The Boys' Life of Mark Twain

LX.

WORKING WITH MARK TWAIN

It was true, after all; and on Tuesday morning, January 9, 1906, I was on hand with a capable stenographer, ready to begin. Clemens, meantime, had developed a new idea: he would like to add, he said, the new dictations to his former beginnings, completing an autobiography which was to be laid away and remain unpublished for a hundred years. He would pay the stenographer himself, and own the notes, allowing me, of course, free use of them as material for my book. He did not believe that he could follow the story of his life in its order of dates, but would find it necessary to wander around, picking up the thread as memory or fancy prompted. I could suggest subjects and ask questions. I assented to everything, and we set to work immediately.

As on my former visit, he was in bed when we arrived, though clad now in a rich Persian dressing gown, and propped against great, snowy pillows. A small table beside him held his pipes, cigars, papers, also a reading-lamp, the soft light of which brought out his brilliant coloring and the gleam of his snowy hair. There was daylight, too, but it was dull winter daylight, from the north, while the walls of the room were a deep, unreflecting red.

He began that morning with some memories of the Comstock mine; then he dropped back to his childhood, closing at last with some comment on matters quite recent. How delightful it was—his quaint, unhurried fashion of speech, the unconscious habits of his delicate hands, the play of his features as his fancies and phrases passed through his mind and were accepted or put aside. We were watching one of the great literary creators of his time in the very process of his architecture. Time did not count. When he finished, at last, we were all amazed to find that more than two hours had slipped away.

"And how much I have enjoyed it," he said. "It is the ideal plan for this kind of work. Narrative writing is always disappointing. The moment you pick up a pen you begin to lose the spontaneity of the personal relation, which contains the very essence of interest. With short-hand dictation one can talk as if he were at his own dinner-table always an inspiring place. I expect to dictate all the rest of my life, if you good people are willing to come and listen to it."

The dictations thus begun continued steadily from week to week, with increasing charm. We never knew what he was going to talk about, and it was seldom that he knew until the moment of beginning. But it was always fascinating, and I felt myself the most fortunate biographer in the world, as indeed I was.

It was not all smooth sailing, however. In the course of time I began to realize that these marvelous dictated chapters were not altogether history, but were often partly, or even entirely, imaginary. The creator of Tom Sawyer and Huck Finn had been embroidering old incidents or inventing new ones too long to stick to history now, to be able to separate the romance in his mind from the reality of the past. Also, his memory of personal events had become inaccurate. He realized this, and once said, in his whimsical, gentle way:

"When I was younger I could remember anything, whether it happened or not; but I am getting old, and soon I shall remember only the latter."

Yet it was his constant purpose to stick to fact, and especially did he make no effort to put himself in a good light. Indeed, if you wanted to know the worst of Mark Twain you had only to ask him for it. He would give it to the last syllable, and he would improve upon it and pile up his sins, and sometimes the sins of others, without stint. Certainly the dictations were precious, for they revealed character as nothing else could; but as material for history they often failed to stand the test of the documents in the next room—the letters, notebooks, agreements, and the like—from which I was gradually rebuilding the structure of the years.

In the talks that we usually had when the dictations were ended and the stenographer had gone I got much that was of great value. It was then that I usually made those inquiries which we had planned in the beginning, and his answers, coming quickly and without reflection, gave imagination less play. Sometimes he would touch some point of special interest and walk up and down, philosophizing, or commenting upon things in general, in a manner not always complimentary to humanity and its progress.

I seldom asked him a question during the dictation—or interrupted in any way, though he had asked me to stop him when I found him repeating or contradicting himself, or misstating some fact known to me. At first I lacked the courage to point out a mistake at the moment, and cautiously mentioned the matter when he had finished. Then he would be likely to say:

"Why didn't you stop me? Why did you let me go on making a donkey of myself when you could have saved me?"

So then I used to take the risk of getting struck by lightning, and nearly always stopped him in time. But if it happened that I upset his thought, the thunderbolt was apt to fly. He would say:

"Now you've knocked everything out of my head."

Then, of course, I was sorry and apologized, and in a moment the sky was clear again. There was generally a humorous complexion to the dictations, whatever the subject. Humor was his natural breath of life, and rarely absent.

Perhaps I should have said sooner that he smoked continuously during the dictations. His cigars were of that delicious fragrance which belongs to domestic tobacco. They were strong and inexpensive, and it was only his early training that made him prefer them. Admiring friends used to send him costly, imported cigars, but he rarely touched them, and they were smoked by visitors. He often smoked a pipe, and preferred it to be old and violent. Once when he had bought a new, expensive briar-root, he handed it to me, saying:

"I'd like to have you smoke that a year or two, and when it gets so you can't stand it, maybe it will suit me."

LXI.

