The Tatler, Volume 1
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St. James's Coffee-house August 1
Letters from the Hague of the 6th instant, N.S., say, that there daily arrive at our camp deserters in considerable numbers; and that several of the enemy concealed themselves in the town of Tournay when the garrison marched into the citadel; after which, they presented themselves to the Duke of Marlborough; some of whom were commissioned officers. The Earl of Albemarle is appointed governor of the town. Soon after the surrender, there arose a dispute about a considerable work, which was asserted by the Allies to be part of the town, and by the French to belong to the citadel. It is said, Monsieur de Surville was so ingenious as to declare, he thought it to be comprehended within the limits of the town; but Monsieur de Mesgrigny, governor of the citadel, was of a contrary opinion. It is reported, that this affair occasioned great difficulties, which ended in a capitulation for the citadel itself; the principal article of which is, that it shall be surrendered on the 5th of September next, in case they are not in the meantime relieved. This circumstance gives foundation to believe, that the enemy have acted in this manner, rather from some hopes they conceive of a treaty of peace before that time, than any expectation from their army, which has retired towards their former works between Lens and La Bassée. These advices add, that his Excellency the Czarish Ambassador has communicated to the States-General, and the foreign Ministers residing at the Hague, a copy of a letter from his master's camp, which gives an account of the entire defeat of the Swedish army. They further say, that Count Piper is taken prisoner, and that it is doubted whether the King of Sweden himself was not killed in the action. We hear from Savoy, that Count Thaun having amused the enemy by a march as far as the Tarantaise, had suddenly repassed Mount Cenis, and moved towards Briançon. This unexpected disposition is apprehended by the enemy as a piece of the Duke of Savoy's dexterity; and the French adding this circumstance to that of the Confederate squadron's lying before Toulon, convince themselves, that his royal highness has his thoughts upon the execution of some great design in those parts.
1
No. 18.
2
No. 89.
3
No. 271.
4
Spectator, No. 532.
5
Tatler, No. 18.
6
No. 163.
7
No. 158.
8
Nos. 155, 160.
9
No. 249.
10
Nos. 100, 102.
11
No. 117.
12
No. 86.
13
No. 10.
14
No. 30.
15
No. 142.
16
No. 184.
17
No. 27.
18
No. 210.
19
No. 168.
20
Nos. 127, 186.
21
Nos. 25, 26, 29, 31, 38, 39.
22
Nos. 56, &c.
23
Nos. 40, 45.
24
No. 134.
25
See Nos. 115, 271.
26
No. 181.
27
No. 5.
28
No. 82.
29
No. 94.
30
No. 172.
31
Nos. 95, 114.
32
No. 49.
33
No. 33.
34
No. 149.
35
No. 85. See, too, No. 104.
36
Nos. 141, 248.
37
No. 212.
38
Nos. 40, 42, 47.
39
No. 68.
40
No. 8.
41
No. 6.
42
No. 87.
43
This Preface was originally prefixed to the fourth volume of the collected edition issued in 1710-11.
44
No. 238.
45
No. 9.
46
See No. 11.
47
No. 193.
48
Addison.
49
Nos. 153, 18, 42, 220.
50
Benjamin Hoadly, afterwards Bishop of Bangor, Salisbury, and Winchester, successively, was in 1709 engaged in controversy with Dr. Francis Atterbury, who represented the high-church party. George Smalridge, afterwards Bishop of Bristol, was a Jacobite.
51
See Nos. 72, 114.
