The Tiger Lily

Chapter Four.

An Unexpected Scene

Armstrong Dale walked up and down his grim-looking, soot-smudged studio, as if he had determined to wear a track on one side similar to that made by a wild beast in his cage.

“I won’t go again,” he said; “it’s a kind of madness. Heavens! how beautiful she is! And that man – that wretched, effete, miserable little piece of conceit, with his insolent criticisms of my work. I felt as if I could strangle him. If it had not been for her appealing looks, I should have had a row with him before now. I will not put up with it. But how she seems to hate him; how she – ”

“Bah! Brute! Idiot! Ass! Conceited fool! Because nature has given you a decent face, can’t a handsome woman look at you without your thinking she admires you – can’t she speak gently, and in her graceful refined way, without your thinking that she is in love with you?”

“It’s all right, Cornel, my darling! I’ve been a fool – a conceited fool; but I’ve got your sweet, innocent little face always before me, the remembrance of your dear arms about my neck, and your kisses – armour, all of them, to guard me against folly. Pish! Fancy and conceit! I will go, finish my painting, get it exhibited if I can, and pile up Philistine gold as spoil to bear home to her who is to be my very own.”

It was the third time of making this declaration, and, full of his self-confidence, Dale made his way for the fourth time to Portland Place, to find his pulses, which had been accelerating their rate, calm down at once, for his reception by the Contessa was perfect, but there was a mingling of annoyance with his satisfaction on finding that his hostess was not alone.

Lady Grayson, one of Valentina’s greatest intimates, was there, a handsome, arch-looking woman, widow of a wealthy old general, who, after a long life of warfare in the East, had commenced another in the West, but this was not even of seven years’ duration before he fell.

Lady Grayson smiled sweetly upon the artist as he entered; and he felt that there was as much meaning in her words as in her looks.

“I forgot this was your sitting day, Tina. Do you know, I thought ladies always had to go to an artist’s studio to be painted. There, I suppose you two want to be alone?”

“Pray, don’t go,” said Valentina calmly. “I do not suppose Mr Dale will mind you being present.”

“I? Not at all,” said Armstrong. “It will not make any difference to me.”

“Indeed!” said the lady archly, “I thought you might both want to talk.”

Armstrong Dale turned to his palette and brushes; and, as the Contessa took up her position, he crossed to the window, half-closed the shutters, and drew a curtain, so as to get the exact light upon his sitter, whose eyes had met those of her dearest friend, and a silent skirmish, none the less sharp for no words being spoken, went on.

Dale returned to the front of his easel, and after a few words of request to his sitter respecting her position, to which she responded by a pained look, which made him shiver, he began to paint.

“Oh, how clever!” cried Lady Grayson, who had resumed her seat.

“Then she is waiting to see Cesare,” thought the Contessa, smiling at her friend.

“Did you mean that dab I just made with my brush, Lady Grayson?” said Armstrong coldly.

“Fie! to speak so slightingly of your work. Dab, indeed! why, I have had lessons in painting and ought to know. Every touch you give that canvas shows real talent.”

“And with all due respect, Lady Grayson, I, as a man who has studied hard in New York, Paris, Rome, and here in London, confidently say that you are no judge.”

“I declare I am, sir,” cried Lady Grayson merrily. “The fact is, you are too modest. – Don’t you think he is far too modest, dear?”

“I am debarred from entering into the discussion,” said the Contessa, with a fixed smile.

“Then I must do all the talking. – Capital! The portrait grows more like at every touch. By the way, Mr Dale, how is your big picture getting on – the one I saw at your studio?”

In spite of her self-command, Valentina turned pale, and a flash darted from her eyes.

She at his studio!

Then she drew a long breath, the light in her eyes grew fixed, and there was a peculiar hardening in her smile, as Armstrong went on painting, and said calmly —

“The large mythological study I showed you and the Conte?”

“Yes, that one,” said Lady Grayson, who, in spite of her assurance, did not dare to look at her friend, whose smile grew a little harder now, though there was a feeling of triumph glowing at her heart, as she detected her friend’s slip.

“Badly,” said Armstrong quietly. “I beg your pardon, Lady Dellatoria; that smile is too hard. Are you fatigued?”

