The Angel of Terror
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"You found it in the sheets?" asked Lydia in surprise.
"Yes, madame."
"It doesn't belong to me," said Lydia. "Perhaps it belongs to Madame Cole-Mortimer. I will show it to her."
Mrs. Cole-Mortimer was a devout Catholic and it might easily be some cherished keep-sake of hers.
The girl carried the cross to the window; an "X" had been scrawled by some sharp-pointed instrument at the junction of the bars. There was no other mark to identify the trinket.
She put the cross in her bag, and when she saw Mrs. Cole-Mortimer again she forgot to ask her about it.
The car drove her into Nice alone. Jean did not feel inclined to make the journey and Lydia rather enjoyed the solitude.
The isolation hospital was at the top of the hill and she found some difficulty in obtaining admission at this hour. The arrival of the chief medical officer, however, saved her from making the journey in vain. The report he gave about the child was very satisfactory; the mother was in the isolation ward.
"Can she be seen?"
"Yes, madame," said the urbane Frenchman in charge. "You understand, you will not be able to get near her? It will be rather like interviewing a prisoner, for she will be behind one set of bars and you behind another."
Lydia was taken to a room which was, she imagined, very much like a room in which prisoners interviewed their distressed relations. There were not exactly bars, but two large mesh nets of steel separated the visitor from the patient under observation. After a time a nun brought in the gardener's wife, a tall, gaunt woman, who was a native of Marseilles, and spoke the confusing patois of that city with great rapidity. It was some time before Lydia could accustom her ear to the queer dialect.
Her boy was getting well, she said, but she herself was in terrible trouble. She had no money for the extra food she required. Her husband who was away in Paris when the child had been taken, had not troubled to write to her. It was terrible being in a place amongst other fever cases, and she was certain that her days were numbered....
Lydia pushed a five-hundred franc note through the grating to the nun, to settle her material needs.
"And, oh, madame," wailed the gardener's wife, "my poor little boy has lost the gift of the Reverend Mother of San Surplice! His own cross which has been blessed by his holiness the Pope! It is because I left his cross in his little shirt that he is getting better, but now it is lost and I am sure these thieving doctors have taken it."
"A cross?" said Lydia. "What sort of a cross?"
"It was a silver cross, madame; the value in money was nothing—it was priceless. Little Xavier–"
"Xavier?" repeated Lydia, remembering the "X" on the trinket that had been found in her bed. "Wait a moment, madame." She opened her bag and took out the tiny silver symbol, and at the sight of it the woman burst into a volley of joyful thanks.
"It is the same, the same, madame! It has a small 'X' which the Reverend Mother scratched with her own blessed scissors!"
Lydia pushed the cross through the net and the nun handed it to the woman.
"It is the same, it is the same!" she cried. "Oh, thank you, madame! Now my heart is glad...."
Lydia came out of the hospital and walked through the gardens by the doctor's side. But she was not listening to what he was saying—her mind was fully occupied with the mystery of the silver cross.
It was little Xavier's … it had been tucked inside his bed when he lay, as his mother thought, dying … and it had been found in her bed! Then little Xavier had been in her bed! Her foot was on the step of the car when it came to her—the meaning of that drenched couch and the empty bottle of peroxide. Xavier had been put there, and somebody who knew that the bed was infected had so soaked it with water that she could not sleep in it. But who? Old Jaggs!
She got into the car slowly, and went back to Cap Martin along the Grande Corniche.
Who had put the child there? He could not have walked from the cottage; that was impossible.
She was half-way home when she noticed a parcel lying on the floor of the car, and she let down the front window and spoke to the chauffeur. It was not Mordon, but a man whom she had hired with the car.
"It came from the hospital, madame," he said. "The porter asked me if I came from Villa Casa. It was something sent to the hospital to be disinfected. There was a charge of seven francs for the service, madame, and this I paid."
She nodded.
She picked up the parcel—it was addressed to "Mademoiselle Jean Briggerland" and bore the label of the hospital.
Lydia sat back in the car with her eyes closed, tired of turning over this problem, yet determined to get to the bottom of the mystery.
