The Sketch-Book of Geoffrey Crayon

About seven miles from Stratford lies the thirsty little market-town of Bedford, famous for its ale. Two societies of the village yeomanry used to meet, under the appellation of the Bedford topers, and to challenge the lovers of good ale of the neighboring villages to a contest of drinking. Among others, the people of Stratford were called out to prove the strength of their heads; and in the number of the champions was Shakespeare, who, in spite of the proverb that “they who drink beer will think beer,” was as true to his ale as Falstaff to his sack. The chivalry of Stratford was staggered at the first onset, and sounded a retreat while they had yet the legs to carry them off the field. They had scarcely marched a mile when, their legs failing them, they were forced to lie down under a crab tree, where they passed the night. It was still standing, and goes by the name of Shakespeare’s tree.

In the morning his companions awaked the bard, and proposed returning to Bedford, but he declined, saying he had enough, having drank with

Piping Pebworth, Dancing Marston,Haunted Hilbro’, Hungry Grafton,Dudging Exhall, Papist Wicksford,Beggarly Broom, and Drunken Bedford.

“The villages here alluded to,” says Ireland, “still bear the epithets thus given them: the people of Pebworth are still famed for their skill on the pipe and tabor; Hilborough is now called Haunted Hilborough; and Grafton is famous for the poverty of its soil.”

The old mansion of Charlecot and its surrounding park still remain in the possession of the Lucy family, and are peculiarly interesting front being connected with this whimsical but eventful circumstance in the scanty history of the bard. As the house stood at little more than three miles’ distance from Stratford, I resolved to pay it a pedestrian visit, that I might stroll leisurely through some of those scenes from which Shakespeare must have derived his earliest ideas of rural imagery.

The country was yet naked and leafless, but English scenery is always verdant, and the sudden change in the temperature of the weather was surprising in its quickening effects upon the landscape. It was inspiring and animating to witness this first awakening of spring; to feel its warm breath stealing over the senses; to see the moist mellow earth beginning to put forth the green sprout and the tender blade, and the trees and shrubs, in their reviving tints and bursting buds, giving the promise of returning foliage and flower. The cold snow-drop, that little borderer on the skirts of winter, was to be seen with its chaste white blossoms in the small gardens before the cottages. The bleating of the new-dropt lambs was faintly heard from the fields. The sparrow twittered about the thatched eaves and budding hedges; the robin threw a livelier note into his late querulous wintry strain; and the lark, springing up from the reeking bosom of the meadow, towered away into the bright fleecy cloud, pouring forth torrents of melody. As I watched the little songster mounting up higher and higher, until his body was a mere speck on the white bosom of the cloud, while the ear was still filled with his music, it called to mind Shakespeare’s exquisite little song in Cymbeline:

Hark! hark! the lark at heav’n’s gate sings,And Phoebus ‘gins arise,His steeds to water at those springs,On chaliced flowers that lies.And winking mary-buds beginTo ope their golden eyes;With every thing that pretty bin,My lady sweet arise!

Indeed, the whole country about here is poetic ground: everything is associated with the idea of Shakespeare. Every old cottage that I saw I fancied into some resort of his boyhood, where he had acquired his intimate knowledge of rustic life and manners, and heard those legendary tales and wild superstitions which he has woven like witchcraft into his dramas. For in his time, we are told, it was a popular amusement in winter evenings “to sit round the fire, and tell merry tales of errant knights, queens, lovers, lords, ladies, giants, dwarfs, thieves, cheaters, witches, fairies, goblins, and friars.” 43

My route for a part of the way lay in sight of the Avon, which made a variety of the most fancy doublings and windings through a wide and fertile valley – sometimes glittering from among willows which fringed its borders; sometimes disappearing among groves or beneath green banks; and sometimes rambling out into full view and making an azure sweep round a slope of meadow-land. This beautiful bosom of country is called the Vale of the Red Horse. A distant line of undulating blue hills seems to be its boundary, whilst all the soft intervening landscape lies in a manner enchained in the silver links of the Avon.

