Indian Myth and Legend

As the Asuras are the enemies of the gods, the Rakshas or Rakshasas are the enemies of man.121 These demons are “night prowlers”; they have greatest power after “the first forty seconds of grey twilight preceding nightfall”. They travel faster than the wind, and go through the air; they have also power to change their shape. Sometimes they appear in the guise of tigers, bears, or great monkeys; and their hues vary from yellow to red, and blue to green. In the Ramayana they are found associated with the Asuras of Ceylon; a spy enters a demon dwelling and sees them in all their shapes, some frightfully deformed, with small bodies and long arms; some as grotesque dwarfs, others as horrible giants with long projecting teeth; some with one eye, others with three eyes; some with one leg, two legs, or three, or even four; and some with heads of serpents, horses, or elephants. In the Mahabharata the Rakshasas are like gorillas; they have arrow-shaped ears, big red eyes, and red hair and beards, and mouths like caves; they feast on human beings and cattle. The heroic Bhima, like Siegfried Dietrich of Bern, Beowulf, and Finn-mac-Coul, is a mighty slayer of these man-eating demons. They are impervious to weapons, but Bhima wrestles with them and breaks their backs or tears them asunder, after lively combats with trees and boulders. Female Rakshasas sometimes fall in love with human beings, and transform themselves into beautiful women. Bhima takes one for his bride, and she carries him through the air to a Celestial retreat among the mountains.

The most loathsome Rakshasas are the goblin-like Pisachas,122 who are devourers of dead bodies in cemeteries, and are exceedingly vile and malignant fiends. They are the bringers of diseases and wasting fevers. In the Atharvaveda Agni is invoked by the priests, who mutter charms over suffering and “possessed” mortals, to take the Pisachas between his teeth and devour them. They are “those who hound us in our chambers, while shouting goes on in the night of the new moon … the flesh devourers, who plan to injure us, and whom I overcome”. The priest declares: “I plague the Pisachas as the tiger the cattle owners. As dogs who have seen a lion, these do not find a refuge.... From villages I enter Pisachas fly away.... May Nirriti (a goddess of destruction) take hold of this one.”123

Kali, a demon who holds friendly converse with the gods in the “Story of Nala”, is attended by Dwápara, a flesh-eater like the Pisachas. The Panis are aerial demons, who are hated by bluff, honest Indra, because they are the inspirers of foolish actions, slander, and unbelief, and the imps who encourage men to neglect homage to deities. The black Dasyus are repulsive of aspect and jealous-hearted; they are the stealers of the cloud cows who are held captive for Vritra in the cave of the demon Vala. The Darbas, “the tearers”, are a variety of Pisachas. Reference is made in Mahabharata to “ugly Vartikas of dreadful sight, having one wing, one eye, and one leg”; when they “vomit blood, facing the sun”, a dreadful happening is known to be at hand, because they are fiends of evil omen.

Among the supernatural beings who are sometimes the enemies, but in most cases the friends of mankind, are the Yakshas, the Gandharvas, and the Apsaras (Apsarasas).

The Yakshas are occasionally referred to as the Punyajanas, “the good people”; they may be of human stature, with big benevolent eyes, or powerful giants who can fight as fiercely as Rakshasas. They are guardians of hidden treasure, like the dwarfs and giants of Teutonic legend, being associated with Kuvera, god of wealth, whose abode is situated among the Himalayan mountains. In Kuvera's domain are found “multitudes of spirits” who do not visit the world of men as a rule, but remain near the treasure for purposes of defence; “some are of dwarfish stature, some of fierce visage, some hunchbacked, some of blood-red eyes, some of frightful yells; some are feeding upon fat and flesh, and some are terrible to behold; and all are armed with various weapons, and endued with the speed of the wind”.124

14

THE CELESTIAL FAIRIES (APSARAS)