52
Arthur Maynwaring was descended from the ancient family of the Maynwarings of Over Peover, Cheshire. He was born in 1668, at Ightfield, Shropshire, and was educated at the Shrewsbury Grammar School and at Christ Church, Oxford, where Smalridge was his tutor. Filled with prejudices against the Revolution, he came to London to study law, but a political satire which he published brought him under Dryden's notice, and the kind reception given him by several Whig statesmen, to whom he was introduced, caused him to change his views on politics, and after his father's death in 1693 he gave up the law and determined to push his fortunes at the Court. He was made a Commissioner of Customs and afterwards Auditor of the Imprests. He was admitted to the Kit-Cat Club, and in 1706 the interest of Godolphin procured him a seat in the House of Commons. Upon the fall of the Whig ministry in 1710, Maynwaring set up the Medley, a weekly paper in which the attacks of the Examiner were answered, and wrote various political pamphlets. But his health soon broke down, and he died in November, 1712. Mrs. Oldfield, the actress, was the sole executrix of his will, by which he divided his small property of some £3000 between her, a son that he had by her, and his sister. There appear to have been many good points in his character. His "Life and Posthumous Works" were published by Oldmixon in 1715. "Maynwaring, whom we hear nothing of now, was the ruling man in all conversations, indeed what he wrote had very little merit in it" (Pope, in Spence's "Anecdotes," 1820, p. 338). Steele says that Harley told him that he had to thank Maynwaring for his post of Gazetteer.
53
Swift.
54
"Encouragement of these volumes," in the octavo edition. The list of subscribers to the original octavo edition comprised the names of some four hundred of the most prominent persons of the day.
55
This motto was repeated at the head of each of the first 40 numbers in the folio issue.
56
These were the days on which the post left London for the different parts of the country.
57
White's Chocolate-house, five doors from the bottom of the west side of St. James's Street, was established in 1698. It was burnt on April 28, 1733, while kept by Mr. Arthur. Plate VI. of Hogarth's "Rake's Progress" depicts gamblers engrossed in play in a room in this house during the fire; see also Plate IV. Swift gives it a bad character in his "Essay on Modern Education;" it had a strong character for gambling (Timbs's "Clubs and Club Life in London," where, at p. 48, there is a sketch of White's from an old drawing). The house became a private club, as we now have it, about 1736.
58
Will's Coffee-house, named after Will Urwin, its proprietor, was the corner house on the north side of Russell Street, Covent Garden, at the end of Bow Street. The present house, 21 Russell Street, is probably part of the old building. Will's was ceasing to be the resort of the wits in 1709; it was in its glory at the close of the seventeenth century. The wits' room, where Dryden presided, was on the first floor.
59
The Grecian, in Devereux Court in the Strand, was probably the most ancient coffee-house in or about London. In 1652 an English Turkey merchant brought home with him a Greek servant, who first opened a house for making and selling coffee. This man's name was Constantine, and his house was much resorted to by lawyers, Greek scholars, and Members of the Royal Society. (See Thoresby's Diary, i. 111, 117.) Foote and Goldsmith afterwards frequented it. In Dr. King's "Anecdotes" there is a story of two gentlemen friends who disputed at the Grecian Coffee-house about the accent of a Greek word to such a length that they went out into Devereux Court and drew swords, when one of them was killed on the spot.
60
The St. James's Coffee-house was the last house but one on the S.W. corner of St. James's Street. It was frequented by Whig statesmen, and was closed about 1806. Swift and Steele were at a supper given by the keeper on the 19th November, 1710.
61
Cf. the Spectator, No. 31: "Laying down my penny upon the bar."
62
Wine.
63
A waiter. See Nos. 10, 26.
64
This introduction was repeated in Nos. 2 and 3 of the original issue.
65
"The reader is desired to take notice of the article from this place from time to time, for I design to be very exact in the progress this unhappy gentleman makes, which may be of great instruction to all who actually are, or who ever shall be, in love." (Original folio.) For Viscount Hinchinbroke ("Cynthio"), see No. 5.
66
April 7, 1709. Cibber acknowledges that Steele did the stage very considerable service by the papers on the theatre in the Tatler.
67
For further particulars of Thomas Betterton (1635-1710), see Nos. 71 and 167. Cibber says: "I never heard a line in tragedy come from Betterton wherein my judgment, my ear and my imagination were not fully satisfied.... The person of this excellent actor was suitable to his voice, more manly than sweet, not exceeding the middle stature, inclining to be corpulent; of a serious and penetrating aspect; his limbs nearer the athletic than the delicate proportion; yet, however formed, there arose from the harmony of the whole a commanding mien of majesty."
