History of Tom Jones, a Foundling

Chapter i. – Containing five pages of paper

As truth distinguishes our writings from those idle romances which are filled with monsters, the productions, not of nature, but of distempered brains; and which have been therefore recommended by an eminent critic to the sole use of the pastry-cook; so, on the other hand, we would avoid any resemblance to that kind of history which a celebrated poet seems to think is no less calculated for the emolument of the brewer, as the reading it should be always attended with a tankard of good ale —

For as this is the liquor of modern historians, nay, perhaps their muse, if we may believe the opinion of Butler, who attributes inspiration to ale, it ought likewise to be the potation of their readers, since every book ought to be read with the same spirit and in the same manner as it is writ. Thus the famous author of Hurlothrumbo told a learned bishop, that the reason his lordship could not taste the excellence of his piece was, that he did not read it with a fiddle in his hand; which instrument he himself had always had in his own, when he composed it.

That our work, therefore, might be in no danger of being likened to the labours of these historians, we have taken every occasion of interspersing through the whole sundry similes, descriptions, and other kind of poetical embellishments. These are, indeed, designed to supply the place of the said ale, and to refresh the mind, whenever those slumbers, which in a long work are apt to invade the reader as well as the writer, shall begin to creep upon him. Without interruptions of this kind, the best narrative of plain matter of fact must overpower every reader; for nothing but the ever lasting watchfulness, which Homer has ascribed only to Jove himself, can be proof against a newspaper of many volumes.

We shall leave to the reader to determine with what judgment we have chosen the several occasions for inserting those ornamental parts of our work. Surely it will be allowed that none could be more proper than the present, where we are about to introduce a considerable character on the scene; no less, indeed, than the heroine of this heroic, historical, prosaic poem. Here, therefore, we have thought proper to prepare the mind of the reader for her reception, by filling it with every pleasing image which we can draw from the face of nature. And for this method we plead many precedents. First, this is an art well known to, and much practised by, our tragick poets, who seldom fail to prepare their audience for the reception of their principal characters.

Thus the heroe is always introduced with a flourish of drums and trumpets, in order to rouse a martial spirit in the audience, and to accommodate their ears to bombast and fustian, which Mr Locke’s blind man would not have grossly erred in likening to the sound of a trumpet. Again, when lovers are coming forth, soft music often conducts them on the stage, either to soothe the audience with the softness of the tender passion, or to lull and prepare them for that gentle slumber in which they will most probably be composed by the ensuing scene.

And not only the poets, but the masters of these poets, the managers of playhouses, seem to be in this secret; for, besides the aforesaid kettle-drums, &c., which denote the heroe’s approach, he is generally ushered on the stage by a large troop of half a dozen scene-shifters; and how necessary these are imagined to his appearance, may be concluded from the following theatrical story: —

King Pyrrhus was at dinner at an ale-house bordering on the theatre, when he was summoned to go on the stage. The heroe, being unwilling to quit his shoulder of mutton, and as unwilling to draw on himself the indignation of Mr Wilks (his brother-manager) for making the audience wait, had bribed these his harbingers to be out of the way. While Mr Wilks, therefore, was thundering out, “Where are the carpenters to walk on before King Pyrrhus?” that monarch very quietly eat his mutton, and the audience, however impatient, were obliged to entertain themselves with music in his absence.