Sculpture on a modern Hindu Temple, Benares

The Gandharvas are grouped in tribes, and number over six thousand individuals. They are all of the male sex. They haunt the air, the forests, and the mountains, and, like the Rakshasas, have power to work illusions in the grey twilight before nightfall. References are made in the Epics to their combats with human beings. To warriors who overcome them they impart instruction in religious matters; those whom they conquer they carry away, like the Teutonic elves and dwarfs. The Gandharvas are renowned musicians and bards and singers. When they play on their divine instruments the fairy-like Apsaras, who are all females, dance merrily. In the various Aryan heavens these elves and fairies delight and allure with music and song and dance the gods, and the souls of those who have attained to a state of bliss. The Apsara dancing girls are “voluptuous and beautiful”, and inspire love in Paradise as well as upon earth. Their lovers include gods, Gandharvas, and mortals. Arjuna, the human son of Indra, who was transported in a Celestial chariot to Swarga over Suravithi, “the Milky Way”, was enchanted by the music and songs and dances of the Celestial elves and fairies. He followed bands of Gandharvas who were “skilled in music sacred and profane”, and he saw the bewitching Apsaras, including the notorious Menaka, “with eyes like lotus blooms, employed in enticing hearts”; they had “fair round hips and slim waists”, and “began to perform various evolutions, shaking their deep bosoms and casting their glances around, and exhibiting other attractive attitudes capable of stealing the hearts and resolutions and minds of the spectators”.125

In the Rigveda there is a water-nymph, named Apsaras; she is the “spouse” of Gandharva, an atmospheric deity who prepares Soma for the gods and reveals divine truths to mortals. They vanish, however, in later times; the other Vedas deal with the spirit groups which figure so prominently in the Epics. No doubt the groups are older than Gandharva, the god, and Apsaras, the goddess, who may be simply the elf-king and the fairy-queen. The “black” Dasyus are sometimes referred to by modern-day writers as the dark aborigines who were displaced by the Aryans; a tribal significance is also given to the Rakshasas and the Gandharvas. But this tendency to identify the creatures of the spirit world with human beings may be carried too far. If “Dasyus” were really “dark folk”,126 it should be remembered that in Teutonic mythology there are “black dwarfs”, who live in underground dwellings, and “white elves” associated with air and ocean; there are also black and white fairies in the Scottish Highlands, so that black and white spirits may simply belong to night and day spirit groups. It may be that the Indian aborigines were referred to contemptuously as Dasyus by the Aryans. The application of the names of repulsive imps to human enemies is not an unfamiliar habit even in our own day; in China the European is a “foreign devil”, but Chinese “devils” existed long before Europeans secured a footing in the Celestial Kingdom. Those who seek for a rational explanation for the belief in the existence of mythical beings should remember that primitive man required no models for the creatures of his fancy. He symbolized everything—his ideals, his desires, his hopes and his fears, the howling wind, the low whispering breeze, the creaking tree, the torrent, the river, the lake, and the mountain; he heard the hammer or the trumpet of a mighty god in the thunderstorm, he believed that giants uprooted trees and cast boulders down mountain slopes, that demons raised ocean billows in tempest, and that the strife of the elements was a war between gods and giants; day and night, ever in conflict, were symbolized, as were also summer and winter, and growth and decay. If the fairies and elves of Europe are Lapps, or the small men of an interglacial period in the Pleistocene Age, and if the Dasyus and Gandharvas of India are merely Dravidians and pre-Dravidians who resisted the Aryan invasion, who, then, it may be asked, were the prototypes of the giants “big as mountains”, or the demons like “trees walking”, the “tiger-headed” Rakshasas, “ugly Vartikas” with “one wing, one eye, and one leg”? and what animal suggested Vritra, or the fiery dragon that burned up daylight, or Rahu, the swallower of sun and moon? If the redhaired and red-bearded Rakshasas are to be given a racial significance, what of the blue Rakshasas and the green? The idea that primitive man conceived of giants because he occasionally unearthed the bones of prehistoric monsters, is certainly not supported by Scottish evidence; Scotland swarms with giants and hags of mountain, ocean, and river, although it has not yielded any great skeletons or even a single artifact of the Palæolithic Age. Giants and fairies are creations of fancy. Just as a highly imaginative child symbolizes his fears and peoples darkness with terrifying monsters, so, it may be inferred, did primitive man who crouched in his cave, or spent sleepless nights in tempest-stricken forests, conceive with childlike mind of demons thirsting for his blood and giants of wind and fire intent on destroying the Universe.