After pursuing the road for about three miles, I turned off into a footpath, which led along the borders of fields and under hedgerows to a private gate of the park; there was a stile, however, for the benefit of the pedestrian, there being a public right of way through the grounds. I delight in these hospitable estates, in which every one has a kind of property – at least as far as the footpath is concerned. It in some measure reconciles a poor man to his lot, and, what is more, to the better lot of his neighbor, thus to have parks and pleasure-grounds thrown open for his recreation. He breathes the pure air as freely and lolls as luxuriously under the shade as the lord of the soil; and if he has not the privilege of calling all that he sees his own, he has not, at the same time, the trouble of paying for it and keeping it in order.

I now found myself among noble avenues of oaks and elms, whose vast size bespoke the growth of centuries. The wind sounded solemnly among their branches, and the rooks cawed from their hereditary nests in the tree-tops. The eye ranged through a long lessening vista, with nothing to interrupt the view but a distant statue and a vagrant deer stalking like a shadow across the opening.

There is something about these stately old avenues that has the effect of Gothic architecture, not merely from the pretended similarity of form, but from their bearing the evidence of long duration, and of having had their origin in a period of time with which we associate ideas of romantic grandeur. They betoken also the long-settled dignity and proudly-concentrated independence of an ancient family; and I have heard a worthy but aristocratic old friend observe, when speaking of the sumptuous palaces of modern gentry, that “money could do much with stone and mortar, but thank Heaven! there was no such thing as suddenly building up an avenue of oaks.”

It was from wandering in early life among this rich scenery, and about the romantic solitudes of the adjoining park of Fullbroke, which then formed a part of the Lucy estate, that some of Shakepeare’s commentators have supposed he derived his noble forest meditations of Jaques and the enchanting woodland pictures in “As You Like It.” It is in lonely wanderings through such scenes that the mind drinks deep but quiet draughts of inspiration, and becomes intensely sensible of the beauty and majesty of Nature. The imagination kindles into reverie and rapture, vague but exquisite images and ideas keep breaking upon it, and we revel in a mute and almost incommunicable luxury of thought. It was in some such mood, and perhaps under one of those very trees before me, which threw their broad shades over the grassy banks and quivering waters of the Avon, that the poet’s fancy may have sallied forth into that little song which breathes the very soul of a rural voluptuary

Unto the greenwood tree,Who loves to lie with meAnd tune his merry throatUnto the sweet bird’s note,Come hither, come hither, come hither.Here shall he seeNo enemy,But winter and rough weather.

I had now come in sight of the house. It is a large building of brick with stone quoins, and is in the Gothic style of Queen Elizabeth’s day, having been built in the first year of her reign. The exterior remains very nearly in its original state, and may be considered a fair specimen of the residence of a wealthy country gentleman of those days. A great gateway opens from the park into a kind of courtyard in front of the house, ornamented with a grassplot, shrubs, and flower-beds. The gateway is in imitation of the ancient barbacan, being a kind of outpost and flanked by towers, though evidently for mere ornament, instead of defence. The front of the house is completely in the old style with stone-shafted casements, a great bow-window of heavy stone-work, and a portal with armorial bearings over it carved in stone. At each corner of the building is an octagon tower surmounted by a gilt ball and weather-cock.

The Avon, which winds through the park, makes a bend just at the foot of a gently-sloping bank which sweeps down from the rear of the house. Large herds of deer were feeding or reposing upon its borders, and swans were sailing majestically upon its bosom. As I contemplated the venerable old mansion I called to mind Falstaff’s encomium on Justice Shallow’s abode, and the affected indifference and real vanity of the latter:

“Falstaff. You have a goodly dwelling and a rich. Shallow. Barren, barren, barren; beggars all, beggars all, Sir John: – marry, good air.”

Whatever may have been the joviality of the old mansion in the days of Shakespeare, it had now an air of stillness and solitude. The great iron gateway that opened into the courtyard was locked, there was no show of servants bustling about the place; the deer gazed quietly at me as I passed, being no longer harried by the moss-troopers of Stratford. The only sign of domestic life that I met with was a white cat stealing with wary look and stealthy pace towards the stables, as if on some nefarious expedition. I must not omit to mention the carcass of a scoundrel crow which I saw suspended against the barn-wall, as it shows that the Lucys still inherit that lordly abhorrence of poachers and maintain that rigorous exercise of territorial power which was so strenuously manifested in the case of the bard.

