Architecture. Dialectic. Synthesis
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14
Losev A.F. (2000) IAE. Vysokaya klassika [History of Ancient Aesthetics. High Classics]. Moscow: AST. pp. 183-184. (in Russian)
15
Ikonnikov A.V. (1985) Khudozhestvenny yazyk arkhitektury [The Artistic language of Architecture]. Moscow: Iskusstvo, pp.17-18. (in Russian)
16
Losev A.F. (1976) Ellenisticheski-rimskaya estetika 1-2 vv. n. e. [Hellenistic-Roman Aesthetics of the 1-2 centuries A. D.] Moscow: Moscow University Publ. – pp. 45-46. (in Russian)
17
Ikonnikov A.V. (2001 ). Arkhitektura i gradostroitelstvo [Architecture and Urban Planning]. Encyclopedia. Moscow: Stroyizdat, – p.385. (in Russian)
18
Cf. the title of O. Niemeyer's article: "Beauty is a function."
19
Ikonnikov A. V. (1985) Khudozhestvenny yazyk arkhitektury [The Artistic language of Architecture]. Moscow: Iskusstvo, p. 8. (in Russian)
20
Meon is a term of philosophy by A. F. Losev. The pairs of "idea – matter" and "eidos–meon" are synonymous. Meon is the otherness of eidos. Embodied in meon, eidos gives birth to new categories and forms.
21
Mastera arkhitektury ob arkhitekture [Masters of Architecture about Architecture]. (1972). Moscow: Iskusstvo, 1972, p. 176.
22
Ikonnikov A. V. (1985) Khudozhestvenny yazyk arkhitektury [The Artistic language of Architecture]. Moscow: Iskusstvo, p. 30. (in Russian)
23
Alexandrov P.A., Khan-Magomedov S.O. (1971) Ivan Leonidov. Moscow: Stroyizdat, p54. (in Russian)
24
Tits A. A., Vorobyeva E. V. (1986) Plastichesky yazyk arkhitektury [The Plastic Language of Architecture]. Moscow: Stroyizdat. pp.47-48. (in Russian)
25
Thing that has become is a philosophical term of A. F. Losev, it is the next link following the triad of One, Being, Becoming.
26
From the Greek Ἐννεάς – "the nine".
27
Kirillova L.I. (1986) Masshtab i masshtanost// Teoriya kompozitsii v sovetskoy arkhotekture. [Scale and scale // Theory of Composition in Soviet Architecture]. Moscow: Stroyizdat. – p. 131. (in Russian)
28
Stepanov A. V., Malgin V. I., Ivanova G. I., et. al. (1993) Obyemno-prostranstvennye kompozitsii [Three-dimensional compositions]. Moscow: Stroyizdat. – 1993. – pp.81, 85. (in Russian)
29
Mastera sovetskoy arkhitektury ob arkhitekture [Masters of Soviet Architecture about Architecture], vol. 1. (1975) Moscow: Iskusstvo. (in Russian) – p. 347.
30
See: Stepanov A. V., Malgin V. I., Ivanova G. I., et. al. (1993) Obyemno-prostranstvennaya kompozitsiya [Three-dimensional composition]. Moscow: Stroyizdat. – pp.82-83, 88. (in Russian)
31
Lotman Ju. M. Semiosfera [Semiosphere]. Moscow: Iskusstvo – SPB, pp.682-683. (in Russian)
32
Batorevich N. I., Kozhitseva T. D. (1999) Arkhitekturny slovar [Architectural Dictionary]. St. Petersburg: Stroyizdat SPb. – p. 6. (in Russian)
33
Villa Tegel // (1999) Zodchestvo mira [Architecture of the world]. – 1. – pp.76-77. (in Rusian)
34
See Ikonnikov A. V. (1985) Khudozhestvenny yazyk arkhitektury [The Artistic language of Architecture]. Moscow: Iskusstvo, p. 32-37. (in Russian)
35
Quoted in: Samin D. K. (2000). Sto velikikh arkhitektorov [One Hundred Great Architects]. Moscow: Veche. p. 520. (in Russian)
36
Quoted in: Samin D. K. (2000). Sto velikikh arkhitektorov [One Hundred Great Architects]. Moscow: Veche. p. 405. (in Russian)
37
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow.: Stroyizdat. – p. 471. (in Russian)
38
Ryabushin A. V. (2010) Arkhitektory rubezha tysyacheletiy [Architects of the Turn of the Millennium]. Book one. Lidery professii i novye imena [Professional Leaders and New Names]. Moscow: Iskusstvo – XXI vek. – p.184. (in Russian)
39
