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The One and Only Ivan and The One and Only Bob first published in The United States of America by HarperCollins Publishers in 2012 and 2020 Published simultaneously in Great Britain by HarperCollins Children's Books Published in this ebook pack edition in 2020 HarperCollins Children’s Books is a division of HarperCollinsPublishers Ltd, HarperCollins Publishers 1 London Bridge Street London SE1 9GF
The HarperCollins Children’s Books website address is
www.harpercollins.co.uk
Text copyright Katherine Applegate 2012, 2020
Illustrations copyright © Patricia Castelao 2020
Cover illustrations copyright © Patricia Castelao 2012, 2020
Cover design © HarperCollinsPublishers 2020
Katherine Applegate and Patricia Castelao assert the moral rights to be identified as the author and illustrator of this work respectively.
A catalogue record for this book is available from the British Library.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Source ISBN: 9780007468461 (The One and Only Ivan), 9780008390679 (The One and Only Bob) Ebook Edition © February 2020 ISBN: 9780008404758 Version: 2020-07-06
Contents
Cover
Title Page
Copyright
The One and Only Ivan
The One and Only Bob
Back Ad
About the Author
Books by Katherine Applegate
About the Publisher
Dedication
For Julia
Epigraph
It is never too late to be
what you might have been.
—George Eliot
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Hello
Names
Patience
How I Look
The Exit 8 Big Top Mall and Video Arcade
The Littlest Big Top on Earth
Gone
Artists
Shapes in Clouds
Imagination
The Loneliest Gorilla in the World
TV
The Nature Show
Stella
Stella’s Trunk
A Plan
Bob
Wild
Picasso
Three Visitors
My Visitors Return
Sorry
Julia
Drawing Bob
Bob and Julia
Mack
Not Sleepy
The Beetle
Change
Guessing
Jambo
Lucky
Arrival
Stella Helps
Old News
Tricks
Introductions
Stella and Ruby
Home of the One and Only Ivan
Art Lesson
Treat
Elephant Jokes
Children
The Parking Lot
Ruby’s Story
A Hit
Worry
The Promise
Knowing
Five Men
Comfort
Crying
The One and Only Ivan
Once Upon A Time
The Grunt
Mud
Protector
A Perfect Life
The End
Vine
The Temporary Human
Hunger
Still Life
Punishment
Babies
Beds
My Place
Nine Thousand Eight Hundred and Seventy-Six Days
A Visit
A New Beginning
Poor Mack
Colours
A Bad Dream
The Story
How
Remembering
What They Did
Something Else to Buy
Another Ivan
Days
Nights
Project
Not Right
Going Nowhere
Bad Guys
Ad
Imagining
Not-Tag
One More Thing
The Seven O’clock Show
Twelve
H
Nervous
Showing Julia
More Paintings
Chest Beating
Angry
Puzzle Pieces
Finally
The Next Morning
Mad Human
Phone Call
A Star Again
The Ape Artist
Interview
The Early News
Signs on Sticks
Protesters
Check Marks
Free Ruby
New Box
Training
Poking and Prodding
No Painting
More Boxes
Goodbye
Click
An Idea
Respect
Photo
Leaving
Good Boy
Moving
Awakening
Missing
Food
Not Famous
Something in the Air
A New TV
The Family
Excited
What I See
Still There
Watching
She
Door
Wondering
Ready
Outside at Last
Oops
What It Was Like
Pretending
Nest
More TV
It
Romance
More About Romance
Grooming
Talk
The Top of the Hill
The Wall
Safe
Silverback
Glossary
Author’s Note
Acknowledgments
Hello
I am Ivan. I am a gorilla.
It’s not as easy as it looks.
Names
People call me the Freeway Gorilla. The Ape at Exit 8. The One and Only Ivan, Mighty Silverback.
The names are mine, but they’re not me. I am Ivan, just Ivan, only Ivan.
Humans waste words. They toss them like banana peels and leave them to rot.
Everyone knows the peels are the best part.
I suppose you think gorillas can’t understand you. Of course, you also probably think we can’t walk upright.
Try knuckle walking for an hour. You tell me: which way is more fun?
Patience
I’ve learned to understand human words over the years, but understanding human speech is not the same as understanding humans.
Humans speak too much. They chatter like chimps, crowding the world with their noise even when they have nothing to say.
It took me some time to recognise all those human sounds, to weave words into things. But I was patient.
Patient is a useful way to be when you’re an ape.
Gorillas are as patient as stones. Humans, not so much.
How I Look
I used to be a wild gorilla, and I still look the part.