“Oh no,” she replied; and the smile he was trying to transfer to the canvas came back with a look which he avoided, and he continued hastily —

“I cannot satisfy myself with my sitters. I want a good – a beautiful, intense-looking – face, full of majesty, passion, and refinement; but the models are all so hard and commonplace. I can find beautiful women to sit, but there is a vulgarity in their faces where I want something ethereal or spiritual.”

“Why not get the Contessa to sit?”

“Or Lady Grayson?” said Valentina scornfully.

“Oh, I should sit for Mr Dale with pleasure.”

“My dear Henriette, how can you be so absurd?”

“Oh, but I do not mean until you have quite done with him, dear.”

“You would not do,” said Dale bluntly. – “Quite still now, please, Lady Dellatoria.”

“Alack and alas! not to be beautiful. But would your present sitter do?”

“I should not presume to ask Lady Dellatoria to sit for a study in a picture to be publicly exhibited,” said the young man coldly.

“But you – so famous. – Ah, here is the Conte!”

“Yes; what is it?” said Dellatoria, entering. “Want me?”

“I knew it,” thought the Contessa. “It was an appointment.”

“Yes, to judge. That picture of Mr Dale’s. You know – the one we saw that day at his studio.”

The Conte’s eyes contracted a little, and he glanced at his wife, whose face was calm and smiling.

“Oh yes, I remember,” he said – then, in an aside, “You little fool. – What about it?” he added aloud.

“Mr Dale can’t find a model who would do for Juno. I was suggesting that dearest Valentina should sit.”

“Very good of you, Lady Grayson,” said the Conte shortly; “but her ladyship does not sit for artists.”

“And Mr Dale does not wish her ladyship to do so, sir,” said the artist, as haughtily as the Conte.

“There, I’ve said something wrong,” cried Lady Grayson. “Poor me! It’s time I went. I had no business to stay and hinder the painting. Good morning, Mr Dale. Good-bye, Valentina, dear. Ask the Conte to forgive me.”

She bent down and kissed the beautiful face, which did not wince, but there was war between two pairs of eyes. Then, turning round, she held out her hand.

“Good-bye, dreadful man. I’m too awfully sorry I cannot give you a lift on my way back to the park.”

“No, thanks. By-the-by, yes; I want to go to Albert Gate. Would it be taking you out of your way?”

“Oh no. Delighted. My horses don’t have half enough to do.”

“Then come along.”

Armstrong could not help glancing at the couple as they crossed towards the door; and then as he turned back to the canvas his heart began to beat painfully, for he heard a peculiar hissing sound as of a long deep breath being drawn through teeth closely set, and a dangerous feeling of pity entered his breast. He could not paint, but stood fixed with the brush raised, completely mastered by the flood of thought which rushed through his brain. He saw plainly how great cause there was for the coldness and contempt with which the Contessa viewed her husband, and he realised fully the truth of the rumours he had heard of how she – a beautiful English girl – had been hurried into a fashionable marriage with this contemptible, wealthy, titled man. What else could come of it but such a life as he saw too plainly that they led!

He fought against these thoughts, but vainly; and they only opened the way to others still more dangerous. The first time he had met Lady Dellatoria, when she visited his studio in company with her husband, she had seemed attracted to him, and he had felt flattered by the eagerness with which she listened to his words. Then came an invitation to dinner at Portland Place, for the discussion of his undertaking the portrait. That night, the Conte was called away to an engagement, and he was left in that luxurious drawing-room, talking to the clever, refined, and beautiful woman who seemed to hang upon his words.

Soon after he went back to his studio half intoxicated by her smiles; but the next morning he had grown more himself, and had a long talk with Joe Pacey, his greatest intimate, and been advised to paint the portrait by all means, but to hit hard for price.

“Do you no end of good, boy; but take care of yourself; she’s the most beautiful woman in society.”

Dale had laughed contemptuously, accepted the commission, and matters had gone on till it had come to this. He had been forced to be a witness of the breach between husband and wife, the cruelty of the treatment she received, and he had heard that painful drawing in of the breath, as she sat there almost within touch. She, the suffering woman, who had from the first accorded to him what had seemed to be the warmest friendship; and now the blood rose to his brain, and his resolutions, his fierce accusations, appeared to have been all in vain.

