Return of the Native
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Across the upper part of her head she wore a thin fillet of black velvet, restraining the luxuriance of her shady hair, in a way which added much to this class of majesty by irregularly clouding her forehead. “Nothing can embellish a beautiful face more than a narrow band drawn over the brow,” says Richter. Some of the neighbouring girls wore coloured ribbon for the same purpose, and sported metallic ornaments elsewhere; but if anyone suggested coloured ribbon and metallic ornaments to Eustacia Vye she laughed and went on.
Why did a woman of this sort live on Egdon Heath? Budmouth was her native place, a fashionable seaside resort at that date. She was the daughter of the bandmaster of a regiment which had been quartered there—a Corfiote by birth, and a fine musician—who met his future wife during her trip thither with her father the captain, a man of good family. The marriage was scarcely in accord with the old man’s wishes, for the bandmaster’s pockets were as light as his occupation. But the musician did his best; adopted his wife’s name, made England permanently his home, took great trouble with his child’s education, the expenses of which were defrayed by the grandfather, and throve as the chief local musician till her mother’s death, when he left off thriving, drank, and died also. The girl was left to the care of her grandfather, who, since three of his ribs became broken in a shipwreck, had lived in this airy perch on Egdon, a spot which had taken his fancy because the house was to be had for next to nothing, and because a remote blue tinge on the horizon between the hills, visible from the cottage door, was traditionally believed to be the English Channel. She hated the change; she felt like one banished; but here she was forced to abide.
Thus it happened that in Eustacia’s brain were juxtaposed the strangest assortment of ideas, from old time and from new. There was no middle distance in her perspective—romantic recollections of sunny afternoons on an esplanade, with military bands, officers, and gallants around, stood like gilded letters upon the dark tablet of surrounding Egdon. Every bizarre effect that could result from the random intertwining of watering-place glitter with the grand solemnity of a heath, was to be found in her. Seeing nothing of human life now, she imagined all the more of what she had seen.
Where did her dignity come from? By a latent vein from Alcinous’ line, her father hailing from Phaeacia’s isle?—or from Fitzalan and De Vere, her maternal grandfather having had a cousin in the peerage? Perhaps it was the gift of Heaven—a happy convergence of natural laws. Among other things opportunity had of late years been denied her of learning to be undignified, for she lived lonely. Isolation on a heath renders vulgarity well-nigh impossible. It would have been as easy for the heath-ponies, bats, and snakes to be vulgar as for her. A narrow life in Budmouth might have completely demeaned her.
The only way to look queenly without realms or hearts to queen it over is to look as if you had lost them; and Eustacia did that to a triumph. In the captain’s cottage she could suggest mansions she had never seen. Perhaps that was because she frequented a vaster mansion than any of them, the open hills. Like the summer condition of the place around her, she was an embodiment of the phrase “a populous solitude”—apparently so listless, void, and quiet, she was really busy and full.
To be loved to madness—such was her great desire. Love was to her the one cordial which could drive away the eating loneliness of her days. And she seemed to long for the abstraction called passionate love more than for any particular lover.
She could show a most reproachful look at times, but it was directed less against human beings than against certain creatures of her mind, the chief of these being Destiny, through whose interference she dimly fancied it arose that love alighted only on gliding youth—that any love she might win would sink simultaneously with the sand in the glass. She thought of it with an ever-growing consciousness of cruelty, which tended to breed actions of reckless unconventionality, framed to snatch a year’s, a week’s, even an hour’s passion from anywhere while it could be won. Through want of it she had sung without being merry, possessed without enjoying, outshone without triumphing. Her loneliness deepened her desire. On Egdon, coldest and meanest kisses were at famine prices, and where was a mouth matching hers to be found?
Fidelity in love for fidelity’s sake had less attraction for her than for most women; fidelity because of love’s grip had much. A blaze of love, and extinction, was better than a lantern glimmer of the same which should last long years. On this head she knew by prevision what most women learn only by experience—she had mentally walked round love, told the towers thereof, considered its palaces, and concluded that love was but a doleful joy. Yet she desired it, as one in a desert would be thankful for brackish water.
She often repeated her prayers; not at particular times, but, like the unaffectedly devout, when she desired to pray. Her prayer was always spontaneous, and often ran thus, “O deliver my heart from this fearful gloom and loneliness; send me great love from somewhere, else I shall die.”
