The House of the Whispering Pines
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As has been said before, this road was an outlying one and but little travelled save in the height of summer. Under ordinary circumstances Sweetwater would have met not more than a half-dozen carts or sledges between the club-house gates and the city streets. But to-day, the road was full of teams carrying all sorts of incongruous people, eager for a sight of the spot made forever notorious by a mysterious crime. He noted them all; the faces of the men, the gestures of the women; but he did not show any special interest till he came to that portion of the road where the long line of half-buried fences began to give way to a few scattered houses. Then his spirit woke, and be became quick, alert, and persuasive. He entered houses; he talked with the people. Though evidently not a dissipated man, he stopped at several saloons, taking his time with his glass and encouraging the chatter of all who chose to meet his advances. He was a natural talker and welcomed every topic, but his eye only sparkled at one. This he never introduced himself; he did not need to. Some one was always ready with the great theme; and once it was started, he did not let the conversation languish till every one present had given his or her quota of hearsay or opinion to the general fund.
It seemed a great waste of time, for nobody had anything to say worth the breath expended on it. But Sweetwater showed no impatience, and proceeded to engage the attention of the next man, woman, or child he encountered with undiminished zest and hopefulness.
He had left the country road behind, and had entered upon the jumble of sheds, shops, and streets which marked the beginnings of the town in this direction, when his quick and experienced eye fell on a woman standing with uncovered head in an open doorway, peering up the street in anxious expectation of some one not yet in sight. He liked the air and well-kept appearance of the woman; he appreciated the neatness of the house at her back and gauged at its proper value the interest she displayed in the expected arrival of one whom he hoped would delay that arrival long enough for him to get in the word which by this time dropped almost unconsciously from his lips.
But a second survey of the woman's face convinced him that his ordinary loquaciousness would not serve him here. There was a refinement in her aspect quite out of keeping with the locality in which she lived, and he was hesitating how to proceed, when fortune favoured him by driving against his knees a small lad on an ill-directed sled, bringing him almost to the ground and upsetting the child who began to scream vociferously.
It was the woman's child, for she made instantly for the gate which, for some reason, she found difficulty in opening. Sweetwater, seeing this, blessed his lucky stars. He was at his best with children, and catching the little fellow up, he soothed and fondled him and finally brought him with such a merry air of triumph straight to his mother's arms, that confidence between them was immediately established and conversation started.
He had in his pocket an ingenious little invention which he had exhibited all along the road as an indispensable article in every well-kept house. He wanted to show it to her, but it was too cold a day for her to stop outside. Wouldn't she allow him to step in and explain how her work could be materially lessened and her labour turned to play by a contrivance so simple that a child could run it?
It was all so ridiculous in face of this woman's quiet intelligence, that he laughed at his own words, and this laughter, echoed by the child and in another instant by the mother, made everything so pleasant for the moment that she insensibly drew back while he pulled open the gate, only remarking, as she led the way in:
"I was looking for my husband. He may come any minute and I'm afraid he won't care much about contrivances to save me work—that is, if they cost very much."
Sweetwater, whose hand was in his pocket, drew it hastily out.
"You were watching for your husband? Do you often stand in the open doorway, looking for him?"
Her surprised eyes met his with a stare that would have embarrassed the most venturesome book agent, but this man was of another ilk.
"If you do," he went on imperturbably, but with a good-humoured smile which deepened her favourable impression of him, "how much I would give if you had been standing there last Tuesday night when a certain cutter and horse went by on its way up the hill."
She was a self-contained woman, this wife of a master mechanic in one of the great shops hard by; but her jaw fell at this, and she forgot to chide or resist her child when he began to pull her towards the open kitchen door.
Sweetwater, sensitive to the least change in the human face, prayed that the husband might be detained, if only for five minutes longer, while he, Sweetwater, worked this promising mine.
"You were looking out," he ventured. "And you did see that horse and cutter. What luck! It may save a man's life."
"Save!" she repeated, staggering back a few steps and dragging the child with her. "Save a man's life! What do you mean by that?"
