Shirley / Шерли

Chapter II

The Wagons

The evening was pitch-dark: star and moon were quenched in gray rain-clouds – gray they would have been by day; by night they looked sable. Malone was not a man given to close observation of Nature; her changes passed, for the most part, unnoticed by him; he could walk miles on the most varying April day, and never see the beautiful dallying of earth and heaven, never mark when a sunbeam kissed the hill-tops, making them smile clear in green light, or when a shower wept over them, hiding their crests with the low-hanging, dishevelled tresses of a cloud. He did not, therefore, care to contrast the sky as it now appeared – a muffled, streaming vault, all black, save where, towards the east, the furnaces of Stilbro iron-works threw a tremulous lurid shimmer on the horizon – with the same sky on an unclouded frosty night. He did not trouble himself to ask where the constellations and the planets were gone, or to regret the “black-blue” serenity of the air-ocean which those white islets stud, and which another ocean, of heavier and denser element, now rolled below and concealed. He just doggedly pursued his way, leaning a little forward as he walked, and wearing his hat on the back of his head, as his Irish manner was. “Tramp, tramp,” he went along the causeway, where the road boasted the privilege of such an accommodation; “splash, splash,” through the mire-filled cart-ruts, where the flags were exchanged for soft mud. He looked but for certain landmarks, the spire of Briarfield church; further on, the lights of Red House. This was an inn; and when he reached it, the glow of a fire through a half-curtained window, a vision of glasses on a round table, and of revellers on an oaken settle had nearly drawn aside the curate from his course. He thought longingly of a tumbler of whisky-and-water: in a strange place, he would instantly have realized the dream; but the company assembled in that kitchen were Mr. Helstone's own parishioners; they all knew him. He sighed, and passed on.

The high road was now to be quitted, as the remaining distance to Hollow's-mill might be considerably reduced by a short cut across fields. These fields were level and monotonous: Malone took a direct course through them, jumping hedge and wall. He passed but one building here, and that seemed large and hall-like, though irregular: you could see a high gable, then a long front, then a low gable, then a thick, lofty stack of chimneys: there were some trees behind it. It was dark; not a candle shone from any window; it was absolutely still: the rain running from the eaves, and the rather wild, but very low whistle of the wind round the chimneys and through the boughs, were the sole sounds in its neighbourhood.

This building passed, the fields, hitherto flat, declined in a rapid descent: evidently a vale lay below, through which you could hear the water run. One light glimmered in the depth: for that beacon Malone steered.

He came to a little white house – you could see it was white even through this dense darkness – and knocked at the door. A fresh-faced servant opened it; by the candle she held was revealed a narrow passage, terminating in a narrow stair. Two doors covered with crimson baize, a strip of crimson carpet down the steps, contrasted with light-coloured walls, and white floor, made the little interior look clean and fresh.

“Mr. Moore is at home, I suppose?”

“Yes, sir, but he is not in.”

“Not in! Where is he then?”

“At the mill – in the counting-house.”

Here one of the crimson doors opened.

“Are the waggons come, Sarah?” asked a female voice, and a female head at the same time was apparent. It might not be the head of a goddess – indeed a screw of curl-paper on each side the temples quite forbade that supposition – but neither was it the head of a Gorgon; yet Malone seemed to take it in the latter light. Big as he was, he shrank bashfully back into the rain at the view thereof; and saying, “I'll go to him,” hurried in seeming trepidation down a short lane, across an obscure yard, towards a huge black mill.

The work-hours were over; the “hands” were gone; the machinery was at rest; the mill shut up. Malone walked round it; somewhere in its great sooty flank he found another chink of light; he knocked at another door, using for the purpose the thick end of his shillelagh, with which he beat a rousing tattoo. A key turned; the door unclosed.

“Is it Joe Scott? What news of the waggons, Joe?”

“No, – it's myself. Mr. Helstone would send me.”

“Oh! Mr. Malone.” The voice in uttering this name had the slightest possible cadence of disappointment. After a moment's pause, it continued, politely, but a little formally —

“I beg you will come in, Mr. Malone. I regret extremely Mr. Helstone should have thought it necessary to trouble you so far; there was no necessity; – I told him so, – and on such a night – but walk forwards.”

Through a dark apartment, of aspect undistinguishable, Malone followed the speaker into a light and bright room within; very light and bright indeed it seemed to eyes which for the last hour had been striving to penetrate the double darkness of night and fog; but except for its excellent fire, and for a lamp of elegant design and vivid lustre burning on a table, it was a very plain place. The boarded floor was carpetless; the three or four stiff-backed green-painted chairs seemed once to have furnished the kitchen of some farm-house; a desk of strong, solid formation, the table aforesaid, and some framed sheets on the stone-coloured walls, bearing plans for building, for gardening, designs of machinery, &c., completed the furniture of the place.