Her high gods were William the Conqueror, Strafford, and Napoleon Buonaparte, as they had appeared in the Lady’s History used at the establishment in which she was educated. Had she been a mother she would have christened her boys such names as Saul or Sisera in preference to Jacob or David, neither of whom she admired. At school she had used to side with the Philistines in several battles, and had wondered if Pontius Pilate were as handsome as he was frank and fair.
Thus she was a girl of some forwardness of mind, indeed, weighed in relation to her situation among the very rearward of thinkers, very original. Her instincts towards social non-comformity were at the root of this. In the matter of holidays, her mood was that of horses who, when turned out to grass, enjoy looking upon their kind at work on the highway. She only valued rest to herself when it came in the midst of other people’s labour. Hence she hated Sundays when all was at rest, and often said they would be the death of her. To see the heathmen in their Sunday condition, that is, with their hands in their pockets, their boots newly oiled, and not laced up (a particularly Sunday sign), walking leisurely among the turves and furze-faggots they had cut during the week, and kicking them critically as if their use were unknown, was a fearful heaviness to her. To relieve the tedium of this untimely day she would overhaul the cupboards containing her grandfather’s old charts and other rubbish, humming Saturday-night ballads of the country people the while. But on Saturday nights she would frequently sing a psalm, and it was always on a weekday that she read the Bible, that she might be unoppressed with a sense of doing her duty.
Such views of life were to some extent the natural begettings of her situation upon her nature. To dwell on a heath without studying its meanings was like wedding a foreigner without learning his tongue. The subtle beauties of the heath were lost to Eustacia; she only caught its vapours. An environment which would have made a contented woman a poet, a suffering woman a devotee, a pious woman a psalmist, even a giddy woman thoughtful, made a rebellious woman saturnine.
Eustacia had got beyond the vision of some marriage of inexpressible glory; yet, though her emotions were in full vigour, she cared for no meaner union. Thus we see her in a strange state of isolation. To have lost the godlike conceit that we may do what we will, and not to have acquired a homely zest for doing what we can, shows a grandeur of temper which cannot be objected to in the abstract, for it denotes a mind that, though disappointed, forswears compromise. But, if congenial to philosophy, it is apt to be dangerous to the commonwealth. In a world where doing means marrying, and the commonwealth is one of hearts and hands, the same peril attends the condition.
And so we see our Eustacia—for at times she was not altogether unlovable—arriving at that stage of enlightenment which feels that nothing is worth while, and filling up the spare hours of her existence by idealizing Wildeve for want of a better object. This was the sole reason of his ascendency: she knew it herself. At moments her pride rebelled against her passion for him, and she even had longed to be free. But there was only one circumstance which could dislodge him, and that was the advent of a greater man.
For the rest, she suffered much from depression of spirits, and took slow walks to recover them, in which she carried her grandfather’s telescope and her grandmother’s hourglass—the latter because of a peculiar pleasure she derived from watching a material representation of time’s gradual glide away. She seldom schemed, but when she did scheme, her plans showed rather the comprehensive strategy of a general than the small arts called womanish, though she could utter oracles of Delphian ambiguity when she did not choose to be direct. In heaven she will probably sit between the Heloises and the Cleopatras.
CHAPTER 8
Those Who Are Found Where There Is Said to Be Nobody
As soon as the sad little boy had withdrawn from the fire he clasped the money tight in the palm of his hand, as if thereby to fortify his courage, and began to run. There was really little danger in allowing a child to go home alone on this part of Egdon Heath. The distance to the boy’s house was not more than three-eighths of a mile, his father’s cottage, and one other a few yards further on, forming part of the small hamlet of Mistover Knap: the third and only remaining house was that of Captain Vye and Eustacia, which stood quite away from the small cottages and was the loneliest of lonely houses on these thinly populated slopes.
He ran until he was out of breath, and then, becoming more courageous, walked leisurely along, singing in an old voice a little song about a sailor-boy and a fair one, and bright gold in store. In the middle of this the child stopped—from a pit under the hill ahead of him shone a light, whence proceeded a cloud of floating dust and a smacking noise.