DICTATIONS AT DUBLIN, N. H

Following his birthday dinner, Mark Twain had become once more the "Belle of New York," and in a larger way than ever before. An editorial in the "Evening Mail" referred to him as a kind of joint Aristides, Solon, and Themistocles of the American metropolis, and added:

"Things have reached a point where, if Mark Twain is not at a public meeting or banquet, he is expected to console it with one of his inimitable letters of advice and encouragement."

He loved the excitement of it, and it no longer seemed to wear upon him. Scarcely an evening passed that he did not go out to some dinner or gathering where he had promised to speak. In April, for the benefit of the Robert Fulton Society, he delivered his farewell lecture—the last lecture, he said, where any one would have to pay to hear him. It was at Carnegie Hall, and the great place was jammed. As he stood before that vast, shouting audience, I wondered if he was remembering that night, forty years before in San Francisco, when his lecture career had begun. We hoped he might speak of it, but he did not do so.

In May the dictations were transferred to Dublin, New Hampshire, to the long veranda of the Upton House, on the Monadnock slope. He wished to continue our work, he said; so the stenographer and myself were presently located in the village, and drove out each morning, to sit facing one of the rarest views in all New England, while he talked of everything and anything that memory or fancy suggested. We had begun in his bedroom, but the glorious outside was too compelling.

The long veranda was ideal. He was generally ready when we arrived, a luminous figure in white flannels, pacing up and down before a background of sky and forest, blue lake, and distant hills. When it stormed we would go inside to a bright fire. The dictation ended, he would ask his secretary to play the orchestrelle, which at great expense had been freighted up from New York. In that high situation, the fire and the music and the stormbeat seemed to lift us very far indeed from reality. Certain symphonies by Beethoven, an impromptu by Schubert, and a nocturne by Chopin were the selections he cared for most,12 though in certain moods he asked, for the Scotch melodies.

There was a good deal of social life in Dublin, but, the dictations were seldom interrupted. He became lonely, now and then, and paid a brief visit to New York, or to Mr. Rogers in Fairhaven, but he always returned gladly, for he liked the rest and quiet, and the dictations gave him employment. A part of his entertainment was a trio of kittens which he had rented for the summer—rented because then they would not lose ownership and would find home and protection in the fall. He named the kittens Sackcloth and Ashes—Sackcloth being a black-and-white kit, and Ashes a joint name owned by the two others, who were gray and exactly alike. All summer long these merry little creatures played up and down the wide veranda, or chased butterflies and grasshoppers down the clover slope, offering Mark Twain never-ending amusement. He loved to see them spring into the air after some insect, miss it, tumble back, and quickly jump up again with a surprised and disappointed expression.

In spite of his resolve not to print any of his autobiography until he had been dead a hundred years, he was persuaded during the summer to allow certain chapters of it to be published in "The North American Review." With the price received, thirty thousand dollars, he announced he was going to build himself a country home at Redding, Connecticut, on land already purchased there, near a small country place of my own. He wished to have a fixed place to go each summer, he said, and his thought was to call it "Autobiography House."

LXII

A NEW ERA OF BILLIARDS

With the return to New York I began a period of closer association with Mark Twain. Up to that time our relations had been chiefly of a literary nature. They now became personal as well.

It happened in this way: Mark Twain had never outgrown his love for the game of billiards, though he had not owned a table since the closing of the Hartford house, fifteen years before. Mrs. Henry Rogers had proposed to present him with a table for Christmas, but when he heard of the plan, boylike, he could not wait, and hinted that if he had the table "right now" he could begin to use it sooner. So the table came—a handsome combination affair, suitable to all games—and was set in place. That morning when the dictation ended he said:

"Have you any special place to lunch, to-day?"

I replied that I had not.

"Lunch here," he said, "and we'll try the new billiard-table."

I acknowledged that I had never played more than a few games of pool, and those very long ago.

"No matter," he said "the poorer you play the better I shall like it."

So I remained for luncheon, and when it was over we began the first game ever played on the "Christmas" table. He taught me a game in which caroms and pockets both counted, and he gave me heavy odds. He beat me, but it was a riotous, rollicking game, the beginning of a closer relation between us. We played most of the afternoon, and he suggested that I "come back in the evening and play some more." I did so, and the game lasted till after midnight. I had beginner's luck—"nigger luck," as he called it—and it kept him working feverishly to win. Once when I had made a great fluke—a carom followed by most of the balls falling into the pockets, he said:

"When you pick up that cue this table drips at every pore."

The morning dictations became a secondary interest. Like a boy, he was looking forward to the afternoon of play, and it seemed never to come quickly enough to suit him. I remained regularly for luncheon, and he was inclined to cut the courses short that we might the sooner get up-stairs for billiards. He did not eat the midday meal himself, but he would come down and walk about the dining-room, talking steadily that marvelous, marvelous talk which little by little I trained myself to remember, though never with complete success. He was only killing time, and I remember once, when he had been earnestly discussing some deep question, he suddenly noticed that the luncheon was ending.