After prowling about for some time, I at length found my way to a lateral portal, which was the every-day entrance to the mansion. I was courteously received by a worthy old housekeeper, who, with the civility and communicativeness of her order, showed me the interior of the house. The greater part has undergone alterations and been adapted to modern tastes and modes of living: there is a fine old oaken staircase, and the great hall, that noble feature in an ancient manor-house, still retains much of the appearance it must have had in the days of Shakespeare. The ceiling is arched and lofty, and at one end is a gallery in which stands an organ. The weapons and trophies of the chase, which formerly adorned the hall of a country gentleman, have made way for family portraits. There is a wide, hospitable fireplace, calculated for an ample old-fashioned wood fire, formerly the rallying-place of winter festivity. On the opposite side of the hall is the huge Gothic bow-window, with stone shafts, which looks out upon the courtyard. Here are emblazoned in stained glass the armorial bearings of the Lucy family for many generations, some being dated in 1558. I was delighted to observe in the quarterings the three white luces by which the character of Sir Thomas was first identified with that of Justice Shallow. They are mentioned in the first scene of the “Merry Wives of Windsor,” where the justice, is in a rage with Falstaff for having “beaten his men, killed his deer, and broken into his lodge.” The poet had no doubt the offences of himself and his comrades in mind at the time, and we may suppose the family pride and vindictive threats of the puissant Shallow to be a caricature of the pompous indignation of Sir Thomas.

“Shallow. Sir Hugh, persuade me not: I will make a Star Chamber matter of it; if he were twenty John Falstaffs, he shall not abuse Sir Robert Shallow, Esq.

Slender. In the county of Gloster, justice of peace and coram.

Shallow. Ay, cousin Slender, and custalorum.

Slender. Ay, and ratolorum too, and a gentleman born, master parson; who writes himself Armigero in any bill, warrant, quittance, or obligation, Armigero.

Shallow. Ay, that I do; and have done any time these three hundred years.

Slender. All his successors gone before him have done’t, and all his ancestors that come after him may; they may give the dozen white luces in their coat…

Shallow. The council shall hear it; it is a riot.

Evans. It is not meet the council hear of a riot; there is no fear of Got in a riot; the council, hear you, shall desire to hear the fear of Got, and not to hear a riot; take your vizaments in that.

Shallow. Ha! o’ my life, if I were young again, the sword should end it!”

Near the window thus emblazoned hung a portrait, by Sir Peter Lely, of one of the Lucy family, a great beauty of the time of Charles the Second: the old housekeeper shook her head as she pointed to the picture, and informed me that this lady had been sadly addicted to cards, and had gambled away a great portion of the family estate, among which was that part of the park where Shakespeare and his comrades had killed the deer. The lands thus lost had not been entirely regained by the family even at the present day. It is but justice to this recreant dame to confess that she had a surpassingly fine hand and arm.

The picture which most attracted my attention was a great painting over the fireplace, containing likenesses of Sir Thomas Lucy and his family who inhabited the hall in the latter part of Shakespeare’s lifetime. I at first thought that it was the vindictive knight himself, but the housekeeper assured me that it was his son; the only likeness extant of the former being an effigy upon his tomb in the church of the neighboring hamlet of Charlecot.44

The picture gives a lively idea of the costume and manners of the time. Sir Thomas is dressed in ruff and doublet, white shoes with roses in them, and has a peaked yellow, or, as Master Slender would say, “a cane-colored beard.” His lady is seated on the opposite side of the picture in wide ruff and long stomacher, and the children have a most venerable stiffness and formality of dress. Hounds and spaniels are mingled in the family group; a hawk is seated on his perch in the foreground, and one of the children holds a bow, all intimating the knight’s skill in hunting, hawking, and archery, so indispensable to an accomplished gentleman in those days.45

