All the Beautiful Girls

Any baby fat that had dared to linger now melted from Lily’s body. Standing five foot ten, she had a dancer’s slim hips, abundant breasts, and she wore her hair bobbed and blunt cut with glowering bangs. Although it was already passé, Lily cultivated beatnik black, morose cool, and mystery touched by a hint of simmering, bedrock rage. She lined her eyes heavily in black, and the look suited her in a way that the perky flips, teased mountaintops of hair, and bright polyester fashions of the midsixties did not.

The Aviator remained in her life, a steady presence, a secret ally. For her sixteenth birthday in 1965 he gave Lily a light blue suitcase record player and fifteen dollars she could use to buy whatever albums she wanted. It was Dylan who spoke most clearly. She took to heart his advice that if you weren’t busy being born, then you must be busy dying. She was a disciple of his cynicism, his challenges to everything from teachers to the president to God. Dylan was her fellow iconoclast; like Lily he distrusted absolutely everyone. With the volume turned down low to keep Uncle Miles from shouting at her, Lily dreamed of highways, of the infinite variety of mountains, of escape.

At age sixteen, Lily walked into Masterson’s Grocers and applied for a job. She needed spending money for makeup and sewing supplies, and Uncle Miles had decreed that it was time she contributed to her upkeep, which he set at thirty-five dollars per month. The manager, an already obese twenty-year-old named Harold, had dense patches of acne on his cheeks and daubs of ketchup on his mint-green clip-on bowtie. He hitched up his pants and slowly eyed the curves of Lily’s body, letting her know in no uncertain terms why he’d be hiring an inexperienced girl. Harold handed her two pink-and-white uniforms to try on for size, and as she undressed next to shelves of canned goods in a back stockroom, she wondered if he was standing at a peephole, watching. Lily imagined his gaping mouth, his widened eyes, and she took her time before choosing the shorter, tighter dress, the one that would best follow the contours of her body.

Harold assigned her to mark prices and stock shelves—an obvious ploy to have her bend over repeatedly, lean over cases with her box cutter and reveal her cleavage. She was on display, just like the towers of canned peaches and pyramids of apples and oranges on the This Week Only! promotions at the endcaps of the grocery aisles. But Lily didn’t mind. The grocery store was merely another stage, another setting in which she could experiment, learn what effect her lush body had on men.

She watched Harold’s face, the faces of men who came in weary from driving a combine all day, their necks and arms dusted in wheat chaff. Lily learned how to signal bashful innocence, along with a sort of vulnerable availability. She learned how to encourage men to help her when she couldn’t quite—not quite but almost—reach the shelves where the Corn Flakes, Froot Loops, and Alpha-Bits cereal boxes lived. She came to realize that men didn’t want to see competent independence; they wanted to see a slice of need. So she gave them that. Lily knew, too, that none of them considered that she might be intelligent. Her agile mind was not something a single, solitary man cared to consider.

EVERYONE WAS READING Truman Capote’s new book about the murders in Holcomb, just a couple hundred miles southwest of Salina. Even Uncle Miles had thumbed through the novel, afterwards puffing out his chest and announcing that those two killers would never have gotten through the door of his home. Lily imagined her uncle ineffectively bonking one of the killers over the head with his dusty Hawaiian ukulele, like the cartoon horse Quick Draw McGraw’s alter ego, the masked and black-caped El Kabong. Kabong!

Lily also thought a lot about the killer Perry Smith, about his childhood, his longing for love and his constant leg pain. It threw her—that Perry could be the sympathetic one in the duo, the one with artistic aspirations, but the one, ultimately, who did the butchering. Lily also wondered about the murdered teenage girl who had hidden her watch in the toe of her shoe. The unfairness of it all. Even if you followed all the rules—got straight A’s as Lily did—it was no guarantee against wanton destruction.

The state of Kansas had hanged the two men last year, in 1965. For so long, it seemed to be the only thing on the news. Perry Smith and Dick Hickock murdered Kansas’ innocence. They killed the myth of idyllic, small-town safety far from the big cities with their slums, poverty, and drugs. Now, people in Salina locked their doors at night. And yet, Lily didn’t share the titillating fears of the girls at school; she knew that danger didn’t necessarily come from a stranger.

LILY STOOD WITH a towel around her neck and used the ends to catch streams of sweat. They’d been practicing flick kicks, falls, and recovers. Effortlessly, she folded herself in half, stretching her hamstrings.