He dared not look round in the terrible silence which had ensued. He could only think that he was alone with the woman against whom his friend had warned him, and for the moment, in the giddy sensation that attacked him, he felt that he must rush from the room.

Then he started, and the brush fell from his hand, for there was a quick movement in the chair on his left, and he turned sharply, to find Valentina’s eyes filled with tears, but not dimmed so that he could not read the yearning, passionate look with which she gazed at him, as she said in a low, thrilling whisper —

“You heard – you saw – all. Have you no pity for me – no word to say?”

For a few moments not a word.

The Contessa rose and took a step toward him, with her hands raised appealingly.

“You do not – you cannot – understand,” she half whispered, “or you would speak to me. Can you not see how alone I am in the world, insulted, outraged, by that man whose wife I was almost forced to become? Wife!” she cried, “no, his slave, loaded with fetters of gold, which cut into my flesh till my life becomes insufferable. Mr Dale – Armstrong, I thought you sympathised with me in my unhappy state. Have I not shown you, since fate threw us so strangely together, that my life has been renewed that everything has seemed changed?”

He looked at her wildly, and the palette he held fell upon the rich thick carpet in the struggle going on within his breast.

“Are you dumb?” she whispered softly; “have you been blind to my sufferings?”

“No, no!” he cried. “Indeed, I have not. But you must not speak like this. It is madness. I have seen and pitied. I have felt that your husband – ”

“Husband!” she said contemptuously.

“Oh, hash!” he cried. “Lady Dellatoria, you are angry – excited. Yes, I see and know everything, but for your own sake, don’t – for Heaven’s sake, don’t speak to me like this.”

“Why,” she said bitterly, “are you not honest and true?”

“No,” he cried wildly. “It is mere folly. It has all been a terrible mistake my coming here. I cannot – I will not continue this work. It is impossible. The Conte insults me. He is dissatisfied. Lady Dellatoria, I cannot submit to all his – ”

He shrank from her, for her hand was laid upon his arm.

“Yes,” she said, as she raised her face towards his; “he insults you, as he insults me; he – poor, weak, pitiful creature – insults you who are so true and manly. I am not blind. I have seen all that you try to hide. You pity me; you have shown yourself my sympathetic friend. Yes, and I have seen more – all that you have tried so hard to hide in your veneration – your love for a despairing woman. Mr Dale – Armstrong,” she whispered – and her voice was low, tender, and caressing; her eyes seeking his with a passionate, yearning look, which thrilled him – “don’t leave me now; I could not bear it.”

“Lady Dellatoria!” he panted wildly, as honour made one more stand in his behalf.

“Valentina,” she whispered, “who casts off all a woman’s reserve for you, the first who ever taught her that, after all, there is such a thing as love in this weary world, and with it hope and joy.”

The hands which had rested upon his arm rose to his shoulders, and tightened about his neck, as she laid her burning face upon his breast.

Chapter Five.

Lady Grayson’s Purse

With one quick motion, Armstrong threw Valentina back into her seat, and snatched up palette and brushes, mad with rage and shame, as he made an effort to go on painting. For the drawing-room door had been opened with a good deal of rattling of the handle, and he expected that the next minute he would have to turn and face the husband.

But it was a woman’s voice, full of irony and sarcasm, and he turned sharply, to see that the Contessa sat back in her chair with a strangely angry light in her dark eyes, gazing at Lady Grayson.

“Pray forgive me, dear,” said the latter mockingly. “So sorry to disturb you. I was obliged to come back, for I have lost my purse. Did I leave it here?”

“How could you have left it here?” said the Contessa coldly, as she quivered beneath her friend’s gaze.

“I thought, love, that perhaps I had drawn it out with my handkerchief. It is so tiresome to lose one’s purse; is it not, Mr Dale?”

“Worse, madam, not to have one to lose,” said Armstrong, who was placing his brushes in their case.

“How droll you are,” said Lady Grayson; “as if anybody except a beggar could be without a purse. But surely you have not done painting the portrait?”

“Yes, Lady Grayson, I have done painting the portrait,” replied Dale gravely.

“And all through my interruption. Oh, my dearest Valentina, how could I be so indiscreet as to come and interrupt your charming sitting.”