68
By Congreve, 1695.
69
Mrs. Elizabeth Barry on this occasion spoke an epilogue, written by Rowe. She was the daughter of Edward Barry, barrister, whose fortunes were ruined by his attachment to Charles I. Tony Aston, in his "Supplement to Cibber's Apology," says she was woman to Lady Shelton, of Norfolk, his godmother; and Curll tells us that she was early taken under the protection of Lady Davenant. She was certainly on the stage in 1673. At her first appearance there was so little hope of her success, that at the end of the season she was discharged [from] the theatre. It is probable that at this time she became acquainted with Lord Rochester, who took her under his protection, and gave her instructions in her theatrical performances. By his interest she seems to have been restored to the stage, and, improving daily in her profession, she soon eclipsed all her competitors, and in the part of Monimia in "The Orphan" established her reputation, which was enhanced by her performance as Belvidera in "Venice Preserved," and as Isabella in "The Fatal Marriage." "In characters of greatness," says Cibber, "Mrs. Barry had a presence of elevated dignity, her mien and motion superb, and gracefully majestic; her voice full, clear, and strong, so that no violence of passion could be too much for her, and when distress or tenderness possessed her she subsided into the most affecting melody and softness. In the art of exciting pity she had a power beyond all the actresses I have yet seen, or what your imagination can conceive. In scenes of anger, defiance, or resentment, while she was impetuous and terrible, she poured out the sentiment with an enchanting harmony.... In tragedy she was solemn and august, in comedy alert, easy, and genteel, pleasant in her face and action, filling the stage with a variety of gesture. She could neither sing nor dance, no not in a country dance. She adhered to Betterton in all the revolutions of the theatre, which she quitted about 1707, on account of ill-health." She returned, however, for one night with Mrs. Bracegirdle, April 7, 1709, and performed Mrs. Frail in "Love for Love" for Betterton's benefit. She died at Acton in 1713. Mrs. Barry, Mrs. Bracegirdle, Mr. Betterton, and Mr. Varbriggen were sworn as Comedians in Ordinary to her Majesty, 30th Oct., 2 Anne (1703). On the 3rd March, 1692, Mrs. Barry received £25 for acting in "The Orphan" before their Majesties, and on the 10th June, 1693, £25 for Caius Marius. (Lord Chamberlain's Records, Warrant Books, No. 20, p. 151; No. 18, pp. 30, 242.)
70
Mrs. Anne Bracegirdle was the daughter of Justinian Bracegirdle, of Northamptonshire. By the imprudence of her father, who ruined himself by becoming surety for some friends, she was early left to the care of Betterton and his wife, whose attentions to her she always acknowledged to be truly paternal. By them she was first introduced to the stage, and, while very young, performed the page in "The Orphan." Increasing in years, and in ability, she became the favourite performer of the times. Cibber describes her in these terms: "Mrs. Bracegirdle was now but just blooming in her maturity; her reputation, as an actress, gradually rising with that of her person; never any woman was in such general favour of her spectators, which, to the last scene of her dramatic life, she maintained by not being unguarded in her private character. This discretion contributed not a little to make her the Cara, the darling of the theatre: for it will be no extravagant thing to say scarce an audience saw her that were less than half of them lovers, without a suspected favourite among them: and though she might be said to have been the universal passion and under the highest temptations, her constancy in resisting them served but to increase the number of her admirers. And this perhaps you will more easily believe, when I extend not my encomiums on her person beyond a sincerity that can be suspected; for she had no greater claim to beauty than what the most desirable brunette might pretend to. But her youth and lively aspect threw out such a glow of health and cheerfulness, that, on the stage, few spectators that were not past it, could behold her without desire. There were two very different characters in which she acquitted herself with uncommon applause: if anything could excuse that desperate extravagance of love, that almost frantic passion of Lee's Alexander the Great, it must have been when Mrs. Bracegirdle was his Statira: as when she acted Millamant, all the faults, follies, and affectation of that agreeable tyrant were venially melted down into so many charms and attractions of a conscious beauty." In the theatrical disputes of the times, she adhered to her benefactor Betterton, and continued to perform with applause until 1707, when, on the preference being given to Mrs. Oldfield in a contention between that actress and Mrs. Bracegirdle, she left the stage, except for one night, when she returned with Mrs. Barry to the theatre, and performed Angelica for Betterton's benefit (the performance described in this number). She died in 1748.
