Up and Down

At one end of this little bay project huge masses of the palace walls, forming the promontory round which the fat and thwarted German swam, the day that he brought Luigi down to carry his clothes and his towels and his shoes. These latter were to enable him to cross the shingly beach, which, when the feet are unaccustomed to it, is undeniably painful. Along it, and by the edge of this tideless water, are pockets and streaks of grey sand, and to-day the sea lies as motionless as if it was the surface of some sheltered lake. Not a ripple disturbs it, not a breath of wind ruffles its surface. Standing knee-deep in it and looking down, you might think, but for a certain fullness and liquid clarity in the pebbles that lie at the bottom, that there was no water there at all, so closely does its translucence approach to invisibility. But it is impossible to stand dry-skinned there for long, so hotly does the sun strike on the shoulders, and soon I fall forward in it, and lie submerged there like a log, looking subaqueously at the bright diaper of pebbles, with a muffled thunder of waters in my ears, longing to have a hundred limbs in order to get fuller contact with this gladdest and loveliest of all the creatures of God.

But even in this hedonistic bathing one's ridiculous mind makes tasks for itself, and it has become an affair of duty with me to swim backwards and forwards twice to a certain rock that lies some three hundred yards away. There (for Luigi is not alone in this island in the matter of caches) I have what you may really call an emporium stowed away in a small seaweed-faced nook which I believe to be undiscoverable. If you know exactly where that nook is (it lies about two feet above the surface of the water), and put your hand through the seaweed at exactly the right spot, you will find a tin box containing (i) a box of matches, (ii) a handful of cigarettes, (iii) a thermometer. The first time that I arrive at the rock I have no truck with my cache, but only touch the rock with a finger, and swim back to the beach again. There I touch another rock with my finger (these two rocks, in fact, are like the creases at cricket, which you must touch with your bat in order to score a run), and swim back for the second time to my wicket out at sea. Then, oh then, after a cautious survey, in order to see that no one, not even Francis, can observe my movements, I take the tin box from its place, get out of the water on to the rock, and having dried my fingers on wisps of seaweed, light a cigarette and smoke it. As I smoke it, I submerge the thermometer in the sea, and when the cigarette is finished, read the temperature. After that the thermometer has to be dried, and is put back in the box with the cigarettes and matches, and the treasure is stowed away again in its seaweed-fronted cave. Once a fortnight or so I must go through a perilous manoeuvre, for I have to bring the box back to be refilled. This entails swimming with one hand in the air holding the box like Excalibur above the sea, and it can only be done on very calm mornings, for otherwise there is danger of some ripples intruding through the hinges or edge of the lid, which does not shut very well. And all the time the risk of detection is imminent, for if Francis saw me swimming to land with a bright tin box in my hand, he would be certain to make inquires. But so far no such heartbreaking disaster has befallen, and without detection (and I humbly trust without suspicion) the cache-box has been twice taken back to be refilled and gone on its return journey again to its romantic hiding-place. Sometimes I have been within an ace of discovery, as when, to my horror, two days ago Francis swam out to my rock, instead of going to his own, while I was in the middle of my cigarette. I had time to put the box back, but somehow it never occurred to me to throw the cigarette away. By a special dispensation of Providence, however, it was not permitted that it should occur to him as odd that I should be seated on a rock in the middle of the sea, smoking. He was accustomed to the sight, I must suppose, of my smoking on land, and the question of locality did not occur to him. But it seemed a weary, weary time before he slid off into the sea again, I airily remarking that I should sit there a little longer. Sometimes, when Francis has been unusually communicative about private matters that concern himself alone, I wonder whether I ought to tell him about my cache. But I don't, for those who understand the true science of caches understand that if you have made a cache alone, you might just as well not have made it at all if you share your secret with anybody. You can have joint caches, of course…

This morning the thermometer registered seventy-six degrees, which gave me a feeling of personal pride in the sea and Italy generally, and I swam lazily back through the warm clinging water. The sun flamed overhead, and the line of the beach was reeling and dancing in the heat. But if you think that now my bathe was over, you are miserably mistaken; you might as well suppose that the play of Hamlet was finished when the ghost appeared. The swim to the rock is only the first act, the main bathe; and now begins the second or basking act, which may or may not be studious.

