Hints to Pilgrims
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The housemaid next door hangs out the Monday's garments to dry, and there is a pleasant flapping of legs and arms as if impatient for partners in a dance. Must a petticoat sit unasked when the music plays? Surely breeches and stockings will not hold back when a lively skirt shall beckon. A slow waltz might even tempt aunty's night-gown off the line. If only a vegetable man would come with a cart of red pieplant and green lettuce and offer his gaudy wares along the street, then the evidence of spring would be complete.
But there is even better evidence at hand. This morning I noticed that a circus poster had been pasted on the billboard near the school-house. Several children and I stopped to see the wonders that were promised. Then the school-bell rang and they dawdled off. At Stratford, also, once upon a time, boys with shining morning faces crept like snails to school. Were there circus billboards in so remote a day? The pundits, bleared with search, are strangely silent. This morning it will be a shrewd lesson that keeps the children's thoughts from leaping out the window. Two times two will hardly hold their noses on the desk.
On the billboard there is the usual blonde with pink legs, balanced on one toe on a running horse. The clown holds the paper hoop. The band is blowing itself very red in the face. An acrobat leaps headlong from a high trapeze. There are five rings, thirty clowns, an amazing variety of equestrian and slack-wire genius, a galaxy of dazzling beauties; and every performance includes a dizzy, death-defying dive by a dauntless dare-devil – on a bicycle from the top of the tent. And of course there are elephants and performing dogs and fat ladies. One day only – two performances – rain or shine.
Does not this kind of billboard stir the blood in these languid days of spring? It is a tonic to the sober street. It is a shining dial that marks the coming of the summer. In the winter let barns and fences proclaim the fashion of our dress and tease us with bargains for the kitchen. But in the spring, when the wind is from the south, fences have a better use. They announce the circus. What child now will not come upon a trot? What student can keep to his solemn book? There is a sleepy droning from the school-house. The irregular verbs – lawless rascals with a past – chafe in a dull routine. The clock loiters through the hour.
It was by mere coincidence that last night on my way home I stopped at a news-stand for a daily paper, and saw a periodical by the name of the Paste-Brush. On a gay cover was the picture of another blonde – a sister, maybe, of the lady of the billboard. She was held by an ankle over a sea of up-turned faces, but by her happy, inverted smile she seemed unconscious of her danger.
The Paste-Brush is new to me. I bought a copy, folded its scandalous cover out of sight and took it home. It proves to be the trade journal of the circus and amusement-park interests. It announces a circulation of seventy thousand, which I assume is largely among acrobats, magicians, fat ladies, clowns, liniment-venders, lion-tamers, Caucasian Beauties and actors on obscure circuits.
Now it happens that among a fairly wide acquaintance I cannot boast a single acrobat or liniment-vender. Nor even a professional fat man. A friend of mine, it is true, swells in that direction as an amateur, but he rolls night and morning as a corrective. I did once, also, pass an agreeable hour at a County Fair with a strong man who bends iron bars in his teeth. He had picked me from his audience as one of convincing weight to hang across the bar while he performed his trick. When the show was done, he introduced me to the Bearded Beauty and a talkative Mermaid from Chicago. One of my friends, also, has told me that she is acquainted with a lady – a former pupil of her Sunday school – who leaps on holidays in the park from a parachute. The bantam champion, too, many years ago, lived behind us around the corner; but he was a distant hero, sated with fame, unconscious of our youthful worship. But these meetings are exceptional and accidental. Most of us, let us assume, find our acquaintance in the usual walks of life. Last night, therefore, having laid by the letters of Madame d'Arblay, on whose seven volumes I have been engaged for a month, I took up the Paste-Brush and was carried at once into another and unfamiliar world.
The frontispiece is the big tent of the circus with side-shows in the foreground. There is a great wheel with its swinging baskets, a merry-go-round, a Funny Castle, and a sword-swallower's booth. By a dense crowd around a wagon I am of opinion that here nothing less than red lemonade is sold. Certainly Jolly Maude, "that mountain of flesh," holds a distant, surging crowd against the ropes.