In India, as elsewhere, the folk of the spirit world might woo or be wooed by impressionable mortals. A Gandharva related to Arjuna, the Pandava prince, by whom he was defeated in single combat, the “charming story”, as he called it, of King Samvarana and the fairy-like Tapati, a daughter of the sun god, Surya. Tapati was of all nymphs the most beautiful; she was “perfectly symmetrical” and “exquisitely attired”; she had “faultless features, and black, large eyes”; and, in contrast to an Apsara, she “was chaste and exceedingly well conducted”. For a time the sun god considered that no husband could be found who was worthy of his daughter; and therefore “knew no peace of mind, always thinking of the person he should select”. One day, however, King Samvarana worshipped the sun, and made offerings of flowers and sweet perfumes, and Surya resolved to bestow his daughter upon this ideal man.

It came to pass that Samvarana went a-hunting deer on the mountains. He rode swiftly in pursuit of a nimble-footed stag, leaving his companions behind, until his steed expired with exhaustion. Then he wandered about alone. In a secluded wood he beheld a maiden of exquisite beauty; he gazed at her steadfastly for a time, thinking she was a goddess or “the embodiment of the rays emanating from the sun”. Her body was as radiant as fire and as spotless as the crescent moon; she stood motionless like to a golden statue. The flowers and the creepers round about partook of her beauty, and “seemed to be converted into gold”. She was Tapati, daughter of the sun.

The king's eyes were captivated, his heart was wounded by the arrows of the love god Kama; he lost his peace of mind. At length he spoke and said: “Who art thou, O fair one? O maiden of sweet smiles, why dost thou linger in these lonely woods? I have never seen or heard of one so beautiful as thee.... The love god tortures me.”

That lotus-eyed maiden made no answer; she vanished from sight like to lightning in the clouds.

The king hastened through the forest, lamenting for her: he searched in vain; he stood motionless in grief; he fell down on the earth and swooned.

Then, smiling sweetly, the maiden appeared again. In honeyed words she spoke, saying: “Arise, thou tiger among kings. It is not meet that thou shouldst lose thy reason in this manner.”

Samvarana opened his eyes and beheld Tapati. Weak with emotion he spoke and said: “I am burning with love for thee, thou black-eyed beauty, O accept me. My life is ebbing away.... I have been bitten by Kama, who is even like a venomous snake. Have mercy on me.... O thou of handsome and faultless features, O thou of face like unto the lotus or the moon, O thou of voice sweet as that of singing Kinnaras, my life now depends on thee. Without thee, O timid one, I am unable to live. It behoveth thee not, O black-eyed maid, to cast me off; it behoveth thee to relieve me from this affliction by giving me thy love. At the first sight thou hast distracted my heart. My mind wandereth. Be merciful; I am thy obedient slave, thy adorer. O accept me.... O thou of lotus eyes, the flame of desire burneth within me. O extinguish that flame by throwing on it the water of thy love....”127

Tapati replied: “I am not mistress of mine own self. I am a maiden ruled by my father. If thou dost love me, demand me of him. My heart hath been robbed by thee.”

Then, revealing her identity, Tapati ascended to heaven, and once again Samvarana fell upon the earth and swooned.

The ministers and followers of the king came searching for him, and found him “lying forsaken on the ground like a rainbow dropped from the firmament”. They sprinkled his face with cool and lotus-scented water. When he revived, the monarch sent away all his followers except one minister. For twelve days he worshipped the sun constantly on the mountain top. Then a great Rishi, whom he had sent for, came to him, and the Rishi ascended to the sun. Ere long he returned with Tapas, the sun god having declared that Varanasi would be a worthy husband for his daughter.

For twelve years the king lived with his fairy bride in the mountain forests, and a regent ruled over the kingdom.

But although the monarch enjoyed great bliss, living the life of a Celestial, the people of the kingdom suffered greatly. For twelve years no rain fell, “not even a drop of dew came from the skies, and no corn was grown”. The people were afflicted with famine; men grew reckless, and deserted their wives and children; the capital became like to a city of the dead.

Then a great Rishi brought Varanasi back to his capital with his Celestial bride. And after that things became as they were before. Rain fell in abundance and corn was grown. “Revived by that foremost of monarchs of virtuous soul, the capital and the country became glad with exceeding joy.”128 A son was born to the king, and his name was Kuru.

