The Clocks

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

Published by HarperCollinsPublishers Ltd

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First published in Great Britain by Collins 1963

Agatha Christie® Poirot® The Clocks™

Copyright © 1963 Agatha Christie Limited. All rights reserved

www.agathachristie.com

Cover layout design © HarperCollinsPublishers Ltd 2015

Title lettering by Ghost Design

Cover photograph © Sandra Cunningham/Trevillion Images

Agatha Christie asserts the moral right to be identified as the author of this work

A catalogue copy of this book is available from the British Library

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Source ISBN: 9780008129590

Ebook Edition © MAY 2015 ISBN: 9780007422227

Version: 2017-06-16

Dedication

To my old Friend MARIO with happy memories of delicious food at the CAPRICE

Contents

Cover

Title Page

Copyright

Dedication

PROLOGUE

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

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Also by Agatha Christie

About the Publisher

PROLOGUE

The afternoon of the 9th of September was exactly like any other afternoon. None of those who were to be concerned in the events of that day could lay claim to having had a premonition of disaster. (With the exception, that is, of Mrs Packer of 47, Wilbraham Crescent, who specialized in premonitions, and who always described at great length afterwards the peculiar forebodings and tremors that had beset her. But Mrs Packer at No. 47, was so far away from No. 19, and so little concerned with the happenings there, that it seemed unnecessary for her to have had a premonition at all.)

At the Cavendish Secretarial and Typewriting Bureau, Principal, Miss K. Martindale, September 9th had been a dull day, a day of routine. The telephone rang, typewriters clicked, the pressure of business was average, neither above nor below its usual volume. None of it was particularly interesting. Up till 2.35, September 9th might have been a day like any other day.

At 2.35 Miss Martindale’s buzzer went, and Edna Brent in the outer office answered it in her usual breathy and slightly nasal voice, as she manoeuvred a toffee along the line of her jaw.

‘Yes, Miss Martindale?’

‘Now, Edna—that is not the way I’ve told you to speak when answering the telephone. Enunciate clearly, and keep your breath behind your tone.’

‘Sorry, Miss Martindale.’

‘That’s better. You can do it when you try. Send Sheila Webb in to me.’

‘She’s not back from lunch yet, Miss Martindale.’

‘Ah.’ Miss Martindale’s eye consulted the clock on her desk. 2.36. Exactly six minutes late. Sheila Webb had been getting slack lately. ‘Send her in when she comes.’

‘Yes, Miss Martindale.’

Edna restored the toffee to the centre of her tongue and, sucking pleasurably, resumed her typing of Naked Love by Armand Levine. Its painstaking eroticism left her uninterested—as indeed it did most of Mr Levine’s readers, in spite of his efforts. He was a notable example of the fact that nothing can be duller than dull pornography. In spite of lurid jackets and provocative titles, his sales went down every year, and his last typing bill had already been sent in three times.

The door opened and Sheila Webb came in, slightly out of breath.

‘Sandy Cat’s asking for you,’ said Edna.

Sheila Webb made a face.

‘Just my luck—on the one day I’m late back!’

She smoothed down her hair, picked up pad and pencil, and knocked at the Principal’s door.

Miss Martindale looked up from her desk. She was a woman of forty-odd, bristling with efficiency. Her pompadour of pale reddish hair and her Christian name of Katherine had led to her nickname of Sandy Cat.

‘You’re late back, Miss Webb.’

‘Sorry, Miss Martindale. There was a terrific bus jam.’

‘There is always a terrific bus jam at this time of day. You should allow for it.’ She referred to a note on her pad. ‘A Miss Pebmarsh rang up. She wants a stenographer at three o’clock. She asked for you particularly. Have you worked for her before?’

‘I can’t remember doing so, Miss Martindale. Not lately anyway.’

‘The address is 19, Wilbraham Crescent.’ She paused questioningly, but Sheila Webb shook her head.

‘I can’t remember going there.’

Miss Martindale glanced at the clock.

‘Three o’clock. You can manage that easily. Have you any other appointments this afternoon? Ah, yes,’ her eye ran down the appointment book at her elbow. ‘Professor Purdy at the Curlew Hotel. Five o’clock. You ought to be back before then. If not, I can send Janet.’

She gave a nod of dismissal, and Sheila went back to the outer office.

‘Anything interesting, Sheila?’

‘Just another of those dull days. Some old pussy up at Wilbraham Crescent. And at five Professor Purdy—all those awful archaeological names! How I wish something exciting could sometimes happen.’

Miss Martindale’s door opened.

‘I see I have a memo here, Sheila. If Miss Pebmarsh is not back when you arrive, you are to go in, the door will not be latched. Go in and go into the room on the right of the hall and wait. Can you remember that or shall I write it down?’

‘I can remember it, Miss Martindale.’

Miss Martindale went back into her sanctum.

Edna Brent fished under her chair and brought up, secretly, a rather flashy shoe and a stiletto heel that had become detached from it.

‘However am I going to get home?’ she moaned.

‘Oh, do stop fussing—we’ll think of something,’ said one of the other girls, and resumed her typing.

Edna sighed and put in a fresh sheet of paper:

‘Desire had him in its grasp. With frenzied fingers he tore the fragile chiffon from her breasts and forced her down on the soap.’

‘Damn,’ said Edna and reached for the eraser.

Sheila picked up her handbag and went out.

Wilbraham Crescent was a fantasy executed by a Victorian builder in the 1880’s. It was a half-moon of double houses and gardens set back to back. This conceit was a source of considerable difficulty to persons unacquainted with the locality. Those who arrived on the outer side were unable to find the lower numbers and those who hit the inner side first were baffled as to the whereabouts of the higher numbers. The houses were neat, prim, artistically balconied and eminently respectable. Modernization had as yet barely touched them—on the outside, that is to say. Kitchens and bathrooms were the first to feel the wind of change.

There was nothing unusual about No. 19. It had neat curtains and a well-polished brass front-door handle. There were standard rose trees each side of the path leading to the front door.

Sheila Webb opened the front gate, walked up to the front door and rang the bell. There was no response and after waiting a minute or two, she did as she had been directed, and turned the handle. The door opened and she walked in. The door on the right of the small hall was ajar. She tapped on it, waited, and then walked in. It was an ordinary quite pleasant sitting-room, a little over-furnished for modern tastes. The only thing at all remarkable about it was the profusion of clocks—a grandfather clock ticking in the corner, a Dresden china clock on the mantelpiece, a silver carriage clock on the desk, a small fancy gilt clock on a whatnot near the fireplace and on a table by the window, a faded leather travelling clock, with ROSEMARY in worn gilt letters across the corner.

Sheila Webb looked at the clock on the desk with some surprise. It showed the time to be a little after ten minutes past four. Her gaze shifted to the chimney piece. The clock there said the same.

Sheila started violently as there was a whir and a click above her head, and from a wooden carved clock on the wall a cuckoo sprang out through his little door and announced loudly and definitely: Cuckoo, Cuckoo, Cuckoo! The harsh note seemed almost menacing. The cuckoo disappeared again with a snap of his door.

Sheila Webb gave a half-smile and walked round the end of the sofa. Then she stopped short, pulling up with a jerk.

Sprawled on the floor was the body of a man. His eyes were half open and sightless. There was a dark moist patch on the front of his dark grey suit. Almost mechanically Sheila bent down. She touched his cheek—cold—his hand, the same…touched the wet patch and drew her hand away sharply, staring at it in horror.

At that moment she heard the click of a gate outside, her head turned mechanically to the window. Through it she saw a woman’s figure hurrying up the path. Sheila swallowed mechanically—her throat was dry. She stood rooted to the spot, unable to move, to cry out…staring in front of her.

The door opened and a tall elderly woman entered, carrying a shopping bag. She had wavy grey hair pulled back from her forehead, and her eyes were a wide and beautiful blue. Their gaze passed unseeingly over Sheila.

Sheila uttered a faint sound, no more than a croak. The wide blue eyes came to her and the woman spoke sharply:

‘Is somebody there?’

‘I—it’s—’ The girl broke off as the woman came swiftly towards her round the back of the sofa.

And then she screamed.

‘Don’t—don’t…you’ll tread on it—him… And he’s dead…’

CHAPTER 1

Colin Lamb’s Narrative

To use police terms: at 2.59 p.m. on September 9th, I was proceeding along Wilbraham Crescent in a westerly direction. It was my first introduction to Wilbraham Crescent, and frankly Wilbraham Crescent had me baffled.

I had been following a hunch with a persistence becoming more dogged day by day as the hunch seemed less and less likely to pay off. I’m like that.

The number I wanted was 61, and could I find it? No, I could not. Having studiously followed the numbers from 1 to 35, Wilbraham Crescent then appeared to end. A thoroughfare uncompromisingly labelled Albany Road barred my way. I turned back. On the north side there were no houses, only a wall. Behind the wall, blocks of modern flats soared upwards, the entrance of them being obviously in another road. No help there.

I looked up at the numbers I was passing. 24, 23, 22, 21. Diana Lodge (presumably 20, with an orange cat on the gate post washing its face), 19—

The door of 19 opened and a girl came out of it and down the path with what seemed to be the speed of a bomb. The likeness to a bomb was intensified by the screaming that accompanied her progress. It was high and thin and singularly inhuman. Through the gate the girl came and collided with me with a force that nearly knocked me off the pavement. She did not only collide. She clutched—a frenzied desperate clutching.

‘Steady,’ I said, as I recovered my balance. I shook her slightly. ‘Steady now.’