To be plain, I much question whether the politician, who hath generally a good nose, hath not scented out somewhat of the utility of this practice. I am convinced that awful magistrate my lord-mayor contracts a good deal of that reverence which attends him through the year, by the several pageants which precede his pomp. Nay, I must confess, that even I myself, who am not remarkably liable to be captivated with show, have yielded not a little to the impressions of much preceding state. When I have seen a man strutting in a procession, after others whose business was only to walk before him, I have conceived a higher notion of his dignity than I have felt on seeing him in a common situation. But there is one instance, which comes exactly up to my purpose. This is the custom of sending on a basket-woman, who is to precede the pomp at a coronation, and to strew the stage with flowers, before the great personages begin their procession. The antients would certainly have invoked the goddess Flora for this purpose, and it would have been no difficulty for their priests, or politicians to have persuaded the people of the real presence of the deity, though a plain mortal had personated her and performed her office. But we have no such design of imposing on our reader; and therefore those who object to the heathen theology, may, if they please, change our goddess into the above-mentioned basket-woman. Our intention, in short, is to introduce our heroine with the utmost solemnity in our power, with an elevation of stile, and all other circumstances proper to raise the veneration of our reader. – Indeed we would, for certain causes, advise those of our male readers who have any hearts, to read no farther, were we not well assured, that how amiable soever the picture of our heroine will appear, as it is really a copy from nature, many of our fair countrywomen will be found worthy to satisfy any passion, and to answer any idea of female perfection which our pencil will be able to raise.

And now, without any further preface, we proceed to our next chapter.

Chapter ii. – A short hint of what we can do in the sublime, and a description of Miss Sophia Western

Hushed be every ruder breath. May the heathen ruler of the winds confine in iron chains the boisterous limbs of noisy Boreas, and the sharp-pointed nose of bitter-biting Eurus. Do thou, sweet Zephyrus, rising from thy fragrant bed, mount the western sky, and lead on those delicious gales, the charms of which call forth the lovely Flora from her chamber, perfumed with pearly dews, when on the 1st of June, her birth-day, the blooming maid, in loose attire, gently trips it over the verdant mead, where every flower rises to do her homage, till the whole field becomes enamelled, and colours contend with sweets which shall ravish her most.

So charming may she now appear! and you the feathered choristers of nature, whose sweetest notes not even Handel can excell, tune your melodious throats to celebrate her appearance. From love proceeds your music, and to love it returns. Awaken therefore that gentle passion in every swain: for lo! adorned with all the charms in which nature can array her; bedecked with beauty, youth, sprightliness, innocence, modesty, and tenderness, breathing sweetness from her rosy lips, and darting brightness from her sparkling eyes, the lovely Sophia comes!

Reader, perhaps thou hast seen the statue of the Venus de Medicis. Perhaps, too, thou hast seen the gallery of beauties at Hampton Court. Thou may’st remember each bright Churchill of the galaxy, and all the toasts of the Kit-cat. Or, if their reign was before thy times, at least thou hast seen their daughters, the no less dazzling beauties of the present age; whose names, should we here insert, we apprehend they would fill the whole volume.

Now if thou hast seen all these, be not afraid of the rude answer which Lord Rochester once gave to a man who had seen many things. No. If thou hast seen all these without knowing what beauty is, thou hast no eyes; if without feeling its power, thou hast no heart.

Yet is it possible, my friend, that thou mayest have seen all these without being able to form an exact idea of Sophia; for she did not exactly resemble any of them. She was most like the picture of Lady Ranelagh: and, I have heard, more still to the famous dutchess of Mazarine; but most of all she resembled one whose image never can depart from my breast, and whom, if thou dost remember, thou hast then, my friend, an adequate idea of Sophia.

But lest this should not have been thy fortune, we will endeavour with our utmost skill to describe this paragon, though we are sensible that our highest abilities are very inadequate to the task.

Sophia, then, the only daughter of Mr Western, was a middle-sized woman; but rather inclining to tall. Her shape was not only exact, but extremely delicate: and the nice proportion of her arms promised the truest symmetry in her limbs. Her hair, which was black, was so luxuriant, that it reached her middle, before she cut it to comply with the modern fashion; and it was now curled so gracefully in her neck, that few could believe it to be her own. If envy could find any part of the face which demanded less commendation than the rest, it might possibly think her forehead might have been higher without prejudice to her. Her eyebrows were full, even, and arched beyond the power of art to imitate. Her black eyes had a lustre in them, which all her softness could not extinguish. Her nose was exactly regular, and her mouth, in which were two rows of ivory, exactly answered Sir John Suckling’s description in those lines: —