An article entitled "Freaks I Have Known" is worth the reading. You may care to know that a celebrated missing-link – I withhold the lady's name – plays solitaire in her tent as she waits her turn. Bearded ladies, it is asserted, are mostly married and have a fondness for crocheting out of hours. A certain three-legged boy, "the favorite of applauding thousands," tried to enlist for the war, but was rejected because he broke up a pair of shoes. The Wild Man of Borneo lived and died in Waltham, Massachusetts. If the street and number were given, it would tempt me to a pilgrimage. Have I not journeyed to Concord and to Plymouth? Perhaps an old inhabitant – an antique spinster or rheumatic grocer – can still remember the pranks of the Wild Man's childhood.
But in the Paste-Brush the pages of advertisement are best. Slot machines for chewing-gum are offered for sale – Merry-Widow swings, beach babies (a kind of doll), genuine Tiffany rings that defy the expert, second-hand saxophones, fountain pens at eight cents each and sofa pillows with pictures of Turkish beauties.
But let us suppose that you, my dear sir, are one of those seventy thousand subscribers and are by profession a tattooer. On the day of publication with what eagerness you scan its columns! Here is your opportunity to pick up an improved outfit – "stencils and supplies complete, with twelve chest designs and a picture of a tattooed lady in colors, twelve by eighteen, for display. Send for price list." Or if you have skill in charming snakes and your stock of vipers is running low, write to the Snake King of Florida for his catalogue. "He treats you right." Here is an advertisement of an alligator farm. Alligator-wrestlers, it is said, make big money at popular resorts on the southern circuit. You take off your shoes and stockings, when the crowd has gathered, and wade into the slimy pool. It needs only a moderate skill to seize the fierce creature by his tail and haul him to the shore. A deft movement throws him on his back. Then you tickle him under the ear to calm him and pass the hat.
Here in the Paste-Brush is an announcement of a ship-load of monkeys from Brazil. Would you care to buy a walrus? A crocodile is easy money on the Public Square in old-home week. Or perhaps you are a glass-blower with your own outfit, a ventriloquist, a diving beauty, a lyric tenor or a nail-eater. If so, here is an agent who will book you through the West. The small cities and large towns of Kansas yearn for you. Or if you, my dear madam, are of good figure, the Alamo Beauties, touring in Mississippi, want your services. Long season. No back pay.
Would you like to play a tuba in a ladies' orchestra? You are wanted in Oklahoma. The Sunshine Girls – famous on western circuits – are looking to augment their number. "Wanted: Woman for Eliza and Ophelia. Also a child for Eva. Must double as a pony. State salary. Canada theatres."
It is affirmed that there is money in box-ball, that hoop-la yields a fortune, that "you mop up the tin" with a huckley-buck. It sounds easy. I wonder what a huckley-buck is like. I wonder if I have ever seen one. It must be common knowledge to the readers of the Paste-Brush, for the term is not explained. Perhaps one puts a huckley-buck in a wagon and drives from town to town. Doubtless it returns a fortune in a County Fair. Is this not an opportunity for an underpaid school-teacher or slim seamstress? No longer must she subsist upon a pittance. Here is rest for her blue, old fingers. Let her write today for a catalogue. She should choose a huckley-buck of gaudy color, with a Persian princess on the side, to draw the crowd. Let her stop by the village pump and sound a stirring blast upon her megaphone.
Or perhaps you, my dear sir, have been chafing in an indoor job. You have been hooped through a dreary winter upon a desk. If so, your gloomy disposition can be mended by a hoop-la booth, whatever it is. "This way, gentlemen! Try your luck! Positively no blanks. A valuable prize for everybody." Your stooped shoulders will straighten. Your digestion will come to order in a month. Or why not run a stand at the beach for walking-sticks, with a view in the handle of a "dashing French actress in a daring pose, or the latest picture of President and Mrs. Wilson at the Peace Conference."
Or curiosities may be purchased – "two-headed giants, mermaids, sea-serpents, a devil-child and an Egyptian mummy. New lists ready." A mummy would be a quiet and profitable companion for our seamstress in the long vacation. It would need less attention than a sea-serpent. She should announce the dusty creature as the darling daughter of the Ptolemies. When the word has gone round, she may sit at ease before the booth in scarlet overalls and count the dropping nickels. With what vigor will she take to her thimble in the autumn!
Out in Gilmer, Texas, there is a hog with six legs – "alive and healthy. Five hundred dollars take it." Here is a merchant who will sell you "snake, frog and monkey tights." After your church supper, on the stage of the Sunday school, surely, in such a costume, my dear madam, you could draw a crowd. Study the trombone and double your income. Can you yodle? "It can be learned at home, evenings, in six easy lessons."
