Ursula

By Honore De Balzac

Translated by Katharine Prescott Wormeley

Contents

DEDICATION URSULA

ADDENDUM

DEDICATION

URSULA

CHAPTER I. THE FRIGHTENED HEIRS

Entering Nemours by the road to Paris, we cross the canal du Loing, the steep banks of which serve the double purpose of ramparts to the fields and of picturesque promenades for the inhabitants of that pretty little town. Since 1830 several houses had unfortunately been built on the farther side of the bridge. If this sort of suburb increases, the place will lose its present aspect of graceful originality.

In 1829, however, both sides of the road were clear, and the master of the post route, a tall, stout man about sixty years of age, sitting one fine autumn morning at the highest part of the bridge, could take in at a glance the whole of what is called in his business a "ruban de queue." The month of September was displaying its treasures; the atmosphere glowed above the grass and the pebbles; no cloud dimmed the blue of the sky, the purity of which in all parts, even close to the horizon, showed the extreme rarefaction of the air. So Minoret-Levrault (for that was the post master's name) was obliged to shade his eyes with one hand to keep them from being dazzled. With the air of a man who was tired of waiting, he looked first to the charming meadows which lay to the right of the road where the aftermath was springing up, then to the hill-slopes covered with copses which extend, on the left, from Nemours to Bouron. He could hear in the valley of the Loing, where the sounds on the road were echoed back from the hills, the trot of his own horses and the crack of his postilion's whip.

None but a post master could feel impatient within sight of such meadows, filled with cattle worthy of Paul Potter and glowing beneath a Raffaelle sky, and beside a canal shaded with trees after Hobbema. Whoever knows Nemours knows that nature is there as beautiful as art, whose mission is to spiritualize it; there, the landscape has ideas and creates thought. But, on catching sight of Minoret-Levrault an artist would very likely have left the view to sketch the man, so original was his in his native commonness. Unite in a human being all the conditions of the brute and you have a Caliban, who is certainly a great thing. Wherever form rules, sentiment disappears. The post master, a living proof of that axiom, presented a physiognomy in which an observer could with difficulty trace, beneath the vivid carnation of its coarsely developed flesh, the semblance of a soul. His cap of blue cloth, with a small peak, and sides fluted like a melon, outlined a head of vast dimensions, showing that Gall's science has not yet produced its chapter of exceptions. The gray and rather shiny hair which appeared below the cap showed that other causes than mental toil or grief had whitened it. Large ears stood out from the head, their edges scarred with the eruptions of his over-abundant blood, which seemed ready to gush at the least exertion. His skin was crimson under an outside layer of brown, due to the habit of standing in the sun. The roving gray eyes, deep-sunken, and hidden by bushy black brows, were like those of the Kalmucks who entered France in 1815; if they ever sparkled it was only under the influence of a covetous thought. His broad pug nose was flattened at the base. Thick lips, in keeping with a repulsive double chin, the beard of which, rarely cleaned more than once a week, was encircled with a dirty silk handkerchief twisted to a cord; a short neck, rolling in fat, and heavy cheeks completed the characteristics of brute force which sculptors give to their caryatids. Minoret-Levrault was like those statues, with this difference, that whereas they supported an edifice, he had more than he could well do to support himself. You will meet many such Atlases in the world. The man's torso was a block; it was like that of a bull standing on his hind-legs. His vigorous arms ended in a pair of thick, hard hands, broad and strong and well able to handle whip, reins, and pitchfork; hands which his postilions never attempted to trifle with. The enormous stomach of this giant rested on thighs which were as large as the body of an ordinary adult, and feet like those of an elephant. Anger was a rare thing with him, but it was terrible, apoplectic, when it did burst forth. Though violent and quite incapable of reflection, the man had never done anything that justified the sinister suggestions of his bodily presence. To all those who felt afraid of him his postilions would reply, "Oh! he's not bad."

The master of Nemours, to use the common abbreviation of the country, wore a velveteen shooting-jacket of bottle-green, trousers of green linen with great stripes, and an ample yellow waistcoat of goat's skin, in the pocket of which might be discerned the round outline of a monstrous snuff-box. A snuff-box to a pug nose is a law without exception.