Jean was out when she got back and she carried the parcel to her own room. She was trying to keep out of her mind the very possibility that such a hideous crime could have been conceived as that which all the evidence indicated had been attempted. Very resolutely she refused to believe that such a thing could have happened. There must be some explanation for the presence of the cross in her bed. Possibly it had been found after the wet sheets had been taken to the servants' part of the house.
She rang the bell, and the maid who had given her the trinket came.
"Tell me," said Lydia, "where was this cross found?"
"In your bed, mademoiselle."
"But where? Was it before the clothing was removed from this room or after?"
"It was before, madame," said the maid. "When the sheets were turned back we found it lying exactly in the middle of the bed."
Lydia's heart sank.
"Thank you, that will do," she said. "I have found the owner of the cross and have restored it."
Should she tell Jean? Her first impulse was to take the girl into her confidence, and reveal the state of her mind. Her second thought was to seek out old Jaggs, but where could he be found? He evidently lived somewhere in Monte Carlo, but his name was hardly likely to be in the visitors' list. She was still undecided when Marcus Stepney called to take her to lunch at the Café de Paris.
The whole thing was so amazingly improbable. It belonged to a world of unreality, but then, she told herself, she also was living in an unreal world, and had been so for weeks.
Chapter XXV
Mr. Stepney had become more bearable. A week ago she would have shrunk from taking luncheon with him, but now such a prospect had no terrors. His views of things and people were more generous than she had expected. She had anticipated his attitude would be a little cynical, but to her surprise he oozed loving-kindness. Had she known Mr. Marcus Stepney as well as Jean knew him, she would have realised that he adapted his mental attitude to his audience. He was a man whose stock-in-trade was a knowledge of human nature, and the ability to please. He would no more have attempted to shock or frighten her, than a first-class salesman would shock or annoy a possible customer.
He had goods to sell, and it was his business to see that they satisfied the buyer. In this case the goods were represented by sixty-nine inches of good-looking, well-dressed man, and it was rather important that he should present the best face of the article to the purchaser. It was almost as important that the sale should be a quick one. Mr. Stepney lived from week to week. What might happen next year seldom interested him, therefore his courting must be rapid.
He told the story of his life at lunch, a story liable to move a tender-hearted woman to at least a sympathetic interest. The story of his life varied also with the audience. In this case, it was designed for one whom he knew had had a hard struggle, whose father had been heavily in debt, and who had tasted some of the bitterness of defeat. Jean had given him a very precise story of the girl's career, and Mr. Marcus Stepney adapted it for his own purpose.
"Why, your life has almost run parallel with mine," said Lydia.
"I hope it may continue," said Mr. Stepney not without a touch of sadness in his voice. "I am a very lonely man—I have no friends except the acquaintances one can pick up at night clubs, and the places where the smart people go in the season, and there is an artificiality about society friends which rather depresses me."
"I feel that, too," said the sympathetic Lydia.
"If I could only settle down!" he said, shaking his head. "A little house in the country, a few horses, a few cows, a woman who understood me...."
A false move this.
"And a few pet chickens to follow you about?" she laughed. "No, it doesn't sound quite like you, Mr. Stepney."
He lowered his eyes.
"I am sorry you think that," he said. "All the world thinks that I'm a gadabout, an idler, with no interest in existence, except the pleasure I can extract."
"And a jolly good existence, too," said Lydia briskly. She had detected a note of sentiment creeping into the conversation, and had slain it with the most effective weapon in woman's armoury.
"And now tell me all about the great Moorish Pretender who is staying at your hotel—I caught a glimpse of him on the promenade—and there was a lot about him in the paper."
Mr. Stepney sighed and related all that he knew of the redoubtable Muley Hafiz on the way to the rooms. Muley Hafiz was being lionised in France just then, to the annoyance of the Spanish authorities, who had put a price on his head.
Lydia showed much more interest in the Moorish Pretender than she did in the pretender who walked by her side.
He was not in the best of tempers when he brought her back to the Villa Casa, and Jean, who entertained him whilst Lydia was changing, saw that his first advances had not met with a very encouraging result.
"There will be no wedding bells, Jean," he said.
"You take a rebuff very easily," said the girl, but he shook his head.
"My dear Jean, I know women as well as I know the back of my hand, and I tell you that there's nothing doing with this girl. I'm not a fool."