Some dozen bathers, English and American, for the most part, are dotted about the beach. Francis is already out of the water, and is lying on his back in a pocket of sand, with his hands across his eyes to keep the glare out, and I take my volume of "The Ring and the Book," which I have made it my task to read through, put on a hat, and, wet and cool, sit down propped up against a smooth white rock. This is so hot that I must needs hang a towel over it, and then I open my book where I last turned down the page. For ten minutes perhaps I am a model of industry, and then insensibly my eye wanders from the dazzling white page where the words by some optical delusion seem printed in red…

The sea is still a mirror of crystal; some little way out a big steamer, high in the water, so that the screw revolves in a smother of foam, is kicking her way into Naples, and soon the dark blue lines of her wash will come creaming to land. Otherwise nothing stirs; the sun-burned figures disposed about the beach might be asleep, and on the steep hill-side behind there is no sound or movement of life. Perhaps a little draught draws downward towards the sea, for mixed with the aromatic smells of the dried seaweed on the beach there is a faint odour of the broom flower that flames on the slope. Already my book has slipped from my knee on to the pebbles, and gradually – a phenomenon to which I am getting accustomed in these noonday baskings – thought fades also, and I am only conscious, though very vividly conscious; I know vividly, acutely, that this is Italy, that here is the sea and the baking beach, and the tumbled fragments of Tiberius's palace, that a dozen yards away Francis, having sat up, is clasping his knees with his arms, and is looking seaward, but all these things are not objects of thought, but only of consciousness. They seem part of me, or I of them; the welding of the world to me gets closer and more complete every moment; I am so nearly the same thing as the stones on the beach, and the liquid rim of the sea; so nearly too, am I Francis, or, indeed, any other of these quiet dreaming basking figures. The line of the steamer's wash which is now on the point of breaking along the shore is so nearly realizable as one with the sun or the sky, or me, or any visible or tangible part of the whole, for each is the expression of the Absolute…

I do not know whether this is Paganism or Pantheism, or what, but that it is true seems beyond all power of doubt; it is certain, invariable, all that varies is our power of feeling it. To me personally the sense of home that Italy gives quickens my perception and assimilation of it, and this is further fulfilled by the intimacy with external things produced by these sun-soaked and sea-pickled mornings. Here in the south one gets closer to the simple facts of the world, one is welded to sun and sea; the communications between soul and body and the external world are cleaned and fortified. It is as if the buzz and clatter of a telephone suddenly cleared away, and the voice came through unhindered. In England the distraction and complications that necessarily crowd in on one in the land where one lives and earns one's living, and is responsible for a house and is making arrangements and fitting them into the hours of the day, choke the lines of communication; here I strip them off even as I strip off my clothes to wallow in the sea and lie in the sand. The barriers of individualism, in which are situated both the sense of identity, and the loneliness which the sense of being oneself brings, are drawn up like the sluices of a lock, letting the pour of external things, of sun and sea and human beings into the quiet sundered pool. I begin to realize with experience that I am part of the whole creation to which I belong.

You will find something of this consciousness in all that school of thought known as mysticism; it is, indeed, the basis of mysticism, whether that mysticism is pagan or Christian. In Greek thought you will find it, expressed guardedly and tentatively, and it undoubtedly lies at the base of some of their myths. It lurks in that myth of Narcissus, the youth who, beholding his own fair image in tranquil water, was drawn in by the spirits of the stream, and became a flower on the bank of the pool where he had lost himself, becoming merged in creation. So, too, in the story of Hyacinthus, whom Apollo loved. Him, as he was playing with the discus, the sun-god inadvertently slew, and from his blood came up the flowers that bear his name. And more especially, for here we get not the instance only but the statement of the idea itself, we find it in the myth of Pan, the god of all Nature, the spirit of all that is. He was not to be found in town or market-place, nor where men congregate, but it might happen that the lonely wayfarer, as he passed through untenanted valley or over empty hill-side, might hear the sound of his magical fluting of the tune that has no beginning and no ending, for it is as young as spring and as old as Time. He might even see him seated in some vine-wreathed cave, and though the sight of him meant, even as to Narcissus or to Hyacinthus, the death of the body, who shall doubt that he to whom that vision was vouchsafed died because he had utterly fulfilled himself as an individual, and his passing was the bursting of his heart with the greatness of the joy that illuminated him? He had beheld Nature – Nature itself with true eyes, and could no longer exist in separate individual consciousness; seeing the spirit of the All, he knew and was merged in his union with it.

