Puppets at Large: Scenes and Subjects from Mr Punch's Show

THE CLASSICAL SCHOLAR IN REDUCED CIRCUMSTANCES

You are, let us say, a young professional man in chambers or offices, incompetently guarded by an idiot boy whom you dare not trust with the responsibility of denying you to strangers. You hear a knock at your outer door, followed by conversation in the clerk's room, after which your salaried idiot announces "A Gentleman to see you." Enter a dingy and dismal little man in threadbare black, who advances with an air of mysterious importance. "I think," he begins, "I 'ave the pleasure of speaking to Mr. – " (whatever your name is.) "I take the liberty of calling, Mr. – , to consult you on a matter of the utmost importance, and I shall feel personally obliged if you will take precautions for our conversation not being over'eard." He looks grubby for a client – but appearances are deceptive, and you offer him a seat, assuring him that he may speak with perfect security – whereupon he proceeds in a lowered voice. "The story I am about to reveal," he says, smoothing a slimy tall hat, "is of a nature so revolting, so 'orrible in its details, that I can 'ardly bring myself to speak it to any 'uming ear!" (Here you will probably prepare to take notes.) "You see before you one who is of 'igh birth but low circumstances!" (At this you give him up as a possible client, but a mixture of diffidence and curiosity compels you to listen.) "Yes, Sir, I was ' fruges consumeary nati.' I 'ave received a neducation more befitting a dook than my present condition. Nursed in the lap of haffluence, I was trained to fill the lofty position which was to have been my lot. But, 'necessitas,' Sir, as you are aware, 'necessitas non abat lejim,' and such I found it. While still receiving a classical education at Cambridge College – (praps you are yourself an alumbus of Halma Mater? No? I apologise, Sir, I'm sure) – but while preparing to take my honorary degree, my father suddenly enounced the horful news that he was a bankrup'. Stript of all we possessed, we were turned out of our sumchuous 'ome upon the cold world, my father's grey 'airs were brought down sorrowing to sangwidge boards, though he is still sangwin of paying off his creditors in time out of what he can put by from his scanty hearnings. My poor dear Mother – a lady born and bred – sank by slow degrees to a cawfy-stall, which is now morgidged to the 'ilt, and my eldest Sister, a lovely and accomplished gairl, was 'artlessly thrown over by a nobleman, to 'oom she was engaged to be married, before our reverses overtook us. His name the delikit hinstinks of a gentleman will forbid you to inquire, as likewise me to mention – enough to 'int that he occupies a prominent position amongst the hupper circles of Society, and is frequently to be met with in the papers. His faithlessness preyed on my Sister's mind to that degree, that she is now in the Asylum, a nopeless maniac! My honely Brother was withdrawn from 'Arrow, and now 'as the 'yumiliation of selling penny toys on the kerbstone to his former playfellers. 'Tantee nannymice salestibus hiræ,' indeed, Sir! "But you ask what befell myself." (You have not – for the simple reason that, even if you desired information, he has given you no chance, as yet, of putting in a word.) "Ah, Sir, there you 'ave me on a tender point. 'Hakew tetigisti,' if I may venture once more upon a scholarly illusion. But I 'ave resolved to conceal nothing – and you shall 'ear. For a time I obtained employment as Seckertary and Imanuensis to a young baranit, 'oo had been the bosom friend of my College days. He would, I know, have used his influence with Goverment to obtain me a lucritive post; but, alas, ere he could do so, unaired sheets, coupled with deliket 'elth, took him off premature, and I was once more thrown on my own resources. "In conclusion, Sir, you 'ave doubtless done me the hinjustice to expect, from all I 'ave said, that my hobjick in obtaining this interview was to ask you for pecuniary assistance?" (Here you reflect with remorse that a suspicion to this effect has certainly crossed your mind.) "Nothing of the sort or kind, I do assure you. A little 'uming sympathy, the relief of pouring out my sorrers upon a feeling 'art, a few kind encouraging words, is all I arsk, and that, Sir, the first sight of your kind friendly face told me I should not lack. Pore as I am, I still 'ave my pride, the pride of a English gentleman, and if you was to orfer me a sovereign as you sit there, I should fling it in the fire – ah, I should– 'urt and indignant at the hinsult!" (Here you will probably assure him that you have no intention of outraging his feelings in any such manner.) "No, and why, Sir? Because you 'ave a gentlemanly 'art, and if you were to make sech a orfer, you would do it in a kindly Christian spirit which would rob it of all offence. There's not many as I would bring myself to accept a paltry sovereign from, but I dunno – I might from one like yourself – I might. Ord hignara mali, miseris succur-reary disco, as the old philosopher says. You 'ave that kind of way with you." (You mildly intimate that he is mistaken here, and take the opportunity of touching the bell.) "No, Sir, don't be untrue to your better himpulses. 'Ave a feelin 'art, Sir! Don't send me away, after allowing me to waste my time 'ere – which is of value to me, let me tell yer, whatever yours is! – like this!.. Well, well, there's 'ard people in this world? I'm going, Sir … I 'ave sufficient dignity to take a 'int… You 'aven't got even a trifle to spare an old University Scholar in redooced circumstances then?.. Ah, it's easy to see you ain't been at a University yourself – you ain't got the hair of it! Farewell, Sir, and may your lot in life be 'appier than – All right, don't hexcite yourself. I've bin mistook in yer, that's all. I thought you was as soft-edded a young mug as you look. Open that door, will yer; I want to get out of this 'ole!" Here he leaves you with every indication of disgust and disappointment, and you will probably hear him indulging in unclassical vituperation on the landing.

