For The Love Of You

He has never found the right woman...until now

Craig Lawson is the hottest filmmaker in Hollywood—a man who has won every award and can have any woman he wants. Now he’s ready to produce his masterpiece. But it means returning to his Louisiana roots and the real estate dynasty he walked away from almost a decade ago. In the French Quarter, he finds a historic house that is perfect for his project...and the unconventional owner is a beauty of fascinating contradictions.

Jewel Fontaine had her reasons for disappearing from the local art scene five years ago. And this reclusive sculptress isn’t about to let the famous playboy director turn his cameras on her private life. Until he awakens her hidden desires. If she gives in to his passion, will he uncover the secret she’s been so desperately hiding? Or will Craig’s own unresolved issues from the past sabotage any chance for a happy future together?

They stood facing each other, inches apart, on her front porch. Jewel’s heart thumped. “I’m glad I went.”

“Are you?” His brows tightened as he took a step closer, forcing her to look up.

Her throat worked frantically. “Very.”

“That’s good to know because I want to do it again.”

Jewel swallowed. “Lunch?”

“Dinner...and then breakfast.”

The implication was clear. Heat flashed through her limbs.

“How does that sound?”

Her head swam. “It sounds...”

Before she could form the words, he’d slid his arm around her waist and pulled her flush against the hard lines of his body, and then the world disappeared as his head came down and those lips that she had fantasized kissing covered hers. The kiss was electric, slow and sweet. She couldn’t think over the hum that vibrated deep in his throat as he deepened their kiss, teasing her mouth with a swipe of his tongue. Her entire body vibrated and felt weak all at once. Her fingers held on to the tight ropes of his arms, and all she could piece together in her head was that she didn’t want it to end.

Whether you are a returning or newly inducted fan of The Lawsons of Louisiana series, let me introduce you to another member of the family—Craig Lawson. With all of my Lawson family members, I want to bring my readers not only a great love story but also a story that touches readers, with characters that you will grow to love and root for as I have.

Freed from the reins of his powerful father, Craig Lawson has built his own legacy, but it has left him with a hole in his heart. A hole that is filled by artist Jewel Fontaine. Although she has her own demons to deal with, Craig offers her a new beginning. Of course, their journey won’t be an easy one.

At the center of all of the Lawson tales is the importance and resilience of family. I hope that you will welcome the newest members into your family of characters that help you believe in the power of love and its limitless possibilities.

I want to thank each and every one of my readers for your continued love and support throughout my years of writing.

Sit back, relax and enjoy!

Until next time,

Donna Hill

For the Love of You

Donna Hill

www.millsandboon.co.uk

DONNA HILL began writing novels in 1990. Since that time she has had more than forty titles published, which include full-length novels and novellas. Two of her novels and one novella were adapted for television. She has won numerous awards for her body of work. She is also the editor of five novels, two of which were nominated for awards. She easily moves from romance to erotica, horror, comedy and women’s fiction. She was the first recipient of the RT Book Reviews Trailblazer Award, won the RT Book Reviews Career Achievement Award and currently teaches writing at the Frederick Douglass Creative Arts Center.

Donna lives in Brooklyn with her family. Visit her website at donnahill.com.

MILLS & BOON

Before you start reading, why not sign up?

Thank you for downloading this Mills & Boon book. If you want to hear about exclusive discounts, special offers and competitions, sign up to our email newsletter today!

SIGN ME UP!

Or simply visit

signup.millsandboon.co.uk

Mills & Boon emails are completely free to receive and you can unsubscribe at any time via the link in any email we send you.

This novel is lovingly dedicated to my dearest friend and mentor, Gwynne Forster. I miss you, my friend.

Acknowledgments

I wish to thank my ever patient editor, Glenda Howard, for never giving up on me.

Contents

Cover

Back Cover Text

Introduction

Dear Reader

Title Page

About the Author

Dedication

Acknowledgments

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Epilogue

Copyright

Chapter 1

The ten-hour flight from London Heathrow Airport landed in New Orleans, Louisiana, on time, to the delight of the weary passengers, Craig Lawson among them. His return home after more than ten years came with a mixture of regret and anticipation. Regret that for all those years he’d never felt compelled to return to the place where he’d grown up, and anticipation for the reason why he’d finally come home.

After breezing through customs and collecting his luggage, he and his business partner and lifelong buddy, Anthony Maxwell, headed for the pickup area and the car that awaited them. They passed a newsstand, and Anthony tapped Craig’s arm and lifted his head in the direction of the magazines, where Craig’s face graced the covers of Entertainment Weekly, Variety and Black Enterprise.

“If I didn’t know you better, I’d think you were important,” Anthony teased.

