The Old Curiosity Shop
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Now, Mr Brass’s gentleman has it whispered in his ear that this witness is disposed to be friendly to the prisoner – which, to say the truth, he is rather glad to hear, as his strength is considered to lie in what is familiarly termed badgering. Wherefore, he begins by requesting the officer to be quite sure that this witness kisses the book, then goes to work at him, tooth and nail.
‘Mr Swiveller,’ says this gentleman to Dick, when he had told his tale with evident reluctance and a desire to make the best of it: ‘Pray sir, where did you dine yesterday?’ – ‘Where did I dine yesterday?’ – ‘Aye, sir, where did you dine yesterday – was it near here, sir?’ – ‘Oh to be sure – yes – just over the way.’ – ‘To be sure. Yes. Just over the way,’ repeats Mr Brass’s gentleman, with a glance at the court. – ‘Alone, sir?’ – ‘I beg your pardon,’ says Mr Swiveller, who has not caught the question – ‘Alone, sir?’ repeats Mr Brass’s gentleman in a voice of thunder, ‘did you dine alone? Did you treat anybody, sir? Come!’ – ‘Oh yes, to be sure – yes, I did,’ says Mr Swiveller with a smile. – ‘Have the goodness to banish a levity, sir, which is very ill-suited to the place in which you stand (though perhaps you have reason to be thankful that it’s only that place),’ says Mr Brass’s gentleman, with a nod of the head, insinuating that the dock is Mr Swiveller’s legitimate sphere of action; ‘and attend to me. You were waiting about here, yesterday, in expectation that this trial was coming on. You dined over the way. You treated somebody. Now, was that somebody brother to the prisoner at the bar?’ – Mr Swiveller is proceeding to explain – ‘Yes or No, sir,’ cries Mr Brass’s gentleman – ‘But will you allow me – ’ – ‘Yes or No, sir’ – ‘Yes it was, but – ’ – ‘Yes it was,’ cries the gentleman, taking him up short. ‘And a very pretty witness you are!’
Down sits Mr Brass’s gentleman. Kit’s gentleman, not knowing how the matter really stands, is afraid to pursue the subject. Richard Swiveller retires abashed. Judge, jury and spectators have visions of his lounging about, with an ill-looking, large-whiskered, dissolute young fellow of six feet high. The reality is, little Jacob, with the calves of his legs exposed to the open air, and himself tied up in a shawl. Nobody knows the truth; everybody believes a falsehood; and all because of the ingenuity of Mr Brass’s gentleman.
Then come the witnesses to character, and here Mr Brass’s gentleman shines again. It turns out that Mr Garland has had no character with Kit, no recommendation of him but from his own mother, and that he was suddenly dismissed by his former master for unknown reasons. ‘Really Mr Garland,’ says Mr Brass’s gentleman, ‘for a person who has arrived at your time of life, you are, to say the least of it, singularly indiscreet, I think.’ The jury think so too, and find Kit guilty. He is taken off, humbly protesting his innocence. The spectators settle themselves in their places with renewed attention, for there are several female witnesses to be examined in the next case, and it has been rumoured that Mr Brass’s gentleman will make great fun in cross-examining them for the prisoner.
Kit’s mother, poor woman, is waiting at the grate below stairs, accompanied by Barbara’s mother (who, honest soul! never does anything but cry, and hold the baby), and a sad interview ensues. The newspaper-reading turnkey has told them all. He don’t think it will be transportation for life, because there’s time to prove the good character yet, and that is sure to serve him. He wonders what he did it for. ‘He never did it!’ cries Kit’s mother. ‘Well,’ says the turnkey, ‘I won’t contradict you. It’s all one, now, whether he did it or not.’
Kit’s mother can reach his hand through the bars, and she clasps it – God, and those to whom he has given such tenderness, only know in how much agony. Kit bids her keep a good heart, and, under pretence of having the children lifted up to kiss him, prays Barbara’s mother in a whisper to take her home.
‘Some friend will rise up for us, mother,’ cried Kit, ‘I am sure. If not now, before long. My innocence will come out, mother, and I shall be brought back again; I feel confidence in that. You must teach little Jacob and the baby how all this was, for if they thought I had ever been dishonest, when they grew old enough to understand, it would break my heart to know it, if I was thousands of miles away. – Oh! is there no good gentleman here, who will take care of her!’
The hand slips out of his, for the poor creature sinks down upon the earth, insensible. Richard Swiveller comes hastily up, elbows the bystanders out of the way, takes her (after some trouble) in one arm after the manner of theatrical ravishers, and, nodding to Kit, and commanding Barbara’s mother to follow, for he has a coach waiting, bears her swiftly off.