I regretted to find that the ancient furniture of the hall had disappeared; for I had hoped to meet with the stately elbow-chair of carved oak in which the country squire of former days was wont to sway the sceptre of empire over his rural domains, and in which it might be presumed the redoubled Sir Thomas sat enthroned in awful state when the recreant Shakespeare was brought before him. As I like to deck out pictures for my own entertainment, I pleased myself with the idea that this very hall had been the scene of the unlucky bard’s examination on the morning after his captivity in the lodge. I fancied to myself the rural potentate surrounded by his body-guard of butler, pages, and blue-coated serving-men with their badges, while the luckless culprit was brought in, forlorn and chopfallen, in the custody of gamekeepers, huntsmen, and whippers-in, and followed by a rabble rout of country clowns. I fancied bright faces of curious housemaids peeping from the half-opened doors, while from the gallery the fair daughters of the knight leaned gracefully forward, eyeing the youthful prisoner with that pity “that dwells in womanhood.” Who would have thought that this poor varlet, thus trembling before the brief authority of a country squire, and the sport of rustic boors, was soon to become the delight of princes, the theme of all tongues and ages, the dictator to the human mind and was to confer immortality on his oppressor by a caricature and a lampoon?

I was now invited by the butler to walk into the garden, and I felt inclined to visit the orchard and harbor where the justice treated Sir John Falstaff and Cousin Silence “to a last year’s pippin of his own grafting, with a dish of caraways;” but I had already spent so much of the day in my ramblings that I was obliged to give up any further investigations. When about to take my leave I was gratified by the civil entreaties of the housekeeper and butler that I would take some refreshment – an instance of good old hospitality which, I grieve to say, we castle-hunters seldom meet with in modern days. I make no doubt it is a virtue which the present representative of the Lucys inherits from his ancestors; for Shakespeare, even in his caricature, makes Justice Shallow importunate in this respect, as witness his pressing instances to Falstaff:

“By cock and pye, Sir, you shall not away to-night… I will not excuse you; you shall not be excused; excuses shall not be admitted; there is no excuse shall serve; you shall not be excused… Some pigeons, Davy, a couple of short-legged hens; a joint of mutton; and any pretty little tiny kickshaws, tell ‘William Cook.’”

I now bade a reluctant farewell to the old hall. My mind had become so completely possessed by the imaginary scenes and characters connected with it that I seemed to be actually living among them. Everything brought them as it were before my eyes, and as the door of the dining-room opened I almost expected to hear the feeble voice of Master Silence quavering forth his favorite ditty:

“‘Tis merry in hall, when beards wag all,And welcome merry Shrove-tide!”

On returning to my inn I could not but reflect on the singular gift of the poet, to be able thus to spread the magic of his mind over the very face of Nature, to give to things and places a charm and character not their own, and to turn this “working-day world” into a perfect fairy-land. He is indeed the true enchanter, whose spell operates, not upon the senses, but upon the imagination and the heart. Under the wizard influence of Shakespeare I had been walking all day in a complete delusion. I had surveyed the landscape through the prism of poetry, which tinged every object with the hues of the rainbow. I had been surrounded with fancied beings, with mere airy nothings conjured up by poetic power, yet which, to me, had all the charm of reality. I had heard Jaques soliloquize beneath his oak; had beheld the fair Rosalind and her companion adventuring through the woodlands; and, above all, had been once more present in spirit with fat Jack Falstaff and his contemporaries, from the august Justice Shallow down to the gentle Master Slender and the sweet Anne Page. Ten thousand honors and blessings on the bard who has thus gilded the dull realities of life with innocent illusions, who has spread exquisite and unbought pleasures in my chequered path, and beguiled my spirit in many a lonely hour with all the cordial and cheerful sympathies of social life!

As I crossed the bridge over the Avon on my return, I paused to contemplate the distant church in which the poet lies buried, and could not but exult in the malediction which has kept his ashes undisturbed in its quiet and hallowed vaults. What honor could his name have derived from being mingled in dusty companionship with the epitaphs and escutcheons and venal eulogiums of a titled multitude? What would a crowded corner in Westminster Abbey have been, compared with this reverend pile, which seems to stand in beautiful loneliness as his sole mausoleum! The solitude about the grave may be but the offspring of an overwrought sensibility; but human nature is made up of foibles and prejudices, and its best and tenderest affections are mingled with these factitious feelings. He who has sought renown about the world, and has reaped a full harvest of worldly favor, will find, after all, that there is no love, no admiration, no applause, so sweet to the soul as that which springs up in his native place. It is there that he seeks to be gathered in peace and honor among his kindred and his early friends. And when the weary heart and failing head begin to warn him that the evening of life is drawing on, he turns as fondly as does the infant to the mother’s arms to sink to sleep in the bosom of the scene of his childhood.