She looked at him earnestly.
"No, you're not a fool," she said at last. "You're hardly likely to make a mistake about that sort of thing. I'm afraid you'll have to do something more romantic."
"What do you mean?" he asked.
"You'll have to run away with her; and like the knights of old carry off the lady of your choice."
"The knights of old didn't have to go before a judge and jury and serve seven years at Dartmoor for their sins," he said unpleasantly.
She was sitting on a low chair overlooking the sea, whittling a twig with a silver-handled knife she had taken from her bag—a favourite occupation of hers in moments of cogitation.
"All the ladies of old didn't go to the police," she said. "Some of them were quite happy with their powerful lords, especially delicate-minded ladies who shrank from advertising their misfortune to the readers of the Sunday press. I think most women like to be wooed in the cave-man fashion, Marcus."
"Is that the kind of treatment you'd like, Jean?"
There was a new note in his voice. Had she looked at him she would have seen a strange light in his eyes.
"I'm merely advancing a theory," she said, "a theory which has been supported throughout the ages."
"I'd let her go and her money, too," he said. He was speaking quickly, almost incoherently. "There's only one woman in the world for me, Jean, and I've told you that before. I'd give my life and soul for her."
He bent over, and caught her arm in his big hand.
"You believe in the cave-man method, do you?" he breathed. "It is the kind of treatment you'd like, eh, Jean?"
She did not attempt to release her arm.
"Keep your hand to yourself, Marcus, please," she said quietly.
"You'd like it, wouldn't you, Jean? My God, I'd sacrifice my soul for you, you little devil!"
"Be sensible," she said. It was not her words or her firm tone that made him draw back. Twice and deliberately she drew the edge of her little knife across the back of his hand, and he leapt away with a howl of pain.
"You—you beast," he stammered, and she looked at him with her sly smile.
"There must have been cave women, too, Marcus," she said coolly, as she rose. "They had their methods—give me your handkerchief, I want to wipe this knife."
His face was grey now. He was looking at her like a man bereft of his senses.
He did not move when she took his handkerchief from his pocket, wiped the knife, closed and slipped it into her bag, before she replaced the handkerchief tidily. And all the time he stood there with his hand streaming with blood, incapable of movement. It was not until she had disappeared round the corner of the house that he pulled out the handkerchief and wrapped it about his hand.
"A devil," he whimpered, almost in tears, "a devil!"
Chapter XXVI
Jean Briggerland discovered a new arrival on her return to the house.
Jack Glover had come unexpectedly from London, so Lydia told her, and Jack himself met her with extraordinary geniality.
"You lucky people to be in this paradise!" he said. "It is raining like the dickens in London, and miserable beyond description. And you're looking brown and beautiful, Miss Briggerland."
"The spirit of the warm south has got into your blood, Mr. Glover," she said sarcastically. "A course at the Riviera would make you almost human."
"And what would make you human?" asked Jack blandly.
"I hope you people aren't going to quarrel as soon as you meet," said Lydia.
Jean was struck by the change in the girl. There was a colour in her cheeks, and a new and a more joyous note in her voice, which was unmistakable to so keen a student as Jean Briggerland.
"I never quarrel with Jack," she said. She assumed a proprietorial air toward Jack Glover, which unaccountably annoyed Lydia. "He invents the quarrels and carries them out himself. How long are you staying?"
"Two days," said Jack, "then I'm due back in town."
"Have you brought your Mr. Jaggs with you?" asked Jean innocently.
"Isn't he here?" asked Jack in surprise. "I sent him along a week ago."
"Here?" repeated Jean slowly. "Oh, he's here, is he? Of course." She nodded. Certain things were clear to her now; the unknown drencher of beds, the stranger who had appeared from nowhere and had left her father senseless, were no longer mysteries.
"Oh, Jean," it was Lydia who spoke. "I'm awfully remiss, I didn't give you the parcel I brought back from the hospital."
"From the hospital?" said Jean. "What parcel was that?"
"Something you had sent to be sterilized. I'll get it."
She came back in a minute or two with the parcel which she had found in the car.
"Oh yes," said Jean carelessly, "I remember. It is a rug that I lent to the gardener's wife when her little boy was taken ill."