RUS IN URBE

A railed-in corner of the Park. Time – About 7 p.m. Inside the enclosure three shepherds are engaged in shearing the park sheep. The first shepherd has just thrown his patient on its back, gripped its shoulders between his knees, and tucked its head, as a tiresome and obstructive excrescence, neatly away under one of his arms, while he reaches for the shears. The second is straddled across his animal, which is lying with its hind legs hobbled on a low stage under an elm, in a state of stoical resignation, as its fleece is deftly nipped from under its chin. The third operator has almost finished his sheep, which, as its dark grey fleece slips away from its pink-and-white neck and shoulders, suggests a rather décolletée dowager in the act of removing her theatre-cloak in the stalls. Sheep, already shorn, lie and pant in shame and shivering bewilderment, one or two nibble the blades of grass, as if to assure themselves that that resource is still open to them. Sheep whose turn is still to come are penned up at the back, and look on, scandalised, but with an air which seems to express that their own superior respectability is a sufficient protection against similar outrage. The shearers appear to take a humorous view of their task, and are watched by a crowd which has collected round the railings, with an agreeable assurance that they are not expected to contribute towards the entertainment. First Work-girl (edging up). Whatever's goin' on inside 'ere? (After looking – disappointed.) Why they ain't on'y a lot o' sheep! I thought it was Reciters, or somethink o' that. Second Work-girl (with irony). They look like Reciters, don't they! It do seem a shime cuttin' them poor things as close as convicks, that it do! First W. – g. They don't mind it partickler; you'd 'ear 'em 'oller fast enough if they did. Second W. – g. I expeck they feel so redic'lus, they 'aven't the 'art to 'oller. Lucilla (to George). Do look at that one going up and sniffing at the bundle of fleeces, trying to find out which is his. Isn't it pathetic? George. H'm – puts one in mind of a shy man in a cloak-room after a party, saying feebly, "I rather think that's my coat, and there's a crush hat of mine somewhere about," eh? Lucilla (who is always wishing that George would talk more sensibly). Considering that sheep don't wear crush hats, I hardly see how —

George. My dear, I bow to your superior knowledge of natural history. Now you mention it, I believe it is unusual. But I merely meant to suggest a general resemblance.

Lucilla (reprovingly). I know. And you've got into such a silly habit of seeing resemblances in things that are perfectly different. I'm sure I'm always telling you of it.

George. You are, my dear. But I'm not nearly so bad as I was. Think of all the things I used to compare you to before we were married!

Sarah Jane (to her Trooper). I could stand an' look at 'em hours, I could. I was born and bred in the country, and it do seem to bring back my old 'ome that plain.

Her Trooper. I'm country bred too, though yer mightn't think it. But there ain't much in sheep shearin' to my mind. If it was pig killin', now!

Sarah Jane. Ah, that's along o' your bein' in the milingtary, I expect.

Her Trooper. No, it ain't that. It's the reckerlections it 'ud call up. I 'ad a 'ole uncle a pork-butcher, d'ye see, and (with sentiment) many and many a 'appy hour I've spent as a boy – [He indulges in tender reminiscences.

A Young Clerk (who belongs to a Literary Society, to his Fiancée). It has a wonderfully rural look – quite like a scene in 'Ardy, isn't it?

His Fiancée (who has "no time for reading rubbish"). I daresay; though I've never been there myself.

The Clerk. Never been? Oh, I see. You thought I said Arden– the Forest of Arden, in Shakspeare, didn't you?

His Fiancée. Isn't that where Mr. Gladstone lives, and goes cutting down the trees in?

The Clerk. No; At least it's spelt different. But it was 'Ardy I meant. Far from the Madding Crowd, you know.