"Now," he said, "we will proceed to more serious matters—it's your —shot."

My game improved with practice, and he reduced my odds. He was willing to be beaten, but not too often. We kept a record of the games, and he went to bed happier if the tally-sheet showed a balance in his favor.

He was not an even-tempered player. When the game went steadily against him he was likely to become critical, even fault-finding, in his remarks. Then presently he would be seized with remorse and become over-gentle and attentive, placing the balls as I knocked them into the pockets, hurrying to render this service. I wished he would not do it. It distressed me that he should humble himself. I was willing that he should lose his temper, that he should be even harsh if he felt so inclined—his age, his position, his genius gave him special privileges. Yet I am glad, as I remember it now, that the other side revealed itself, for it completes the sum of his humanity. Once in a burst of exasperation he made such an onslaught on the balls that he landed a couple of them on the floor. I gathered them up and we went on playing as if nothing had happened, only he was very gentle and sweet, like a summer meadow when the storm has passed by. Presently he said:

"This is a most amusing game. When you play badly it amuses me, and when I play badly and lose my temper it certainly must amuse you."

It was but natural that friendship should grow under such conditions. The disparity of our ages and gifts no longer mattered. The pleasant land of play is a democracy where such things do not count.

We celebrated his seventy-first birthday by playing billiards all day. He invented a new game for the occasion, and added a new rule for it with almost every shot. It happened that no other member of the family was at home—ill-health had banished every one, even the secretary. Flowers, telegrams, and congratulations came, and a string of callers. He saw no one but a few intimate friends.

We were entirely alone for dinner, and I felt the great honor of being his only guest on such an occasion. On that night, a year before, the flower of his profession had assembled to do him honor. Once between the courses, when he rose, as was his habit, to walk about, he wandered into the drawing-room, and, seating himself at the orchestrelle, began to play the beautiful "Flower Song" from Faust. It was a thing I had not seen him do before, and I never saw him do it again.

He was in his loveliest humor all that day and evening, and at night when we stopped playing he said:

"I have never had a pleasanter day at this game."

I answered: "I hope ten years from to-night we shall be playing it."

"Yes," he said, "still playing the best game on earth."

LXIII.

LIVING WITH MARK TWAIN

I accompanied him on a trip he made to Washington in the interest of copyright. Speaker "Uncle Joe" Cannon lent us his private room in the Capitol, and there all one afternoon Mark Twain received Congressmen, and in an atmosphere blue with cigar-smoke preached the gospel of copyright. It was a historic trip, and for me an eventful one, for it was on the way back to New York that Mark Twain suggested that I take up residence in his home. There was a room going to waste, he said, and I would be handier for the early and late billiard sessions. I accepted, of course.

Looking back, now, I see pretty vividly three quite distinct pictures. One of them, the rich, red interior of the billiard-room, with the brilliant green square in the center on which the gay balls are rolling, and bent over it his luminous white figure in the instant of play. Then there is the long lighted drawing-room, with the same figure stretched on a couch in the corner, drowsily smoking while the rich organ tones summon for him scenes and faces which the others do not see. Sometimes he rose, pacing the length of the parlors, but oftener he lay among the cushions, the light flooding his white hair and dress, heightening his brilliant coloring. He had taken up the fashion of wearing white altogether at this time. Black, he said, reminded him of his funerals.

The third picture is that of the dinner-table—always beautifully laid, and always a shrine of wisdom when he was there. He did not always talk, but he often did, and I see him clearest, his face alive with interest, presenting some new angle of thought in his vivid, inimitable speech. These are pictures that will not fade from my memory. How I wish the marvelous things he said were like them! I preserved as much of them as I could, and in time trained myself to recall portions of his exact phrasing. But even so they seemed never quite as he had said them. They lacked the breath of his personality. His dinner-table talk was likely to be political, scientific, philosophic. He often discussed aspects of astronomy, which was a passion with him. I could succeed better with the billiard-room talk—that was likely to be reminiscent, full of anecdotes. I kept a pad on the window-sill, and made notes while he was playing. At one time he told me of his dreams.

"There is never a month passes," he said, "that I do not dream of being in reduced circumstances and obliged to go back to the river to earn a living. Usually in my dream I am just about to start into a black shadow without being able to tell whether it is Selma Bluff, or Hat Island, or only a black wall of night. Another dream I have is being compelled to go back to the lecture platform. In it I am always getting up before an audience, with nothing to say, trying to be funny, trying to make the audience laugh, realizing I am only making silly jokes. Then the audience realizes it, and pretty soon they commence to get up and leave. That dream always ends by my standing there in the semi-darkness talking to an empty house."