Craig chuckled. “As long as the importance translates into success at the box office,” he said. He took a last glance at the magazines and shook his head. When he’d broken ties with his family—his father, specifically—and headed to Los Angeles to pursue his dream as a screenwriter, it had been one of the most difficult things he’d had to do. To a Lawson, family was everything. Yet as hard as it was, looking back, he would not have done anything differently. As much as his father would like to believe that what he did for a living was nothing more than pandering, the real reason for his distaste for his son’s profession went much deeper. Craig grew weary of fighting that ghost. So he left and never looked back. Now he was one of the most successful and celebrated screenwriters and movie directors on the East and the West Coasts. He had an Oscar, a Golden Globe and an NAACP Image Award under his belt. Behind closed doors he was called the golden boy. To his face he was Mr. Lawson.

As the duo exited baggage claim, they walked by the rows of drivers holding up signs with the names of their passengers. Craig’s driver spotted him first and stepped out of the line.

“Mr. Lawson,” the female driver greeted him with a tip of her head. “I’ll get a cart for your bags.”

Craig’s right brow lifted in question, and he quickly assessed the stunning young woman in front of him. Even in her stark uniform of black slacks and jacket and a starched white shirt she was a work of art. The corner of his mouth curved ever so slightly as he watched her retrieve a luggage cart and return to them. Although he knew it was her job, the Southern gentleman in him wouldn’t allow her to do it.

“Let me get the bags on the cart. We’ll meet you at the car.”

“I can take care of the bags, Mr. Lawson,” she mildly protested.

“I’m sure that you can.” He easily hoisted the oversize bags onto the cart. “But I’d rather that you didn’t. My mama didn’t raise me that way.”

The young woman flushed, pressed her polished lips together and murmured a thank-you. “The car is this way.” She started off toward the ground transportation area.

“Don’t distract her from her driving,” Anthony teased under his breath as they dutifully followed her to the exit.

“Not my intention. But I will say, it’s a pleasure following her lead.”

Truth be told, the last thing on his mind was getting with a woman. Although he had a reputation as a ladies’ man, especially his leading ladies, it was all smoke and mirrors. The women who drifted in and out of his life were just that—transient. He found none that could excite his mind as well as his body, so he kept his relationships short, practical and amicable. For all of his numerous dalliances, there wasn’t one woman who could say she had not been treated like a lady while she’d spent time with him.

“How does it feel to be back?” Anthony asked as they settled into the air-conditioned comfort of the town car.

Craig drew in a breath and glanced out the window as the Louisiana landscape unfolded in front of them. “Still trying to process it. Feels strange. I mean, things kind of look the same but different—smaller.” He chuckled.

“You plan to see the family?”

Craig’s jaw flexed. He leaned his elbow on the armrest and braced his chin on his fist. “I don’t know. I’m sure they’ve heard that I’m back. Guess it wouldn’t be right not to check in on my sister and brother and my cousins.” He paused. “And I know that’s not what you meant.” He flashed his friend a look of censure. “I’m not going to see him.”

Anthony held up his hands. “Hey, just asking a question, man.”

Craig went back to staring out the window. The rift between father and son wasn’t some simple spat that could be rectified with an adult conversation. His father made himself perfectly clear years ago that if Craig were to pursue “this trashy movie thing,” he was cut off from the family and he didn’t want him to set foot back in his house. His father, Jake Lawson, ran his family the way he ran his international land development enterprise—with an unbending hand. He couldn’t—or rather wouldn’t—see beyond his own narrow lens to be able to accept that his dreams and goals were not everyone else’s. He kept Craig’s sister, Alyse, and brother, Myles, on a short leash, but he never could control Craig. And Craig knew that his father’s disillusionment with the Hollywood life ran deep, and his mother was at the root of it. But he wasn’t his mother.

He pulled his cell phone out of his pocket and speed-dialed his location scout Paul Frazier.

“Yeah, Paul, we landed about an hour ago. In the car now, headed to the hotel. Look, I want you to be ready to take us over to the location when I arrive at the hotel. Yeah, I know I said tomorrow. I want to see it today. Cool. See you in a few.” He disconnected the call.

“You don’t want to chill for a while before going over there?” Anthony asked.

“Naw. I’ve seen pictures, and that’s about it. I know Paul is good at what he does, but if I’m going to sink my money and a helluva lot of time and people’s talent in this film, I want everything to be perfect. I’d rather find out sooner than later.”

* * *

Jewel Fontaine took her cup of chamomile tea out to the back veranda of her sprawling pre–Civil War home. The house on Prytania Street, which was once a plantation, sat on five acres of land with a creek that ran the length of the property into the wooded area beyond. One of the former slave shacks still stood on the property, but it had been converted into an art studio when Jewel’s career took off. Every time Jewel surveyed her home, she was infused with the spirits of her ancestors who’d toiled on this land and served in those rooms. As an artist she firmly believed in the sanctity of preserving the past for future generations. The constant work that had to be done for the upkeep of the Fontaine home and the cost of maintenance had all but drained her accumulated wealth from her art career, compounded with the care of her ailing father—she was on the precipice of being broke.

