Flowers for the Dead

THE NEIGHBOUR

This time, when I hear her car passing along the road, I get up. When it comes into sight, I am already at the sitting-room window, peeking out through the white curtains, my desk and work abandoned.

As she drives past, I stand there, biting my lip. I know I must finish this translation by tomorrow. It is tiring, translating a government document, but it pays well. And they want their deadlines kept. It is too lucrative keeping them happy not to. At least until I hear back from the ESA.

So I turn back to the desk with a sigh. The concert is still playing over the stereo (I still use a stereo; why not? It works. Who has time to put all their CDs onto their computer, anyway?), the Swedish Radio Choir performing the Verdi Requiem. It calms me, and I try and sing along and wonder whether I could still sing properly, if I joined another choir. If I could remember the lullaby my grandmother sang to me the few times I saw her, not nearly often enough to understand why she was so gentle when she sang yet so brutal when she spoke.

I have just sat down again when I hear it:

Another car. As if following the first. As if following her.

Immediately, I am back at the window. Furrowing my brow, I stare outside. There. Up the hill it comes, a dark-green Jeep, the tyres all muddy. It almost disappears between the trees, between the evergreen of the pines and the slim trunks of the birches.

They might have turned down this road by accident. They might reverse once they have realised their mistake.

I open the window and listen to the Jeep’s engine. It continues along the road. I hear it slow down. Brake.

But it does not stop. It does not turn back. Even as the engine quietens, I hear the gravel churn. Hear it turn into her driveway.

Glancing back at my computer, I hesitate. Then I slink into the hallway. Put on my boots, pull my jacket on top of my threadbare dress and reach for the rifle by the coat rack.

Then I am out of the door.

LINN

It is a muddy Jeep coming down my driveway. I’m alone on the steps of the front porch. The handles of the shopping bags are cutting into my skin. The chimes are singing. For a moment, I think about running.

Somebody returned the chimes. Were they already here when I left for the supermarket in the morning? It’s hard to remember. Maybe I overlooked them. I could have.

The Jeep comes to a stop on the side of the driveway. The soles of my feet are curling in on themselves, pain shooting up my calves.

I see the door open. Two legs swing out. They are thin, well dressed in a pair of Paul Smith trousers and shiny riding boots. A body emerges from the car. It’s a woman in a fine suit, wearing pearl earrings and a tasteful necklace, hair freshly cut, large sunglasses sitting on top of her head. She looks incredibly put together. Like a first lady. Like a prime minister. Only her face seems very thin.

That’s how I recognise her. ‘Miss Luca?’ I say.

Her voice is exactly as I remember it, full of professional concern even when exchanging the most casual of greetings as she walks up to me. ‘Ey up, Ms Wilson!’

Her lipstick is bright in the hollow. I remember clearly that she never used to wear makeup. Even as a teenager, I admired that about her. Now, her face is perfectly painted. The tone of her lipstick. Her foundation, clearly expensive, so carefully applied. My last name is Dawson now, but I don’t correct her. ‘So it is you! When Kaitlin told me you were in town, I simply could not believe it.’

She comes to a halt in front of me. Her eyes are running all over my body, just like Kaitlin’s and Anvi’s. She is much better at hiding her shock, but it is obvious that she is just as surprised as the two of them to see me standing in front of her. When she looks at me like that, it feels like my body is taking up more space than it should.

‘I hope you don’t mind my dropping by unannounced like this. I found your note when I came home, and I was just on my way to go for a walk in the woods anyway,’ she explains. ‘So I thought: why don’t you stop by her house and see for yourself, Antonia. See about this note. See if what Kaitlin says is actually true. To be fair, though, I have never diagnosed her with mythomania.’

We both laugh at her joke, awkwardly. ‘It is me,’ I say, shifting the grocery bags around. ‘In the flesh.’

‘So it is,’ she says, still staring at my face. ‘I could not quite believe it, you know. It really is so unexpected. And your note, too.’

I guess I should have been prepared for this. They cannot have expected ever to see me again. ‘I hope you don’t mind.’

‘Not at all,’ Miss Luca hurries to say. ‘I come by here a lot, to go out with the dog, you know.’ She points at the Jeep. I don’t see a dog. ‘Your parents were always so friendly. We had tea together sometimes, when I came back from my walks. I am so sorry for your loss. We all miss them very greatly. We were sad not to see you at the funeral.’