"Not much if it was any cutter and any horse, and at any hour. But if it was the horse and cutter which left The Whispering Pines at ten or half past ten that night, then it may mean life and death to the man now in jail under the dreadful charge of murder."
Catching up her child, she slid into the kitchen and sat down with it, in the first chair she came to. Sweetwater following her, took up his stand in the doorway, unobtrusive, but patiently waiting for her to speak. The steaming kettles and the table set for dinner gave warning of the expected presence for which she had been watching, but she seemed to have forgotten her husband; forgotten everything but her own emotions.
"Who are you?" she asked at length. "You have not told me your real business."
"No, madam, and I ask your pardon. I feared that my real business, if suddenly made known to you, might startle, perhaps frighten you. I am a detective on the look-out for evidence in the case I have just mentioned. I have a theory that a most important witness in the same, drove by here at the hour and on the night I have named. I want to substantiate that theory. Can you help me?"
A sensitiveness to, and quick appreciation of, the character of those he addressed was one of Sweetwater's most valuable attributes. No glossing of the truth, however skillfully applied, would have served him with this woman so well as this simple statement, followed by its equally simple and direct inquiry. Scrutinising him over the child's head, she gave but a casual glance at the badge he took pains to show her, then in as quiet and simple tones as he had himself used, she made this reply:
"I can help you some. You make it my duty, and I have never shrunk from duty. A horse and cutter did go by here on its way uphill, last Tuesday night at about eleven o'clock. I remember the hour because I was expecting my husband every minute, just as I am now. He had some extra work on hand that night which he expected to detain him till eleven or a quarter after. Supper was to be ready at a quarter after. To surprise him I had beaten up some biscuits, and I had just put them in the pan when I heard the clock strike the hour. Afraid that he would come before they were baked, I thrust the pan into the oven and ran to the front door to look out. It was snowing very hard, and the road looked white and empty, but as I stood there a horse and cutter came in sight, which, as it reached the gate, drew up in a great hurry, as if something was the matter. Frightened, because I'm always thinking of harm to my husband whose work is very dangerous, I ran out bare-headed to the gate, when I saw why the man in the sleigh was making me such wild gestures. His hat had blown off, and was lying close up against the fence in front of me. Anxious always to oblige, I made haste to snatch at it and carry it out to its owner. I received a sort of thank you, and would never have remembered the occurrence if it had not been for that murder and if—" She paused doubtfully, ran her fingers nervously over her child's head, looked again at Sweetwater waiting expectantly for her next word, and faltered painfully—"if I had not recognised the horse."
Sweetwater drew a deep breath; it was such a happy climax. Then, as she showed no signs of saying more, asked as quietly as his rapidly beating heart permitted:
"Didn't you recognise the man?"
Her answer was short but as candid as her expression.
"No. The snow was blinding; besides he wore a high collar, in which his head was sunk down almost out of sight."
"But the horse—"
"Was one which is often driven by here. I had rather not tell you whose it is. I have not told any one, not even my husband, about seeing it on the road that night. I couldn't somehow. But if it will save a man's life and make clear who killed that good woman, ask any one on the Hill, in what stable you can find a grey horse with a large black spot on his left shoulder, and you will know as much about it as I do. Isn't that enough, sir? Now, I must dish up my dinner."
"Yes, yes; it's almost enough. Just one question, madam. Was the hat what folks call a derby? Like this one, madam," he explained, drawing his own from behind his back.
"Yes, I think so. As well as I can remember, it was like that. I'm afraid I didn't do it any good by my handling. I had to clutch it quick and I'm sure I bent the brim, to say nothing of smearing it with flour-marks."
"How?" Sweetwater had started for the door, but stopped, all eagerness at this last remark.
"I had been cutting out biscuits, and my hands were white with flour," she explained, simply. "But that brushes off easily; I don't suppose it mattered."
"No, no," he hastily assented. Then while he smiled and waved his hand to the little urchin who had been his means of introduction to this possibly invaluable witness, he made one final plea and that was for her name.
"Eliza Simmons," was the straightforward reply; and this ended the interview.