How would it have cheered the spirit of the youthful bard when, wandering forth in disgrace upon a doubtful world, he cast back a heavy look upon his paternal home, could he have foreseen that before many years he should return to it covered with renown; that his name should become the boast and glory of his native place; that his ashes should be religiously guarded as its most precious treasure; and that its lessening spire, on which his eyes were fixed in tearful contemplation, should one day become the beacon towering amidst the gentle landscape to guide the literary pilgrim of every nation to his tomb!

TRAITS OF INDIAN CHARACTER

“I appeal to any white man if ever he entered Logan’s cabin hungry, and he gave him not to eat; if ever he came cold and naked, and he clothed him not.” —

Speech of au Indian Chief.

THERE is something in the character and habits of the North American savage, taken in connection with the scenery over which he is accustomed to range, its vast lakes, boundless forests, majestic rivers, and trackless plains, that is, to my mind, wonderfully striking and sublime. He is formed for the wilderness, as the Arab is for the desert. His nature is stern, simple, and enduring, fitted to grapple with difficulties and to support privations. There seems but little soil in his heart for the support of the kindly virtues; and yet, if we would but take the trouble to penetrate through that proud stoicism and habitual taciturnity which lock up his character from casual observation, we should find him linked to his fellow-man of civilized life by more of those sympathies and affections than are usually ascribed to him.

It has been the lot of the unfortunate aborigines of America in the early periods of colonization to be doubly wronged by the white men. They have been dispossessed of their hereditary possessions by mercenary and frequently wanton warfare, and their characters have been traduced by bigoted and interested writers. The colonists often treated them like beasts of the forest, and the author has endeavored to justify him in his outrages. The former found it easier to exterminate than to civilize; the latter to vilify than to discriminate. The appellations of savage and pagan were deemed sufficient to sanction the hostilities of both; and thus the poor wanderers of the forest were persecuted and defamed, not because they were guilty, but because they were ignorant.

The rights of the savage have seldom been properly appreciated or respected by the white man. In peace he has too often been the dupe of artful traffic; in war he has been regarded as a ferocious animal whose life or death was a question of mere precaution and convenience. Man is cruelly wasteful of life when his own safety is endangered and he is sheltered by impunity, and little mercy is to be expected from him when he feels the sting of the reptile and is conscious of the power to destroy.

The same prejudices, which were indulged thus early, exist in common circulation at the present day. Certain learned societies have, it is true, with laudable diligence, endeavored to investigate and record the real characters and manners of the Indian tribes; the American government, too, has wisely and humanely exerted itself to inculcate a friendly and forbearing spirit towards them and to protect them from fraud and injustice.46 The current opinion of the Indian character, however, is too apt to be formed from the miserable hordes which infest the frontiers and hang on the skirts of the settlements. These are too commonly composed of degenerate beings, corrupted and enfeebled by the vices of society, without being benefited by its civilization. That proud independence which formed the main pillar of savage virtue has been shaken down, and the whole moral fabric lies in ruins. Their spirits are humiliated and debased by a sense of inferiority, and their native courage cowed and daunted by the superior knowledge and power of their enlightened neighbors. Society has advanced upon them like one of those withering airs that will sometimes breed desolation over a whole region of fertility. It has enervated their strength, multiplied their diseases, and superinduced upon their original barbarity the low vices of artificial life. It has given them a thousand superfluous wants, whilst it has diminished their means of mere existence. It has driven before it the animals of the chase, who fly from the sound of the axe and the smoke of the settlement and seek refuge in the depths of remoter forests and yet untrodden wilds. Thus do we too often find the Indians on our frontiers to be the mere wrecks and remnants of once powerful tribes, who have lingered in the vicinity of the settlements and sunk into precarious and vagabond existence. Poverty, repining and hopeless poverty, a canker of the mind unknown in savage life, corrodes their spirits and blights every free and noble quality of their natures. They become drunken, indolent, feeble, thievish, and pusillanimous. They loiter like vagrants about the settlements, among spacious dwellings replete with elaborate comforts, which only render them sensible of the comparative wretchedness of their own condition. Luxury spreads its ample board before their eyes, but they are excluded from the banquet. Plenty revels over the fields, but they are starving in the midst of its abundance; the whole wilderness has blossomed into a garden, but they feel as reptiles that infest it.