COPYRIGHT

HQ

An imprint of HarperCollinsPublishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ

An imprint of HarperCollinsPublishers Ltd 2020

Copyright © Lucy Deedes 2020

Illustrations ©Alenka Karabanova /Shutterstock

Book Design: Steve Wells

Lucy Deedes asserts the moral right to be identified as the author of this work. A catalogue record for this book is available from the British Library.

Hardback ISBN: 9780008378455

eBook ISBN: 9780008378462

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers.

NOTE TO READERS

This ebook contains the following accessibility features which, if supported by your device, can be accessed via your ereader/accessibility settings:

 Change of font size and line height

 Change of background and font colours

 Change of font

 Change justification

 Text to speech

 Page numbers taken from the following print edition: ISBN 9780008378455

Cover

Title Page

Copyright

Note to Readers

Introduction

Handy tips before you begin

WINTER

DECEMBER

Marmalade with Honey (no sugar)

Reduced-Sugar Marmalade

Marmalade Rum Sour Cocktail

Lambs’ Liver with Orange

Orange Drizzle Cake

Chocolate and Marmalade Tart

JANUARY

Seville Orange Marmalade

Butterflied Leg of Lamb with Seville Orange Marinade

Maud’s Simple Sourdough Loaf

Orange Gin

Pappardelle with Prosciutto and Seville Oranges

Tudor Quince Marmalade

FEBRUARY

Dark Bitter Marmalade

Marmalade Mojito

Roast Pheasant with Marmalade

Beef Stew with Dumplings

Bitter Orange and Cardamom Cocktail

Vegan Orange Cookies

SPRING

MARCH

Marmalade Whisky Sour Cocktail

Pink Grapefruit Marmalade

Candied Seville Orange Peel

Custard Tarts with Candied Seville Oranges

Chicken with Seville Oranges

APRIL

Bertie’s Four-Fruit Marmalade

Marmalade Vodka

Florentines

Pork Chops with Marmalade, Fennel and Rosemary

My Aunt Margaret’s Shortbread

MAY

Ginger Marmalade

Marmalade French Toast

Scallops with Spinach and Seville Oranges

Cantuccini with Orange and Pistachio

SUMMER

JUNE

Ally’s Marmalade Ice Cream

Lime Marmalade

Warm Duck Salad

JULY

Salmon with Marmalade Glaze

Lemon and Earl Grey Marmalade

Marmalade Cookies

Chicken with Marmalade

Hot Marmalade Soufflés

AUGUST

Bitter Orange Marinade (for chicken and pork)

Lavender Marmalade

Baked Coconut Chicken with Marmalade Sauce

Cheesecake with Marmalade

AUTUMN

SEPTEMBER

Danish Hyben Marmelade

Bacon or Sausage Sandwiches

Lamb Shanks with Marmalade

Jaffa Cakes

OCTOBER

Chocolate and Orange Fridge Cake

Chai Mandarin Marmalade

Venison Wellington with Plum and Marmalade Sauce

White Fish with Seville Orange Hollandaise

Marmalade Bread and Butter Pudding

Membrillo

NOVEMBER

Pumpkin Marmalade

Rum Marmalade

Baked Ham with Marmalade Glaze

Quince Jelly

Orange Macarons

Marmalade Treacle Tart

Marmalade Fruit Cake

Acknowledgements

About the Publisher

INTRODUCTION

Like many of us, I learned to cook by ‘helping’ my mother, or rather by sitting on the dented lid of the Aga reading aloud to her while she worked. The kitchen was the warmest place to be and there were plums and bullaces to be bottled, bread to be made and butter to be churned. Orphaned lambs snuggled up to the stove and the Jack Russell terriers mooched about picking up crumbs. When Seville oranges arrived in the shops for those few weeks in January, my mother usually froze them whole so that she could make marmalade later on when she had time. There was too much to do in those short winter days when the sheep were lambing, the ponies were in stables and the Jersey cows’ trough was freezing over. I don’t think she actively taught me to cook but I must have absorbed something in between the pages of The Code of the Woosters.