The husband, whose anticipated approach had occasioned all this abruptness, was coming down the hill when Sweetwater left the gate. As this detective of ours was as careful in his finish as in all the rest of his work, he called out as he went by:
"I've just been trying to sell a wonderful contrivance of mine to the missus. But it was no go."
The man looked, smiled, and went in at his own gate with the air of one happy in wife, child, and home.
Sweetwater went on up the hill. Towards the top, he came upon a livery-stable. Stopping in his good-humoured way, he entered into talk with a man loitering inside the great door. Before he left him, he had asked him these questions:
"Any grey horse in town?"
"Yes, one."
"I think I've seen it—has a patch of black on its left shoulder."
"Yes."
"Whose is it? I've a mighty curiosity about the horse. Looks like a trick horse."
"I don't know what you mean by that. It belongs to a respectable family. A family you must have heard about if you ever heard anything. There's a funeral there to-day—"
"Not Miss Cumberland's?" exclaimed Sweetwater, all agog in a moment.
"Yes, Miss Cumberland's. I thought you might have heard the name."
"Yes, I've heard it."
The tone was dry, the words abrupt, but the detective's heart was dancing like a feather. The next turn he took was toward the handsome residence district crowning the hill.
XI
IN THE COACH HOUSE
All things that we ordained festivalTurn from their office to black funeral;Our instruments to melancholy bells;Our wedding cheer to a sad burial feast;And all things change them to the contrary.Romeo and Juliet.Fifteen minutes later, he stood in a finely wooded street before an open gateway guarded by a policeman. Showing his badge, he passed in, and entered a long and slightly curved driveway. As he did so, he took a glance at the house. It was not as pretentious as he expected, but infinitely more inviting. Low and rambling, covered with vines, and nestling amid shrubbery which even in winter gave it a habitable air, it looked as much the abode of comfort as of luxury, and gave—in outward appearance at least—no hint of the dark shadow which had so lately fallen across it.
The ceremonies had been set for three o'clock, and it was now half past two. As Sweetwater reached the head of the driveway, he saw the first of a long file of carriages approaching up the street.
"Lucky that my business takes me to the stable," thought he. "What is the coachman's name? I ought to remember it. Ah—Zadok! Zadok Brown. There's a combination for you!"
He had reached this point in his soliloquy (a bad habit of his, for it sometimes took audible expression) when he ran against another policeman set to guard the side door. A moment's parley, and he left this man behind; but not before he had noted this door and the wide and hospitable verandah which separated it from the driveway.
"I am willing to go all odds that I shall find that verandah the most interesting part of the house," he remarked, in quiet conviction, to himself, as he noted its nearness to the stable and the ease with which one could step from it into a vehicle passing down the driveway.
It had another point of interest, or, rather the wing had to which it was attached. As his eye travelled back across this wing, in his lively walk towards the stable, he caught a passing glimpse of a nurse's face and figure in one of its upper windows. This located the sick chamber, and unconsciously he hushed his step and moved with the greatest caution, though he knew that this sickness was not one of the nerves, and that the loudest sound would fail to reach ears lapsed in a blessed, if alarming, unconsciousness.
Once around the corner, he resumed a more natural pace, and perceiving that the stable-door was closed but that a window well up the garden side was open, he cast a look towards the kitchen windows at his back, and, encountering no watchful eye, stepped up to the former one and peered in.
A man sat with his back to him, polishing a bit of harness. This was probably Zadok, the coachman. As his interest was less with him than with the stalls beyond, he let his eye travel on in their direction, when he suddenly experienced a momentary confusion by observing the head and shoulders of Hexford leaning towards him from an opposite window—in much the same fashion, and certainly with exactly the same intent, as himself. As their glances crossed, both flushed and drew back, only to return again, each to his several peep-hole. Neither meant to lose the advantage of the moment. Both had heard of the grey horse and wished to identify it; Hexford for his own satisfaction, Sweetwater as the first link of the chain leading him into the mysterious course mapped out for him by fate. That each was more or less under the surveillance of the other did not trouble either.