Here is the pagan view of the All-embracing, All-containing God, and it is hardly necessary to point out how completely it is parallel to, even identical with, the revelations of Christian mysticism. The bridal of the soul with her Lord, as known to St. Theresa, the dissolution and bathing of the soul in love, its forsaking of itself and going wholly from itself, which is the spirit of what Thomas à Kempis tells us of the true way, are all expressions of the same spiritual attainment. To them it came in the light of Christian revelation, but it was the same thing as the Greek was striving after in terms of Pan. And in every human soul is planted this seed of mystic knowledge, which grows fast or slow, according to the soil where it is set, and the cultivation it receives. To some the knowledge of it comes only in fitful faraway flashes; others live always in its light. And the consciousness of it may come in a hundred manners: to the worshipper when he receives the mystery of his faith at the altar, to the lover when he beholds his beloved, to the artist when the lift of cloud or the "clear shining after rain" suddenly smites him personally and intimately, so that for the moment he is no longer an observer but is part of what he sees.

But to none of us does the complete realization come until the time when our individuality, as known to us here and now, breaks like the folded flower from the sheath of the body. Often we seem nearly to get there; we feel that if only we could stay in a state of mind that is purely receptive and quiescent, the sense of it would come to us with complete comprehension. But as we get near it, some thought, like a buzzing fly, stirs in our brain, and with a jerk we are brought back to normal consciousness, with the feeling that some noise has brought us back from a dream that was infinitely more vivid and truer than the world we awake to.

So it happened to me now. I saw and heard the hissing of the wash of the steamer break on the shore, observing it and thinking about it. I saw, too, that Francis had got up and was walking along towards me, ankle-deep in the shallow water. He groped among the pebbles with his hand, and picked something up. Then he came and lay down alongside, and before he spoke I think I knew the gist of what he was going to say.

He held out to me what he had picked up. It was one of those fragments of green mottled marble, such as we often find here, washed up from the ruined pavements of the palace.

"What is it?" he said. "What is it really? God somehow, you know."

"Or you or me?" I suggested.

"Yes, of course. Either, both. But there is something, Someone, call it the Absolute or the First Cause or God, which is quite everywhere. It can't be local. That's the only explanation of All-there-is which will hold water, and it holds water and everything else. But you don't get at it by discussion and arguments, or even by thought. You've got to open the windows and doors; let the air in. Perhaps you've got to knock down and blow up the very house of your identity, and sit on the ruins and wait. But it's the idea of that which makes me so busy in my lazy life."

The ripple of the steamer's wash died away again.

"Funny that you should have said that just now," I remarked.

"Why? Just because you had been thinking about it? I don't see that. If the wind blew here, it would be odder that it didn't blow when I was sitting over there."

"But did you know I had been thinking about it?"

"Well, it seemed likely. Let's have another swim before we dress. There's trouble coming in the sky. It's the last of the serene days for the present."

"But there was a high barometer this morning."

"There won't be when we get up to the Villa again," he said. "The sun has got the central-heating touch to-day. It's been stuffy heat for the last hour, not the heat of the fire. And look at the sky."

Certainly a curious change had taken place all over the firmament. It was as if some celestial painter had put body-colour into what had been a wash of pure blue; there was a certain white opacity mingled with the previous clarity of it. The sun itself, too, was a little veiled, and its heat, as Francis had said, seemed more like the radiation from hot-water pipes than the genial glow of an open fire. Round it at a distance of three or four of its diameters ran a pale complete halo, as of mist. Yet what mist could live in such a burning and be unconsumed?