Marmalade was historically – and should still be – regarded as a luxury food. It was made from expensive imported items and treated with all the reverence it deserves. It has been with us for hundreds of years in one form or another – as a Portuguese sweetmeat, an after-dinner digestif, as a rich quince slab to be cut into squares like Turkish delight, an aphrodisiac – before it turned into the most famous breakfast ingredient ever. And it has been a breakfast necessity for over 200 years for everyone from the Queen (who reputedly has Tiptree Orange Marmalade on her white breakfast toast) to James Bond; every well-run household from the reign of Queen Victoria onwards has made sure the larder was well-stocked with homemade marmalade.

We all know the sort of marmalade we like just as we know how we like our coffee. Some people like a clear jelly, with just a few wafers of peel hanging like seahorses in the jar; some a firm orange mixture with no extras. Some refuse to touch it unless it’s a dark, raffish paste, boiled down almost to toffee with a passing suggestion of booze about it.

Part of the appeal of marmalade is its mysterious marriage between sweet and bitter; finding that balance is certainly what makes it so rewarding to make and also why it gives such a kick to almost anything to which you add it.

Some regular marmalade makers stick to the tried-and-tested Grandmother’s Recipe: The Receipt Book, a precious document with sticky pages, fearing that if they go off-piste and introduce an exotic new ingredient it will all go terribly wrong.

Embarking on marmalade-making for the first time can be unnerving, but it is not difficult: it is after all a combination of just three ingredients: citrus fruit, sugar and water. Having said that, there are important steps to follow and it can occasionally surprise you and refuse to cooperate. Even now, I find that sometimes the rolling, hissing boil doesn’t happen. (What! No rolling boil?) It skips that bit, as a joke. Or you would swear it was ready, but then it won’t set in the jars. (Relax, leave it overnight.)

I had a few years of ill health when much was out of my control, and that was when I started to appreciate how soothing it is to make marmalade, how very satisfying to produce something good to look at and good to eat, which almost everyone is delighted to receive as a present. Perhaps there was a subconscious vote of confidence for the future in preserving fruit and storing it for later; I didn’t know T.E. Lawrence’s ‘Happiness is a by-product of absorption’ then, but there is a sense of peace and contentment that descends when you have an absorbing physical task to do. Homemade marmalade is ‘slow’, not fast food, and it takes a bit of concentration, but the results are worth the effort.

You may want to make enough in January to last you for the whole year; or you might prefer to make a few jars here and there, throughout the year, using a handful of frozen oranges or experimenting with other citrus fruit like limes and grapefruit, and adding herbs, like thyme or rosemary in the summer, lavender flowers or ginger in July. Cloves and warming spices are delicious in a pre-Christmas batch. I personally think that the exciting sharpness of marmalade is at its very best when the marmalade is fresh, but however long you keep it before you eat it, the most gratifying thing is that every jar you make will be uniquely your own.

The recipes in this book are my own, handed down from my mother and many generous and accomplished cooks, as well as borrowed favourites from friends. They’ve been tried and tested over the years, and tinkered with along the way to suit more modern tastes. Methods vary slightly from one recipe to another, but isn’t that the beauty of home cooking? I hope you enjoy making marmalade whatever the season, and that you find your favourite among the many in this special collection.

HANDY TIPS BEFORE YOU BEGIN

A FEW CLUES

1 1.Buy organic, unwaxed citrus fruit if you can because you are eating the whole fruit, and non-organic fruit will have been well doused with sprays. Ask your greengrocer. Discard any dodgy-looking or bruised fruit.

2 2.Use fresh or frozen oranges. Seville oranges freeze brilliantly, but freezing does weaken the pectin over time so it’s a good idea to add fresh citrus fruit – lemons, grapefruit, limes – when you’re cooking with frozen oranges.

3 3.Use granulated or caster sugar, or soft dark sugar for a more deeply coloured marmalade (or try preserving sugar as I do; it gives the clearest appearance). Use brown sugar only if you want a darker, stickier marmalade.

4 4.Make sure your jars and lids are sparkling clean (see here for how to sterilise).