Plain as it was, it seemed to satisfy Malone, who, when he had removed and hung up his wet surtout and hat, drew one of the rheumatic-looking chairs to the hearth, and set his knees almost within the bars of the red grate.

“Comfortable quarters you have here, Mr. Moore, and all snug to yourself.”

“Yes; but my sister would be glad to see you, if you would prefer stepping into the house.”

“Oh, no! the ladies are best alone. I never was a lady's man. You don't mistake me for my friend Sweeting, do you, Mr. Moore?”

“Sweeting! – which of them is that? The gentleman in the chocolate over-coat, or the little gentleman?”

“The little one; – he of Nunnely; – the cavalier of the Misses Sykes, with the whole six of whom he is in love, ha! ha!”

“Better be generally in love with all than specially with one, I should think, in that quarter.”

“But he is specially in love with one besides, for when I and Donne urged him to make a choice amongst the fair bevy, he named – which do you think?”

With a queer, quiet smile, Mr. Moore replied, “Dora, of course, or Harriet.”

“Ha! ha! you've an excellent guess; but what made you hit on those two?”

“Because they are the tallest, the handsomest; and Dora, at least, is the stoutest; and as your friend, Mr. Sweeting, is but a little, slight figure, I concluded that, according to a frequent rule in such cases, he preferred his contrast.”

“You are right; Dora it is: but he has no chance, has he, Moore?”

“What has Mr. Sweeting, besides his curacy?”

This question seemed to tickle Malone amazingly; he laughed for full three minutes before he answered it.

“What has Sweeting? Why David has his harp, or flute, which comes to the same thing. He has a sort of pinchbeck watch; ditto, ring; ditto, eye-glass: that's what he has.”

“How would he propose to keep Miss Sykes in gowns only?”

“Ha! ha! Excellent! I'll ask him that next time I see him. I'll roast him for his presumption; but no doubt he expects old Christopher Sykes would do something handsome. He is rich, is he not? They live in a large house.”

“Sykes carries on an extensive concern.”

“Therefore he must be wealthy, eh?”

“Therefore he must have plenty to do with his wealth: and in these times would be about as likely to think of drawing money from the business to give dowries to his daughters, as I should be to dream of pulling down the cottage there, and constructing on its ruins a house as large as Fieldhead.”

“Do you know what I heard, Moore, the other day?”

“No: perhaps that I was about to effect some such change. Your Briarfield gossips are capable of saying that or sillier things.”

“That you were going to take Fieldhead on a lease – I thought it looked a dismal place, by-the-by, to-night, as I passed it – and that it was your intention to settle a Miss Sykes there as mistress; to be married, in short, ha! ha! Now, which is it? Dora – I am sure; you said she was the handsomest.”

“I wonder how often it has been settled that I was to be married since I came to Briarfield! They have assigned me every marriageable single woman by turns in the district. Now it was the two Misses Wynns – first the dark, then the light one. Now the red-haired Miss Armitage, then the mature Ann Pearson; at present you throw on my shoulders all the tribe of the Misses Sykes. On what grounds this gossip rests, God knows. I visit nowhere – I seek female society about as assiduously as you do, Mr. Malone; if ever I go to Whinbury, it is only to give Sykes or Pearson a call in their counting-house, where our discussions run on other topics than matrimony, and our thoughts are occupied with other things than courtships, establishments, dowries. The cloth we can't sell, the hands we can't employ, the mills we can't run, the perverse course of events generally, which we cannot alter, fill our hearts, I take it, pretty well at present, to the tolerably complete exclusion of such figments as love-making, &c.”

“I go along with you completely, Moore. If there is one notion I hate more than another, it is that of marriage; I mean marriage in the vulgar weak sense, as a mere matter of sentiment; two beggarly fools agreeing to unite their indigence by some fantastic tie of feeling – humbug! But an advantageous connection, such as can be formed in consonance with dignity of views, and permanency of solid interests, is not so bad – eh?”

“No,” responded Moore, in an absent manner; the subject seemed to have no interest for him: he did not pursue it. After sitting for some time gazing at the fire with a preoccupied air, he suddenly turned his head.

“Hark!” said he: “did you hear wheels?”

Rising, he went to the window, opened it, and listened. He soon closed it. “It is only the sound of the wind rising,” he remarked, “and the rivulet a little swollen, rushing down the hollow. I expected those waggons at six; it is near nine now.”

“Seriously, do you suppose that the putting up of this new machinery will bring you into danger?” inquired Malone. “Helstone seems to think it will.”

