Heroes: Saviours, Traitors and Supermen

II ALCIBIADES

IN 405 BC the Peloponnesian War, which had lasted for a quarter of a century and set the entire Hellenic world at odds, ended with the comprehensive defeat of the Athenians at Aegosopotami on the Hellespont. The fleet on which Athens depended for its security and its food supply was destroyed. Lysander, commanding the victorious Spartans, had all the defeated Athenians troops slaughtered. The ship bearing the news reached the Athenian port of Piraeus at nightfall. The wailing began down in the harbour. As the news was passed from mouth to mouth, it spread gradually all along the defensive walls linking city to sea until it reached the darkened streets around the Acropolis and the whole city was heard to cry out like an enormous beast in its agony. ‘That night,’ wrote Xenophon, ‘no one slept. They mourned for the lost, but more still for their own fates.’

The Athenians had good cause to mourn. Within a matter of months they had been blockaded and starved into submission. Their democracy had been replaced by a murderous puppet government, an oligarchy known as the Thirty Tyrants. They lived in fear – of the Spartans who were now their overlords, and of each other, for every formerly prominent person was under suspicion, informers were so active that none dared trust his neighbour, and Critias, leader of the Thirty, ‘began to show a lust for putting people to death’. And yet, according to Plutarch, ‘In the midst of all their troubles a faint glimmer of hope yet remained, that the cause of Athens could never be utterly lost so long as Alcibiades was alive.’

Alcibiades! The name was a charm, and its workings, like all magical processes, were beyond reason. The man on whom the Athenians, in their extremity, pinned their hopes was one whom they had three times rejected, a traitor who had worked so effectively for their enemies that there were those who held him personally responsible for Athens’ downfall. Exiled from Athens for the second time, he was now living among the barbarians in Thrace. There, in a heavily fortified stronghold, with a private army at his command, he led the life of an independent warlord or bandit chief. There was no substantial reason to suppose that he could do anything for the Athenian democracy, and no certainty that he would wish to help even were it in his power to do so. And yet, as the first-century historian Cornelius Nepos noted, Alcibiades was a man from whom miracles, whether malign or beneficent, had always been expected: ‘The people thought there was nothing he could not accomplish.’

Plato, who knew Alcibiades, elaborates in the Republic what he calls a ‘noble lie’, a fable in which he suggests that all men are made from earth, but that in a few the earth has been mixed with gold, rendering them inherently superior to their fellow men, and fit to wield power. This lie, Plato suggests, is a politically useful one. In his ideal republic, he would like to ‘indoctrinate’ the mass of the people with a belief in it, in order that they might be the more easily governed. It would probably not be hard to do so. The belief that some people are innately different from and better than others pervades all pagan mythology and classical legend and surfaces as well in folk tales and fairy stories. The foundling whose white skin proclaims her noble birth, the favoured younger son who survives his ordeals assisted by the birds and beasts who recognize his privileged status, the emperor-to-be whose birth is attended by tremendous omens – all spring, as Plato’s men of gold do, from a profoundly anti-egalitarian collective belief in, and yearning for, the existence of a naturally occurring elite – exceptional beings capable of leading their subordinates to victory, averting evil and playing saviour, or simply providing by their prodigious feats a spectacle capable of exhilarating and inspiring the humdrum multitude. In Alcibiades the Athenians found their golden man.

That Alcibiades was indeed an extraordinary person is well attested. All his life he had a quality, which his contemporaries were at a loss to define or explain, that inspired admiration, fear, and vast irrational hopes. ‘No one ever exceeded Alcibiades’, wrote Nepos, ‘in his faults or in his virtues.’ His contemporaries recognized in him something demonic and excessive that both alarmed and excited them. Plutarch likened him to the fertile soil of Egypt, so rich that it brings forth wholesome drugs and poisons in equally phenomenal abundance. He was a beauty and a bully, an arrogant libertine and a shrewd diplomat, an orator as eloquent when urging on his troops as when he was lying to save his life, a traitor three or four times over with a rare and precious gift (essential to a military commander) for winning his men’s love. There was a time when his prodigious energy and talents terrified many Athenians, who feared that a man so exceptional must surely aim to make himself a tyrant; but in their despair they looked to him as a redeemer.

His adult life coincided almost exactly with the duration of the Peloponnesian War, which began in 431 BC, when he was nineteen, and ended with the fall of Athens in 405, the year before his death. Throughout that period, with brief interludes, the Spartans and their allies (known collectively as the Peloponnesians) struggled against the Athenians, with their allies and colonies, for ascendancy while lesser powers repeatedly shifted allegiance, tilting the balance of power first one way, then another. Sparta was a rigidly conservative state with a curious and ancient constitution in which two hereditary kings ruled alongside, and were outranked by, a council of grandees, the ephors, selected from a handful of noble families. Spartan colonies had oligarchic governments imposed upon them. Athens was a democracy, and founded democracies in its colonies. The war had an ideological theme, but it was also a competition between two aggressively expansionist rival powers for political and economic dominance of the eastern Mediterranean world. From 412 onwards it was complicated by the intervention of the Persians, whose empire dwarfed both the Hellenic alliances. Athens’ successful colonization of the Aegean islands and the coastal regions of Asia Minor deprived the Persian Great King of revenue. His regional governors, the satraps, sided first with the Spartans, later with Athens, in an attempt to re-establish control of the area. Alcibiades, who had Odysseus’ cunning as well as Achilles’ brilliance, was a skilful actor in the complex, deadly theatre of the war. As a general he was swift, subtle and daring. As a diplomat he proved himself to be a confidence trickster of genius.