71
Thomas Doggett died in 1721. In 1695 he created the character of Ben in Congreve's "Love for Love." Afterwards he was associated with Steele in the management of Drury Lane Theatre.
72
D'Urfey's "Modern Prophets" was produced in 1709. Thomas D'Urfey died in 1723, aged 70, leaving Steele a watch and chain, which his friend wore at the funeral. He wrote many plays and songs. See also Nos. 11, 43.
73
See No. 4.
74
William, First Earl Cadogan (1675-1726), was an able officer who took a very prominent part in Marlborough's campaigns. In January, 1709, he was made lieutenant-general, and he was dangerously wounded at the siege of Mons. He was appointed Lieutenant of the Tower of London in December.
75
The news-paragraphs in the earlier numbers of the Tatler are here preserved for the sake of completeness, but for the most part the details recorded are not of permanent interest, and do not call for comment. The reader may be reminded generally that in the spring of 1709 the French, after the battle of Oudenarde and the fall of Lille, followed by a very severe winter, were driven to think of terms of peace. The negotiations, however, fell through for the time, and the campaign was begun in the Netherlands, where Marlborough and Prince Eugene had an army of 110,000 men. The French were entrenched under Villars between Douay and Béthune, and were strengthened by part of the garrison of Tournay. Marlborough seized the opportunity of attacking the half-defended town, which was obliged to surrender on July 29, after a siege of nineteen days. The French then made a great effort, and brought an army of 100,000 men into the field, with the result that the battle of Malplaquet (Sept. 11) was a very bloody and hard-earned victory for the allies. The subsequent fall of Mons brought the campaign to a close.
76
Marlborough.
77
A merchant entrusted by Lewis XIV. to negotiate terms of peace with the Dutch.
78
General Wood played a distinguished part in the battles of Donauwerth (1704) and Ramilies (1706).
79
See the Introduction.
80
"A Vindication of Isaac Bickerstaff, Esq., against what is objected to him by Mr. Partridge in his Almanack for the present year 1709. By the said Isaac Bickerstaff, Esq., London, printed in the year 1709." (Advertisement in folio issue.) In a pamphlet called "Predictions for the Year 1712. By Isaac Bickerstaff, Esq.; in a Letter to the author of the Oxford Almanack. Printed in the year 1712," this "Vindication" is thus noticed: "I can't but express my resentment against a gentleman who personated me in a paper called 'Mr. Bickerstaff's Vindication.' I'm grieved to find the times should be so very wicked, that one impostor should set up to reform another, and that a false Bickerstaff should write against an imaginary Partridge. And I am heartily concerned that one who shows so much wit, such extreme civility, and writes such a gentlemanlike style, should prefix my name to writings in which there appears so little solidity and no knowledge of the Arabian philosophy. If this paper should be transmitted to posterity (as, perhaps, it might have been by the authority of the name it wears in the front) it might have been a lasting reflection upon me to the end of the world.... Till seeing four volumes of writings—the collected edition of the Tatler—pretended to be mine, and a serious philosopher's name prefixed to papers as free from my solidity as they are full of wit, I thought it high time to vindicate myself, and give the world a taste of my writings; for I am now persuaded 'twill be more for my reputation to convince than to despise mankind."
81
William Harrison (1685-1713) was a favourite with Swift and Addison. He wrote verses, and a continuation of the Tatler, and afterwards obtained office in the diplomatic service; but his health soon broke down, and he died when 28.
