‘Mr Devlin—’

‘Alistair,’ he whispered.

‘Mr Devlin,’ Victoria repeated, closing her eyes. ‘I beg you to listen to me—’

‘I don’t want to listen,’ he said, drawing close.

‘I want … this.’

And then … he kissed her.

Victoria had been kissed before; once by a fumbling youth in a childhood game and once by a friend in a Christmas theatrical. But she had never been kissed like this. Never been made to feel as though she was in danger of losing her mind. The searing heat of Alistair’s mouth obliterated every rational thought, and for a moment she didn’t care that she must tell him a potentially damaging truth.

All she knew was that she was falling in love with Alistair Devlin. Whatever happened tomorrow would have no bearing on that.

Slowly, reluctantly, they drew apart, their eyes holding each other’s in the dim evening light. Victoria hadn’t known it was possible to feel like this, but she did know that things would never be the same between them again. Soon she would have to tell him the truth. Soon she would have to explain why this secret life had been imposed on her. But in the aftermath of his kiss all she wanted to do was draw his head down to hers and kiss him again …

About the Author

GAIL WHITIKER was born on the west coast of Wales and moved to Canada at an early age. Though she grew up reading everything from John Wyndham to Victoria Holt, frequent trips back to Wales inspired a fascination with castles and history, so it wasn’t surprising that her first published book was set in Regency England. Now an award-winning author of both historical and contemporary novels, Gail lives on Vancouver Island, where she continues to indulge her fascination with the past as well as enjoying travel, music and spectacular scenery. Visit Gail at www.gailwhitiker.com

Previous novels by this author:

A MOST IMPROPER PROPOSAL* THE GUARDIAN’S DILEMMA* A SCANDALOUS COURTSHIP A MOST UNSUITABLE BRIDE A PROMISE TO RETURN COURTING MISS VALLOIS BRUSHED BY SCANDAL IMPROPER MISS DARLING

*part of The Steepwood Scandal mini-series

Did you know that some of these novels are also available as eBooks? Visit www.millsandboon.co.uk

AUTHOR NOTE

The theatre has always been a popular form of entertainment, and it was well attended during the Georgian and Victorian periods. Jane Austen frequently went to performances at Drury Lane and Covent Garden when she was in town, and many a notable actor and actress rose to fame during this period. To others, however, it was a breeding ground for sin and corruption.

NO OCCUPATION FOR A LADY was born out of a single question. What might a gently bred lady do that was not entirely respectable and not widely approved of by society? The answer? Almost anything to do with the theatre—so naturally my heroine had to become deeply albeit secretly involved with the writing and production of plays.

This meant I needed an aristocratic hero who was not an avid theatregoer, who despised deception in all forms, and whose own interests were as far removed from the frivolous world of the theatre as possible. Throw in an eccentric uncle who owns a theatre, a mother who thinks it’s the devil’s playground and a brother who hates the spotlight and you have the makings of a family disaster—and, hopefully, of a compelling love story.

I hope you enjoy this light-hearted romp through the world of Regency theatre!

Author’s Note

The Licensing Act of 1737 introduced the heavy hand of censorship to the British theatre. It was initiated by Robert Walpole, one of the period’s most influential and powerful men, and its main purpose was to prevent satirists of the day from lampooning politicians—Walpole in particular—and from presenting anything felt to be subversive or distasteful to the British public. As such, it required that a Lord Chamberlain and his ‘Examiners of Plays’ approve every play prior to its first public performance. Any content deemed to be insulting, derogatory, inflammatory or controversial was removed.

The Act also restricted the production of serious dramatic works to Drury Lane and Covent Garden, two theatres already in possession of royal sanctions. Theatres that did not hold this distinction—like the fictitious Gryphon—resorted to producing melodramas, ballad operas and burlesques, which relied heavily on musical interludes, facial gestures and body movements, and either eliminated or restricted the use of spoken dialogue altogether.

The scope of the Licensing Act caused a resurgence in the works of William Shakespeare, given that plays written before 1737 were not subject to censorship and could be performed without permission from authority, but it also fostered a deep distrust of government officials by both playwrights and the public alike. As a result, many successful playwrights turned their hand to writing novels, which were not affected by the same strict rules. Surprisingly, the Act remained in effect until 1968, when it came up against mounting pressure from influential anti-censorship groups.

I have taken a certain amount of artistic licence with regard to the content of Victoria Bretton’s plays. I tend to think her remarks about members of society and the clergy would probably have been ‘red lined’ by the Examiners, but for the sake of the story, I wanted there to be some ‘controversial elements’ in her work. And while it is true that a number of women were successful in writing plays in and around the Regency, it was still not a recommended occupation for young ladies. Oh, how far we’ve come!

No Occupation
for a Lady

Gail Whitiker

www.millsandboon.co.uk

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Chapter One

It was important that one dressed appropriately for the theatre, if for no other reason than to spare oneself the embarrassment of being under-dressed should someone of consequence happen to be seated in the box next to you. After all, one never knew when a marriageable viscount or an eligible earl might wander in for an evening’s performance, and with so many single young women looking to find husbands, a girl couldn’t afford to miss a single opportunity.

That, at least, was the justification Mrs Bretton had always given her two daughters for looking their best, and as Victoria Bretton studied her reflection in the cheval glass, she supposed it was not a bad way for an ambitious mother to think. The importance of presenting unwed daughters in the most favourable light possible could not be understated, whether it be at a musicale evening, a grand ball, or at the début of a new play at the elegant Gryphon Theatre, even if only Victoria thought the latter an occasion worthy of attending.

Fortunately, what she saw in the glass was enough to reassure her that it would not be her appearance that fell short of expectation that evening. Her gown of imported ivory silk was in the first state of fashion, and the exquisite pearl-and-ruby necklace lent to her by her aunt served as the perfect accessory. The flashing crimson stones nestled sweetly in the décolletage of her gown, which, as Aunt Tandy had pointed out, was neither too demure nor too daring, and her hair, once likened to the colour of clover honey, had been swept up and arranged in a most sophisticated style by the skilled hands of her aunt’s French maid. She looked every inch the proper young lady society expected her to be.

What would they say, Victoria mused as she turned away from the glass, if they knew what this evening was really all about?

The house was quiet as she made her way down the long curving staircase to the black-and-white-tiled hall. Candles flickered brightly from wall sconces and chandeliers, casting a warm golden glow over the elegant furnishings, while portraits of long-dead aristocrats stared down at her, their critical expressions seeming to offer silent disapproval of her plans.

Victoria paid them no mind. Her concern was with the living, not with the dead.

Besides, they were not portraits of her ancestors. The paintings, like the house, belonged to her father’s brother and wife, an eccentric pair of retired actors who owned a theatre as well as several houses in and around London. They had kindly allowed Victoria’s parents the use of this house for the past two Seasons so that Victoria and her younger sister could make their entrance into society. Victoria had taken her bows last year, and with Winifred doing so this year Mrs Bretton was hopeful that at least one of her girls would end up married by the end of it.

The prospect of returning home to Kent with two unwed daughters in tow was simply too humiliating to be borne.

‘Good evening, Miss Bretton.’ The butler greeted her at the door. ‘James has the carriage ready. Your brother has already gone out.’

‘Thank you, Quince.’ Victoria turned to allow the elderly gentleman to settle a velvet cape about her shoulders. ‘Do you know where my parents and sister are dining this evening?’

‘I believe with Sir Roger and Lady Fulton, miss.’

Ah, yes, the baronet and his wife—a prominent society couple with two sons of marriageable age, the eldest of which Winifred was hopeful of attracting. She certainly wouldn’t pass up an opportunity to spend time with him for something as trivial as a night at the theatre.

After all, what was the opening night of Valentine Lawe’s newest play when compared to the prospect of batting eyelashes at Mr Henry Fulton over the silver epergne?

‘Thank you, Quince,’ Victoria said, careful not to betray even a twinge of disappointment. ‘Goodnight.’

‘Goodnight, miss. Oh, and your father asked me to wish you … a very successful evening. He said you would know what he meant.’

Victoria smiled. A few simple words, as enigmatic as they were brief, and her spirits rose immeasurably. Dearest Papa. Always her ally, even in this. She thanked the butler and walked out into the cool evening air. The late April day had been unusually warm, but the evening temperatures had begun to drop as soon as the sun went down, making her grateful for the enveloping warmth of the cape.

‘Evening, Miss Bretton,’ the coachman said respectfully.

‘Good evening, James.’ Victoria smiled as the under-coachman helped her into the carriage. They didn’t have an under-coachman at home in Kent. There they functioned with only a cook, two maids, a kitchen helper and a good-natured fellow who served as both footman and groom. If they had to get anywhere, they either walked or used the gig. It was only since coming to London that Victoria had been exposed to such luxuries as personal maids and closed carriages, and the one into which she stepped now was sumptuous in the extreme. The interior was lit by the glow of two small lamps, the walls were lined with maroon silk festooned with gold tassels and the cushions were of plush maroon velvet.

Her brother was already seated inside reading a book. Laurence was a fine-looking fellow, or could have been if he made more of an effort. His jacket of dark-blue superfine over a plain white waistcoat didn’t fit quite as well as it had last year and his thick, wavy hair was dishevelled, giving him an appearance of rumpled affability. Wire-rimmed spectacles perched on the end of a very handsome nose and he had a smudge of what looked like ink on his thumb.

‘Let me guess,’ Victoria said as she sat down across from him. ‘White’s Observations on Certain Antiquities, or Norden’s Travels in Egypt and Nubia?’

‘Neither,’ Laurence said, dutifully setting the book aside. ‘A recently acquired copy of Sa-vary’s Letters on Egypt. I thought it would make for some light reading on the way to the theatre.’ He took off his spectacles and placed them on top of the book. ‘What about you? All ready for what lies ahead?’