Well; Richard took her home. And what astonishing absurdities in the way of quotation from song and poem he perpetrated on the road, no man knows. He took her home, and stayed till she was recovered; and, having no money to pay the coach, went back in state to Bevis Marks, bidding the driver (for it was Saturday night) wait at the door while he went in for ‘change.’
‘Mr Richard, sir,’ said Brass cheerfully, ‘Good evening!’
Monstrous as Kit’s tale had appeared, at first, Mr Richard did, that night, half suspect his affable employer of some deep villany. Perhaps it was but the misery he had just witnessed which gave his careless nature this impulse; but, be that as it may, it was very strong upon him, and he said in as few words as possible, what he wanted.
‘Money?’ cried Brass, taking out his purse. ‘Ha ha! To be sure, Mr Richard, to be sure, sir. All men must live. You haven’t change for a five-pound note, have you sir?’
‘No,’ returned Dick, shortly.
‘Oh!’ said Brass, ‘here’s the very sum. That saves trouble. You’re very welcome I’m sure. – Mr Richard, sir – ’
Dick, who had by this time reached the door, turned round.
‘You needn’t,’ said Brass, ‘trouble yourself to come back any more, Sir.’
‘Eh?’
‘You see, Mr Richard,’ said Brass, thrusting his hands in his pockets, and rocking himself to and fro on his stool, ‘the fact is, that a man of your abilities is lost, Sir, quite lost, in our dry and mouldy line. It’s terrible drudgery – shocking. I should say, now, that the stage, or the – or the army, Mr Richard – or something very superior in the licensed victualling way – was the kind of thing that would call out the genius of such a man as you. I hope you’ll look in to see us now and then. Sally, Sir, will be delighted I’m sure. She’s extremely sorry to lose you, Mr Richard, but a sense of her duty to society reconciles her. An amazing creature that, sir! You’ll find the money quite correct, I think. There’s a cracked window sir, but I’ve not made any deduction on that account. Whenever we part with friends, Mr Richard, let us part liberally. A delightful sentiment, sir!’
To all these rambling observations, Mr Swiveller answered not one word, but, returning for the aquatic jacket, rolled it into a tight round ball: looking steadily at Brass meanwhile as if he had some intention of bowling him down with it. He only took it under his arm, however, and marched out of the office in profound silence. When he had closed the door, he re-opened it, stared in again for a few moments with the same portentous gravity, and nodding his head once, in a slow and ghost-like manner, vanished.
He paid the coachman, and turned his back on Bevis Marks, big with great designs for the comforting of Kit’s mother and the aid of Kit himself.
But the lives of gentlemen devoted to such pleasures as Richard Swiveller, are extremely precarious. The spiritual excitement of the last fortnight, working upon a system affected in no slight degree by the spirituous excitement of some years, proved a little too much for him. That very night, Mr Richard was seized with an alarming illness, and in twenty-four hours was stricken with a raging fever.
CHAPTER 64
Tossing to and fro upon his hot, uneasy bed; tormented by a fierce thirst which nothing could appease; unable to find, in any change of posture, a moment’s peace or ease; and rambling, ever, through deserts of thought where there was no resting-place, no sight or sound suggestive of refreshment or repose, nothing but a dull eternal weariness, with no change but the restless shiftings of his miserable body, and the weary wandering of his mind, constant still to one ever-present anxiety – to a sense of something left undone, of some fearful obstacle to be surmounted, of some carking care that would not be driven away, and which haunted the distempered brain, now in this form, now in that, always shadowy and dim, but recognisable for the same phantom in every shape it took: darkening every vision like an evil conscience, and making slumber horrible – in these slow tortures of his dread disease, the unfortunate Richard lay wasting and consuming inch by inch, until, at last, when he seemed to fight and struggle to rise up, and to be held down by devils, he sank into a deep sleep, and dreamed no more.
He awoke. With a sensation of most blissful rest, better than sleep itself, he began gradually to remember something of these sufferings, and to think what a long night it had been, and whether he had not been delirious twice or thrice. Happening, in the midst of these cogitations, to raise his hand, he was astonished to find how heavy it seemed, and yet how thin and light it really was. Still, he felt indifferent and happy; and having no curiosity to pursue the subject, remained in the same waking slumber until his attention was attracted by a cough. This made him doubt whether he had locked his door last night, and feel a little surprised at having a companion in the room. Still, he lacked energy to follow up this train of thought; and unconsciously fell, in a luxury of repose, to staring at some green stripes on the bed-furniture, and associating them strangely with patches of fresh turf, while the yellow ground between made gravel-walks, and so helped out a long perspective of trim gardens.
