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Paddington was always interested in bright things and he had consulted Mr Gruber one morning on the subject of his Peruvian centavos. He had an idea in the back of his mind that if they were worth a lot of money he could perhaps sell them and buy a present for the Browns. The one pound a week pocket-money Mr Brown gave him was nice, but by the time he had bought some buns on a Saturday morning there wasn’t much left. After a great deal of consideration, Mr Gruber had advised Paddington to keep the coins. “It’s not always the brightest things that fetch the most money, Mr Brown,” he had said. Mr Gruber always called Paddington ‘Mr Brown’, and it made him feel very important.
He had taken Paddington into the back of the shop where his desk was, and from a drawer he had taken a cardboard box full of old coins. They had been rather dirty and disappointing. “See these, Mr Brown?” he had said. “These are what they call sovereigns. You wouldn’t think they were very valuable to look at them, but they are. They’re made of gold and they’re worth fifty pounds each. That’s more than one hundred pounds for an ounce. If you ever find any of those, just you bring them to me.”
One day, having weighed himself carefully on the scales, Paddington hurried round to Mr Gruber, taking with him a piece of paper from his scrapbook, covered with mysterious calculations. After a big meal on a Sunday, Paddington had discovered he weighed nearly sixteen pounds. That was… he looked at his piece of paper again as he neared Mr Gruber’s shop… that was nearly two hundred and sixty ounces, which meant he was worth nearly twenty six thousand pounds!
Mr Gruber listened carefully to all that Paddington had to tell him and then closed his eyes and thought for a moment. He was a kindly man, and he didn’t want to disappoint Paddington.
“I’ve no doubt,” he said at last, “that you’re worth that. You’re obviously a very valuable young bear. I know it. Mr and Mrs Brown know it. Mrs Bird knows it. But do other people?”
He looked at Paddington over his glasses. “Things aren’t always what they seem in this world, Mr Brown,” he said sadly.
Paddington sighed. It was very disappointing. “I wish they were,” he said. “It would be nice.”
“Perhaps,” said Mr Gruber, mysteriously. “Perhaps. But we shouldn’t have any nice surprises then, should we?”
He took Paddington into his shop and after offering him a seat disappeared for a moment. When he returned he was carrying a large picture of a boat. At least, half of it was a boat. The other half seemed to be the picture of a lady in a large hat.
“There you are,” he said proudly. “That’s what I mean by things not always being what they seem. I’d like your opinion on it, Mr Brown.”
Paddington felt rather flattered but also puzzled. The picture didn’t seem to be one thing or the other and he said so.
“Ah,” said Mr Gruber, delightedly. “It isn’t at the moment. But just you wait until I’ve cleaned it! I gave fifty pence for that picture years and years ago, when it was just a picture of a sailing ship. And what do you think? When I started to clean it the other day all the paint began to come off and I discovered there was another painting underneath.” He looked around and then lowered his voice. “Nobody else knows,” he whispered, “but I think the one underneath may be valuable. It may be what they call an ‘old master’.”
Seeing that Paddington still looked puzzled, he explained to him that in the old days, when artists ran short of money and couldn’t afford any canvas to paint on, they sometimes painted on top of old pictures. And sometimes, very occasionally, they painted them on top of pictures by artists who afterwards became famous and whose pictures were worth a lot of money. But as they had been painted over, no one knew anything about them.
“It all sounds very complicated,” said Paddington thoughtfully.
Mr Gruber talked for a long time about painting, which was one of his favourite subjects. But Paddington, though he was usually interested in anything Mr Gruber had to tell him, was hardly listening. Eventually, refusing Mr Gruber’s offer of a second cup of cocoa, he slipped down off the chair and began making his way home. He raised his hat automatically whenever anyone said good-day to him, but there was a far-away expression in his eyes. Even the smell of buns from the bakery passed unheeded. Paddington had an idea.
When he got home he went upstairs to his room and lay on the bed for a long while staring up at the ceiling. He was up there so long that Mrs Bird became quite worried and poked her head round the door to know if he was all right.
“Quite all right, thank you,” said Paddington, distantly. “I’m just thinking.”