In his youth he was the golden boy of Athens’ golden age. His family were rich, aristocratic (they claimed descent from Homer’s Nestor), and well connected not only in Athens but all over the Greek world. In constitutional terms every free male citizen of Athens was equal to every other, but in practice the nobility still dominated the government as they did the city’s economic and social life. Homer’s characters take it for granted that a person’s best qualities are inherited. ‘No mean men could sire sons like you’, Menelaus tells two handsome young strangers (he’s right – their fathers are both kings). Most of Alcibiades’ contemporaries would have made the same assumption. ‘The splendour running in the blood has much weight,’ wrote Pindar. When Alcibiades was still a child his father was killed in battle and he was taken to live in the household of his guardian Pericles, who was for thirty years effective ruler of Athens. He could scarcely have been given a better start in life.

Nature was as kind to him as fortune had been. Like Achilles, he was dazzlingly beautiful. To Plutarch, writing five hundred years after his death, his loveliness was still so much of a byword that ‘we need say no more about it, than that it flowered at each season of his growth in turn’. In the homoerotic society of Athens such good looks made him an instant celebrity. As a boy, he was ‘surrounded and pursued by many admirers of high rank … captivated by the brilliance of his youthful beauty’. Whether he actually had sexual relations with any of them is unclear, but gossip maintained that he did. If so, few of his contemporaries would therefore have considered him either immoral or effete. Aeschylus, in the generation before Alcibiades, and Plato, his contemporary, both believed Achilles to be Patroclus’ lover (something Homer does not suggest), but neither of them thought any the less of him for it. On the contrary, Plato’s Phaedrus cites Achilles’ ‘heroic choice to go and rescue Patroclus’ as an example of the way in which love can ennoble a man, earning him ‘the extreme admiration of the gods’.

Among those smitten by Pericles’ ward was Socrates, who told a disciple that the two great loves of his life were philosophy and Alcibiades. The philosopher had gathered around himself a group of aristocratic young men, non-paying students of whom Alcibiades was certainly not the most serious but of whom he was the most highly favoured. Plato (another of them) testifies that the relationship between the ugly middle-aged philosopher and the radiantly beautiful teenager remained chaste, but it surely was, at least on Socrates’ part, physically motivated. When in Plato’s Protagoras, which is set at a time when Alcibiades was about fifteen, Socrates claims to have become so engrossed in a philosophical discussion as to have briefly forgotten Alcibiades altogether, his friend teases him by saying ‘Surely you did not find anyone else of greater beauty there. No! not in all our city.’ Alcibiades’ beauty marked him out, just as Achilles’ had done, as a superior being. In the second century ad the Roman Emperor Hadrian, a connoisseur and devotee of male beauty as ardent as any Athenian, set up an image of Alcibiades in Parian marble and commanded that an ox should be sacrificed to him every year. In his lifetime as well, his looks made him an object, not only of lust, but also of worship. And lovely as he was, his charm was as potent as his physical attractions. His personal magnetism, according to Plutarch, ‘was such that no disposition could wholly resist it, and no character remain unaffected’. The events of his extraordinary career confirm the claim.

As a young man Alcibiades was showy, extravagant, outrageous. He wore his hair as long as a woman’s, spoke with a provocative lisp and strutted through the marketplace trailing his long purple robe. He was a ringleader, a setter of trends. Eupolis reports that he started a fashion for drinking in the morning. When he appeared in a new style of sandal all his contemporaries had copies made, and called them ‘Alcibiades’. He was proud and unbiddable, touchily conscious of his dignity as a nobleman. Plutarch relates an anecdote about him as a child playing in the street, first refusing to interrupt a game of dice in order to allow a cart to go by, and then lying down in the vehicle’s path to show his defiance of the driver’s threats, risking his life rather than take orders from a common carter. He refused to learn to play the flute, on the grounds that flautists made themselves look ridiculous by pursing their lips: flute-playing at once went out of fashion among the smart Athenian youth. As an adolescent, according to his son, he disliked the favourite Athenian sport of wrestling because ‘some of the athletes were of low birth’. As an adult, he was a keen breeder and trainer of horses, an amusement open only to the rich. He carried himself as one who knows himself to be a superior being, by virtue of his class but also because his gifts fitted him for a splendid destiny and because his gargantuan vitality would settle for no less. Plato records Socrates saying to him: ‘You appear to me such that if any god were to say to you “Are you willing, Alcibiades, to live having what you now do, or would you choose to die instantly unless you were permitted greater things?” you would prefer to die.’ Socrates was not talking about material possessions. ‘Further, if the same god said “You can be master here in Europe, but will not be allowed to pass over into Asia”, it appears to me that you would not even on those terms be willing to live, unless you could fill the mouths of all men with your name and power.’ Like Achilles, Alcibiades, according to those intimate with him, had no use for an unremarkable life.