“Lily? Might we take a few minutes to talk about your future?” Mrs. Baumgarten, the owner of the Tah-Dah! Dance Studio, leaned against a nearby wall.

Lily was still awash in the complete relaxation she felt after a hard workout, and her thoughts had been elsewhere. “What?” she asked. “I’m sorry, Mrs. Baumgarten, I didn’t hear you.”

“I was saying that I know you plan to dance, but what kind of dance career do you have in mind? Where do you plan to go from here, when you leave Salina?”

Lily took a deep, luxurious breath and tilted her neck to one side until her ear nearly met her shoulder. “I was thinking Hollywood or New York, I guess.” It was the first time she’d ever dared to speak her dream.

Mrs. Baumgarten continued to watch Lily as she stretched. “Your forte is jazz. That’s where I see your skill, your aptitude. And it’s what best fits your body—you have to pair your body with the right movements. It’s as much about a look as it is about technique. And, actually, I have an idea for you. Are you ready?” Lily’s teacher smiled mischievously. “Viva Las Vegas!”

“Elvis? Ann-Margret?” Lily smiled.

“For you, for dance,” Mrs. Baumgarten replied. “Las Vegas is where there ’s an exciting, growing jazz dance scene. You’d find it easier to break in there than L.A. or New York. You’d gain valuable experience, build your dance résumé. Then you can try for the more competitive venues.”

“You think I should head to Sin City?” Lily could easily imagine her aunt and uncle ’s response to that particular plan.

Mrs. Baumgarten continued as if Lily hadn’t spoken. “The casinos compete with each other for floor shows, dance numbers. And celebrities flock there to perform, to see and be seen.” Lily’s teacher began counting off on her fingers. “Debbie Reynolds. Liberace. Judy Garland. The Rat Pack. Sammy Davis, Jr.,” she said with great emphasis, knowing that Lily was wild about his tap dancing. “Think what you could learn, what you’d see. The exposure you’d have.”

Before Lily left that night, Mrs. Baumgarten handed her a stack of Dance Magazine. Then she leaned close, and Lily felt her teacher’s kiss on her cheek, a brief brush of tenderness. “We’ll talk again,” she said.

At home in her room, Lily used the photos in Dance Magazine to prod her body into new, more complicated movements and configurations. Looking into the mirror above her dresser bureau, she mimicked the professional dancers’ hand gestures, the way they held their arms. She jutted her chin, narrowed her eyes, dared her mirror image the way that Nureyev dared the camera, and wished she had his boldness. She ’d been twelve when Nureyev defected from the Soviet Union, and she remembered watching news footage of him striding across an airfield in Paris, hearing Uncle Miles say that the sissy’s rejection served the commies right. “He can never go back? Never go home again?” she ’d asked her uncle. “Never,” Uncle Miles pronounced, his fingers dribbling flakes of tobacco into the fold of his cigarette paper. “He ’ll never see his family again,” he ’d said with an oddly self-satisfied smile.

Lily began to believe Las Vegas was the answer, and she started to plan. She pulled out the atlas in the school library, studied the route from Salina to Vegas, and counted the state lines she’d cross. She studied the figures in her savings passbook, totaled up how much more she’d be able to save between now and graduation, in just slightly over a year. She’d need bus fare, plus spending money to keep her afloat until she landed a job. Her columns of figures made the whole enterprise increasingly real, and Lily volunteered for extra shifts at the grocery store, just to see the totals multiply satisfyingly. Lily felt a burst of hope. The tallies told her she could do this—would do this. Escape was not only possible; it was within her grasp.

ONE EVENING WHEN Lily, now a senior in high school, got off work, the Aviator was waiting for her. He leaned against the waxed black shine of his car, his eyes hidden behind dark sunglasses.

“You need to watch yourself,” he said without preamble. “You’re asking for trouble.”

“What’re you talking about?”

“What you’re doing. With men. I’ve seen you,” he said, dropping the end of his cigarette to the asphalt and crushing it beneath his boot. “You’re playing a dangerous game.”

She couldn’t see his eyes, but the set jaw, the taut striations of his neck muscles, told her that he was dead serious.

“I’m not doing anything with men,” Lily said. “I don’t even date.” High school boys stared at Lily but were too intimidated to approach her, and she did nothing to encourage them.