Mrs Bird closed the door and hurried downstairs to tell the others. Her news had a mixed reception. “I don’t mind him just thinking,” said Mrs Brown, with a worried expression on her face. “It’s when he actually thinks of something that the trouble starts.”
But she was in the middle of her housework and soon forgot the matter. Certainly both she and Mrs Bird were much too busy to notice the small figure of a bear creeping cautiously in the direction of Mr Brown’s shed a few minutes later. Nor did they see him return armed with a bottle of Mr Brown’s paint remover and a large pile of rags. Had they done so they might have had good cause to worry. And if Mrs Brown had seen him creeping on tiptoe into the drawing-room, closing the door carefully behind him, she wouldn’t have had a minute’s peace.
Fortunately everyone was much too busy to notice any of these things. Even more fortunately, no one came into the drawing-room for quite a long while. Because Paddington was in a mess. Things hadn’t gone at all according to plan. He was beginning to wish he had listened more carefully to the things Mr Gruber had said on the subject of cleaning paintings.
To start with, even though he’d used almost half a bottle of Mr Brown’s paint remover, the picture had only come off in patches. Secondly, and what was even worse, where it had come off there was nothing underneath. Only the white canvas. Paddington stood back and surveyed his handiwork. Originally it had been a painting of a lake, with a blue sky and several sailing boats dotted around. Now it looked like a storm at sea. All the boats had gone, the sky was a funny shade of grey, and half the lake had disappeared.
“What a good thing I found this old box of paints,” he thought, as he stood back holding the end of the brush at paw’s length and squinting at it as he’d once seen a real artist do. Holding a palette in his left paw, he squeezed some red paint on to it and then splodged it about with the brush. He looked nervously over his shoulder and then dabbed some of it on to the canvas.
Paddington had found the paints in a cupboard under the stairs. A whole box of them. There were reds and greens and yellows and blues. In fact, there were so many different colours it was difficult to know which to choose first.
He wiped the brush carefully on his hat and tried another colour and then another. It was all so interesting that he thought he would try a bit of each, and he very soon forgot the fact that he was supposed to be painting a picture.
In fact, it was more of a design than a picture, with lines and circles and crosses in all different colours. Even Paddington was startled when he finally stepped back to examine it. Of the original picture there was no trace at all. Rather sadly he put the tubes of paint back into the box and wrapped the picture in a canvas bag, leaning it against the wall, exactly as he’d found it. He decided reluctantly to have another try later on. Painting was fun while it lasted but it was much more difficult than it looked.
He was very silent all through dinner that evening. He was so silent that several times Mrs Brown asked him how he was, until eventually Paddington asked to be excused and went upstairs.
“I do hope he’s all right, Henry,” she said, after he’d gone. “He hardly touched his dinner and that’s so unlike him. And he seemed to have some funny red spots all over his face.”
“Crikey,” said Jonathan. “Red spots! I hope he’s given it to me, whatever it is, then I shan’t have to go back to school!”
“Well, he’s got green ones as well,” said Judy. “I saw some green ones!”
“Green ones!” Even Mr Brown looked worried. “I wonder if he’s sickening for anything? If they’re not gone in the morning I’ll send for the doctor.”
“He was so looking forward to going to the handicrafts exhibition, too,” said Mrs Brown. “It’ll be a shame if he has to stay in bed.”
“Do you think you’ll win a prize with your painting, Dad?” asked Jonathan.
“No one will be more surprised than your father if he does,” replied Mrs Brown. “He’s never won a prize yet!”
“What is it, Daddy?” asked Judy. “Aren’t you going to tell us?”
“It’s meant to be a surprise,” said Mr Brown modestly. “It took me a long time to do. It’s painted from memory.”
Painting was one of Mr Brown’s hobbies, and once a year he entered a picture for a handicrafts exhibition which was held in Kensington, near where they lived. Several famous people came to judge the pictures and there were a number of prizes. There were also lots of other competitions, and it was a sore point with Mr Brown that he had never won anything, whereas twice Mrs Brown had won a prize in the rug-making competition.
“Anyway,” he said, declaring the subject closed, “it’s too late now. The man collected it this afternoon, so we shall see what we shall see.”
