The Civilisation of the Renaissance in Italy

CHAPTER IV.

HUMANISM IN THE FOURTEENTH CENTURY

WHO now were those who acted as mediators between their own age and a venerated antiquity, and made the latter a chief element in the culture of the former?

They were a crowd of the most miscellaneous sort, wearing one face to-day and another to-morrow; but they clearly felt themselves, and it was fully recognised by their time, that they formed a wholly new element in society. The ‘clerici vagantes’ of the twelfth century, whose poetry we have already referred to (p. 174), may perhaps be taken as their forerunner—the same unstable existence, the same free and more than free views of life, and the germs at all events of the same pagan tendencies in their poetry. But now, as competitor with the whole culture of the Middle Ages, which was essentially clerical and was fostered by the Church, there appeared a new civilisation, founding itself on that which lay on the other side of the Middle Ages. Its active representatives became influential471 because they knew what the ancients knew, because they tried to write as the ancients wrote, because they began to think, and soon to feel, as the ancients thought and felt. The tradition to which they devoted themselves passed at a thousand points into genuine reproduction.

Some modern writers deplore the fact that the germs of a far more independent and essentially national culture, such as appeared in Florence about the year 1300, were afterwards so completely swamped by the humanists.472 There was then, we are told, nobody in Florence who could not read; even the donkey-men sang the verses of Dante; the best Italian manuscripts which we possess belonged originally to Florentine artisans; the publication of a popular encyclopædia, like the ‘Tesoro’ of Brunette Latini, was then possible; and all this was founded on a strength and soundness of character due to the universal participation in public affairs, to commerce and travel, and to the systematic reprobation of idleness. The Florentines, it is urged, were at that time respected and influential throughout the whole world, and were called in that year, not without reason, by Pope Boniface VIII., ‘the fifth element.’ The rapid progress of humanism after the year 1400 paralysed native impulses. Henceforth men looked to antiquity only for the solution of every problem, and consequently allowed literature to sink into mere quotation. Nay, the very fall of civil freedom is partly to be ascribed to all this, since the new learning rested on obedience to authority, sacrificed municipal rights to Roman law, and thereby both sought and found the favour of the despots.

These charges will occupy us now and then at a later stage of our inquiry, when we shall attempt to reduce them to their true value, and to weigh the losses against the gains of this movement. For the present we must confine ourselves to showing how the civilisation even of the vigorous fourteenth century necessarily prepared the way for the complete victory of humanism, and how precisely the greatest representatives of the national Italian spirit were themselves the men who opened wide the gate for the measureless devotion to antiquity in the fifteenth century.

To begin with Dante. If a succession of men of equal genius had presided over Italian culture, whatever elements their natures might have absorbed from the antique, they still could not fail to retain a characteristic and strongly-marked national stamp. But neither Italy nor Western Europe produced another Dante, and he was and remained the man who first thrust antiquity into the foreground of national culture. In the ‘Divine Comedy’ he treats the ancient and the Christian worlds, not indeed as of equal authority, but as parallel to one another. Just as, at an earlier period of the Middle Ages types and antitypes were sought in the history of the Old and New Testaments, so does Dante constantly bring together a Christian and a pagan illustration of the same fact.473 It must be remembered that the Christian cycle of history and legend was familiar, while the ancient was relatively unknown, was full of promise and of interest, and must necessarily have gained the upper hand in the competition for public sympathy when there was no longer a Dante to hold the balance between the two.

Petrarch, who lives in the memory of most people nowadays chiefly as a great Italian poet, owed his fame among his contemporaries far rather to the fact that he was a kind of living representative of antiquity, that he imitated all styles of Latin poetry, endeavoured by his voluminous historical and philosophical writings not to supplant but to make known the works of the ancients, and wrote letters that, as treatises on matters of antiquarian interest, obtained a reputation which to us is unintelligible, but which was natural enough in an age without handbooks. Petrarch himself trusted and hoped that his Latin writings would bring him fame with his contemporaries and with posterity, and thought so little of his Italian poems that, as he often tell us, he would gladly have destroyed them if he could have succeeded thereby in blotting them out from the memory of men.

It was the same with Boccaccio. For two centuries, when but little was known of the ‘Decameron’474 north of the Alps, he was famous all over Europe simply on account of his Latin compilations on mythology, geography, and biography.475 One of these, ‘De Genealogia Deorum,’ contains in the fourteenth and fifteenth books a remarkable appendix, in which he discusses the position of the then youthful humanism with regard to the age. We must not be misled by his exclusive references to ‘poesia,’ as closer observation shows that he means thereby the whole mental activity of the poet-scholars.476 This it is whose enemies he so vigorously combats—the frivolous ignoramuses who have no soul for anything but debauchery; the sophistical theologian, to whom Helicon, the Castalian fountain, and the grove of Apollo were foolishness; the greedy lawyers, to whom poetry was a superfluity, since no money was to be made by it; finally the mendicant friars, described periphrastically, but clearly enough, who made free with their charges of paganism and immorality.477 Then follows the defence of poetry, the proof that the poetry of the ancients and of their modern followers contains nothing mendacious, the praise of it, and especially of the deeper and allegorical meanings which we must always attribute to it, and of that calculated obscurity which is intended to repel the dull minds of the ignorant.