He was rambling in imagination on these terraces, and had quite lost himself among them indeed, when he heard the cough once more. The walks shrunk into stripes again at the sound, and raising himself a little in the bed, and holding the curtain open with one hand, he looked out.
The same room certainly, and still by candlelight; but with what unbounded astonishment did he see all those bottles, and basins, and articles of linen airing by the fire, and such-like furniture of a sick chamber – all very clean and neat, but all quite different from anything he had left there, when he went to bed! The atmosphere, too, filled with a cool smell of herbs and vinegar; the floor newly sprinkled; the – the what? The Marchioness?
Yes; playing cribbage with herself at the table. There she sat, intent upon her game, coughing now and then in a subdued manner as if she feared to disturb him – shuffling the cards, cutting, dealing, playing, counting, pegging – going through all the mysteries of cribbage as if she had been in full practice from her cradle! Mr Swiveller contemplated these things for a short time, and suffering the curtain to fall into its former position, laid his head on the pillow again.
‘I’m dreaming,’ thought Richard, ‘that’s clear. When I went to bed, my hands were not made of egg-shells; and now I can almost see through ‘em. If this is not a dream, I have woke up, by mistake, in an Arabian Night, instead of a London one. But I have no doubt I’m asleep. Not the least.’
Here the small servant had another cough.
‘Very remarkable!’ thought Mr Swiveller. ‘I never dreamt such a real cough as that before. I don’t know, indeed, that I ever dreamt either a cough or a sneeze. Perhaps it’s part of the philosophy of dreams that one never does. There’s another – and another – I say! – I’m dreaming rather fast!’
For the purpose of testing his real condition, Mr Swiveller, after some reflection, pinched himself in the arm.
‘Queerer still!’ he thought. ‘I came to bed rather plump than otherwise, and now there’s nothing to lay hold of. I’ll take another survey.’
The result of this additional inspection was, to convince Mr Swiveller that the objects by which he was surrounded were real, and that he saw them, beyond all question, with his waking eyes.
‘It’s an Arabian Night; that’s what it is,’ said Richard. ‘I’m in Damascus or Grand Cairo. The Marchioness is a Genie, and having had a wager with another Genie about who is the handsomest young man alive, and the worthiest to be the husband of the Princess of China, has brought me away, room and all, to compare us together. Perhaps,’ said Mr Swiveller, turning languidly round on his pillow, and looking on that side of his bed which was next the wall, ‘the Princess may be still – No, she’s gone.’
Not feeling quite satisfied with this explanation, as, even taking it to be the correct one, it still involved a little mystery and doubt, Mr Swiveller raised the curtain again, determined to take the first favourable opportunity of addressing his companion. An occasion presented itself. The Marchioness dealt, turned up a knave, and omitted to take the usual advantage; upon which Mr Swiveller called out as loud as he could – ‘Two for his heels!’
The Marchioness jumped up quickly and clapped her hands. ‘Arabian Night, certainly,’ thought Mr Swiveller; ‘they always clap their hands instead of ringing the bell. Now for the two thousand black slaves, with jars of jewels on their heads!’
It appeared, however, that she had only clapped her hands for joy; for directly afterward she began to laugh, and then to cry; declaring, not in choice Arabic but in familiar English, that she was ‘so glad, she didn’t know what to do.’
‘Marchioness,’ said Mr Swiveller, thoughtfully, ‘be pleased to draw nearer. First of all, will you have the goodness to inform me where I shall find my voice; and secondly, what has become of my flesh?’
The Marchioness only shook her head mournfully, and cried again; whereupon Mr Swiveller (being very weak) felt his own eyes affected likewise.
‘I begin to infer, from your manner, and these appearances, Marchioness,’ said Richard after a pause, and smiling with a trembling lip, ‘that I have been ill.’
‘You just have!’ replied the small servant, wiping her eyes. ‘And haven’t you been a talking nonsense!’
‘Oh!’ said Dick. ‘Very ill, Marchioness, have I been?’
‘Dead, all but,’ replied the small servant. ‘I never thought you’d get better. Thank Heaven you have!’
Mr Swiveller was silent for a long while. By and bye, he began to talk again, inquiring how long he had been there.
‘Three weeks to-morrow,’ replied the servant.