There are many other uncatalogued Celestial beings like Tapati in Indian fairyland. In the Atharva-veda there are numerous named and nameless spirits of good and evil, and throughout the Epics references are made to semi-divine beings who haunt streams, lakes, forests, and plains. A Rigveda hymn is addressed to the forest nymph Aranyani. She echoes the voices of man and beast and creates illusions:

She mimics kine that crop the grass,She rumbles like a cart at even,She calls The cow, she hews down wood,The man who lingers says, “Who calleth?”O Aranyani will not harmIf one will not invade her dwelling,When, having eaten luscious fruit,At her sweet will she turns to slumber.

The singing birds are all singing spirits in India as in Europe. The “language of birds” is the language of spirits. When Siegfried, after eating of the dragon's heart, understood the “language of birds”, he heard them warning him regarding his enemies. Our seafarers whistle when they invoke the spirit of the wind. Sir Walter Scott drew attention, in his Minstrelsy of the Scottish Border, to the belief that the speech of spirits was a kind of whistling. As we have seen, the wives of Danavas had voices like Cranes; Homer's ghosts twittered like bats; Egyptian ghosts were hooting owls. In India the croaking raven is still a bird of evil omen, as it is also in the West. In the Scottish Highlands the spirits of the dead sometimes appear as birds; so do fairies. The Irish gods and the Celestial Rishis of India take the form of swans, like the “swan maidens”, when they visit mankind. In the Assyrian legend of Ishtar the souls of the dead in Hades “are like birds covered with feathers”. Numerous instances could be quoted to illustrate the widespread association of birds with the spirit world.

CHAPTER V

Social and Religious Developments of the Vedic Age

Aryan Civilization—Tribes and Clans—Villages and Trade—Divisions of Society—Origin of Castes—Rise of the Priestly Cult—Brahmanic Ideals of Life—Brahmanic Students—The Source of Algebra—Samaveda and Yajurveda—Atharva-veda Charms and Invocations—The “Middle Country” the Centre of Brahmanic Culture—Sacred Prose Books—Bold Pantheism of the Upanishads—Human Sacrifice and its Symbolism—Chaos Giant Myth in India, Babylonia, and China, and in Teutonic Mythology—Horse Sacrifices in India, Siberia, Greece, Rome, &c.—Creation the Result of Sacrifice—Death as the Creator and Devourer.

During the Vedic Age, which came to a close in the eighth century B.C., the Aryan settlers spread gradually eastward and southward. At first they occupied the Punjab, but ere the Rigvedic period was ended they had reached the banks of the Jumna and the Ganges in the “Middle Country”. In the early hymns the great Himalayan mountains dominate fertile river valleys, but the greater part of northern India is covered by vast and dense forests. No mention is made of the sea.

The Aryans were a pastoral and hunting people, with some knowledge of agriculture. They possessed large herds of cattle, and had also sheep, goats, and asses; they were, besides, famous breeders and tamers of horses; the faithful dog, man's earliest friend, followed both herdsman and hunter. The plough was in use, and bullocks were yoked to it; grain was thrashed in primitive manner and ground between “pounding stones”. Barley and wheaten cakes, milk, curds, butter, and cheese, and wild fruits were the chief articles of diet; the products of the chase were also eaten, but there appears to have been at the earliest period a restriction in the consumption of certain foods. Beef was not eaten at meals. Bulls were sacrificed to the gods. Two kinds of intoxicating liquors were brewed—the mysterious Soma, beloved by deities, and a mead or ale called “sura”, the Avestan “hura”, prepared probably from grain, which had ever an evil reputation as a cause of peace-breaking, like dice, and of wrongdoing generally.

Metals were in use, for the earliest Aryan invasion took place in the Bronze Age, during which there were great race movements and invasions and conquests in Asia and in Europe. It is doubtful whether or not iron was known by the earliest Aryan settlers in India; it was probably not worked, but may have been utilized for charms, as in those countries in which meteoric iron was called “the metal of heaven”. The knowledge of the mechanical arts had advanced beyond the primitive stage. Warriors fought not only on foot but also in chariots, and they wore breastplates; their chief weapons were bows and horn or metal-tipped arrows, maces, battleaxes, swords, and spears. Smiths roused their fires with feather fans; carpenters are mentioned in the hymns, and even barbers who used razors.