The girl steadied. She still clutched, but she stopped screaming. Instead she gasped—deep sobbing gasps.

I can’t say that I reacted to the situation with any brilliance. I asked her if anything was the matter. Recognizing that my question was singularly feeble I amended it.

‘What’s the matter?’

The girl took a deep breath.

‘In there!’ she gestured behind her.

‘Yes?’

‘There’s a man on the floor…dead… She was going to step on him.’

‘Who was? Why?’

‘I think—because she’s blind. And there’s blood on him.’ She looked down and loosened one of her clutching hands. ‘And on me. There’s blood on me.’

‘So there is,’ I said. I looked at the stains on my coat sleeve. ‘And on me as well now,’ I pointed out. I sighed and considered the situation. ‘You’d better take me in and show me,’ I said.

But she began to shake violently.

‘I can’t—I can’t… I won’t go in there again.’

‘Perhaps you’re right.’ I looked round. There seemed nowhere very suitable to deposit a half-fainting girl. I lowered her gently to the pavement and sat her with her back against the iron railings.

‘You stay there,’ I said, ‘until I come back. I shan’t be long. You’ll be all right. Lean forward and put your head between your knees if you feel queer.’

‘I—I think I’m all right now.’

She was a little doubtful about it, but I didn’t wait to parley. I gave her a reassuring pat on the shoulder and strode off briskly up the path. I went in through the door, hesitated a moment in the hallway, looked into the door on the left, found an empty dining-room, crossed the hall and entered the sitting-room opposite.

The first thing I saw was an elderly woman with grey hair sitting in a chair. She turned her head sharply as I entered and said:

‘Who’s that?’

I realized at once that the woman was blind. Her eyes which looked directly towards me were focused on a spot behind my left ear.

I spoke abruptly and to the point.

‘A young woman rushed out into the street saying there was a dead man in here.’

I felt a sense of absurdity as I said the words. It did not seem possible that there should be a dead man in this tidy room with this calm woman sitting in her chair with her hands folded.

But her answer came at once.

‘Behind the sofa,’ she said.

I moved round the angle of the sofa. I saw it then—the outflung arms—the glazed eyes—the congealing patch of blood.

‘How did this happen?’ I asked abruptly.

‘I don’t know.’

‘But—surely. Who is he?’

‘I have no idea.’

‘We must get the police.’ I looked round. ‘Where’s the telephone?’

‘I have not got a telephone.’

I concentrated upon her more closely.

‘You live here? This is your house?’

‘Yes.’

‘Can you tell me what happened?’

‘Certainly. I came in from shopping—’ I noted the shopping bag flung on a chair near the door. ‘I came in here. I realized at once there was someone in the room. One does very easily when one is blind. I asked who was there. There was no answer—only the sound of someone breathing rather quickly. I went towards the sound—and then whoever it was cried out—something about someone being dead and that I was going to tread on him. And then whoever it was rushed past me out of the room screaming.’

I nodded. Their stories clicked.

‘And what did you do?’

‘I felt my way very carefully until my foot touched an obstacle.’

‘And then?’

‘I knelt down. I touched something—a man’s hand. It was cold—there was no pulse… I got up and came over here and sat down—to wait. Someone was bound to come in due course. The young woman, whoever she was, would give the alarm. I thought I had better not leave the house.’

I was impressed with the calm of this woman. She had not screamed, or stumbled panic-stricken from the house. She had sat down calmly to wait. It was the sensible thing to do, but it must have taken some doing.

Her voice inquired:

‘Who exactly are you?’

‘My name is Colin Lamb. I happened to be passing by.’

‘Where is the young woman?’

‘I left her propped up by the gate. She’s suffering from shock. Where is the nearest telephone?’

‘There is a call-box about fifty yards down the road just before you come to the corner.’

‘Of course. I remember passing it. I’ll go and ring the police. Will you—’ I hesitated.

I didn’t know whether to say ‘Will you remain here?’ or to make it ‘Will you be all right?’

She relieved me from my choice.

‘You had better bring the girl into the house,’ she said decisively.

‘I don’t know that she will come,’ I said doubtfully.

‘Not into this room, naturally. Put her in the dining-room the other side of the hall. Tell her I am making some tea.’

She rose and came towards me.

‘But—can you manage—’

A faint grim smile showed for a moment on her face.

‘My dear young man. I have made meals for myself in my own kitchen ever since I came to live in this house—fourteen years ago. To be blind is not necessarily to be helpless.’

‘I’m sorry. It was stupid of me. Perhaps I ought to know your name?’

‘Millicent Pebmarsh—Miss.’

I went out and down the path. The girl looked up at me and began to struggle to her feet.

‘I—I think I’m more or less all right now.’

I helped her up, saying cheerfully:

‘Good.’

‘There—there was a dead man in there, wasn’t there?’

I agreed promptly.

‘Certainly there was. I’m just going down to the telephone box to report it to the police. I should wait in the house if I were you.’ I raised my voice to cover her quick protest. ‘Go into the dining-room—on the left as you go in. Miss Pebmarsh is making a cup of tea for you.’

‘So that was Miss Pebmarsh? And she’s blind?’

‘Yes. It’s been a shock to her, too, of course, but she’s being very sensible. Come on, I’ll take you in. A cup of tea will do you good whilst you are waiting for the police to come.’

I put an arm round her shoulders and urged her up the path. I settled her comfortably by the dining-room table, and hurried off again to telephone.

An unemotional voice said, ‘Crowdean Police Station.’

‘Can I speak to Detective Inspector Hardcastle?’

The voice said cautiously:

‘I don’t know whether he is here. Who is speaking?’

‘Tell him it’s Colin Lamb.’

‘Just a moment, please.’

I waited. Then Dick Hardcastle’s voice spoke.

‘Colin? I didn’t expect you yet awhile. Where are you?’

‘Crowdean. I’m actually in Wilbraham Crescent. There’s a man lying dead on the floor of Number 19, stabbed I should think. He’s been dead approximately half an hour or so.’

‘Who found him. You?’

‘No, I was an innocent passer-by. Suddenly a girl came flying out of the house like a bat out of hell. Nearly knocked me down. She said there was a dead man on the floor and a blind woman was trampling on him.’

‘You’re not having me on, are you?’ Dick’s voice asked suspiciously.

‘It does sound fantastic, I admit. But the facts seem to be as stated. The blind woman is Miss Millicent Pebmarsh who owns the house.’

‘And was she trampling on the dead man?’

‘Not in the sense you mean it. It seems that being blind she just didn’t know he was there.’

‘I’ll set the machinery in motion. Wait for me there. What have you done with the girl?’

‘Miss Pebmarsh is making her a cup of tea.’

Dick’s comment was that it all sounded very cosy.

CHAPTER 2

At 19, Wilbraham Crescent the machinery of the Law was in possession. There was a police surgeon, a police photographer, fingerprint men. They moved efficiently, each occupied with his own routine.

Finally came Detective Inspector Hardcastle, a tall, poker-faced man with expressive eyebrows, godlike, to see that all he had put in motion was being done, and done properly. He took a final look at the body, exchanged a few brief words with the police surgeon and then crossed to the dining-room where three people sat over empty tea-cups. Miss Pebmarsh, Colin Lamb and a tall girl with brown curling hair and wide, frightened eyes. ‘Quite pretty,’ the inspector noted, parenthetically as it were.

He introduced himself to Miss Pebmarsh.

‘Detective Inspector Hardcastle.’

He knew a little about Miss Pebmarsh, though their paths had never crossed professionally. But he had seen her about, and he was aware that she was an ex-school teacher, and that she had a job connected with the teaching of Braille at the Aaronberg Institute for handicapped children. It seemed wildly unlikely that a man should be found murdered in her neat, austere house—but the unlikely happened more often than one would be disposed to believe.

‘This is a terrible thing to have happened, Miss Pebmarsh,’ he said. ‘I’m afraid it must have been a great shock to you. I’ll need to get a clear statement of exactly what occurred from you all. I understand that it was Miss—’ he glanced quickly at the note-book the constable had handed him, ‘Sheila Webb who actually discovered the body. If you’ll allow me to use your kitchen, Miss Pebmarsh, I’ll take Miss Webb in there where we can be quiet.’

He opened the connecting door from the dining-room to the kitchen and waited until the girl had passed through. A young plain-clothes detective was already established in the kitchen, writing unobtrusively at a Formica-topped small table.

‘This chair looks comfortable,’ said Hardcastle, pulling forward a modernized version of a Windsor chair.

Sheila Webb sat down nervously, staring at him with large frightened eyes.

Hardcastle very nearly said: ‘I shan’t eat you, my dear,’ but repressed himself, and said instead:

‘There’s nothing to worry about. We just want to get a clear picture. Now your name is Sheila Webb—and your address?’

‘14, Palmerstone Road—beyond the gasworks.’

‘Yes, of course. And you are employed, I suppose?’

‘Yes. I’m a shorthand typist—I work at Miss Martindale’s Secretarial Bureau.’

‘The Cavendish Secretarial and Typewriting Bureau—that’s its full name, isn’t it?’

‘That’s right.’

‘And how long have you been working there?’

‘About a year. Well, ten months actually.’

‘I see. Now just tell me in your own words how you came to be at 19, Wilbraham Crescent today.’

‘Well, it was this way.’ Sheila Webb was speaking now with more confidence. ‘This Miss Pebmarsh rang up the Bureau and asked for a stenographer to be here at three o’clock. So when I came back from lunch Miss Martindale told me to go.’