A used popcorn engine is cut in half. A waffle machine will be shipped to you on trial. Does no one wish to take the road with a five-legged cow? Here is one for sale – an extraordinary animal that cleaned up sixty dollars in one afternoon at a County Fair in Indiana. "Walk up, ladies and gentlemen! The marvel of the age. Plenty of time before the big show starts. A five-legged cow. Count 'em. Answers to the name of Guenevere. Shown before all the crowned heads of Europe. Once owned by the Czar of Russia. Only a dime. A tenth of a dollar. Ten cents. Show about to start."
Or perhaps you think it more profitable to buy a steam calliope – some very good ones are offered second-hand in the Paste-Brush– and tour your neighboring towns. Make a stand at the crossroads under the soldiers' monument. Give a free concert. Then when the crowd is thick about you, offer them a magic ointment. Rub an old man for his rheumatism. Throw away his crutch, clap him on the back and pronounce him cured. Or pull teeth for a dollar each. It takes but a moment for a diagnosis. When once the fashion starts, the profitable bicuspids will drop around you.
And Funny Castles can be bought. Perhaps you do not know what they are. They are usual in amusement parks. You and a favorite lady enter, hand in hand. It is dark inside and if she is of an agreeable timidity she leans to your support. Only if you are a churl will you deny your arm. Then presently a fiery devil's head flashes beside you in the passage. The flooring tilts and wobbles as you step. Here, surely, no lady will wish to keep her independence. Presently a picture opens in the wall. It is souls in hell, or the Queen of Sheba on a journey. Then a sharp draft ascends through an opening in the floor. Your lady screams and minds her skirts. A progress through a Funny Castle, it is said, ripens the greenest friendship. Now take the lady outside, smooth her off and regale her with a lovers' sundae. Funny Castles, with wind machines, a Queen of Sheba almost new, and devil's head complete, can be purchased. Remit twenty-five per cent with order. The balance on delivery.
Perhaps I am too old for these high excitements. Funny Castles are behind me. Ladies of the circus, alas! who ride in golden chariots are no longer beautiful. Cleopatra in her tinsel has sunk to the common level. Clowns with slap-sticks rouse in me only a moderate delight.
At this moment, as I write, the clock strikes twelve. It is noon and school is out. There is a slamming of desks and a rush for caps. The boys scamper on the stairs. They surge through the gate. The acrobat on the billboard greets their eyes – the clown, also the lady with the pink legs. They pause. They gather in a circle. They have fallen victims to her smile. They mark the great day in their memory.
The wind is from the south. The daffodils flourish along the fences. The street organ hangs heavily on its strap. There will be a parade in the morning. The freaks will be on their platforms by one o'clock. The great show starts at two. I shall buy tickets and take Nepos, my nephew.
In Praise of a Lawn-Mower
IDO not recall that anyone has written the praises of a lawn-mower. I seem to sow in virgin soil. One could hardly expect a poet to lift up his voice on such a homely theme. By instinct he prefers the more rhythmic scythe. Nor, on the other hand, will mechanical folk pay a full respect to a barren engine without cylinders and motive power. But to me it is just intricate enough to engage the interest. I can trace the relation of its wheels and knives, and see how the lesser spinning starts the greater. In a printing press, on the contrary, I hear only the general rattle. Before a gas-engine, also, I am dumb. Its sixteen processes to an explosion baffle me. I could as easily digest a machine for setting type. I nod blankly, as if a god explained the motion of the stars. Even when I select a motor I take it merely on reputation and by bouncing on the cushions to test its comfort.
It has been a great many years since I was last intimate with a lawn-mower. My acquaintance began in the days when a dirty face was the badge of freedom. One early Saturday morning I was hard at work before breakfast. Mother called down through the upstairs shutters, at the first clicking of the knives, to ask if I wore my rubbers in the dew. With the money earned by noon, I went to Conrad's shop. The season for tops and marbles had gone by. But in the window there was a peerless baseball with a rubber core, known as a cock-of-the-walk. By indecision, even by starting for the door, I bought it a nickel off because it was specked by flies.