Only unusual sights and sounds frightened the boy. The shrivelled voice of the heath did not alarm him, for that was familiar. The thornbushes which arose in his path from time to time were less satisfactory, for they whistled gloomily, and had a ghastly habit after dark of putting on the shapes of jumping madmen, sprawling giants, and hideous cripples. Lights were not uncommon this evening, but the nature of all of them was different from this. Discretion rather than terror prompted the boy to turn back instead of passing the light, with a view of asking Miss Eustacia Vye to let her servant accompany him home.
When the boy had reascended to the top of the valley he found the fire to be still burning on the bank, though lower than before. Beside it, instead of Eustacia’s solitary form, he saw two persons, the second being a man. The boy crept along under the bank to ascertain from the nature of the proceedings if it would be prudent to interrupt so splendid a creature as Miss Eustacia on his poor trivial account.
After listening under the bank for some minutes to the talk he turned in a perplexed and doubting manner and began to withdraw as silently as he had come. That he did not, upon the whole, think it advisable to interrupt her conversation with Wildeve, without being prepared to bear the whole weight of her displeasure, was obvious.
Here was a Scyllaeo-Charybdean position for a poor boy. Pausing when again safe from discovery, he finally decided to face the pit phenomenon as the lesser evil. With a heavy sigh he retraced the slope, and followed the path he had followed before.
The light had gone, the rising dust had disappeared—he hoped for ever. He marched resolutely along, and found nothing to alarm him till, coming within a few yards of the sandpit, he heard a slight noise in front, which led him to halt. The halt was but momentary, for the noise resolved itself into the steady bites of two animals grazing.
“Two he’th-croppers down here,” he said aloud. “I have never known ’em come down so far afore.”
The animals were in the direct line of his path, but that the child thought little of; he had played round the fetlocks of horses from his infancy. On coming nearer, however, the boy was somewhat surprised to find that the little creatures did not run off, and that each wore a clog, to prevent his going astray; this signified that they had been broken in. He could now see the interior of the pit, which, being in the side of the hill, had a level entrance. In the innermost corner the square outline of a van appeared, with its back towards him. A light came from the interior, and threw a moving shadow upon the vertical face of gravel at the further side of the pit into which the vehicle faced.
The child assumed that this was the cart of a gipsy, and his dread of those wanderers reached but to that mild pitch which titillates rather than pains. Only a few inches of mud wall kept him and his family from being gipsies themselves. He skirted the gravel pit at a respectful distance, ascended the slope, and came forward upon the brow, in order to look into the open door of the van and see the original of the shadow.
The picture alarmed the boy. By a little stove inside the van sat a figure red from head to heels—the man who had been Thomasin’s friend. He was darning a stocking, which was red like the rest of him. Moreover, as he darned he smoked a pipe, the stem and bowl of which were red also.
At this moment one of the heath-croppers feeding in the outer shadows was audibly shaking off the clog attached to its foot. Aroused by the sound, the reddleman laid down his stocking, lit a lantern which hung beside him, and came out from the van. In sticking up the candle he lifted the lantern to his face, and the light shone into the whites of his eyes and upon his ivory teeth, which, in contrast with the red surrounding, lent him a startling aspect enough to the gaze of a juvenile. The boy knew too well for his peace of mind upon whose lair he had lighted. Uglier persons than gipsies were known to cross Egdon at times, and a reddleman was one of them.
“How I wish ’twas only a gipsy!” he murmured.
The man was by this time coming back from the horses. In his fear of being seen the boy rendered detection certain by nervous motion. The heather and peat stratum overhung the brow of the pit in mats, hiding the actual verge. The boy had stepped beyond the solid ground; the heather now gave way, and down he rolled over the scarp of grey sand to the very foot of the man.
The red man opened the lantern and turned it upon the figure of the prostrate boy.
“Who be ye?” he said.
“Johnny Nunsuch, master!”
“What were you doing up there?”
“I don’t know.”
“Watching me, I suppose?”
“Yes, master.”
“What did you watch me for?”
“Because I was coming home from Miss Vye’s bonfire.”
“Beest hurt?”
“No.”
“Why, yes, you be—your hand is bleeding. Come under my tilt and let me tie it up.”
“Please let me look for my sixpence.”
“How did you come by that?”
“Miss Vye gied it to me for keeping up her bonfire.”
