The Relentless City

CHAPTER V

Mrs. Emsworth's little flat in Twenty-sixth Street certainly reflected great credit on its furnisher, who was her impresario. She had explained her requirements to him briefly but completely before she signed her contract.

'I want a room to eat my chop in,' she said; 'I want a room to digest my chop in; I want a room to sleep in; and I want somebody to cook my chop, and somebody to make my bed. All that I leave to you; you know my taste. If the room doesn't suit me, I shall fly into a violent rage, and probably refuse to act at all. You will take all the trouble of furnishing and engaging servants off my hands, won't you? How dear of you! Now, please go away; I'm busy. Au revoir, till New York.'

Now, Bilton, as has been mentioned, was an excellent man of business, and, knowing perfectly well that Mrs. Emsworth was not only capable of carrying her threat into action, but was extremely likely to do so – a course which would have seriously embarrassed his plans – he really had taken considerable pains with her flat. Consequently, on her arrival, after she had thrown a sham Empire clock out of the window, which in its fall narrowly missed braining a passing millionaire, she expressed herself much pleased with what he had done, and gave a standing order to a very expensive florist to supply her with large quantities of fresh flowers every day, and send the account to Bilton.

The room in which she digested her chop especially pleased her. Carpet, curtains, and upholstery were rose-coloured, the walls were green satin, with half a dozen excellent prints on them, and by the window was an immense Louis XV. couch covered in brocade, with a mass of pillows on it. Here, the morning after her opening night in New York, she was lying and basking like a cat in the heat, smoking tiny rose-scented Russian cigarettes, and expecting with some anticipation of amusement the arrival of Bertie Keynes. Round her lay piles of press notices, which stripped the American variety of the English language bare of epithets. She was deeply absorbed in these, and immense smiles of amusement from time to time crossed her face. On the floor lay her huge mastiff, which, with the true time-serving spirit, rightly calculated to be thoroughly popular, she had rechristened Teddy Roosevelt. Her great coils of auburn hair were loosely done up, and her face, a full, sensuous oval, was of that brilliant warm-blooded colouring which testified to the authenticity of the smouldering gold of her hair. Lying there in the hot room, brilliant with colour and fragrant with the scent of innumerable flowers (the account for which was sent in to Mr. Bilton), she seemed the embodiment of vitality and serene Paganism. Not even her friends – and they were many – ever accused her of morality, but, on the other hand, all children adored her. That is an item not to be disregarded when the moralist adds up the balance-sheet.

In spite of his excuse of the night before, Bertie Keynes had taken Bilton's advice, and before long he was announced.

'Bertie, Bertie!' she cried as he came in, 'I wake up to find myself famous. I am magnetic, it appears, beyond all powers of comprehension. I am vimmy – am I really vimmy, do you think, and what does it mean? I am a soulful incarnation of adorable – Oh no; it's Teddy Roosevelt who is the adorable incarnation. Yes, that dear angel lying there is Teddy Roosevelt and an adorable incarnation, which would never have happened if we hadn't come to America, would it, darling? Not you, Bertie. I christened him on the way over, and you shall be godfather, because he wants a new collar. Let me see, where was I? Bertie, I was a success last night. Enormous. I knew I should be. Now sit down, and try to get a word in edge-ways, if you can.'

'I congratulate you, Dorothy,' he said – 'I congratulate you most heartily.'

'Thanks. I say, Teddy Roosevelt, the kind young gentleman congratulates us. Now, what are you doing on these opulent shores? Looking out for opulence, I guess. Going to be married, are we? Well, Teddy is too, if we can find a suitable young lady; and so am I. Oh, such fun! and we'll tear up all our past histories, and put them in the fire.'

She sat half up on her couch, and looked at him.

'It's two years since we met last, Bertie,' she said; 'and you – why, you've become a man. You always were a pretty boy, and you don't make a bad-looking man. And I'm vimmy. I used not to be vimmy, did I? But we are all changing as time goes on. Really, I'm very glad to see you again.'

Bertie felt unaccountably relieved at her manner. His relief was of short duration. Dorothy Emsworth arranged her pillows more comfortably, and lit another cigarette.

'I wanted to see you before you left New York,' she said, 'because I am coming down to stay with Mrs. Palmer next Saturday, and we had better know how we stand. So, what are you over here for? Did you come here to get married? And if so, why not?'

