About the TLS

The Times Literary Supplement was born in January 1902. Its first ever front page bashfully stated that ‘during the Parliamentary session Literary Supplements to “The Times” will appear as often as may be necessary in order to keep abreast with the more important publications of the day’. Fortunately, the question of necessity was not left in the hands of literary journalists (who, we can imagine, might occasionally push for a holiday or two), and the title became a weekly one. A few years later, the TLS split entirely from The Times.

Since then, we have prided ourselves on being the world’s leading magazine for culture and ideas. Our guiding principle for the selection of pieces remains the same as it ever has been: is it interesting; and is it beautifully written? Over the years, our contributors have included the very best writers and thinkers in the world: from Virginia Woolf to Seamus Heaney, Sylvia Plath to Susan Sontag, Milan Kundera to Christopher Hitchens, Patricia Highsmith to Martin Scorsese.

The book you are holding is part of a brand-new imprint, TLS Books, by which we are striving to bring more beautiful writing to a wider public. We hope you enjoy it. If you want to read more from us, you’ll find a special trial subscription offer to the TLS at the back of this book.

In an ever-quickening culture of flipness and facility, fake news and Facebook, the TLS is determined to be part of the counter-culture of quality. We believe in expertise, breadth and depth. We believe in the importance of ideas, and the transformative power of art. And we believe that, in reading the TLS – in whatever form, be it in a magazine, online or in a book – you are supporting a set of values that we have been proud to uphold for more than a hundred years. So thank you for that.

Stig Abell, 11th Editor of the TLS

London, 2019

Copyright

TLS Books

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

The-TLS.co.uk

This eBook first published in Great Britain by TLS Books in 2020

Copyright © Ben Eastham 2020

Cover image: Labyrinth #63 Embankment by Mark Wallinger © Mark Wallinger/DACS 2020. Courtesy the artist and Hauser & Wirth.

Ben Eastham asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780008375423

Ebook Edition © August 2020 ISBN: 9780008375430

Version: 2020-07-14

Epigraphs

Just as we should view art not as an accumulation of so-called art objects, but as a way of approaching knowledge, we should also view knowledge not as an accumulation of data, but as a flexible mechanism for reorganizing reality

– Luis Camnitzer

Museums are just a lot of lies

– Pablo Picasso

Contents

1  Cover

2  About the TLS

3  Title Page

4  Copyright

5  Epigraphs

6  Contents

7  The Imaginary Museum

8  Acknowledgements

9 Audio guide: List of referenced works

10  About the Author

11  Enjoyed the book?

12  Also from TLS Books

13  About the Publisher

LandmarksCoverFrontmatterStart of ContentBackmatter

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