‘I suppose, though I confess to being hideously nervous,’ Victoria confided. ‘What if no one comes?’

‘Of course people will come. Uncle Theo expects the theatre to be sold out.’

‘Uncle Theo is an optimist.’

‘No, Uncle Theo is a man who knows his business,’ Laurence said calmly. ‘He should, given the number of years he’s been at it. And experience has shown that Valentine Lawe’s plays always do well.’

Victoria settled back against the velvet squabs and wished she could feel as confident as her brother. While it was true that all three of Lawe’s previous plays had met with critical acclaim, that wasn’t to say that any of his future works would be guaranteed the same high level of success. The theatre-going public was notoriously fickle. What pleased them one day offended them the next and, given the decidedly satirical nature of Lawe’s plays, it was quite possible some prominently placed personage, believing himself to be the butt of Lawe’s wit, would take exception to the humour and proclaim his disapproval to anyone who would listen.

Still, there was nothing to be done about it now. In less than thirty minutes the curtain would rise and A Lady’s Choice would make its début. The best anyone could hope for was that Laurence was right and that their uncle knew what he was talking about.

As usual, traffic in the city was dreadful—an endless stream of hackneys, barouches, tilburys and phaetons trundling over the cobblestones en route to their various evening pleasures. Victoria saw long line-ups of carriages outside several of the large houses in Mayfair and felt a moment’s relief that her destination was not a grand house this evening, but the Gryphon, London’s newest and most elegant theatre. Once a rundown warehouse, the old building had been extensively refurbished and was now filled with a small fortune in Italian marble, Venetian glass, and brocades and silks direct from the Far East. The seating was roomier and the boxes grander than at any other theatre in the city and the frescoes on the ceiling were said to have been painted by a descendant of Michelangelo himself.

As to the nature of entertainments provided, the Gryphon was not licensed to present legitimate drama, so had to settle for a variety of works ranging from comic operettas to the occasional burlesque. In the relatively short time it had been open, however, it had gained a reputation for providing quality entertainment and tonight promised more of that with the début of Valentine Lawe’s newest play. Rumour had it that Sir Michael Loftus, theatre critic for the Morning Chronicle, was going to be in the audience, and Sir Michael’s stamp of approval was as good as God’s when it came to anything to do with the stage.

That, at least, was what her uncle had told her and, given his vast experience in the theatre, Victoria knew better than to doubt him.

Finally, the carriage rounded the last corner and the Gryphon came into view, a glorious, towering edifice that shone white against the darkening sky. Victoria caught her breath just looking at it. And what a crowd! Judging by the line up of barouches and landaus slowly making their way along the street, a goodly portion of society had come out for the opening.

‘Almost there, Tory,’ Laurence said as the carriage turned down the lane that ran alongside the theatre.

Victoria pressed a gloved hand to her chest and closed her eyes. ‘I can’t go in, Laurie.’

‘Of course you can. Aunt Tandy and I will be waiting for you in the box and the play will be a smashing success. Uncle Theo said as much after the last rehearsal and you know he wouldn’t lie.’

No, he wouldn’t, because her uncle knew better than to offer false assurances when so much was at stake. Opening night was the first time eyes other than those of the cast and crew would be seeing the play and how the audience responded tonight would be a strong indicator of how long the play would run, how much money it would make, and what kind of effect it would have on the playwright’s future.

A bad opening night could herald more than just an early end to a play’s run. It could sound the death knell on a playwright’s career.

‘Give my regards to the cast,’ Laurence said as the carriage drew to a halt. ‘Tell Victor I expect a standing ovation, and Miss Chermonde that her performance had better warrant at least three curtain calls.’

‘I’ll tell them,’ Victoria said as the door opened and James let down the stairs. ‘Whether they heed you or not is another matter all together.’

And then she was alone. Standing in the street as the carriage pulled away, she took a few deep breaths to compose herself. No doubt the actors inside were doing the same. Stage fright was all part and parcel of opening-night madness, but hopefully by the time the curtain rose, the butterflies would have flown and the cast would have settled into giving the best performances of their lives. The audience would accept no less.

Neither, Victoria thought as she knocked lightly upon the unmarked door, would her uncle.

‘Ah, good evening, Miss Bretton,’ said the elderly gentleman who opened it. ‘I wondered if I’d be seeing you tonight.’

‘Good evening, Tommy. I thought to have a word with my uncle before the performance began. Is everything ready?’

‘Aye, miss, as ready as it will ever be.’ Thomas Belkins stepped back to let her enter. ‘Had some trouble with the backdrop for the second act, but we got that straightened away, and Mrs Beckett was able to mend the tear in Mr Trumphani’s costume neat as ninepence.’

‘What about Mrs Roberts?’ Victoria asked. ‘Is she feeling better than she was at rehearsal?’

‘Haven’t heard her complain, but between you and me, she’s a tough old bird who nothing short of death would keep from being on stage on opening night.’

The old man’s cheerfulness did much to settle Victoria’s nerves. Tommy Belkins had been in the theatre all of his life. Once an actor with a travelling Shakespearean troupe, he now worked behind the scenes at the Gryphon, overseeing the elaborate systems of lights, ropes, pulleys and reflectors that created the magic on stage. Both Drury Lane and Covent Garden had tried to lure him away, but Tommy had refused their offers, saying he’d rather work for pennies at the Gryphon than for a grand salary anywhere else.

Not that he did, of course. Her uncle paid a generous wage to all of the people who worked for him. It was one of the reasons the productions staged at the Gryphon were so good. He encouraged a spirit of co-operation and conviviality unusual in the theatrical world, and because Theodore Templeton was known for giving promising young actors a chance, he never found himself short of talent.

Still, in the end, it all came down to the quality of the play, and, knowing it was too late to do anything about that now, Victoria closed her eyes and whispered a silent prayer to St Gen-esius. It might just be superstition on her part, but she never ventured into a theatre without asking the patron saint of actors for his blessing.

Then, with both her brother’s and Tommy Belkins’s good wishes ringing in her ears, Victoria Bretton—alias Valentine Lawe—walked into the theatre and prepared to face whatever the Fates held in store for her.

The Honourable Alistair Devlin did not make a habit of going to the theatre. It was all right if no other more amusing pastime could be found, but given the choice between watching amateurish productions staged by men and women who suffered from the misguided notion that they could act, or spending the evening in the comfortably masculine ambiance of his club, he would always choose the latter. The only reason he had come tonight was to appease his good friend, Lord Collins, whose repeated requests that he come and see the nubile young actress he was intent on making his newest mistress had finally worn Alistair down.

‘And I dare you to say she is not exquisite,’ Collins said as they settled into their gilt-edged seats at the front of the box.

‘I’m sure she will be all you have promised and more,’ Alistair said, gazing with interest at his surroundings. ‘You have always been an arbiter of female loveliness.’ It was the first time Alistair had ventured inside the Gryphon, but not the first time he had heard about the celebrated theatre. Rumour had it that upwards of eighty thousand pounds had been lavished on the building’s restoration and that a special company had been assembled to grace its stage.

According to Collins—who had already enjoyed an intimate liaison with another young actress from the company—it was not enough that an actor be able to recite his lines without stumbling. He must also be able to portray that character’s feelings in such a way that the audience was moved to laughter or tears, without resorting to the facial contortions and physical gestures so often employed by under-talented performers.

Frankly, Alistair was sceptical. While he knew that some actors were talented enough to pull off such masterful performances, experience had shown him that most tended to fall back on the melodramatic posturings that left him entirely unmoved and prompted audiences to hurl both insults and orange peelings at the stage.

‘By the by, did I mention that Signy has a friend?’ Collins asked. ‘Another actress in the company. You might do well to look her up, given that you’re in the market for that sort of thing.’

‘Thank you, Bertie, but I have absolutely no intention of looking for a new mistress,’ Alistair replied, gazing at the magnificent frescoes overhead. ‘The one with whom I just parted gave a new meaning to the word vindictive.’

Collins had the cheek to laugh. ‘Yes, I did hear something about the glorious Celeste managing to knock over two rather expensive vases on her way out of your house.’

‘Expensive? She wilfully destroyed a priceless Tang horse and a Sèvres vase that have been in my family for generations,’ Alistair murmured. ‘Grandmother Wilson still hasn’t forgiven me for that lapse in judgement.’

Unfortunately, it wasn’t only Celeste Fontaine’s wanton destruction of family heirlooms that had prompted Alistair to end his relationship with her. It was the fact she had lied to him. She had told him to his face that he was the only man with whom she was keeping company, when in fact she had been spending as much time in Lord Lansing’s bed as she had in his.

When Alistair had brought this trifling detail to her attention, Celeste had treated him to a performance that would have done the great Sarah Siddons proud. She had stormed out of the house, somehow managing to consign the two pieces of porcelain to their doom on the way, and the next day, had sent him a scathing letter in which she had told him exactly what she thought of his behaviour, adding that while he was an adequate lover, she believed his skills in bed to be highly overrated.

It was the contents of the letter that had hammered the last nail into her coffin. While not an arrogant man, Alistair took pride in his ability to please the opposite sex. As a callow youth, he had discovered that the sexual experience was heightened if both parties were able to enjoy it, and he had striven to learn the secrets of giving pleasure as well as taking it. So to have his skills in bed mocked by a woman who had never once left him in any doubt as to how much she enjoyed them seemed to him the height of hypocrisy.

Still, he’d managed to have the last word. Only last week, the celebrated courtesan had appeared at his door, saying with every appearance of contrition that she was genuinely sorry for the way she had behaved and that it was only in a moment of weakness she had succumbed to Lord Lansing’s advances. At that point, she had batted her eyelashes and, with tears falling from her famous pansy-blue eyes, had begged him to take her back.