“Boys are one thing.” The Aviator picked up the cigarette butt and folded it into his handkerchief. “Leading men on—men who would be only too happy to take what they see—that’s another story entirely.”

“You’re talking about flirting? You’re telling me not to flirt? Who do you think you are?” She paused and then daringly added, “It’s not as if you’re my father.”

The Aviator moved to within a foot of her, and she felt the implicit threat of his height, his muscles. His shadow covered her. But there was a surprising tenderness in his voice when he said, “No, Lily, I’m not your father. I am your friend, and I’m trying to watch out for you.”

Before she could come up with a sarcastic, dismissive response, he climbed into his car, started the engine, and left her there to decide.

LILY FREQUENTED THE thrift store in the basement of the Episcopal church. She’d just this year discovered that the wealthier women of the congregation regularly donated nearly new clothing; some pieces even bore designer labels. Lily had found a pair of Balenciaga boots’black suede that came up and over her knees—for just five dollars. And, there was more: silk blouses, sunglasses, fringed leather purses. She found more fashionable pieces and at better prices than she could at J.C. Penney or Sears, and no one was the wiser.

When she came across a particularly pretty cardigan sweater in a lovely teal, she brought it home for her aunt who, standing before her bedroom mirror, said, “But with this open weave. It’s a little impractical, isn’t it? What will the girls in Bible-study class say?”

In that moment, Lily felt sympathy for the girl who’d been named Tatum, who’d endured a younger sister who was much, much prettier than she, who’d had to watch her sister marry well. And then who’d been saddled with a bewildering, cast-off child and a husband who night after night sat in his chair, adhered like fungus to the Naugahyde. Lily saw her aunt’s stoicism, her self-defensive rigidity, how desperately she tried to conceal her confusion and fears of inadequacy. And Lily saw that her aunt would never, ever go anywhere. She would never leave Kansas.

It made Lily wonder. Would Mama be thick around the middle, and would Daddy be balding and forgetful? Would they still live in Salina, or would they have moved to a new town, to new sights? What would Dawn be like? Would she be in nursing college or married to a farmer or a railroad engineer or an aircraft mechanic? Would she already have toddlers who would call excitedly for Aunt Lily when she stopped by with Popsicles? Would Dawn make Mama’s Swedish meatball recipe and plan elaborate picnics next to the Smoky Hill River? Would she admire the dance costumes Lily designed and applaud when Lily stood on stage?

“Do you ever think about them?” Lily asked in her sentimental moment of weakness.

“Never,” Aunt Tate said, pulling her arms from the sweater and heading for her bedroom. “And you shouldn’t either,” she added. “Pure self-indulgence.”

Lily heard her aunt’s closet door open and close with finality, and she knew Aunt Tate would never permit herself the treat of the delicate sweater. She’d keep it in that closet, undisturbed, and she’d instead relish her ramrod austerity. Lily nearly went to embrace her aunt. Tate was suddenly such a sad creature, believing that her habitual ferocity could protect her from loss and pain. Walls, Lily thought, keep out the good as well as the bad. She was determined to remember that, not to let fear overtake her, never to risk losing her joy.

FOR THE FIRST Annual Tah-Dah! Dance Studio Scholarship Fundraiser, Mrs. Baumgarten rented the Fox-Watson movie theater on South Santa Fe Avenue and managed to get ahold of a print of Ocean’s 11 with Dean Martin, Frank Sinatra, Peter Lawford, Angie Dickinson and—best of all—Sammy Davis, Jr. Lily sold all of the five-dollar tickets she could at school and work, and she bought a Simplicity pattern for a clean-lined, spaghetti-strap dress. She made it in dark gold satin and hemmed it so that it ended two thirds of the way up her thighs. Even though it was almost too warm for them, she paired the dress with the Balenciaga boots, and she tied a length of black satin ribbon around her neck as a choker. For added drama, Lily moistened her cake of black liner and outlined her eyes as usual, and then she added a third dark line along the crease of her eyelid, like Twiggy. Using an eyebrow pencil, she extended the outer edges of her eyebrows. She applied a pair of false eyelashes and a light-blue cream eye shadow, and finished with Yardley beige-pink lipstick.