“I only wish the machines – the frames were safe here, and lodged within the walls of this mill. Once put up, I defy the framebreakers; let them only pay me a visit, and take the consequences: my mill is my castle.”

“One despises such low scoundrels,” observed Malone, in a profound vein of reflection. “I almost wish a party would call upon you to-night; but the road seemed extremely quiet as I came along: I saw nothing astir.”

“You came by the Redhouse?”

“Yes.”

“There would be nothing on that road: it is in the direction of Stilbro' the risk lies.”

“And you think there is risk?”

“What these fellows have done to others, they may do to me. There is only this difference: most of the manufacturers seem paralyzed when they are attacked. Sykes, for instance, when his dressing-shop was set on fire and burned to the ground, when the cloth was torn from his tenters and left in shreds in the field, took no steps to discover or punish the miscreants; he gave up as tamely as a rabbit under the jaws of a ferret. Now I, if I know myself, should stand by my trade, my mill, and my machinery.”

“Helstone says these three are your gods; that the 'Orders in Council' are with you another name for the seven deadly sins; that Castlereagh is your Antichrist, and the war-party his legions.”

“Yes; I abhor all these things because they ruin me; they stand in my way. I cannot get on – I cannot execute my plans because of them; I see myself baffled at every turn by their untoward effects.”

“But you are rich and thriving, Moore?”

“I am very rich in cloth, I cannot sell; you should step into my warehouse yonder, and observe how it is piled to the roof with pieces. Roakes and Pearson are in the same condition; America used to be their market, but the Orders in Council have cut that off.”

Malone did not seem prepared to carry on briskly a conversation of this sort; he began to knock the heels of his boots together, and to yawn.

“And then to think,” continued Mr. Moore, who seemed too much taken up with the current of his own thoughts to note the symptoms of his guest's ennui, – “to think that these ridiculous gossips of Whinbury and Briarfield will keep pestering one about being married! As if there was nothing to be done in life but to 'pay attention,' as they say, to some young lady, and then to go to church with her, and then to start on a bridal tour, and then to run through a round of visits, and then, I suppose, to be 'having a family.' – Oh, que le diable emporte!” – He broke off the aspiration into which he was launching with a certain energy, and added, more calmly – “I believe women talk and think only of these things, and they naturally fancy men's minds similarly occupied.”

“Of course – of course,” assented Malone; “but never mind them.” And he whistled, looked impatiently round, and seemed to feel a great want of something. This time Moore caught, and, it appeared, comprehended his demonstrations.

“Mr. Malone,” said he, “you must require refreshment after your wet walk; I forget hospitality.”

“Not at all,” rejoined Malone; but he looked as if the right nail was at last hit on the head, nevertheless. Moore rose and opened a cupboard.

“It is my fancy,” said he, “to have every convenience within myself, and not to be dependent on the feminity in the cottage yonder for every mouthful I eat or every drop I drink. I often spend the evening and sup here alone, and sleep with Joe Scott in the mill. Sometimes I am my own watchman; I require little sleep, and it pleases me on a fine night to wander for an hour or two with my musket about the hollow. – Mr. Malone, can you cook a mutton-chop?”

“Try me: I've done it hundreds of times at college.”

“There's a dishful, then, and there's the gridiron. Turn them quickly; you know the secret of keeping the juices in?”

“Never fear me – you shall see. Hand a knife and fork, please.”

The curate turned up his coat-cuffs, and applied himself to the cookery with vigour. The manufacturer placed on the table, plates, a loaf of bread, a black bottle, and two tumblers. He then produced a small copper kettle – still from the same well-stored recess, his cupboard – filled it with water from a large stone jar in a corner, set it on the fire beside the hissing gridiron, got lemons, sugar, and a small china punch-bowl; but while he was brewing the punch, a tap at the door called him away.

“Is it you, Sarah?”

“Yes, sir. Will you come to supper, please sir?”

“No; I shall not be in to-night: I shall sleep in the mill. So lock the doors, and tell your mistress to go to bed.” He returned.

“You have your household in proper order,” observed Malone approvingly, as, with his fine face ruddy as the embers over which he bent, he assiduously turned the mutton-chops. “You are not under petticoat-government, like poor Sweeting; a man – whew! – how the fat spits! – it has burnt my hand – destined to be ruled by women. Now you and I, Moore – there's a fine brown one for you, and full of gravy – you and I will have no grey mares in our stables when we marry.”

“I don't know – I never think about it; if the grey mare is handsome and tractable, why not?”

“The chops are done: is the punch brewed?”

“There is a glassful: taste it. When Joe Scott and his minions return they shall have a share of this, provided they bring home the frames intact.”