And finally, with a clear reference to his own scholarly work,478 the writer justifies the new relation in which his age stood to paganism. The case was wholly different, he pleads, when the Early Church had to fight its way among the heathen. Now—praised be Jesus Christ!—true religion was strengthened, paganism destroyed, and the victorious Church in possession of the hostile camp. It was now possible to touch and study paganism almost (fere) without danger. Boccaccio, however, did not hold this liberal view consistently. The ground of his apostasy lay partly in the mobility of his character, partly in the still powerful and widespread prejudice that classical pursuits were unbecoming in a theologian. To these reasons must be added the warning given him in the name of the dead Pietro Petroni by the monk Gioacchino Ciani to give up his pagan studies under pain of early death. He accordingly determined to abandon them, and was only brought back from this cowardly resolve by the earnest exhortations of Petrarch, and by the latter’s able demonstration that humanism was reconcileable with religion.479

There was thus a new cause in the world and a new class of men to maintain it. It is idle to ask if this cause ought not to have stopped short in its career of victory, to have restrained itself deliberately, and conceded the first place to purely national elements of culture. No conviction was more firmly rooted in the popular mind, than that antiquity was the highest title to glory which Italy possessed.

There was a symbolical ceremony familiar to this generation of poet-scholars which lasted on into the fifteenth and sixteenth centuries, though losing the higher sentiment which inspired it—the coronation of the poets with the laurel wreath. The origin of this system in the Middle Ages is obscure, and the ritual of the ceremony never became fixed. It was a public demonstration, an outward and visible expression of literary enthusiasm,480 and naturally its form was variable. Dante, for instance, seems to have understood it in the sense of a half-religious consecration; he desired to assume the wreath in the baptistery of San Giovanni, where, like thousands of other Florentine children, he had received baptism.481 He could, says his biographer, have anywhere received the crown in virtue of his fame, but desired it nowhere but in his native city, and therefore died uncrowned. From the same source we learn that the usage was till then uncommon, and was held to be inherited by the ancient Romans from the Greeks. The most recent source to which the practices could be referred is to be found in the Capitoline contests of musicians, poets, and other artists, founded by Domitian in imitation of the Greeks and celebrated every five years, which may possibly have survived for a time the fall of the Roman Empire; but as few other men would venture to crown themselves, as Dante desired to do, the question arises, to whom did this office belong? Albertino Mussato (p. 140) was crowned at Padua in 1310 by the bishop and the rector of the University. The University of Paris, the rector of which was then a Florentine (1341), and the municipal authorities of Rome, competed for the honour of crowning Petrarch. His self-elected examiner, King Robert of Anjou, would gladly have performed the ceremony at Naples, but Petrarch preferred to be crowned on the Capitol by the senator of Rome. This honour was long the highest object of ambition, and so it seemed to Jacobus Pizinga, an illustrious Sicilian magistrate.482 Then came the Italian journey of Charles IV., whom it amused to flatter the vanity of ambitious men, and impress the ignorant multitude by means of gorgeous ceremonies. Starting from the fiction that the coronation of poets was a prerogative of the old Roman emperors, and consequently was no less his own, he crowned (May 15, 1355) the Florentine scholar, Zanobi della Strada, at Pisa, to the annoyance of Petrarch, who complained that ‘the barbarian laurel had dared adorn the man loved by the Ausonian Muses,’ and to the great disgust of Boccaccio, who declined to recognise this ‘laurea Pisana’ as legitimate.483 Indeed it might be fairly asked with what right this stranger, half Slavonic by birth, came to sit in judgment on the merits of Italian poets. But from henceforth the emperors crowned poets wherever they went on their travels; and in the fifteenth century the popes and other princes assumed the same right, till at last no regard whatever was paid to place or circumstances. In Rome, under Sixtus IV., the academy484 of Pomponius Lætus gave the wreath on its own authority. The Florentines had the good taste not to crown their famous humanists till after death. Carlo Aretino and Lionardo Aretino were thus crowned; the eulogy of the first was pronounced by Matteo Palmieri, of the latter by Giannozzo Manetti, before the members of the council and the whole people, the orator standing at the head of the bier, on which the corpse lay clad in a silken robe.485 Carlo Aretino was further honoured by a tomb in Santa Croce, which is among the most beautiful in the whole course of the Renaissance.

