the sedative is injected directly into her vein.

The woman’s cheeks turn red, she cranes her neck, her body tenses and then goes limp.

Saga watches them cut the zip ties, put an oxygen-mask over her nose and mouth, then lift the sedated woman into a body-bag and zip it closed. They carry the inert form outside to a waiting van.

The four other teams are already busy with their examination of the crime scene, scrupulously documenting everything. They’re recording finger- and shoe-prints, mapping splatter patterns, bullet-holes and firing angles, gathering biological evidence, textile fibres, strands of hair, bodily fluids, fragments of bone and brain, as well as pieces of glass and splinters of wood.

‘The minister’s wife and children are on their way home,’ Janus says. ‘Their plane lands at Arlanda at 08.15, and everything needs to be cleaned up here by then.’

The members of the unit have to gather information in one search. They won’t get another chance.

Saga goes up the creaking staircase and into the Foreign Minister’s bedroom. The room smells like sweat and urine. Leather straps hang from the four bedposts. There are bloodstains on the sheets.

A riding crop is visible on top of a chest of drawers, in the glow of a watch-winding case. Behind the glass a Rolex ticks silently next to a Breguet.

Saga wonders if the minister’s wife knew about the prostitutes.

Probably not.

Maybe she just didn’t ask.

Over the years you realise that you can put up with all sorts of cracks in your self-image and still cling to security.

Saga herself spent years in a relationship with a jazz pianist, Stefan Johansson, before he walked out on her.

He’s moved to Paris now. He plays in a band and he’s engaged.

When Stefan is on tour in Sweden, he calls her late at night and she lets him come over. She knows there’s no chance he’ll leave his fiancée for her, but has nothing against sleeping with him.

Saga knows she isn’t easy to live with. She has a fiery temper and a tendency to overreact in certain situations.

She goes back downstairs to the bullet-riddled body in the kitchen.

The glare from the lights reflects off the ridged aluminium floor. It feels like she’s standing on a silver bridge above a scene of bloodstained chaos.

Saga spends a long time looking at the dead man’s upturned palms, the yellow callus beneath his wedding ring, the sweat-stains under the arms of his shirt.

The team around her are working quickly and silently. They’re filming and cataloguing everything on an iPad using three-dimensional coordinates. Strands of hair and fabric are taped to transparent film, while tissue and skull-fragments are placed in test-tubes which are then immediately chilled.

Saga walks over to the patio door and examines the circular hole in the three layers of glass.

The alarm didn’t go off until the chair was thrown at the window, when the acoustic detectors and magnetic contacts reacted.

So the chair wasn’t thrown by the killer.

Saga thinks back to the look of terror on the woman’s face, her wounded wrists, the smell of urine.

Was she being held captive here?

Two men are covering the floor with large expanses of chilled foil, pressing it down using a wide rubber roller.

One IT specialist wraps the hard-drive from the security-camera controller in bubble-wrap, then puts it in a cool-box.

Janus is stressed. His jaw is clenched, and his freckled brow almost white and beaded with sweat.

‘OK … what do you think?’ he asks, coming over to stand beside Saga.

‘I don’t know,’ she replies. ‘The first shot to his abdomen was fired from a distance, and from a slightly strange angle.’

Blood has been oozing from the Foreign Minister’s stomach onto the floor.

A bullet leaves a ring of dirt around its entrance hole. There are two circles of powder dust on the man’s shirt.

The first two shots were from a distance, then there were two at extremely close range.

Saga bends over the body and looks at the entrance wounds in the eye-sockets, noting that there is none of the usual cratering around the openings.

‘He used a silencer,’ she whispers.

The killer must have used the kind of silencer that also muffles the flare, because there is no evidence of the percussive gases igniting. Otherwise the gas would have forced its way under the skin and left an obvious depression around the wound.

She straightens up and steps aside to make room for a forensics officer, who spreads a sheet of plastic over the dead man’s face. He presses it against the bullet-holes in an effort to gather particles from the ring of dirt, then marks the centre of the entrance holes on the plastic with a marker.

‘He was rolled onto his stomach after his death, then over onto his back again,’ Saga says.

‘What for?’ the forensics officer asks. ‘Why would—’

‘Shut up,’ Janus interrupts.

‘I want to see his back,’ Saga says.

‘Do what she says.’

They all feel like time is starting to run out. They anxiously fasten bags around the Foreign Minister’s hands, and lay out a body-bag beside him. They lift him up carefully and lay him down on his stomach in the bag. Saga looks at the wide exit wounds in his back and the messy void at the back of his head.

She stares at the floor where he was lying and sees the bullet-holes from the two final shots, then realises why the body had been rolled aside.

‘The gunman took the bullets with him.’

‘No one does that,’ Janus mutters.

‘He used a semiautomatic pistol with a silencer … Four shots fired, two of which were clearly lethal,’ she says.

A heavyset man is going around the dark-toned furniture in the living room, spraying luminol over the fabric as another forensics officer puts an armchair back into place over the depressions in the rug.

‘Get ready to pack up, everyone,’ Janus shouts, clapping his hands. ‘We’re cleaning the house in ten minutes, and the glazier and painter will be here within an hour.’

The heavyset man removes the forensic team’s floor-tiles behind them as they leave. As soon as they exit the door a team enters the house to clean it.

The killer not only took the spent cartridges with him, but also dug the bullets out of the floor and walls while the alarm was howling and the police were on their way. Not even the very best hit men do that.

They’re dealing with a perfectly executed murder, yet he left a witness. He could hardly have failed to notice someone watching him at the crime scene.

‘I’ll go and talk to the witness,’ Saga says. The woman must be involved somehow.

‘You know we’ve already got our experts there,’ Janus says.

‘I need to ask my own questions,’ Saga replies, and sets off towards her motorbike.

9

The bomb-shelter beneath Katarinaberget in Stockholm was the biggest nuclear shelter in the world when it was built at the start of the Cold War. Today the whole place, other than the section that used to house the backup generators and ventilation units, is used as a parking garage.

The machine house is a separate building, blasted into the bedrock alongside the actual shelter.

These days it is used by the Security Police.

It’s the site of the secret prison known as the Spinnhuset. The most highly classified interrogations take place deep in the bowels of the old ice pools.

It’s still early in the morning when Saga passes the Slussen junction on her motorcycle. Her sweaty leather bodysuit feels cold against her breasts. She drives in through the arched entrance next to the petrol station, and heads down into the garage. The shift in acoustics amplifies the sound of the engine.

Rubbish has gathered beneath the peeling yellow railings, and loose cables hang from the loudspeakers.

The panels covering the wide groove in the floor rumble beneath the tyres as Saga passes the shelter’s immense sliding doors, designed to protect against a pressure wave.

As she heads down the concrete ramp, her mind ponders the unsolved riddle.

Why would the woman activate the security alarm and then stay at the crime scene if she was involved in the murder?

Why would the killer leave a witness if she wasn’t involved in the murder?

The Security Police see her as a security risk whether she was involved or just happened to be in the wrong place at the wrong time.

Saga brakes carefully as she circles deeper and deeper inside the parking garage.

The woman’s identity has been verified. Her name is Sofia Stefansson, and she appears to work part-time as a prostitute, though that hasn’t been confirmed.

So far they’re relying on what she said, and the very limited documentation they’ve found in her flat.

Saga can’t rule out the possibility that Sofia has been recruited by a terrorist organisation.

Maybe she was the bait; maybe she filmed what happened in bed in order to blackmail the Foreign Minister?

But in that case, why was he killed?

Saga lets go of the brakes and swings into the lowest level.

She drives past a few parked cars, tyres squealing. Red dust swirls up around the motorcycle. She parks and walks over to a blue blast-proof door.

She swipes her ID, taps in the nine-digit code and waits a few seconds. The door opens onto an airlock.

She shows her ID again and is signed in by a guard who takes her pistol and keys. After passing through the full-body scanner she is let through the inner door of the airlock.

Jeanette Fleming sits inside the staffroom. She’s a psychologist, and one of the Security Police’s specialist interviewers. She’s a beautiful middle-aged woman, with ash-blonde hair cut in a boyish style.

Jeanette is elegantly dressed as usual. She’s eating salad from a plastic container.‘You know I’m not hitting on you, but you really are ridiculously attractive,’ she says, pushing her plastic fork into the salad. ‘I somehow forget about it every time … some sort of self-preservation instinct, I assume.’

Jeanette puts the rest of the salad in the fridge. They walk towards the lifts.

‘How’s your appeal going?’ Saga asks.

‘I’ve been turned down.’

‘Sorry to hear that.’

Jeanette waited eight years for her husband to decide he was ready to have children, and then he left her. She then spent three years trying Internet dating before applying for artificial insemination from the Swedish health service.

‘I don’t know, if they say no, I might go down to Denmark to do it … but I still want the child to speak Swedish,’ Jeanette jokes as she gets into the lift with Saga.

She presses the button for the lowest level.

‘I’ve only read the initial report on my phone,’ Saga says.

‘They were too rough on the girl. She got scared and clammed up,’ Jeanette says. ‘They had orders to go in hard.’

‘Who gave the orders?’

‘I don’t know,’ Jeanette replies.

The lift descends quickly. The light from the cage reflects off the rough rock walls, and the counterweight shimmers briefly as it glides up past them.

‘Sofia’s afraid of being hurt again. She needs someone who’ll listen to her, protect her.’

‘Who doesn’t need that?’ Saga smiles.

They reach the bottom and walk quickly down the hallway. At this depth everything seems still and grey.

Sofia Stefansson’s story has been corroborated by the discovery of a high dose of the fast-acting sedative flunitrazepam in her blood. Her wrists and ankles are wounded and there’s bruising on the inside of her thighs. Her fingerprints have been found on the chair that smashed the window.

If her story is true, then she’s a victim according to the law prohibiting the purchase of sexual services: she was assaulted and exploited by her customer, and should be allowed to speak to both the police and a psychologist.

But since she could also be involved in a serious act of terrorism, the law doesn’t matter.

‘I think it’s best if I wait in the control room to start,’ Jeanette says.

Saga taps in the code and opens the door to the former ice-store.

The lighting in the windowless room is very bright. A security camera is recording at all times.

The store was built to fit two hundred tons of ice to keep the shelter cool in case of nuclear war.

Sofia Stefansson is standing uncomfortably in the middle of the floor on a plastic sheet. Her shoulders are pulled back tightly, and her hands are tied behind her back. Her weight is held by the cable she’s hooked to, which stretches up to a plank beneath one of the beams. Her head is lowered and her lank hair hides her face.

10

Saga walks straight over to Sofia. She makes sure she’s still alive and then explains that she’s going to lower her to the ground.

Saga starts to turn the winch. Sofia gradually sinks to the floor. One of her legs starts to buckle.

‘Put your heels on the floor and take the strain,’ Saga calls.

The skin on Sofia’s ankles is torn, and Saga thinks of the bloody straps around the bedposts upstairs in the house.

First she was there, and now she’s down here.

Sofia is lying on her side on the plastic sheet. Her breathing is laboured. She looks even younger without makeup. She could be very young. Her eyelids are swollen and the bruising around her neck is more pronounced.

When Saga loosens the straps on her arms she starts to tremble and her body tenses up.

‘Don’t hurt me,’ she gasps. ‘Please, I don’t know anything.’

Saga winches the empty cable back up towards the ceiling, then pulls a chair over to Sofia.

‘My name is Saga Bauer. I’m an officer with the Security Police.’

‘No more,’ she whispers. ‘Please, I can’t bear it.’

‘Sofia, listen to me … I didn’t know they were treating you like this. I’m sorry about that, and I will be bringing it to my boss this afternoon,’ Saga says.

Sofia lifts her head off the floor. Her cheeks are smeared with tears. All her jewellery has been removed, and her brown hair is plastered to her pale face with sweat.

Saga has experienced waterboarding. It formed part of her advanced training, but she doesn’t consider it particularly effective.

She looks over at a bucket of bloody water with a towel floating in it, and thinks to herself that the only thing torture reveals is the torturer’s own secrets.

Saga gets a bottle of water and helps Sofia drink some, then gives her a piece of chocolate.

‘When can I go home?’ Sofia whispers.

‘I don’t know. We need answers to a few questions first,’ Saga says apologetically.

‘I already told you all I know. I haven’t done anything wrong. I don’t understand why I’m here,’ Sofia sobs.

‘I believe you, but I still need to know what you were doing in that house.’

‘I already told them everything,’ she whimpers.

‘Tell me,’ Saga says gently.

Sofia slowly raises her stiff arms to wipe the tears from her eyes.

‘I work as an escort, and he contacted me,’ she replies in a thin voice.

‘How did he contact you?’

‘I advertise, and he wrote an email explaining what he was interested in.’

The young woman sits up slowly, and accepts another piece of chocolate.

‘You had pepper spray with you. Do you usually have that?’

‘Yes, usually, although most people are pretty kind and considerate … I actually have more trouble with people falling in love with me than people getting violent.’

‘Is there anyone who knows where you’re going, who can come if you need help?’

‘I write the names and addresses in a book … and Tamara, she’s my best friend, she’d already had him as a client and didn’t have any trouble.’

‘What’s Tamara’s last name?’

‘Jensen.’

‘Where does she live?’

‘She moved to Gothenburg.’

‘Do you have a phone number?’

‘Yes, but I don’t know if it works.’

‘Do you have other friends working as escorts?’

‘No.’

Saga takes a few steps back and looks at Sofia. She thinks she’s telling the truth about her work.

There’s nothing that contradicts her story, even though there’s little that backs it up.

‘What do you know about your client?’

‘Nothing. He was just prepared to pay a lot of money to be tied up in bed,’ Sofia replies.

‘And did you tie him to the bed?’

‘Why do you all keep asking the same thing? I don’t get it. I’m not lying. Why would I lie?’

‘Just tell me what really happened, Sofia,’ Saga says, trying to catch her eye.

‘He drugged me and tied me to the bed.’

‘What did the bed look like?’

‘It was big. I don’t remember much about it. Why does that matter?’

