The Element Encyclopedia of the Psychic World: The Ultimate A–Z of Spirits, Mysteries and the Paranormal

APPORT

In his Encyclopedia of Psychic Science (1933), Hungarian psychical researcher Nandor Fodor defined apports as the ‘arrival of various objects through an apparent penetration of matter’, one of the most baffling phenomena of spiritualism, he thought. Apports are objects that mediums claim to be able to produce from thin air or transport through solid matter, and to this day they remain as mysterious as ever.

The majority of apports are everyday small objects such as rings, sweets and pebbles, although some can be large and unusual such as books, garden tools, live animals and birds. When spiritualism was at its most popular apports were commonplace at séances. Sufis, mystical adepts of Islam, and Hindu swamis are also renowned for the apports they produce. Some mediums have been exposed as frauds, producing apports that were hidden under the table or on their person prior to the séance, which is held in the dark, making trickery easier. Some adepts also have been exposed as frauds, but there are adepts and mediums whose reputations hold. Sai Baba of India, for example, seems to be able to produce apports, such as sweets, banquets of hot food, statues and many other objects, from his closed fist, while others are pulled from the sand.

Theories to explain apports that appear to be genuine include apports as gifts from the spirits, the pulling of objects from another dimension through some sort of psychic magnetism or the medium somehow taking objects from another location, making them disintegrate and then transporting and reassembling them.

ARCHANGELS

The name given to incorporeal beings that are said to guide the spiritual destiny of groups of people rather than of individuals, which is the role of angels. This explains why archangels are often pictured as carrying formalized models of cities in their hands. In Judaism and Christianity, the most important are the seven archangels, each of whom is assigned one of the seven spheres of heaven: Gabriel, Michael, Raphael, Uriel, Joophiel, Zadkiel and the fallen archangel, Samuel (Satan).

ARCHETYPES

Psychiatrist Carl Jung first used this term in 1919 to refer to apparently universal images that are inherited from our ancestors. Archetypes are unconscious instinctual patterns or mental images that are passed down to us all but are modified according to individual experience. Interpretations of archetype images have been applied to many fields, such as past-life therapy, psychotherapy, Tarot, women’s studies, mythology, astrology, the healing professions and even sales and marketing.

According to Jung, archetypes are unlimited in number and created by the repetition of experiences that are imprinted on the psychic mind. When a situation occurs that corresponds to an archetype, the archetype is triggered and instinct takes over. God, death, birth, power, magic, the sun, the moon, the wind, animals and the elements are all archetypes, as are the figures of the hero, the lover, the judge, the child, the mother and the father. Archetypes develop and change as an individual grows and encounters new situations. Archetypes communicate with the conscious mind, and it is possible to gain insight into oneself by paying attention to the archetypal forces in one’s life. Jung believed that archetypes were psychic forces that demand to be taken seriously: if neglected they could lead to compulsion, neurosis and illness.

Jung thought that the existence of archetypes could be proved through dreams and through imagination, and by understanding your dreams you learn what you need to move forward with your life.

ARITHMANCY

An ancient method of divination using numbers, arithmancy is an early form of numerology. The father of arithmancy was Pythagoras, who believed there were connections between gods, man and numbers that could be decoded and used to foretell the future of an individual and the outcome of certain events. Ancient Greeks would examine the numbers and values of letters between two combatants to predict who would be victorious. In the story of the Trojan wars, the victory of Achilles over Hector was predicted in this way.

AROMATHERAPY

Holistic caring for the body through the use of scents, usually pleasant-smelling botanical oils such as rose, lemon, lavender and peppermint. The essential oils of these botanicals are added to a bath or massaged into the skin, inhaled directly or diffused to scent an entire room. The oils are administered in small quantities to improve mood or promote health, and they are thought to contain hormones, antibiotics and antiseptics and to represent the life force’, ‘spirit’ or ‘soul’ of the plant.

Some proponents claim that aromatherapy is a complete medical system that can strengthen immune systems and cure disease, and studies have shown aromatherapy is effective in relieving pain and in alleviating fatigue, reducing anxiety and promoting relaxation. When inhaled, scents work on the brain and nervous system by stimulating the olfactory nerves.

Botanical essential oils are aromatic essences extracted from plants, flowers, trees, fruits, bark, grasses and seeds which have distinctive therapeutic, psychological and physiological properties to improve and prevent illness. There are about 150 essential oils. Most of these oils have antiseptic properties; some are antiviral, antiinflammatory pain-relieving, antidepressant and expectorant. To get the maximum benefit from an essential oil, it should be made from natural, pure raw materials. Synthetically made oils do not work.