A son of the Revolution and a spectator of the Empire, Minoret-Levrault did not meddle with politics; as to his religious opinions, he had never set foot in a church except to be married; as to his private principles, he kept them within the civil code; all that the law did not forbid or could not prevent he considered right. He never read anything but the journal of the department of the Seine-et-Oise, and a few printed instructions relating to his business. He was considered a clever agriculturist; but his knowledge was only practical. In him the moral being did not belie the physical. He seldom spoke, and before speaking he always took a pinch of snuff to give himself time, not to find ideas, but words. If he had been a talker you would have felt that he was out of keeping with himself. Reflecting that this elephant minus a trumpet and without a mind was called Minoret-Levrault, we are compelled to agree with Sterne as to the occult power of names, which sometimes ridicule and sometimes foretell characters.

In spite of his visible incapacity he had acquired during the last thirty-six years (the Revolution helping him) an income of thirty thousand francs, derived from farm lands, woods and meadows. If Minoret, being master of the coach-lines of Nemours and those of the Gatinais to Paris, still worked at his business, it was less from habit than for the sake of an only son, to whom he was anxious to give a fine career. This son, who was now (to use an expression of the peasantry) a "monsieur," had just completed his legal studies and was about to take his degree as licentiate, preparatory to being called to the Bar. Monsieur and Madame Minoret-Levrault—for behind our colossus every one will perceive a woman without whom this signal good-fortune would have been impossible—left their son free to choose his own career; he might be a notary in Paris, king's-attorney in some district, collector of customs no matter where, broker, or post master, as he pleased. What fancy of his could they ever refuse him? to what position of life might he not aspire as the son of a man about whom the whole countryside, from Montargis to Essonne, was in the habit of saying, "Pere Minoret doesn't even know how rich he is"?

This saying had obtained fresh force about four years before this history begins, when Minoret, after selling his inn, built stables and a splendid dwelling, and removed the post-house from the Grand'Rue to the wharf. The new establishment cost two hundred thousand francs, which the gossip of thirty miles in circumference more than doubled. The Nemours mail-coach service requires a large number of horses. It goes to Fontainebleau on the road to Paris, and from there diverges to Montargis and also to Montereau. The relays are long, and the sandy soil of the Montargis road calls for the mythical third horse, always paid for but never seen. A man of Minoret's build, and Minoret's wealth, at the head of such an establishment might well be called, without contradiction, the master of Nemours. Though he never thought of God or devil, being a practical materialist, just as he was a practical agriculturist, a practical egoist, and a practical miser, Minoret had enjoyed up to this time a life of unmixed happiness,—if we can call pure materialism happiness. A physiologist, observing the rolls of flesh which covered the last vertebrae and pressed upon the giant's cerebellum, and, above all, hearing the shrill, sharp voice which contrasted so absurdly with his huge body, would have understood why this ponderous, coarse being adored his only son, and why he had so long expected him,—a fact proved by the name, Desire, which was given to the child.

The mother, whom the boy fortunately resembled, rivaled the father in spoiling him. No child could long have resisted the effects of such idolatry. As soon as Desire knew the extent of his power he milked his mother's coffer and dipped into his father's purse, making each author of his being believe that he, or she, alone was petitioned. Desire, who played a part in Nemours far beyond that of a prince royal in his father's capital, chose to gratify his fancies in Paris just as he had gratified them in his native town; he had therefore spent a yearly sum of not less than twelve thousand francs during the time of his legal studies. But for that money he had certainly acquired ideas that would never had come to him in Nemours; he had stripped off the provincial skin, learned the power of money and seen in the magistracy a means of advancement which he fancied. During the last year he had spent an extra sum of ten thousand francs in the company of artists, journalists, and their mistresses. A confidential and rather disquieting letter from his son, asking for his consent to a marriage, explains the watch which the post master was now keeping on the bridge; for Madame Minoret-Levrault, busy in preparing a sumptuous breakfast to celebrate the triumphal return of the licentiate, had sent her husband to the mail road, advising him to take a horse and ride out if he saw nothing of the diligence. The coach which was conveying the precious son usually arrived at five in the morning and it was now nine! What could be the meaning of such delay? Was the coach overturned? Could Desire be dead? Or was it nothing worse than a broken leg?