‘What did you talk about?’

‘Nothing.’

Forensics have been through her computer, mobile phone and the notebook with the addresses – there’s nothing that suggests Sofia realised her client was Sweden’s Foreign Minister.

Saga looks at the young woman’s drained face. It occurs to her that Sofia could be sticking to her original story a little too well. It’s almost as if she’s avoiding certain details in order not to be found out telling lies.

‘Was there a car parked outside the gate when you arrived?’

‘No.’

‘What did he say on the intercom when you rang the bell?’ Saga asks.

‘I don’t know who he is,’ Sofia says, her voice close to breaking. ‘I get that he’s rich and important, but I don’t know anything about him, just that he said his name was Wille. But it’s normal for men to use fake names.’

Saga knows that if Sofia is part of some radicalised group and sympathises with their goals, she’s not going to confess anything. But if she has been tricked or forced to participate, there’s a chance she might open up.

‘Sofia, I’m listening, if there’s anything you want to tell me … You haven’t murdered anyone, I already know that, and that’s why I think I can help you,’ Saga says. ‘But to be able to do that, I need to know the truth.’

‘Am I being charged with anything?’ Sofia asks blankly.

‘You were present when the Swedish Foreign Minister was murdered, you lay tied up in his bed, you threw a chair to break his window, and you stepped in his blood.’

‘I didn’t know,’ Sofia whispers, and her face turns white.

‘So I need some answers … I understand you might have been tricked or coerced, but I’d like you to tell me what your mission was yesterday evening.’

‘I didn’t have a mission. I don’t know what you mean.’

‘If you’re not prepared to cooperate with me then there’s nothing I can do for you,’ Saga says firmly, and gets up from her chair.

‘Please, don’t go,’ the young woman says desperately. ‘I’ll try to help you, I promise.’

11

Saga lets Sofia beg her not to leave as she walks over to the door.

‘If anyone’s threatening you or your family, we can help,’ Saga says, opening the door. ‘We can organise a safe-house, new identities, you’d be all right.’

‘I don’t understand, I … Who’s threatening us? Why would …? This is crazy.’

Saga wonders once again if Sofia really was simply in the wrong place at the wrong time. But that still begs the question: why would a professional killer leave a witness behind?

If she really is a witness, she must have seen something that could help the investigation. When she was questioned before, she wasn’t able to give a description of the killer. She just kept repeating that his face was hidden, that the whole thing happened so quickly.

Saga needs her to start remembering genuine details. The tiniest thing could open up memories she’s blocked out due to shock.

‘You saw the murderer,’ Saga says, turning around.

‘But he was wearing a hood. I already said that.’

‘What colour were his eyes?’ she asks, closing the door again.

‘I don’t know.’

‘What was his nose like?’

Sofia shakes her head, and a crack in her lip starts to bleed.

‘The Foreign Minister was shot. You turned around and saw the killer standing there with the gun in his hand.’

‘I just wanted to get away. I started to run but I fell, and then I found that alarm, which …’

‘You need to tell me what the perpetrator looked like when you turned around,’ Saga says.

‘He was holding the pistol with both hands.’

‘Like this?’ Saga asks, demonstrating a two-handed grip.

‘Yes. He was staring straight ahead, past me … He didn’t care that I was there. I don’t even know if he saw me. Everything happened in a matter of seconds. He was behind me, but he ran past and grabbed hold of …’

She stops speaking and frowns, staring ahead of her as if seeing events unfold in her mind’s eye.

‘He grabbed him by his hair?’ Saga asks gently.

‘Wille fell to his knees after the second shot … The murderer was holding him by his hair, and he pressed the pistol against one of his eyes. It was all so unreal.’

‘He was bleeding a lot, wasn’t he?’

‘Yes.’

‘Was he scared?’ Saga asks.

‘He seemed terrified,’ Sofia whispers. ‘He was trying to buy time, saying the whole thing was a mistake. He had blood in his throat and it was hard to hear, but he was trying to say it was a mistake, that he should let him live.’

‘What were his exact words?’

‘He said … “You think you know everything, but you don’t …” and then the murderer said … really calmly, that … that “Ratjen opened the door”. No, hold on, he said: “Ratjen opened the door” … and “hell will devour you all”, that’s what he said.’

‘Ratjen?’

‘Yes.’

‘Could it have been any other name?’

‘No … well … I mean, that’s what it sounded like.’

‘Did it seem like the Foreign Minister knew who Ratjen was?’

‘No,’ Sofia replies, closing her eyes.

‘Come on, what else did he say?’ Saga asks.

‘Nothing. I didn’t hear anything else.’

‘What did he mean about Ratjen opening the door?’

‘I don’t know.’

‘Is Ratjen the one doing this? Is he responsible for unleashing hell?’ Saga asks loudly.

‘Please …’

‘What do you think?’ Saga asks.

‘I don’t know,’ Sofia replies, and wipes tears from her cheeks.

Saga walks quickly towards the door. She hears Sofia calling after her.

12

The driver’s face is immobile as he glances in the rear-view mirror to check that the vehicle behind him is still following closely.

The sound of the engine runs through the Prime Minister’s custom-made Volvo like a comforting purr.

A year ago the Security Police decided that the Swedish Prime Minister needed an armoured, reinforced vehicle. It has twelve cylinders and 453 horsepower, and can do one hundred kilometres an hour in reverse. Its windows are designed to stop bullets from high-velocity weapons.

The Prime Minister is sitting on the spacious leather seat in the back of the car with the finger and thumb of his left hand gently massaging his closed eyelids. His dark-blue suit is unbuttoned, and his red tie hangs crookedly across the front of his shirt.

Saga sits beside him, still in her leather bodysuit. She hasn’t had time to change, and she’s hot. She feels like unzipping the bodysuit down to her waist, but doesn’t because she’s still naked underneath.

The head of the Security Police, Verner Sandén, sits in the front seat. His hand is curved over the back of the seat, and his long frame is twisted so that he can look at the Prime Minister while he briefs him on the situation.

He runs through the chronology in his deep voice, from the time the Code Platinum was declared, to the accelerated examination of the crime scene and the ongoing reports from the forensics team.

‘The house is back to its original state. There’s nothing to indicate what happened there last night,’ Verner concludes.

‘My thoughts are with the family,’ the Prime Minister says in a low voice, turning to look out of the window.

‘We’re keeping them out of this. Naturally, we’re maintaining the highest level of secrecy.’

‘You say the situation is dire?’ the Prime Minister asks as he replies to a text.

‘Yes, there are specific circumstances that led us to request an urgent meeting with you,’ Verner replies.

‘Well, as you know I’m travelling to Brussels this evening. I really don’t have time for this,’ the Prime Minister explains.

Saga can feel her butt cheeks sticking to her leather bodysuit.

‘We’re dealing with a professional or semi-professional killer who sticks within the framework of his brief,’ she says, trying to raise her butt a little.

‘The Security Police are always prone to grand conspiracy theories,’ the Prime Minister says, looking down at his phone again.

‘The killer used a semiautomatic pistol with a silencer that cools the percussive gas,’ she says. ‘He killed the Foreign Minister with one shot through his right eye. Then he picked up the empty shell, leaned over the dead body, put the pistol to the left eye, fired again, picked up the shell, then turned—’

‘What the hell?’ the Prime Minister says, looking up at her.

‘The killer didn’t trigger any of the alarms himself,’ Saga goes on. ‘But even though the alarms were blaring loudly enough to wake the entire neighbourhood, and even though the police were on their way, he stayed to dig the bullets out of the wall and wooden floor before leaving the villa. He knew where all the security cameras were, so there’s no footage of him anywhere … And I can tell you now that forensics aren’t going to find anything that could lead us any closer to him.’

She stops speaking and looks at the Prime Minister, who takes a swig of water, puts the heavy glass back down and wipes his mouth.

The car glides towards north Djurgården. To their left is the great grass expanse of Gärdet. In the seventeenth century the area was used for military exercises, but today the only people around are a few joggers and dog-walkers.

‘So it was an execution?’ he asks in a hoarse voice.

‘Yes. We don’t know why yet, but it could be blackmail. The killer could have been trying to get classified information,’ Verner explains. ‘The Foreign Minister could have been forced to make some sort of statement on film.’

‘That doesn’t sound good,’ the Prime Minister whispers.

‘No. We’re convinced this is an act of political terrorism, even though no one has claimed responsibility overnight,’ Verner replies.

‘Terrorism?’

‘There was a prostitute in the Foreign Minister’s home,’ Saga says.

‘He has his problems,’ the Prime Minister says, wrinkling his long nose slightly.

‘Yes, but—’

‘Drop it,’ he interrupts.

Saga glances at the Prime Minister. There’s a distant look in his eyes, and he’s clenching his jaw. She wonders if he’s trying to come to terms with what’s happened. His government’s Foreign Minister has been murdered. Maybe he’s thinking back to the last time that happened.

On a grey autumn day in 2003, then Foreign Minister Anna Lindh was out shopping with a friend when she was attacked by a man who stabbed her in the arms and chest.

The Foreign Minister had no bodyguard with her, no personal protection. She was badly wounded and died in the operating room.

Sweden was different back then. It was a country where politicians still believed they had the right to proclaim socialist ideals of international decency.

‘The woman who was being used by the Foreign Minister,’ Saga goes on, looking the Prime Minister in the eye. ‘She heard a fragment of conversation which leads us to believe that this is the first in a number of planned murders.’

‘Murders? What sort of damn murders?’ the Prime Minister asks, raising his voice.

13

The Prime Minister’s Volvo rolls across Djurgårdsbrunn’s narrow stone bridge, then turns left alongside the canal. The grit on the road crunches beneath the tyres. Two ducks wade into the water and swim away from the shore.

‘The killer mentioned Ratjen as some sort of key figure,’ Verner says.

‘Ratjen?’ the Prime Minister repeats questioningly.

‘We believe we might have identified him. His name is Salim Ratjen, and he’s serving a long prison sentence for narcotics offences,’ Saga explains, leaning forward to free her damp back from her leather bodysuit.

‘We see strong links between last night’s events and a Sheikh Ayad al-Jahiz, who leads a terrorist group in Syria,’ Verner adds.

‘These are the only images we have of Ayad al-Jahiz,’ Saga says, holding up her phone.

A short film clip shows a man with a pleasant, mature face. He has a grey-flecked beard and glasses. He is looking into the camera as he speaks. It sounds like he’s addressing a group of attentive schoolchildren.

‘He has drops of blood on his glasses,’ the Prime Minister whispers.

Sheikh Ayad al-Jahiz concludes his short speech and throws his arms out in a benevolent gesture.

‘What was he saying?’

‘He said … “We have dragged unbelievers behind trucks and troop carriers until the ropes came loose … Our task now is to find the leaders who support the bombing and shoot them until their faces are gone”,’ Saga replies.

The Prime Minister’s hand is shaking as he wipes his mouth.

They drive across another bridge and up towards the marina.

‘The security service at Hall Prison recorded a call that Salim Ratjen made to an unregistered mobile phone,’ Verner says. ‘They discuss three big celebrations in Arabic. The first party coincides with the date the Foreign Minister was killed … the second is supposed to take place on Wednesday, and the third on October seventh.’

‘Dear God,’ the Prime Minister mutters.

‘We have four days,’ Verner says.

Branches brush the roof of the car as they turn abruptly and start to head back towards the Kaknäs Tower.

‘Why the hell weren’t you keeping this Ratjen under closer surveillance?’ the Prime Minister asks, pulling a paper napkin from the box in the car door.

‘He has no previous connections to any terrorist networks,’ Verner replies.

‘So he was radicalised in prison,’ the Prime Minister says, wiping his neck.

‘That’s what we believe.’

The rain is getting heavier and the driver turns on the windshield-wipers. The blades sweep the tiny droplets from the glass.

‘And you think that I might be … one of these celebrations?’

‘We have to consider that possibility,’ Saga replies.

‘So you’re sitting here telling me that someone might murder me on Wednesday,’ the Prime Minister says, unable to conceal his agitation.

‘We need to get Ratjen to talk … we need to know what his plans are before it’s too late,’ Verner replies.

‘So what the hell are you waiting for?’

‘We don’t believe Salim Ratjen can be questioned in a conventional way,’ Saga tries to explain. ‘He didn’t respond when he was questioned five years ago, and didn’t say a single word during his trial.’

‘You have ways and means – don’t you?’

‘Breaking someone down can take many months,’ she replies.

‘I have a fairly important job,’ the Prime Minister says as he scrunches up the napkin. ‘I’m married, I have two children, and …’

‘We’re very sorry about this,’ Verner says.

‘This is the first time you’ve really been needed – so don’t tell me there’s nothing you can do.’

‘Ask me what we should do,’ Saga says.

The Prime Minister looks at her in surprise, then loosens his tie slightly.

‘What should we do?’ he repeats.

‘Tell the driver to stop the car and get out.’

They’ve reached Loudden, and the gloomy oil depot. The long spine of the pier is almost invisible in the grey rain.

Although the Prime Minister still looks uncertain, he leans forward and talks to the driver.

It’s raining harder, a chill rain that splashes the puddles. The Security Police driver stops right in front of one of the oil tanks.

The driver gets out and stands a couple of metres from the car. The rain darkens his pale beige uniform jacket in a matter of seconds.

‘So what should we do?’ the Prime Minister asks once more, looking at Saga.

14

Work is over for the day in Unit T of the high-security prison at Kumla, and fifteen inmates are jostling for space in the cramped gym.

No kettlebells, dumbbells, bars or any other equipment that could be used as a weapon is permitted.

The inmates move aside when Reiner Kronlid and his bodyguards from the Brotherhood come in. Reiner’s power is based on the fact that he controls the flow of all narcotics in the unit, and he guards his position like a jealous god.

Without him saying a word, a skinny man gets off his exercise bike and quickly wipes the saddle and handlebars with paper towels.

The static fluorescent strip-lights reveal the shabby walls. The air is heavy with the smell of sweat and tiger balm.