‘That was just routine, was it? I mean—you were the next on the list—or however you arrange these things?’

‘Not exactly. Miss Pebmarsh had asked for me specially.’

‘Miss Pebmarsh had asked for you specially.’ Hardcastle’s eyebrows registered this point. ‘I see… Because you had worked for her before?’

‘But I hadn’t,’ said Sheila quickly.

‘You hadn’t? You’re quite sure of that?’

‘Oh, yes, I’m positive. I mean, she’s not the sort of person one would forget. That’s what seems so odd.’

‘Quite. Well, we won’t go into that just now. You reached here when?’

‘It must have been just before three o’clock, because the cuckoo clock—’ she stopped abruptly. Her eyes widened. ‘How queer. How very queer. I never really noticed at the time.’

‘What didn’t you notice, Miss Webb?’

‘Why—the clocks.’

‘What about the clocks?’

‘The cuckoo clock struck three all right, but all the others were about an hour fast. How very odd!’

‘Certainly very odd,’ agreed the inspector. ‘Now when did you first notice the body?’

‘Not till I went round behind the sofa. And there it—he—was. It was awful, yes awful…’

‘Awful, I agree. Now did you recognize the man? Was it anyone you had seen before?’

‘Oh no.’

‘You’re quite sure of that? He might have looked rather different from the way he usually looked, you know. Think carefully. You’re quite sure he was someone you’d never seen before?’

‘Quite sure.’

‘Right. That’s that. And what did you do?’

‘What did I do?’

‘Yes.’

‘Why—nothing…nothing at all. I couldn’t.’

‘I see. You didn’t touch him at all?’

‘Yes—yes I did. To see if—I mean—just to see—But he was—quite cold—and—and I got blood on my hand. It was horrible—thick and sticky.’

She began to shake.

‘There, there,’ said Hardcastle in an avuncular fashion. ‘It’s all over now, you know. Forget about the blood. Go on to the next thing. What happened next?’

‘I don’t know… Oh, yes, she came home.’

‘Miss Pebmarsh, you mean?’

‘Yes. Only I didn’t think about her being Miss Pebmarsh then. She just came in with a shopping basket.’ Her tone underlined the shopping basket as something incongruous and irrelevant.

‘And what did you say?’

‘I don’t think I said anything… I tried to, but I couldn’t. I felt all choked up here.’ She indicated her throat.

The inspector nodded.

‘And then—and then—she said: “Who’s there?” and she came round the back of the sofa and I thought—I thought she was going to—to tread on It. And I screamed… And once I began I couldn’t stop screaming, and somehow I got out of the room and through the front door—’

‘Like a bat out of hell,’ the inspector remembered Colin’s description.

Sheila Webb looked at him out of miserable frightened eyes and said rather unexpectedly:

‘I’m sorry.’

‘Nothing to be sorry about. You’ve told your story very well. There’s no need to think about it any more now. Oh, just one point, why were you in that room at all?’

‘Why?’ She looked puzzled.

‘Yes. You’d arrived here, possibly a few minutes early, and you’d pushed the bell, I suppose. But if nobody answered, why did you come in?’

‘Oh that. Because she told me to.’

‘Who told you to?’

‘Miss Pebmarsh did.’

‘But I thought you hadn’t spoken to her at all.’

‘No, I hadn’t. It was Miss Martindale she said it to—that I was to come in and wait in the sitting-room on the right of the hall.’

Hardcastle said: ‘Indeed’ thoughtfully.

Sheila Webb asked timidly:

‘Is—is that all?’

‘I think so. I’d like you to wait here about ten minutes longer, perhaps, in case something arises I might want to ask you about. After that, I’ll send you home in a police car. What about your family—you have a family?’

‘My father and mother are dead. I live with an aunt.’

‘And her name is?’

‘Mrs Lawton.’

The inspector rose and held out his hand.

‘Thank you very much, Miss Webb,’ he said. ‘Try and get a good night’s rest tonight. You’ll need it after what you’ve been through.’

She smiled at him timidly as she went through the door into the dining-room.

‘Look after Miss Webb, Colin,’ the inspector said. ‘Now, Miss Pebmarsh, can I trouble you to come in here?’

Hardcastle had half held out a hand to guide Miss Pebmarsh, but she walked resolutely past him, verified a chair against the wall with a touch of her fingertips, drew it out a foot and sat down.

Hardcastle closed the door. Before he could speak, Millicent Pebmarsh said abruptly:

‘Who’s that young man?’

‘His name is Colin Lamb.’

‘So he informed me. But who is he? Why did he come here?’

Hardcastle looked at her in faint surprise.

‘He happened to be walking down the street when Miss Webb rushed out of this house screaming murder. After coming in and satisfying himself as to what had occurred he rang us up, and was asked to come back here and wait.’

‘You spoke to him as Colin.’

‘You are very observant, Miss Pebmarsh—(observant? hardly the word. And yet none other fitted)—Colin Lamb is a friend of mine, though it is some time since I have seen him.’ He added: ‘He’s a marine biologist.’

‘Oh! I see.’

‘Now, Miss Pebmarsh, I shall be glad if you can tell me anything about this rather surprising affair.’

‘Willingly. But there is very little to tell.’

‘You have resided here for some time, I believe?’

‘Since 1950. I am—was—a schoolmistress by profession. When I was told nothing could be done about my failing eyesight and that I should shortly go blind, I applied myself to become a specialist in Braille and various techniques for helping the blind. I have a job here at the Aaronberg Institute for Blind and Handicapped children.’

‘Thank you. Now as to the events of this afternoon. Were you expecting a visitor?’

‘No.’

‘I will read you a description of the dead man to see if it suggests to you anyone in particular. Height five feet nine to ten, age approximately sixty, dark hair going grey, brown eyes, clean shaven, thin face, firm jaw. Well nourished but not fat. Dark grey suit, well-kept hands. Might be a bank clerk, an accountant, a lawyer, or a professional man of some kind. Does that suggest to you anyone that you know?’

Millicent Pebmarsh considered carefully before replying.

‘I can’t say that it does. Of course it’s a very generalized description. It would fit quite a number of people. It might be someone I have seen or met on some occasion, but certainly not anyone I know well.’

‘You have not received any letter lately from anyone proposing to call upon you?’

‘Definitely not.’

‘Very good. Now, you rang up the Cavendish Secretarial Bureau and asked for the services of a stenographer and—’

She interrupted him.

‘Excuse me. I did nothing of the kind.’

‘You did not ring up the Cavendish Secretarial Bureau and ask—’ Hardcastle stared.

‘I don’t have a telephone in the house.’

‘There is a call-box at the end of the street,’ Inspector Hardcastle pointed out.

‘Yes, of course. But I can only assure you, Inspector Hardcastle, that I had no need for a stenographer and did not—repeat not—ring up this Cavendish place with any such request.’

‘You did not ask for Miss Sheila Webb particularly?’

‘I have never heard that name before.’

Hardcastle stared at her, astonished.

‘You left the front door unlocked,’ he pointed out.

‘I frequently do so in the daytime.’

‘Anybody might walk in.’

‘Anybody seems to have done so in this case,’ said Miss Pebmarsh drily.

‘Miss Pebmarsh, this man according to the medical evidence died roughly between 1.30 and 2.45. Where were you yourself then?’

Miss Pebmarsh reflected.

‘At 1.30 I must either have left or been preparing to leave the house. I had some shopping to do.’

‘Can you tell me exactly where you went?’

‘Let me see. I went to the post office, the one in Albany Road, posted a parcel, got some stamps, then I did some household shopping, yes and I got some patent fasteners and safety pins at the drapers, Field and Wren. Then I returned here. I can tell you exactly what the time was. My cuckoo clock cuckooed three times as I came to the gate. I can hear it from the road.’

‘And what about your other clocks?’

‘I beg your pardon?’

‘Your other clocks seem all to be just over an hour fast.’

‘Fast? You mean the grandfather clock in the corner?’

‘Not that only—all the other clocks in the sitting-room are the same.’

‘I don’t understand what you mean by the “other clocks”. There are no other clocks in the sitting-room.’

CHAPTER 3

Hardcastle stared.

‘Oh come, Miss Pebmarsh. What about that beautiful Dresden china clock on the mantelpiece? And a small French clock—ormolu. And a silver carriage clock, and—oh yes, the clock with “Rosemary” across the corner.’

It was Miss Pebmarsh’s turn to stare.

‘Either you or I must be mad, Inspector. I assure you I have no Dresden china clock, no—what did you say—clock with “Rosemary” across it—no French ormolu clock and—what was the other one?’

‘Silver carriage clock,’ said Hardcastle mechanically.

‘Not that either. If you don’t believe me, you can ask the woman who comes to clean for me. Her name is Mrs Curtin.’

Detective Inspector Hardcastle was taken aback. There was a positive assurance, a briskness in Miss Pebmarsh’s tone that carried conviction. He took a moment or two turning over things in his mind. Then he rose to his feet.

‘I wonder, Miss Pebmarsh, if you would mind accompanying me into the next room?’

‘Certainly. Frankly, I would like to see those clocks myself.’

‘See?’ Hardcastle was quick to query the word.

‘Examine would be a better word,’ said Miss Pebmarsh, ‘but even blind people, Inspector, use conventional modes of speech that do not exactly apply to their own powers. When I say I would like to see those clocks, I mean I would like to examine and feel them with my own fingers.’

Followed by Miss Pebmarsh, Hardcastle went out of the kitchen, crossed the small hall and into the sitting-room. The fingerprint man looked up at him.