“You’re not leaving my house dressed like a whore,” Uncle Miles said when he spied her trying to make a quick exit through the kitchen door. He put both his hands on her forearm and twisted them in opposite directions—a version of what the kids called an Indian burn. When he released her arm, Lily stepped back and accidentally smacked the back of her head against the furnace door.

She felt her upper lip reflexively lift into a snarl. “You’re calling me a whore?” she said, and then waited a meaningful beat. “Quite a statement for a man who Fucks. Little. Girls,” she spat, and then caught sight of Aunt Tate standing in the entry to the kitchen.

Aunt Tate sagged heavily against the doorjamb as if her skeleton had been dissolved in acid and all that was left of her was limp, loose skin. Lily cut past Uncle Miles and reached for her aunt’s arm.

“Stay away! Get away from me! I don’t need your help!” Heavy-limbed, Aunt Tate kept a balancing hand against the wall until she reached the kitchen stool and dropped into it. She pressed her lips together, looked from Lily to her husband and then back again. In her aunt’s eyes, Lily saw a teeter-totter of indecision, of weights and balances. And then, it happened. Lily knew before her aunt said a word, and so the words when they came were mere confirmation: “Your uncle ’s right. You look like a hooker.”

Lily closed her eyes, dropped her chin to her chest, and slumped against the wall. She wanted darkness. And tears. The release of ten years’ worth of tears—everything she’d held back seemingly forever. But she would never give them that. Instead, she envisioned using her nails to pinch the soft skin inside her upper arm and thought about the relief of leaving half-moon bruises. Or maybe stabbing a fork into her thigh. Razor blades. Any kind of distracting pain.

A thick silence settled over the kitchen. Lily thought she smelled the garlic and onion of ten thousand meals, the sulfur of rotting eggs, hamburger meat gone bad.

Don’t let them diminish you, Scallywag, she told herself, and then, wordlessly, Lily straightened her shoulders and left through the kitchen door. No one tried to stop her. When she reached the curb, she used trembling fingers to light a cigarette and stood in the spot where she habitually waited for her friend from dance class to come pick her up. Even though the evening was mild, she wrapped her arms around her shoulders and began shivering. Her whole body vibrated; she could feel her legs shaking, her lips trembling. She shuddered—big shudders that hunched her shoulders suddenly, made her throw her head back as if she were having a seizure. She stomped her feet, did a little softshoe to warm herself, tried to trick her body out of its inclination toward a state of shock. She felt as though she’d been hit, and hit hard, by something harsh and unforgiving.

Lily looked back at the scene that played out in the kitchen window. She saw Uncle Miles lower his bulk into one of the kitchen dinette chairs, Aunt Tate frozen in place on the pedestal of the kitchen step stool. They made her think of a brightly lit department-store window display—something some deluded romantic would call Domestic Bliss.

It had been coming, this revelation. Inevitable. Barreling down the pike toward them, for years. And now it was done. Anticlimactic.

She ’d been right never to have told Aunt Tate. Look at her there, diminished, stalled on that kitchen stool. Aunt Tate wouldn’t have stood up for a younger Lily any more than she did now. She wouldn’t have protected Lily. She wouldn’t have chosen Lily over her husband. No, instead she would have said, No, no, no. I don’t think so not the man I married. There was too much Aunt Tate would have to admit to herself, were she to hear what Lily had to say.

Anger born of rejection bubbled up, and Lily was tempted to go back inside. She wanted destruction. She wanted to pull down Aunt Tate ’s curtain rods, leave craters where the bolts had once fit so snugly within the wall. She wanted to empty the kitchen cabinets of the china Aunt Tate had bought using the Green Stamps Lily had so faithfully pasted into booklets. Lily pictured hurling those cheap plates against the wall. She imagined shackling Uncle Miles to a radiator, holding the flame of a lighter beneath his chin, and making Aunt Tate watch it all. But mostly, Lily wanted to make herself bleed. To slice the tender, sweet skin of her forearms until red rivers flowed and her true wounds were rendered visible.

THE FOX-WATSON THEATRE, where the Tah-Dah! fundraiser took place, was a wonderful art deco concoction of crystal chandeliers, a fantastic stairway, and luxurious, gold-leaf highlights. Still feeling an uneasy trembling in her legs, Lily stood in the lobby and leaned against the cigarette machine, taking it all in. Mrs. Baumgarten appeared in a silk caftan and turban, rings and bangles and long, dangling earrings. The silk was tangerine with a pattern of tumbling crimson tulips.