5 5.Add water to about 2.3 times the weight of whole fruit, but less for a darker, stickier marmalade – more like 1.5 to 1 (1.5 litres of water to 1kg fruit).

6 6.Work to the ratio of 4:3 cooked pulp to sugar, and 2:1 for dark, bitter marmalade as it contains treacle (otherwise it would be far too sweet), but by all means go for 1:1 should you wish. Play with the levels if you want less or more sugar.

7 7.Use a sugar thermometer to test for setting point: it is ready when it reaches 105°C. You will soon get to know what the marmalade looks and sounds like when it’s ready – by the seething noise of a rolling boil and the way the marmalade hangs on the spoon like icicles when it’s nearly done. Otherwise, use the wrinkle test (see here).

8 8.It’s very important to leave the marmalade to settle before you pour it into the warm jars: the mixture needs to congeal slightly so that the peel is held suspended in the jelly. If you pot up too fast, the peel will swim up to the top of the jar. And I always use a scalded plastic or Pyrex jug to pot up the marmalade; it makes less mess than a ladle.

9 9.Fill the jars to the very top, but not so it will touch the lids, and don’t bother with waxed paper discs – you don’t need them with screw-top lids.

10 10.Store in a cool and dark place, and keep in the fridge once opened.

USING AN ELECTRIC JUICER

Not only is it quicker and easier, but an electric juicer will strip off all the membranes as it juices, leaving just the pith behind. If you are juicing by hand, you will need to tug off these membranes to add to the muslin bag.

SOAKING THE FRUIT

If time allows, it is a good idea to soak the chopped oranges and the muslin bag of pips overnight because the all-important pectin which will set your marmalade is in the skin and pips, not the orange juice and flesh, and a long soak will thoroughly extract it. It will also soften the tough skins and reduce cooking time. I also always leave the cooked fruit to soak overnight or for a few hours to draw out all the possible pectin. But if you don’t have the time, then just crack on without soaking.

STERILISING JARS AND LIDS

Put the jars and lids through a hot dishwasher cycle and then onto a baking tray in a 150°C/130°C fan/Gas 2 oven (jars for 15 minutes, lids for 5) once the marmalade reaches 102°C–103°C, so they’re still warm when you fill them.

THE WRINKLE TEST

The traditional way of testing for a set is to leave a saucer or ramekin in the fridge to get cold, put a spoonful of marmalade on it, leave for a minute and see if it wrinkles when you push your finger through it. Remove the marmalade from the heat while you do this, and replace on the heat if it’s not yet done, repeating the process until it reaches setting point.

SEALING THE JARS

Put the lids on immediately the jar is filled but only loosely. Return the jars to the 150°C/130°C fan/Gas 2 oven for 5 minutes and then tighten the lids for a good seal before leaving to cool.

Winter

Winter is usually a time for hibernation. As the nights draw in and the temperature drops, there’s nothing better than to cosy up at home. So it’s the perfect opportunity to work some marmalade magic in the kitchen. Marmalade in winter is like nothing else. Seville oranges from Spain are harvested from November onwards and they’re sometimes available before Christmas to make the perfect sticky glaze to any Christmas centrepiece.

December

MARMALADE WITH HONEY (NO SUGAR)

This is worth a try if you want to be sugar-free. You don’t get the set, and the finished result is more of a compote than a jelly, but it has a very good, fresh taste.

Makes 2 small jars

1 Seville orange

1 clementine or mandarin

3 large sweet oranges

2 tbsp good-quality honey

Peel the Seville orange, clementine or mandarin and one of the sweet oranges. Break the fruit into segments, removing the pips and as much of the white pith as you can. Whizz the fruit pieces to a purée in a food processor.

Shave off any excess pith on the inside of the peels and slice or chop the peel finely. Put the pips, membranes and excess pith in a muslin bag and tie a knot in the top.

Juice the remaining 2 oranges and add the juice to a preserving pan with the fruit purée, the sliced peel and the muslin bag. Cook on a low heat for about 10–15 minutes until the peel is soft.

Add the honey, stir it in and simmer for another 10 minutes until the mixture has reduced. Test for taste – don’t burn your mouth – and add a little more honey if needed.