The sixpence was found, and the man went to the van, the boy behind, almost holding his breath.
The man took a piece of rag from a satchel containing sewing materials, tore off a strip, which, like everything else, was tinged red, and proceeded to bind up the wound.
“My eyes have got foggy-like—please may I sit down, master?” said the boy.
“To be sure, poor chap. ’Tis enough to make you feel fainty. Sit on that bundle.”
The man finished tying up the gash, and the boy said, “I think I’ll go home now, master.”
“You are rather afraid of me. Do you know what I be?”
The child surveyed his vermilion figure up and down with much misgiving and finally said, “Yes.”
“Well, what?”
“The reddleman!” he faltered.
“Yes, that’s what I be. Though there’s more than one. You little children think there’s only one cuckoo, one fox, one giant, one devil, and one reddleman, when there’s lots of us all.”
“Is there? You won’t carry me off in your bags, will ye, master? ’Tis said that the reddleman will sometimes.”
“Nonsense. All that reddlemen do is sell reddle. You see all these bags at the back of my cart? They are not full of little boys—only full of red stuff.”
“Was you born a reddleman?”
“No, I took to it. I should be as white as you if I were to give up the trade—that is, I should be white in time—perhaps six months; not at first, because ’tis grow’d into my skin and won’t wash out. Now, you’ll never be afraid of a reddleman again, will ye?”
“No, never. Willy Orchard said he seed a red ghost here t’other day—perhaps that was you?”
“I was here t’other day.”
“Were you making that dusty light I saw by now?”
“Oh yes, I was beating out some bags. And have you had a good bonfire up there? I saw the light. Why did Miss Vye want a bonfire so bad that she should give you sixpence to keep it up?”
“I don’t know. I was tired, but she made me bide and keep up the fire just the same, while she kept going up across Rainbarrow way.”
“And how long did that last?”
“Until a hopfrog jumped into the pond.”
The reddleman suddenly ceased to talk idly. “A hopfrog?” he inquired. “Hopfrogs don’t jump into ponds this time of year.”
“They do, for I heard one.”
“Certain-sure?”
“Yes. She told me afore that I should hear’n; and so I did. They say she’s clever and deep, and perhaps she charmed ’en to come.”
“And what then?”
“Then I came down here, and I was afeard, and I went back; but I didn’t like to speak to her, because of the gentleman, and I came on here again.”
“A gentleman—ah! What did she say to him, my man?”
“Told him she supposed he had not married the other woman because he liked his old sweetheart best; and things like that.”
“What did the gentleman say to her, my sonny?”
“He only said he did like her best, and how he was coming to see her again under Rainbarrow o’ nights.”
“Ha!” cried the reddleman, slapping his hand against the side of his van so that the whole fabric shook under the blow. “That’s the secret o’t!”
The little boy jumped clean from the stool.
“My man, don’t you be afraid,” said the dealer in red, suddenly becoming gentle. “I forgot you were here. That’s only a curious way reddlemen have of going mad for a moment; but they don’t hurt anybody. And what did the lady say then?”
“I can’t mind. Please, Master Reddleman, may I go home-along now?”
“Ay, to be sure you may. I’ll go a bit of ways with you.”
He conducted the boy out of the gravel pit and into the path leading to his mother’s cottage. When the little figure had vanished in the darkness the reddleman returned, resumed his seat by the fire, and proceeded to darn again.
CHAPTER 9
Love Leads a Shrewd Man into Strategy
Reddlemen of the old school are now but seldom seen. Since the introduction of railways Wessex farmers have managed to do without these Mephistophelian visitants, and the bright pigment so largely used by shepherds in preparing sheep for the fair is obtained by other routes. Even those who yet survive are losing the poetry of existence which characterized them when the pursuit of the trade meant periodical journeys to the pit whence the material was dug, a regular camping out from month to month, except in the depth of winter, a peregrination among farms which could be counted by the hundred, and in spite of this Arab existence the preservation of that respectability which is insured by the never-failing production of a well-lined purse.
Reddle spreads its lively hues over everything it lights on, and stamps unmistakably, as with the mark of Cain, any person who has handled it half an hour.