Aromatherapy is one of the fastest growing fields in alternative medicine. It is widely used at home, in clinics and in hospitals for a variety of applications such as pain relief for women in labour, relieving pain caused by the side effects of chemotherapy undergone by cancer patients, and rehabilitating cardiac patients.

In Japan, engineers are incorporating aroma systems into new buildings. In one bank, the scent of lavender and rosemary is pumped into the customer area to calm the waiting customers, while the perfumes from lemon and eucalyptus are used in the bank teller counters to keep the staff alert.

ARRIVAL CASES

The appearance of a person before their actual arrival. Frequently the arriving phantom appears in the same clothing the individual is wearing at the same time. The individual is usually not aware of appearing in a distant location until told about it.

Arrival cases were collected and studied by the founders of the Society for Psychical Research in the early twentieth century. They collected their evidence in their exhaustive survey Phantasms of the Living (1918).

Arrivals have been claimed to eat, sleep and seem so real that anyone could believe it was a double (doppelgänger) of the real person. The most likely explanation of arrival cases is that the individual somehow projects a double, which is perceived as real, perhaps as an out-of-body projection (bilocation) or as a psychic projection of intent or desire to be in that different place. Others think that arrival cases are a quirk of time duplicating itself.

In the Highlands of Scotland, the term for arrival cases is ‘spirits of the living’. In Norway, the arrival case phenomenon is called vardøger, which means ‘forerunner’.

One unusual vardøger case occurred in Oslo and concerned Erikson Gorique, an American importer. For years, Gorique had wanted to go to Norway but was forced to keep postponing the trip. In July 1955 he was finally able to go. On his arrival in Oslo, Gorique asked where he might stay. Much to his astonishment, when he arrived at the recommended hotel he was greeted by name by the hotel clerk. The clerk told him it was nice to see him again. When Gorique protested that he had never before travelled to Norway or been at the hotel, the puzzled clerk insisted that he could not mistake Gorique’s unusual name and American appearance. He said Gorique stayed at the hotel several months earlier and had made reservations to return that month.

Gorique was even more surprised when he visited a wholesale dealer, who also greeted him like an old friend, saying it was terrific to have him back to conclude previous business. Gorique told the dealer that he hadn’t been there before, whereupon the dealer nodded knowingly and explained the vardøger phenomenon: ‘It is not uncommon in Norway’, he said.

ART, PSYCHIC

Also known as automatic painting, psychic art occurs when individuals who often have little or no artistic training suddenly feel overcome by a desire to draw or paint in distinctive, professional styles. They feel guided by a spirit and may actually feel an invisible hand pushing theirs.

A psychic artist can produce amazing likenesses of deceased relatives of an enquirer, people unknown to the artist. Such an artist may also draw or paint spirit guides, angels, animals or figures who are subsequently discovered to be connected to the enquirer in some way.

In addition to artists who create images of guides and people in spirit, there are others who unconsciously collaborate on pieces of original artwork. Some psychic artists claim contact with great masters who have taught them a special skill or who use them as a vehicle to add new collections to works they produced while still alive. Some psychic art is also sacred art. Many shamanic or healing traditions from around the world have used sacred art in ceremonies of healing and as a bridge between the physical and non-physical worlds. The Navajo people, who reside in the Southwestern region of the USA, have passed down the practices of hand painting from generation to generation. Tibetan monks, too, conduct healing ceremonies that involve the creation and destruction of detailed sand paintings.

One of the most famous psychic art cases is the Thompson-Gifford case, which occurred early in the twentieth century. In 1905 an engraver from New York, Frederic Thompson, was seized with the urge to draw and paint in the style of the recently dead artist Robert Gifford. Thompson had met Gifford when he was alive but was not well acquainted with him. When Thompson painted he felt he was Gifford, and he often heard Gifford’s voice urging him to sketch. Thompson produced many works that reminded buyers of Gifford’s style and sold at good prices.

See also Automatic writing; Automatism.

ARUNDEL CASTLE

This magnificent castle in the heart of West Sussex has been the home of the Dukes of Norfolk since 1580. It was severely damaged by fire in the seventeenth century but has now been restored to its former glory. Not only is Arundel Castle the home of countless priceless works of art, but it also is thought to house several ghosts.

The ghost of a young woman dressed in white has been seen wandering round Hiorne’s Tower, particularly on moonlit nights. According to legend, she threw herself off the tower because of a tragic love affair. A ghost has also been encountered in the library and has become known as the ‘Blue Man’. He has been seen on several occasions searching through books, and is thought to date back to the time of King Charles II (1660-1685).