Zodchie Sankt-Peteburga XX veka [The Architects of St. Petersburg of the Twentieth Century]. (2000) St. Petersburg: Lenizdat. p. 151. (in Russian)
40
Zodchie Sankt-Peteburga XX veka [The Architects of St. Petersburg of the Twentieth Century]. (2000) St. Petersburg: Lenizdat. p. 623. (in Russian)
41
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow: Stroyizdat. – p. 505. (in Russian)
42
Arkhitektura glazami chelovechestva. Arkhitekturny aforizm [Architecture through the Eyes of Humanity. Architectural Aphorism]. (2000) St. Petersburg: Stroyizdat SPb. – p. 30. (in Russian)
43
Losev A.F. (1999) Lichnost i absolyut [Personality and the Absolute], Moscow: Mysl, – p. 500, 505. (in Russian)
44
See Losev A.F. (1993) Bytie. Imya. Kosmos [Genesis – Name – Cosmos]. Moscow: Mysl. – p.300. (in Russian)
45
The thought of St. Ambrose of Milan. Quoted in: Zubov V.P. (2000) Trudy po istorii i teorii arkhitektury [Works on the History and Theory of Architecture]. Moscow: Iskusstvoznanie. – p. 268. (in Russian)
46
Ikonnikov A.V. (1986) Funktsiya, forma, obraz v arkhitekture [Function, Form, Image in Architecture]. Moscow: Stroyizdat. – p. 177. (in Russian)
47
See: Ikonnikov A.V. (2001) Arkhitektura XX veka. Utopii i realnost [Architecture of the Twentieth Century. Utopias and reality]. Volume 1. Moscow: Progress-Tradition. – pp.186-193. (in Russian)
48
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow: Stroyizdat. – p. 242. (in Russian)
49
Alexandrov P.A., Khan-Magomedov S.O. (1971) Ivan Leonidov. Moscow: Stroyizdat, p. 105. (in Russian)
50
Maklakova T.G. (2000) Arkhitektura XX veka [Architecture of the Twentieth Century]. Moscow: Publishing House of the Association of Construction Universities. – p. 45. (in Russian)
51
See, for example, The Parametricist Manifesto (2008) by Patrik Schumacher.
52
"Space, not stone, is the material of architecture."
53
See Brunov N. (2003) Ocherki po istorii arkhitektury [Essays on the History of Architecture]. Vol.1. Moscow: ZAO Tsentrpoligraf. – pp.52-58. (in Russian)
54
Samin D. K. (2000). Sto velikikh arkhitektorov [One Hundred Great Architects]. Moscow: Veche. p. 586. (in Russian)
55
Ryabushin A. V. (2005) Arkhitektory rubezha tysyacheletiy [Architects of the Turn of the Millennium]. Moscow: Iskusstvo – XXI vek. – p. 270-271 (in Russian)
56
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow: Stroyizdat. – p. 479. (in Russian)
57
Lotman Ju. M. (2000) Semiosfera [Semiosphere]. St. Petersburg: Iskusstvo-SPB. – p. 680. (in Russian)
58
Lotman Ju.M. (2000) Semiosfera [Semiosphere]. St. Petersburg: Iskusstvo-SPB. – p. 681. (in Russian)
59
Quoted in: Losev A.F. (1995) Forma. Stil. Vyrazhenie. [Form. Style. Expression]. MOSCOW: "Mysl". – pp. 266. (in Russian)
60
Pronin (2004) Teoreticheskie osnovy arkhitekturnoy kombinaoriki [Theoretical Foundations of Architectural Combinatorics]. Moscow: Architectura-S. – p. 20. (in Russian)
61
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow: Stroyizdat. – p. 242. (in Russian)
62
Obyemno-prostranstvennaya kompozitsiya [Three-dimensional composition]. (1993) Moscow: Stroyizdat. – pp. 113. (in Russian)
63
Ryabushin A. V. (2005) Arkhitektory rubezha tysyacheletiy [Architects of the Turn of the Millennium]. Moscow: Iskusstvo – XXI vek. – p. 121 (in Russian)
64
Ibid., p. 129.
65
Ibid., p. 130.
66
Ibid., p. 135.
67
Ibid., p. 136.
68
Ibid., p. 139.
69
Khan–Magomedov S. O. (1996) Arkhitektura sovetskogo avangarda. Kniga pervaya. Problemy formoobrazovaniya. Mastera i techeniya [Architecture of the Soviet Avant-garde. Book One. Moscow: Stroyizdat. – p. 504. (in Russian)
70
Ibid.
71
Bunin A.V., Savarenskaya T.F. (1979) Istoriya gradostroitelnogo iskusstva [History of City-Planning Art]. Volume one. Moscow: Stroyizdat. – pp. 29-30. (in Russian)