Pot into sterilised and warm jars and leave to cool. You can then keep in the fridge.

REDUCED-SUGAR MARMALADE

I am often asked for a lower sugar marmalade. I wanted to see if reducing the sugar from the 4:3 cooked pulp to sugar ratio to 4:2 would affect the set; it doesn’t, and I don’t find it noticeably less sweet.

Makes 5–6 x 450g jars

1 lemon, plus the juice of 2 more

2 white grapefruit (about 600g)

3 Seville oranges (about 420g)

1 lime

1 bay leaf

About 2.7 litres water

About 1.1kg granulated or preserving sugar

Weigh the lemon with the rest of the fruit and note down the total weight. Wash and chop the fruit as directed here and slice into shreds according to how you like it, reserving the pips, orange membranes and any excess pith in a muslin bag. Put the fruit shreds into a pan with the bay leaf. Weigh out 2.3 times water to the weight of the whole fruit and add to the pan. Leave to soak overnight.

The next day, bring to the boil and simmer for about 2 hours, until soft. Remove from the heat and leave for another 24 hours, if possible.

Remove the bay leaf and measure the volume of pulp. For each 100ml of pulp, add 50g sugar and add to the pan with the lemon juice. Stir over a low heat until the sugar is dissolved.

Turn up to full heat and boil fast until it reaches setting point, at 105°C, or use the wrinkle test (see here).

Remove from the heat and leave to settle for 15–20 minutes. Pot into sterilised and warm jars, seal and leave to cool (see here).

CHILDHOOD MEMORIES

My parents kept bees at home and the jars of honey were labelled RAPE, since the bees mostly fed on yellow rape flowers. One year when we went on holiday to Suffolk, a colleague of my father’s brought her family to stay in the house, and in our absence her teenage son humorously marked the other jars in the cupboard PILLAGE, MURDER, INCEST and ARSON.

MARMALADE RUM SOUR COCKTAIL

Serves 1

60ml dark rum

1/3 egg white

Splash of sugar syrup

Juice of 1 lime

1 tsp marmalade

Shake all the ingredients in a Boston shaker and strain into a chilled cocktail or sour glass.

PROGRESS

When I started making marmalade thirty years ago, I used old jam jars and recycled lids. It was just for the family, so the sterilisation methods may have been a bit slapdash; sometimes I bottled it up too soon and the peel rushed to the top of the jar like fish in a feeding frenzy. I put paper discs inside the lid – no idea why, but my mother had done that. If I took a jar to my hostess, I peeped inside to check there was no mould.

Once I had decided to enter some marmalade for the Dalemain competition in 2014, I knew I needed to up my game, because the judging is rigorous and any careless errors will be Found Out. No pips lurking in the jar; no air bubbles; evenly chopped peel suspended throughout the jar. Next, I decided to sell my marmalade in local farmers’ markets and things went up a notch again. I did my cooking swathed in chef’s whites like an Egyptian mummy, topped with a pink bath cap, bought a thermometer to take the guesswork out of the all-important setting point, and prepared myself for the inspection by the local council. I gave the dog away, cleaned the kitchen so it shone like an operating theatre and bought a chef’s hat from the Sandringham gift shop, with BUCKINGHAM PALACE on it. All went well, the inspector merely suggesting the addition of a pedal bin. Only joking, the dog went to play with a friend.

Then there was the paperwork – temperature levels, pH levels, sterilisation records, sell-by dates. Silicon spoons to avoid those curry-flavoured wooden spoons. Labels designed, frowned at and redesigned by my children. An extra chest freezer so I could store enough Seville oranges for a year. Still it goes on. A market customer might ask me, Do you make a low-sugar one? No sugar? One with whisky? All suggestions and the opportunity to try something new are much welcomed.