Alistair had not been moved. Giving her a handkerchief to dry her eyes, he had advised her to take herself back to Lord Lansing or whichever gentleman was keeping her and not to trouble him again. The one thing he would not tolerate from those closest to him was deceit. A woman who lied to him once would have no compunction about lying to him again and he had no reason to believe Celeste would not end up back in the arms of the man with whom she had already betrayed him.

Women like that always landed on their feet. Or on their backs, as the case might be.

It was then, as Alistair turned to ask Collins about the evening’s performance, that his attention was caught by a movement in one of the boxes opposite. A young woman had stepped through the curtain and into view, emerging like a radiant butterfly into the sunlight. She was garbed in cream-coloured silk that shimmered with every movement and long, smooth-fitting gloves that covered slender arms from fingers to elbow. Her hair, a soft mist of golden curls, was arranged attractively around her head and, in the flickering light, Alistair saw flashes of crimson at her throat. She paused for a moment to watch the antics of the dandies and young bloods in the pit below, then turned to bestow a smile on the older woman and younger gentleman already seated in the box.

It was the smile that stopped him. As innocent as a child’s, it tugged at something deep within Alistair’s subconscious, reminding him of a time when life was simpler and pleasures more easily found. She looked as though there was nowhere she would rather be and nothing she would rather be doing than sitting in her box watching the performance taking place below.

Was that what drew him to her so strongly? he wondered. The pleasure she took in an activity he and the rest of society took so entirely for granted? Or was it the fact that she was, even to his experienced eye, an incredibly beautiful woman? Draped in silk and chiffon, she had the face of an angel, but a lush, sensual figure that made him think of hot nights between soft sheets and the sweet rush of intimacy as scented limbs wrapped around him and drew him close.

Unfortunately, given that the first thing the lady did was reach for the hand of the gentleman who rose to greet her, Alistair doubted it would be his body she ever wrapped them around. The two soon had their heads close together in conversation, and while it was clear the gentleman was no match for her in appearance or style, there was no denying the strength of the connection between them.

Lucky devil, whoever he was.

Then a ripple of anticipation as a tall and distinguished-looking gentleman walked out on to centre stage. He was dressed all in black, his long cape over breeches and boots giving him a decidedly swashbuckling appearance. Not a young man—his dark hair and beard were liberally threaded with silver and his lined face reflected the experiences of a lifetime. But he had a presence that could not be denied and when he held up one gloved hand, silence descended.

‘Ladies and gentlemen, welcome to the Gryphon. My name is Theodore Templeton and tonight we present for your enjoyment two productions making their début on the London stage. Mi Scuzi, an operetta in Italian by Giuseppe Fratolini, and A Lady’s Choice, a new work by the renowned playwright Valentine Lawe. The inimitable Signy Chermonde will play the role of Elizabeth Turcott opposite Mr Victor Trumphani in the part of Elliot Black. And now I invite you to sit back and prepare to be entertained.’

A polite round of applause greeted his words, as well as the expected whistles and jeers from the dandies in the pit. No sooner had he left the stage than the orchestra began to play and the curtain swept majestically upwards to reveal a setting reminiscent of a Mayfair drawing room, with a single actress, an elderly woman, seated in a wingback chair.

Alistair, who knew all too well that the build up to such productions was often the highlight of the performance, settled back and prepared to be bored.

He was not bored. He was mesmerized, the opening scenes of the play capturing his attention in a way no other stage performance ever had. The plot was intriguing, the dialogue witty and the cast gave such outstanding performances that, as the evening wore on, Alistair found himself growing more and more surprised.

This was not the type of performance he had come expecting to see. Knowing the play to be new and the company young, he had expected the production to reflect those shortcomings. But try as he might, he could find nothing to fault in either the play or in the actors’ portrayals of their characters. Even the rowdies in the pit were silenced.

If this was an example of Valentine Lawe’s talent, Alistair could well understand why the man was so popular. He was actually disappointed when the actors left the stage at the end of the first act.

‘Well, what did you think?’ Collins asked over the sound of enthusiastic applause.

‘That it was far, far better than I expected,’ Alistair said generously.

‘Not the play! Signy! Is she not the most glorious creature you’ve ever seen?’

Alistair frowned. ‘Signy?’

‘The actress playing Elizabeth. Jupiter, don’t tell me you didn’t notice her?’

Alistair glanced down at the stage. Of course he’d noticed her, but as Elizabeth Turcott rather than Signy Chermonde. She was the glorious, titian-haired temptress who had made her first appearance on stage in the guise of an elderly woman sadly recounting the events of her long life, only to reappear in the next scene as a blushing bride on what was clearly the eve of her wedding. ‘Yes, she was beautiful,’ he agreed, ‘but I was more impressed by her talent than I was by her appearance.’

‘Then I can only hope she is as gifted in bed as she was on stage,’ Collins drawled. ‘Speaking of that, what did you think of Miss Lambert? And don’t tell me you didn’t notice her. Old Parker nearly fell out of his box the first time she walked on stage wearing that filmy white nightgown.’

Alistair laughed. ‘Yes, I noticed her. She was very convincing in the part of Miss Tremayne.’

‘Miss Tremayne?’ Collins said. ‘What’s got into you tonight, Dev? The last time we went to the theatre, you couldn’t even remember the title of the play, let alone the names of the characters.’

‘That’s because the play wasn’t worth remembering and the actors were similarly forgettable,’ Alistair remarked. ‘This, however, is a first-class production.’

‘Well, of course it is. Valentine Lawe is fast becoming one of England’s foremost playwrights. Even a Philistine like you must have known that.’

The fact Alistair did not know failed to arouse any feelings of remorse or guilt within his breast. None of his family were ardent theatre goers. His parents refused to go as a result of the tragic events surrounding their eldest son’s scandalous marriage to an actress, and his sister and brother-in-law, the Venerable Simon Baltham, Archdeacon of Swithing, were of the belief that the theatre was a breeding ground for sin. It was their studied opinion that those who disported themselves upon the stage were vain and immoral creatures who sought aggrandisement through their occupations and were possessed of neither high moral fibre nor any discernible degree of integrity.

Ironically, it didn’t stop them from attending the occasional operatic work, but seldom were they heard to praise a performance or to compliment any of the singers.

For his own part, Alistair didn’t care. The only reason he had limited his exposure to the theatre was out of respect for his parents’ sentiments and in an effort to maintain family harmony. A decision he hadn’t come to regret … until tonight.

He let his gaze fall again on the occupants of the box opposite. The young lady was watching the antics of two young men rearranging props on stage, and looked, if possible, even more radiant than she had before the commencement of the first act. Her hand was again clasped in that of the gentleman sitting beside her, and when he leaned over to whisper something in her ear, she laughed and looked up—and, unexpectedly, locked eyes with Alistair across the theatre.

It was a fleeting glance, no more than a few seconds in length, but for the brief space of that time, the noises around him seemed to subside and it was as though only the two of them sat in that crowded theatre. He watched her laughter fade until only the shadow of a smile remained, and though she didn’t acknowledge his gaze, the soft colour blooming in her cheeks told him she was just as aware of him as he was of her.

As her glance slid away, Alistair leaned over to his friend and said, ‘Collins, that woman in the box opposite …’

‘Lady Lucy Prendergast?’

‘No, the box above. Wearing the cream-coloured gown.’

Collins raised his opera glasses and trained them on the lady in question. ‘Ah, yes, Miss Victoria Bretton. Eldest daughter of Mr and Mrs John Bretton.’

‘How is it I haven’t seen her before?’

‘Because you don’t move in the same circles, old boy,’ Collins said, lowering the glasses. ‘The family reside in Kent, but for the last two Seasons, have taken a house in Green Street for the purpose of introducing their daughters to society. Miss Victoria Bretton made her bows last year, and her younger sister, Miss Winifred Bretton, is doing so this Season.’

‘Who’s the man with her?’ Alistair asked ‘Dedicated husband? Devoted fiancé?’

‘Good God, no, that’s Laurence, her brother. Dry as a stick and completely lacking in fashion sense, but frightfully intelligent from what little I’ve heard. Apparently he speaks four languages and knows more about the classics than did most of his professors at Oxford. He and Victoria are said to be very close.’

‘I’m surprised she isn’t married,’ Alistair commented. ‘She is an exceptionally lovely young woman.’

‘True, but she also has a penchant for speaking her mind and you can imagine how well that sits with the society matrons who believe young ladies should be seen and not heard. Also, do you see the rather flamboyant-looking woman seated in the box with her?’

Observing the lady’s flame-coloured gown, her striking blue-black hair and the circle of diamonds flashing at her throat, Alistair said, ‘It would be difficult not to.’

‘Exactly. That is Mrs Anthea Templeton,’ Collins said. ‘Once a celebrated actress, now the second wife of Mr Theodore Templeton, owner of the theatre, and a man who just happens to be Miss Bretton’s uncle.’

‘Ah. So her family connections are not the best.’

‘That’s putting it mildly. Templeton left his first wife for the lovely Anthea—who was rumoured to be playing Juliet to his Romeo at the time—and the two set up housekeeping without the benefit of marriage. They continued to live and act in that blissfully unwed state for several more years before coming to London and setting up shop here. Needless to say, Mrs Templeton has not been embraced by society.’

‘Hardly surprising,’ Alistair said. ‘She is no doubt accused of stealing Templeton from his wife and blamed for the demise of his marriage.’

‘Of course, and the fact that Miss Bretton seems to enjoy her aunt’s company naturally reflects badly on her. As does the fact that she has an unfortunate fondness for mingling with the cast.’

Alistair raised an eyebrow. ‘She fraternises with the actors?’

‘Oh, yes. Usually in the company of her brother, but she has been known to venture backstage alone,’ Collins said. ‘And while that is perfectly all right for him, it is not the thing for her.’