The idea that she might lose her home kept her up at night and dogged her steps during the day. She hadn’t worked or sold a piece of art or sculpture in several years. She’d become disillusioned following her last poorly reviewed show nearly five years earlier, and then the decline of her father’s health had turned her away from her passion. She refocused her energies on taking care of the man who had sacrificed everything for her. But in the past six months, she’d realized she couldn’t do it alone, and she’d had to hire a live-in nurse. The cost was astronomical.

Then the call came, and like a miracle, her financial problems would be solved. CL Productions wanted to rent her home for the next six to eight weeks to shoot a film and was willing to pay an exorbitant amount of money for the privilege. She’d nearly leaped through the phone at the chance to lift the financial burden off her chest. The influx of cash would give her some breathing room and a chance to find other sources of revenue.

Jewel took a sip of her tea and gazed out onto the midafternoon glory. The tight churning in her stomach had finally begun to ease.

“Ms. Fontaine!”

Jewel spilled her tea down the front of her floral sundress as she jumped up at the frantic call of her name, which could only mean one thing—Daddy. She ran across the main level and up the winding staircase. The sound of something crashing and shattering quickened her steps. She reached her father’s bedroom door, and her heart stood still.

* * *

Craig didn’t waste much time at the hotel. Now that he’d arrived in Louisiana, the adrenaline of his upcoming project pumped through his veins, making him more brusque and antsy than usual. He began spouting orders to his team the minute he walked into the suite. Within moments everyone was scurrying around like their jobs depended on it.

Less than a half hour after arriving, Craig, Anthony, Paul and his assistant, along with the photographer and driver, were heading to the Fontaine mansion.

“Why the rush?” Anthony asked again. “You generally don’t get involved at this level.”

Craig adjusted his shades on the bridge of his nose. “I have a bigger investment this time. I want everything to be on point and run like clockwork. No screwups. We don’t have the usual wiggle room on time and cost overruns.”

Anthony nodded his head. “Agreed.” He clapped Craig on the shoulder. “You’ve done this countless times, bro,” he said, lowering his voice. “This is going to be your best project yet. We got your back on this.”

“’Preciate that.” He returned his attention to the script and line notes. The film chronicled a poor black family that rose from sharecropping to command the upper echelons of finance, real estate and politics, with great sex scenes and plenty of family drama and scandal thrown in. He wondered if his family would recognize themselves in the characters. Of course, he’d changed names and some professions to suit the storyline.

The driver turned the black Suburban onto a winding road that led to the Fontaine mansion. According to his location scouts’ notes, the home had once been a plantation and one of the shacks that had housed former slaves on the expansive land still remained. When the home appeared and spread out in front of him, it was like being thrown back into time to the days of Gone With the Wind. The only thing missing was the Confederate flag. The SUV came to a stop.

Craig got out and fully took in the setting, already beginning to visualize the scenes and where they would take place. It was better than any description or photograph could capture. This was exactly the setting he wanted. What he needed to do now was meet the owner and set up the official working arrangement. Generally this was something that Paul handled, but this project was his dream movie. It was his first time at bat as writer, director and executive producer. He had a lot riding on this and knew that there were plenty who wished him well and an equal amount that couldn’t wait to see him fail.

“Anthony and Paul, come with me. You guys can wait here,” he said to the photographer and Paul’s assistant. He flipped a page on his clipboard. Jewel Fontaine. It sounded like the name of someone that would live in a house like this. He strode down the pathway that led to the palatial entrance. The front was framed by six white columns, three on each side of the double front door. It was two levels with a wraparound terrace on the second floor and paneled windows.

Craig led his small entourage up the three steps to the front door. He rang the bell and made a mental note to have a temporary door knocker installed for the film.

Moments later the door opened and a woman dressed in what appeared to be a nurse’s uniform stood in front of them.

“Can I help you?”

“Craig Lawson. Ms. Fontaine?”

“No. I’m... Ms. Fontaine is busy right now. It may be best if you come back.”

“No. I don’t think that would be best. I’d appreciate it if you could get Ms. Fontaine. Please let her know that Craig Lawson is here to talk with her about the film.”

The woman in white huffed and rolled her eyes. “If you go round back, I’ll ask Ms. Fontaine to meet you there.”

“Thank you,” Craig said, his tone softening to match the smile on his lips.

“I’ll get Ms. Fontaine,” she said, her tone decidedly changed.

Craig turned and got a quick I told you so look from Anthony. He ignored it.

The trio rounded the building and found themselves in a mini paradise.

“You did good, Paul,” Craig said, slapping him heartily on the back.

“Thanks, boss. Ron was the one that actually found it,” Paul said of his assistant.

