The Emperor. Complete

CHAPTER XXIII

In Alexandria the news of the nomination of the “sham Eros” to be the Emperor’s successor was hailed with joy, and the citizens availed themselves gladly of his fresh and favorable opportunity to hold one festival after another. Titianus took care to provide for the due performance of the usual acts of grace, and among others he threw open the prison-gates of Canopus, and the sculptor Pollux was set at liberty.

The hapless artist had grown pale, it is true, in durance vile, but neither leaner nor enfeebled in body; on the other hand all the vigor of his intellect, all his bright courage for life and his happy creative instinct, seemed altogether crushed out of him. His face, as in his dirty and ragged chiton, he journeyed from Canopus to Alexandria, revealed neither eager thankfulness for the unexpected boon of liberty, nor happiness at the prospect of seeing again his own people and Arsinoe.

In the town he went, unintelligently dreaming as he walked, from one street to another, but he was familiar with every stone of the way, and his feet found their way to his sister’s house. How happy was Diotima, how her children rejoiced, how impatient was each one to conduct him to the old folks! How high in the air the Graces frisked and leaped in front of the new little home to welcome the returned absentee! And Doris, poor Doris, almost fainted with joyful surprise and her husband had to support her in his arms when her long vanished son, whom she had never given up for lost, however, suddenly stood before her and said: “Here am I.” How fondly she kissed and caressed her dear, cruel, restored fugitive. The singer too loudly expressed his joy alike in verse and in prose, and fetched his best theatrical dress out of the chest to put it on his son in the place of his ragged chiton.

A mighty torrent of curses and execrations flowed from the old man’s lips as Pollux told his story. The sculptor found it difficult to bring it to an end, for his father interrupted him at every word, and all the while he was talking his mother forced him to eat and drink incessantly, even when he could no more. After he had assured her that he was long since replete, she pushed two more pots on to the fire, for he must have been half-starved in prison, and what he did not want now he would find room for two hours hence. Euphorion himself conducted Pollux to the bath in the evening, and as they went home together he never for an instant left his side; the sense of being near him did him good and was like some comfortable physical sensation.

The singer was not usually inquisitive, but on this occasion he never ceased asking questions till Doris led her son to the bed she had freshly made for him. After the artist had gone to rest, the old woman once more slipped into his room, kissed his forehead, and said:

“To-day you have still been thinking too much of that hideous prison—but to-morrow my boy, to-morrow you will be the same as before, will you not?”

“Only leave me alone mother; I shall soon be better,” he replied. “This bed is as good as a sleeping-draught; the plank in the prison was quite a different thing.”

“You have never asked once for your Arsinoe,” said Doris.

“What can she matter to me? Only let me sleep.” But the next morning Pollux was just the same as he had been the previous evening, and as the days went on his condition remained unchanged. His head drooped on his breast, he never spoke but when he was spoken to, and when Doris or Euphorion tried to talk to him of the future, he would ask: “Am I a burden to you?” or begged them not to worry him.

Still, he was gentle and kind, took his sister’s children in his arms, played with the Graces, whistled to the birds, went in and out, and played a valiant part at every meal. Now and again he would ask after Arsinoe. Once he allowed himself to be guided to the house where she lived, but he would not knock at Paulina’s door and seemed overawed by the grandeur of the house. After he had been brooding and dreaming for a week, so idle, listless, and absent that his mother’s heart was filled with anxious fears every time she looked at him, his brother Teuker hit upon a happy idea.

The young gem-cutter was not usually a frequent visitor to his parents’ house, but since the return of the hapless Pollux he called there almost daily. His apprenticeship was over and he seemed on the high-road to become a great master in his art; nevertheless he esteemed his brother’s gifts as far beyond his own and had tried to devise some means of reawakening the dormant energies of the luckless man’s brain.

“It was at this table,” said Teuker to his mother, “that Pollux used to sit. This evening I will bring in a lump of clay and a good piece of modelling wax. Just put it all on the table and lay his tools by the side of it; perhaps when he sees them he will take a fancy again to work. If he can only make up his mind to model even a doll for the children he will soon get into the vein again, and he will go on from small things to great.”

Teuker brought the materials, Doris set them out with the modelling tools, and next morning watched her son’s proceedings with an anxious heart. He got up late, as he had always done since his return home, and sat a long time over the bowl of porridge which his mother had prepared for his breakfast. Then he sauntered across to his table, stood in front of it awhile, broke off a piece of clay and kneaded and moulded it in his fingers into balls and cylinders, looked at one of them more closely and then, flinging it on the ground, he said, as he leaned across the table supporting himself on both hands to put his face near his mother’s:

“You want me to work again; but it is of no use—I could do no good with it.”

The old woman’s eyes filled with tears, but she did not answer him. In the evening Pollux begged her to put away the tools.