As usual, the group of old junkies is standing outside the dividing Plexiglas wall, and two Albanians from the Malmö gang are loitering by the folded table-tennis table.

Joona Linna finishes a set of pull-ups, lets go of the bar and lands softly on the floor. He looks over at the window. Dusty sunlight fills the gym again. His grey eyes look like molten lead for a few seconds.

Joona is clean-shaven, and his blond hair is cut short, almost in a crew-cut. His brow is furrowed, his mouth set firm. He’s wearing a pale blue T-shirt, its seams stretching over his bulging muscles.

‘One more set before we switch to a wider grip,’ Marko says to him.

Marko is a wiry older prisoner who has taken it upon himself to act as Joona’s bodyguard.

A new inmate with a thin, birdlike face is approaching the gym. He’s hiding something against his hip. His cheekbones are sharp, his lips pale, and his thinning hair is pulled up in a ponytail.

He isn’t dressed for the gym. He’s wearing an open rust-red fleece jacket that reveals the tattoos on his chest and neck.

The thin man passes beneath the last security camera mounted in the ceiling and enters the gym, then stops in front of Joona.

One of the prison guards outside the Plexiglas turns, and the baton hanging by his hip swings against the glass.

A few of the inmates have turned their backs on Joona and Marko.

The atmosphere becomes tense, everyone moves with a new wariness.

The only sound is a high-frequency hum from the ventilation.

Joona stands underneath the pull-up bar again, jumps, and pulls himself up.

Marko stands behind him with his sinuous tattooed arms hanging by his sides.

The veins in Joona’s temples throb as he pulls himself up again and again, raising his chin above the bar.

‘Are you the cop?’ the man with the thin face asks.

Small motes of dust drift gently through the still air. The guard on the other side of the Plexiglas exchanges a few words with an inmate, then starts to walk back towards the control room.

Joona pulls himself up again.

‘Thirty more,’ Marko says.

The man with the thin face is staring at Joona. Sweat glistens on his top lip, and is dripping down his cheeks.

‘I’m going to get you, you bastard,’ he says with a strained smile.

‘Nyt pelkään,’ Joona replies calmly in Finnish, and pulls himself up again.

‘Understand?’ the man grins. ‘Do you understand what the fuck I’m saying?’

Joona notices that the new arrival is clutching a dagger by his hip, a homemade weapon made from a long, thin shard of glass bound with duct-tape.

He’ll aim low, Joona thinks. He’ll try to get below my ribs. It’s almost impossible to stab someone with glass, but if it’s held by splints under the tape it can still penetrate the body before it snaps off.

A few other inmates have gathered on the other side of the Plexiglas, looking into the gym with curiosity. Their body language betrays a restrained eagerness. They just happen to stand in the way of the cameras.

‘You’re a cop,’ the man hisses, then looks at the others. ‘You know he’s a cop?’

‘Is that true?’ one of the onlookers says with a smile, then takes a swig from a plastic bottle.

A crucifix swings on a chain around the neck of a man with haggard features. The scars on the insides of his arms are frayed from the ascorbic acid he’s used to dissolve the heroin.

‘It is, I fucking swear,’ the prisoner with the thin face goes on. ‘He’s from National Crime, he’s a fucking pig, a dirty cop.’

‘That probably explains why everyone calls him “the Cop”,’ the man with the plastic bottle says sarcastically, and chuckles silently to himself.

Joona keeps doing pull-ups.

Reiner Kronlid is sitting on the exercise bike with a blank look on his face. His eyes are perfectly still, like a reptile’s, as he watches the scene play out.

One of the men from Malmö comes in and starts to run on the treadmill. The thud of his feet and the whine of the belt fill the cramped room.

Joona lets go of the bar, lands softly on his feet and looks at the man with the weapon.

‘Can I give you something to think about?’ Joona says in his Finnish-accented Swedish. ‘Feigned ignorance is born of confidence, illusory weakness is born of—’

‘What the fuck are you talking about?’ the man interrupts.

After his time in the Paratroop Unit Joona received enhanced training in unconventional close combat and innovative weaponry in the Netherlands.

Lieutenant Rinus Advocaat trained him for situations very similar to this. Joona knows exactly how to deflect the man’s arm, how to crush his throat and windpipe with repeated blows, how to twist the glass knife from his grasp, how to jam it into his neck and break off its point.

‘Stab the cop,’ a member of the Brotherhood snarls, then laughs. ‘You don’t have the nerve …’

‘Shut up,’ a younger man says.

‘Stab him,’ the other man laughs.

The prisoner with the thin face squeezes the makeshift knife and Joona looks him in the eye as he comes closer.

If Joona is attacked now, he knows he’s going to have to stop himself from following through with the sequence of movements that are imprinted in his body.

During his almost two years in prison he’s managed to steer clear of serious fights. His only aim has been to serve his time and start a new life.

He just needs to deflect the arm, twist the weapon from the man’s hand and knock him to the floor.

Joona turns his back on the newcomer with the knife. As he exchanges a few words with Marko, he can see the man’s reflection in the window looking onto the yard.

‘I could have killed the cop,’ the man says, breathing hard through his thin nose.

‘No, you couldn’t,’ Marko replies over Joona’s shoulder.

15

Twenty-three months have passed since Joona was found guilty of using violence to help a convicted felon escape custody. He was taken away to the risk assessment unit at Kumla Prison.

The prison service transportation unit took his few possessions, custody documents and ID. Joona was led into the reception centre, where he was stripped, made to give a urine sample for a drug test, and given new clothes, sheets and a toothbrush.

After five weeks of evaluation he was placed in Unit T instead of the secure unit in Saltvik where convicted police officers are usually sent. He would spend the next few years in a cell measuring six square metres, with a plastic floor, a sink and a small, barred Plexiglas window.

For the first eight months Joona worked in the laundry with the rest of the inmates. He got to know a lot of the men on the second floor, and told each of them about his work with the National Police and his conviction. He knew it would be impossible to keep his past a secret. Whenever a new prisoner arrives in the unit, the others are quick to ask a relative on the outside to find out what they were sentenced for.

He has a relaxed relationship with most of the groups in the unit, but keeps his distance from the Brotherhood and its leader, Reiner Kronlid. The Brotherhood has links to extreme right-wing groups, and is involved in drug-trafficking and protection rackets in all the big prisons.

By the end of the summer Joona had encouraged nineteen prisoners to start studying, at various levels. They formed a support group, and so far only two of them have dropped out.

The monotonous routines make the whole establishment run very slowly. All the cell doors are opened at eight o’clock in the morning and locked at eight o’clock in the evening.

As soon as the automatic lock clicks open each morning, Joona leaves his cell to shower and have breakfast before the entire unit heads down into the ice-cold tunnels that link the different parts of the prison like a sewage system.

The men pass the junction where the commissary used to be before it was shut down. They wait for the doors to open, allowing them further along the tunnel.

The guys from Malmö run their fingertips superstitiously over the mural of Zlatan Ibrahimovic´ before heading to the powder-coating workshop.

The study group head for the library instead. Joona is halfway through a course in horticulture, and Marko has finally got his GCSEs. His chin trembled when he said he was thinking of studying science.

This could have been yet another identical day in prison. But it won’t be for Joona, because his life is about to take an unexpected turn.

Joona sets the table in the visitors’ room with coffee cups and saucers, smooths the tablecloth that he’s spread out, and switches on the coffee-maker in the little kitchen.

When he hears keys rattling outside the door he stands up and feels his heart beat faster.

Valeria is wearing a navy-blue blouse with white polka dots, and black jeans. Her dark-brown hair is tied back and hangs in soft coils.

She comes in, stops in front of him and looks up.

The door closes and the lock clicks.

They stand and look at each other for a long time before whispering hello.

‘It still feels so strange every time I see you,’ Valeria says shyly.

She looks at Joona with sparkling eyes, taking in the slippers with the prison service logo, the grey-blue T-shirt with sand-coloured sleeves, the worn knees of the baggy trousers.

‘I can’t offer much,’ he says. ‘Just sandwich biscuits and coffee.’

‘Sandwich biscuits,’ she nods, and pulls her trousers up slightly before sitting down on one of the chairs.

‘They’re not bad,’ he says, and smiles in a way that makes the dimples in his cheeks deepen.

‘How can anyone be so cute?’

‘It’s just these clothes,’ Joona jokes.

‘Of course,’ she laughs.

‘Thanks for your letter. I got it yesterday,’ he says, sitting down on the other side of the table.

‘Sorry if I was a bit forward,’ she mumbles, and blushes.

Joona smiles, and she does the same as she looks down, before raising her eyes again.

‘Speaking of which, it’s a shame they turned down your application for leave,’ Valeria says, suppressing another smile in a way that makes her chin wrinkle.

‘I’ll try again in three months … I can always apply for re-acclimatisation leave,’ Joona says.

‘It’ll be OK,’ she nods, feeling for his hand across the table.

‘I spoke to Lumi yesterday,’ he goes on. ‘She’d just finished reading Crime and Punishment in French … It was good, we just talked about books, and I forgot I was here … until the line went dead.’

‘I don’t remember you talking this much before.’

‘If you spread it out over two weeks, it’s only a couple of words an hour.’

A lock of hair falls across her cheek and she tosses her head to move it. Her skin is like brass, and she has deep laugh-lines at the corners of her eyes. The thin skin beneath her eyes is grey, and she has traces of dirt under her short nails.

‘You used to be able to order pastries from a bakery outside,’ Joona says, pouring coffee.

‘I need to start thinking about my figure for when you get out,’ she replies, with one hand on her stomach.

‘You’re more beautiful than ever,’ Joona says.

‘You should have seen me yesterday,’ she laughs, her long fingers touching an enamel daisy hanging from a chain around her neck. ‘I was out at the open-air pool in Saltsjöbaden, crawling around in the rain preparing the beds.’

‘Yoshino cherry trees, right?’

‘I picked a variety with white flowers, thousands of them. They’re amazing … every year in May it looks like a snowstorm has hit just those little trees.’

Joona looks at the cups and the pale blue napkins. The light from outside is falling in broad stripes across the table.

‘How are your studies going?’ she asks.

‘It’s exciting.’

‘Does it feel weird to be training for something new?’ she asks, folding her napkin.

‘Yes, but in a good way.’

‘You’re still sure you don’t want to go back to police work?’

He nods and looks over towards the window. The dirty glass is visible between the horizontal bars. His chair creaks as he leans back, disappearing into the memory of his last night in Nattavaara.

‘What are you thinking?’ she asks in a serious voice.

‘Nothing,’ he replies quietly.

‘You’re thinking about Summa,’ she says simply.

‘No.’

‘Because of what I said about a snowstorm.’

He looks into her amber-coloured eyes and nods. She has the peculiar ability to almost read his mind.

‘There’s nothing as quiet as snow after the wind has dropped,’ he says. ‘You know … Lumi and I sat with her, holding her hands …’

Joona thinks back to the strange calmness that settled on his wife before she died, and the absolute silence that followed.

Valeria leans across the table and puts her hand to his cheek without saying anything. He can see the tattoo on her right shoulder through the thin fabric of her blouse.

‘We’re going to get through this – aren’t we?’ she asks quietly.

‘We’re going to get through this,’ he nods.

‘You’re not going to break my heart, are you, Joona?’

‘No.’

16

Joona feels a lingering joy after Valeria has left. It’s as if she brings him a small portion of life every time she visits.

He has almost no space in his cell, but if he stands between the desk and the sink he has just enough room to do some shadow-boxing and hone his military fighting techniques. He moves slowly and systematically, thinking of the endless flatlands in the Netherlands where he received his training.

Joona doesn’t know how long he’s been practising, but the sky is so dark that the yellow wall that encloses the prison is no longer visible through the barred window when the lock clicks and the cell door opens.

Two guards he hasn’t seen before are standing in the doorway, looking at him rather anxiously.

He thinks it must be a search. Something’s happened, maybe an attempted escape that they suspect he’s involved in.

‘You’re going to see a defence lawyer,’ one of the guards says.

‘What for?’

Without answering they cuff his hands and lead him out of the cell.

‘I haven’t requested a meeting,’ Joona says.

They walk down the stairs together and on down the long hallway. A prison guard passes them silently and disappears.

Joona wonders if they’ve realised that Valeria has been using her sister’s ID when she visits him. She has a criminal record of her own, and wouldn’t be allowed to see him if she used her own name.

The colour and style of the pictures along the walls change. The harsh lighting shows up the shabbiness of the concrete floor.

The guards lead Joona through security doors and airlocks. They have to show the warrant authorising the transfer several times. More locks whirr, and they head deeper into a section Joona isn’t familiar with. At the far end of the hallway two men are standing guard outside a door.

Joona immediately recognises that they’re Security Police officers. Without looking at him they open the door.

The dimly lit room is completely bare apart from two plastic chairs. Someone is sitting in one of them.

Joona stops in the middle of the floor.

The light from the low-hanging ceiling lamp doesn’t reach the man’s face. It stops at the pressed creases of his trousers and the black shoes, wet mud visible beneath their soles.

Something is glinting in his right hand.

When the door closes behind Joona the man stands up, takes a step forward into the light and tucks his reading glasses in his breast pocket.

Only then does Joona see his face.

It’s Sweden’s Prime Minister.

His eyes are cast in darkness, and the shadow of his sharp nose lies like a stroke of black ink across his mouth.

‘This meeting has never taken place,’ the Prime Minister says in his characteristic hoarse voice. ‘I haven’t met you, and you haven’t met me. No matter what happens you’ll tell people you had a meeting with your defence lawyer.’

‘Your driver doesn’t smoke,’ Joona says.

‘No,’ he replies in surprise.

The Prime Minister’s right hand moves aimlessly towards the knot of his tie before he continues.

‘Last night my government’s Foreign Minister was murdered in his home. The official story is that he died after a short illness, but we’re actually dealing with an act of terrorism.’

The Prime Minister’s nose is shiny with sweat, and the bags under his eyes are dark. The leather bracelet carrying the emergency alarm slips down his wrist as he pulls the other plastic chair forward for Joona.