Malone waxed very exultant over the supper: he laughed aloud at trifles; made bad jokes and applauded them himself; and, in short, grew unmeaningly noisy. His host, on the contrary, remained quiet as before. It is time, reader, that you should have some idea of the appearance of this same host: I must endeavour to sketch him as he sits at table.

He is what you would probably call, at first view, rather a strange-looking man; for he is thin, dark, sallow; very foreign of aspect, with shadowy hair carelessly streaking his forehead: it appears that he spends but little time at his toilette, or he would arrange it with more taste. He seems unconscious that his features are fine, that they have a southern symmetry, clearness, regularity in their chiseling; nor does a spectator become aware of this advantage till he has examined him well, for an anxious countenance, and a hollow somewhat haggard outline of face disturb the idea of beauty with one of care. His eyes are large, and grave, and gray; their expression is intent and meditative, rather searching than soft, rather thoughtful than genial. When he parts his lips in a smile, his physiognomy is agreeable; not that it is frank or cheerful even then, but you feel the influence of a certain sedate charm, suggestive, whether truly or delusively, of a considerate, perhaps a kind nature; of feelings that may wear well at home; patient, forbearing, possibly faithful feelings. He is still young – not more than thirty; his stature is tall, his figure slender. His manner of speaking displeases; he has an outlandish accent, which, notwithstanding a studied carelessness of pronunciation and diction, grates on a British, and especially on a Yorkshire ear.

Mr. Moore, indeed, was but half a Briton, and scarcely that. He came of a foreign ancestry by the mother's side, and was himself born, and partly reared, on a foreign soil. A hybrid in nature, it is probable he had a hybrid's feeling on many points – patriotism for one; it is likely that he was unapt to attach himself to parties, to sects, even to climes and customs; it is not impossible that he had a tendency to isolate his individual person from any community amidst which his lot might temporarily happen to be thrown, and that he felt it to be his best wisdom to push the interests of Robert Gérard Moore, to the exclusion of philanthropic consideration for general interests, with which he regarded the said Gérard Moore as in a great measure disconnected. Trade was Mr. Moore's hereditary calling. The Gérards of Antwerp had been merchants for two centuries back; once they had been wealthy merchants, but the uncertainties, the involvements of business had come upon them; disastrous speculations had loosened by degrees the foundations of their credit; the house had stood on a tottering base for a dozen years; and at last, in the shock of the French Revolution, it had rushed down a total ruin. In its fall was involved the English and Yorkshire firm of Moore, closely connected with the Antwerp house, and of which one of the partners, resident in Antwerp, Robert Moore, had married Hortense Gérard, with the prospect of his bride inheriting her father Constantine Gérard's share in the business. She inherited, as we have seen, but his share in the liabilities of the firm; and these liabilities, though duly set aside by a composition with creditors, some said her son Robert accepted, in his turn, as a legacy; and that he aspired one day to discharge them, and to rebuild the fallen house of Gérard and Moore on a scale at least equal to its former greatness. It was even supposed that he took by-past circumstances much to heart, and if a childhood passed at the side of a saturnine mother, under foreboding of coming evil, and a manhood drenched and blighted by the pitiless descent of the storm, could painfully impress the mind, his probably was impressed in no golden characters.

If, however, he had a great end of restoration in view, it was not in his power to employ great means for its attainment; he was obliged to be content with the day of small things. When he came to Yorkshire, he whose ancestors had owned warehouses in this seaport, and factories in that inland town, had possessed their town-house and their country-seat, saw no way open to him but to rent a cloth-mill, in an out-of-the-way nook of an out-of-the-way district, to take a cottage adjoining it for his residence, and to add to his possessions, as pasture for his horse, and space for his cloth-tenters, a few acres of the steep rugged land that lined the hollow through which his mill-stream brawled. All this he held at a somewhat high rent (for these war times were hard, and everything was dear), of the trustees of the Fieldhead estate, then the property of a minor.

At the time this history commences, he had lived but two years in the district, during which period he had at least proved himself possessed of the quality of activity. The dingy cottage was converted into a neat, tasteful residence. Of part of the rough land he had made garden-ground, which he cultivated with singular, even with Flemish, exactness and care. As to the mill, which was an old structure, and fitted up with old machinery, now become inefficient and out of date, he had from the first evinced the strongest contempt for all its arrangements and appointments; his aim had been to effect a radical reform, which he had executed as fast as his very limited capital would allow; and the narrowness of that capital, and consequent check on his progress, was a restraint which galled his spirit sorely. Moore ever wanted to push on. “Forward” was the device stamped upon his soul; but poverty curbed him; sometimes (figuratively) he foamed at the mouth when the reins were drawn very tight.