The father was the head of the family, and the family was the tribal unit. War was waged by a loose federation of small clans, each of which was distinguished by the name of a patriarch. The necessity of having to conduct frequent campaigns in a new country, peopled by hostile aliens, no doubt tended to weld tribal units into small kingdoms and to promote the monarchic system. But intertribal feuds were frequent and bitter. The Aryans of the Punjab, like the Gauls who settled in northern Italy, and the clans of the Scottish Highlands in the Middle Ages, were continually divided among themselves, and greatly occupied in subduing rivals and in harrying their cattle.

Villages were protected by stockades or earthworks against the attacks of enemies and wild beasts, or they contained strongholds. They were governed by headsmen, who were, no doubt, military leaders also; disputes were settled by a judge. Land, especially grazing land, appears to have been held in common by communities, but there are indications that cultivated plots and houses were owned by families and ultimately by individuals, the father in such cases being the supreme authority. Village communities, however, might be migratory, and certain of them may have had seasonal areas of settlement.

Permanent villages existed in groups and also at some distance from one another, and were connected by roads, and one clan might embrace several separate communities. Trade was conducted by barter, the cow being the standard of value, but in time jewels and gold ornaments were used like money for purchases; “nishka”, a necklet, afterwards signified a coin. Foreign traders were not unknown at an early period. The use of alphabetic signs appears to have been introduced by Semites before the close of the Vedic period; from these evolved ultimately the scientific Sanskrit alphabet and grammar.

In the Iranian period129 there were social divisions of the people, but the hereditary system does not appear to have obtained until the close of Rigvedic times. Kings might be elected, or a military aristocracy might impose its sway over an area; a priest was originally a poet or leader of thought, or a man of elevated character, like the Scottish Highland duine-usual, the “upwardly man”, who might be the son of a chief or of the humblest member of a community.

The earliest Aryan divisions of society were apparently marked by occupations. At first there were three grades: warriors, priests, and traders, but all classes might engage in agricultural pursuits; even in the Epic period princes counted and branded cattle. In the later Vedic age, however, a rigid system of castes came into existence, the result, apparently, of having to distinguish between Aryans and aborigines at first, and subsequently between the various degrees of Aryans who had intermarried with aliens. Caste (Varna) signifies colour, and its relation to occupation is apparent in the four divisions—Brahmans, priests; Kshatriyas, the military aristocracy; Vaisyas, commoners, workers, and traders, who were freemen; and Sudras, slaves and aborigines. In the Yajurveda, the third Veda, the caste system is found established on a hereditary basis. The three upper castes, which were composed of Aryans only, partook in all religious ceremonials, but the members of the Sudra caste were hedged about by severe restrictions. The knowledge of the Vedas was denied to them, and they were not allowed to partake of Soma offerings, and although in the process of time their position improved somewhat in the religious life of the mingled people, their social inferiority was ever emphasized; they might become traders, but never Kshatriyas or Brahmans.

The most renowned of early Brahmans were the Rishis, the poets130 who composed the “new songs” to the gods. They were regarded as divinely inspired men and their fame was perpetuated after death. Several renowned poets are referred to in sacred literature and invested with great sanctity. The hymns or mantras were committed to memory and then handed down from generation to generation. At religious ceremonies these were chanted by reciters, the Hotri priests. There were also priests who were skilled in the correct performance of sacrificial rites, and family priests, the Purohitas, who were the guides, philosophers, and friends of kings and noblemen. A Rishi might be a Purohita and a seer, who ensured by the performance of mystic ceremonies a monarch's success in battle and afterwards celebrated his achievements in song.

In the process of time an organized priesthood came into existence, and a clan or kingdom had its chief priest. The production of new hymns came to an end; those which existed were considered sufficient for all purposes; religious beliefs were systematized, and an arbitrary ritual became more and more complicated.

There are indications that at an early period a chief or king might offer up a sacrifice, but when the profession of the Brahman became hereditary, no rite could be performed unless presided over by holy men. A sacrifice might be rendered futile by an error in the construction of an altar, or in the order of ceremonial practices, or by failure to select appropriate chants. The Asuras and Rakshasas and other demons were ever hovering round the altar, endeavouring to obstruct ceremonies and to take advantage of ritualistic errors to intercept offerings intended for the gods. It was by making sacrifices that man was believed to obtain power over the gods, or magical control over the forces of nature.