The Fleet. Its Rivers, Prison, and Marriages

CHAPTER VI

SADLER'S WELLS does not really feed the Fleet River, but I notice the spring, for the same reason that I noticed the White Conduit.

A very fair account of its early history is given in a little pamphlet entitled "A True and Exact Account of Sadlers Well: or the New Mineral Waters. Lately found out at Islington: Treating of its nature and Virtues. Together with an Enumeration of the Chiefest Diseases which it is good for, and against which it may be used, and the Manner and Order of Taking of it. Published for publick good by T. G. (Thomas Guidot) Doctor of Physick. Printed for Thomas Malthus at the Sun in the Poultry. 1684."

It begins thus: – "The New Well at Islington is a certain Spring in the middle of a Garden, belonging to the Musick House built by Mr. Sadler, on the North side of the Great Cistern that receives the New River Water near Islington, the Water whereof was, before the Reformation, very much famed for several extraordinary Cures performed thereby, and was, thereupon, accounted sacred, and called Holy Well. The Priests belonging to the Priory of Clarkenwell using to attend there, made the People believe that the virtues of the Waters proceeded from the efficacy of their Prayers. But upon the Reformation the Well was stopt up, upon a supposition that the frequenting it was altogether superstitious, and so, by degrees, it grew out of remembrance, and was wholly lost, until found out, and the Fame of it revived again by the following accident.

"Mr. Sadler being made Surveyor of the High Ways, and having good Gravel in his own Gardens, employed two Men to Dig there, and when they had Dug pretty deep, one of them found his Pickax strike upon some thing that was very hard; whereupon he endeavoured to break it, but could not: whereupon thinking with himself that it might, peradventure, be some Treasure hid there, he uncovered it very carefully, and found it to be a Broad, Flat Stone: which, having loosened, and lifted up, he saw it was supported by four Oaken Posts, and had under it a large Well of Stone Arched over, and curiously carved; and, having viewed it, he called his fellow Labourer to see it likewise, and asked him whether they should fetch Mr. Sadler, and shew it to him? Who, having no kindness for Sadler, said no; he should not know of it, but as they had found it, so they would stop it up again, and take no notice of it; which he that found it consented to at first, but after a little time he found himself (whether out of Curiosity, or some other reason, I shall not determine) strongly inclined to tell Sadler of the Well; which he did, one Sabbath Day in the Evening.

"Sadler, upon this, went down to see the Well, and observing the Curiosity of the Stone Work, that was about it, and fancying within himself that it was a Medicinal Water, formerly had in great esteem, but by some accident or other lost, he took some of it in a Bottle, and carryed it to an Eminent Physician, telling him how the Well was found out, and desiring his Judgment of the Water; who having tasted and tried it, told him it was very strong of a Mineral taste, and advised him to Brew some Beer with it, and carry it to some Persons, to whom he would recommend him; which he did accordingly. And some of those who used to have it of him in Bottles, found so much good by it, that they desired him to bring it in Roundlets."

Sadler's success, for such it was, provoked the envy of others, and one or two satires upon the Wells were produced.

Soon after he opened the Wells, Evelyn visited them, as we read in his invaluable diary. "June 11, 1686. I went to see Middleton's receptacle of water 29 and the New Spa Wells, near Islington." The Spring was still known as Sadler's up to 1697 as we find in advertisements in the Post Boy and Flying Post of June, in that year. But the "Musick House" seems to have passed into other hands, for in 1699 it was called "Miles's Musick House." They seem to have had peculiar entertainments here, judging by an account in Dawk's Protestant Mercury of May 24, 1699. "On Tuesday last a fellow at Sadler's Wells, near Islington, after he had dined heartily on a buttock of beef, for the lucre of five guineas, eat a live cock, feathers, guts, and all, with only a plate of oil and vinegar for sawce, and half a pint of brandy to wash it down, and afterwards proffered to lay five guineas more, that he could do the same again in two hours' time."