When he was gone to bed she did so, and while she was moving about with a light in the dark, lumber-room in which she had kept them with other disused things, her eye fell on the unfinished wax model which had been the last work of her ill-starred son. A new idea struck her. She called Euphorion, made him throw the clay into the court-yard and place the model on the table by the side of the wax. Then she put out the very same tools as he had been using on the fateful day of their expulsion from Lochias, close to the cleverly-sketched portrait, and begged her husband to go out with her quite early next morning and to remain absent till mid-day.

“You will see,” she said, “when he is standing face to face with his last work and there is no one by to disturb him or look at him, he will find the ends of the threads that have been cut and perhaps be able to gather them up again and go on with the work where it was interrupted.”

The mother’s heart had hit upon the right idea. When Pollux had eaten his breakfast he went to his table exactly as he had done the clay before; but the sight of the work in hand had quite a different effect to the mere raw clay and wax. His eyes sparkled; he walked round the table with an attentive gaze examining his work as keenly and as eagerly as if it were some fine thing he saw for the first time. Memory revived in his mind. He laughed aloud, clasped his hands and said to himself, “Capital! Something may be made of that!”

His dull weariness slipped off him, as it were; a confident smile parted his lips and he seized the wax with a firm hand. But he did not begin to work at once; he only tried whether his fingers had not lost their cunning, and whether the yielding material was obedient to his will. The wax was no less docile to his touch than in former days, as he pinched or pulled it. Perhaps then the tormenting thought that blighted his life, the dread that in the prison he had ceased to be an artist, and had lost all his faculty was nothing more than a mad delusion! He must at any rate try how he could get on at the work.

No one was by to observe him—he might dare the attempt at once. The sweat of anguish stood in large beads on his brow as he finally concentrated his volition, shook back the hair from his face and took up a lump of the wax in both hands. There stood the portrait of Antinous with the head only half-finished. Now—could he succeed in modelling that lovely head free-hand and from memory?

His breath came fast, and his hands trembled as he set to work; but soon his hand was as steady as ever, his eye was calm and keen again, and the work progressed. The fine features of the young Bithynian were distinct to his mind’s eye, and when, about four hours after, his mother looked in at the window to see what Pollux was doing, whether her little stratagem had succeeded, she cried out with surprise, for the favorite’s bust, a likeness in every feature, stood on a plinth side by side with the original sketch. Before she could cross the threshold her son had run to meet her, lifted her in his arms, and kissing her forehead and lips he exclaimed, radiant with delight:

“Mother, I still can work. Mother, mother, I am not lost!”

In the afternoon his brother came in and saw what he had been doing, and now—and not till now—could Teuker honestly be glad to have found his brother again.

While the two artists were sitting together, and the gem-cutter was suggesting to the sculptor, who had complained of the bad light in his parent’s house, that he should carry the statue to his master’s workshop—which was much lighter—to complete it, Euphorion had quietly gone to some remote corner of his provision-shed and brought to light an amphora full of noble Chian wine which had been given to him by a rich merchant, for whose wedding he had performed the part of Hymenaeus with a chorus of youths. For twenty years had he still preserved this jar of wine for some specially happy occasion. This jar and his best lute were the only objects which Euphorion had carried with his own hand from Lochias to his daughter’s house and then again to his own new abode. With an air of dignified pride the singer set the old amphora before his sons, but Doris laid hands upon it at once and said:

“I am glad to bestow the good gift upon you, and would willingly drink a cup of it with you; but a prudent general does not celebrate his triumph before he has won the battle. As soon as the statue of the beautiful lad is completed, I myself, will wreathe this venerable jar with ivy, and beg you spare it to us, my dear old man—but not before.”

“Mother is right,” said Pollux. “And if the amphora is really destined for me, if you will allow it, my father shall not remove the pitch wig from its venerable head, till Arsinoe is mine once more!”

“That is well my boy,” cried Doris, “and then I will crown, not merely the jar but all of us too, with nothing but sweet roses.”

The next day Pollux, with his unfinished statue, removed to the workshop of his brother’s master. The worthy man cleared the best place for the young sculptor, for he thought highly of him and wished to make good, as far as lay in his power, the injustice the poor fellow had suffered from the treachery of Papias. Now, from sunrise till evening fell, Pollux was constant to his work. He gave himself up to the resuscitated pleasure and power of creation with real passion. Instead of using wax he had recourse to clay, and formed a tall figure which represented Antinous as the youthful Bacchus, as the god might have appeared to the pirates. A mantle fell in light folds from his left shoulder to his ankles, leaving the broad breast and right aria entirely free; vine-leaves and grapes wreathed his flowing locks, and a pine-cone, flame-shaped, crowned his brow. The left arm was raised in a graceful curve, and his fingers lightly grasped a thyrsus which rested on the ground and stood taller than the god’s head; by the side of this magnificent figure stood a mighty wine-jar, half hidden by the drapery.