“Would it be a sin to strangle this mocking wretch, who is triumphing over her shame and my disgrace?” thought Dale.

The Contessa was silent, and the situation growing maddening, when Lady Grayson suddenly exclaimed – “Why, there! I told the dear Conte that I felt sure I had dropped it here; and when I am influenced about anything happening, as I was in this case, I am pretty sure to be right.”

She said this meaningly, with a smile at the other actors in the scene, and then took a few steps toward the couch she had occupied, and, picking from it the missing purse, held it up in triumph, and with her eyes sparkling with malicious glee.

“I am so glad,” she cried; “I was so sure. Goodbye once more, dearest Valentina. Good morning, Mr Dale. Oh, you fortunate man,” she continued, gazing at the canvas. “To paint like that. Ah, well, perhaps it may be my turn next,” she added, with a mocking glance at the Contessa. “What, you going too, Mr Dale? Then I did spoil the sitting.”

“No, madam,” said Armstrong coldly; “your arrival was most opportune. Lady Dellatoria, my man shall come for the canvas.”

Valentina darted a wildly reproachful look at him, which he met for a moment, flushed, and turned from with a shiver.

“May I see you to your carriage, Lady Grayson?” he said.

“Oh, thank you, Mr Dale: if you would. Goodbye, dearest,” she cried, with a triumphant mocking look at the fierce, beautiful face. “You must let me drop you at your studio, Mr Dale,” she continued; and as the door closed behind them, Valentina started from her chair to press her hands to her temples, uttering a low, piteous moan.

“Cast off! and for her!” she cried wildly. “She has always been trying to lure him from me – him – my husband; and she could not rest in her suspicions without coming back.”

She ran to the window to stand unseen, gazing down, and to her agony she saw Dale step into the carriage, take his seat beside Lady Grayson, and be carried off.

Valentina turned from the window with her face convulsed, but it grew smooth and beautiful, and there was a dreamy look in her eyes, and a smile upon her parted, humid lips.

“I am mad,” she said to herself, with a mocking laugh. “He care for her! Absurd! He loves me! In his brave fight he struggled hard, but – he loves me. His arms did hold me to his breast; his lips did press mine. And she? – poor weak fool, with her transparent trick, to return and play the spy. Let her know, and have a hold upon me, and defy me about Cesare. She will threaten me some day if I revile her. Poor fool! I am the stronger – stronger than ever now. I could defy the world, for, in spite of his cold looks, his anger against himself – he loves me.”

She raised her eyes and stood looking straight before her for some moments, and then started, but recovered herself and smiled as she gazed at the figure before her in one of the mirror-filled panels of the room.

For she saw reflected there a face and figure that she felt no man could resist, and the smile upon her face grew brighter, the dreamy look intensified, as she murmured —

“At last! After these long, barren, weary years, love, the desire of a woman’s life;” and closing her eyes, she slowly extended her arms as, in a whisper soft as the breath of eve, she murmured, “At last! Come back to me, my love – my life – my god.”

Chapter Six.

What Pacey Saw in the Clouds

Three weeks soon pass in busy London, but to Armstrong Dale the twenty-one days which ensued after the scene at Portland Place were like months of misery.

Stern in his resolve to avoid all further entanglement, and to keep faith to her whom in his heart of hearts he loved, he shut himself up in his studio, and made a desperate attack upon his great mythological picture, a broad high canvas, at which Keren-Happuch stared open-mouthed, when she went into the studio every morning “to do Mr Dale up” – a feat which consisted in brushing the fluff about from one corner to another, and resulted in a good deal of sniffing, and the lodging of more dust upon casts, ledges, furniture, and above all, upon Keren-Happuch’s by no means classical features, where it adhered, consequent upon a certain labour-and-exercise-produced moisture which exuded from the maiden’s skin.

“I can’t help looking smudgy,” she used to say; and directly after, “Comin’, mum,” for her name was shouted in an acid voice by Mrs Dunster, the elderly lady who let the studio and rooms in Fitzroy Square to any artist who would take them for a time.

But the poor little slavey was Keren-Happuch to that lady alone. To Armstrong she was always Miranda, on account of her friend, the dirty-white cat of the kitchen; to his artist friends such names as seemed good to them, and suited to their bizarre thoughts.