I have a gorilla’s shy gaze, a gorilla’s sly smile. I wear a snowy saddle of fur, the uniform of a silverback. When the sun warms my back, I cast a gorilla’s majestic shadow.
In my size humans see a test of themselves. They hear fighting words on the wind, when all I’m thinking is how the late-day sun reminds me of a ripe nectarine.
I’m mightier than any human, four hundred pounds of pure power. My body looks made for battle. My arms, outstretched, span taller than the tallest human.
My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins.
I know this is troubling.
I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns.
Chimps. There’s no excuse for them.
The Exit 8 Big Top Mall and Video Arcade
I live in a human habitat called the Exit 8 Big Top Mall and Video Arcade. We are conveniently located off I-95, with shows at two, four and seven, 365 days a year.
Mack says that when he answers the trilling telephone.
Mack works here at the mall. He is the boss.
I work here too. I am the gorilla.
At the Big Top Mall, a creaky-music carousel spins all day, and monkeys and parrots live amid the merchants. In the middle of the mall is a ring with benches where humans can sit on their rumps while they eat soft pretzels. The floor is covered with sawdust made of dead trees.
My domain is at one end of the ring. I live here because I am too much gorilla and not enough human.
Stella’s domain is next to mine. Stella is an elephant. She and Bob, who is a dog, are my dearest friends.
At present, I do not have any gorilla friends.
My domain is made of thick glass and rusty metal and rough cement. Stella’s domain is made of metal bars. The sun bears’ domain is wood; the parrots’ is wire mesh.
Three of my walls are glass. One of them is cracked, and a small piece, about the size of my hand, is missing from its bottom corner. I made the hole with a baseball bat Mack gave me for my sixth birthday. After that he took the bat away, but he let me keep the baseball that came with it.
A jungle scene is painted on one of my domain walls. It has a waterfall without water and flowers without scent and trees without roots. I didn’t paint it, but I enjoy the way the shapes flow across my wall, even if it isn’t much of a jungle.
I am lucky my domain has three windowed walls. I can see the whole mall and a bit of the world beyond: the frantic pinball machines, the pink billows of cotton candy, the vast and treeless parking lot.
Beyond the lot is a freeway where cars stampede without end. A giant sign at its edge beckons them to stop and rest like gazelles at a watering hole.
The sign is faded, the colours bleeding, but I know what it says. Mack read its words aloud one day: “COME TO THE EXIT 8 BIG TOP MALL AND VIDEO ARCADE, HOME OF THE ONE AND ONLY IVAN, MIGHTY SILVERBACK!”
Sadly, I cannot read, although I wish I could. Reading stories would make a fine way to fill my empty hours.
Once, however, I was able to enjoy a book left in my domain by one of my keepers.
It tasted like termite.
The freeway billboard has a drawing of Mack in his clown clothes and Stella on her hind legs and an angry animal with fierce eyes and unkempt hair.
That animal is supposed to be me, but the artist made a mistake. I am never angry.
Anger is precious. A silverback uses anger to maintain order and warn his troop of danger. When my father beat his chest, it was to say, Beware, listen, I am in charge. I am angry to protect you, because that is what I was born to do.
Here in my domain, there is no one to protect.
The Littlest Big Top on Earth
My neighbours here at the Big Top Mall know many tricks. They are an educated lot, more accomplished than I.
One of my neighbours plays baseball, although she is a chicken. Another drives a fire truck, although he is a rabbit.
I used to have a neighbour, a sleek and thoughtful seal, who could balance a ball on her nose from dawn till dusk. Her voice was like the throaty bark of a dog chained outside on a cold night.
Children wished on pennies and tossed them into her plastic pool. They glowed on the bottom like flat copper stones.
The seal was hungry one day, or bored, perhaps, so she ate one hundred pennies.
Mack said she’d be fine.
He was mistaken.
Mack calls our show “The Littlest Big Top on Earth”. Every day at two, four and seven, humans fan themselves, drink sodas, applaud. Babies wail. Mack, dressed like a clown, pedals a tiny bike. A dog named Snickers rides on Stella’s back. Stella sits on a stool.
It is a very sturdy stool.
I don’t do any tricks. Mack says it’s enough for me to be me.
Stella told me that some circuses move from town to town. They have humans who dangle on ropes twining from the tops of tents. They have grumbling lions with gleaming teeth and a snaking line of elephants, each clutching the limp tail in front of her. The elephants look far off into the distance so they won’t see the humans who want to see them.
Our circus doesn’t migrate. We sit where we are, like an old beast too tired to push on.