‘Three what?’ said Dick.
‘Weeks,’ returned the Marchioness emphatically; ‘three long, slow weeks.’
The bare thought of having been in such extremity, caused Richard to fall into another silence, and to lie flat down again, at his full length. The Marchioness, having arranged the bed-clothes more comfortably, and felt that his hands and forehead were quite cool – a discovery that filled her with delight – cried a little more, and then applied herself to getting tea ready, and making some thin dry toast.
While she was thus engaged, Mr Swiveller looked on with a grateful heart, very much astonished to see how thoroughly at home she made herself, and attributing this attention, in its origin, to Sally Brass, whom, in his own mind, he could not thank enough. When the Marchioness had finished her toasting, she spread a clean cloth on a tray, and brought him some crisp slices and a great basin of weak tea, with which (she said) the doctor had left word he might refresh himself when he awoke. She propped him up with pillows, if not as skilfully as if she had been a professional nurse all her life, at least as tenderly; and looked on with unutterable satisfaction while the patient – stopping every now and then to shake her by the hand – took his poor meal with an appetite and relish, which the greatest dainties of the earth, under any other circumstances, would have failed to provoke. Having cleared away, and disposed everything comfortably about him again, she sat down at the table to take her own tea.
‘Marchioness,’ said Mr Swiveller, ‘how’s Sally?’
The small servant screwed her face into an expression of the very uttermost entanglement of slyness, and shook her head.
‘What, haven’t you seen her lately?’ said Dick.
‘Seen her!’ cried the small servant. ‘Bless you, I’ve run away!’
Mr Swiveller immediately laid himself down again quite flat, and so remained for about five minutes. By slow degrees he resumed his sitting posture after that lapse of time, and inquired:
‘And where do you live, Marchioness?’
‘Live!’ cried the small servant. ‘Here!’
‘Oh!’ said Mr Swiveller.
And with that he fell down flat again, as suddenly as if he had been shot. Thus he remained, motionless and bereft of speech, until she had finished her meal, put everything in its place, and swept the hearth; when he motioned her to bring a chair to the bedside, and, being propped up again, opened a farther conversation.
‘And so,’ said Dick, ‘you have run away?’
‘Yes,’ said the Marchioness, ‘and they’ve been a tizing of me.’
‘Been – I beg your pardon,’ said Dick – ‘what have they been doing?’
‘Been a tizing of me – tizing you know – in the newspapers,’ rejoined the Marchioness.
‘Aye, aye,’ said Dick, ‘advertising?’
The small servant nodded, and winked. Her eyes were so red with waking and crying, that the Tragic Muse might have winked with greater consistency. And so Dick felt.
‘Tell me,’ said he, ‘how it was that you thought of coming here.’
‘Why, you see,’ returned the Marchioness, ‘when you was gone, I hadn’t any friend at all, because the lodger he never come back, and I didn’t know where either him or you was to be found, you know. But one morning, when I was – ’
‘Was near a keyhole?’ suggested Mr Swiveller, observing that she faltered.
‘Well then,’ said the small servant, nodding; ‘when I was near the office keyhole – as you see me through, you know – I heard somebody saying that she lived here, and was the lady whose house you lodged at, and that you was took very bad, and wouldn’t nobody come and take care of you. Mr Brass, he says, “It’s no business of mine,” he says; and Miss Sally, she says, “He’s a funny chap, but it’s no business of mine;” and the lady went away, and slammed the door to, when she went out, I can tell you. So I run away that night, and come here, and told ‘em you was my brother, and they believed me, and I’ve been here ever since.’
‘This poor little Marchioness has been wearing herself to death!’ cried Dick.
‘No I haven’t,’ she returned, ‘not a bit of it. Don’t you mind about me. I like sitting up, and I’ve often had a sleep, bless you, in one of them chairs. But if you could have seen how you tried to jump out o’ winder, and if you could have heard how you used to keep on singing and making speeches, you wouldn’t have believed it – I’m so glad you’re better, Mr Liverer.’
‘Liverer indeed!’ said Dick thoughtfully. ‘It’s well I am a liverer. I strongly suspect I should have died, Marchioness, but for you.’
At this point, Mr Swiveller took the small servant’s hand in his again, and being, as we have seen, but poorly, might in struggling to express his thanks have made his eyes as red as hers, but that she quickly changed the theme by making him lie down, and urging him to keep very quiet.
‘The doctor,’ she told him, ‘said you was to be kept quite still, and there was to be no noise nor nothing. Now, take a rest, and then we’ll talk again. I’ll sit by you, you know. If you shut your eyes, perhaps you’ll go to sleep. You’ll be all the better for it, if you do.’