Three distinct volleys of cracking whips rent the air like a discharge of musketry; the red waistcoats of the postilions dawned in sight, ten horses neighed. The master pulled off his cap and waved it; he was seen. The best mounted postilion, who was returning with two gray carriage-horses, set spurs to his beast and came on in advance of the five diligence horses and the three other carriage-horses, and soon reached his master.

"Have you seen the 'Ducler'?"

On the great mail routes names, often fantastic, are given to the different coaches; such, for instance, as the "Caillard," the "Ducler" (the coach between Nemours and Paris), the "Grand Bureau." Every new enterprise is called the "Competition." In the days of the Lecompte company their coaches were called the "Countess."—"'Caillard' could not overtake the 'Countess'; but 'Grand Bureau' caught up with her finely," you will hear the men say. If you see a postilion pressing his horses and refusing a glass of wine, question the conductor and he will tell you, snuffing the air while his eye gazes far into space, "The 'Competition' is ahead."—"We can't get in sight of her," cries the postilion; "the vixen! she wouldn't stop to let her passengers dine."—"The question is, has she got any?" responds the conductor. "Give it to Polignac!" All lazy and bad horses are called Polignac. Such are the jokes and the basis of conversation between postilions and conductors on the roofs of the coaches. Each profession, each calling in France has its slang.

"Have you seen the 'Ducler'?" asked Minoret.

"Monsieur Desire?" said the postilion, interrupting his master. "Hey! you must have heard us, didn't our whips tell you? we felt you were somewhere along the road."

Just then a woman dressed in her Sunday clothes,—for the bells were pealing from the clock tower and calling the inhabitants to mass,—a woman about thirty-six years of age came up to the post master.

"Well, cousin," she said, "you wouldn't believe me—Uncle is with Ursula in the Grand'Rue, and they are going to mass."

In spite of the modern poetic canons as to local color, it is quite impossible to push realism so far as to repeat the horrible blasphemy mingled with oaths which this news, apparently so unexciting, brought from the huge mouth of Minoret-Levrault; his shrill voice grew sibilant, and his face took on the appearance of what people oddly enough call a sunstroke.

"Is that true?" he asked, after the first explosion of his wrath was over.

The postilions bowed to their master as they and their horses passed him, but he seemed to neither see nor hear them. Instead of waiting for his son, Minoret-Levrault hurried up to the Grand'Rue with his cousin.

"Didn't I always tell you so?" she resumed. "When Doctor Minoret goes out of his head that demure little hypocrite will drag him into religion; whoever lays hold of the mind gets hold of the purse, and she'll have our inheritance."

"But, Madame Massin—" said the post master, dumbfounded.

"There now!" exclaimed Madame Massin, interrupting her cousin. "You are going to say, just as Massin does, that a little girl of fifteen can't invent such plans and carry them out, or make an old man of eighty-three, who has never set foot in a church except to be married, change his opinions,—now don't tell me he has such a horror of priests that he wouldn't even go with the girl to the parish church when she made her first communion. I'd like to know why, if Doctor Minoret hates priests, he has spent nearly every evening for the last fifteen years of his life with the Abbe Chaperon. The old hypocrite never fails to give Ursula twenty francs for wax tapers every time she takes the sacrament. Have you forgotten the gift Ursula made to the church in gratitude to the cure for preparing her for her first communion? She spent all her money on it, and her godfather returned it to her doubled. You men! you don't pay attention to things. When I heard that, I said to myself, 'Farewell baskets, the vintage is done!' A rich uncle doesn't behave that way to a little brat picked up in the streets without some good reason."

"Pooh, cousin; I dare say the good man is only taking her to the door of the church," replied the post master. "It is a fine day, and he is out for a walk."

"I tell you he is holding a prayer-book, and looks sanctimonious—you'll see him."

"They hide their game pretty well," said Minoret, "La Bougival told me there was never any talk of religion between the doctor and the abbe. Besides, the abbe is one of the most honest men on the face of the globe; he'd give the shirt off his back to a poor man; he is incapable of a base action, and to cheat a family out of their inheritance is—"

"Theft," said Madame Massin.

"Worse!" cried Minoret-Levrault, exasperated by the tongue of his gossiping neighbour.