No, it wasn’t, Alistair reflected as he watched the actors return to the stage for the start of the second act. It was all right for a young lady to go to the theatre and even to express enthusiasm for the performance she had seen, but it was not the thing to be spotted in the company of actors. While Alistair didn’t agree with his brother-in-law’s sweeping condemnation of all stage performers, he knew that many were possessed of questionable morals and that spending time with such people was frowned upon by those in good society. He was surprised Miss Bretton’s parents would allow her to jeopardise her reputation by frequenting such a place, even if she did so in the company of her brother.

‘By the by,’ Collins said, ‘is it true you’ve stopped seeing Lady Frances Shaftsbury? I thought the two of you were as good as engaged.’

‘We were, until I found out Lady Frances was equally enamoured of the Marquess of Kope-ham,’ Alistair said distantly. ‘If I cannot trust a woman to tell me the truth before we’re married, what hope is there for honesty after the vows are taken?’

‘All women lie, Dev. Harkens back to the Garden of Eden,’ Collins said. ‘Eve probably told Adam nothing would happen if he bit into the apple, and we all know how wrong that went.’

‘Fortunately, there are more women in the garden now and a man isn’t compelled to marry the first one that comes along.’

‘Perhaps, but attractive daughters of wealthy earls don’t come along every day either.’

‘No, but I will not suffer the company of a woman who lies. Secrets may abound in society, but they have no place in the relationship between a husband and his wife,’ Alistair said. ‘If I cannot trust the woman to whom I would give my name, I would rather not give it at all.’ For a moment, his gaze returned and lingered, somewhat regretfully, on Victoria Bretton. ‘Life is unpredictable enough. No point making it worse by starting everything off on the wrong foot.’

Chapter Two

A Lady’s Choice was an amusing satire about the foibles of married life. It was clever without being condescending, moralistic without being straitlaced, and funny without being ribald. Alistair actually found himself chuckling at the subtle innuendos flying back and forth and was moved to think that Valentine Lawe was a man who understood the ups and downs of marital relationships.

As such, when the actors delivered their final lines and Mr Templeton walked back on to the stage, Alistair rose to his feet along with the rest of the audience to pay the cast a long and well-deserved tribute.

‘Thank you, ladies and gentlemen,’ Templeton said. ‘I am gratified by your response and delighted that A Lady’s Choice has lived up to your expectations.’

‘Where’s Valentine Lawe?’ shouted a voice from the audience.

The cry was picked up and echoed throughout the theatre, but Templeton only shook his head. ‘I regret to inform you that Mr Lawe is not with us this evening, but I thank you on his behalf and will be sure to communicate your pleasure to him. And now, I am pleased to introduce the talented members of the cast.’

‘Here we go,’ Collins whispered in Alistair’s ear. ‘Pay attention. You’re looking for Signy and Miss Lambert.’

The performers came out two by two, with the lesser members of the cast leading the way. A young actress whose performance had greatly impressed Alistair turned out to be a Miss Catherine Jones, who took her bows with the portly gentleman who had played the vicar. Miss Lambert, a buxom blonde with a voluptuous figure, came out with the older woman who had played the part of Elizabeth’s mother.

Collins nudged Alistair in the ribs. ‘There. Take note so you can find Miss Lambert later on.’

Alistair smiled, but saw no point in telling his friend he would have been far more inclined to approach the sylph-like Miss Jones than the overblown Miss Lambert.

Then Signy Chermonde and Victor Trumphani made their entrance to a thunderous round of applause. Signy was truly a beautiful woman and Alistair had no doubt she would enjoy an illustrious career both on and off the stage. Trumphani, too, possessed the kind of polished masculine appeal that would appeal to débutantes or duchesses, and after taking their final bows, the pair stepped back to let Mr Templeton reclaim centre stage.

‘Thank you, ladies and gentlemen. I know I speak for Valentine Lawe when I say how pleased I am by your response to A Lady’s Choice. I hope you will come back and enjoy it again. Now, after a brief musicale interlude, we present Mi Scuzi!’

Not surprisingly, a good portion of the audience stayed on its feet to get a better look at the people around them, but, having fulfilled his obligation, Alistair decided it was time to leave. Collins would no doubt abandon him to seek out his hoped-for new ladybird, and given that the occupants of the box opposite had already left, Alistair saw no point in staying for the operetta. His grasp of Italian was such that he could follow the lyrics if they were sung with any degree of proficiency, but he feared an English soprano with no ear for the language would mangle it beyond all hope of recognition. Better he leave now while he could still take away a favourable impression of the evening.

He was almost at the door when he saw her. Victoria Bretton was standing alone in the vestibule, her head down, her attention focused on the evening cape in her hands. She seemed to be attempting to undo a knot in one of the ribbons, but her efforts were hampered by the weight of the garment and by the constant brushing of people as they passed.

Clearly, the lady was in need of assistance.

Alistair slowly made his way through the throng and stopped a few feet away from her. She truly was a pleasure to behold. Her face was a perfect oval set upon a slender neck that rose from smooth shoulders seductively displayed by the low bodice of the gown. As he moved closer, his gaze dropped to the rubies nestled in the shadowy cleft between her breasts, aware that the stones were almost as magnificent as what they were nestled in …

‘Can I help you, sir?’

The tone, completely at odds with the colour blossoming in her cheeks, caused Alistair to smile. ‘Forgive me, Miss Bretton. I was lost in admiration of your necklace.’ His gaze rose to a pair of bright blue eyes framed by long lashes under an artful sweep of honey-gold brows. ‘It is … a striking piece.’

‘It is a replica of one given to an Egyptian princess by a devoted swain. My aunt was kind enough to lend it to me for the evening.’ Her chin rose, but her colour remained high. ‘May I ask how you know my name?’

‘I noticed you when you walked into your box,’ Alistair said, seeing no reason to dissemble. ‘When I asked my companion who you were, he kindly vouchsafed your name. May I?’ he asked, indicating the cloak. ‘Undoing knots is a speciality of mine.’

She glanced down at the twisted ribbons and, after a moment, said ‘thank you’ and handed the cloak to him, adding, ‘Was there a reason you wanted to know who I was?’

‘Curiosity.’ Alistair tucked the garment under his arm and set to work. ‘Most people prefer to observe the antics going on around them than the ones taking place on the stage. You were clearly more interested in the play.’

‘It is the reason I come to the theatre,’ she said simply. ‘If I wished to observe society at play, I would go to one of the many soirées held for that purpose.’ There was a brief pause before she said, ‘Why did you come to the Gryphon tonight? To see the play or to watch the other entertainments taking place?’

Alistair smiled. It seemed Collins hadn’t been mistaken when he’d said that Miss Bretton was fond of plain speaking. ‘I came to see the play.’

‘And what did you think of it?’

‘That it was humorous, well plotted and skilfully enacted.’

‘Then you enjoyed it?’

‘I did.’

‘Do you come often to the theatre, Mr—?’

‘Devlin. And, no, I do not.’ The knots untied, he shook out the cloak. ‘On the few occasions I have, I’ve found the farces ridiculous, the historical adaptations weak and the melodramas pathetically overacted.’

‘But you did not feel that way about this play?’

‘No. I was caught up in the story from beginning to end,’ Alistair said, placing the velvet cloak around her shoulders. ‘Something rather rare for me and I admit to being pleasantly surprised.’

Then she did smile. Gloriously. Without reservation. The way she had smiled at her brother earlier—and the words were out of Alistair’s mouth before he even realised he was thinking them. ‘Miss Bretton, I wonder if I might call upon you tomorrow morning.’

Her eyes widened, but she did not blush. ‘It is very kind of you to ask, Mr Devlin, but I’m afraid I have a prior engagement.’

‘Of course. Tomorrow afternoon?’

‘I’m not sure what time I shall be home.’

‘The following day, then?’

This time, a hint of colour did rise to her cheeks. ‘Mr Devlin, pray do not think me rude or unkind, but there really is no point in you calling. You have told me all I wanted to hear.’

‘About the play, perhaps, but there is so much more—’

‘Actually, there is nothing more,’ she interrupted. ‘I appreciate the trouble you went to in finding me, but it would be best if you did not pursue this. It is evident we would not suit.’

‘Not suit?’ He gazed at her in confusion. ‘How can you say that when you know absolutely nothing about me?’

‘Ah, but I do know something about you, Mr Devlin, and it is that which compels me to demur. Good evening.’

With that, she walked towards the double doors where her brother was waiting for her and, slipping her hand into the crook of his arm, left the theatre with him.

Too bemused to offer a reply, Alistair watched them go, aware that for the first time in his life he was actually at a loss for words. The lady had put him off! He had gone to the trouble of tracking her down and of making his interest known—and she had put him off. Not because she hadn’t known who he was—but because she had!

‘What, still here, Dev?’ Collins said, sauntering across the floor to join him. ‘I thought you left half an hour ago.’

‘I did, but I ran into Miss Bretton and stopped to have a word.’

‘How providential,’ Collins drawled. ‘Well, what did you think? Was she as tactless and unpredictable as I led you to believe?’

The question recalled Alistair to the lady’s parting words. ‘I appreciate the trouble you went to in finding me, but it would be best if you did not pursue this. It is evident we would not suit.’

‘She was far from tactless, but I am not convinced that meeting me was the highlight of her evening,’ Alistair said drily.

‘Nonsense! Any girl would be delighted at being singled out for attention by a nonpareil like you.’

Alistair didn’t bother telling his friend that Miss Bretton hadn’t seemed at all delighted by her so-called good fortune. On the contrary, she seemed genuinely convinced they had nothing in common—and, irrationally, that irked him. While it was true they might not have anything in common, how could she know until they’d had an opportunity to spend some time together? A man deserved a chance to fall from grace before a lady cast him out. Surely it was only fair he be given that chance before being dismissed out of hand.

Victoria had not spent many hours in sleep that night. How could she have slept when everything within her was shouting with joy! She had wanted to dance across the rooftops, to shout her happiness from the top of St Paul’s.