CHAPTER V.

THE UNIVERSITIES AND SCHOOLS

THE influence of antiquity on culture, of which we have now to speak, presupposes that the new learning had gained possession of the universities. This was so, but by no means to the extent and with the results which might have been expected.

Few of the Italian universities486 show themselves in their full vigour till the thirteenth and fourteenth centuries, when the increase of wealth rendered a more systematic care for education possible. At first there were generally three sorts of professorships—one for civil law, another for canonical law, the third for medicine; in course of time professorships of rhetoric, of philosophy, and of astronomy were added, the last commonly, though not always, identical with astrology. The salaries varied greatly in different cases. Sometimes a capital sum was paid down. With the spread of culture competition became so active that the different universities tried to entice away distinguished teachers from one another, under which circumstances Bologna is said to have sometimes devoted the half of its public income (20,000 ducats) to the university. The appointments were as a rule made only for a certain time,487 sometimes for only half a year, so that the teachers were forced to lead a wandering life, like actors. Appointments for life were, however, not unknown. Sometimes the promise was exacted not to teach elsewhere what had already been taught at one place. There were also voluntary, unpaid professors.

Of the chairs which have been mentioned, that of rhetoric was especially sought by the humanist; yet it depended only on his familiarity with the matter of ancient learning whether or no he could aspire to those of law, medicine, philosophy, or astronomy. The inward conditions of the science of the day were as variable as the outward conditions of the teacher. Certain jurists and physicians received by far the largest salaries of all, the former chiefly as consulting lawyers for the suits and claims of the state which employed them. In Padua a lawyer of the fifteenth century received a salary of 1,000 ducats,488 and it was proposed to appoint a celebrated physician with a yearly payment of 2,000 ducats, and the right of private practice,489 the same man having previously received 700 gold florins at Pisa. When the jurist Bartolommeo Socini, professor at Pisa, accepted a Venetian appointment at Padua, and was on the point of starting on his journey, he was arrested by the Florentine government and only released on payment of bail to the amount of 18,000 gold florins.490 The high estimation in which these branches of science were held makes it intelligible why distinguished philologists turned their attention to law and medicine, while on the other hand specialists were more and more compelled to acquire something of a wide literary culture. We shall presently have occasion to speak of the work of the humanists in other departments of practical life.

Nevertheless, the position of the philologists, as such, even where the salary was large,491 and did not exclude other sources of income, was on the whole uncertain and temporary, so that one and the same teacher could be connected with a great variety of institutions. It is evident that change was desired for its own sake, and something fresh expected from each new comer, as was natural at a time when science was in the making, and consequently depended to no small degree on the personal influence of the teacher. Nor was it always the case that a lecturer on classical authors really belonged to the university of the town where he taught. Communication was so easy, and the supply of suitable accommodation, in monasteries and elsewhere, was so abundant, that a private undertaking was often practicable. In the first decades of the fifteenth century,492 when the University of Florence was at its greatest brilliance, when the courtiers of Eugenius IV., and perhaps even of Martin V. thronged to the lecture-rooms, when Carlo Aretino and Filelfo were competing for the largest audience, there existed, not only an almost complete university among the Augustinians of Santo Spirito, not only an association of scholars among the Camaldolesi of the Angeli, but individuals of mark, either singly or in common, arranged to provide philosophical and philological teaching for themselves and others. Linguistic and antiquarian studies in Rome had next to no connection with the university (Sapienza), and depended almost exclusively either on the favour of individual popes and prelates, or on the appointments made in the Papal chancery. It was not till Leo X. (1513) that the great reorganisation of the Sapienza took place, with its eighty-eight lecturers, among whom there were able men, though none of the first rank, at the head of the archæological department. But this new brilliancy was of short duration. We have already spoken briefly of the Greek and Hebrew professorships in Italy (pp. 195 sqq.).

To form an accurate picture of the method of scientific instruction, then pursued, we must turn away our eyes as far as possible from our present academic system. Personal intercourse between the teachers and the taught, public disputations, the constant use of Latin and often of Greek, the frequent changes of lecturers and the scarcity of books, gave the studies of that time a colour which we cannot represent to ourselves without effort.

There were Latin schools in every town of the least importance, not by any means merely as preparatory to higher education, but because, next to reading, writing, and arithmetic, the knowledge of Latin was a necessity; and after Latin came logic. It is to be noted particularly that these schools did not depend on the Church, but on the municipality; some of them, too, were merely private enterprises.

This school system, directed by a few distinguished humanists, not only attained a remarkable perfection of organisation, but became an instrument of higher education in the modern sense of the phrase. With the education of the children of two princely houses in North Italy institutions were connected which may be called unique of their kind.