‘Joona Linna,’ he says. ‘I’m going to make you a highly unorthodox offer, an offer that is only valid here and now.’

‘I’m listening.’

‘An inmate from Hall Prison is going to be transferred and placed in your unit. His name is Salim Ratjen. He was convicted of drug offences, but found not guilty of murder … The evidence suggests that he occupies a central position in a terrorist organisation, and that he may even be directing whoever carried out the murder of the Foreign Minister.’

‘Background information?’

‘Here,’ the Prime Minister replies, handing over a thin folder.

Joona sits down on the chair and takes the file with his cuffed hands. The plastic creaks as he leans back. As he reads he notices that the Prime Minister keeps checking his phone.

Joona skims the report from the crime scene, the lab results and the interview with the female witness in which she says she heard the killer say that Ratjen had opened the door to hell. The report concludes with graphs of telecom traffic and Sheikh Ayad al-Jahiz’s command that western leaders should be tracked down and their faces blown off.

‘There are plenty of holes,’ Joona says, handing the folder back.

‘This is just a preliminary report. A lot of test results are still missing, and—’

‘Holes that were left on purpose,’ Joona interrupts.

‘I don’t know anything about that,’ the Prime Minister says, slipping his phone back in the inside pocket of his jacket.

‘Have there been any other victims?’

‘No.’

‘Is there anything to suggest that more attacks are planned?’

‘I don’t think so.’

‘Why the Foreign Minister?’ Joona asks.

‘He was pushing for coordinated European action against terrorism.’

‘What do they achieve by killing him?’

‘This is a clear attack against the very heart of democracy,’ the Prime Minister goes on. ‘And I want the heads of these terrorists on a fucking plate, if you’ll pardon the expression. This is about justice, about putting our foot down. They cannot and will not frighten us. That’s why I’m here, to ask if you’re prepared to infiltrate Salim Ratjen’s organisation from inside prison.’

‘I assumed that. I appreciate your faith in me, but you have to understand that I’ve built up a life in here. It wasn’t easy, because people are aware of my background, but over time they’ve learned that they can trust me.’

‘We’re talking about national security here.’

‘I’m no longer a police officer.’

‘The Security Police will have your conviction quashed and you’ll get conditional parole if you do this.’

‘I’m not interested.’

‘That’s how she said you’d react,’ the Prime Minister says.

‘Saga Bauer?’

‘She said you wouldn’t listen to any offer from the Security Police … That’s why I decided to come in person.’

‘I’d be more inclined to consider the job if I didn’t think you were withholding vital information from me.’

‘What is there to conceal? The Security Police think you can help them identify Salim Ratjen’s contact on the outside.’

‘I’m sorry you wasted your time,’ Joona says, then gets to his feet and starts walking towards the door.

‘I can get you pardoned,’ the Prime Minister says to his back.

‘That would require government approval,’ Joona says, turning around.

‘I’m the Prime Minister.’

‘As long as I feel I’m not being given all available information, I’m going to have to say no,’ Joona repeats.

‘How can you claim to be unaware of what you don’t know?’ the Prime Minister asks, obviously irritated.

‘I know you’re sitting here even though you should be in Brussels for a meeting of the European Council,’ Joona says. ‘I know that you gave up smoking eight years ago, but now you’ve suffered a relapse, judging by the smell on your clothes and the mud on your shoes.’

‘Mud on my shoes?’

‘You’re a considerate man, and because your driver doesn’t smoke you got out of the car to have a cigarette.’

‘But …’

‘I’ve noticed you checked your phone eleven times, but you haven’t answered any messages, so I know there’s something missing, because there was nothing in that report I read that indicates there’s any real urgency.’

For the first time, the Prime Minister looks lost for words. He rubs his chin and seems to be thinking hard.

‘We believe we’re dealing with a number of planned murders,’ he says eventually.

‘A number?’ Joona repeats.

‘The Security Police removed that from the report, but there seem to be three murders planned, at least to start, and the next one is believed to be planned for Wednesday. That’s why it’s urgent.’

‘Who are the likely targets for these attacks?’

‘We don’t know for sure, but the information we do have suggests precise and well-planned executions.’

‘Politicians?’

‘Probably.’

‘And you think one of them might be you?’ Joona asks.

‘It could be anyone,’ the Prime Minister replies quickly. ‘But I’ve been led to believe that you’re our best option, and I’m hoping you’ll accept the job. And if you do actually manage to discover information that helps stop these terrorists, I’ll see to it that you get your old life back.’

‘You can’t do that,’ Joona replies.

‘Listen, you have to do this,’ the Prime Minister says. Joona can tell that he’s really scared.

‘If you can get the Security Police to cooperate fully with me, then I promise to identify the people responsible.’

‘And you understand that it has to happen before Wednesday …? That’s when they kill their next target,’ the Prime Minister says.

17

The Rabbit Hunter is walking restlessly around the large shipping container in the crooked glare of the fluorescent ceiling light.

He stops in front of a few open crates and a large petrol can. He presses his fingers to his left temple and tries to calm his breathing.

He looks at his phone.

No messages.

As he walks back to his equipment he steps on a laminated map of Djursholm lying on the floor.

He’s put his pistols, knives and rifles in a pile on a battered desk. Some of the weapons are dirty and worn, while others are still in their original packaging.

There’s a pile of rusty tools and old mason jars full of springs and firing pins, extra cartridges, rolls of black bin bags, duct-tape, bags of zip ties, axes and a broad-bladed Emerson knife, its tip honed as sharp as an arrowhead.

He’s stacked boxes containing different types of ammunition against the wall. On top of three of them are photographs of three people.

A lot of the boxes are still closed, but the lid has been torn off one box of 5.56x45mm ammunition, and there are bloody fingerprints on another.

The Rabbit Hunter puts a box of 9mm pistol bullets in a crumpled plastic bag. He examines a short-handled axe and adds it to the bag, then drops the whole thing on the floor with a loud clang.

He reaches out his hand and picks up one of the small photographs. He moves it to the edge of one of the container’s metal ribs, but it falls off.

He puts it back carefully and looks at the face with a smile: the cheery set of the mouth, the unruly hair. He leans forward and looks into the man’s eyes, and decides that he’s going to cut his legs off and watch him crawl like a snail through his own blood.

And he’ll watch the man’s son’s desperate attempts to tie tourniquets around his father’s legs in an effort to save his life, and maybe he’ll let him stem the flow of blood before going over and slicing his stomach open.

The photograph falls again and sails down amongst the weapons.

He lets out a roar and overturns the entire desk, sending pistols, knives and ammunition clattering across the floor.

The glass jars shatter in a cascade of splinters and spare parts.

The Rabbit Hunter leans against the wall, gasping for breath. He remembers the old industrial area that used to be between the highway and the sewage plant. The printing works and warehouses had burned down, and beneath the foundations of an old cottage was a vast rabbit warren.

The first time he checked the trap, there were ten small rabbits in the snares, all exhausted but still alive when he skinned them.

He regains control of himself. He’s calm and focused again. He knows he can’t give in to his rage, can’t show its hideous face, not even when he’s alone.

It’s time to go.

He licks his lips, then picks a knife up off the floor, along with two pistols, a Springfield Operator and a grimy Glock 19. He adds another carton of ammunition and four extra magazines to the plastic bag.

The Rabbit Hunter goes out into the cool night air. He closes the door of the container, pulls the bar across it and fastens the padlock, then walks to the car through the tall weeds. When he opens the boot a cloud of flies emerges. He tosses the bag of weapons in beside the bin-bag of rotting flesh, closes the boot and turns towards the forest.

He looks at the tall trees, conjures up the face in the photograph, and tries to force the rhyme out of his head.

18

In the Salvation Army’s offices at 69 Östermalms Street, a private lunch meeting is underway. Twelve people have made one long table out of three smaller ones, and are now sitting so close that they can see the tiredness and sadness in each other’s faces. The daylight shines in on the pale wooden furniture and the tapestry of the apostles fishing.

At one end sits Rex Müller, in his tailored jacket and black leather trousers. He’s fifty-two years old, still good-looking despite his frown and the swollen bags under his eyes.

Everyone looks at him as he puts his coffee cup back down on the saucer and runs a hand through his hair.

‘My name is Rex, and I usually don’t say anything, I just sit and listen,’ he begins, then gives an awkward little smile. ‘I don’t really know what you want me to say.’

‘Tell us why you’re here,’ says a woman with sad wrinkles around her mouth.

‘I’m a pretty good chef,’ he goes on, and clears his throat. ‘And in my line of work you need to know about wine, beer, fortified wine, spirits, liqueurs and so on … I’m not an alcoholic. I maybe drink a little too much. I do stupid things sometimes, even though you shouldn’t believe everything the papers say.’

He pauses and peers at them with a smile, but they just wait for him to go on.

‘I’m here because my employer insisted, otherwise I’ll lose my job … and I like my job.’

Rex had been hoping for laughter, but they’re all looking at him in silence.

‘I have a son. He’s practically grown up now, in his last year at high school … And one of the things I probably ought to regret about my life is not being a good dad. I haven’t been a dad at all. I’ve been there for birthdays and so on, but … I didn’t really want children, I wasn’t mature enough to …’

His voice cracks in the middle of the sentence, and to his surprise he feels tears welling up in his eyes.

‘OK, I’m an idiot, you might have realised that already,’ he says quietly, then takes a deep breath. ‘It’s like this … My ex, she’s wonderful, there aren’t many people who can say that about their ex, but Veronica is great … And now she’s been hand-picked to launch a big project about free healthcare in Sierra Leone, but she’s thinking of turning it down.’

Rex smiles wryly at the others.

‘She’s perfect for the job … so I told her I was trying to stay sober these days, and that Sammy can live with me when she’s away. Since I’ve been coming to these meetings she believes I’ve started to show more responsibility … and now she’s actually going on her first trip to Freetown.’

He runs his fingers through his messy black hair and leans forward.

‘Sammy’s had a pretty tough time. It’s probably my fault, I don’t know, his life is very different to mine … I’m not for a minute thinking I can repair our relationship, but I am actually looking forward to getting to know him a little better.’

‘Thanks for sharing,’ one of the women says quietly.

Rex Müller has spent the past two years as the resident chef on a popular morning programme on TV4. He’s won silver in the Bocuse d’Or contest, has worked with Magnus Nilsson at Fäviken Magasinet, has published three cookbooks, and last autumn he signed a lucrative contract with the Grupp F12 restaurant company, making him head chef at Smak.

After three hours in the new restaurant he hands things over to Eliza, the sous chef, changes into a blue shirt and suit, and heads over to the inauguration of a new hotel at Hötorget. He gets photographed with Avicii, then takes a taxi out to Dalarö to meet his associates.

David Jordan Andersen – or DJ, as everyone calls him – is thirty-three years old, and set up the production and branded content company that bought the rights to Rex’s cooking. In three years he has taken Rex from one of the country’s foremost chefs to genuine celebrity status.

Now Rex sweeps into the restaurant of the Dalarö Strand Hotel, shakes DJ’s hand and sits down across from him.

‘I thought Lyra was thinking of coming?’ Rex says.

‘She’s meeting her art school friends.’

DJ resembles a modern-day Viking with his full blond beard and blue eyes.

‘Did Lyra think I was difficult last time?’ Rex asks with a frown.

‘You were difficult last time,’ DJ replies frankly. ‘You don’t have to give the cook a lecture every time you go to a restaurant.’

‘It was supposed to be a joke.’

The waiter arrives with their appetisers. He lingers a little too long, then blushes as he asks if Rex would mind giving the gang in the kitchen his autograph.

‘That depends on the food,’ Rex replies seriously. ‘I can’t stand it when a lemon emulsion tastes like sweets.’

The waiter stands beside the table, smiling awkwardly, as Rex picks up his knife and fork and cuts a piece of chargrilled asparagus.

‘Take it easy,’ DJ cajoles, rubbing his blond beard.

Rex dips a piece of smoked salmon in the lemon sauce, smells it, then tastes it, chewing with a look of intense concentration. He finally takes out a pen and writes on the back of the menu: My congratulations to the master chefs at Dalarö Strand Hotel. Warm regards, Rex.

The waiter thanks him and hurries back to the kitchen with a look of unfeigned delight on his face.

‘Is it really that good?’ DJ asks quietly.

‘It’s OK,’ Rex replies.

DJ leans across the table, fills Rex’s glass with water, then nudges the bread-basket towards him. Rex takes a sip and looks out at a large yacht heading out to sea from the harbour.

Their plates of fried herring, charred red onion and mashed potatoes arrive.

‘Have you checked to see if you can make it next weekend?’ DJ asks tentatively.

‘Is that when we’re meeting the investors?’ Rex asks.

Rex and his team have spent over a year developing the first items in a set of kitchen equipment with Rex’s name on them.

They’re very good quality, sleek design at a reasonable price, and intended to be for ‘kitchen royalty’. Rex of Kitchen.

‘I thought we could spend some time with them, have a decent meal. It’s really important that they feel special,’ he explains.

Rex nods and cuts a piece of herring, then reaches across the table for DJ’s glass of chilled beer.

‘Rex?’

‘No one needs to know,’ he says with a wink.

‘Don’t do it,’ DJ says calmly.

‘Are you going to start too?’ Rex says, smiling, and puts the glass down. ‘I’m sober, but it’s pretty ridiculous. Everyone’s just decided that I have a problem without asking me.’

They finish their meal, pay, and walk down to the hotel jetty, where DJ’s motorboat, a Sea Ray Sundancer that’s seen better days, is moored.

It’s a warm evening, almost impossibly beautiful. The water is still, the sun is setting slowly, and the clouds are lit with golden light.

They cast off and slowly pull away from the jetty, rocking through the wake of another boat. They head carefully into the main waterway. The hillside on the port side is strewn with ornate wooden houses.

‘How’s your mum these days?’ Rex asks, sitting down beside DJ on the white leather seat.

‘A little better, actually,’ he replies, accelerating slightly. ‘The doctors have switched her medication and she’s not feeling too bad now.’