She handed the packet to the maid.
"Take it to my room," she said.
She waited just long enough to find an excuse for leaving the party, and went upstairs. The parcel was on her bed. She tore off the wrapping—inside, starched white and clean, was the dust coat she had worn the night she had carried Xavier from the cottage to Lydia's bed. The rubber cap was there, discoloured from the effects of the disinfectant, and the gloves and the silk handkerchief, neatly washed and pressed. She looked at them thoughtfully.
She put the articles away in a drawer, went down the servants' stairs and through a heavy open door into the cellar. Light was admitted by two barred windows, through one of which she had thrust her bundle that night, and she could see every corner of the cellar, which was empty—as she had expected. The clothing she had thrown down had been gathered by some mysterious agent, who had forwarded it to the hospital in her name.
She came slowly up the stairs, fastened the open door behind her, and walked out into the garden to think.
"Jaggs!" she said aloud, and her voice was as soft as silk. "I think, Mr. Jaggs, you ought to be in heaven."
Chapter XXVII
"Who were the haughty individuals interviewing Jean in the saloon?" asked Jack Glover, as Lydia's car panted and groaned on the stiff ascent to La Turbie.
Lydia was concerned, and he had already noted her seriousness.
"Poor Jean is rather worried," she said. "It appears that she had a love affair with a man three or four years ago, and recently he has been bombarding her with threatening letters."
"Poor soul," said Jack dryly, "but I should imagine she could have dealt with that matter without calling in the police. I suppose they were detectives. Has she had a letter recently?"
"She had one this morning—posted in Monte Carlo last night."
"By the way, Jean went into Monte Carlo last night, didn't she?" asked Jack.
She looked at him reproachfully.
"We all went into Monte Carlo," she said severely. "Now, please don't be horrid, Mr. Glover, you aren't suggesting that Jean wrote this awful letter to herself, are you?"
"Was it an awful letter?" asked Jack.
"A terrible letter, threatening to kill her. Do you know that Mr. Briggerland thinks that the person who nearly killed me was really shooting at Jean."
"You don't say," said Jack politely. "I haven't heard about people shooting at you—but it sounds rather alarming."
She told him the story, and he offered no comment.
"Go on with your thrilling story of Jean's mortal enemy. Who is he?"
"She doesn't know his name," said Lydia. "She met him in Egypt—an elderly man who positively dogged her footsteps wherever she went, and made himself a nuisance."
"Doesn't know his name, eh?" said Jack with a sniff. "Well, that's convenient."
"I think you're almost spiteful," said Lydia hotly. "Poor girl, she was so distressed this morning; I have never seen her so upset."
"And are the police going to keep guard and follow her wherever she goes? And is that impossible person, Mr. Marcus Stepney, also in the vendetta? I saw him wandering about this morning like a wounded hero, with his arm in a sling."
"He hurt his hand gathering wild flowers for me on the—"
But Jack's outburst of laughter checked her, and she glared at him.
"I think you're boorish," she snapped angrily. "I'm sorry I came out with you."
"And I'm sorry I've been such a fool," apologised the penitent Jack, "but the vision of the immaculate Mr. Stepney gathering wild flowers in a top hat and a morning suit certainly did appeal to me as being comical!"
"He doesn't wear a top hat or a morning suit in Monte Carlo," she said, furious at his banter. "Let us talk about somebody else than my friends."
"I haven't started to talk about your friends yet," he said. "And please don't try to tell your chauffeur to turn round—the road is too narrow, and he'd have the car over the cliff before you knew where you were, if he were stupid enough to try. I'm sorry, deeply sorry, Mrs. Meredith, but I think that Jean was right when she said that the southern air had got into my blood. I'm a little hysterical—yes, put it down to that. It runs in the family," he babbled on. "I have an aunt who faints at the sight of strawberries, and an uncle who swoons whenever a cat walks into the room."
"I hope you don't visit him very much," she said coldly.
"Two points to you," said Jack, "but I must warn Jaggs, in case he is mistaken for the elderly Lothario. Obviously Jean is preparing the way for an unpleasant end to poor old Jaggs."
"Why do you think these things about Jean?" she asked, as they were running into La Turbie.