A Lady’s Choice had been a success! The cast had recited their lines to perfection, the scene changes had gone without a hitch and the musicians had timed their crescendos and pianissimos exquisitely. If she died this very instant, she would go to heaven with the most contented smile on her face.

The fact she had spent time talking to one of London’s most eligible bachelors really had nothing to do with it. It had been pleasant to bandy words with the gentleman and flattering to know that he was interested in calling upon her, but at the moment, there was no room for romance in Victoria’s life. And certainly not with a man like that!

‘Alors, you are finally awake!’ her maid said, appearing at Victoria’s bedside with a cup of warm chocolate. ‘And looking very ‘appy.’

‘That’s because I am happy, Angelique.’ Victoria sat up and stretched her arms over her head. ‘It was a very good night.’

‘Zey liked your play?’

‘They loved my play! The applause went on for ever and the cast was called back three times to take their bows!’

‘Bon! Did I not tell you it would be so?’

‘Oh, yes, you can say that now when you know everything turned out well. That isn’t what we were saying this time yesterday. At least,’ Victoria added with a frown, ‘it wasn’t what I was saying.’

‘Zat is because you do not ‘ave enough confidence in yourself.’

‘That’s not true! I do have confidence in myself, but I write plays that suit me. I don’t always know if they will suit my audience.’

‘Of course zey will suit your audience,’ the feisty little maid said. ‘You are very good at what you do! Your uncle tells you so all ze time.’

Yes, because Uncle Theo had always been one of her most staunch supporters, Victoria reflected. He was the one who had encouraged her to write, impressing upon her the importance of allowing her artistic side to flourish, no matter what her mother or the rest of society thought.

Speaking of her mother … ‘I don’t suppose you’ve seen Mama yet this morning?’ Victoria enquired.

When Angelique didn’t answer, Victoria turned her head—and saw the answer written all over the maid’s face. ‘Ah. I see that you have.’

‘Do not take it to ‘eart, mademoiselle,’ Angelique said quickly. ‘Madame Bretton does not love le théâtre as you do. She would prefer zat you find a nice man and get married.’

‘Yes, I know, but a nice man won’t let me write plays,’ Victoria pointed out. ‘He will expect me to sit at home and knit tea cosies.’

‘Tea … cosies?’

‘Hats for teapots.’

‘Your teapots wear ‘ats?’ Angelique frowned. ‘You English are very strange.’

Victoria just laughed and sent the maid on her way. She sometimes forgot that while Angelique knew everything there was to know about taking care of a lady, she was far less adept when it came to making conversation with one. Still, it came as no surprise to Victoria that her mother wasn’t pleased about her success at the theatre last night. Having been raised in a rigidly moralistic house where the only occupations deemed acceptable for a woman were those of wife and mother, Mrs Bretton decried the idea of her eldest daughter doing anything else.

A lady did not involve herself with the world of the theatre. A lady did not write plays that poked fun at members of society. And a lady did not discourage gentlemen who came up to them and made polite conversation, the way the dashing Mr Alistair Devlin had last night.

Oh, yes, she’d known who he was. Between her mother pointing him out to her at society events and listening to Winifred go on about him until she was tired of hearing his name, Victoria knew all about Alistair Devlin. The man owned a string of high-priced race horses, kept a mistress in Kensington and a hunting box in Berkshire, and was equally skilled in the use of pistol or foil. He patronized Weston’s for his finery, Hobbs’s for his boots and Rundell and Bridge for his trinkets.

He was also a viscount’s son—a man who moved in elevated circles and who possessed the type of wealth and breeding that would naturally preclude her from being viewed as a potential marriage partner. Her mother had been right in that regard. Refined ladies did not direct plays or go backstage to mingle with actors and actresses. And no one but a refined lady would do for Lord Kempton’s heir. As it was, Devlin’s sister was married to an archdeacon, and for all Victoria’s being the granddaughter of a minister, it would not be good enough for Devlin’s family, so why bother to pretend the two of them stood any chance of finding happiness together?

Victoria was almost at the bottom of the stairs when she heard raised voices coming from the drawing room. But when she recognised two of them as belonging to her Aunt and Uncle Templeton, she quickly changed course and headed in that direction. Given the lack of warmth between her mother and her father’s brother and wife, Victoria had to wonder what had brought them to the house so early in the day. She opened the drawing-room door to see her mother standing ramrod straight by the window and her father, looking far from relaxed, sitting in his favourite chair. Her uncle stood in the middle of the room and her aunt, flamboyant as ever in an emerald-green gown and a glorious bonnet crowned with a sweeping peacock feather, lounged on the red velvet chaise.

It looked for all the world like a convivial family gathering—until Victoria realised that no one was smiling and that the tension was thick enough to cut with a knife. ‘What’s wrong?’ she asked, looking to her father for an explanation.

It was her uncle who answered. ‘Victoria, my dear, I have just informed your parents of your stunning success at the Gryphon last night.’

‘And I have been trying to tell your uncle it is not a success!’ Mrs Bretton snapped. ‘It is an abomination.’

‘Come now, my dear,’ her husband said. ‘I think abomination is doing it up a little strong.’

‘Do you, Mr Bretton? Well, let me tell you what I think is doing it up a little strong. Your brother, trying to make us believe that Victoria has done something wonderful when anyone in their right mind would tell you she is making a fool of herself!’

‘Oh, Susan, you are completely overreacting,’ Aunt Tandy said with a long-suffering sigh. ‘Victoria did not make a fool of herself last night. Her work was applauded long and loud by every person in that theatre. Your daughter is a brilliant playwright—’

‘My daughter is a lady! And ladies do not write plays!’ Mrs Bretton said, enunciating every word. ‘They do not produce plays. And they certainly do not tell other people how to act in plays. Ladies embroider linens. They paint pictures. And they get married and have children. They do not spend their days at theatres with the most disreputable people imaginable!’

‘Here now, sister-in-law, I’ll have you know that not all actors are disreputable!’ Uncle Theo objected.

‘Indeed, I had a sterling reputation when I met Theo,’ Aunt Tandy said. ‘And contrary to popular opinion, I was a virgin at the time.’

‘Oh, dear Lord, must we be subjected to this?’ Mrs Bretton complained. ‘Will you not say something, Mr Bretton?’

Victoria looked at her father and wished with all her heart that she could have spared him this inquisition. He was a gentle man who disliked confrontation and who had spent most of his life trying to avoid it. Pity that his only brother and sister-in-law, both of whom he adored, should be the two people his wife resented more than anyone else in the world.

‘I’m not sure there is anything to be said, my dear,’ he said. ‘I cannot help but be proud of what Victoria has accomplished—’

‘Proud? You are proud that our eldest daughter has to pretend to be a man because if anyone found out what she really did, we would be cut by good society?’ Mrs Bretton demanded. ‘You are proud that she spends her days with actors and actresses and avoids the company of fine, upstanding people?’

‘I do not avoid their company, Mama,’ Victoria said. ‘In truth, they have become the source of some of my most amusing and successful characters. Nor do I think my conduct is putting anyone in this family at risk. I have been very careful, both about what I say and about how I behave when in society because I know there is Winifred’s future to consider and I am very cognisant of that. But to suggest we would be cut is, I think, going a little far. Other ladies write plays—’

‘I do not care what other ladies do!’ her mother snapped. ‘I care about what you do and how it affects your future. Something you seem not to care about at all! Spending all that time at the theatre and consorting with people like that is not good for your reputation.’

‘I am well aware that certain people think Laurie and I spend too much time at the theatre,’ Victoria allowed, ‘but surely the fact that Uncle Theo owns the Gryphon excuses us to some degree.’

‘It does not excuse you, and in truth, I blame him for everything that’s happened!’ Mrs Bretton said coldly. ‘If he had not encouraged you when you first went to him with your stories, we would not be having this conversation now. You would be doing the kinds of things a lady of good birth should be doing.’

‘What, like taking a lover thirteen months after she married and produced the requisite heir?’ Uncle Theo said laconically.

Mrs Bretton’s face flushed crimson. ‘I beg your pardon?’

‘Haven’t you heard? Lady Tavistocke went to Venice and took up with a gondolier,’ Uncle Theo said. ‘Shocking scandal. Poor old Reggie Tavistocke doesn’t know what to make of it.’

‘Mind, you can’t blame the poor girl, darling,’ Aunt Tandy said. ‘Reggie is getting on for sixty, after all, and you know how dashing Italian men can be. And gondolas are very comfortable. I’ve always thought the movement of the water very conducive to—’

‘Enough!’ Mrs Bretton shrieked. ‘Get out of my house! Both of you!’

‘In point of fact, this is my house, Susan,’ Uncle Theo said amiably. ‘And one I am very pleased to have you and my brother staying in. However, perhaps it is best we leave you to your discussions. Just don’t be too hard on Victoria. She is not in the least deserving of it. Speaking of which, there is something I would like to say to her before we go.’

‘Something we wish to say,’ Aunt Tandy corrected him with a smile.

‘Of course, my darling, something we wish to say. And that is, how very proud we were of you last night, Victoria. After you left, I had a visit from Sir Michael Loftus—’

Victoria gasped. ‘Sir Michael!’

‘Yes, and he was very impressed with your latest play. Or rather, with Valentine Lawe’s latest play. He thought it was … now, how did he phrase it exactly? “A comedy of stunning brilliance exquisitely characterised and plotted with a deft hand.”’

Victoria gazed at him in wonder. ‘Sir Michael Loftus said I had a deft hand?’

‘Those were his very words.’

She was floating on air. Euphoric. To have received such praise from one of the foremost critics in the theatre. She must surely be dreaming …

‘And you looked absolutely beautiful,’ Aunt Tandy said, giving Victoria an affectionate hug. ‘I noticed several gentlemen watching you throughout the evening, Lord Vale and Mr Chesterton amongst them, and I hear even the top-lofty Mr Devlin stopped to speak to you.’