The device on his extravagantly splendid ivory and gold shield showed Eros with a thunderbolt, an image, combining aggressive sexuality with elemental violence, that nicely encapsulates the impression he made. He was prodigally, flashily generous. It was customary for wealthy Athenians with political ambitions to woo the populace by subsidizing choral performances and other public shows: Alcibiades’ were always the most lavish. His first public action was, characteristically, the donation of a quantity of money to the state, and it was performed with typically insouciant theatricality. He happened to be passing the place of assembly at a time when citizens had been asked to make voluntary contributions to the treasury to meet the costs of the war. He was carrying a live quail under his cloak, but hearing the applause with which donors were being received he went in, pledged a large sum, and at the same time inadvertently released the bird. There was laughter and a scramble that ended in a seaman named Antiochus catching the quail and handing it back to Alcibiades. The meeting was to prove a fateful one. Antiochus’ next appearance in recorded history is in the role of catalyst for Alcibiades’ downfall. For the time being, though, he was assisting at an auspicious occasion, the public debut of the rich young dilettante whose mind was on sport but who had demonstrated that he could, if it happened to please him, be of substantial service to the state.

While still in his teens Alcibiades served his stint in the army, as all Athenians were required to do, sharing a tent with Socrates. Philosopher and disciple each acquitted themselves well, but when Socrates saved the younger man’s life, fighting off the enemy when he lay wounded, it was Alcibiades who was awarded a crown and suit of armour as a prize for valour – an injustice that owes something to Socrates’ selflessness, something to the generals’ snobbery, and something as well to Alcibiades’ frequently noted gift for gaining the credit for more than he had actually performed. His actions were as ostentatious as his appearance. ‘Love of distinction and desire for fame’ were, according to Plutarch, the engines that drove him. But courageous he certainly was, and popular with both the common soldiers and those who commanded him.

Warfare provided an outlet for his prodigious energies. In civilian life, they festered. Cornelius Nepos praises his accomplishments and abilities but goes on: ‘but yet, so soon as he relaxed his efforts and there was nothing that called for mental exertion, he gave himself again to extravagance, indifference, licentiousness, depravity’. He had voracious appetites, for sex, for drink, for luxury of all kinds, and he had the money to indulge them all. Already very rich himself, he married Hipparete, one of the wealthiest heiresses in Athens. The wedding seems to have scarcely interrupted his scandalous series of liaisons with courtesans. Scurrilous gossip later accused him of incest with his sister, mother, and illegitimate daughter. The charges are lurid and unconvincing (there is no other evidence that he even had a sister), but his reputation for promiscuity was undoubtedly well founded.

He was a high-handed swaggerer, someone by whom others were readily intimidated and who took pleasure in trying his power. He was jealous. Even Socrates said of him, albeit teasingly, ‘I am really quite scared by his mad behaviour and the intensity of his affections.’ He was violent. As a boy he had beaten up a teacher who confessed to owning no copy of Homer’s works (an assault that was generally agreed – such was the mystique accorded the two epics – to redound to the perpetrator’s credit). He once struck his father-in-law simply for a wager. He thrashed a man who had dared to subsidize a chorus in competition with the one he himself had sponsored. He was rumoured to have killed a servant. When he wanted his house decorated with murals he abducted the distinguished painter Agatharchus, locked him up in the house until he had done the work, then sent him home with a cartload of gold. Annoyed by Anytus, one of the many older men who doted on him, he refused an invitation to dinner but then arrived at the party, late and visibly drunk, with a gang of slaves whom he ordered to seize half of the gold and silver vessels Anytus had laid out to impress his guests (only Athenaeus, of the several ancient writers to tell this story, softens it by mentioning that Alcibiades subsequently gave the valuable dishes to a needy hanger-on). When Hipparete, rendered desperate by her husband’s shameless infidelities, appeared before the magistrates to petition for a divorce, Alcibiades interrupted the proceedings, seized her, and carried her home through the marketplace, ‘and not a soul dared oppose him or take her from him’. Such delinquency in one so high placed and privileged was unnerving. It threatened to disrupt not only the lives of his immediate circle, but of the whole community that observed him, fascinated and fearful. Timon, the notorious misanthrope, once accosted Alcibiades in the street, shook him by the hand, and said: ‘You are doing well, my boy! Go on like this and you will soon be big enough to ruin the lot of them.’