‘I’ve about finished in here, sir,’ he said. ‘You can touch anything you like.’

Hardcastle nodded and picked up the small travelling clock with ‘Rosemary’ written across the corner. He put it into Miss Pebmarsh’s hands. She felt it over carefully.

‘It seems an ordinary travelling clock,’ she said, ‘the leather folding kind. It is not mine, Inspector Hardcastle, and it was not in this room, I am fairly sure I can say, when I left the house at half past one.’

‘Thank you.’

The inspector took it back from her. Carefully he lifted the small Dresden clock from the mantelpiece.

‘Be careful of this,’ he said, as he put it into her hands, ‘it’s breakable.’

Millicent Pebmarsh felt the small china clock with delicate probing fingertips. Then she shook her head. ‘It must be a charming clock,’ she said, ‘but it’s not mine. Where was it, do you say?’

‘On the right hand side of the mantelpiece.’

‘There should be one of a pair of china candlesticks there,’ said Miss Pebmarsh.

‘Yes,’ said Hardcastle, ‘there is a candlestick there, but it’s been pushed to the end.’

‘You say there was still another clock?’

‘Two more.’

Hardcastle took back the Dresden china clock and gave her the small French gilt ormolu one. She felt it over rapidly, then handed it back to him.

‘No. That is not mine either.’

He handed her the silver one and that, too, she returned.

‘The only clocks ordinarily in this room are a grandfather clock there in that corner by the window—’

‘Quite right.’

‘—and a cuckoo on the wall near the door.’

Hardcastle found it difficult to know exactly what to say next. He looked searchingly at the woman in front of him with the additional security of knowing that she could not return his survey. There was a slight frown as of perplexity on her forehead. She said sharply:

‘I can’t understand it. I simply can’t understand it.’

She stretched out one hand, with the easy knowledge of where she was in the room, and sat down. Hardcastle looked at the fingerprint man who was standing by the door.

‘You’ve been over these clocks?’ he asked.

‘I’ve been over everything, sir. No dabs on the gilt clock, but there wouldn’t be. The surface wouldn’t take it. The same goes for the china one. But there are no dabs on the leather travelling clock or the silver one and that is a bit unlikely if things were normal—there ought to be dabs. By the way, none of them are wound up and they are all set to the same time—thirteen minutes past four.’

‘What about the rest of the room?’

‘There are about three or four different sets of prints in the room, all women’s, I should say. The contents of the pockets are on the table.’

By an indication of his head he drew attention to a small pile of things on a table. Hardcastle went over and looked at them. There was a notecase containing seven pounds ten, a little loose change, a silk pocket handkerchief, unmarked, a small box of digestive pills and a printed card. Hardcastle bent to look at it.

Mr R. H. Curry,

Metropolis and Provincial Insurance Co. Ltd

7, Denvers Street,

London, W2.

Hardcastle came back to the sofa where Miss Pebmarsh sat.

‘Were you by any chance expecting someone from an insurance company to call upon you?’

‘Insurance company? No, certainly not.’

‘The Metropolis and Provincial Insurance Company,’ said Hardcastle.

Miss Pebmarsh shook her head. ‘I’ve never heard of it,’ she said.

‘You were not contemplating taking out insurance of any kind?’

‘No, I was not. I am insured against fire and burglary with the Jove Insurance Company which has a branch here. I carry no personal insurance. I have no family or near relations so I see no point in insuring my life.’

‘I see,’ said Hardcastle. ‘Does the name of Curry mean anything to you? Mr R. H. Curry?’ He was watching her closely. He saw no reaction in her face.

‘Curry,’ she repeated the name, then shook her head. ‘It’s not a very usual name, is it? No, I don’t think I’ve heard the name or known anyone of that name. Is that the name of the man who is dead?’

‘It would seem possible,’ said Hardcastle.

Miss Pebmarsh hesitated a moment. Then she said:

‘Do you want me to—to—touch—’

He was quick to understand her.

‘Would you, Miss Pebmarsh? If it’s not asking too much of you, that is? I’m not very knowledgeable in these matters, but your fingers will probably tell you more accurately what a person looks like than you would know by description.’

‘Exactly,’ said Miss Pebmarsh. ‘I agree it is not a very pleasant thing to have to do but I am quite willing to do it if you think it might be a help to you.’

‘Thank you,’ said Hardcastle. ‘If you will let me guide you—’

He took her round the sofa, indicated to her to kneel down, then gently guided her hands to the dead man’s face. She was very calm, displaying no emotion. Her fingers traced the hair, the ears, lingering a moment behind the left ear, the line of the nose, mouth and chin. Then she shook her head and got up.

‘I have a clear idea what he would look like,’ she said, ‘but I am quite sure that it is no one I have seen or known.’

The fingerprint man had packed up his kit and gone out of the room. He stuck his head back in.

‘They’ve come for him,’ he said, indicating the body. ‘All right to take him away?’

‘Right,’ said Inspector Hardcastle. ‘Just come and sit over here, will you, Miss Pebmarsh?’

He established her in a corner chair. Two men came into the room. The removal of the late Mr Curry was rapid and professional. Hardcastle went out to the gate and then returned to the sitting-room. He sat down near Miss Pebmarsh.

‘This is an extraordinary business, Miss Pebmarsh,’ he said. ‘I’d like to run over the main points with you and see if I’ve got it right. Correct me if I am wrong. You expected no visitors today, you’ve made no inquiries re insurance of any kind and you have received no letter from anyone stating that a representative of an insurance company was going to call upon you today. Is that correct?’

‘Quite correct.’

‘You did not need the services of a shorthand typist or stenographer and you did not ring up the Cavendish Bureau or request that one should be here at three o’clock.’

‘That again is correct.’

‘When you left the house at approximately 1.30, there were in this room only two clocks, the cuckoo clock and the grandfather clock. No others.’

About to reply, Miss Pebmarsh checked herself.

‘If I am to be absolutely accurate, I could not swear to that statement. Not having my sight I would not notice the absence or presence of anything not usually in the room. That is to say, the last time I can be sure of the contents of this room was when I dusted it early this morning. Everything then was in its place. I usually do this room myself as cleaning women are apt to be careless with ornaments.’

‘Did you leave the house at all this morning?’

‘Yes. I went at ten o’clock as usual to the Aaronberg Institute. I have classes there until twelve-fifteen. I returned here at about quarter to one, made myself some scrambled eggs in the kitchen and a cup of tea and went out again, as I have said, at half past one. I ate my meal in the kitchen, by the way, and did not come into this room.’

‘I see,’ said Hardcastle. ‘So while you can say definitely that at ten o’clock this morning there were no superfluous clocks here, they could possibly have been introduced some time during the morning.’

‘As to that you would have to ask my cleaning woman, Mrs Curtin. She comes here about ten and usually leaves about twelve o’clock. She lives at 17, Dipper Street.’

‘Thank you, Miss Pebmarsh. Now we are left with these following facts and this is where I want you to give me any ideas or suggestions that occur to you. At some time during today four clocks were brought here. The hands of these four clocks were set at thirteen minutes past four. Now does that time suggest anything to you?’

‘Thirteen minutes past four.’ Miss Pebmarsh shook her head. ‘Nothing at all.’

‘Now we pass from the clocks to the dead man. It seems unlikely that he would have been let in by your cleaning woman and left in the house by her unless you had told her you were expecting him, but that we can learn from her. He came here presumably to see you for some reason, either a business one or a private one. Between one-thirty and two-forty-five he was stabbed and killed. If he came here by appointment, you say you know nothing of it. Presumably he was connected with insurance—but there again you cannot help us. The door was unlocked so he could have come in and sat down to wait for you—but why?’

‘The whole thing’s daft,’ said Miss Pebmarsh impatiently. ‘So you think that this—what’s-his-name Curry—brought those clocks with him?’

‘There’s no sign of a container anywhere,’ said Hardcastle. ‘He could hardly have brought four clocks in his pockets. Now Miss Pebmarsh, think very carefully. Is there any association in your mind, any suggestion you could possibly make about anything to do with clocks, or if not with clocks, say with time. 4.13. Thirteen minutes past four?’

She shook her head.

‘I’ve been trying to say to myself that it is the work of a lunatic or that somebody came to the wrong house. But even that doesn’t really explain anything. No, Inspector, I can’t help you.’

A young constable looked in. Hardcastle went to join him in the hall and from there went down to the gate. He spoke for a few minutes to the men.

‘You can take the young lady home now,’ he said, ‘14, Palmerston Road is the address.’

He went back and into the dining-room. Through the open door to the kitchen he could hear Miss Pebmarsh busy at the sink. He stood in the doorway.

‘I shall want to take those clocks, Miss Pebmarsh. I’ll leave you a receipt for them.’

‘That will be quite all right, Inspector—they don’t belong to me—’

Hardcastle turned to Sheila Webb.

‘You can go home now, Miss Webb. The police car will take you.’

Sheila and Colin rose.

‘Just see her into the car, will you, Colin?’ said Hardcastle as he pulled a chair to the table and started to scribble a receipt.

Colin and Sheila went out and started down the path. Sheila paused suddenly.

‘My gloves—I left them—’

‘I’ll get them.’

‘No—I know just where I put them. I don’t mind now—now that they’ve taken it away.’

She ran back and rejoined him a moment or two later.

‘I’m sorry I was so silly—before.’

‘Anybody would have been,’ said Colin.

Hardcastle joined them as Sheila entered the car. Then, as it drove away, he turned to the young constable.