His voice is drowned out by the roar of the engine when they reach open water. White foam whips up behind them, the bow lifts up and the hull strikes the waves. They keep accelerating, and the boat starts to plane and shoots off across the water.

Rex stands up unsteadily and starts to pull on the water-skis that are tucked behind the seats.

‘Aren’t you going to take your suit off?’ DJ shouts.

‘What?’

‘It’ll get soaked.’

‘I’m not going to fall in!’ Rex shouts back.

He starts unrolling the line, then feels his phone buzz in his inside pocket. It’s Sammy, and Rex gestures at DJ to slow down.

‘Hello?’

He can hear music and voices in the background.

‘Hi, Dad,’ Sammy says, with his phone very close to his mouth. ‘I just thought I’d check what you’re doing tonight.’

‘Where are you?’

‘At a party, but …’

The swell from a large yacht makes Rex sway. He loses his balance and sits down on the white leather cushion.

‘Are you having a good time?’ he asks.

‘What?’

‘I’m out at Dalarö with DJ, but there’s some of last night’s sole in the fridge … You can have it cold, or heat it up in the oven for a few minutes.’

‘I can’t hear you,’ Sammy says.

‘I won’t be late,’ Rex tries to shout.

He can hear loud music over the phone, the thud of a heavy bassline, and a woman shouting something.

‘See you later,’ Rex says, but the line has already gone dead.

19

It’s late at night when the taxi rolls down Rehns Street and stops in front of an ornate wooden door. Rex has borrowed some dry clothes from DJ, and has his wet suit in a black bin-bag. He’s supposed to appear on television early the next morning, and should really have been asleep hours ago.

Rex makes his way inside, shivering as he presses the button for the lift. It doesn’t move. He steps forward and peers up into the lift shaft. The cabin is standing motionless on the fifth floor. There’s a creaking, scraping sound. The cables are swaying and he wonders idly if someone is moving out in the middle of the night.

He waits a little longer, then starts to walk up the stairs, the bag of wet clothes over his shoulder like he’s Santa Claus.

When he gets halfway up he hears the lift creak as it starts to move. It passes him on the third floor, and through the grille he can see that it’s empty.

Rex reaches the top floor, sets the bag down and catches his breath. As he puts the key in the lock he hears the lift come back up and stop at his floor.

‘Sammy?’

The doors slide open, but the lift is empty. Someone must have pressed the button for the sixth floor, then got out.

Rex walks through the flat without turning the lights on, wondering if it’s worth checking to see if Sammy has left any of the sole before he goes to bed. The floor glints silver in the gloom, and through the glass door to the deck he can see the city’s carpet of lights spread out below.

Rex opens the fridge and has time to register that Sammy hasn’t touched the fish when his phone rings.

‘Rex here,’ he answers hoarsely.

The receiver crackles. He can hear heavy music in the background, and someone whimpering.

‘Dad?’ a voice whispers.

‘Sammy? I thought you’d be home by now.’

‘I’m not feeling too good,’ his son slurs.

‘What happened?’

‘I lost my stuff, and Nico’s pissed off at me … I don’t know. For fuck’s sake, just stop it, will you?’ he says to someone at the other end.

‘Sammy, what’s going on?’

Rex can’t hear what his son says, his voice is swallowed up by the noise, then there’s the sound of dishes breaking, and a man starts shouting.

‘Sammy?’ he says. ‘Tell me where you are and I’ll come and get you.’

‘You don’t have to …’

There’s a loud noise, as if Sammy has dropped his phone on the floor.

‘Sammy?’ Rex shouts. ‘Tell me where you are!’

A lot of crackling, then Rex hears someone pick up the phone again.

‘Come and get him before I get really sick of him,’ a woman with a deep voice says.

With his heart pounding, Rex makes a note of the address, calls a taxi and runs downstairs. When he gets outside in the cool air he tries calling Sammy again, but there’s no answer. He tries at least ten more times before the taxi pulls up in front of the building.

The address the woman gave him is on Östermalm, the wealthiest part of Stockholm, but the building on Kommendörs Street turns out to be public housing from the 1980s.

Loud music is streaming from a door on the ground floor. There is a strip of tape across the letterbox that says ‘More ads, please’.

Rex rings the doorbell, then tries the handle, opens the door and stares into a small hallway full of shoes. Loud music reverberates off the walls. The flat smells like cigarette smoke and red wine. There’s a pile of coats on the worn hardwood floor in the hall. Rex goes into the dimly lit kitchen and looks around. The counter is littered with empty beer bottles. The remains of a bean stew have dried onto a pan, and the sink is overflowing with plates and improvised ashtrays.

A man dressed in black wearing heavy makeup is sitting on the kitchen floor drinking from a plastic bottle. A young woman in denim shorts and a bright pink bra stumbles over to the counter, opens one of the cabinets and takes out a glass. The cigarette between her lips wobbles as she concentrates on filling her glass from a box of wine.

She taps her ash onto the pile of dirty plates as Rex pushes past her. She slowly exhales a plume of smoke, following him with her eyes.

‘Hey, chef, could you fix up an omelette?’ she says with a smile. ‘I’d love a fucking omelette right now.’

‘Do you know where Sammy is?’ he asks.

‘I think I know pretty much everything,’ she replies, handing him the glass of wine.

‘Is he still here?’

She nods and gets another glass from the cabinet. A black cat jumps up onto the counter and starts to lick bits of food from a kitchen knife.

‘I want to sleep with a celebrity,’ she jokes, and starts giggling to herself.

He moves a chair so he can get past the kitchen table, and feels the young woman wrap her arms around his waist. The weight of her body makes Rex lurch forward.

‘Let’s go in and wake Lena up, then we can have a threesome,’ the woman mumbles, pressing her chin against his back.

Rex puts the glass down on the table, removes her hands, turns around and looks at her drunk, smiling face.

‘I’m just here to pick up my son,’ he explains, and turns to look at the living room.

‘I was only joking anyway. I don’t really want sex, I just want lurve,’ she says, and lets go of him.

‘You should go home.’

Rex squeezes between a highchair and a folded cot. Two glasses clink against each other in time to the music.

‘I want a daddy,’ he hears her mutter as he goes into the living room.

On a checked sofa a man with long grey hair is helping a younger man snort cocaine. Someone’s brought out a box of Christmas decorations. There are mattresses on the floor around the walls. A heavyset man with his trousers unzipped is sitting with his back to the wall, picking at an acoustic guitar.

Rex walks through a narrow hallway with deep scratches in the floor. He glances into a bedroom where a woman is sleeping in just her underwear, her tattooed arm across her face.

Back in the kitchen a man laughs, and calls out in a loud voice.

Rex stops and listens. He can hear thuds and sighing from nearby. He looks into the bedroom again and finds himself staring between the woman’s legs. He turns away.

The door to the bathroom is ajar, its weak light spilling out into the hallway.

Moving sideways, Rex catches sight of a mop and bucket in front of a washing machine.

He hears the sighing again as he approaches the bathroom. He reaches out his hand and gently pushes the door open, and sees his son kneeling in front of a man with a large nose and deep lines around his half-open mouth. Sammy’s face is sweaty and his mascara has run. He’s holding the man’s erect penis with one hand as he guides it into his mouth. A black pearl earring is bouncing against his cheek.

Rex steps back as he sees the man run his fingers through Sammy’s bleached hair and grab hold of it.

He hears crying from the hall.

Rex turns away and goes back into the living room, trying to catch his breath as waves of conflicting emotions crash through him.

‘Oh, God,’ he sighs, and tries to smile at his own reaction.

Sammy is an adult, and Rex knows he doesn’t want to be defined by his sexuality. Still, he’s extremely embarrassed that he stumbled upon such an intimate situation.

On the checked sofa the man with long grey hair has tucked his hand under the younger man’s T-shirt.

Rex needs to go home and get some sleep. He waits a few seconds, wipes his mouth, then heads towards the bathroom again.

‘Sammy?’ Rex calls out before he gets there. ‘Are you in there?’

Something topples over in the bathroom, clattering against the sink. He waits a few seconds before calling his son’s name again.

Shortly after that the door opens and Sammy comes out, dressed in a pair of tight jeans and an unbuttoned floral shirt. He’s leaning against the wall with one hand. His eyelids are drooping, and his gaze is unfocused.

‘What are you doing here?’ he slurs.

‘You called me.’

Sammy looks up but doesn’t seem to understand what Rex is saying. His eyes are lined in kohl, and his pupils are dilated.

‘What the hell’s going on?’ the man in the bathroom calls out.

‘I’m coming, I just … just …’

Sammy loses his footing and almost falls.

‘We’re going home,’ Rex says.

‘I have to get back to Nico. He’ll get angry if—’

‘Talk to him tomorrow,’ Rex interrupts.

‘What? What did you say?’

‘I know you have your own life, I’m not trying to play at being your dad. I can give you money for a taxi if you want to stay,’ Rex says, trying to make his voice gentler.

‘I … I should probably get some sleep.’

Rex takes his jacket off and wraps it around his son’s shoulders. He starts to lead him out of the block of flats.

When they reach the street the sky is starting to brighten and the birds are singing loudly. Sammy is moving slowly. He’s alarmingly weak.

‘Can you stay on your feet while I call a taxi?’ Rex asks.

His son nods and leans heavily against the wall. His face is extremely pale. He sticks his finger in his mouth and leans his head forward.

‘I … I’m …’

‘Can’t we just try to get through these three weeks together?’ Rex suggests.

‘What?’

Sammy swallows, sticks his finger in his mouth again and looks like he’s about to throw up.

‘What’s going on, Sammy?’

His son looks up, breathing in laboriously. His eyes roll back and he collapses on the pavement, hitting his head against an electricity box.

‘Sammy!’ Rex yells, and tries to help him up.

The boy’s head is bleeding and his eyes are swimming behind half-closed eyelids.

‘Look at me!’ Rex shouts, but his son is unresponsive. His body is completely limp.

Rex puts him down again and listens to his chest. His heart is beating fast, but his breathing is far too slow.

‘Fuck,’ Rex mutters as he fumbles for his phone.

His hands are shaking as he tries to call an ambulance.

‘Don’t die, you can’t die,’ he whispers as the call goes through.

20

His mobile phone rings, making Rex jump so hard that his arm jerks and he hits his hand against the back of the couch. He stands up and wipes his mouth. The sky outside the hospital window is as pale as parchment. He must have dozed off.

He isn’t sure how many times they pumped Sammy’s stomach. Over and over again they poured water through a tube down his throat, and sucked it out again using a huge syringe. Sammy kept flailing his arms weakly in an attempt to remove the tube, and whimpered as the remains of the red wine and pills poured out of him.

Rex’s mobile phone is still ringing, and when he picks the jacket up his phone slips out of the pocket and bounces onto the floor.

He crawls after it and answers on all fours:

‘Hello?’ he whispers.

‘Please, Rex,’ the programme’s producer says, sounding stressed and angry. ‘Tell me you’re sitting in a taxi.’

‘It hasn’t arrived yet,’ Rex manages to say.

It’s Sunday. He cooks live on TV4 every Sunday. He can’t possibly have missed it, but he has no idea what time it is.

The lino floor and electric lights fade into darkness as Rex stands up. Leaning against the couch, he tries to explain that he wants a picture of the raw ingredients on the Barco wall, and a close-up when he stir-fries the shrimp.

‘You should be in make-up right now,’ the producer says.

‘I know,’ Rex agrees. ‘But what can I do if the taxi doesn’t show up?’

‘Call another taxi,’ she sighs, and hangs up.

A nurse gives him an inscrutable look as she passes him in the hallway. Rex leans against the wall, looks at his phone to see what time it is, then calls a taxi.

He thinks about the look on Sammy’s face when he drank the charcoal solution that breaks down toxic substances in the intestines. Rex sat with him, wiping his clammy forehead with a damp towel, telling him the whole time that everything would be OK. Around six o’clock in the morning they put Sammy on a drip, tucked him into bed, and assured Rex that he was out of danger. He went and sat down on a couch in the hallway so that he’d hear Sammy if he called for him.

He woke up forty minutes later when his phone rang.

Rex walks quickly to the door and looks in at his son, who’s still fast asleep. His make-up has washed off, and his face is very pale. The bandage over the cannula in his arm has folded over. The tube and the half-full infusion bag are glinting in the morning sun. His stomach is rising and falling with his breathing.

Rex jogs to the lifts and presses the green button as the purchasing manager of the TV4 group calls.

‘I’m sitting in the taxi now,’ he replies, just as the lift machinery whirrs into action.

‘Should I be worried?’ Sylvia Lund says.

‘No need – they just got their bookings mixed up.’

‘You were due in make-up twenty minutes ago,’ she says warily.

‘I’m coming. I’m on my way now. We’re already on Valhallavägen.’

He leans his forehead against the mirror and feels jagged exhaustion catch up with him.

The taxi is waiting outside the entrance to the emergency department. Rex gets in the back seat and closes his eyes. He tries to have a quick nap during the short drive, but can’t stop thinking about what’s happened. He’s going to have to call Sammy’s mother, Veronica.

As Rex understands it, Sammy will be referred to a psychologist, who will evaluate him for signs of substance abuse and suicidal tendencies.

The car turns and pulls up in front of the TV4 building. Rex pays, not bothering to wait for a receipt. He hurries in through the glass door.

Sylvia hurries over to him. Her face is neatly made-up, her hair blow-dried so that it curls in towards her neck and jawline.

‘You haven’t shaved,’ she says.

‘Haven’t I? I forgot,’ he lies, feeling his chin.

‘Let me look at you.’

She studies his crumpled jacket, messy hair and bloodshot eyes.

‘You’re hungover,’ she says. ‘This can’t be happening.’

‘Leave it, I can handle this,’ Rex says tersely.

‘Breathe on me,’ she snaps.

‘No,’ he says with a smile.

‘You may be having a hard time, but that won’t make any difference … TV4 will walk away from their contract with you if you make a fool of yourself again.’