It did not occur to me last week, at first, that I could cut the grass. I talked with an Irishman who keeps the lawn next door. He leaned on his rake, took his pipe from his mouth and told me that his time was full. If he had as many hands as a centipede – so he expressed himself – he could not do all the work that was asked of him. The whole street clamored for his service. Then I talked with an Italian on the other side, who comes to work on a motor-cycle with his lawn-mower across his shoulder. His time was worth a dollar an hour, and he could squeeze me in after supper and before breakfast. But how can I consistently write upstairs – I am puttering with a novel – with so expensive a din sounding in my ears? My expected royalties shrink beside such swollen pay. So I have become my own yard-man.
Last week I had the lawn-mower sharpened, but it came home without adjustment. It went down the lawn without clipping a blade. What a struggle I had as a child getting the knives to touch along their entire length! I remember it as yesterday. What an ugly path was left when they cut on one side only! My bicycle chain, the front wheel that wobbled, the ball-bearings in the gear, none of these things were so perplexing. Last week I got out my screw-driver with somewhat of my old feeling of impotence. I sat down on the grass with discouragement in contemplation. One set of screws had to be loosened while another set was tightened, and success lay in the delicacy of my advance. What was my amazement to discover that on a second trial my mower cut to its entire width! Even when I first wired a base-plug and found that the table lamp would really light, I was not more astonished.
This success with the lawn-mower has given me hope. I am not, as I am accused, all thumbs. I may yet become a handy man around the house. Is the swirl of furnace pipes inside my intellect? Perhaps I can fix the leaky packing in the laundry tubs, and henceforth look on the plumber as an equal brother. My dormant brain cells at last are wakened. But I must curb myself. I must not be too useful. There is no rest for a handy man. It is ignorance that permits a vacant holiday. At most I shall admit a familiarity with base-plugs and picture-wire and rubber washers – perhaps even with canvas awnings, which smack pleasantly of the sea – but I shall commit myself no further.
Once in a while I rather enjoy cleaning the garage – raking down the cobwebs from the walls and windows with a stream from the hose – puddling the dirt into the central drain. I am ruthless with old oil cans and with the discarded clothing of the chauffeur we had last month. Why is an old pair of pants stuffed so regularly in the tool drawer? There is a barrel at the alley fence – but I shall spare the details. It was the river Alpheus that Hercules turned through the Augean stables. They had held three thousand oxen and had not been cleaned for thirty years. Dear me! I know oxen. I rank this labor ahead of the killing of the Hydra, or fetching the golden apples of the Hesperides. Our garage can be sweetened with a hose.
But I really like outside work. Last week I pulled up a quantity of dock and dandelions that were strangling the grass. And I raked in seed. This morning, when I went out for the daily paper, I saw a bit of tender green. The Reds, as I noticed in the headline of the paper, were advancing on Warsaw. France and England were consulting for the defense of Poland, but I ignored these great events and stood transfixed in admiration before this shimmer of new grass.
Our yard, fore and aft, is about an afternoon's work. And now that I have cut it once I have signed up for the summer. It requires just the right amount of intelligence. I would not trust myself to pull weeds in the garden. M – has the necessary skill for this. I might pull up the Canterbury bells which, out of season, I consider unsightly stalks. And I do not enjoy clipping the grass along the walks. It is a kind of barber's job. But I like the long straightaways, and I could wish that our grass plot stretched for another hundred feet.
And I like the sound of a lawn-mower. It is such a busy click and whirr. It seems to work so willingly. Not even a sewing-machine has quite so brisk a tempo. And when a lawn-mower strikes a twig, it stops suddenly on its haunches with such impatience to be off again. "Bend over, won't you," it seems to say, "and pull out that stick. These trees are a pesky nuisance. They keep dropping branches all the while. Now then! Are we ready? Whee! What's an apple? I can cut an apple all to flinders. You whistle and I'll whirr. Let's run down that slope together!"
On Dropping Off to Sleep
I SLEEP too well – that is, I go to sleep too soon. I am told that I pass a few minutes of troubled breathing – not vulgar snores, but a kind of uneasy ripple on the shore of wakefulness – then I drift out with the silent tide. Doubtless I merit no sympathy for my perfection – and yet —
Well, in the first place, lately we have had windy, moonlit nights and as my bed sets at the edge of the sleeping porch and the rail cuts off the earth, it is like a ride in an aëroplane to lie awake among the torn and ragged clouds. I have cast off the moorings of the sluggish world. Our garden with its flowering path, the coop for our neighbor's chickens, the apple tree, all have sunk from sight. The prow of my plane is pitched across the top of a waving poplar. Earth's harbor lights are at the stern. The Pleiades mark the channel to the open sky. I must hang out a lantern to fend me from the moon.