‘I want those clocks in the sitting-room packed up carefully—all except the cuckoo clock on the wall and the big grandfather clock.’

He gave a few more directions and then turned to his friend.

‘I’m going places. Want to come?’

‘Suits me,’ said Colin.

CHAPTER 4

Colin Lamb’s Narrative

‘Where do we go?’ I asked Dick Hardcastle.

He spoke to the driver.

‘Cavendish Secretarial Bureau. It’s on Palace Street, up towards the Esplanade on the right.’

‘Yes, sir.’

The car drew away. There was quite a little crowd by now, staring with fascinated interest. The orange cat was still sitting on the gate post of Diana Lodge next door. He was no longer washing his face but was sitting up very straight, lashing his tail slightly, and gazing over the heads of the crowd with that complete disdain for the human race that is the special prerogative of cats and camels.

‘The Secretarial Bureau, and then the cleaning woman, in that order,’ said Hardcastle, ‘because the time is getting on.’ He glanced at his watch. ‘After four o’clock.’ He paused before adding, ‘Rather an attractive girl?’

‘Quite,’ I said.

He cast an amused look in my direction.

‘But she told a very remarkable story. The sooner it’s checked up on, the better.’

‘You don’t think that she—’

He cut me short.

‘I’m always interested in people who find bodies.’

‘But that girl was half mad with fright! If you had heard the way she was screaming…’

He gave me another of his quizzical looks and repeated that she was a very attractive girl.

‘And how did you come to be wandering about in Wilbraham Crescent, Colin? Admiring our genteel Victorian architecture? Or had you a purpose?’

‘I had a purpose. I was looking for Number 61—and I couldn’t find it. Possibly it doesn’t exist?’

‘It exists all right. The numbers go up to—88, I think.’

‘But look here, Dick, when I came to Number 28, Wilbraham Crescent just petered out.’

‘It’s always puzzling to strangers. If you’d turned to the right up Albany Road and then turned to the right again you’d have found yourself in the other half of Wilbraham Crescent. It’s built back to back, you see. The gardens back on each other.’

‘I see,’ I said, when he had explained this peculiar geography at length. ‘Like those Squares and Gardens in London. Onslow Square, isn’t it? Or Cadogan. You start down one side of a square, and then it suddenly becomes a Place or Gardens. Even taxis are frequently baffled. Anyway, there is a 61. Any idea who lives there?’

‘61? Let me see… Yes, that would be Bland the builder.’

‘Oh dear,’ I said. ‘That’s bad.’

‘You don’t want a builder?’

‘No. I don’t fancy a builder at all. Unless—perhaps he’s only just come here recently—just started up?’

‘Bland was born here, I think. He’s certainly a local man—been in business for years.’

‘Very disappointing.’

‘He’s a very bad builder,’ said Hardcastle encouragingly. ‘Uses pretty poor materials. Puts up the kind of houses that look more or less all right until you live in them, then everything falls down or goes wrong. Sails fairly near the wind sometimes. Sharp practice—but just manages to get away with it.’

‘It’s no good tempting me, Dick. The man I want would almost certainly be a pillar of rectitude.’

‘Bland came into a lot of money about a year ago—or rather his wife did. She’s a Canadian, came over here in the war and met Bland. Her family didn’t want her to marry him, and more or less cut her off when she did. Then last year a great-uncle died, his only son had been killed in an air crash and what with war casualties and one thing and another, Mrs Bland was the only one left of the family. So he left his money to her. Just saved Bland from going bankrupt, I believe.’

‘You seem to know a lot about Mr Bland.’

‘Oh that—well, you see, the Inland Revenue are always interested when a man suddenly gets rich overnight. They wonder if he’s been doing a little fiddling and salting away—so they check up. They checked and it was all O.K.’

‘In any case,’ I said, ‘I’m not interested in a man who has suddenly got rich. It’s not the kind of set-up that I’m looking for.’

‘No? You’ve had that, haven’t you?’

I nodded.

‘And finished with it? Or—not finished with it?’

‘It’s something of a story,’ I said evasively. ‘Are we dining together tonight as planned—or will this business put paid to that?’

‘No, that will be all right. At the moment the first thing to do is set the machinery in motion. We want to find out all about Mr Curry. In all probability once we know just who he is and what he does, we’ll have a pretty good idea as to who wanted him out of the way.’ He looked out of the window. ‘Here we are.’

The Cavendish Secretarial and Typewriting Bureau was situated in the main shopping street, called rather grandly Palace Street. It had been adapted, like many other of the establishments there, from a Victorian house. To the right of it a similar house displayed the legend Edwin Glen, Artist Photographer. Specialist, Children’s Photographs, Wedding Groups, etc. In support of this statement the window was filled with enlargements of all sizes and ages of children, from babies to six-year-olds. These presumably were to lure in fond mammas. A few couples were also represented. Bashful looking young men with smiling girls. On the other side of the Cavendish Secretarial Bureau were the offices of an old-established and old-fashioned coal merchant. Beyond that again the original old-fashioned houses had been pulled down and a glittering three-storey building proclaimed itself as the Orient Café and Restaurant.

Hardcastle and I walked up the four steps, passed through the open front door and obeying the legend on a door on the right which said ‘Please Enter,’ entered. It was a good-sized room, and three young women were typing with assiduity. Two of them continued to type, paying no attention to the entrance of strangers. The third one who was typing at a table with a telephone, directly opposite the door, stopped and looked at us inquiringly. She appeared to be sucking a sweet of some kind. Having arranged it in a convenient position in her mouth, she inquired in faintly adenoidal tones:

‘Can I help you?’

‘Miss Martindale?’ said Hardcastle.

‘I think she’s engaged at the moment on the telephone—’ At that moment there was a click and the girl picked up the telephone receiver and fiddled with a switch, and said: ‘Two gentlemen to see you, Miss Martindale.’ She looked at us and asked, ‘Can I have your names, please?’

‘Hardcastle,’ said Dick.

‘A Mr Hardcastle, Miss Martindale.’ She replaced the receiver and rose. ‘This way, please,’ she said, going to a door which bore the name MISS MARTINDALE on a brass plate. She opened the door, flattened herself against it to let us pass, said, ‘Mr Hardcastle,’ and shut the door behind us.

Miss Martindale looked up at us from a large desk behind which she was sitting. She was an efficient-looking woman of about fifty with a pompadour of pale red hair and an alert glance.

She looked from one to the other of us.

‘Mr Hardcastle?’

Dick took out one of his official cards and handed it to her. I effaced myself by taking an upright chair near the door.

Miss Martindale’s sandy eyebrows rose in surprise and a certain amount of displeasure.

‘Detective Inspector Hardcastle? What can I do for you, Inspector?’

‘I have come to you to ask for a little information, Miss Martindale. I think you may be able to help me.’

From his tone of voice, I judged that Dick was going to play it in a roundabout way, exerting charm. I was rather doubtful myself whether Miss Martindale would be amenable to charm. She was of the type that the French label so aptly a femme formidable.

I was studying the general layout. On the walls above Miss Martindale’s desk was hung a collection of signed photographs. I recognized one as that of Mrs Ariadne Oliver, detective writer, with whom I was slightly acquainted. Sincerely yours, Ariadne Oliver, was written across it in a bold black hand. Yours gratefully, Garry Gregson adorned another photograph of a thriller writer who had died about sixteen years ago. Yours ever, Miriam adorned the photograph of Miriam Hogg, a woman writer who specialized in romance. Sex was represented by a photograph of a timid-looking balding man, signed in tiny writing, Gratefully, Armand Levine. There was a sameness about these trophies. The men mostly held pipes and wore tweeds, the women looked earnest and tended to fade into furs.

Whilst I was using my eyes, Hardcastle was proceeding with his questions.

‘I believe you employ a girl called Sheila Webb?’

‘That is correct. I am afraid she is not here at present—at least—’

She touched a buzzer and spoke to the outer office.

‘Edna, has Sheila Webb come back?’

‘No, Miss Martindale, not yet.’

Miss Martindale switched off.

‘She went out on an assignment earlier this afternoon,’ she explained. ‘I thought she might have been back by now. It is possible she has gone on to the Curlew Hotel at the end of the Esplanade where she had an appointment at five o’clock.’

‘I see,’ said Hardcastle. ‘Can you tell me something about Miss Sheila Webb?’

‘I can’t tell you very much,’ said Miss Martindale. ‘She has been here for—let me see, yes, I should say close on a year now. Her work has proved quite satisfactory.’

‘Do you know where she worked before she came to you?’

‘I dare say I could find out for you if you specially want the information, Inspector Hardcastle. Her references will be filed somewhere. As far as I can remember off-hand, she was formerly employed in London and had quite a good reference from her employers there. I think, but I am not sure, that it was some business firm—estate agents possibly, that she worked for.’

‘You say she is good at her job?’

‘Fully adequate,’ said Miss Martindale, who was clearly not one to be lavish with praise.

‘Not first-class?’

‘No, I should not say that. She has good average speed and is tolerably well educated. She is a careful and accurate typist.’

‘Do you know her personally, apart from your official relations?’

‘No. She lives, I believe, with an aunt.’ Here Miss Martindale got slightly restive. ‘May I ask, Inspector Hardcastle, why you are asking all these questions? Has the girl got herself into trouble in any way?’

‘I would not quite say that, Miss Martindale. Do you know a Miss Millicent Pebmarsh?’

‘Pebmarsh,’ said Miss Martindale, wrinkling her sandy brows. ‘Now when—oh, of course. It was to Miss Pebmarsh’s house that Sheila went this afternoon. The appointment was for three o’clock.’