82
There is a similar story in Burton's "Anatomy of Melancholy."
83
The Rose Tavern, in Russell Street, adjoined Drury Lane Theatre, and was a favourite resort during and after the play.
84
The Battle of Blenheim.
85
By Wycherley, first acted in 1683.
86
Mrs. Bicknell (or Bignell) was born about 1695. It is not clear whether she was married, or whether the name Bicknell was taken to distinguish her from her sister, Mrs. Young, who was also an actress. We first hear of her acting in 1706; she took parts in which sauciness and coquetry were the chief features. Her last recorded appearance was on the 2nd of April, 1723; and she died in May. She signed a petition "M. Bicknell"; probably her name was Margaret, her mother's name. Steele alludes to her as "pretty Mrs. Bignell" in No. 11, and as his friend in the Guardian, No. 50. She was Miss Prue in Congreve's "Love for Love," and Miss Hoyden in Vanbrugh's "Relapse." In the Spectator (No. 370) Steele praises her dancing.
87
Cibber writes thus of this actress: "Mrs. Mountford, whose second marriage gave her the name of Verbruggen, was mistress of more variety of humour than I ever knew in any one woman actress. This variety, too, was attended with an equal vivacity, which made her excellent in characters extremely different.... She was so fond of humour, in what low part soever to be found, that she would make no scruple of defacing her fair form to come heartily into it." She could act admirably as a Devonshire lass, a pretty fellow, or a fine lady. Mrs. Verbruggen's first husband, the actor Mountford, was killed by Captain Hill, with the assistance of Lord Mohun, in 1692, because Hill, who was making unsuccessful suit to Mrs. Bracegirdle was jealous of her fellow-actor. Mountford was then in his thirty-third year. Mrs. Mountford's second husband, John Verbruggen, is described by Tony Aston as "nature without extravagance." … "That rough diamond shone more bright than all the artful polished brilliants that ever sparkled on our stage." The same writer says of Mrs. Verbruggen: "She was all art, but dressed so nice, it looked like nature. She was the most easy actress in the world. Her maiden name was Percival."
88
Various Societies for the Reformation of Manners were founded in the reign of William III. An "Account" of these societies was published in 1699, and Defoe often wrote on the subject. In 1708 the Society for London and Westminster secured the conviction of 3299 "lewd and scandalous" persons, guilty of Sunday trading swearing, drunkenness, &c.
89
See Steele's apology to Blackmore, author of this poem, in No. 14. Sir Richard Blackmore (died 1729) was a Whig physician who wrote epics on religious and other subjects, and was often at loggerheads with the actors and wits. Though he was not a poet, Addison and Steele praised him on account of the religious tone of his work (see Spectator, Nos. 6, 339).
90
Vanderbank, or as his father sometimes wrote his name, Vandrebanc, was a son of Peter Vanderbank, a Parisian, who came into England with Gascar the painter, about 1674, and died at Bradfield, in Hertfordshire, in 1697. His father was admired for the softness of his prints, and still more for the size of them, some of his heads being the largest that had then appeared in England; but the prices he received by no means compensated for the time employed on his works, and he was reduced to want, and died at the house of Mr. Forester, his brother-in-law. After his death, his widow sold his plates to one Brown, a print-seller, who made a great profit by them. His eldest son had some share in the theatre at Dublin; the youngest, William, was a poor labourer, who gave an account of his father and the family to Vertue. The person mentioned in this paper was probably his father's name-son, and might be, as Walpole conjectures, an engraver. Whatever concern the father might have had in any manufacture of tapestry, he could not be the person meant here, for at this time he had been dead above ten years. The suite of tapestry, in the Duke of Ancaster's sale, with Vanderbank's name to it, mentioned by Walpole, must therefore be supposed to belong to the son, who is said, upon the authority of the French translator of the Tatler, to have represented nature very happily in works of tapestry, and to have been a man inimitable in this way. (See Walpole's "Anecdotes of Painting," 1782, vol. v. p. 166.)