‘Mr Devlin?’ Mrs Bretton said with a gasp. ‘Lord Kempton’s heir spoke to you and you did not think to tell me?’

Victoria blushed, uncomfortably aware that her mother was staring at her with a mixture of astonishment and reproach. ‘There really wasn’t any point, Mama. We were not formally introduced and spoke only about the play.’

‘But he engaged you in conversation,’ Mrs Bretton persisted. ‘Without benefit of introduction. He must have had a reason for doing so.’

‘He thought I was in need of assistance,’ Victoria said, her cheeks warming at the memory of his long, slender fingers undoing the knots in her ribbons … and of her turning down his request that he be allowed to call upon her. ‘I’m sure it was nothing more than that.’

‘Unfortunately, I tend to agree with Victoria,’ Uncle Theo said, starting for the door. ‘Women have been chasing Devlin since he was a boy, but no one’s been able to catch him. I thought Lady Frances Shaftsbury was close to doing so earlier in the year, but even that appears to have cooled. And given Lord Kempton’s resentment towards the theatrical world, I’d venture to say there’s absolutely no chance of him allowing his eldest son and heir to pursue a relationship with Victoria.’

‘But you just said no one knows Victoria is Valentine Lawe,’ Mrs Bretton remarked. ‘Why should that have any bearing on Mr Devlin’s interest in her?’

‘Because he will find out in the end, and I don’t want to see Victoria left with a broken heart because the man cannot return her love,’ Theo said. ‘And I know that’s how it will end. But come, Tandy, my dear, we must be getting back. Rehearsals start in less than two hours.’

‘Yes, of course,’ Aunt Tandy said. ‘Will you be coming tonight, Victoria?’

‘No, she will not be coming!’ Mrs Bretton snapped in vexation. ‘We are expected at Lord and Lady Holcombe’s musicale this evening. All of us.’

‘Pity,’ Uncle Theo said. ‘As it happens, we’re sold out again. But then I expect we’ll be sold out most nights from now on and I don’t suppose you will be able to attend every performance.’

‘She most certainly will not.’

‘But I will be there as often as I can,’ Victoria said firmly. Her sister might have come to London to find a husband, but her main purpose in being here was to see her play, and as many times as she could! ‘Thank you both for coming. I can’t imagine a nicer way to begin my day.’

‘Our pleasure, my dear.’

They departed noisily, shouting goodbyes and congratulations as the drawing-room door closed behind them. Left alone with her parents, Victoria didn’t know what to say. The joy she’d felt earlier was gone, trampled into the dust by her mother’s patent displeasure.

Unfortunately, silence was not a problem from which her mother suffered. ‘Really, Mr Bretton, if it weren’t for the fact that you and your brother are so close, I would not allow him or that woman in my house,’ she said huffily.

‘That woman happens to be your sister-in-law,’ her husband reminded her. ‘And denying them entrance would be difficult given that, as Theo pointed out, he does own this lovely house and several others in the area.’

‘A fact he throws at us at every opportunity,’ Mrs Bretton said bitterly. ‘Oh, how I wish we had the wherewithal to do without him.’

‘But we do not, so there is no point in wishing it true. Personally, I am very grateful to my brother for all he’s done for us. You might find it in your heart to show him a little more gratitude.’

‘Gratitude? You expect me to show gratitude to a man who earns his living from the stage and who left his first wife to marry that wretched actress?’

‘As a matter of fact, I do. You may not approve of Theo and Tandy, but I will not hear you denigrate them,’ her husband said quietly. ‘If you cannot bring yourself to say anything kind, I suggest you say nothing at all.’

The gentle reprimand was clearly too much for Victoria’s mother. Stamping her foot, she turned and flounced out of the room, prompting Victoria to offer her father a sad smile. ‘I’m so sorry, Papa. I never meant to bring all of this down on your head.’

‘You’ve not brought anything down on my head, Victoria, so don’t even think to malign yourself in such a way. Though I know it is best not to say so in your mother’s hearing, I am very proud of you. Writing a play is no small feat, and to have written four that have received such critical acclaim is worthy of commendation. I certainly couldn’t have done it, but I’m as proud as punch that you have.’

‘Oh, Papa, you are so good.’ Victoria put her arms around his neck and hugged him. ‘I don’t know what I would do if both you and Mama despised the theatre.’

‘I dare say it would be an impossible situation for all of us,’ her father agreed. ‘But, like it or not, your aunt and uncle’s success in the theatre is what allows us to stay in this fine house. They have certainly been good to you, reading your work and producing your plays while making sure no one finds out who Valentine Lawe really is. We owe them a great deal, yet they ask for nothing in return and seem willing to turn a deaf ear to your mother’s criticisms.’

‘Indeed, they are exceedingly generous and forgiving,’ Victoria agreed. ‘I like to think my adding to the success of the Gryphon is in some small way a repayment for everything they’ve done for me. I only wish Mama could find it in her heart to be kinder to them … and to be happier about my own success. I don’t like knowing I am the cause of so much grief within the family.’

‘I know that, child, but your mother will be fine. She is just afraid you will be found out. You cannot disagree that the nature of what you write would make you unpopular in certain drawing rooms if your identity were to become known,’ her father said. ‘And given that a large part of the reason for coming to London was to try to settle you and your sister in marriage, we must do whatever we can to present you in the best light possible. Personally, I think you’ve done an admirable job of keeping the identity of Valentine Lawe a secret.’

‘I gave Mama my promise I would.’

‘Just so. As to your spending more time at the theatre than other young ladies, I suppose it isn’t a good idea, but Laurence is with you and no one could ever accuse him of moral misconduct.’

‘No, though I wish he would make more of an effort socially,’ Victoria said with a sigh. ‘He is so quiet and reserved most women tend to overlook him.’

‘He is a scholar, my dear, and scholars are not, by nature, outgoing fellows. But I have no doubt that when the right woman comes along, Laurence will sit up and take notice. And I fully expect to see a very different side to your brother when that happens.’

‘Well, all I can say is that I hope she loves the theatre as much as he does. I’ve often wondered if he didn’t have a secret longing to tread the boards himself.’

‘Perish the thought! That would put your poor mother into Bedlam,’ her father said drily. ‘Now, off you go and talk to her about this evening’s event.’

‘Yes, I suppose I must.’ Victoria’s face twisted. ‘I don’t mind the Holcombes so much, but they really do invite the stuffiest people to their soirées.’

‘I know, but it will be good for you to be seen in society for a change. It’s time you gave some thought to settling down. Lord knows it’s all your mother thinks about, and now that Winifred is out, it behoves you to marry well in order that she can do the same. I believe Henry Fulton was rather taken with her last night.’

‘And why would he not be taken with her? Winifred is beautiful and accomplished and she will make some man an excellent wife,’ Victoria said generously. ‘But what man is going to want me, Papa? A woman who writes plays and even takes a hand in producing them? I am destined to become an ape-leader.’

Her father chuckled. ‘Nevertheless, you must make an effort. Marriage will give you a home and children of your own, and who knows? If you have enough, you might be able to form your own troupe!’

Victoria burst out laughing. Only her father would say something like that—and only when her mother wasn’t in the room. ‘Dearest Papa. I hate to think what Mama would say if she heard you trying to persuade me in such a manner.’

‘No more than I, Victoria,’ her father replied with a smile. ‘No more than I.’

Chapter Three

Lord and Lady Holcombe lived in a magnificent house filled with more exquisite artwork than many of London’s finest museums. The walls were covered with paintings by every famous painter, living and dead, and entire rooms had been given over to showcase the hundreds of sculptures and historical relics Holcombe had collected during his travels around the world.

Meandering through one such room filled with ancient Roman artefacts, Alistair stopped to admire a jewel-encrusted dagger and wondered if anyone would notice if he slipped out through the French doors. As much as he liked the marquess and his wife, they really did invite the most boring people to their gatherings. If he heard one more lurid tale about Lady Tavistocke taking up with a gondolier, he would go mad! Surely there were more interesting topics to discuss? The deplorable conditions in the East End. The bodies found floating in the Thames. Riots and child labour and conditions in the mills. Anything but this mindless prattle …

‘—think Shakespeare was intent on pointing out the frailty of the human mind,’ he heard a woman say. ‘Lady Macbeth was clearly mad, but was it due to the guilt she felt over the murder she convinced her husband to commit, or as a result of her own unending quest for power?’

Alistair frowned. A bluestocking at the Holcombes’?

He turned to see who was speaking—and promptly bumped into another young lady who had clearly been waiting to speak to him. ‘I beg your pardon—’

‘No, that’s all right, Mr Devlin,’ the lady said, blushing furiously. ‘It would be difficult not to bump into someone with so many people crammed together in one place.’

She smiled up at him in a manner that led Alistair to believe they had previously been introduced, but while her face was familiar, her name escaped him entirely. ‘Are you having a good time, Miss …?’

‘Bretton.’ She pouted prettily. ‘We met two weeks ago at the Roehamptons’ reception. I was hoping you might remember me.’

He didn’t remember her. He remembered her name. ‘You’re Victoria Bretton’s sister?’

Her smile faltered, as though he had said something distasteful. ‘Yes. Do you know my sister?’

‘We met last night at the Gryphon.’

‘You spoke to Victoria?’

‘Indeed. I had the pleasure of conversing with her at the conclusion of the play.’

‘A play, which, as I recall, you enjoyed very much.’

Alistair smiled. Oh yes, he knew that voice. Lower pitched and decidedly less breathless, it was not in the least anxious or in any way eager to please. ‘Good evening, Miss Bretton.’ He turned to find the elder Miss Bretton looking up at him. ‘What a pleasure to see you again.’

‘How nice of you to say so. Mr … Devlin, wasn’t it?’