I shall keep awake for fifteen minutes, I think. Perhaps I can recall Keats's sonnet to the night:
"When I behold, upon the night's starr'd face,Huge cloudy symbols of a high romance – "and those lines of Milton about the moon rising in clouded majesty, unveiling her peerless light.
Here a star peeps out. Presently its companions will show themselves and I shall know the constellation. Are they playing like little children at hide-and-seek? Do I catch Arcturus looking from its cover? Shall I shout hi-spy to Alpha Lyra? A shooting star, that has crouched behind a cloud, runs home to the goal untagged. Surely these glistening worlds cannot be hard-fisted planets like our own, holding a close schedule across the sky. They have looted the shining treasure of the sunset. They sail the high fantastic seas like caravels blown from India. In the twilight they have lifted vagrant anchors and they will moor in strange havens at the dawn.
Are not these ragged clouds the garment of the night? Like the beggar maiden of an ancient tale she runs with flying raiment. She unmasks her beauty when the world's asleep. And the wind, like an eager prince upon his wooing, rides out of the stormy north.
And then! Poof! Sleep draws its dark curtain across the glittering pageant —
Presently I hear Annie, the cook, on the kitchen steps below, beating me up to breakfast. She sounds her unwelcome reveille on a tin pan with an iron spoon. Her first alarm I treat with indifference. It even weaves itself pleasantly into my dreams. I have been to a circus lately, let us say, and this racket seems to be the tom-tom of a side-show where a thin gentleman swallows snakes. Nor does a second outburst stir me. She only tries the metal and practices for the later din. At the third alarm I rise, for now she nurses a mighty wrath. I must humor the angry creature lest in her fury she push over a shelf of crockery. There is a cold jump for slippers – a chilly passage.
I passed a week lately at a country hotel where there were a number of bad sleepers – men broken by the cares of business, but convalescent. Each morning, as I dressed, I heard them on the veranda outside my window, exchanging their complaints. "Well," said one, "I slept three hours last night." "I wish I could," said a second. "I never do," said a third. No matter how little sleep the first man allowed himself, the second clipped off an hour. The third man told the bells he had heard – one and two and three and four – both Baptist and Methodist – and finished with his preceding competitor at least a half hour down. But always there was an old man – an ancient man with flowing beard – who waited until all were done, and concluded the discussion just at the breakfast gong: "I never slept a wink." This was the perfect score. His was the golden cup. Whereupon the insomnious veranda hung its defeated head with shame, and filed into the dining-room to be soothed and comforted with griddle-cakes.
This daily contest recalled to me the story of the two men drowned in the Dayton and Johnstown floods who boasted to each other when they came to heaven. Has the story gone the rounds? For a while they were the biggest lions among all the angels, and harps hung untuned and neglected in their presence. As often as they met in the windy portico of heaven, one of these heroes, falling to reminiscence of the flood that drowned him, lifted the swirling water of Johnstown to the second floor. The other hero, not to be outdone, drenched the Dayton garrets. The first was now compelled to submerge a chimney. Turn by turn they mounted in competition to the top of familiar steeples. But always an old man sat by – an ancient man with flowing beard – who said "Fudge!" in a tone of great contempt. Must I continue? Surely you have guessed the end. It was the old mariner himself. It was the survivor of Ararat. It was Noah. Once, I myself, among these bad sleepers on the veranda, boasted that I had heard the bells at two o'clock, but I was scorned as an unfledged novice in their high convention.
Sleeping too well seems to argue that there is nothing on your mind. Your head, it is asserted by the jealous, is a vacancy that matches the empty spaces of the night. It is as void as the untwinkling north. If there has been a rummage, they affirm, of important matters all day above your ears, it can hardly be checked at once by popping the tired head down upon a pillow. These fizzing squibs of thought cannot be smothered in a blanket. When one has planned a railroad or a revolution, the mighty churning still progresses in the dark. A dubious franchise must be gained. Villains must be pricked down for execution. Or bankers have come up from Paraguay, and one meditates from hour to hour on the sureness of the loan. Or perhaps an imperfect poem searches for a rhyme, or the plot of a novel sticks.