"Because I have a criminal mind," he replied promptly. "I have the same type of mind as Jean Briggerland's, wedded to a wholesome respect for the law, and a healthy sense of right and wrong. Some people couldn't be happy if they owned a cent that had been earned dishonestly; other people are happy so long as they have the money—so long as it is real money. I belong to the former category. Jean—well, I don't know what would make Jean happy."
"And what would make you happy—Jean?" she asked.
He did not answer this question until they were sitting on the stoep of the National, where a light luncheon was awaiting them.
"Jean?" he said, as though the question had just been asked. "No, I don't want Jean. She is wonderful, really, Mrs. Meredith, wonderful! I find myself thinking about her at odd moments, and the more I think the more I am amazed. Lucretia Borgia was a child in arms compared with Jean—poor old Lucretia has been maligned, anyway. There was a woman in the sixteenth century rather like her, and another girl in the early days of New England, who used to denounce witches for the pleasure of seeing them burn, but I can't think of an exact parallel, because Jean gets no pleasure out of hurting people any more than you will get out of cutting that cantaloup. It has just got to be cut, and the fact that you are finally destroying the life of the melon doesn't worry you."
"Have cantaloups life?" She paused, knife in hand, eyeing the fruit with a frown. "No, I don't think I want it. So Jean is a murderess at heart?"
She asked the question in solemn mockery, but Jack was not smiling.
"Oh yes—in intention, at any rate. I don't know whether she has ever killed anybody, but she has certainly planned murders."
Lydia sighed and sat back in her chair patiently.
"Do you still suggest that she harbours designs against my young life?"
"I not only suggest it, but I state positively that there have been four attempts on your life in the past fortnight," he said calmly.
"Let us have this out," she said recklessly. "Number one?"
"The nearly-a-fatal accident in Berkeley Street," said Jack.
"Will you explain by what miracle the car arrived at the psychological moment?" she asked.
"That's easy," he said with a smile. "Old man Briggerland lit his cigar standing on the steps of the house. That light was a brilliant one, Jaggs tells me. It was the signal for the car to come on. The next attempt was made with the assistance of a lunatic doctor who was helped to escape by Briggerland, and brought to your house by him. In some way he got hold of a key—probably Jean manœuvred it. Did she ever talk to you about keys?"
"No," said the girl, "she–" She stopped suddenly, remembering that Jean had discussed keys with her.
"Are you sure she didn't?" asked Jack, watching her.
"I think she may have done," said the girl defiantly; "what was the third attempt?"
"The third attempt," said Jack slowly, "was to infect your bed with a malignant fever."
"Jean did it?" said the girl incredulously. "Oh no, that would be impossible."
"The child was in your bed. Jaggs saw it and threw two buckets of water over the bed, so that you should not sleep in it."
She was silent.
"And I suppose the next attempt was the shooting?"
He nodded.
"Now do you believe?" he asked.
She shook her head.
"No, I don't believe," she said quietly. "I think you have worked up a very strong case against poor Jean, and I am sure you think you're justified."
"You are quite right there," he said.
He lifted a pair of field glasses which he had put on the table, and surveyed the road from the sea. "Mrs. Meredith, I want you to do something and tell Jean Briggerland when you have done it."
"What is that?" she asked.
"I want you to make a will. I don't care where you leave your property, so long as it is not to somebody you love."
She shivered.
"I don't like making wills. It's so gruesome."
"It will be more gruesome for you if you don't," he said significantly. "The Briggerlands are your heirs at law."
She looked at him quickly.
"So that is what you are aiming at? You think that all these plots are designed to put me out of the way so that they can enjoy my money?"
He nodded, and she looked at him wonderingly.
"If you weren't a hard-headed lawyer, I should think you were a writer of romantic fiction," she said. "But if it will please you I will make a will. I haven't the slightest idea who I could leave the money to. I've got rather a lot of money, haven't I?"
"You have exactly £160,000 in hard cash. I want to talk to you about that," said Jack. "It is lying at your bankers in your current account. It represents property which has been sold or was in process of being sold when you inherited the money, and anybody who can get your signature and can satisfy the bankers that they are bona fide payees, can draw every cent you have of ready money. I might say in passing that we are prepared for that contingency, and any large cheque will be referred to me or to my partner."