There were three stalls, and in each stall a horse stamped and fidgeted. Only one held their attention. This was a mare on the extreme left, a large grey animal with a curious black patch on its near shoulder. The faces of both men changed as they recognised this distinguishing mark, and instinctively their eyes met across the width of the open space separating them. Hexford's finger rose to his mouth, but Sweetwater needed no such hint. He stood, silent as his own shadow, while the coachman rubbed away with less and less purpose, until his hands stood quite still and his whole figure drooped in irresistible despondency. As he raised his face, moved perhaps by that sense of a watchful presence to which all of us are more or less susceptible, they were both surprised to see tears on it. The next instant he had started to his feet and the bit of harness had rattled from his hands to the floor.
"Who are you?" he asked, with a touch of anger, quite natural under the circumstances. "Can't you come in by the door, and not creep sneaking up to take a man at disadvantage?"
As he spoke, he dashed away the tears with which his cheeks were still wet.
"I thought a heap of my young mistress," he added, in evident apology for this display of what such men call weakness. "I didn't know that it was in me to cry for anything, but I find that I can cry for her."
Hexford left his window, and Sweetwater slid from his; next minute they met at the stable door.
"Had luck?" whispered the local officer.
"Enough to bring me here," acknowledged the other.
"Do you mean to this house or to this stable?"
"To this stable."
"Have you heard that the horse was out that night?"
"Yes, she was out."
"Who driving?"
"Ah, that's the question!"
"This man can't tell you."
A jerk of Hexford's thumb in Zadok's direction emphasised this statement.
"But I'm going to talk to him, for all that."
"He wasn't here that night; he was at a dance. He only knows that the mare was out."
"But I'm going to talk to him."
"May I come in, too? I'll not interrupt. I've just fifteen minutes to spare."
"You can do as you please. I've nothing to hide—from you, at any rate."
Which wasn't quite true; but Sweetwater wasn't a stickler for truth, except in the statements he gave his superiors.
Hexford threw open the stable-door, and they both walked in. The coachman was not visible, but they could hear him moving about above, grumbling to himself in none too encouraging a way.
Evidently he was in no mood for visitors.
"I'll be down in a minute," he called out, as their steps sounded on the hardwood floor.
Hexford sauntered over to the stalls. Sweetwater stopped near the doorway and glanced very carefully about him. Nothing seemed to escape his eye. He even took the trouble to peer into a waste-bin, and was just on the point of lifting down a bit of broken bottle from an open cupboard when Brown appeared on the staircase, dressed in his Sunday coat and carrying a bunch of fresh, hot-house roses.
He stopped midway as Sweetwater turned towards him from the cupboard, but immediately resumed his descent and was ready with his reply when Hexford accosted him from the other end of the stable:
"An odd beast, this. They don't drive her for her beauty, that's evident."
"She's fast and she's knowing," grumbled the coachman. "Reason enough for overlooking her spots. Who's that man?" he grunted, with a drop of his lantern jaws, and a slight gesture towards the unknown interloper.
"Another of us," replied Hexford, with a shrug. "We're both rather interested in this horse."
"Wouldn't another time do?" pleaded the coachman, looking gravely down at the flowers he held. "It's most time for the funeral and I don't feel like talking, indeed I don't, gentlemen."
"We won't keep you." It was Sweetwater who spoke. "The mare's company enough for us. She knows a lot, this mare. I can see it in her eye. I understand horses; we'll have a little chat, she and I, when you are gone."
Brown cast an uneasy glance at Hexford.
"He'd better not touch her," he cautioned. "He don't know the beast well enough for that."
"He won't touch her," Hexford assured him. "She does look knowing, don't she? Would like to tell us something, perhaps. Was out that night, I've heard you say. Curious! How did you know it?"
"I've said and said till I'm tired," Brown answered, with sudden heat. "This is pestering a man at a very unfortunate time. Look! the people are coming. I must go. My poor mistress! and poor Miss Carmel! I liked 'em, do ye understand? Liked 'em—and I do feel the trouble at the house, I do."