After our show, humans forage through the stores. A store is where humans buy things they need to survive. At the Big Top Mall, some stores sell new things, things like balloons and T-shirts and caps to cover the gleaming heads of humans. Some stores sell old things, things that smell dusty and damp and long-forgotten.
All day, I watch humans scurry from store to store. They pass their green paper, dry as old leaves and smelling of a thousand hands, back and forth and back again.
They hunt frantically, stalking, pushing, grumbling. Then they leave, clutching bags filled with things – bright things, soft things, big things – but no matter how full the bags, they always come back for more.
Humans are clever indeed. They spin pink clouds you can eat. They build domains with flat waterfalls.
But they are lousy hunters.
Gone
Some animals live privately, unwatched, but that is not my life.
My life is flashing lights and pointing fingers and uninvited visitors. Inches away, humans flatten their little hands against the wall of glass that separates us.
The glass says you are this and we are that and that is how it will always be.
Humans leave their fingerprints behind, sticky with candy, slick with sweat. Each night a weary man comes to wipe them away.
Sometimes I press my nose against the glass. My noseprint, like your fingerprint, is the first and last and only one.
The man wipes the glass and then I am gone.
Artists
Here in my domain, I do not have much to do. You can only throw so many me-balls at humans before you get bored.
A me-ball is made by rolling up dung until it’s the size of a small apple, then letting it dry. I always keep a few on hand.
For some reason, my visitors never seem to carry any.
In my domain, I have a tyre swing, a baseball, a tiny plastic pool filled with dirty water, and even an old TV.
I have a stuffed toy gorilla too. Julia, the daughter of the weary man who cleans the mall each night, gave it to me.
The gorilla has empty eyes and floppy limbs, but I sleep with it every night. I call it Not-Tag.
Tag was my twin sister’s name.
Julia is ten years old. She has hair like black glass and a wide, half-moon smile. She and I have a lot in common. We are both great apes, and we are both artists.
It was Julia who gave me my first crayon, a stubby blue one, slipped through the broken spot in my glass along with a folded piece of paper.
I knew what to do with it. I’d watched Julia draw. When I dragged the crayon across the paper, it left a trail in its wake like a slithering blue snake.
Julia’s drawings are wild with colour and movement. She draws things that aren’t real: clouds that smile and cars that swim. She draws until her crayons break and her paper rips. Her pictures are like pieces of a dream.
I can’t draw dreamy pictures. I never remember my dreams, although I sometimes awaken with my fists clenched and my heart hammering.
My drawings seem pale and timid next to Julia’s. She draws ideas in her head. I draw things in my cage, the simple items that fill my days: an apple core, a banana peel, a candy wrapper. (I often eat my subjects before I draw them.)
But even though I draw the same things over and over again, I never get bored with my art. When I’m drawing, that’s all I think about. I don’t think about where I am, about yesterday or tomorrow. I just move my crayons across the paper.
Humans don’t always seem to recognise what I’ve drawn. They squint, cock their heads, murmur. I’ll draw a banana, a perfectly lovely banana, and they’ll say, “It’s a yellow airplane!” or “It’s a duck without wings!”
That’s all right. I’m not drawing for them. I’m drawing for me.
Mack soon realised that people will pay for a picture made by a gorilla, even if they don’t know what it is. Now I draw every day. My works sell for twenty dollars apiece (twenty-five with frame) at the gift shop near my domain.
If I get tired and need a break, I eat my crayons.
Shapes in Clouds
I think I’ve always been an artist.
Even as a baby, still clinging to my mother, I had an artist’s eye. I saw shapes in the clouds, and sculptures in the tumbled stones at the bottom of a stream. I grabbed at colours – the crimson flower just out of reach, the ebony bird streaking past.
I don’t remember much about my early life, but I do remember this: Whenever I got the chance, I would dip my fingers into cool mud and use my mother’s back for a canvas.
She was a patient soul, my mother.
Imagination
Someday, I hope I can draw the way Julia draws, imagining worlds that don’t yet exist.
I know what most humans think. They think gorillas don’t have imaginations. They think we don’t remember our pasts or ponder our futures.
Come to think of it, I suppose they have a point. Mostly I think about what is, not what could be.
I’ve learned not to get my hopes up.
The Loneliest Gorilla in the World
When the Big Top Mall was first built, it smelled of new paint and fresh hay, and humans came to visit from morning till night. They drifted past my domain like logs on a lazy river.
Lately, a day might go by without a single visitor. Mack says he’s worried. He says I’m not cute any more. He says, “Ivan, you’ve lost your magic, old guy. You used to be a hit.”