Her deliberate hesitation made him smile. ‘I’m flattered you would remember.’

‘Why would I not? It was only last night.’

‘Yet how long the night seems to one kept awake by pain.’

She raised an eyebrow in surprise. ‘I doubt you were in pain, Mr Devlin. Unlike Saurin’s Guiscard.’

‘Ah, but you do not know how I suffered in being so cruelly dismissed.’

The effect of this rejoinder was to make her laugh. ‘You were not dismissed. And even if you were, it was not with any degree of cruelty.’

‘Victoria, how nice of you to join us,’ her sister interrupted in a chilly voice. ‘When last I saw you, you were enjoying the pleasure of Mr Compton’s company.’

Alistair frowned. ‘Mr George Compton?’

‘Yes. Victoria was partaking in a most lively conversation with him.’

‘It was not a lively conversation, nor did I particularly enjoy it,’ Victoria said. ‘I made the effort because Mama asked me to, but having now fulfilled my social obligation, I am ready to go home. She sent me to ask if you would like to leave as well.’

‘I would rather not.’ Winifred sent Alistair a coquettish glance. ‘I am enjoying a conversation with Mr Devlin.’

‘So I see. Unfortunately, Mama said that if you were not ready to leave, she would like you to keep her company for a while. Papa is playing cards and you know she doesn’t like to be left alone at these large gatherings.’

‘But surely you can keep her company,’ Winifred said. ‘You don’t have to go home right away.’

‘In fact, I do. I promised Laurence I would help him with a project and I know he would like to work on it this evening. I am sorry, Winnie,’ Victoria said gently, ‘but I really do have to leave.’

Alistair wisely remained silent. It was obvious the younger Miss Bretton wasn’t happy at being summoned back to her mother’s side, but equally obvious that she knew better than to make a scene in front of an eligible gentleman.

‘Oh, very well.’ Winifred glared at her sister, then turned to offer Alistair an apologetic smile. ‘I’m sorry we are unable to finish our conversation, Mr Devlin. I hope we will have an opportunity to do so the next time we meet.’

‘I look forward to it, Miss Winifred.’

It was the polite thing to say, and when Alistair saw the sparkle return to the girl’s lovely green eyes, he knew it had been the right thing. But he waited until she was safely out of range before saying to the lady who remained, ‘Is your sister always so brusque, Miss Bretton?’

‘Only with me.’ Her smile appeared, but Alistair thought it vaguely preoccupied. ‘She can be exceedingly pleasant to people whose company she enjoys.’

‘She doesn’t enjoy yours?’

‘My sister does not entirely approve of me. She believes I am too opinionated and that I speak my mind when I would do better to keep silent. She also thinks I spend too much time at the theatre associating with people who are not worthy of my regard. An opinion shared by my mother and a number of others in society, I suspect.’

‘They are not wrong,’ Alistair pointed out bluntly.

‘No, but I would be lying if I said it bothered me enough to make me stop,’ she told him. ‘I enjoy spending time at the theatre. I appreciate the beauty of the language, the intricacies of the plays and the diverse talent of the actors and actresses. Had circumstances been different, I wonder if I might not have enjoyed being an actress.’ She gazed up at him without apology. ‘Does that shock you?’

‘You must know that it does. Most ladies take pleasure in more traditional pastimes such as reading and needlework. Activities that do not put their reputations at risk.’

‘Yet you believe what I do jeopardises mine?’

‘You’ve just said that it does, yet you do not seem to care.’

‘Why pretend concern where none exists?’

‘For appearances’ sake?’

She laughed, a low, throaty sound that did the strangest things to his equilibrium. ‘I am past doing things for the sake of appearances, Mr Devlin. Though you cannot be expected to know, I come from a rather unusual family. We are the equivalent of Lady Tavistocke and her gondolier … without Venice and its canals. And before you find yourself tarred by the same brush, I suggest you make good your escape.’

‘My escape?’

‘From my company. I did warn you last night.’ It took Alistair a moment to tie the two together. ‘Is that what you meant when you said we should not suit?’

‘In part. Look around if you don’t believe me,’ she advised. ‘But be subtle, if you can.’

Alistair casually turned his head—and saw a group of dowagers quickly avert their eyes. Standing just behind them, an earl and his countess abruptly resumed their conversation, and as he secured two glasses of champagne from a passing waiter, he observed the top-lofty Mrs Howard draw her daughter away. ‘Good Lord, is it always like this?’

‘No. Sometimes it’s worse.’

‘Then why do you come?’

‘Because Mama insists upon it. She is anxious for me to marry so that my sister can do the same. Hence the required conversation with Mr Compton.’

Alistair snorted. ‘The man has four unmarried sisters at home. What kind of welcome do you think you would receive in an establishment like that?’

‘None, but the fact I would have my own establishment is reason enough for my sister to believe I should make the effort.’

‘Nothing would be reason enough to encourage George Compton,’ Alistair said. ‘As for your reception here, surely there are places you could go where you would be made to feel more welcome.’

‘Actually, I don’t do so badly. My uncle and Lord Holcombe did some business together last year and ever since, Lord and Lady Holcombe have been very welcoming towards us.’

Alistair watched Victoria raise the glass to her lips, his gaze lingering on the tempting curve of her bottom lip. ‘So your uncle owns the Gryphon Theatre?’

‘Yes. Does that surprise you?’

‘Only in that if your mother is unhappy with the amount of time you spend at the theatre, I cannot imagine how she reconciles herself to the fact that her brother owns one.’

‘With great difficultly, but as it happens, Uncle Theo is Papa’s brother.’

‘But his name is Templeton.’

‘My uncle did that out of kindness to Mama,’ Victoria explained. ‘He was performing with a small repertory company when my parents met. Naturally, being the daughter of a minister, Mama was horrified that her future brother-in-law was on the stage, so hoping to make relations between them easier, my uncle assumed the surname of the first character he ever played. It made matters better at the time, though once he started buying up large chunks of property in London, I don’t think anyone cared.’

‘So your uncle is an actor.’

‘Was an actor. He gave up performing not long after he married my aunt.’

‘Who, I believe, is also an actress?’

‘Yes, but she seldom appears on stage any more,’ Victoria said. ‘They are both more involved in the production end of things now. Pity, really, since they were both exceptional performers.’

Alistair stared at her in bemusement. A stunning young woman, eldest daughter of a gentleman, speaking not only without embarrassment about the black sheep of her family, but with admiration …?

‘Devlin, where on earth have you … oh, I beg your pardon.’ Lord Collins came to an abrupt halt. ‘I wasn’t aware that you and the lady were engaged in a conversation.’

‘Then you’re the only one in the room who isn’t,’ Alistair drawled. ‘Miss Bretton, I believe you are acquainted with Lord Collins?’

‘Indeed, I’ve seen him at the Gryphon quite often of late,’ Victoria said with a smile. ‘I believe he has a fondness for Miss Chermonde.’

To Alistair’s delight, Collins actually blushed. ‘The lady and I are … acquainted, yes.’

‘Then a word of advice, my lord,’ Victoria said. ‘As my uncle is aware of your … acquaintance with Miss Chermonde, I feel it only fair to warn you that, if you do anything to adversely affect the quality of her performance, he will take you to task. My uncle demands a great deal from the members of his troupe and if an actor or actress delivers a substandard performance, he will be looking to know the reasons why. And I should tell you that in his younger days, he had quite a reputation as a pugilist.’

Collins’s blush receded, leaving his face starkly white. ‘I appreciate the warning, Miss Bretton, but I can assure you I would never treat Miss Chermonde with anything but the utmost respect and I intend to shower her with gifts that will keep her very happy indeed.’

‘Good. Just please do not feed her oysters,’ Victoria said with a sigh. ‘She will ask for them, but they make her sneeze and that ruins her voice for a good day and a half.’

‘Then there will definitely be no oysters,’ Collins said stiffly.

‘Thank you. Well, I had best take my leave. Good evening, Lord Collins. Mr Devlin.’

Alistair bowed. ‘Miss Bretton.’

Collins gave just a brief nod and waited until she was safely out of range before saying, ‘Trumped-up little baggage! Imagine telling me what I should and shouldn’t do with my own mistress. I should have told her it was none of her business!’

‘But you did not,’ Alistair said with a broad smile. ‘In fact, your response was uncommonly meek for you, Bertie.’

The other man flushed. ‘It was not meek! I was merely being polite. But you see what I mean about her being outspoken. And about how people treat her.’

‘I saw a few old tabbies turn up their nose, but if she was that unacceptable, she wouldn’t be here. They don’t get much stuffier than the Holcombes.’

Collins sighed. ‘You know Theo Templeton’s her uncle, right? Well, he’s also reputed to be worth a bloody fortune. No one knows where the money came from. Some say it’s his wife’s, others say he won it at cards. Either way, he’s as rich as Croesus and doesn’t give a damn what society thinks about him.’

‘What has any of that to do with Miss Bretton?’

‘Last year, when Holcombe ran into financial difficulties, Templeton bailed him out, no questions asked,’ Collins said. ‘Everyone’s dying to know why, of course, but Holcombe isn’t talking and neither is Templeton. But it’s the reason Holcombe won’t hear a bad word spoken about Templeton or about any member of his family, if you know what I mean.’

Alistair did. ‘You’re saying Templeton’s kindness to Holcombe is the reason Victoria Bretton is accepted in society.’

‘In part. Her immediate family are mindful of the proprieties, but her aunt and uncle are not and neither is she. She has gained a reputation for being blunt and there are those who predict she will suffer for it. In which case, having Holcombe on her side is a definite advantage. There’s not many who’ll gainsay a marquess.’

Alistair stared into his empty glass. No, there weren’t. He’d dealt with his fair share of toad-eaters in his life and his father was only a viscount. There was even more grovelling the higher one climbed on the social ladder.