‘Yes, so you said.’

‘I’m not letting you into that studio unless you breathe on me.’

Rex blushes as he breathes into his boss’s face, looks her in the eye and then walks away.

A young woman comes running over to hold the door open for Rex and Sylvia.

‘We’ve still got time,’ she says breathlessly.

Rex starts walking towards the dressing rooms, but feels sick on the steep metal steps. He has to stop and cling onto the handrail before moving on.

He passes the green room where this week’s guests are waiting and quickly goes into his dressing room. He hurries over to the sink and rinses his face and mouth with cold water, spits and then wipes himself with a paper towel.

His hands shake as he changes into his pressed suit, then the chef apron.

The young woman is waiting in the hallway and follows him as he half-runs towards make-up.

He sits down on the chair in front of the mirror and tries to get a grip on his stress by watching the news. One make-up assistant shaves him and a second blends two types of foundation on a palette.

At regular intervals the presenters announce that ‘superstar chef Rex will be here soon to share some of his best hangover tips’.

‘I didn’t get any sleep last night,’ he manages to say.

‘That’s OK, we can fix that,’ one of the make-up assistants assures him, holding a damp sponge to his swollen eyes.

He thinks about when Sammy was little and said his first words. It was a frosty autumn day, and his son was playing in the sandpit when he suddenly looked up, patted the ground beside him, and said ‘Daddy sit’.

He never wanted children. Veronica’s pregnancy wasn’t planned. All he wanted was to drink, cook and fuck.

The make-up artist runs her fingers through his hair one last time to get it to lie flat.

‘Why are people so crazy about chefs?’ she asks rhetorically.

He just laughs, thanks her for making him look human again, and hurries off to the studio.

21

The soundproof door closes behind Rex. He creeps into the studio and sees that the host, Mia Edwards, is sitting on the sofa talking to a writer with pink hair.

Rex steps carefully over the cables and takes his place in the kitchen on one side of the group of sofas. A sound technician fixes his microphone while he checks that all the ingredients for his pasta dish are in place, that the water is simmering and the butter is melted.

He watches the large monitor as the author being interviewed laughs and throws her hands up. The ticker along the bottom of the screen talks about growing criticism of the UN Security Council.

‘Are you hungry?’ Mia asks the author after getting a prompt through her earpiece. ‘I hope so, because today Rex has prepared something extra special.’

The lights come up and as the black lenses of the cameras swing towards him he’s drizzling oil into the beaten-copper pan.

Rex increases the heat of the gas burner, starts picking basil leaves from a large pot, and smiles straight into the camera:

‘Some of you may be feeling a little worse for wear today … so this morning we’re focusing on the perfect hangover food. Tagliatelle with fried shrimp, melted butter and garlic, red peppers, olive oil and fresh herbs. Imagine a really lazy morning … waking up next to someone you hopefully recognise … and maybe you don’t really want to remember what happened last night, because all you need right now is food.’

‘Forget all about dieting,’ Mia says expectantly.

‘But only for this morning,’ Rex chuckles, and runs his hand through his hair, messing it up. ‘It’s worth it though, I promise.’

‘We believe you, Rex.’

Mia comes over and watches as he chops a chilli pepper and garlic with lightning-fast flicks of the knife.

‘Take extra care if you’re feeling fragile …’

‘I can do that just as fast,’ Mia jokes.

‘Let’s see!’

He throws the knife in the air, and it spins twice before he catches it again and puts it down next to the chopping board.

‘No,’ she laughs.

‘My ex always called me a schmuck … I’m still not quite sure what she meant,’ he grins, and stirs the deep-rimmed frying pan.

‘So you’ve dried the shrimp on paper towels?’

‘And because they’re not pre-cooked, you may need to add a little more salt than usual,’ Rex says as he lowers the fresh pasta into the simmering water.

Through the cloud of steam his eyes take in the latest news on the ticker at the bottom of the monitor: Swedish Foreign Minister William Fock has died after a short illness.

His stomach lurches with angst and his head suddenly goes empty. He forgets where he is and what he’s supposed to be doing.

‘You can get organic shrimp these days, can’t you?’ Mia asks.

He looks at her and nods, without actually understanding what she’s saying. His hands are shaking as he picks up the tea-towel from the counter. He dabs slowly at his forehead so as not to spoil the make-up.

It’s a live broadcast. Rex knows he has to get through this, but all he can think about is what he did three weeks ago.

This can’t be true.

He holds onto the edge of the counter with one hand as he feels sweat trickling between his shoulder-blades.

‘In the past you’ve talked about saving some of the pasta water to pour on the cooked pasta afterwards if you want to cut down on the amount of oil,’ Mia says.

‘Yes, but …’

‘But not today, eh?’ she says with a smile.

Rex looks down at his hands, sees that they’re still working. They’ve just turned up the heat beneath the frying pan, and are now squeezing lemon juice on the shrimp. As he squeezes the fruit, a few drops of juice end up on the edge of the pan. They look like a string of tiny glass pearls.

‘OK,’ he whispers. His brain keeps repeating the news: the Foreign Minister has died after a short illness.

He was sick, and nothing I did made any difference, Rex thinks as he picks up the bowl of shrimp.

‘The last thing you do is fry the shrimp,’ he says, watching as the hot oil swirls in dreamlike patterns. ‘Are you ready? Um, dois, três …’

The dolly-mounted camera films the big copper pan as he empties the bowl with a theatrical gesture and the shrimp tumble into the oil with a noisy hiss.

‘High heat! Keep watching the colour, and listen … you can hear the moisture evaporating,’ Rex says, turning the shrimp.

The pan sizzles as he sprinkles a pinch of salt over it. The second camera is filming him head-on.

‘Give it a few seconds. Your beloved can stay in bed because the food’s all ready now,’ he smiles, lifting the pink shrimp from the pan.

‘It smells fantastic. I can feel myself going weak at the knees,’ Mia says, leaning over the dish.

Rex drains the pasta, quickly tips it into a bowl, stirs in the garlic butter and peppers, then adds the oiled shrimp, adds a splash of white wine and balsamic vinegar, then plenty of chopped parsley, marjoram and basil.

‘Then you can take the bowls back into the bedroom with you,’ Rex says directly to the camera. ‘Open a bottle of wine if you want to stay under the covers, but otherwise water goes very well.’

22

The Foreign Minister is dead, Rex repeats to himself as he leaves the studio where the guests are eating his pasta dish. He hears them praise the food as he pushes the soundproof door open.

Rex runs along the hallway to his dressing room, locks the door behind him, staggers into the bathroom and throws up in the toilet.

Exhausted, he rinses his mouth and face, lies down on the narrow bed and closes his eyes.

‘Fuck me,’ he whispers, releasing the hazy memories of that night three weeks ago.

He had been at a party at Matbaren, and he had a little too much to drink. He decided that he was in love with a woman who worked for some investment company with a stupid name.

Almost every time he got drunk, the night ended with him in bed with a woman. If he was lucky, she wasn’t a production assistant at TV4 or the ex-wife of a colleague. On this occasion, she was a complete stranger.

They got a taxi back to her villa out in Djursholm. She was divorced and her only child was on an exchange trip to the USA. He kissed the back of her neck as she switched the alarm off and let them in. An old golden retriever came padding through the rooms.

They both knew what they wanted, and didn’t talk much. He selected a bottle of wine from the large wine fridge, and remembers swaying as he tried to open it.

She got out some cheese and crackers which they never touched.

With an air of inevitability, he had followed her through the carpeted hallway towards the master bedroom.

She dimmed the wall lights and disappeared into the bathroom.

When she came back she was wearing a silver nightgown and kimono. She opened the drawer of the bedside table and handed him a condom.

He remembers that she wanted to be taken from behind, maybe because she didn’t want to look at his face. She got on all fours, with her pale backside uncovered, the nightgown pulled up, bunched around her waist, and her mid-length hair hanging over her cheeks.

The antique bed creaked and a framed embroidered angel wobbled on the wall.

They were both too tired, too drunk. She didn’t orgasm, didn’t even pretend to, just muttered that she needed to sleep when he was finished, sank onto her stomach and fell asleep with her legs wide apart.

He had gone back to the kitchen, helped himself to a glass of cognac, and leafed through the morning paper, which had just been delivered. The Foreign Minister had made some stupid comment about how there were extreme feminist forces that wanted to destroy the age-old relationship between men and women.

Rex had swept the paper onto the floor and left the house.

He had one thing in mind. He had walked straight down to Germaniaviken and followed the shore all the way to the Foreign Minister’s villa.

He was too drunk to care about any alarms or security cameras. Driven on by a very clear sense of justice, he clambered over the fence, walked right across the grass and up onto the deck. Anyone could have seen him there. The Foreign Minister’s wife could have been standing at the window, or a neighbour could have driven past. Rex didn’t care. One thought was running through his mind: he had to piss in the Foreign Minister’s floodlit swimming pool. It felt like the right thing to do at the time, and he smiled like a prize-fighter as his urine splashed into the turquoise water.

23

Rex ignores the taxi that’s waiting outside the TV4 building and starts walking instead. He needs space to breathe, needs to collect his thoughts.

A few months ago he would have calmed his nerves with a large glass of whisky, followed by another three.

Now he walks along beside the busy Lidingövägen instead, and is trying to figure out what the cost of his behaviour might be when DJ calls.

‘Did you see me?’

‘Yes, really good,’ DJ says. ‘You looked almost hungover for real.’

‘Sylvia thought so too. She asked if I’d been drinking.’

‘Did she? I can come and swear that you only drank water yesterday … even if a fair bit of it was seawater.’

‘I don’t know … it’s just so ridiculous that I have to pretend to be an alcoholic so I don’t lose my job.’

‘But it can’t be a bad idea for you to take it a bit—’

‘Stop that. I don’t want to hear it,’ Rex interrupts.

‘I didn’t mean it in a bad way,’ DJ says quietly.

Rex sighs and looks through the railing at the entrance to the big sports stadium that was built for the 1912 Olympics.

‘Have you heard that the Foreign Minister is dead?’ he asks.

‘Of course.’

‘We had a complicated relationship,’ Rex says.

‘In what way?’

‘I didn’t like him,’ he replies, and walks through the stadium entrance and out onto the red track.

‘OK, but you shouldn’t talk about that just after his death,’ DJ says calmly.

‘It isn’t just that …’

David Jordan says nothing as Rex admits what he did. He says that he had a little too much to drink three weeks ago and just happened to urinate in the Foreign Minister’s swimming pool.

He concludes the confession by saying that he got all the garden gnomes and threw them into the pool as well.

Rex walks out onto the football field and stops at the centre circle.

The empty stands surround him. He remembers that some of the gnomes floated while others sank onto the bottom, surrounded by little air-bubbles.

‘OK,’ DJ says after a long silence. ‘Does anyone else know what you did?’

‘The security cameras.’

‘If there’s a scandal, the investors will pull out – you know that. You do realise that, don’t you?’

‘What should I do?’ Rex asks pathetically.

‘Go to the funeral,’ DJ says slowly. ‘I’ll make sure you get invited. Talk about it on social media, say you lost your best friend. Talk about him and his political achievements with the greatest respect.’

‘That’ll look bad if the security footage gets out,’ Rex says.

‘Yes, I know. But pre-empt it by getting in first and talking about your jokey relationship and the silly pranks you used to play on each other. Say that you sometimes went too far, but that was just what you were both like. Don’t admit to anything specific, because with any luck the recording has already been deleted.’

‘Thanks.’

‘What did you have against the Foreign Minister, anyway?’ DJ asks with interest.

‘He was always a slippery bastard, and a bully. I’m going to piss on his grave – one last prank.’

‘As long as no one films you,’ David Jordan laughs, and ends the conversation.

Sammy is sitting on the bed drying his hair with a towel when Rex walks into his hospital room.

‘Nice make-up, Dad,’ he says in a hoarse voice.

‘Oh, yeah,’ Rex says. ‘I came straight from the studio.’

He takes a step towards the bed. Chaotic images of the stomach pump and his own angst at the Foreign Minister’s death fight for space in his head.

He reminds himself the only option right now is to stay calm, not to be judgemental.

‘How are you feeling?’ he asks tentatively.

‘OK, I guess,’ Sammy replies. ‘My neck hurts. Like someone pushed a tube down my throat.’

‘I’ll make some soup when we get home,’ Rex says.

‘You just missed the doctor. Apparently I need to talk to a counsellor before I’m allowed to leave.’

‘Do you have an appointment?’

‘She’s coming at one o’clock.’

‘I have time to see DJ before then,’ Rex says when he realises that he has an AA meeting in half an hour. ‘But I’ll come straight back after that … we can get a taxi home.’

‘Thanks.’

‘Sammy, we need to talk.’

‘OK,’ his son says, clamming up instantly.

‘I don’t ever want to have to go through this again,’ Rex begins.

‘It can’t have been much fun,’ Sammy says, turning his head away.

‘No,’ Rex replies.

‘Dad’s a celebrity,’ Sammy says with a crooked smile. ‘Dad’s a superstar TV chef, and he doesn’t want a failure for a son, a faggot who wears make-up and …’

‘I don’t give a damn about that,’ Rex interrupts.

‘You don’t have to put up with me for long, just a few weeks,’ his son says.

‘I hope we can still have a reasonable time together – but you have to promise to try.’

Sammy raises his eyebrows.

‘What? How am I supposed to try? Is this about Nico?’

‘This isn’t some kind of moral debate,’ Rex explains. ‘I don’t have an opinion, I believe that love just happens between people.’

‘Who’s talking about love?’ Sammy mutters.

‘Sex, then.’

‘Did you love Mum?’ Sammy asks.

‘I don’t know. I was very immature,’ Rex replies honestly. ‘But now, in hindsight, I can see that she was the person I should have stayed with … I would have liked to have lived my life with the two of you.’

‘Look, Dad, I’m nineteen years old. I don’t get it. What do you want from me?’

‘No more stomach pumps, for a start.’

Sammy gets slowly to his feet and goes to hang the towel up.