"Of course I know," said Madame Massin, "that the Abbe Chaperon is an honest man; but he is capable of anything for the sake of his poor. He must have mined and undermined uncle, and the old man has just tumbled into piety. We did nothing, and here he is perverted! A man who never believed in anything, and had principles of his own! Well! we're done for. My husband is absolutely beside himself."

Madame Massin, whose sentences were so many arrows stinging her fat cousin, made him walk as fast as herself, in spite of his obesity and to the great astonishment of the church-goers, who were on their way to mass. She was determined to overtake this uncle and show him to the post master.

Nemours is commanded on the Gatinais side by a hill, at the foot of which runs the road to Montargis and the Loing. The church, on the stones of which time has cast a rich discolored mantle (it was rebuilt in the fourteenth century by the Guises, for whom Nemours was raised to a peerage-duchy), stands at the end of the little town close to a great arch which frames it. For buildings, as for men, position does everything. Shaded by a few trees, and thrown into relief by a neatly kept square, this solitary church produces a really grandiose effect. As the post master of Nemours entered the open space, he beheld his uncle with the young girl called Ursula on his arm, both carrying prayer-books and just entering the church. The old man took off his hat in the porch, and his head, which was white as a hill-top covered with snow, shone among the shadows of the portal.

"Well, Minoret, what do you say to the conversion of your uncle?" cried the tax-collector of Nemours, named Cremiere.

"What do you expect me to say?" replied the post master, offering him a pinch of snuff.

"Well answered, Pere Levrault. You can't say what you think, if it is true, as an illustrious author says it is, that a man must think his words before he speaks his thoughts," cried a young man, standing near, who played the part of Mephistopheles in the little town.

This ill-conditioned youth, named Goupil, was head clerk to Monsieur Cremiere-Dionis, the Nemours notary. Notwithstanding a past conduct that was almost debauched, Dionis had taken Goupil into his office when a career in Paris—where the clerk had wasted all the money he inherited from his father, a well-to-do farmer, who educated him for a notary—was brought to a close by his absolute pauperism. The mere sight of Goupil told an observer that he had made haste to enjoy life, and had paid dear for his enjoyments. Though very short, his chest and shoulders were developed at twenty-seven years of age like those of a man of forty. Legs small and weak, and a broad face, with a cloudy complexion like the sky before a storm, surmounted by a bald forehead, brought out still further the oddity of his conformation. His face seemed as though it belonged to a hunchback whose hunch was inside of him. One singularity of that pale and sour visage confirmed the impression of an invisible gobbosity; the nose, crooked and out of shape like those of many deformed persons, turned from right to left of the face instead of dividing it down the middle. The mouth, contracted at the corners, like that of a Sardinian, was always on the qui vive of irony. His hair, thin and reddish, fell straight, and showed the skull in many places. His hands, coarse and ill-joined at the wrists to arms that were far too long, were quick-fingered and seldom clean. Goupil wore boots only fit for the dust-heap, and raw silk stockings now of a russet black; his coat and trousers, all black, and threadbare and greasy with dirt, his pitiful waistcoat with half the button-moulds gone, an old silk handkerchief which served as a cravat—in short, all his clothing revealed the cynical poverty to which his passions had reduced him. This combination of disreputable signs was guarded by a pair of eyes with yellow circles round the pupils, like those of a goat, both lascivious and cowardly. No one in Nemours was more feared nor, in a way, more deferred to than Goupil. Strong in the claims made for him by his very ugliness, he had the odious style of wit peculiar to men who allow themselves all license, and he used it to gratify the bitterness of his life-long envy. He wrote the satirical couplets sung during the carnival, organized charivaris, and was himself a "little journal" of the gossip of the town. Dionis, who was clever and insincere, and for that reason timid, kept Goupil as much through fear as for his keen mind and thorough knowledge of all the interests of the town. But the master so distrusted his clerk that he himself kept the accounts, refused to let him live in his house, held him at arm's length, and never confided any secret or delicate affair to his keeping. In return the clerk fawned upon the notary, hiding his resentment at this conduct, and watching Madame Dionis in the hope that he might get his revenge there. Gifted with a ready mind and quick comprehension he found work easy.