LAMBS’ LIVER WITH ORANGE

Serves 4

350g fresh lambs’ liver (or calves’ if you prefer)

25g plain flour

2 tbsp olive oil, plus more if needed

4 rashers of streaky bacon, roughly chopped

1 onion, sliced

Grated zest and juice of 1 orange

1 tsp fresh rosemary, chopped, or dried

1 small glass of red wine

Salt and freshly ground black pepper

Place the liver in a bowl of salted water and leave for at least 30 minutes, then dry with kitchen paper and trim off everything you don’t like the look of, to give you smooth pieces with no lumps or bumps. Liver is not expensive and we can afford to be fussy with it.

Spread the flour on a plate, season with salt and pepper and roll the liver pieces in the flour.

Heat the oil in a flameproof casserole or saucepan, add the bacon and fry until it has released its fat and started to take on a little colour, then add the onion and cook until soft but not browned. Add the pieces of liver, and more oil if necessary, and cook gently for about 5 minutes. Add the orange zest and juice, the rosemary and the wine, and allow the alcohol to cook off.

Turn the heat down low, cover and allow to simmer for about 25 minutes, topping up with liquid if needed.

Serve with mashed potatoes or brown rice and some greens.

ORANGE DRIZZLE CAKE

Serves 10

2 oranges

200g butter, at room temperature

200g golden caster sugar

3 large eggs, beaten

200g self-raising flour

40g ground almonds

1 tsp fresh rosemary, chopped

1 large tbsp marmalade, shreds roughly chopped

For the drizzle

4 tbsp caster sugar

2 tbsp water

Heat the oven to 180°C/160°C fan/Gas 4. Grease a 20cm cake tin and line with baking parchment.

Slice 1 of the oranges into rounds and lay the the slices neatly in a single layer to cover the base of the prepared tin.

Cream the butter and sugar together in a food mixer. Mix in the beaten egg a third at a time, adding a spoonful of the flour if it looks like curdling. Sift in the flour and ground almonds and mix until smooth. Grate in the zest of the remaining orange and add a squeeze of the juice (keep the rest of the juice for the drizzle). Stir in the rosemary and marmalade.

Spoon the mixture into the cake tin, being careful not to dislodge the orange slices. Bake for 30–45 minutes, until a skewer inserted into the middle comes out clean, then remove from the oven and allow to cool in its tin for 15 minutes.

Meanwhile, to make the drizzle, mix the remaining orange juice with the sugar and water in a small pan. Warm over a medium heat, stirring as the liquid turns into a syrup.

Turn the cake out of its tin and onto a plate, prick holes on the top with a skewer, and pour over the syrup. Leave for a few minutes for the syrup to sink in. Serve warm as a pudding, with cream or ice cream. Once cold, eat as cake!

CHOCOLATE AND MARMALADE TART

Serves 10

For the pastry

250g plain flour, plus extra for dusting

140g cold butter, diced

80g caster sugar

1 egg yolk, beaten

For the filling

3 heaped tbsp marmalade

85g butter

1 tsp orange extract

250g dark chocolate (70% cocoa solids), broken into small pieces

400ml double cream

To decorate (optional)

1 tbsp candied Seville orange peel (see here), chopped, or 1 tbsp hazelnuts, almonds or walnuts, chopped

To make the pastry, put the flour and butter into a food processor and process to a crumby texture. Add the sugar and egg yolk and whizz briefly until the dough balls up. Wrap the pastry loosely in cling film and chill for at least 30 minutes.

Heat the oven to 180°C/160°C fan/Gas 4 and place a baking sheet near the top of the oven.

Roll out the pastry dough on a lightly floured surface to 3–4mm thick (about the thickness of a pound coin). Use to line a 24cm fluted, loose-bottomed tart tin, pushing the pastry well into the corners. Prick the bottom gently with a fork and leave the pastry a little higher at the edges, to trim later. Line the inside of the pastry case with baking parchment and fill with baking beans or rice, then ideally chill for 10 minutes.

Bake the pastry case on the baking sheet for 15 minutes, then gently lift out the parchment and beans and cook for a further 5 minutes until pale brown; leave to cool. Separate out the marmalade peel from the syrup and chop it, then scatter it across the base of the cooled pastry case.

Melt the butter in a pan over a gentle heat, then add the chocolate, marmalade syrup and orange extract, and stir until melted and smooth. Heat the cream in a separate pan until almost boiling (do not bring to the boil as the mixture will split), then stir it into the chocolate mixture and keep stirring until smooth.