The sun was shining the next day and the exhibition was crowded. Everyone was pleased that Paddington looked so much better. His spots had completely disappeared and he ate a large breakfast to make up for missing so much dinner the night before. Only Mrs Bird had her suspicions when she found Paddington’s ‘spots’ on his towel in the bathroom, but she kept her thoughts to herself.
The Browns occupied the middle five seats of the front row where the judging was to take place. There was an air of great excitement. It was news to Paddington that Mr Brown actually painted and he was looking forward to seeing a picture by someone he knew.
On the platform several important-looking men with beards were bustling about talking to each other and waving their arms in the air. They appeared to be having a great deal of argument about one painting in particular.
“Henry,” whispered Mrs Brown, excitedly. “I do believe they’re talking about yours. I recognise the canvas bag.”
Mr Brown looked puzzled. “It certainly looks like my bag,” he said. “But I don’t think it can be. All the canvas was stuck to the painting. Didn’t you see? Just as if someone had put it inside while it was still wet. I painted mine ages ago.”
Paddington sat very still and stared straight ahead, hardly daring to move. He had a strange sinking feeling in the bottom of his stomach, as if something awful was about to happen. He began to wish he hadn’t washed his spots off that morning; then at least he could have stayed in bed.
Judy poked him with her elbow. “What’s the matter, Paddington?” she asked. “You look most peculiar. Are you all right?”
“I don’t feel ill,” said Paddington in a small voice. “But I think I’m in trouble again.”
“Oh dear,” said Judy. “Well, keep your paws crossed. This is it!”
Paddington sat up. One of the men on the platform, the most important-looking one with the biggest beard, was speaking. And there… Paddington’s knees began to tremble, there on the platform, on an easel in full view of everyone, was ‘his’ picture!
He was so dazed he only caught scraps of what the man was saying.
“… remarkable use of colour…”
“… very unusual…”
“… great imagination… a credit to the artist…”
And then, he almost fell off his seat with surprise. “The winner of the first prize is Mr Henry Brown of thirty-two Windsor Gardens!”
Paddington wasn’t the only one who felt surprised. Mr Brown, who was being helped up on to the platform, looked as if he had just been struck by lightning. “But… but…” he stuttered, “there must be some mistake.”
“Mistake?” said the man with the beard. “Nonsense, my dear sir. Your name’s on the back of the canvas. You are Mr Brown, aren’t you? Mr Henry Brown?”
Mr Brown looked at the painting with unbelieving eyes. “It’s certainly my name on the back,” he said. “It’s my writing…” He left the sentence unfinished and looked down towards the audience. He had his own ideas on the subject, but it was difficult to catch Paddington’s eye. It usually was when you particularly wanted to.
“I think,” said Mr Brown, when the applause had died down, and he had accepted the cheque for ten pounds which the man gave him, “proud as I am, I think I would like to donate the prize to a certain home for retired bears in South America.” A murmur of surprise went round the assembly but it passed over Paddington’s head, though he would have been very pleased had he known its cause. He was staring hard at the painting, and in particular at the man with the large beard, who was beginning to look hot and bothered.
“I think,” said Paddington, to the world in general, “they might have stood it the right way up. It’s not every day a bear wins first prize in a painting competition!”
THE BROWNS WERE all very excited. Mr Brown had been given tickets for a box at the theatre. It was the first night of a brand new play, and the leading part was being played by the world famous actor, Sir Sealy Bloom. Even Paddington became infected with the excitement. He made several journeys to his friend, Mr Gruber, to have the theatre explained to him. Mr Gruber thought he was very lucky to be going to the first night of a new play. “All sorts of famous people will be there,” he said. “I don’t suppose many bears have that sort of opportunity once in a lifetime.”
Mr Gruber lent Paddington several second-hand books about the theatre. He was rather a slow reader but there were lots of pictures and, in one of them, a big cut-out model of a stage which sprang up every time he opened the pages. Paddington decided that when he grew up he wanted to be an actor. He took to standing on his dressing-table and striking poses in the mirror just as he had seen them in the books.