Craig pressed his lips together and nodded. What he appreciated about his staff was that they never hesitated to spread their support and share the credit. He set the clipboard down on a circular white metal table that was shaded by a huge umbrella. There was a half cup of tea on the table and a newspaper that had fallen to the ground. He reached down, picked it up and placed it back on the table. He turned at the sound of a door opening behind him.

The woman didn’t simply walk through the door. She swept in like a character from a novel. Every nerve in Craig’s body vibrated. Like the filmmaker that he was, he cataloged every inch of her, from the riotous swirl of cinnamon curls that seemed to want to break free from the knot on the top of her head to the high cheeks, wide expressive honey-toned eyes, sleek arching brows and full pouty lips all set on a flawless canvas of nut brown. The loosely flowing sundress that bared her shoulder and reached her ankles did nothing to camouflage the curves beneath.

Jewel stopped in front of him. “Mr. Lawson?”

“Yes. And you must be Ms. Fontaine.” He extended his hand.

Jewel placed her hand in his, and Craig felt the heat of their contact race straight to his groin. He shifted his stance slightly and cleared his throat to give himself a moment to recover.

“Thanks for seeing me.”

“You didn’t give me much choice, Mr. Lawson.”

“You’re right. I realize you were expecting me—us—tomorrow, but I wanted to see the estate for myself and meet you as soon as possible. I hope we can talk for a few minutes, go over the details and work out the schedule.”

Jewel lifted her chin ever so slightly, a move that Craig had seen his sister use whenever she was ready to do battle. He reflexively clenched his jaw. Craig glanced over his shoulder and angled his body. “Ms. Fontaine, this is my business partner and a producer of the film, Anthony Maxwell.”

Anthony stepped in between the standoff and extended his hand. “Pleasure to meet you, Ms. Fontaine. Your home is better than any pictures.”

She offered up a hint of a smile. “Thank you.” She turned her attention to Craig, and he felt her stare right in his center. “We need to talk, Mr. Lawson.”

His radar went on full alert, and every instinct told him that this was not going to go well. “Of course.”

Jewel stepped down off the back porch and walked toward the brook that ran behind the house. Craig fell in step next to her and wondered what that incredible scent was that floated around her.

“Mr. Lawson—” She stopped and turned to him, and he was hit in the chest again by the depth of her eyes. “I don’t know how to say this, but—” She paused, looked at the water and then at him. “I’m going to have to back out of this arrangement.”

He’d expected a discussion about more money, no Mondays or eating in the kitchen, or whatever other quirky thing homeowners wanted when they rented out their property, but not this.

Craig bent his head toward her in an almost combative move. “Excuse me?”

“I’ve changed my mind. This may be a great opportunity, but it will be too disruptive and... I can’t allow this.” She folded her arms beneath the swell of her breasts. “I’m sorry,” she said softly.

Craig was totally thrown. It took him a minute to process what she was saying. Months of work would go down the drain; the time it would take to find a new location would cost thousands and set the production schedule back by any number of days, possibly weeks. As the scenario played in his head, his level of pissed off rose. He’d never been one to take no for an answer, and now wasn’t the time to get started.

“Listen—” He reached out to touch her, and the instant his fingertips touched her bare arm he knew it was a major mistake. What felt like electricity brushed across his skin. “I, uh, totally get it that having a film crew in your home is a pretty big imposition.” He gave her his best Oscar-winning smile, coated with Nawlins drawl. He held up his hands. “I promise you we will totally respect your home. Whatever rules you set down...that’s what it will be.”

He watched the pink tip of her tongue peek out and stroke her bottom lip. He swallowed.

“It’s much more complicated than that, Mr. Lawson,” she said softly, the hard stance that she’d taken earlier seeming to ease somewhat. “I deeply apologize for any inconvenience—”

“If it’s about money, we can work that out. It’s a big imposition, and you should be compensated accordingly.”

“What makes you think I need or want your money!” Her hands dropped to her sides, and her fingers curled into her palms.

The 360 in her tone and body was so sudden, Craig actually took a step back. “I wasn’t trying to imply that you did,” he said, keeping his voice low and even in the hope of rescuing this rapidly sinking ship. “I’d really like to talk this out. I’m sure we can do whatever it is that you need to be comfortable.”

Jewel slowly shook her head. Her lids fluttered rapidly, and her nostrils flared even as she turned her lips inward and tightened them.

Craig took a cautious step closer. There were two things he was really good at: finding movieworthy material and noting the warning signs in a woman’s face. This woman was on the verge of tears, and he was pretty sure that it had nothing to do with the film, at least not directly.

“I’m sorry,” she managed and stuck out her hand.

Craig’s gaze ran over her face, but she wouldn’t look directly at him. He took her hand and slowly let his fingers envelop hers. “Thank you, Ms. Fontaine. I’m sorry that things didn’t work out. If you change your mind, you have the number.”