‘I thought Nico was counting the pills he was giving me,’ he says when he comes back. ‘But there were too many.’

‘Count for yourself in the future.’

‘I’m weak-willed. And it’s actually OK for me to be weak,’ he replies quickly.

‘Then you won’t make it. There’s no place for weakness in this world.’

‘OK, Dad.’

‘Sammy, it’s not like I’m making this up – that’s just the way it is.’

His son is leaning against the doorframe with his arms folded. His cheeks are flushed and he swallows hard.

‘Promise me you won’t do anything dangerous,’ Rex says.

‘Why not?’ Sammy whispers.

24

No terrorist organisation has claimed responsibility for the murder, but the Security Police don’t think that’s strange given the specific nature of the attack. The underlying reason for shooting the Foreign Minister is to frighten a small group of high-ranking politicians rather than terrify the general population.

On Sunday they continue evaluating the forensic evidence and the thousands of lab results. Everything points to the fact that they’re dealing with a highly professional killer. He didn’t leave any fingerprints or biological evidence, he didn’t leave any bullets or cartridges, and he doesn’t appear in any security-camera footage.

They have several of his boot imprints, but they’re a type that are sold all over the world, and analysis of the dirt on them hasn’t come up with anything.

Saga is sitting with Janus, who’s the head of the investigation, and a few colleagues in one of the conference rooms of the Security Police Headquarters. Janus is wearing a pale green, tie-dye T-shirt. His almost white eyebrows take on a pinkish tone when he gets agitated.

Security around government buildings has been tightened and key individuals have more bodyguards, but they’re all aware that this might not be enough.

Stress levels in the conference room are high.

Salim has been isolated at Hall Prison in preparation for his transfer to Joona’s unit. No one believes that isolating him will prevent more murders, because even if he can’t give any further orders it’s possible that the first three have already been arranged.

Right now almost all of their hopes are pinned on Joona gaining his confidence inside the prison. If he fails, their only real option is to wait and see what happens on Wednesday.

‘We’re dealing with a meticulous killer. He doesn’t make any mistakes, doesn’t get carried away, doesn’t get scared,’ one of the men says.

‘Then he shouldn’t have left a witness alive,’ Saga says.

‘This is all assuming he isn’t just a pimp who thought the Foreign Minister had gone too far this time,’ Janus smiles, blowing his red hair away from his face.

Jeanette and Saga have conducted three more interviews with the witness, but nothing new has emerged. She’s sticking to her story, and there’s nothing to suggest that she’s lying. But they haven’t been able to verify the fact that she’s a prostitute.

No one else in the business knows Sofia, but the investigators have managed to trace Tamara Jensen, who now appears to be the only person who might be able to confirm her story.

Tamara’s number was in Sofia’s mobile phone, and by using three base-stations to trace her phone they’ve managed to identify an exact location: Tamara’s movements are restricted to a small area just southwest of Nyköping.

She isn’t married, and she hasn’t moved to Gothenburg, as Sofia claimed.

She’s still advertising on a website that says it offers an exclusive escort service in the Stockholm area. The photograph shows a woman in her mid-twenties, with lively eyes and shiny hair. Her presentation promises cultured company for social events and trips, nights and weekend packages.

Saga is navigating while Jeanette drives the dark grey BMW. The two women always enjoy each other’s company even though they’re very different in both personality and appearance. Jeanette’s hair is held in place by a silver clasp, and she’s wearing a light grey skirt and white jacket, thick tights and pumps with a low heel.

They’re talking and eating liquorice from a bag in the centre console.

Saga is telling Jeanette how her ex-boyfriend, Stefan, sent her lots of drunken texts from Copenhagen yesterday, wanting her to go to his hotel.

‘Well, why not?’ Jeanette says, helping herself to another piece of liquorice.

Saga laughs, then looks thoughtfully out of the side-window at the industrial buildings flashing past.

‘He’s an idiot, and I can’t believe I’m still sleeping with him,’ she says quietly.

‘Seriously, though,’ Jeanette says, drumming the steering wheel lightly with one hand. ‘Who cares about principles? This is your life, the only one you’ve got, and you’re not seeing anyone else.’

‘Is that your advice as a psychologist?’ Saga smiles.

‘I really believe that,’ she replies, looking at Saga.

It’s late evening by the time they reach Nyköpingsbro, an all-night restaurant situated on a bridge over the highway.

Jeanette drives around the car park until they find Tamara’s old Saab. They block it in with the BMW, then go into the restaurant.

The restaurant is almost empty. Saga and Jeanette walk around the tables anyway, but there’s no sign of Tamara. They pass a deserted ballpit trapped behind a smeared glass screen, next to a green sign with tourist information.

‘OK, let’s go outside,’ Jeanette says in a low voice.

It’s dark in the car park. The air is cold and Saga zips up her leather jacket as they walk past the tables and benches. A few magpies are scrambling around on top of the overflowing dustbins.

Saga and Jeanette walk towards the lorry park as a blue articulated lorry pulls up in front of them. The vehicle’s weight makes the ground shake. It turns and parks wheezily beside the furthest lorry.

There are nineteen lorries parked on this side of the bridge. Beyond them the murky darkness of the forest takes over. The roar of the highway comes in waves, like exhausted surf on a beach.

It’s dark and strangely warm between the vehicles. The smell of diesel mixes with urine and cigarette smoke. The hot metal clicks. Dirty water drips from a mud flap.

Someone tosses a bag of rubbish under a trailer and clambers back up into the cab.

Cigarettes glow in various places in the darkness.

Saga and Jeanette walk around the huge vehicles. The tarmac is covered with oil-stains, empty chewing-tobacco tubs, Burger King wrappers, cigarette butts, and a tatty porn magazine.

Saga crouches down and looks under one of the trailers. She sees people moving around between the lorries further away. One man is peeing against a tyre. They can hear a muted conversation, and somewhere a dog is barking.

One lorry, smeared with dirt, starts up beside them and idles for a while to get the engine warmed up. Its red tail-lights illuminate a pile of empty bottles at the edge of the forest.

Saga crouches down again to look under the rusty vehicle frame, and sees a woman climb out of one of the cabs. Saga’s gaze follows her thin legs as she totters away on platform boots.

25

Saga and Jeanette hurry towards the woman in high heels just as the articulated lorry rumbles out from the lorry park. It turns heavily on its axis and passes so close that they have to press up against another lorry to avoid getting crushed.

The huge tyres crunch past.

A hot cloud of exhaust fumes in the air and Jeanette coughs quietly.

Some distance away a man calls out, then wolf-whistles.

They walk around the other lorry and catch sight of the woman in platform boots. She’s standing with her hands cupped around a cigarette, the glow of the lighter reflected on her face. It isn’t Tamara. The woman’s eyes are red-rimmed, and she has deep lines running from her nose to the corners of her mouth.

Her thin hair has been bleached, but the roots are completely grey.

She’s wearing a low-cut top and a suede skirt.

The woman is standing next to a Polish lorry and saying something to the men in the cab. She takes a deep drag on the cigarette and suddenly teeters backwards, almost falling between the cab and trailer. Saga and Jeanette hear the men in the lorry explain in English that they aren’t interested in paying for sex. They’re trying to be polite, saying that all they want to do is call their children to say goodnight, then get some sleep.

The woman waves them aside dismissively and moves on. She’s just knocked on the door of another cab when Saga and Jeanette catch up with her.

‘Excuse me, but do you know where Tamara Jensen is?’ Saga asks.

The woman turns stiffly towards them and brushes her hair from her face.

‘Tamara?’ she repeats hoarsely.

‘I owe her some money,’ Jeanette says.

‘I can give it to her for you,’ the woman says, unable to hold back a smile.

Saga laughs.

‘Is she here?’

The woman points towards the back of the restaurant.

‘I’ll check,’ Saga says.

Jeanette stays by the lorries and watches Saga walk between the big vehicles, a thin silhouette against the light from the restaurant.

‘Can I ask you something?’ she says, turning back towards the prostitute.

‘Listen, I’ve already found salvation,’ the woman replies automatically, tottering once more.

The engine of the lorry beside them roars into life. It wheezes and then slowly starts to move forward, spreading hot diesel fumes. The back tyre rolls straight over a glass bottle. There’s a crash as pieces of glass fly out with considerable force. Jeanette feels her calf sting. She touches her torn tights with her fingers, then looks at them and sees that they’re covered in blood. When she straightens up again the woman has vanished.

Saga walks past the restaurant and around the public toilets and showers. The glow from the yellow petrol station sign is visible through the trees. The rear of the restaurant is littered with rubbish: old milk cartons, strips of toilet paper, and the remains of scattered food.

Tamara is sitting on the ground leaning against the wall, holding a freezer-bag over her nose and mouth.

‘Tamara?’

The woman crumples the bag and slowly lowers it. Her eyes roll backwards and a deep sigh emerges from her lips.

‘My name is Saga Bauer, and I’d like to talk to you about your best friend, Sofia Stefansson.’

Tamara looks at Saga as a string of saliva runs down her chin. Her hair is greasy and her face is grey and shut-off, like someone who’s unconscious.

‘This is my best friend,’ she says, raising the plastic bag.

‘I know you know Sofia.’

Tamara coughs. She almost topples sideways, but puts her hand down to steady herself and inhales deeply from the bag again.

‘Sofia,’ she mumbles, and nods vaguely.

‘Is she an escort?’

‘She thinks she’s better than other people, but she’s just a stupid cow who doesn’t understand anything.’

Her eyes close and her head sinks onto her chest.

‘What is it she doesn’t understand?’

‘The perks of the job,’ she whispers.

‘Have you ever seen her when she’s with clients?’

Tamara sighs and opens her eyes again. She realises that she’s got a tied condom stuck to her wrist, grabs it and throws it on the ground.

‘I’ve got a really weird taste in my mouth,’ she says, looking up at Saga. ‘If you want to get me something to drink, we can talk.’

‘OK.’

Tamara coughs again, struggles to her feet and squints at Saga.

She’s very thin. Her hands and cheeks are covered in tiny scabs, and her lips are cracked and dry. A hair slide that’s lost its ornament is hanging down over her forehead.

There’s very little about her that resembles the smiling woman on the website.

Tamara starts to move, hunched over, her head drooping. When they get inside the restaurant she stands still for a moment, swaying, as if she’s forgotten where she’s going, then walks towards the counter.

‘I want a chocolate milkshake … and French fries with ketchup … and a large Pepsi … and this,’ she says, putting a big bag of car-shaped sweets on the counter.

Jeanette Fleming is walking along close to the trucks in the direction she thinks the prostitute went. Closer to the edge of the forest it’s so dark between the vehicles that she has to hold her hands up to feel her way. The air reeks of diesel, and the lorries are radiating heat like sweating horses. She passes one cab with check-patterned blinds over the windows.

Jeanette suddenly sees the woman. She’s standing a short distance away, spitting on the ground as she knocks on one of the driver’s cabs. She leans heavily on the huge front wheel.

‘Where else have you worked?’ Jeanette asks when she catches up to her.

‘I used to work in really fancy places.’

‘Have you ever had any clients in Djursholm?’

‘I only take the best,’ the woman mumbles.

The cab door opens and a heavy man with glasses and a beard looks at them. He blows Jeanette a kiss, then looks impatiently at the other woman.

‘What do you want?’ he asks.

‘I was just wondering if you’d like some company,’ she replies.

‘You’re too ugly,’ the man says, but doesn’t close the door.

‘No, I’m not,’ she replies. It’s obvious that the man is enjoying being cruel to her.

‘So what part of you isn’t ugly?’

The woman pulls her top up, showing her pale breasts.

‘And you expect to get paid for those?’ he says, but still beckons her into the cab with his head.

26

Jeanette watches the woman clamber up into the cab and close the door behind her. She waits for a while in the darkness, listening to the creak of the springs in the seats.

Headlights sweep the ground and the shadows quickly slide away. Laughter and muffled music reach her from the other end of the lorry park.

A drunk woman shrieks somewhere, her voice angry and hoarse.

Jeanette peers under the trailer. In the distance a cigarette falls to the ground in a cascade of sparks before someone stamps it out. She detects a movement from the other direction. It looks like someone’s crawling on all fours under the lorries, heading towards her. A shiver runs down her spine. Jeanette starts to walk towards the restaurant.

Another lorry is on its way into the car park, but stops with a squeal to let her pass. The brakes wheeze. A chain clanks as it sways beneath the vehicle. Jeanette can’t see the driver, but still walks across the road through the dazzling glare of its headlights.

She looks around as she gets close to the restaurant, but there’s no one following her.

Jeanette slows down a little and decides to take her torn tights off and wash the cut on her leg before she calls Saga.

She goes over to the bathroom, but all the cubicles are occupied. The blood has congealed around the wound and run down her calf.

The thin metal door of one of the toilets swings open and a woman with bleached blonde hair emerges. She’s clutching her phone to her ear and is yelling that she had a client, and that she can’t do everything at once.

The woman disappears down the hall, waving her arms angrily.

A handwritten sign saying ‘Out of order’ has been taped to the door, but Jeanette goes in anyway and locks it behind her.

It’s a disabled toilet, with thin metal walls. The white armrest is folded up, and there’s an illuminated red alarm button close to the floor.

She takes off her torn tights and throws them away. There are lots of used condoms in the bin. There’s wet toilet paper all over the floor and the walls are covered with graffiti.

Jeanette looks at herself in the mirror, takes her powder out of her purse and leans over the sink. She can hear someone in the cubicle next to her, moving around in the confined space.

She powders her face and notices that there’s a round hole in the wall between her and the next cubicle. Maybe that’s where the toilet-roll dispenser used to be. She puts her powder away again and turns around to see that the wall is moving slightly.

Someone is leaning against it from the other side.

There’s a rustling sound and a folded banknote falls onto the floor from the hole. The wall creaks. Jeanette is about to say something when a large penis appears, dangling through the hole in front of her.

The situation is so absurd that she can’t help smiling.

A memory of something she once read about a swingers’ club in France flashes into her head, about them having rooms like this.