She lay back as she spoke, stretching her arms out with a gesture that somehow reminded him of a cat stretching its forelegs and unsheathing the claws of its silent, padded feet. His feeling of relief was ebbing a little.

'Why not, indeed?' he said.

'Dear Bertie, echo-conversation is so tedious,' she said.

'You always used to be rather given to it. So you have come out to get married. That is settled, then. Do ask me to the wedding. The "Voice that Breathed"; wedding march from "Lohengrin"; ring dropping and running down the aisle like a hoop; orange-flowers; tears; sudden unexplained hysterics of the notorious Mrs. Emsworth; deportment of the bride; wedding-cake; puff-puff. And the curtain drops with extreme rapidity. O lor', Teddy R.! what devils we all are, to be sure!'

Bertie's feeling of relief had quite gone, but his nervousness had gone also. He felt he knew the facts now.

'I see,' he said: 'you propose to make trouble. I'm glad you told me.'

'I told you?' she asked, laughing lazily. 'Little vimmy me? I say, I'm brainy too.'

'What do you propose to do?' he asked.

'Well, wait first of all till you are engaged. I say, Bertie, I like teasing you. When you wrinkle your forehead as you are doing now, you look adorable. I don't mean a word I say, you know, any more than you meant a word of that very, very funny letter you once wrote me, which is now,' she said with histrionic utterance, 'one of my most cherished possessions.'

'You told me you had burned it,' said he.

'I know; I meant to burn it, but I couldn't. When I told you I had burnt it, I really meant to have burnt it, and so I didn't tell you a lie, because for all practical purposes it was burned. But then I found I couldn't; it was too funny for words. Really, there are so few humorous things in the world that it would be murder to destroy it. Of course, you didn't mean it. But I can't burn it. It is here somewhere.'

Bertie did not smile. He sat up straight in his chair, and put the tips of his fingers together.

'And don't look like Gallio,' remarked Mrs. Emsworth.

'Look here, Dorothy,' he said, 'you can make things rather unpleasant for me, if you choose. Now, why do you choose? You know perfectly well that at one time the world said things about you and me; you also know perfectly well that – well, that there was no truth in them. You encouraged me to fall madly in love with you because – I don't know why. I thought you liked me, anyhow. Then there appeared somebody else. I wrote you a letter expressing my illimitable adoration. That was all – all. You have got that letter. Is not what I have said true?'

'Yes – slightly edited. You see, I am a very improper person.'

'What do you mean?'

'Well, if you choose to write a very fervent letter to a very improper person, people will say – it is no use denying it – they will say What a fine day it is, but hot.'

Bertie got up.

'That is all I have to say,' he said.

'People are so ill-natured,' said Mrs. Emsworth.

The catlike laziness had left her, though her attitude was the same; instead of looking sensuously lazy, she looked very alert.

'Good-bye, then,' said Bertie; 'we meet next week at Long Island.'

'Yes; it will be very pleasant,' said she.

He left the room without more words, and for five minutes she remained where she was. But slowly, as she lay there, the enjoyment and the purring content faded completely out of her face. Then it grew hard and sad; eventually, with a long-drawn sigh, half sob, she got up and called to her dog. He rose limb by massive limb, and laid his head on her lap.

'Teddy R.,' she said, 'we are devils. But there are two worse devils than you and I. One has just gone away; one is just coming. Worse-devil one is worse because he thinks – he thinks that of me. Worse-devil two is worse because he – he did that to me. So – so you and I will think nothing more about it at all, but keep our spirits up.'

She fondled the great dog's head a moment, then got up suddenly, and drew the blind down to shut out the glare of the sun, which was beginning to lay a hot yellow patch on the floor.

'He thought that,' she said to herself – 'he really thought that.'

She walked up and down the room for a moment or two, then went to a table on which stood her despatch-box, opened it, and looked through a pile of letters that lay inside. One of these she took out and read through. At moments it seemed to amuse her, at moments her smile was struck from her face. When she had finished reading it, she paused a few seconds with it in her hands, as if weighing it. Then, with a sudden gesture of impatience, she tore it in half, and threw the pieces into the grate. Then, with the quick relief of a decision made and acted upon, she whistled to her dog, and went into her bedroom to make her toilet. Resplendency was part of her programme, and with the consciousness of a busy hour before her, she told her butler – Bilton's liberal interpretation of her requirements had included a manservant – that if Mr. Harold Bilton called, he was to be asked to wait.