"'Sometimes too hot the eye of heaven shines,And often is his gold complexion dimmed,'"

quoted Francis. "But here we have the two things occurring simultaneously, which Shakespeare did not mean. But what, after all, didn't Shakespeare mean?"

We swam out round the fat German's promontory, floated, drifting with the eastward setting current, came lazily in again, and even more lazily walked up through the narrow cobbled path to where the rickety little victoria was waiting for us on the road. The tourist boat had arrived, and clouds of dust hung in the air, where their vehicles had passed, undispersed by any breeze. The intolerable oppression of the air was increasing every moment; the horse felt himself unable to evolve even the semblance of a trot, and the driver, usually the smartest and most brisk of charioteers, sat huddled up on his box, without the energy to crack his whip or encourage his steed to a livelier pace. Usually he sits upright and sideways, with bits of local news for his passengers, and greetings for his friends on the road; to-day he had nothing beyond a grunt of salutation, and a shrug of the shoulders for the tip which he usually receives with a wave of his hat, and a white-toothed "Tante grazie!" The Piazza, usually a crowded cheerful sort of outdoor club at midday, was empty, but for a few exhausted individuals who sat in the strips of narrow shadow, and the post-office clerk just chucked our letters and papers at us. The approach of Scirocco, though as yet no wind stirred, made everyone cross and irritable, and set every nerve on edge, and from the kitchen, when we arrived at the Villa, we heard sounds of shrill altercation going on between Pasqualino and Seraphina, a thing portentously unusual with those amicable souls. Pasqualino banged down the macaroni on the table, and spilt the wine and frowned and shrugged till Francis told him abruptly to mend his manners or let Seraphina serve us; on which for a moment the sunny Italian child looked out from the clouds and begged pardon, and said it was not he but the cursed Scirocco. And then, following on the cloud in the sky that had spread so quickly over the heavens, came the second cloud.

Francis had just opened the Italian paper which we had got at the post-office and gave one glance at it.

"Horrible thing!" he said. "The Archduke Ferdinand, heir to the Austrian throne, and his wife have been murdered at Serajevo. Where is Serajevo? Pass the mustard, please."

Pasqualino's myrtle wreath fell down during lunch (he told us that it had done the same thing a good deal all morning), and he, exhausted by his early rising to pick it, and the increasing tension of Scirocco, went and lay down on the bench by the cistern in the garden as soon as his ministrations were over, and after the fashion of Italians took off his coat and put it over his head, which seemed odd on this broiling and airless day. From the kitchen came the choking reverberation of snores, and looking in, I saw Seraphina reposing augustly on the floor, with her back propped up against the kitchen dresser and her mouth wide, as if for presentation to a dentist. Francis retired to his bedroom to lie down and sleep, and, feeling like Oenone that "I alone awake," I went to my sitting-room to read the paper, and, if possible, write a letter that ought to have been sent quite a week ago.

This room is furnished exactly as I chose to furnish it; consequently it has got exactly all that I want in it, and, what is even more important, it has nothing that I don't want. There is a vast table made of chestnut wood, so big that a week's arrears can accumulate on it, and yet leave space to write, to play picquet at the corner and to have tea. (If there are any other uses for a table, I don't know them.) This table stands so that the light from the window number one falls on it, and close behind it along the wall is the spring mattress of a bed. On it lies another thick comfortable mattress; above that a stamped linen coverlet, and on that are three enormous cushions and two little ones. The debilitated author, therefore, when the fatigue of composition grows to breaking-point, can thus slide from his chair at the enormous table, and dispose the cushions so as to ensure a little repose. Opposite this couch stands a bookcase, where are those few works that are necessary to salvation, such as "Wuthering Heights," "Emma," and "The Rubáiyát," books that you can open anywhere and be instantly wafted, as on a magic carpet, to familiar scenes that never lose the challenge of novelty (for this is the reason of a book, just as it is also of a friend). After the bookcase comes the door into my bedroom, and after that, on the wall at right angles, window number two, looking south. A chair is set against the wall just beyond it, and beyond again (coming back to window number one, which looks west) another chair, big, low and comfortable, convenient to which stands a small table, on which Pasqualino has placed a huge glass wine-flask, and has arranged in it the myrtle that was left over from his wreath. The walls of this abode of peace are whitewashed and ungarnished by pictures, the ceiling is vaulted, the tiled floor is uncarpeted, and outside window number one is a small terrace, on the walls of which stand pots of scarlet geraniums, where, when nights are too hot within, I drag a mattress, a pillow and a sheet. There are electric lamps on both tables and above the couch, and I know nothing that a mortal man can really want, which is not comprised in this brief catalogue.