A kitchen boy of 200 years ago or so is said to have been so badly treated that he died young. His ghost has been seen furiously polishing pots and pans. Another ghost is that of a small white bird, which reputedly flutters around the windows of the castle. It is said to signify the imminent death of someone connected to the castle and was reported to have appeared just before the death of the Duke of Norfolk in 1917.

ASH MANOR GHOST

Psychical researcher Nandor Fodor solved the mystery of the Ash Manor ghost in 1930s England. The case was one of his most famous and helped to establish his theory of the psychological underpinning of some hauntings. He recorded the case in detail in his book The Haunted Mind (1959). Mr and Mrs Keel (a pseudonym assigned by Fodor) moved into Ash Manor House in Sussex, England, with their 16-year-old daughter and servants on 24 June 1934. They were aware that parts of the house dated back to the thirteenth century and that it had a reputation for being haunted. It wasn’t long before the daughter and servants reported strange noises coming from the attic, and Mr and Mrs Keel heard strange bangs on their bedroom doors.

The Keels suspected something supernatural was afoot, and on 23 November Mr Keel woke to see ‘a little oldish man, dressed in a green smock, very muddy breeches and gaiters, a slouch hat on his head and a handkerchief around his neck’. Keel tried to grab the man, thinking him a servant, but was astonished to see his hand go right through him. Keel ran to his wife, who also saw the man and tried to strike him, but her fist went through him too. The strange noises continued, and the green man, as the Keels called him, continued to appear. Once the phantom raised his head, and Mrs Keel could see that his neck had been cut all the way around. She concluded that he must have been murdered and that perhaps his skeleton was hidden in the house.

The manifestations were so frightening that the servants quit their jobs. The Keels were advised to get help in exorcizing the ghost by advertising in a newspaper. Several individuals tried to do the job but did not succeed.

In July 1936 Fodor was invited to investigate the case by a writer who was including the Ash Manor ghost in his book about hauntings. Fodor arrived and saw that the Keels were fearful of any harm being done to their reputations by the publicity. He stayed in the house for several nights, but no manifestations occurred.

At that time the medium Eileen Garrett was living in England, and Fodor asked her to visit Ash Manor. Garrett arrived on 25 July and immediately received the clairvoyant impression of a man who had been half brother to Edward IV or V and had started a rebellion. He had been tortured and left crippled as a result. That evening Garrett entered the haunted house and went into a trance, and her control, Uvani, spoke. Uvani explained that ghosts often manifest when an atmosphere of unhappiness enables a spirit to draw energy and revive its suffering. ‘Haven’t you discovered that these things only happen to you when you are in a bad emotional state, physically or mentally disturbed?’ Uvani asked. The control went on to say that in the fifteenth century a jail had existed near the house, where many unhappy souls had lost their lives. Anyone living in the house who was ‘nervously depleted’ would give out energy that would attract a ghost, who would use that energy to build himself up, like a ‘picture on the stage’.

Uvani permitted the ghost to possess Garrett, and the Keels said that her features looked like those of the green man. Speaking through Garrett, the ghost announced, in a medieval English accent, that he was called Charles Edward. He claimed to have been robbed of his lands by the Earl of Huntingdon and betrayed by a friend called Buckingham. He asked the witnesses to help him wreak revenge upon his enemies. Fodor informed the ghost that he was dead and begged him to give up his quest and join the spirits of his loved ones. The ghost reluctantly agreed to do so, and Garrett returned to normal consciousness.

The hauntings, however, did not stop, and Fodor conducted another session with Garrett, this time without the Keels present. The ghost once again appeared and pleaded for help in getting vengeance. Uvani announced that the Keels had used this ‘poor, unhappy creature’ in order to embarrass each other and that they did not want the ghost to leave. The control also said that if the unhappiness in the house persisted, it would become truly haunted.

Fodor at last felt that he was close to solving the case. Mrs Keel confessed to him that her husband was homosexual and that a great deal of tension existed between them. Fodor suggested that the ghost provided a distraction that prevented that tension from breaking out into the open.

When the Keels admitted they were hanging on to the ghost, the ghost departed. A scholarly investigation of the statements made by Charles Edward deemed they were not authentic, and Fodor, in analysing the case, considered the ghost to be an invention of Mr Keel’s subconscious mind, which Garrett had tapped into.