Mrs Brown had her own thoughts on the subject. “I do hope it’s a nice play,” she said to Mrs Bird. “You know what Paddington’s like… he does take these things so seriously.”
“Oh, well,” said Mrs Bird. “I shall sit at home and listen to the wireless in peace and quiet. But it’ll be an experience for him and he does like experiences so. Besides, he’s been very good lately.”
“I know,” said Mrs Brown. “That’s what worries me!”
As it turned out, the play itself was the least of Mrs Brown’s worries. Paddington was unusually silent all the way to the theatre. It was the first time he had been out after dark and the very first time he had seen the lights of London. Mr Brown pointed out all the famous landmarks as they drove past in the car, and it was a gay party of Browns that eventually trooped into the theatre.
Paddington was pleased to find it all exactly as Mr Gruber had described it to him, even down to the commissionaire who opened the door for them and saluted as they entered the foyer.
Paddington returned the salute with a wave of his paw and then sniffed. Everything was painted red and gold and the theatre had a nice, warm, friendly sort of smell. There was a slight upset at the cloakroom when he found he had to pay in order to leave his duffel coat and suitcase. The woman behind the counter turned quite nasty when Paddington asked for his things back.
She was still talking about it in a loud voice as the attendant led them along a passage towards their seats. At the entrance to the box the attendant paused.
“Programme, sir?” she said to Paddington.
“Yes, please,” said Paddington, taking five. “Thank you very much.”
“And would you like coffee in the interval, sir?” she asked.
Paddington’s eyes glistened. “Oh, yes, please,” he said, imagining it was a kind thought on the part of the theatre. He tried to push his way past, but the attendant barred the way.
“That’ll be seven pounds fifty pence,” she said. “One pound each for the programmes and fifty pence each for the coffee.”
Paddington looked as if he could hardly believe his ears. “Seven pounds and fifty pence?” he repeated. “Seven pounds fifty?”
“That’s all right, Paddington,” said Mr Brown, anxious to avoid another fuss. “It’s my treat. You go in and sit down.”
Paddington obeyed like a shot, but he gave the attendant some very queer looks while she arranged some cushions for his seat in the front row. All the same, he was pleased to see she had given him the one nearest the stage. He’d already sent a postcard to his Aunt Lucy with a carefully drawn copy of a plan of the theatre, which he’d found in one of Mr Gruber’s books, and a small cross in one corner marked ‘MY SEET’.
The theatre was quite full and Paddington waved to the people down below. Much to Mrs Brown’s embarrassment, several of them pointed and waved back.
“I do wish he wouldn’t be quite so friendly,” she whispered to Mr Brown.
“Wouldn’t you like to take off your duffel coat now?” asked Mr Brown. “It’ll be cold when you go out again.”
Paddington climbed up and stood on his chair. “I think perhaps I will,” he said. “It’s getting warm.”
Judy started to help him off with it. “Mind my marmalade sandwich!” cried Paddington, as she placed it on the ledge in front of him. But it was too late. He looked round guiltily.
“Crikey!” said Jonathan. “It’s fallen on someone’s head!” He looked over the edge of the box. “It’s that man with the bald head. He looks jolly cross.”
“Oh, Paddington!” Mrs Brown looked despairingly at him. “Do you have to bring marmalade sandwiches to the theatre?”
“It’s all right,” said Paddington, cheerfully. “I’ve some more in the other pocket if anyone wants one. They’re a bit squashed, I’m afraid, because I sat on them in the car.”
“There seems to be some sort of a row going on down below,” said Mr Brown, craning his head to look over the edge. “Some chap just waved his fist at me. And what’s all this about marmalade sandwiches?” Mr Brown was a bit slow on the uptake sometimes.
“Nothing, dear,” said Mrs Brown, hastily. She decided to let the matter drop. It was much easier in the long run.
In any case, Paddington was having a great struggle with himself over some opera glasses. He had just seen a little box in front of him marked OPERA GLASSES. TWENTY PENCE. Eventually, after a great deal of thought, he unlocked his suitcase and from a secret compartment withdrew twenty pence.
“I don’t think much of these,” he said, a moment later, looking through them at the audience. “Everyone looks smaller.”