If needed, trim the top of the pastry case. Pour the chocolate filling into the pastry case and leave to cool and set completely. If you like, decorate with pieces of chopped candied orange or chopped nuts. Cut with a warm knife and serve with single cream.

CHILDHOOD MEMORIES

The Sixties were not extravagant times, food-wise. On Christmas eve we might glance in our fridge and see nothing in there, except a turkey and possibly a ham, that would not have been there at any other time of year. It was the tradition and the quantity that mattered: having the same as we had last year and plenty of it.

My mother had green and organic leanings long before it was fashionable. When she bought a box of tangerines at Christmas, the soft blue tissue paper in which they were wrapped was carefully folded and placed in the downstairs cloakroom.

January

SEVILLE ORANGE MARMALADE

If I am making this out of Seville orange season using frozen and defrosted oranges, then I add another lemon or two and perhaps a sweet orange to boost the pectin quantity. The ratio of water to fruit I use is 2.3:1 – 2.3 litres of cold water to 1 kg whole fruit. I have tinkered with sugar quantities over the years and my usual formula is now pulp to sugar: 4:3 (roughly translating as raw fruit to sugar: 3:4).

Soaking the chopped peel overnight is not essential if you are short of time, but it softens it, reducing the cooking time, and extracts the maximum possible pectin for a good set.

Makes 5–6 x 450g jars

1kg Seville oranges

250g lemons (2–3 lemons), plus the juice of 2 extra

2.8 litres water

1.7kg granulated or preserving sugar

For most citrus fruit except Seville oranges, I quarter them and then cut the entire fruit into fine slices. Seville oranges are too full of pips for this, so halve and juice them, adding the juice to the pan and any membranes to the muslin. Cut the halved shells in half again and, if the white pith is very thick, shave some of it away by flattening out the piece of peel and running a knife along it – much as you would skin a fish fillet. Don’t cut it all away; pith is vital to achieve a set and give that unique bitter taste to the marmalade. Add this pith to the muslin bag.

Cut the lemon quarters and orange peels into shreds about 2–4mm wide and add to the preserving pan with the water. Knot the muslin cloth and push it under the fruit and water. Ideally, leave to soak overnight.

The next day, bring the fruit and water to the boil and allow it to simmer gently for about 2 hours, stirring occasionally, pushing the bag under the water occasionally, until you can easily squash the peel with a wooden spoon. The water and fruit should be evenly mixed, like soup; if there is a clear band of water at the top then simmer it down some more. Remove from the heat, cover, and ideally leave it for another 24 hours.

Remove the muslin bag and place it in a sieve over a bowl to drain, squashing it gently to remove as much liquid as possible. Measure the volume of pulp from the pan (your pan may have measurements marked up the insides) and add sugar to a ratio of 4:3, so to each 100ml of pulp add 75g sugar. Add the lemon juice and the strained juice from the muslin to the pan.

Stir over a low heat until every grain of sugar has melted and you have a smooth, warm syrup. Turn the heat up high and switch on your oven to 150°C/130°C fan/Gas 2. Once the marmalade is boiling, it will take at least 20 minutes to reach a set. Put a baking tray of clean jars, right way up, in the oven for 15 minutes to sterilise.

Stir the marmalade occasionally, watching the way the drips fall off the spoon, and when instead of dripping cleanly from the spoon, the drops join together and hang in strings, you are nearly there. Once the temperature reaches 105°C, take the pan off the heat and let it cool and settle for 15–20 minutes (or the peel may rise to the top of the jar when you pot it up). If you don’t have a thermometer, use the wrinkle test (see here). Place your clean lids in the oven for 5 minutes.

Use the sterilising and sealing methods (see here). Screw the lids on loosely and return the full jars to the oven for 5 minutes, then use a tea towel to tighten the lids. Put them in a cool place, undisturbed, to cool before labelling.

Конец ознакомительного фрагмента.

Текст предоставлен ООО «ЛитРес».

Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес.

Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.