However, some of the haunting phenomena at Ash Manor could not be explained, for example, the independent sightings by servants and other witnesses. Fodor concluded that ‘it may be that those who put themselves in an unguarded psychological position, in a place filled with historical memories and traditions, do, on rare occasions, come into contact with a force or an intelligence other than their own.’

ASPORT

The opposite of apport, asport refers to psychic phenomena involving the disappearance or transportation of objects, supposedly accomplished with the help of the spirits of the dead. During the height of spiritualism in the late nineteenth and early twentieth centuries, apports produced at séances would often become asports and mysteriously vanish from one room to be found in another room. Sometimes, though, asported valuables would vanish altogether and remain forever with the spirits, causing sceptics to question the integrity of the mediums.

Although trickery is undeniable, there are also reported cases of asports that appear genuine. Sai Baba of India, famous for his apports of holy ash, food, precious jewels and other items, has also been said to dematerialize apports if the recipients do not like them and change them into something else.

ASSOCIATION FOR RESEARCH AND ENLIGHTENMENT

See Cayce, Edgar.

ASTRAL BODY

Various esoteric traditions talk about the many bodies - the different levels of consciousness and existence - that each person has. Some people think of these different aspects as ‘subtle bodies’ or selves that exist in a parallel plane but are all part of a larger consciousness. This theory suggests that the body itself does not contain these aspects. Rather, this larger consciousness contains the body, as well as other levels of existence, and you can learn to create a closer connection to any of these aspects within yourself.

A commonly recognized ‘extra’ self is the astral body, also known as an energy body. The word ‘astral’ is derived from the Greek for ‘star’. The astral body can also be called a double or doppelgänger, because it is a duplicate of the physical body. Theosophists refer to it as the ‘etheric’ or ‘spiritual double’ containing the soul and made from the vibrations that make up the physical body.

The astral body exists on the astral plane, also known as the astral realm, astral world or astral sphere, and in metaphysical terminology the astral plane is contiguous in space, if not in time, with the material world. The astral realm is the one that the spiritual part or astral body enters during periods of sleep, under the action of anaesthetics or drugs, by accident when a person is unconscious, or immediately after death. The astral realm is not normally visible to ordinary sight, yet it is regarded as the proper dwelling of people’s higher spiritual bodies.

According to shamans and Theosophists the astral body or second self resembles the physical body but is made up of a subtle field of shining and flexible light that encases the body visible only by a psychically sensitive person. It is thought that when you are sleeping the astral body can separate from the physical body which results in flying dreams and the experience of disorientation experienced if you wake suddenly and the astral body hasn’t had time to line up with the physical one. Driven by emotions, passions and desires, the astral body is believed to be a bridge between the physical brain and a higher level of mind.

ASTRAL DOORWAYS

Symbols and pictures that are used to help individuals in astral projection reach the astral plane. Tarot cards can be used as astral doorways but the definitive doorways, used by psychics and magicians for hundreds of years, are the Tattwas of the Eastern esoteric tradition. The five primary tattwa symbols are simple coloured shapes - a yellow square (earth), blue circle (air), red triangle (fire), silver crescent (moon) and black oblong (ether) - and each one can be used as a focal point to trigger astral projection and give access to a specific part of the astral plane.

ASTRAL PLANE

Using tattwas to trigger astral projection

Tattwa cards are easy to make. All you need is some white cardboard, a pair of scissors and some colouring pens or paint with strong brilliant shades of yellow, blue, red, silver and black. When you have cut out your shapes you only need to colour or paint one side; leave the back of the card plain and white.

Once you have made your cards, find a quiet place, get comfortable and relax. Choose a symbol and gaze intently at it for a minute, then turn it over and gaze at the blank side. As you do an optical reflex will cause the symbol to appear on the back of the card. Now close your eyes and visualize what you have seen, mentally enlarging the image until it is big enough for you to pass through. Imagine yourself steeping through this mass of colour as if it were an actual door to the astral plane.

According to occultists the astral plane is an alternate and non-physical dimension of reality that can be visited during astral projection or out-of-body experiences. The word ‘astral’, from the Greek word meaning ‘star’, originally described the heavens of the Greek gods, but as time passed the concept expanded to refer to a spirit world inhabited by etheric entities, disembodied spirits and higher beings.

The astral world is believed to be invisible to the ordinary eye because it vibrates at a higher rate than the energy that comprises the material world. However, occultists believe that it can be perceived through astral projection and clairvoyance and it is a world just as real as ours. It has scenery, inhabitants, countries and seas and is subject to the laws of nature and constant change just as the physical world is.