She is looking at me with that smile and that probing expression of hers. Making me as speechless as I was all those years ago, when I went to see her after that night, just for a few sessions. There wasn’t any time for more: Oliver and I moved away almost instantly. I had to get out of here, and he already had a place at university to train as a nurse.

Miss Luca’s eyes are still just as sharp as back then. As if her mind is going a hundred miles a minute behind the disbelieving expression she is trying to hide under a friendly smile. ‘How have you been, then?’ she prompts. ‘I cannot believe you are back, really, Ms Wilson. It is such a pleasure to see you again!’

I can’t believe how old she’s grown. If Kaitlin’s got fat, Miss Luca has turned into paper. You cannot see it in her face, because of all the makeup. But there are the wrinkles on her throat, on the backs of her hands, her skin like blotting paper. It feels like all you’d need to do is run a finger along her throat to take off the skin. But she still looks so collected. Nothing could unsettle her, not Miss Luca.

For a moment, I wonder what I must look like to her. Would she have recognised me if she had not known I was back? The person I am now cannot have anything to do with the young woman she knew. If you’d told that young woman her story would turn into mine, she’d have laughed at you. It’s up to me what my story is, she’d have said, then grinned and hopped onto her bike without a helmet to pick up her two best friends. That is how people must remember me here: a young woman, strong-willed, stars in her eyes, dreamer and troublemaker. Her and her two friends, the three inseparables: Anna and Teo and me.

One of whom the police suspected.

It is that thought which helps take me back to the present. It is a godsend that Miss Luca came straight by. I have so many questions, all warring in my head, not knowing where to start. Perhaps that is why the first I blurt out is: ‘Did you see the chimes?’

Her brow furrows for a split second. ‘Pardon?’

I take a deep breath. The chimes suddenly returned. As if someone’s watching me. ‘Just, on your walks through the woods, recently, I wondered whether …’ This is silly. I fiddle once more with the grocery bags. They are growing heavy. ‘Oh, never mind. I’m glad you came by! How have you been?’

‘Oh,’ she says with a laugh. ‘You know us. Life moves slowly out here. Nothing much new, I suppose. Even after such a long time, really! Gosh, let me think … Well, you’re back, for one. And Teo Dündar, of course.’

I am about to ask her about that, about him, when something flashes in the corner of my eye. My head shoots around.

Miss Luca’s brow furrows again. She takes a step towards me. ‘Ms Wilson? Are you all right?’

I look for the movement but can’t spot anything. ‘Yes. Sorry. You were saying …’

She takes another step closer. ‘I was surprised to hear that you were back. Happy, though. Did you ever approach any of my colleagues in London?’

There is something very urgent to her question. Like finding an old book in the attic, one you loved as a child, as badly as you loved your cat and your parents and the stars, and suddenly realising you never finished it. ‘Yes,’ I lie. My eyes are still searching the trees. The corner of my mouth twitches upwards. ‘Thank you so much for your recommendations.’

A leash is dangling from her right hand, but still no sign of a dog. ‘Not to worry. Just because I never heard from you again. Professional interest, you see. It is hard to contain.’

She laughs again, but it still sounds urgent.

‘I trained as a florist,’ I say, on my way to working up the nerve to ask, I know it’s a little out of the blue, but did you know it wasn’t a stranger at all who attacked me nineteen years ago? Oh, and who’s the alcoholic who lives on the High Street and stole Jacob Mason’s name, eyes and grin? And what about Teoman Dündar? Since when has he been back? ‘All the wildflowers here, that’s what made me think it would be good. I wanted to care for something.’

‘How lovely,’ she answers. ‘Mark and Sue mentioned it, actually.’

Again I open my mouth to ask her at least one of those questions. I could start with Jacob.

A cracking sound. It came from the woods to our left, the trees separating our grounds from the Kenzies’.

‘Kaitlin mentioned you were looking for work?’

I take a step down the stairs. The chimes are singing in the wind. The bags are turning to lead in my hands. Miss Luca does not seem to have heard the noise, the noise in the woods. She is looking only at my face. ‘You know, I would love to invite you over for tea before you leave again, Ms Wilson. Kaitlin said you might not be here to stay? I’m so curious about how you have been, and we were all so sad to see you go, back then, you know. Sad that we didn’t get to see you again.’