The man on the other side thinks she’s a prostitute.

She stands there for a moment, and swallows hard. She stares at the penis, feeling her heart beating fast in her chest, then looks at the door to make sure it’s definitely locked.

Slowly she reaches out and takes hold of the warm, thick member.

Jeanette squeezes it gently and feels it stiffen and start to rise. She gently strokes back and forth, and then lets go of it.

She has no idea why she does it, but she leans forward and takes the penis in her mouth, sucks it tentatively, feeling it swell and get stiffer. She pauses for breath, puts her hand between her thighs, pulls her underwear down and steps out of it as she massages the erect penis.

She tries to breathe quietly. She thinks she’s going to stop. She can’t do something like this. She’s crazy. Her pulse is throbbing. She turns around and holds onto the cistern with one hand. Her legs are trembling as she stands on tiptoe, bends the penis down and lets it slide into her from behind. She gasps and looks over at the lock again. The metal wall creaks as Jeanette is pushed forward, and she clings onto the cistern and pushes her backside against the cool metal.

Saga is sitting opposite Tamara in one of the booths in the restaurant, waiting while she eats a plate of French fries with ketchup on the side. A streak of snot shimmers under her nose. Beneath them traffic passes by on the highway, white lights in one direction, red in the other.

‘How well do you know Sofia Stefansson?’ Saga asks.

Tamara shrugs, and drinks some of her milkshake through the straw, sucking her cheeks in. Her forehead turns white.

‘Brain-freeze,’ she gasps when she finally lets go of the straw.

She carefully dips the fries in the ketchup and eats, smiling softly to herself.

‘Who did you say you were again?’ she asks.

‘I’m a friend of Sofia’s,’ Saga says.

‘Oh yeah.’

‘Could she have faked working as a prostitute?’

‘Faked it? What the hell do you mean? We did a job together in a building’s rubbish collection room once … she got fucked up the ass … I don’t know if that counts as faking?’

Tamara’s face suddenly goes slack again, as if she were lost in some absorbing memory.

‘Why did you stop working as an escort in Stockholm?’ Saga asks.

‘You could go a long way too … I’ve got contacts, I used to be a lingerie model … just without the lingerie,’ Tamara says, and shakes with soundless laughter.

‘You once had a client out in Djursholm, a big house facing the water. He may have said his name was Wille,’ Saga says calmly.

‘Maybe,’ Tamara says, eating the fries with her mouth open.

‘Do you remember him?’ Saga asks.

‘No,’ Tamara yawns, then wipes her hands on her skirt and tips the contents of her bag onto the table.

A hairbrush, a roll of plastic bags, a stump of mascara, condoms and perfume from Victoria’s Secret roll out across the wax tablecloth. Saga notes that Tamara has three dark-brown glass ampules of Demerol, an extremely addictive opioid. Tamara presses a Valium from a blister-pack of ten pale blue pills, and washes it down with Pepsi.

Saga waits patiently until she has swept everything back into her bag again, then takes out a photograph of the Foreign Minister.

‘I don’t give a shit about him,’ Tamara says, then purses her lips.

‘Did he speak to anyone on the phone while you were there?’

‘Seriously. He was really stressed and drank a lot. He kept going on about how the cops ought to stand to attention … he said it, like, a hundred times.’

‘That the police ought to stand to attention?’

‘Yes … and that there was a guy with two faces who was after him.’

She drinks more Pepsi and shakes the cup, making the ice-cubes rattle.

‘In what way was the guy after him?’

‘I didn’t ask.’

Tamara dips two fries in ketchup and puts them in her mouth.

‘What did he mean, two faces?’

‘I don’t know. He was drunk. Maybe he meant that the guy had two sides,’ Tamara suggests.

‘What else did he say about this man?’

‘Nothing. It wasn’t important. It was just talk.’

‘Was he going to meet him?’

‘I don’t know. He didn’t say anything about that … I just wanted him to be happy, so I got him talking about all those paintings on the walls instead.’

‘Was he violent with you?’

‘He was a gentleman,’ she replies tersely.

Tamara picks up the bag of sweets from the table, stands up and weaves over towards the door. Saga has just gone after her when her phone rings. She looks at the screen and sees that it’s Janus.

‘Bauer.’

‘We’ve been through all the security footage from the Foreign Minister’s hard-drive … thirteen cameras, two months, almost twenty thousand hours of footage,’ Janus says.

‘Is there any sign of the killer? Doing reconnaissance or something?’

‘No, but someone else is very visible in one of the recordings – you need to see this. Call me when you reach the building and I’ll come down and let you in.’

Saga knows that Janus is bipolar, and she’s worried he’s having a manic episode, he must have stopped taking his medication for some reason.

‘Do you know what time it is?’ Saga asks.

‘Who cares?’ he replies quickly.

‘I need to get some sleep. I’ll see you tomorrow,’ she says gently.

‘Sleep,’ Janus repeats, then laughs loudly. ‘I’m fine, Saga, I’m just eager to make progress, same as you.’

She walks towards the car park, looking at the traffic below, and calls Jeanette.

Sofia appears to have been working as a prostitute, just as she said. She’s probably been telling the truth all along – and is in no way connected to the murder.

So why was she allowed to live? Saga asks herself as she stops in front of the car, all too aware that they still have no idea of what the murderer wants.

27

There is a large white house with a pale thatched roof on Ceder Street outside Helsingborg. This early in the morning the surrounding parkland is draped in grey mist, but yellow light is shining from the ground-floor windows.

Nils Gilbert wakes with a start. He must have dozed off in his wheelchair. His face feels hot and his heart is pounding. The sun hasn’t risen above the treetops, and the house and park are heavily shaded.

The gloomy garden resembles the realm of the dead.

He tries to see if Ali has arrived, if he’s taken the wheelbarrow and shovel from the shed.

Just as Nils rolls over to the kitchen door to let in some fresh air, he hears an odd scraping noise. It sounds like it’s coming from the large living room. It must be the cat trying to get out.

‘Lizzy?’

The sound stops abruptly. He listens for a while, then leans back.

His hands start to shake on the armrests of the wheelchair. His legs twitch and bounce in a meaningless dance.

He hid the signs of Parkinson’s for as long as he could: the stiffness in one arm, the foot that dragged ever so slightly, the way his handwriting changed until it was so small that even he couldn’t read the microscopic scrawl.

He didn’t want Eva to notice anything.

And then she died, three years ago.

Eva had complained about being tired for several weeks.

It was a Saturday, and she had just come home from Väla with lots of heavy grocery bags. She was having trouble breathing and her chest felt tight. She said that she was probably coming down with a real stinker of a cold.

By the time she sat down on the sofa, sweat was dripping down her cheeks.

She lay down, and was already dead by the time he asked if she wanted him to turn the television on.

So now it’s just him and fat Lizzy.

He can go weeks without talking to anyone. Sometimes he worries that his voice has disappeared.

One of the few people he sees at all is the girl who looks after the pool. She walks around in jeans and a gold-coloured bikini top, and seems very uncomfortable when he tries to talk to her.

The first time he attempted to say anything to her she looked at him like he was ninety years old or had a serious mental illness.

The people who bring his food are always in a rush. They barely get his signature before hurrying away. And the physiotherapist, an angry, large-breasted woman, just does her job. She gives him curt commands and pretends not to hear his attempts to make conversation.

Only the Iranian man from the garden-maintenance company has any time for him. Ali sometimes comes in for a cup of coffee.

It’s really for his sake that Nils keeps the pool open, but he still hasn’t plucked up the courage to ask if he’d like a swim.

Ali works hard, and often gets sweaty.

Nils knows that he books him far too often, which is why the garden looks the way it does, with precisely clipped shrubs and hedges, leafy archways and perfectly swept paths.

It’s quiet. It’s always so quiet here.

Nils shivers and pushes himself over to the jukebox.

He bought it when he was twenty years old: a genuine Seeburg, made by the Swedish Sjöberg company.

He used to change the singles from time to time. He would make new labels on his typewriter and slip them in under the glass top.

He inserts the coin into the slot, hears it rattle down and activate the mechanism before rolling out into the tray again.

He’s used the same coin all these years.

He taps the buttons for C7 with his shaking hand. The machine whirrs as the record is placed on the turntable.

Nils rolls away as the fast drum intro to ‘Stargazer’ starts to play. He is thrown back in time to when he saw Rainbow live at the Concert Hall in Stockholm in the late 1970s.

The band were over an hour late starting, but when Dio walked on and started to sing ‘Kill the King’, the audience moved as one towards the stage.

Nils goes over to the big windows. Every afternoon he lowers the shades on the west-facing windows to protect his paintings from the strong light.

Through the nylon gauze the window looks even darker and greyer.

To Ali, this whole place must look like a tragic manifestation of the absence of children and grandchildren.

Nils knows that the house is ridiculously showy, that the park is overblown, and that no one ever uses the pool.

His company produces advanced electronics for radar and electronic guidance systems. He’s had good government contacts and has been able to export dual-use products for almost twenty years now.

His arms suddenly shiver.

Over the loud music he thinks he can hear a small child chanting a nursery rhyme.

He turns the wheelchair and makes his way out into the hall.

The voice is coming from the abandoned upper floor. He rolls over to the staircase that he hasn’t climbed in many years, and sees that the door to the bedroom at the top is standing ajar.

The music from the jukebox stops. There’s a clicking sound as the single is slotted back into place among the others, and then silence descends.

Nils started to be afraid of the dark six months ago, after having a nightmare about his wife. She came back from the dead, but could only stand upright because she was impaled on a rough wooden post that ran between her legs, right through her body and neck, and out through her head.

She was angry that he hadn’t done anything to help her, that he hadn’t called for an ambulance.

The bloody pole reached all the way to the floor, and Eva was forced to walk with a strange, bow-legged gait as she came after him.

Nils puts his hands on his lap. They’re twitching and shaking, darting about in exaggerated gestures.

When they are still again he tightens the strap around his waist that prevents him from sliding out of the chair.

He rolls into the living room and looks around. Everything looks the way it always does. The chandelier, the Persian rugs, the marble table and the empire-style sofa and armchairs that Eva brought from her childhood home.

The phone is no longer on the table.

Sometimes Eva’s presence in the house is so real that he thinks her older sister has a spare key and is creeping around like in some Scooby-Doo cartoon in order to scare him.

He sets off towards the kitchen again, then thinks he sees something out of the corner of his eye. He quickly turns his head and imagines he sees a face in the antique mirror, before realising that it’s just a blemish in the glass.

‘Lizzy?’ he calls out weakly.

One of the kitchen drawers clatters, and then he hears footsteps on the floor. He stops, his heart pounding, turns the chair and imagines the blood running down the pole between Eva’s legs.

He presses on silently, rolling towards the big double doors, the wheels making a faint sticky sound on the hardwood floor.

Now Eva is walking bowlegged through the kitchen. The pole is scraping across the slate floor, leaving a trail of blood before catching on the threshold to the dining room.

The stupid nursery rhyme starts up again.

The radio in the kitchen must be switched on.

The footrest of the wheelchair hits the back door with a gentle clunk.

He looks towards the closed door to the dining room.

His hands are shaking, and the stiffness in his neck makes it hard for him to lean forward and press the button controlling the shades.

With a whirr, the grey nylon fabric glides up like a theatre curtain, and the garden gradually brightens.

The garden furniture is set out. There are pine needles gathering in the folds of the cushions. The lights around the pool aren’t switched on, but mist is rising gently from the water.

As soon as the shade has risen enough, he’ll be able to open the door and go outside.

He’s decided to wait outside for Ali, ask him to look through the house. He’ll admit that he’s scared of the dark, that he leaves the lights on all night, and maybe pay him extra to stay longer.

He turns the key in the lock with shaking hands. The lock clicks and he tugs the handle and nudges the door open.

He reverses, looks over towards the dining room and sees the door slowly open.

He rolls into the patio door as hard as he can. It swings open and he catches a glimpse of a figure approaching him from behind.

Nils hears heavy footsteps as he rolls out onto the deck and feels the cool air on his face.

‘Ali, is that you?’ he calls in a frightened voice as he rolls forward. ‘Ali!’

The garden is quiet. The tool-shed is locked. The morning mist is drifting above the ground.

He tries to turn the wheelchair, but one of the tyres is caught in the crack between two slabs. Nils can hardly breathe. He tries to stop himself from shaking by pressing his hands into his armpits.

Someone is approaching him from the house and he looks back over his shoulder.

A masked man, carrying a black bag in his hand. He’s walking straight towards him, disguised as an executioner.

Nils tugs at the wheels to pull himself free.

He’s about to shout for Ali again when cold liquid drenches his head, running through his hair, down his neck, over his face and chest.

It takes just a couple of seconds for him to realise that it’s petrol.

What he thought was a black bag is actually the lawnmower’s petrol tank.

‘Please, wait, I’ve got lots of money … I promise, I can transfer all of it,’ he gasps, coughing from the fumes.

The masked man walks around and tips the last of the petrol over Nils’s chest, then drops the empty container on the ground in front of the wheelchair.

‘God, please … I’ll do anything …’

The man takes out a box of matches and says some incomprehensible words. Nils is hysterical, and he can’t make sense of what the man is saying.

‘Don’t do it, don’t do it, don’t do it …’

He tries to loosen the strap over his thighs, but it’s tangled and is now too tight to take off. His hands jerk as he tugs at it. The man calmly lights a match and tosses it onto his lap.

There’s a rush of air, and a sucking sound, like a parachute opening.

His pyjamas and hair burst into flames.

And through the blue glare he sees the masked man back away from the heat.

The childish nursery rhyme rolls through his head as the storm rages around him. He can’t get any air into his lungs. It’s as if he’s drowning, and then he feels absolute, all-encompassing pain.

He could never have imagined anything so excruciating.

He leans forwards in the foetal position and hears a metallic crackling sound, as if from a great distance, as the wheelchair starts to buckle in the heat.

Nils has time to think that it sounds like the jukebox is searching for a new disc before he loses consciousness.

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