The 'room to sleep in' was, if anything, more satisfactory than the 'room to digest her chop in.' Like all proper bedrooms, there was a bed in it, a large table, winking with silver, in the window, and very little else. By the bedside there was a bearskin; in front of the dressing-table in the window there was a rug; otherwise the room was carpetless and parquetted, and devoid of furniture and dust. Dark-green curtains hung by the window, dark-green blinds could be drawn across the window. The bathroom beyond held the hopeless but necessary accessories of dressing. Her maid was waiting for her – Parkinson by name – and it was not Dorothy who came to be dressed, but Puck.

'Parkinson,' she said, 'once upon a time there was a very fascinating woman called X.'

'Lor'm!' said Parkinson.

'Quite so. And there was a very fascinating young man called Y. He wanted to marry her, and wrote to say so. But meantime another man called Z also wanted to – to marry her. So she said "Yes," because he gave her a great deal of money. But she kept Y's proposal – I don't know why, except because it was so funny. And so now I suppose she is Mrs. Z. That's all.'

'Lor'm!' said Parkinson. 'Will you wear your shiffong and lace dress?'

'Yes, shiffong. Parkinson, supposing I suddenly burst into tears, what would you think?'

'I should think you wasn't quite well'm.'

'Quite right; also there isn't time.'

Mrs. Emsworth had not been gone more than ten minutes or so before Bilton was shown up. He appeared to be in a particularly well-satisfied humour this morning, and as he moved about the room, noting with his quick eye the stamp of femininity which Mrs. Emsworth had already impressed into the garnishing of the place, he whistled softly to himself. In his hand he carried a small jewel-case with her initials in gold upon the top. As always, in the relaxed mood the true man came to the surface; for a man is most truly himself, not at great moments of emergency or when a sudden call is made on him, but when his ambitions for the time being are gratified, when he is pleased with himself and his circumstances – above all, when he is alone. Thus, though just now the hard eagerness of his face was a little softened, yet its alertness hardly dozed; and though he had made, he felt sure, a great success in bringing Dorothy Emsworth to America, he hardly allowed himself even this momentary pause of achievement, but had called this morning to talk over with her the details of a protracted tour through the principal cities of the States. True son of his country, he realized that to pause spelled to be left behind.

As his manner was, Bilton did not sit down, but kept walking about, as if not to be caught idle either in mind or body. As in many of his countrymen, the habit of perpetually being ready and eager to snap up an opportunity had become a second nature to him, so that it was far more an effort to him to rest than to work. Working was as natural to him as breathing; to cease to work required the same sort of effort as to hold the breath. To him in his profession as impresario any movement, any glimpse at a room or a picture, could perhaps suggest what in the fertile alchemy of his mind might be transformed into a 'tip,' and he looked with special attention at two Watteau prints which hung on the walls; for in the second piece which Mrs. Emsworth was to produce under his direction a certain scene was laid in the gardens at Versailles, and the note of artificial naturalness had to be struck in the scenery as Watteau and no one else had struck it. Big trees cut formally and square in their lower branches, but with the topmost boughs left unpollarded; fountain in the centre, quite so, and a glimpse, just a glimpse, of the terrace of the palace with the two bronze fountains beneath the trees.

He stood a moment before the fireplace with eyes half closed, conjuring up the scene, and in particular seeing it with his mind's eye as a setting to that incomparable woman in whom, professionally, at this juncture, he was so deeply interested, to whom he was so managerially devoted, but of whom in other respects he was so profoundly weary. For a year he had been wildly in love with her, for another year he had slowly cooled towards her, and now it required all his steadiness of head and incessantly watchful will not to betray his tedium. Also in years he was now, though still only half way through the thirties, old enough in mind to wish to settle down. His capabilities for passionate attachments were a little cooling, and, with a cynical amusement at himself, he was beginning to realize that married domesticity, even as morals taught, was, though for other reasons, the placid river-bed into which the babbling mountain-streams of youth must eventually empty themselves. Rather bathos, perhaps, but he realized fully that everyone gets in life what they themselves bring to it. The only limitations imposed on a man are those which his own nature makes.

But these unedifying moralities did not occupy him long. They were the background to his thoughts, just as the terrace of Versailles was the background for the picture he was forming. In the foreground of the picture stood Mrs. Emsworth; on the terrace stood another figure, Sybil Massington.