It’s true that some of my visitors don’t linger the way they used to. They stare through the glass, they cluck their tongues, they frown while I watch my TV.
“He looks lonely,” they say.
Not long ago, a little boy stood before my glass, tears streaming down his smooth red cheeks. “He must be the loneliest gorilla in the world,” he said, clutching his mother’s hand.
At times like that, I wish humans could understand me the way I can understand them.
It’s not so bad, I wanted to tell the little boy. With enough time, you can get used to almost anything.
TV
My visitors are often surprised when they see the TV Mack put in my domain. They seem to find it odd, the sight of a gorilla staring at tiny humans in a box.
Sometimes I wonder, though: Isn’t the way they stare at me, sitting in my tiny box, just as strange?
My TV is old. It doesn’t always work, and sometimes days will go by before anyone remembers to turn it on.
I’ll watch anything, but I’m particularly fond of cartoons, with their bright jungle colours. I especially enjoy it when someone slips on a banana peel.
Bob, my dog friend, loves TV almost as much as I do. He prefers to watch professional bowling and cat-food commercials.
Bob and I have seen many romance movies too. In a romance there is much hugging and sometimes face licking.
I have yet to see a single romance starring a gorilla.
We also enjoy old western movies. In a western, someone always says, “This town ain’t big enough for the both of us, Sheriff.” In a western, you can tell who the good guys are and who the bad guys are, and the good guys always win.
Bob says westerns are nothing like real life.
The Nature Show
I have been in my domain for nine thousand eight hundred and fifty-five days.
Alone.
For a while, when I was young and foolish, I thought I was the last gorilla on earth.
I tried not to dwell on it. Still, it’s hard to stay upbeat when you think there are no more of you.
Then one night, after I watched a movie about men in black hats with guns and feeble-minded horses, a different show came on.
It was not a cartoon, not a romance, not a western.
I saw a lush forest. I heard birds murmuring. The grass moved. The trees rustled.
Then I saw him. He was bit threadbare and scrawny, and not as good-looking as I am, to be honest. But sure enough, he was a gorilla.
As suddenly as he’d appeared, the gorilla vanished, and in his place was a scruffy white animal called, I learned, a polar bear, and then a chubby water creature called a manatee, and then another animal, and another.
All night I sat wondering about the gorilla I’d glimpsed. Where did he live? Would he ever come to visit? If there was a he somewhere, could there be a she as well?
Or was it just the two of us in all the world, trapped in our own separate boxes?
Stella
Stella says she is sure I will see another real, live gorilla someday, and I believe her because she is even older than I and has eyes like black stars and knows more than I will ever know.
Stella is a mountain. Next to her I am a rock, and Bob is a grain of sand.
Every night, when the stores close and the moon washes the world with milky light, Stella and I talk.
We don’t have much in common, but we have enough. We are huge and alone and we both love yogurt raisins.
Sometimes Stella tells stories of her childhood, of leafy canopies hidden by mist and the busy songs of flowing water. Unlike me, she recalls every detail of her past.
Stella loves the moon, with its untroubled smile. I love the feel of the sun on my belly.
She says, “It is quite a belly, my friend,” and I say, “Thank you, and so is yours.”
We talk, but not too much. Elephants, like gorillas, do not waste words.
Stella used to perform in a large and famous circus, and she still does some of those tricks for our show. During one stunt, Stella stands on her hind legs while Snickers jumps on her head.
It’s hard to stand on your hind legs when you weigh more than forty men.
If you are a circus elephant and you stand on your hind legs while a dog jumps on your head, you get a treat. If you do not, the claw-stick comes swinging.
Elephant hide is thick as bark on an ancient tree, but a claw-stick can pierce it like a leaf.
Once Stella saw a trainer hit a bull elephant with a claw-stick. A bull is like a silverback, noble, contained, calm like a cobra is calm. When the claw-stick caught in the bull’s flesh, he tossed the trainer into the air with his tusk.
The man flew, Stella said, like an ugly bird. She never saw the bull again.
Stella’s Trunk
Stella’s trunk is a miracle. She can pick up a single peanut with elegant precision, tickle a passing mouse, tap the shoulder of a dozing keeper.
Her trunk is remarkable, but still it can’t unlatch the door of her tumble-down domain.
Circling Stella’s legs are long-ago scars from the chains she wore as a youth: her bracelets, she calls them. When she worked at the famous circus Stella had to balance on a pedestal for her most difficult trick. One day, she fell off and injured her foot. When she went lame and lagged behind the other elephants, the circus sold her to Mack.