“You’ve got them the wrong way round, silly,” said Jonathan.
“Well, I still don’t think much of them,” said Paddington, turning them round. “I wouldn’t have bought them if I’d known. Still,” he added, after a moment’s thought, “they might come in useful next time.”
Just as he began to speak the overture came to an end and the curtain rose. The scene was the living-room of a large house, and Sir Sealy Bloom, in the part of the village squire, was pacing up and down. There was a round of applause from the audience.
“You don’t take them home,” whispered Judy. “You have to put them back when you leave.”
“WHAT!” cried Paddington, in a loud voice. Several calls of ‘hush’ came from the darkened theatre as Sir Sealy Bloom paused and looked pointedly in the direction of the Browns’ box. “Do you mean to say…” words failed Paddington for the moment. “Twenty pence!” he said bitterly. “That’s two buns’ worth.” He turned his gaze on Sir Sealy Bloom.
Sir Sealy Bloom looked rather irritable. He didn’t like first nights, and this one in particular had started badly. He had a nasty feeling about it. He much preferred playing the hero, where he had the sympathy of the audience, and in this play he was the villain. Being the first night of the play, he wasn’t at all sure of some of his lines. To make matters worse, he had arrived at the theatre only to discover that the prompt boy was missing and there was no one else to take his place. Then there was the disturbance in the stalls just before the curtain went up. Something to do with a marmalade sandwich, so the stage manager had said. Of course, that was all nonsense, but still, it was very disturbing. And then there was this noisy crowd in the box. He sighed to himself. It was obviously going to be one of those nights.
But if Sir Sealy Bloom’s heart was not in the play, Paddington’s certainly was. He soon forgot about his wasted twenty pence and devoted all his attention to the plot. He decided quite early on that he didn’t like Sir Sealy Bloom and he stared at him hard through his opera glasses. He followed his every move and when, at the end of the first act, Sir Sealy, in the part of the hard-hearted father, turned his daughter out into the world without a penny, Paddington stood up on his chair and waved his programme indignantly at the stage.
Paddington was a surprising bear in many ways and he had a strong sense of right and wrong. As the curtain came down he placed his opera glasses firmly on the ledge and climbed off his seat.
“Are you enjoying it, Paddington?” asked Mr Brown.
“It’s very interesting,” said Paddington. He had a determined note to his voice and Mrs Brown looked at him sharply. She was beginning to recognise that tone and it worried her.
“Where are you going, dear?” she asked, as he made for the door of the box.
“Oh, just for a walk,” said Paddington, vaguely.
“Well, don’t be too long,” she called, as the door closed behind him. “You don’t want to miss any of the second act.”
“Oh, don’t fuss, Mary,” said Mr Brown. “I expect he just wants to stretch his legs or something. He’s probably gone out to the cloakroom.”
But at that moment Paddington was going, not in the direction of the cloakroom, but towards a door leading to the back of the theatre. It was marked PRIVATE. ARTISTS ONLY. As he pushed the door open and passed through, he immediately found himself in an entirely different world. There were no red plush seats; everything was very bare. Lots of ropes hung down from the roof, pieces of scenery were stacked against the walls, and everyone seemed in a great hurry. Normally Paddington would have been most interested in everything, but now he had a purposeful look on his face.
Seeing a man bending over some scenery, he walked over and tapped him on the shoulder. “Excuse me,” he said. “Can you tell me where the man is?”
The scene hand went on working. “Man?” he said. “What man?”
“The man,” said Paddington, patiently.”The nasty man.”
“Oh, you mean Sir Sealy.” The scene hand pointed towards a long corridor. “He’s in his dressing-room. You’d better not go disturbing him ’cause he’s not in a very good mood.” He looked up. “Hey!” he cried. “You’re not supposed to be in here. Who let you in?”
Paddington was too far away to answer even if he had heard. He was already half-way up the corridor, looking closely at all the doors. Eventually he came to one with a large star on it and the words SIR SEALY BLOOM in big gold letters. Paddington drew a deep breath and then knocked loudly. There was no reply, so he knocked again. Still there was no reply, and so, very cautiously, he pushed open the door with his paw.