‘How was that appointment made, Miss Martindale?’

‘By telephone. Miss Pebmarsh rang up and said she wanted the services of a shorthand typist and would I send her Miss Webb.’

‘She asked for Sheila Webb particularly?’

‘Yes.’

‘What time was this call put through?’

Miss Martindale reflected for a moment.

‘It came through to me direct. That would mean that it was in the lunch hour. As near as possible I would say that it was about ten minutes to two. Before two o’clock at all events. Ah yes, I see I made a note on my pad. It was 1.49 precisely.’

‘It was Miss Pebmarsh herself who spoke to you?’

Miss Martindale looked a little surprised.

‘I presume so.’

‘But you didn’t recognize her voice? You don’t know her personally?’

‘No. I don’t know her. She said that she was Miss Millicent Pebmarsh, gave me her address, a number in Wilbraham Crescent. Then, as I say, she asked for Sheila Webb, if she was free, to come to her at three o’clock.’

It was a clear, definite statement. I thought that Miss Martindale would make an excellent witness.

‘If you would kindly tell me what all this is about?’ said Miss Martindale with slight impatience.

‘Well, you see, Miss Martindale, Miss Pebmarsh herself denies making any such call.’

Miss Martindale stared.

‘Indeed! How extraordinary.’

‘You, on the other hand, say such a call was made, but you cannot say definitely that it was Miss Pebmarsh who made that call.’

‘No, of course I can’t say definitely. I don’t know the woman. But really, I can’t see the point of doing such a thing. Was it a hoax of some kind?’

‘Rather more than that,’ said Hardcastle. ‘Did this Miss Pebmarsh—or whoever it was—give any reason for wanting Miss Sheila Webb particularly?’

Miss Martindale reflected a moment.

‘I think she said that Sheila Webb had done work for her before.’

‘And is that in fact so?’

‘Sheila said she had no recollection of having done anything for Miss Pebmarsh. But that is not quite conclusive, Inspector. After all, the girls go out so often to different people at different places that they would be unlikely to remember if it had taken place some months ago. Sheila wasn’t very definite on the point. She only said that she couldn’t remember having been there. But really, Inspector, even if this was a hoax, I cannot see where your interest comes in?’

‘I am just coming to that. When Miss Webb arrived at 19, Wilbraham Crescent she walked into the house and into the sitting-room. She has told me that those were the directions given her. You agree?’

‘Quite right,’ said Miss Martindale. ‘Miss Pebmarsh said that she might be a little late in getting home and that Sheila was to go in and wait.’

‘When Miss Webb went into the sitting-room,’ continued Hardcastle, ‘she found a dead man lying on the floor.’

Miss Martindale stared at him. For a moment she could hardly find her voice.

‘Did you say a dead man, Inspector?’

‘A murdered man,’ said Hardcastle. ‘Stabbed, actually.’

‘Dear, dear,’ said Miss Martindale. ‘The girl must have been very upset.’

It seemed the kind of understatement characteristic of Miss Martindale.

‘Does the name of Curry mean anything to you, Miss Martindale? Mr R. H. Curry?’

‘I don’t think so, no.’

‘From the Metropolis and Provincial Insurance Company?’

Miss Martindale continued to shake her head.

‘You see my dilemma,’ said the inspector. ‘You say Miss Pebmarsh telephoned you and asked for Sheila Webb to go to her house at three o’clock. Miss Pebmarsh denies doing any such thing. Sheila Webb gets there. She finds a dead man there.’ He waited hopefully.

Miss Martindale looked at him blankly.

‘It all seems to me wildly improbable,’ she said disapprovingly.

Dick Hardcastle sighed and got up.

‘Nice place you’ve got here,’ he said politely. ‘You’ve been in business some time, haven’t you?’

‘Fifteen years. We have done extremely well. Starting in quite a small way, we have extended the business until we have almost more than we can cope with. I now employ eight girls, and they are kept busy all the time.’

‘You do a good deal of literary work, I see.’ Hardcastle was looking up at the photographs on the wall.

‘Yes, to start with I specialized in authors. I had been secretary to the well-known thriller writer, Mr Garry Gregson, for many years. In fact, it was with a legacy from him that I started this Bureau. I knew a good many of his fellow authors and they recommended me. My specialized knowledge of authors’ requirements came in very useful. I offer a very helpful service in the way of necessary research—dates and quotations, inquiries as to legal points and police procedure, and details of poison schedules. All that sort of thing. Then foreign names and addresses and restaurants for people who set their novels in foreign places. In old days the public didn’t really mind so much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws.’

Miss Martindale paused. Hardcastle said politely: ‘I’m sure you have every cause to congratulate yourself.’

He moved towards the door. I opened it ahead of him.

In the outer office, the three girls were preparing to leave. Lids had been placed on typewriters. The receptionist, Edna, was standing forlornly, holding in one hand a stiletto heel and in the other a shoe from which it had been torn.

‘I’ve only had them a month,’ she was wailing. ‘And they were quite expensive. It’s that beastly grating—the one at the corner by the cake shop quite near here. I caught my heel in it and off it came. I couldn’t walk, had to take both shoes off and come back here with a couple of buns, and how I’ll ever get home or get on to the bus I really don’t know—’

At that moment our presence was noted and Edna hastily concealed the offending shoe with an apprehensive glance towards Miss Martindale whom I appreciated was not the sort of woman to approve of stiletto heels. She herself was wearing sensible flat-heeled leather shoes.

‘Thank you, Miss Martindale,’ said Hardcastle. ‘I’m sorry to have taken up so much of your time. If anything should occur to you—’

‘Naturally,’ said Miss Martindale, cutting him short rather brusquely.

As we got into the car, I said:

‘So Sheila Webb’s story, in spite of your suspicions, turns out to have been quite true.’

‘All right, all right,’ said Dick. ‘You win.’

CHAPTER 5

‘Mom!’ said Ernie Curtin, desisting for a moment from his occupation of running a small metal model up and down the window pane, accompanying it with a semi-zooming, semi-moaning noise intended to reproduce a rocket ship going through outer space on its way to Venus, ‘Mom, what d’you think?’

Mrs Curtin, a stern-faced woman who was busy washing up crockery in the sink, made no response.

‘Mom, there’s a police car drawn up outside our house.’

‘Don’t you tell no more of yer lies, Ernie,’ said Mrs Curtin as she banged cups and saucers down on the draining board. ‘You know what I’ve said to you about that before.’

‘I never,’ said Ernie virtuously. ‘And it’s a police car right enough, and there’s two men gettin’ out.’

Mrs Curtin wheeled round on her offspring.

‘What’ve you been doing now?’ she demanded. ‘Bringing us into disgrace, that’s what it is!’

‘Course I ain’t,’ said Ernie. ‘I ’aven’t done nothin’.’

‘It’s going with that Alf,’ said Mrs Curtin. ‘Him and his gang. Gangs indeed! I’ve told you, and yer father’s told you, that gangs isn’t respectable. In the end there’s trouble. First it’ll be the juvenile court and then you’ll be sent to a remand home as likely as not. And I won’t have it, d’you hear?’

‘They’re comin’ up to the front door,’ Ernie announced.

Mrs Curtin abandoned the sink and joined her offspring at the window.

‘Well,’ she muttered.

At that moment the knocker was sounded. Wiping her hands quickly on the tea-towel, Mrs Curtin went out into the passage and opened the door. She looked with defiance and doubt at the two men on her doorstep.

‘Mrs Curtin?’ said the taller of the two, pleasantly.

‘That’s right,’ said Mrs Curtin.

‘May I come in a moment? I’m Detective Inspector Hardcastle.’

Mrs Curtin drew back rather unwillingly. She threw open a door and motioned the inspector inside. It was a very neat, clean little room and gave the impression of seldom being entered, which impression was entirely correct.

Ernie, drawn by curiosity, came down the passage from the kitchen and sidled inside the door.

‘Your son?’ said Detective Inspector Hardcastle.

‘Yes,’ said Mrs Curtin, and added belligerently, ‘he’s a good boy, no matter what you say.’

‘I’m sure he is,’ said Detective Inspector Hardcastle, politely.

Some of the defiance in Mrs Curtin’s face relaxed.

‘I’ve come to ask you a few questions about 19, Wilbraham Crescent. You work there, I understand.’

‘Never said I didn’t,’ said Mrs Curtin, unable yet to shake off her previous mood.

‘For a Miss Millicent Pebmarsh.’

‘Yes, I work for Miss Pebmarsh. A very nice lady.’

‘Blind,’ said Detective Inspector Hardcastle.

‘Yes, poor soul. But you’d never know it. Wonderful the way she can put her hand on anything and find her way about. Goes out in the street, too, and over the crossings. She’s not one to make a fuss about things, not like some people I know.’

‘You work there in the mornings?’

‘That’s right. I come about half past nine to ten, and leave at twelve o’clock or when I’m finished.’ Then sharply, ‘You’re not saying as anything ’as been stolen, are you?’

‘Quite the reverse,’ said the inspector, thinking of four clocks.

Mrs Curtin looked at him uncomprehendingly.

‘What’s the trouble?’ she asked.

‘A man was found dead in the sitting-room at 19, Wilbraham Crescent this afternoon.’

Mrs Curtin stared. Ernie Curtin wriggled in ecstasy, opened his mouth to say ‘Coo’, thought it unwise to draw attention to his presence, and shut it again.