‘Yes!’ I say, perhaps a little too quickly. ‘Yes, I’d love that. I’d love to talk to you. You know. About things. About things that happened. Here.’

She is observing me closely as I try to tear my eyes away from the woods. ‘Right.’

‘Just because being here,’ I say, struggling to get the words out, ‘it … it brings things back.’

She nods, slowly. Looking down. It gives me pause. It’s as if she can’t look me in the eye for a moment.

‘I am so happy to hear you have chosen to come back to this house,’ Miss Luca says. ‘It looked sad with nobody living in it. Besides, it means that you must have come a long way. Being able to live here. After everything.’

There. I see it again. The flash of a movement. A silhouette, making its way through the forest, moving from trunk to trunk.

The chimes are singing, right next to my face.

It is the white silhouette. From the top window.

‘Wait!’ I shout. ‘Stop!’

Even as Miss Luca flinches, the silhouette stops.

Then it turns around and runs.

Without thinking twice, I drop the grocery bags where I stand and run after it. Miss Luca calls my name, shocked, but I pay her no heed. All I can think about is the chimes, and the doorbell that rang in the night, and how I woke up with traces of sweat like fingers on my skin.

Twigs crack beneath my feet as I dash towards the tree line. Even before I’ve reached the first row of trunks, I’m out of breath. I don’t work out. I keep running. The silhouette isn’t so far off that I can’t still see it, white like a ghost in the frosted woods. ‘Stop!’ I call again. Why would a person run if they were only here on a walk? Why would anyone run from a stranger calling for them? And if it isn’t a stranger, then …

I speed up. My lungs are burning. I know I used to be faster than this. I remember I could run from this porch all the way to the Kenzies’, all the way through the forest, all the way without any trouble whatsoever. I remember only last year, I could run from our flat to the river and back, I could …

That was three years ago, actually. Maybe it would have been better not to make fun of Kaitlin and Miss Luca.

The silhouette seems to be getting away. With every ounce of willpower I possess, I try and speed up even more. Frost crunches under my soles. Branches break. I’m getting closer. It feels like I’m getting closer. There it is, a white shadow, a ghost, a ghost in the shape of …

My legs give out. I stumble. The burn in my lungs has grown so bad I can’t go on. My hands and knees hit the ground as the silhouette takes off. I didn’t come close enough to recognise the person. But I did come close enough to see that they were holding something. It looked thin and long and black against the frost, like a club. Or a rifle.

Behind me, I hear hurried steps. Miss Luca has followed me. I wouldn’t have thought she’d have it in her. Not wearing shoes like that. ‘Ms Wilson, gosh, are you okay?’

Slowly, I rise, grateful for her hand on my elbow, supporting me. Blood is pumping through my legs, my arms, my entire skin prickling. My body feels hot and pulsing, my breaths coming in short bursts. I’ve completely forgotten what it felt like to exert oneself. To run further than the bus stop when you spotted the driver pulling up a few yards ahead. Further than to the jammed front door. I thought if I always took the stairs, I’d be fine. Bloody lie, that.

‘Ms Wilson, what happened?’ Miss Luca says. ‘Tell me what happened. Take your time.’

I remember her voice. Her inquisitive voice, not making demands, just asking questions. But never looking at me when we talked about it. Not once.

I remember, very suddenly, that I liked her.

‘The chimes,’ I tell her. ‘Somebody’s come back with my chimes.’

THE DETECTIVE INSPECTOR

Sexual violence? No. No, no, no. And if we did, believe me I’d make sure to get the bastard myself. We haven’t had anything like it in … nineteen years?

And even back then, it was an anomaly. I still think it was someone from outside, you know? Outside the community. No one would have done a thing like that, no one who lived here. Everybody knows each other, you know? You wouldn’t have got away with it.

No, whoever did that to poor Little Linny, he must have got in and out within the same night. I mean, the motorway is only twenty minutes away. What would stop you from coming here, finding that abandoned road, that lass alone in her house …? And then taking off again? Two hours, and you could be in Manchester; hell, you could be in Turkey in four if you made straight for the airport.