His distress was so genuine that Hexford was inclined to let him go; but Sweetwater with a cock of his keen eye put in his word and held the coachman where he was.
"The old gal is telling me all about it," muttered this sly, adaptable fellow. He had sidled up to the mare and their heads were certainly very close together. "Not touch her? See here!" Sweetwater had his arm round the filly's neck and was looking straight into her fiery and intelligent eye. "Shall I pass her story on?" he asked, with a magnetic smile at the astonished coachman, which not only softened him but seemed to give the watchful Hexford quite a new idea of this gawky interloper.
"You'll oblige me if you can put her knowledge into words," the man Zadok declared, with one fascinated eye on the horse and the other on the house where he evidently felt that his presence was wanted. "She was out that night, and I know it, as any coachman would know, who doesn't come home stone drunk. But where she was and who took her, get her to tell if you can, for I don't know no more 'n the dead."
"The dead!" flashed out Sweetwater, wheeling suddenly about and pointing straight through the open stable-door towards the house where the young mistress the old servant mourned, lay in her funeral casket. "Do you mean her—the lady who is about to be buried? Could she tell if her lips were not sealed by a murderer's hand?"
"She!" The word came low and awesomely. Rude and uncultured as the man was, he seemed to be strangely affected by this unexpected suggestion. "I haven't the wit to answer that," said he. "How can we tell what she knew. The man who killed her is in jail. He might talk to some purpose. Why don't you question him?"
"For a very good reason," replied Sweetwater, with an easy good-nature that was very reassuring. "He was arrested on the spot; so that it wasn't he who drove this mare home, unharnessed her, put her back in her stall, locked the stable-door and hung up the key in its place in the kitchen. Somebody else did that."
"That's true enough, and what does it show? That the mare was out on some other errand than the one which ended in blood and murder," was the coachman's unexpected retort.
"Is that so?" whispered Sweetwater into the mare's cocked ear. "She's not quite ready to commit herself," he drawled, with another enigmatical smile at the lingering Zadok. "She's keeping something back. Are you?" he pointedly inquired, leaving the stalls and walking briskly up to Zadok.
The coachman frowned and hastily retreated a step; but in another moment he leaped in a rage upon Sweetwater, when the sight of the flowers he held recalled him to himself and he let his hand fall again with the quiet remark:
"You're overstepping your dooty. I don't know who you are or what you want with me, but you're overstepping your dooty."
"He's right," muttered Hexford. "Better let the fellow go. See! one of the maids is beckoning to him."
"He shall go, and welcome, if he will tell me where he gets his taste for this especial brand of whiskey." Sweetwater had crossed to the cupboard and taken down the lower half of the broken bottle which had attracted his notice on his first entrance, and was now holding it out, with a quizzical look at the departing coachman.
Hexford was at his shoulder with a spring, and together they inspected the label still sticking to it—which was that of the very rare and expensive spirit found missing from the club-house vault.
"This is a find," muttered Hexford into his fellow detective's ear. Then, with a quick move towards Zadok, he shouted out:
"You'd better answer that question. Where did this bit of broken bottle come from? They don't give you whiskey like this to drink."
"That they don't," muttered the coachman, not so much abashed as they had expected. "And I wouldn't care for it if they did. I found that bit of bottle in the ash-barrel outside, and fished it out to put varnish in. I liked the shape."
"Broken this way?"
"Yes; it's just as good."
"Is it? Well, never mind, run along. We'll close the stable-door for you."
"I'd rather do it myself and carry in the key."
"Here then; we're going to the funeral, too. You'd like to?" This latter in a whisper to Sweetwater.
The answer was a fervent one. Nothing in all the world would please this protean-natured man quite so well.
XII
"LILA—LILA!"
O, treble woeFall ten times treble on that cursed head,Whose wicked deed thy most ingenious senseDepriv'd thee of!—Hold off the earth awhile,Till I have caught her once more in my arms.Hamlet."Let us enter by the side door," suggested Sweetwater, as the two moved towards the house. "And be sure you place me where I can see without being seen. I have no wish to attract attention to myself, or to be identified with the police until the necessity is forced upon me."