‘Dead?’ said Mrs Curtin unbelievingly. And with even more unbelief, ‘In the sitting-room?’

‘Yes. He’d been stabbed.’

‘You mean it’s murder?’

‘Yes, murder.’

‘Oo murdered ’im?’ demanded Mrs Curtin.

‘I’m afraid we haven’t got quite so far as that yet,’ said Inspector Hardcastle. ‘We thought perhaps you may be able to help us.’

‘I don’t know anything about murder,’ said Mrs Curtin positively.

‘No, but there are one or two points that have arisen. This morning, for instance, did any man call at the house?’

‘Not that I can remember. Not today. What sort of man was he?’

‘An elderly man about sixty, respectably dressed in a dark suit. He may have represented himself as an insurance agent.’

‘I wouldn’t have let him in,’ said Mrs Curtin. ‘No insurance agents and nobody selling vacuum cleaners or editions of the Encyclopaedia Britannica. Nothing of that sort. Miss Pebmarsh doesn’t hold with selling at the door and neither do I.’

‘The man’s name, according to a card that was on him, was Mr Curry. Have you ever heard that name?’

‘Curry? Curry?’ Mrs Curtin shook her head. ‘Sounds Indian to me,’ she said, suspiciously.

‘Oh, no,’ said Inspector Hardcastle, ‘he wasn’t an Indian.’

‘Who found him—Miss Pebmarsh?’

‘A young lady, a shorthand typist, had arrived because, owing to a misunderstanding, she thought she’d been sent for to do some work for Miss Pebmarsh. It was she who discovered the body. Miss Pebmarsh returned almost at the same moment.’

Mrs Curtin uttered a deep sigh.

‘What a to-do,’ she said, ‘what a to-do!’

‘We may ask you at some time,’ said Inspector Hardcastle, ‘to look at this man’s body and tell us if he is a man you have ever seen in Wilbraham Crescent or calling at the house before. Miss Pebmarsh is quite positive he has never been there. Now there are various small points I would like to know. Can you recall off-hand how many clocks there are in the sitting-room?’

Mrs Curtin did not even pause.

‘There’s that big clock in the corner, grandfather they call it, and there’s the cuckoo clock on the wall. It springs out and says “cuckoo”. Doesn’t half make you jump sometimes.’ She added hastily, ‘I didn’t touch neither of them. I never do. Miss Pebmarsh likes to wind them herself.’

‘There’s nothing wrong with them,’ the inspector assured her. ‘You’re sure these were the only two clocks in the room this morning?’

‘Of course. What others should there be?’

‘There was not, for instance, a small square silver clock, what they call a carriage clock, or a little gilt clock—on the mantelpiece that was, or a china clock with flowers on it—or a leather clock with the name Rosemary written across the corner?’

‘Of course there wasn’t. No such thing.’

‘You would have noticed them if they had been there?’

‘Of course I should.’

‘Each of these four clocks represented a time about an hour later than the cuckoo clock and the grandfather clock.’

‘Must have been foreign,’ said Mrs Curtin. ‘Me and my old man went on a coach trip to Switzerland and Italy once and it was a whole hour further on there. Must be something to do with this Common Market. I don’t hold with the Common Market and nor does Mr Curtin. England’s good enough for me.’

Inspector Hardcastle declined to be drawn into politics.

‘Can you tell me exactly when you left Miss Pebmarsh’s house this morning?’

‘Quarter past twelve, near as nothing,’ said Mrs Curtin.

‘Was Miss Pebmarsh in the house then?’

‘No, she hadn’t come back. She usually comes back some time between twelve and half past, but it varies.’

‘And she had left the house—when?’

‘Before I got there. Ten o’clock’s my time.’

‘Well, thank you, Mrs Curtin.’

‘Seems queer about these clocks,’ said Mrs Curtin. ‘Perhaps Miss Pebmarsh had been to a sale. Antiques, were they? They sound like it by what you say.’

‘Does Miss Pebmarsh often go to sales?’

‘Got a roll of hair carpet about four months ago at a sale. Quite good condition. Very cheap, she told me. Got some velour curtains too. They needed cutting down, but they were really as good as new.’

‘But she doesn’t usually buy bric-à-brac or things like pictures or china or that kind of thing at sales?’

Mrs Curtin shook her head.

‘Not that I’ve ever known her, but of course, there’s no saying in sales, is there? I mean, you get carried away. When you get home you say to yourself “whatever did I want with that?” Bought six pots of jam once. When I thought about it I could have made it cheaper myself. Cups and saucers, too. Them I could have got better in the market on a Wednesday.’

She shook her head darkly. Feeling that he had no more to learn for the moment, Inspector Hardcastle departed. Ernie then made his contribution to the subject that had been under discussion.

‘Murder! Coo!’ said Ernie.

Momentarily the conquest of outer space was displaced in his mind by a present-day subject of really thrilling appeal.

‘Miss Pebmarsh couldn’t have done ’im in, could she?’ he suggested yearningly.

‘Don’t talk so silly,’ said his mother. A thought crossed her mind. ‘I wonder if I ought to have told him—’

‘Told him what, Mom?’

‘Never you mind,’ said Mrs Curtin. ‘It was nothing, really.’

CHAPTER 6

Colin Lamb’s Narrative

When we had put ourselves outside two good underdone steaks, washed down with draught beer, Dick Hardcastle gave a sigh of comfortable repletion, announced that he felt better and said:

‘To hell with dead insurance agents, fancy clocks and screaming girls! Let’s hear about you, Colin. I thought you’d finished with this part of the world. And here you are wandering about the back streets of Crowdean. No scope for a marine biologist at Crowdean, I can assure you.’

‘Don’t you sneer at marine biology, Dick. It’s a very useful subject. The mere mention of it so bores people and they’re so afraid you’re going to talk about it, that you never have to explain yourself further.’

‘No chance of giving yourself away, eh?’

‘You forget,’ I said coldly, ‘that I am a marine biologist. I took a degree in it at Cambridge. Not a very good degree, but a degree. It’s a very interesting subject, and one day I’m going back to it.’

‘I know what you’ve been working on, of course,’ said Hardcastle. ‘And congratulations to you. Larkin’s trial comes on next month, doesn’t it?’

‘Yes.’

‘Amazing the way he managed to carry on passing stuff out for so long. You’d think somebody would have suspected.’

‘They didn’t, you know. When you’ve got it into your head that a fellow is a thoroughly good chap, it doesn’t occur to you that he mightn’t be.’

‘He must have been clever,’ Dick commented.

I shook my head.

‘No, I don’t think he was, really. I think he just did as he was told. He had access to very important documents. He walked out with them, they were photographed and returned to him, and they were back again where they belonged the same day. Good organization there. He made a habit of lunching at different places every day. We think that he hung up his overcoat where there was always an overcoat exactly like it—though the man who wore the other overcoat wasn’t always the same man. The overcoats were switched, but the man who switched them never spoke to Larkin, and Larkin never spoke to him. We’d like to know a good deal more about the mechanics of it. It was all very well planned with perfect timing. Somebody had brains.’

‘And that’s why you’re still hanging round the Naval Station at Portlebury?’

‘Yes, we know the Naval end of it and we know the London end. We know just when and where Larkin got his pay and how. But there’s a gap. In between the two there’s a very pretty little bit of organization. That’s the part we’d like to know more about, because that’s the part where the brains are. Somewhere there’s a very good headquarters, with excellent planning, which leaves a trail that is confused not once but probably seven or eight times.’

‘What did Larkin do it for?’ asked Hardcastle, curiously. ‘Political idealist? Boosting his ego? Or plain money?’

‘He was no idealist,’ I said. ‘Just money, I’d say.’

‘Couldn’t you have got on to him sooner that way? He spent the money, didn’t he? He didn’t salt it away.’

‘Oh, no, he splashed it about all right. Actually, we got on to him a little sooner than we’re admitting.’

Hardcastle nodded his head understandingly.

‘I see. You tumbled and then you used him for a bit. Is that it?’

‘More or less. He had passed out some quite valuable information before we got on to him, so we let him pass out more information, also apparently valuable. In the Service I belong to, we have to resign ourselves to looking fools now and again.’

‘I don’t think I’d care for your job, Colin,’ said Hardcastle thoughtfully.

‘It’s not the exciting job that people think it is,’ I said. ‘As a matter of fact, it’s usually remarkably tedious. But there’s something beyond that. Nowadays one gets to feeling that nothing really is secret. We know Their secrets and They know our secrets. Our agents are often Their agents, too, and Their agents are very often our agents. And in the end who is double-crossing who becomes a kind of nightmare! Sometimes I think that everybody knows everybody else’s secrets and that they enter into a kind of conspiracy to pretend that they don’t.’

‘I see what you mean,’ Dick said thoughtfully.

Then he looked at me curiously.

‘I can see why you should still be hanging around Portlebury. But Crowdean’s a good ten miles from Portlebury.’

‘What I’m really after,’ I said, ‘are Crescents.’

‘Crescents?’ Hardcastle looked puzzled.

‘Yes. Or alternatively, moons. New moons, rising moons and so on. I started my quest in Portlebury itself. There’s a pub there called The Crescent Moon. I wasted a long time over that. It sounded ideal. Then there’s The Moon and Stars. The Rising Moon, The Jolly Sickle, The Cross and the Crescent—that was in a little place called Seamede. Nothing doing. Then I abandoned moons and started on Crescents. Several Crescents in Portlebury. Lansbury Crescent, Aldridge Crescent, Livermead Crescent, Victoria Crescent.’