She kissed Lily on both cheeks and gently, inconspicuously, took Lily’s forearm in her hands. She held Lily’s arm between them, intimate. “Who?” she asked, indicating the bruise that was surfacing like lies long buried.

But Lily just smiled weakly into her teacher’s face. She didn’t want a scene, and it was too late for remedies. She just wanted out. Out of Salina in four weeks and six days. She covered her arm with the opposite hand, held it against her waist, and failed to come up with any response, even though her teacher’s sympathetic gaze lingered.

The movie was disappointing. Sammy Davis, Jr., sang, but he didn’t dance—not as he had in Robin and the 7 Hoods, when he twirled guns, tap-danced on and off of a bar and a roulette table, and exuded boundless energy. Still, there were Vegas dancers in the background in several scenes, and Lily focused on those segments, memorizing every detail. The girls’ outfits were perfect—lots of plumage, bared legs with beautiful pointed heels and sky-high kicks.

After the film, people milled about in the lobby saying their goodbyes. Lily spotted a lovely woman standing beside the Aviator. His date wore an aqua jacket and skirt, and the collar of a bone-colored silk blouse peeked shyly from beneath her short jacket. She had brown hair cut just below chin level and a delicate nose. Rarified, Lily thought, like Jackie Kennedy—sophisticated, simple. But maybe just a little bit dull and unimaginative.

The Aviator left his date’s side and crossed the room to Lily. He took in the tall suede boots, the now much-wrinkled homemade dress, and he ran a hand across her hair, smoothing flyaway strands. His touch sent a shock through her. “You’re beautiful,” he said. Then he seemed to sense the intimacy of his grooming of her, and he shoved his hand into the pocket of his blazer. “You’re so grown-up,” he said wistfully before turning to find his date.

Lily stood there, becalmed, as she watched him walk away. It had never before occurred to her that the Aviator could have any woman in his life, other than Lily.

A FEW AFTERNOONS later, Aunt Tate found Lily at the sewing machine in the corner of the dining room and asked, “What are you working on?”

Other than perfunctory, necessary phrases, it was the first time Aunt Tate had spoken to her since the night of the fundraiser. Lily recognized the overture, released the pressure on the sewing machine’s knee-operated control lever, and peered up at her aunt, who looked completely enervated, as if she hadn’t slept in weeks. Aunt Tate was pathetic, Lily realized—a weak, albino stalk of a flower struggling to grow in the dark of a closet shelf.

I’ll escape, Lily thought, but this poor woman will never leave. I’m stronger than the both of them. And so, feeling somewhat conciliatory, Lily said, “This is my final project for Miss Lambkin’s class.” She held up the deep rose brocade. “It’ll be a lined evening-dress jacket, something I can wear over a skirt, maybe dress up with a piece of costume jewelry.” She ’d already sewn a pair of bell-bottom pants out of the material and loved the way the fabric stretched across what some of the other dance students referred to as “the Grand Canyon of your hips.” That canyon took two hundred sit-ups a night on the rag rug next to Lily’s bed, but it was worth it.

“Pretty,” Aunt Tate said. “But it’s musty in here. You should open a window.” She touched Lily’s shoulder fleetingly, so lightly that it could instead have been the minute brush of a passing moth’s wings.

“Aunt Tate?”

Her aunt paused but kept her back to Lily as if she somehow knew that Lily was going to take that one, placatory gesture and use it to open a chasm in their lives.

“I’m not a liar. I never have been,” Lily said and watched her aunt’s back stiffen.

Without a word, Aunt Tate left the room, and soon Lily could hear her in the kitchen, putting together the evening meat loaf.

Lily sat with her hands in her lap. She picked a few spent threads from her jeans. It was only when she heard her aunt sniffle and then blow her nose that she knew Aunt Tate was remembering all the nights Uncle Miles had left their bed and made his way down the darkened hallway to Lily.

7

“But I do have a plan,” Lily said as the Aviator stood beside her. Although it was her day off, she was in the produce section of Masterson’s, doing Aunt Tate’s grocery shopping. A couple of women who’d been poking at the pears and cantaloupes looked up, but the Aviator charmed them with a smile, and they returned to their quest for peak ripeness. “I do have a plan,” Lily repeated.

“College?” He filled a paper produce bag with exactly seven Granny Smith apples and folded down the top with precision.