The Marchioness, in saying these words, brought a little table to the bedside, took her seat at it, and began to work away at the concoction of some cooling drink, with the address of a score of chemists. Richard Swiveller being indeed fatigued, fell into a slumber, and waking in about half an hour, inquired what time it was.
‘Just gone half after six,’ replied his small friend, helping him to sit up again.
‘Marchioness,’ said Richard, passing his hand over his forehead and turning suddenly round, as though the subject but that moment flashed upon him, ‘what has become of Kit?’
He had been sentenced to transportation for a great many years, she said.
‘Has he gone?’ asked Dick – ‘his mother – how is she, – what has become of her?’
His nurse shook her head, and answered that she knew nothing about them. ‘But, if I thought,’ said she, very slowly, ‘that you’d keep quiet, and not put yourself into another fever, I could tell you – but I won’t now.’
‘Yes, do,’ said Dick. ‘It will amuse me.’
‘Oh! would it though!’ rejoined the small servant, with a horrified look. ‘I know better than that. Wait till you’re better and then I’ll tell you.’
Dick looked very earnestly at his little friend: and his eyes, being large and hollow from illness, assisted the expression so much, that she was quite frightened, and besought him not to think any more about it. What had already fallen from her, however, had not only piqued his curiosity, but seriously alarmed him, wherefore he urged her to tell him the worst at once.
‘Oh there’s no worst in it,’ said the small servant. ‘It hasn’t anything to do with you.’
‘Has it anything to do with – is it anything you heard through chinks or keyholes – and that you were not intended to hear?’ asked Dick, in a breathless state.
‘Yes,’ replied the small servant.
‘In – in Bevis Marks?’ pursued Dick hastily. ‘Conversations between Brass and Sally?’
‘Yes,’ cried the small servant again.
Richard Swiveller thrust his lank arm out of bed, and, gripping her by the wrist and drawing her close to him, bade her out with it, and freely too, or he would not answer for the consequences; being wholly unable to endure the state of excitement and expectation. She, seeing that he was greatly agitated, and that the effects of postponing her revelation might be much more injurious than any that were likely to ensue from its being made at once, promised compliance, on condition that the patient kept himself perfectly quiet, and abstained from starting up or tossing about.
‘But if you begin to do that,’ said the small servant, ‘I’ll leave off. And so I tell you.’
‘You can’t leave off, till you have gone on,’ said Dick. ‘And do go on, there’s a darling. Speak, sister, speak. Pretty Polly say. Oh tell me when, and tell me where, pray Marchioness, I beseech you!’
Unable to resist these fervent adjurations, which Richard Swiveller poured out as passionately as if they had been of the most solemn and tremendous nature, his companion spoke thus:
‘Well! Before I run away, I used to sleep in the kitchen – where we played cards, you know. Miss Sally used to keep the key of the kitchen door in her pocket, and she always come down at night to take away the candle and rake out the fire. When she had done that, she left me to go to bed in the dark, locked the door on the outside, put the key in her pocket again, and kept me locked up till she come down in the morning – very early I can tell you – and let me out. I was terrible afraid of being kept like this, because if there was a fire, I thought they might forget me and only take care of themselves you know. So, whenever I see an old rusty key anywhere, I picked it up and tried if it would fit the door, and at last I found in the dust cellar a key that did fit it.’
Here, Mr Swiveller made a violent demonstration with his legs. But the small servant immediately pausing in her talk, he subsided again, and pleading a momentary forgetfulness of their compact, entreated her to proceed.
‘They kept me very short,’ said the small servant. ‘Oh! you can’t think how short they kept me! So I used to come out at night after they’d gone to bed, and feel about in the dark for bits of biscuit, or sangwitches that you’d left in the office, or even pieces of orange peel to put into cold water and make believe it was wine. Did you ever taste orange peel and water?’
Mr Swiveller replied that he had never tasted that ardent liquor; and once more urged his friend to resume the thread of her narrative.
‘If you make believe very much, it’s quite nice,’ said the small servant, ‘but if you don’t, you know, it seems as if it would bear a little more seasoning, certainly. Well, sometimes I used to come out after they’d gone to bed, and sometimes before, you know; and one or two nights before there was all that precious noise in the office – when the young man was took, I mean – I come upstairs while Mr Brass and Miss Sally was a-sittin’ at the office fire; and I tell you the truth, that I come to listen again, about the key of the safe.’