I caught sight of Dick’s bewildered face and began to laugh.

‘Don’t look so much at sea, Dick. I had something tangible to start me off.’

I took out my wallet, extracted a sheet of paper and passed it over to him. It was a single sheet of hotel writing paper on which a rough sketch had been drawn.

‘A chap called Hanbury had this in his wallet. Hanbury did a lot of work in the Larkin case. He was good—very good. He was run over by a hit and run car in London. Nobody got its number. I don’t know what this means, but it’s something that Hanbury jotted down, or copied, because he thought it was important. Some idea that he had? Or something that he’d seen or heard? Something to do with a moon or crescent, the number 61 and the initial M. I took over after his death. I don’t know what I’m looking for yet, but I’m pretty sure there’s something to find. I don’t know what 61 means. I don’t know what M means. I’ve been working in a radius from Portlebury outwards. Three weeks of unremitting and unrewarding toil. Crowdean is on my route. That’s all there is to it. Frankly, Dick, I didn’t expect very much of Crowdean. There’s only one Crescent here. That’s Wilbraham Crescent. I was going to have a walk along Wilbraham Crescent and see what I thought of Number 61 before asking you if you’d got any dope that could help me. That’s what I was doing this afternoon—but I couldn’t find Number 61.’

‘As I told you, 61 is occupied by a local builder.’

‘And that’s not what I’m after. Have they got a foreign help of any kind?’

‘Could be. A good many people do nowadays. If so, she’ll be registered. I’ll look it up for you by tomorrow.’

‘Thanks, Dick.’

‘I’ll be making routine inquiries tomorrow at the two houses on either side of 19. Whether they saw anyone come to the house, et cetera. I might include the houses directly behind 19, the ones whose gardens adjoin it. I rather think that 61 is almost directly behind 19. I could take you along with me if you liked.’

I closed with the offer greedily.

‘I’ll be your Sergeant Lamb and take shorthand notes.’

We agreed that I should come to the police station at nine thirty the following morning.

I arrived the next morning promptly at the agreed hour and found my friend literally fuming with rage.

When he had dismissed an unhappy subordinate, I inquired delicately what had happened.

For a moment Hardcastle seemed unable to speak. Then he spluttered out: ‘Those damned clocks!’

‘The clocks again? What’s happened now?’

‘One of them is missing.’

‘Missing? Which one?’

‘The leather travelling clock. The one with “Rosemary” across the corner.’

I whistled.

‘That seems very extraordinary. How did it come about?’

‘The damned fools—I’m one of them really, I suppose—’ (Dick was a very honest man) ‘—One’s got to remember to cross every t and dot every i or things go wrong. Well, the clocks were there all right yesterday in the sitting-room. I got Miss Pebmarsh to feel them all to see if they felt familiar. She couldn’t help. Then they came to remove the body.’

‘Yes?’

‘I went out to the gate to supervise, then I came back to the house, spoke to Miss Pebmarsh who was in the kitchen, and said I must take the clocks away and would give her a receipt for them.’

‘I remember. I heard you.’

‘Then I told the girl I’d send her home in one of our cars, and I asked you to see her into it.’

‘Yes.’

‘I gave Miss Pebmarsh the receipt though she said it wasn’t necessary since the clocks weren’t hers. Then I joined you. I told Edwards I wanted the clocks in the sitting-room packed up carefully and brought here. All of them except the cuckoo clock and, of course, the grandfather. And that’s where I went wrong. I should have said, quite definitely, four clocks. Edwards says he went in at once and did as I told him. He insists there were only three clocks other than the two fixtures.’

‘That doesn’t give much time,’ I said. ‘It means—’

‘The Pebmarsh woman could have done it. She could have picked up the clock after I left the room and gone straight to the kitchen with it.’

‘True enough. But why?’

‘We’ve got a lot to learn. Is there anybody else? Could the girl have done it?’

I reflected. ‘I don’t think so. I—’ I stopped, remembering something.

‘So she did,’ said Hardcastle. ‘Go on. When was it?’

‘We were just going out to the police car,’ I said unhappily. ‘She’d left her gloves behind. I said, “I’ll get them for you” and she said, “Oh, I know just where I must have dropped them. I don’t mind going into that room now that the body’s gone,” and she ran back into the house. But she was only gone a minute—’

‘Did she have her gloves on, or in her hand when she rejoined you?’

I hesitated. ‘Yes—yes, I think she did.’

‘Obviously she didn’t,’ said Hardcastle, ‘or you wouldn’t have hesitated.’

‘She probably stuffed them in her bag.’

‘The trouble is,’ said Hardcastle in an accusing manner, ‘you’ve fallen for that girl.’

‘Don’t be idiotic,’ I defended myself vigorously. ‘I saw her for the first time yesterday afternoon, and it wasn’t exactly what you’d call a romantic introduction.’

‘I’m not so sure of that,’ said Hardcastle. ‘It isn’t every day that young men have girls falling into their arms screaming for help in the approved Victorian fashion. Makes a man feel a hero and a gallant protector. Only you’ve got to stop protecting her. That’s all. So far as you know, that girl may be up to the neck in this murder business.’

‘Are you saying that this slip of a girl stuck a knife into a man, hid it somewhere so carefully that none of your sleuths could find it, then deliberately rushed out of the house and did a screaming act all over me?’

‘You’d be surprised at what I’ve seen in my time,’ said Hardcastle darkly.

‘Don’t you realize,’ I demanded, indignantly, ‘that my life has been full of beautiful spies of every nationality? All of them with vital statistics that would make an American private eye forget all about the shot of rye in his collar drawer. I’m immune to all female allurements.’

‘Everybody meets his Waterloo in the end,’ said Hardcastle. ‘It all depends on the type. Sheila Webb seems to be your type.’

‘Anyway, I can’t see why you’re so set on fastening it on her.’

Hardcastle sighed.

‘I’m not fastening it on her—but I’ve got to start somewhere. The body was found in Pebmarsh’s house. That involves her. The body was found by the Webb girl—I don’t need to tell you how often the first person to find a dead body is the same as the person who last saw him alive. Until more facts turn up, those two remain in the picture.’

‘When I went into that room at just after three o’clock, the body had been dead at least half an hour, probably longer. How about that?’

‘Sheila Webb had her lunch hour from 1.30 to 2.30.’

I looked at him in exasperation.

‘What have you found out about Curry?’

Hardcastle said with unexpected bitterness: ‘Nothing!’

‘What do you mean—nothing?’

‘Just that he doesn’t exist—there’s no such person.’

‘What do the Metropolis Insurance Company say?’

‘They’ve nothing to say either, because there’s no such thing. The Metropolis and Provincial Insurance Company doesn’t exist. As far as Mr Curry from Denvers Street goes, there’s no Mr Curry, no Denvers Street, Number 7 or any other number.’

‘Interesting,’ I said. ‘You mean he just had some bogus cards printed with a bogus name, address and insurance company?’

‘Presumably.’

‘What is the big idea, do you think?’

Hardcastle shrugged his shoulders.

‘At the moment it’s guesswork. Perhaps he collected bogus premiums. Perhaps it was a way of introducing himself into houses and working some confidence trick. He may have been a swindler or a confidence trickster or a picker-up of unconsidered trifles or a private inquiry agent. We just don’t know.’

‘But you’ll find out.’

‘Oh, yes, we’ll know in the end. We sent up his fingerprints to see if he’s got a record of any kind. If he has it’ll be a big step on the way. If he hasn’t, it’ll be rather more difficult.’

‘A private dick,’ I said thoughtfully. ‘I rather like that. It opens up—possibilities.’

‘Possibilities are all we’ve got so far.’

‘When’s the inquest?’

‘Day after tomorrow. Purely formal and an adjournment.’

‘What’s the medical evidence?’

‘Oh, stabbed with a sharp instrument. Something like a kitchen vegetable-knife.’

‘That rather lets out Miss Pebmarsh, doesn’t it?’ I said thoughtfully. ‘A blind woman would hardly be able to stab a man. She really is blind, I suppose?’

‘Oh, yes, she’s blind. We checked up. And she’s exactly what she says she is. She was a teacher of mathematics in a North Country school—lost her sight about sixteen years ago—took up training in Braille, etc., and finally got a post with the Aaronberg Institute here.’

‘She could be mental, I suppose?’

‘With a fixation on clocks and insurance agents?’

‘It really is all too fantastic for words.’ I couldn’t help speaking with some enthusiasm. ‘Like Ariadne Oliver in her worst moments, or the late Garry Gregson at the top of his form—’

‘Go on—enjoy yourself. You’re not the wretched D.I. in charge. You haven’t got to satisfy a superintendent or a chief constable and all the rest of it.’

‘Oh well! Perhaps we’ll get something useful out of the neighbours.’

‘I doubt it,’ said Hardcastle bitterly. ‘If that man was stabbed in the front garden and two masked men carried him into the house—nobody would have looked out of the window or seen anything. This isn’t a village, worse luck. Wilbraham Crescent is a genteel residential road. By one o’clock, daily women who might have seen something have gone home. There’s not even a pram being wheeled along—’

‘No elderly invalid who sits all day by the window?’

‘That’s what we want—but that’s not what we’ve got.’

‘What about numbers 18 and 20?’

‘18 is occupied by Mr Waterhouse, Managing Clerk to Gainsford and Swettenham, Solicitors, and his sister who spends her spare time managing him. All I know about 20 is that the woman who lives there keeps about twenty cats. I don’t like cats—’

I told him that a policeman’s life was a hard one, and we started off.

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