At the court of Giovan Francesco Gonzaga at Mantua (reg. 1407 to 1444) appeared the illustrious Vittorino da Feltre493 (b. 1397, d. 1446), otherwise Vittore dai Rambaldoni—he preferred to be called a Mantuan rather than a Feltrese—one of those men who devote their whole life to an object for which their natural gifts constitute a special vocation. He wrote almost nothing, and finally destroyed the few poems of his youth which he had long kept by him. He studied with unwearied industry; he never sought after titles, which, like all outward distinctions, he scorned; and he lived on terms of the closest friendship with teachers, companions, and pupils, whose goodwill he knew how to preserve. He excelled in bodily no less than in mental exercises, was an admirable rider, dancer, and fencer, wore the same clothes in winter as in summer, walked in nothing but sandals even during the severest frost, and lived so that till his old age he was never ill. He so restrained his passions, his natural inclination to sensuality and anger, that he remained chaste his whole life through, and hardly ever hurt any one by a hard word.

He directed the education of the sons and daughters of the princely house, and one of the latter became under his care a woman of learning. When his reputation extended far and wide over Italy, and members of great and wealthy families came from long distances, even from Germany, in search of his instructions, Gonzaga was not only willing that they should be received, but seems to have held it an honour for Mantua to be the chosen school of the aristocratic world. Here for the first time gymnastics and all noble bodily exercises were treated along with scientific instruction as indispensable to a liberal education. Besides these pupils came others, whose instruction Vittorino probably held to be his highest earthly aim, the gifted poor, often as many as seventy together, whom he supported in his house and educated, ‘per l’amore di Dio,’ along with the high-born youths who here learned to live under the same roof with untitled genius. The greater the crowd of pupils who flocked to Mantua, the more teachers were needed to impart the instruction which Vittorino only directed—an instruction which aimed at giving each pupil that sort of learning which he was most fitted to receive. Gonzaga paid him a yearly salary of 240 gold florins, built him besides a splendid house, ‘La Giocosa,’ in which the master lived with his scholars, and contributed to the expenses caused by the poorer pupils. What was still further needed Vittorino begged from princes and wealthy people, who did not always, it is true, give a ready ear to his entreaties, and forced him by their hardheartedness to run into debt. Yet in the end he found himself in comfortable circumstances, owned a small property in town and an estate in the country, where he stayed with his pupils during the holidays, and possessed a famous collection of books which he gladly lent or gave away, though he was not a little angry when they were taken without leave. In the early morning he read religious books, then scourged himself and went to church; his pupils were also compelled to go to church, like him, to confess once a month, and to observe fast days most strictly. His pupils respected him, but trembled before his glance. When they did anything wrong, they were punished immediately after the offence. He was honoured by all contemporaries no less than by his pupils, and people took the journey to Mantua merely to see him.

More stress was laid on pure scholarship by Guarino of Verona494 (1370-1460), who in the year 1429 was called to Ferrara by Niccolò d’Este to educate his son Lionello, and who, when his pupil was nearly grown up in 1436, began to teach at the university as professor of eloquence and of the ancient languages. While still acting as tutor to Lionello, he had many other pupils from various parts of the country, and in his own house a select class of poor scholars, whom he partly or wholly supported. His evening hours till far into the night were devoted to hearing lessons or to instructive conversation. His house, too, was the home of a strict religion and morality. Guarino was a student of the Bible, and lived in friendly intercourse with pious contemporaries, though he did not hesitate to write a defence of pagan literature against them. It signified little to him or to Vittorino that most of the humanists of their day deserved small praise in the matter of morals or religion. It is inconceivable how Guarino, with all the daily work which fell upon him, still found time to write translations from the Greek and voluminous original works.495 He was wanting in that wise self-restraint and kindly sweetness which graced the character of Vittorino, and was easily betrayed into a violence of temper which led to frequent quarrels with his learned contemporaries.

Not only in these two courts, but generally throughout Italy, the education of the princely families was in part and for certain years in the hands of the humanists, who thereby mounted a step higher in the aristocratic world. The writing of treatises on the education of princes, formerly the business of theologians, fell now within their province.

From the time of Pier Paolo Vergerio the Italian princes were well taken care of in this respect, and the custom was transplanted into Germany by Æneas Sylvius, who addressed detailed exhortations to two young German princes of the House of Habsburg496 on the subject of their further education, in which they are both urged, as might be expected, to cultivate and nurture humanism, but are chiefly bidden to make themselves able rulers and vigorous, hardy warriors. Perhaps Æneas was aware that in addressing these youths he was talking in the air, and therefore took measures to put his treatise into public circulation. But the relations of the humanists to the rulers will be discussed separately.