Her cheeks were of the oval kind; and in her right she had a dimple, which the least smile discovered. Her chin had certainly its share in forming the beauty of her face; but it was difficult to say it was either large or small, though perhaps it was rather of the former kind. Her complexion had rather more of the lily than of the rose; but when exercise or modesty increased her natural colour, no vermilion could equal it. Then one might indeed cry out with the celebrated Dr Donne:

Her neck was long and finely turned: and here, if I was not afraid of offending her delicacy, I might justly say, the highest beauties of the famous Venus de Medicis were outdone. Here was whiteness which no lilies, ivory, nor alabaster could match. The finest cambric might indeed be supposed from envy to cover that bosom which was much whiter than itself. – It was indeed,

Nitor splendens Pario marmore purius.

A gloss shining beyond the purest brightness of Parian marble.

Such was the outside of Sophia; nor was this beautiful frame disgraced by an inhabitant unworthy of it. Her mind was every way equal to her person; nay, the latter borrowed some charms from the former; for when she smiled, the sweetness of her temper diffused that glory over her countenance which no regularity of features can give. But as there are no perfections of the mind which do not discover themselves in that perfect intimacy to which we intend to introduce our reader with this charming young creature, so it is needless to mention them here: nay, it is a kind of tacit affront to our reader’s understanding, and may also rob him of that pleasure which he will receive in forming his own judgment of her character.

It may, however, be proper to say, that whatever mental accomplishments she had derived from nature, they were somewhat improved and cultivated by art: for she had been educated under the care of an aunt, who was a lady of great discretion, and was thoroughly acquainted with the world, having lived in her youth about the court, whence she had retired some years since into the country. By her conversation and instructions, Sophia was perfectly well bred, though perhaps she wanted a little of that ease in her behaviour which is to be acquired only by habit, and living within what is called the polite circle. But this, to say the truth, is often too dearly purchased; and though it hath charms so inexpressible, that the French, perhaps, among other qualities, mean to express this, when they declare they know not what it is; yet its absence is well compensated by innocence; nor can good sense and a natural gentility ever stand in need of it.

Chapter iii. – Wherein the history goes back to commemorate a trifling incident that happened some years since; but which, trifling as it was, had some future consequences

The amiable Sophia was now in her eighteenth year, when she is introduced into this history. Her father, as hath been said, was fonder of her than of any other human creature. To her, therefore, Tom Jones applied, in order to engage her interest on the behalf of his friend the gamekeeper.

But before we proceed to this business, a short recapitulation of some previous matters may be necessary.

Though the different tempers of Mr Allworthy and of Mr Western did not admit of a very intimate correspondence, yet they lived upon what is called a decent footing together; by which means the young people of both families had been acquainted from their infancy; and as they were all near of the same age, had been frequent playmates together.

The gaiety of Tom’s temper suited better with Sophia, than the grave and sober disposition of Master Blifil. And the preference which she gave the former of these, would often appear so plainly, that a lad of a more passionate turn than Master Blifil was, might have shown some displeasure at it.

As he did not, however, outwardly express any such disgust, it would be an ill office in us to pay a visit to the inmost recesses of his mind, as some scandalous people search into the most secret affairs of their friends, and often pry into their closets and cupboards, only to discover their poverty and meanness to the world.

However, as persons who suspect they have given others cause of offence, are apt to conclude they are offended; so Sophia imputed an action of Master Blifil to his anger, which the superior sagacity of Thwackum and Square discerned to have arisen from a much better principle.

Tom Jones, when very young, had presented Sophia with a little bird, which he had taken from the nest, had nursed up, and taught to sing.

Of this bird, Sophia, then about thirteen years old, was so extremely fond, that her chief business was to feed and tend it, and her chief pleasure to play with it. By these means little Tommy, for so the bird was called, was become so tame, that it would feed out of the hand of its mistress, would perch upon the finger, and lie contented in her bosom, where it seemed almost sensible of its own happiness; though she always kept a small string about its leg, nor would ever trust it with the liberty of flying away.