For a whole week Pollux had devoted himself to this task during all the hours of daylight with unflagging zeal and diligence. Before night fell he was accustomed to leave his work and walk up and down in front of Paulina’s house, but for the present he refrained from knocking at the door and asking after the girl he loved. He had heard from his mother how anxiously she was guarded from him and his; still Paulina’s severity would certainly not have hindered the artist from making the attempt to possess himself of his dearest treasure. What held him back from even approaching Arsinoe, was the vow he had made to himself never to tempt her to quit her new and sheltered home till he had acquired a firm certainty of being once for all an artist, a true artist, who might hope to do something great, and who might dare to link the fate of the woman he loved, with his own.

When, on the eighth morning of his labors, he was taking a few minutes rest, his brother’s master came past the rapidly advancing work, and after contemplating it for some time exclaimed:

“Splendid, splendid! Our time has produced nothing to compare with it!”

An hour later Pollux was standing at the door of Paulina’s town-house, and let the knocker fall heavily on the door. The steward opened to him and asked him what he wanted. He asked to speak with dame Paulina, but she was not at home. Then he asked after Arsinoe, the daughter of Keraunus, who had found a home with the rich widow. The servant shook his head.

“My mistress is having her searched for,” he said. “She disappeared yesterday evening. The ungrateful creature! She has tried to run away several times before now.”

The artist laughed, slapped the steward on the back, and said:

“I will soon find her!” and he sprang away down the street, and back to his parents.

Arsinoe had received much kindness in Paulina’s house, but she had also gone through many bad hours. For months she had been obliged to believe that her lover was dead. Pontius had told her that Pollux had entirely vanished and her benefactress persisted in al ways speaking of him as of one dead. The poor child had shed many tears for him, and when the longing to talk of him with some one who had known him had taken possession of her she had entreated Paulina to allow her to go to see his mother or to let Doris visit her. But the widow had desired her to give up all thought of the idol-maker and his belongings, speaking with contempt of the gate-keeper’s worthy wife. Just at that time Selene also left the city, and now Arsinoe’s longing for her old friends grew to a passionate craving to see them again.

One day she yielded to the promptings of her heart and slipped out into the street to seek Doris; but the door-keeper, who had been charged by Paulina never to allow her to go outside the door without his mistress’s express permission, noticed her and brought her back to her protectress—not this time only, but, on several subsequent occasions when she attempted to escape.

It was not merely her longing to talk about Pollux which made her new home unendurable to Arsinoe, but many other reasons besides. She felt like a prisoner; and in fact she was one, for after each attempt at flight her freedom of movement was still farther impeded. It is true that she had soon ceased to submit patiently to all that was required of her and even had often opposed her adoptive mother with vehement words, tears and execrations, but these unpleasant scenes, which always ended by a declaration on Paulina’s part that she forgave the girl, had always resulted in a long break in her drives and in a variety of small annoyances. Arsinoe was beginning to hate her benefactress and everything that surrounded her, and the hours of catechising and of prayer, which she could not escape, were a positive martyrdom. Ere long the doctrine to which Paulina sought to win her was confounded in her mind with that which it was intended to drive out, and she defiantly shut her heart against it.

Bishop Eumenes, who had been elected in the spring Patriarch of the Christians of Alexandria, visited her oftener than usual during the summer when Paulina lived in her suburban villa. Paulina, it is true, had fancied she could do without his help, and that she could and must carry her task through to the end by herself; but the worthy old man had felt sympathetically drawn to the poor ill-guided child, and sought to soothe and calm her mind and show her the goal, towards which Paulina desired to lead her, in all its beauty. After such discourses Arsinoe would be softened and felt inclined to believe in God and to love Christ, but no sooner had her protectress called her again into the school-room and put the very same things before her in her own way than the girl’s heartstrings drew close again; and when she was desired to pray she raised her hands, indeed, but out of sheer defiance, she prayed in spirit to the Greek gods.

Frequently Paulina received visits from heathen acquaintances in rich dresses and the sight of them always reminded Arsinoe of former days. How poor she had been then! and yet she had always had a blue or a red ribbon to plait in her hair and trim the edge of her peplum. Now she might wear none but white dresses and the least scrap of colored ornament to dress her hair or smarten her robe was strictly forbidden. Such vain trifles, Paulina would say, were very well for the heathen, but the Lord looked not at the body but at the heart.

Ah! and the poor little heart of the hapless child could not offer a very pleasing sight to the Father in Heaven, for hatred and disgust, sadness, impatience, and blasphemy seethed in it from morning till night. This young nature was surely formed for love and contentment, and both had left her weeping. Still Arsinoe never ceased to yearn for them.

When November had begun and another attempt to run away during their move back to the town-house had failed, Paulina tried to punish her by never speaking a word to her for a fortnight, and forbidding even the slave-women to speak to her. In these two weeks the talkative girl was reduced almost to desperation, and she even thought of throwing herself off the roof down into the court-yard. But she clung too dearly to life to carry this horrible project into execution. On the first of December Paulina once more spoke to her, forgave her ingratitude, as usual in a long, kind speech, and told her how many hours she had spent in praying for her enlightenment and improvement.