A child’s first sight of a reddleman was an epoch in his life. That blood-coloured figure was a sublimation of all the horrid dreams which had afflicted the juvenile spirit since imagination began. “The reddleman is coming for you!” had been the formulated threat of Wessex mothers for many generations. He was successfully supplanted for a while, at the beginning of the present century, by Buonaparte; but as process of time rendered the latter personage stale and ineffective the older phrase resumed its early prominence. And now the reddleman has in his turn followed Buonaparte to the land of worn-out bogeys, and his place is filled by modern inventions.
The reddleman lived like a gipsy; but gipsies he scorned. He was about as thriving as travelling basket and mat makers; but he had nothing to do with them. He was more decently born and brought up than the cattledrovers who passed and repassed him in his wanderings; but they merely nodded to him. His stock was more valuable than that of pedlars; but they did not think so, and passed his cart with eyes straight ahead. He was such an unnatural colour to look at that the men of roundabouts and waxwork shows seemed gentlemen beside him; but he considered them low company, and remained aloof. Among all these squatters and folks of the road the reddleman continually found himself; yet he was not of them. His occupation tended to isolate him, and isolated he was mostly seen to be.
It was sometimes suggested that reddlemen were criminals for whose misdeeds other men wrongfully suffered—that in escaping the law they had not escaped their own consciences, and had taken to the trade as a lifelong penance. Else why should they have chosen it? In the present case such a question would have been particularly apposite. The reddleman who had entered Egdon that afternoon was an instance of the pleasing being wasted to form the ground-work of the singular, when an ugly foundation would have done just as well for that purpose. The one point that was forbidding about this reddleman was his colour. Freed from that he would have been as agreeable a specimen of rustic manhood as one would often see. A keen observer might have been inclined to think—which was, indeed, partly the truth—that he had relinquished his proper station in life for want of interest in it. Moreover, after looking at him one would have hazarded the guess that good nature, and an acuteness as extreme as it could be without verging on craft, formed the framework of his character.
While he darned the stocking his face became rigid with thought. Softer expressions followed this, and then again recurred the tender sadness which had sat upon him during his drive along the highway that afternoon. Presently his needle stopped. He laid down the stocking, arose from his seat, and took a leathern pouch from a hook in the corner of the van. This contained among other articles a brown-paper packet, which, to judge from the hinge-like character of its worn folds, seemed to have been carefully opened and closed a good many times. He sat down on a three-legged milking stool that formed the only seat in the van, and, examining his packet by the light of a candle, took thence an old letter and spread it open. The writing had originally been traced on white paper, but the letter had now assumed a pale red tinge from the accident of its situation; and the black strokes of writing thereon looked like the twigs of a winter hedge against a vermilion sunset. The letter bore a date some two years previous to that time, and was signed “Thomasin Yeobright.” It ran as follows:—
DEAR DIGGORY VENN,—The question you put when you overtook me coming home from Pond-close gave me such a surprise that I am afraid I did not make you exactly understand what I meant. Of course, if my aunt had not met me I could have explained all then at once, but as it was there was no chance. I have been quite uneasy since, as you know I do not wish to pain you, yet I fear I shall be doing so now in contradicting what I seemed to say then. I cannot, Diggory, marry you, or think of letting you call me your sweetheart. I could not, indeed, Diggory. I hope you will not much mind my saying this, and feel in a great pain. It makes me very sad when I think it may, for I like you very much, and I always put you next to my cousin Clym in my mind. There are so many reasons why we cannot be married that I can hardly name them all in a letter. I did not in the least expect that you were going to speak on such a thing when you followed me, because I had never thought of you in the sense of a lover at all. You must not becall me for laughing when you spoke; you mistook when you thought I laughed at you as a foolish man. I laughed because the idea was so odd, and not at you at all. The great reason with my own personal self for not letting you court me is, that I do not feel the things a woman ought to feel who consents to walk with you with the meaning of being your wife. It is not as you think, that I have another in my mind, for I do not encourage anybody, and never have in my life. Another reason is my aunt. She would not, I know, agree to it, even if I wished to have you. She likes you very well, but she will want me to look a little higher than a small dairy-farmer, and marry a professional man. I hope you will not set your heart against me for writing plainly, but I felt you might try to see me again, and it is better that we should not meet. I shall always think of you as a good man, and be anxious for your well-doing. I send this by Jane Orchard’s little maid,—And remain Diggory, your faithful friend,