I wrote the letter that should have been written a week ago, found that it didn't meet the case, and after tearing it up, lay down on the couch (completely conscious of my own duplicity of purpose) in order, so I said to myself, to think it over. But my mind was all abroad, and I thought of a hundred other things instead, of the bathe, of the garden, and wondered whether if I went into the studio and played the piano very softly, it would disturb anybody. Then I had the idea that there was someone in the studio, and found myself listening as to whether I heard steps there or not. Certainly I heard no steps, but the sense that there was someone there was rather marked. Then, simultaneously I remembered how both Pasqualino and Seraphina had heard steps there, when the house was otherwise empty, and had gone there, both singly and together, to see if Francis or I had come in. But even as I did now, they have entered and found the studio empty. Often I have hoped that a ghost might lurk in those unexplained footfalls, but apparently the ghost cannot make itself more manifest than this.

I stood there a moment still feeling that there was somebody there, though I neither saw nor heard anything, and then went quietly along the passage, under the spur of the restlessness that some people experience before Scirocco bursts, and looked into Francis's room, the door of which was open. He lay on his bed in trousers and opened shirt, sleeping quietly. From here I could catch the sound of Seraphina's snoring, and from the window could see the head-muffled Pasqualino spread out in the shade of the awning above the garden cistern. And feeling more Oenone-ish than ever, I went back and lay down again. It was impossible in this stillness and stagnation of the oppressed air to do more than wait, as quiescently as possible, for the passing of the hours.

I was not in the least sleepy, but I had hardly lain down when the muddle and blur of sudden slumber began to steal over my brain. I thought I remembered seeing the murdered Archduke once in London, and was I wrong in recollecting that he always wore a fur-tippet over his mouth? I recognized that as nonsense, for I had never seen him at all, and fell to thinking about Francis lying there on his bed, with doors and windows open. It seemed to me rather dangerous that he should lie there, relaxed and defenceless, for it was quite possible that Miss Machonochie, recognizing that everything was one (even as I had felt this morning on the beach) might easily prove to be Artemis, and coming in moon-wise through Francis's window might annex her Endymion. This seemed quite sensible … or Caterina might float into the garden in similar guise, and carry off Pasqualino … perhaps both of these love-disasters might happen, and then Seraphina and I alone would be left… I should certainly swim away to my cache, and live on cigarettes and seaweed, and mercury from the thermometer… I should have to break the bulb to get at it, and I thought that I was actually doing so.

It broke with a terrific crash, which completely awoke me. Another crash followed and a scream: it was the second shutter of my window that faced south being blown against the sash, and the scream was that of the pent-up wind that burst with the suddenness of lightning out of the sky. On the instant the house was full of noises, other shutters clattered and banged, my open door slammed to, as the Scirocco howled along the passage, as if making a raid to search the house. My pile of unanswered businesses rose like a snowdrift from the table, and were littered over the room; the wine flask and its myrtle overturned; a pot of geraniums on the edge of the terrace came crashing down. In a moment the whole stagnation of the world was rent to ribands, and the ribands went flying on the wings of the wind. There was no doubt about footsteps now: Pasqualino came rushing in from the garden, Seraphina left her kitchen and bundled upstairs, and I collided with Francis as we ran into the studio to close the windows. Never have I known so surprising a pounce of the elemental forces of the world. A volcano bursting in flame and lava at one's feet, a war suddenly springing full-armed in a peaceful country, could not have shattered stillness with so unheralded an uproar.