His Fiancée (with a vague view to the next Bank Holiday). What do you call "far" – farther than Margate?

An Artisan (to a neighbour in broadcloth and a white choker). It's wonderful 'ow they can go so close without 'urtin' of 'em, ain't it?

His Neighbour (with unction). Ah, my friend, it on'y shows 'ow true it is that 'eving tempers the shears for the shorn lambs!

A Governess (instructively, to her charge). Don't you think you ought to be very grateful to that poor sheep, Ethel, for giving up her nice warm fleece on purpose to make a frock for you?

Ethel (doubtfully). Y – yes, Miss Mavor. But (with a fear that some reciprocity may be expected of her) she's too big for any of my best frocks, isn't she?

First Urchin (perched on the railings). Ain't that 'un a-kicking? 'E don't like 'aving 'is 'air cut, 'e don't, no more shouldn't I if it was me… 'E's bin an' upset 'is bloke on the grorss, now! Look at the bloke layin' there larfin'… 'E's ketched 'im agin now. See 'im landin' 'im a smack on the 'ed; that'll learn 'im to stay quiet, eh? 'E's strong, ain't 'e?

Second Urchin. Rams is the wust, though, 'cause they got 'orns, rams 'ave.

First Urch. What, same as goats?

Second Urch. (emphatically). Yuss! Big crooked 'uns. And runs at yer, they do.

First Urch. I wish they was rams in 'ere. See all them sheep waitin' to be done. I wonder what they're finkin' of.

Second Urch. Ga-arn! They don't fink, sheep don't.

First Urch. Not o' anyfink?

Second Urch. Na-ow! They ain't got nuffink to fink about, sheep ain't.

First Urch. I lay they do fink, 'orf and on.

Second Urch. Well, I lay you never see 'em doin' of it!

CATCHING THE EARLY BOAT

What an extraordinary thing is the mechanism of the human mind! Went to sleep last night impressed with vital importance of waking at six, to catch early steamer to Gairloch. And here I am – broad awake – at exactly 5.55! Is it automatic action, or what? Like setting clockwork for explosive machine. When the time comes, I blow up – I mean, get up. Think out this simile – rather a good one… Need not have been so particular in telling Boots to call me, after all. Shall I get up before he comes? He'll be rather surprised when he knocks at the door, and hears me singing inside like a lark. But, on reflection, isn't it rather petty to wish to astonish an hotel Boots? And why on earth should I get up myself, when I've tipped another fellow to get me up? But suppose he forgets to call me. I've no right, as yet, to assume that he will. To get up now would argue want of confidence in him – might hurt his feelings. I will give him another five minutes, poor fellow…

Getting up.– No actual necessity to get up yet, but, to make assurance doubly – something or other, forget what – I will … I do. Portmanteau rather refractory; retreats under bed – quite ten minutes before I can coax it out… When I have, it won't let me pack it. That's the worst of this breed of brown portmanteaus – they're always nasty-tempered. However, I am getting a few things into it now, by degrees. Very annoying – as fast as I put them in, this confounded portmanteau shoots them out again! If I've put in that pair of red and white striped pyjamas once, I've done it twenty times – and they always come twisting and rolling out of the back, somehow. Fortunate I left myself ample time.

Man next door to me is running it rather fine. He has to catch the boat, too, and he's not up yet! Hear the Boots hammering away at his door. How can a fellow, just for the sake of a few more minutes in bed – which he won't even know he's had! – go and risk losing his steamer in that way? I'll do him a good turn – knock at the wall myself. "Hi! get up, you lazy beggar. Look sharp – you'll be late!" He thanks me, in a muffled tone, through the wall. He is a remarkably quick dresser, he tells me – it won't take him thirty-five seconds to pack, dress, pay his bill, and get on board. If that's the case, I don't see why I should hurry. I've got much more than that already.

At the Quay.– People in Oban stare a good deal. Can't quite make out reason, unless they're surprised to find me up so early. Explain that I got up without having even been called. Oban populace mildly surprised, and offer me neckties —Why?

Fine steamer this; has a paddle-wheel at both ends – "because," the Captain explains, "she has not only to go to Gairloch – but come back as well."

First-rate navigator, the Captain; he has written my weight, the date of my last birthday, and the number of the house I live in, down in a sort of ledger he keeps. He does this with all his passengers, he tells me, reduces the figures to logarithms, and works out the ship's course in decimals. No idea there was so much science in modern seamanship.

On Board.– Great advantage of being so early is that you can breakfast quietly on deck before starting. Have mine on bridge of steamer, under awning; everything very good – ham-méringues excellent. No coffee, but, instead, a capital brand of dry, sparkling marmalade, served, sailor-fashion, in small pomatum-pots.