But Victoria’s uncle wasn’t even on the social ladder. He and his wife had both acted upon the stage, and the fact he was rich or that he had bailed out a peer of the realm would make no difference. He would still be viewed as a mushroom at best and an actor at worst; both of which would serve as strikes against him and against members of his family. ‘Does Templeton move much in society?’ Alistair asked now.

‘To the extent he wishes. Beyond that, he doesn’t seem to care.’

‘What does he care about?’

‘His wife, his theatre, his brother and his niece. Everything else can go to hell as far as he’s concerned. At least, that’s what I’ve been told.’

And Collins would know, Alistair reflected, given his current association with Signy Chermonde. ‘An interesting man.’

‘Eccentric, if you ask me,’ Collins said with a sniff. ‘But, when you’re that rich, you can afford to do as you please. Victoria Bretton, however, is another matter. The lady falls somewhere between the devil and the deep blue sea. Even her own sister keeps her at a distance.’

Yes, Alistair had seen first-hand evidence of that. The lovely Winifred had all but curled her pretty little lip during her conversation with her sister, and if her mother was pushing her in George Compton’s direction, it was evident the family was determined to marry Victoria off to any man who expressed an interest.

And yet the lady didn’t seem to care. She had walked around that room with her head held high, blissfully serene in the face of all those hostile stares. She was the one who had drawn his attention to the way people were looking at her and to the effect it could have on his reputation.

What did that mean? That the lady truly was impervious to the snubs and the remarks people were making about her? Or that she was simply a better actress than the celebrated Signy Chermonde could ever hope to be?

It was Victoria’s habit to write early in the morning, usually long before the rest of the family were out of bed. Her mind was clearest at that time of day, and it was during those pre-dawn hours that she did her best work. But when on the morning following the Holcombe’s soirée, the words did not flow freely, Victoria did not immediately put it down to anything that had taken place at the soirée.

While it was true the memory of her conversation with Alistair Devlin had kept her awake long into the night, she couldn’t believe it was the reason she was feeling creatively stifled this morning. That kind of reaction usually came about as a result of her emotions being tied up in knots, and given that she and Alistair had spoken on only two prior occasions, the chance of having developed any kind of feelings for him was highly unlikely.

Yes, he was charming, and there was no question he was intelligent, but while those were qualities she would always admire in a man, Victoria wasn’t looking for them in Alistair Devlin.

She shouldn’t even be thinking about the man. Her uncle had made it very plain that she would end up nursing a broken heart for her trouble because Alistair’s position in society, and his father’s antipathy towards the theatre, would always preclude them from having a relationship.

Then why did she keep thinking about him? And why, if he wasn’t interested in her, had he sought her out and spoken to her at the theatre?

That was the question plaguing Victoria as she trotted her mare along Rotten Row an hour later. She had given up on the idea of writing and had asked for her mare to be saddled and brought round, hoping that a change of scenery would be good for her. But even though her groom rode far enough behind so as not to disturb her concentration, her mind remained stubbornly and most disappointingly blank. No clever ideas leapt to mind, and while she was reluctant to put a name to the cause, Victoria had a sinking feeling it was all because of—

‘Miss Bretton,’ came an all-too-familiar voice. ‘What a surprise. I’d not thought to see you out so early in the day.’

Victoria looked up—and instinctively her hands tightened on the reins. ‘Mr Devlin.’ The last person she’d needed—or wanted—to see. ‘I cannot think why. I did not stay late at the Holcombes’ soirée.’

‘No, but most ladies do not care to ride in the Park at a time of day when society is not around to admire them.’

‘Ah, but I ride for pleasure. Not to be stared at by those who opinions matter not in the least.’

‘Yet, anyone who sees you cannot help but be impressed by your beauty.’

Unexpectedly, his boldness made her laugh. ‘It is a little early in the day for such excessive flattery, Mr Devlin,’ she said, flicking a glance at the lady at his side, who wore a striking burgundy habit and was riding a pretty dapple-grey mare. ‘Are you not going to introduce me to your companion?’

‘But of course. Miss Victoria Bretton, may I present my cousin, Miss Isabelle Wright.’

Victoria started. His cousin?

‘How do you do, Miss Bretton,’ the lady said in a bright, youthful voice. ‘What a pleasure to finally meet you. I was introduced to your sister at the Roehamptons’ reception a few weeks ago and thought her ever so nice. Your aunt and uncle were there as well.’

Not having been at the reception, Victoria assumed Miss Wright was referring to her mother’s brother and wife who lived in Edinburgh. ‘I wasn’t aware Aunt and Uncle Taitley were in London.’

‘Oh, no, not that aunt and uncle. I meant the ones involved with the Gryphon Theatre. They are related to you, aren’t they?’ Miss Wright said. ‘Mr and Mrs Templeton?’

Astonished that a cousin of Alistair Devlin’s would be familiar with the owner of any theatre, let alone the Gryphon, Victoria said carefully, ‘Yes, they are.’

‘I thought so. I was terribly pleased to meet them. I truly believe your uncle stages some of the finest productions in London.’

‘Why don’t you tell Miss Bretton the name of your favourite play, Isabelle?’ Alistair said with a smile.

The girl laughed. ‘I don’t suppose it’s all that surprising. A Lady’s Choice, by Valentine Lawe. Cousin Alistair tells me you’ve seen it too, Miss Bretton.’

‘Yes, I have.’

‘Did you not think it brilliant?’

‘Well, I’m really not sure—’

‘Oh, but you must, because Valentine Lawe is the most talented playwright in all London. Surely we can agree on that?’

Somewhat nonplussed, Victoria took a moment to straighten her mare’s reins. How bizarre. She had never been asked a question about Valentine Lawe before, so really had no idea how to answer it. ‘I suppose I would have to say that he is … quite good.’

‘Quite good? My dear Miss Bretton, he is exceptional!’ Miss Wright exclaimed. ‘I’ve seen all of his plays: A Winter’s Escapade, Genevieve, Penelope’s Swain. But I think A Lady’s Choice is definitely his finest. Have you met him? Cousin Alistair said you must have, given that your uncle produces all of his plays.’

‘That would seem logical, but as it happens, Mr Lawe tends to keep … a very low profile,’ Victoria said, sticking as close to the truth as possible. ‘My uncle says he’s never met a more reclusive playwright in his life.’

‘Is that so?’ Miss Wright’s face was, briefly, a study in disappointment. ‘I wonder why?’

‘Perhaps he is afraid of being mobbed in the streets,’ Alistair drawled, ‘by overly enthusiastic fans like you.’

To Victoria’s amusement, the girl actually blushed. ‘It isn’t nice of you to make fun of me, Cousin Alistair. I know you don’t think much of Mr Lawe’s plays, or of anyone else’s for that matter—’

‘On the contrary, I think Lawe’s work is head and shoulders above everyone else’s. I may only have seen A Lady’s Choice, but based on that I am more than willing to acknowledge the man’s talent. Just because I don’t go to the theatre often doesn’t mean I can’t appreciate excellence when I see it.’

For a few heady moments, Victoria allowed herself the pleasure of basking in the warm glow of his praise. That was the worst part of not being able to acknowledge who she really was: being unable to express gratitude to people who enjoyed and appreciated her work. Especially a man like Alistair Devlin …

‘Is he very handsome?’ Miss Wright asked suddenly.

Guiltily, Victoria started. ‘Who?’

‘Valentine Lawe. Your aunt must have made some comment as to his appearance.’

‘Oh. Well, I’m really … not sure. I’ve never asked her what she thought of him … in that regard.’

‘I have a picture of him in my mind,’ Miss Wright admitted. ‘He’s as tall as Cousin Alistair and his hair is just as dark, but he has the most amazing blue eyes you’ve ever seen. When he looks at you, you feel as though he’s gazing right down into your soul.’

‘Really?’ Victoria hardly knew what to say. She’d never given a moment’s thought to her alter ego’s appearance. ‘How … interesting.’

‘And he’s brooding, just like a romantic hero should be,’ Miss Wright went on. ‘But as brilliant as he is on paper, he’s very quiet and withdrawn in person. And he dresses well, but only in black and white. And he wears a single red rose in his lapel and—’

‘A diamond stud in his ear?’ Alistair enquired. ‘Or a gold hoop?’

‘He is not a pirate, Cousin Alistair,’ Miss Wright said, rolling her eyes. ‘He is a playwright. And I’m not the only one who fantasises about his appearance. Ellen Standish thinks he’s fair, Jenny Hartlett is convinced he has red hair and Mrs Johnston is of the opinion he hasn’t any hair at all. But she is partial to balding men, so I suppose that is her idea of attractive.’

Victoria just stared, aware that the conversation was getting more bizarre by the minute. ‘Well, if I am ever fortunate enough to meet … Mr Lawe I will be sure to communicate the details of his appearance to you.’

‘You would do that for me?’ the girl said, looking as though she had been given the secret to eternal youth.

‘Happily. But I should warn you that I have no expectation of seeing the gentleman any time soon.’

‘I don’t care!’ Miss Wright cried. ‘It is enough to know that when you do see him, you will tell me what he looks like and I shall know whether I have been right or wrong. Thank you so very much, Miss Bretton!’

Victoria inclined her head, grateful for having emerged unscathed from what could have been a very embarrassing situation. She didn’t like telling lies, but what was she to do with Alistair Devlin sitting right there? She could hardly admit to being Valentine Lawe now when she had not told him the truth during any of their previous conversations.

She glanced at him sitting relaxed and at ease in the saddle and wished with all her heart that she might feel as calm. But her pulse was racing and when he smiled at her, it only grew worse, so much so that Victoria feared he must surely be able to see her heart beating beneath her jacket. Because his was a smile that was at once beguiling and disturbing, a smile that hinted at things she knew nothing about and had never experienced.

A smile that lingered far longer in her mind than it had any right to, and that would not be shaken, no matter how hard she tried.

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