That this was a fact is amply borne out by the testimony of Ned Ward, who managed to see most of what was going on in town, and he thus describes the sight in his rough, but vigorous language.

"With much difficulty we crowded upstairs, where we soon got intelligence of the beastly scene in agitation. At last a table was spread with a dirty cloth in the middle of the room, furnished with bread, pepper, oil, and vinegar; but neither knife, plate, fork, or napkin; and when the beholders had conveniently mounted themselves upon one another's shoulders to take a fair view of his Beastlyness's banquet, in comes the lord of the feast, disguised in an Antick's Cap, like a country hangman, attended by a train of Newmarket executioners. When a chair was set, and he had placed himself in sight of the whole assembly, a live Cock was given into the ravenous paws of this ingurgitating monster."

In the same year, in his "Walk to Islington," Ward gives a description of the people who frequented this "Musick House."

It seems to have been kept by Francis Forcer, a musician, about 1725, and the scene at the Wells is graphically described in "The New River, a Poem, by William Garbott."

But a very vivid description of Sadler's Wells is given in "Mackliniana, or Anecdotes of the late Mr. Charles Macklin, Comedian" in the European Magazine for 1801 (vol. xl. p. 16): —

"Being met one night at Sadler's Wells by a friend, who afterwards saw him home, he went into a history of that place, with an accuracy which, though nature generally denies to the recollection of old age in recent events, seems to atone for it in the remembrance of more remote periods.

"Sir, I remember the time when the price of admission here was but threepence, except a few places scuttled off at the sides of the stage at sixpence, and which was usually reserved for people of fashion, who occasionally came to see the fun. Here we smoked, and drank porter and rum and water, as much as we could pay for, and every man had his doxy that liked it, and so forth; and though we had a mixture of very odd company (for I believe it was a good deal the baiting place of thieves and highwaymen) there was little or no rioting. There was a public then, Sir, that kept one another in awe.

"Q. Were the entertainments anything like the present? A. No, no; nothing in the shape of them; some hornpipes and ballad singing, with a kind of pantomimic ballet, and some lofty tumbling – and all this was done by daylight, and there were four or five exhibitions every day.

"Q. How long did these continue at a time? A. Why, Sir, it depended upon circumstances. The proprietors had always a fellow on the outside of the booth, to calculate how many people were collected for a second exhibition, and when he thought there were enough, he came to the back of the upper seats, and cried out, 'Is Hiram Fisteman here?' This was the cant word agreed upon between the parties, to know the state of the people without – upon which they concluded the entertainment with a song, dismissed that audience, and prepared for a second representation.

"Q. Was this in Rozamon's time? A. No, no, Sir; long before – not but old Rozamon improved it a good deal, and, I believe, raised the price generally to sixpence, and in this way got a great deal of money."

Space prevents one going into the merits of the Theatre here, but it may not be out of place if I mention some of the singers, and actors, who have appeared on those boards – Joey Grimaldi, Braham, Miss Shields (afterwards Mrs. Leffler), Edmund Kean, the great traveller Belzoni, Miss Tree, Phelps, of Shakespearian fame, Marston, and others, testify to the talent which has had its home in this theatre. One peculiarity about Sadler's Wells Theatre was the introduction of real water as a scenic effect. It seems to have been first used on Easter Monday, April 2, 1804, in an entertainment called Naumachia. A very large tank was made under the stage, and filled with water from the New River; and in this tank mimic men o' war bombarded Gibraltar, but were repulsed, with loss, by the heroic garrison. Afterwards, it was frequently used for Spectacles, in which water was used as an adjunct.

After this digression let us follow the course of the River Fleet. Leaving St. Chad's Well, and before coming to Bagnigge Wells, there stood in Gray's Inn Road an old public-house called the Pindar of Wakefield, the pounder, or keeper of the pound at that town, the famous George à Green, who gave Robin Hood a notable thrashing, extorting from that bold outlaw this confession —

This old house was destroyed by a hurricane in November, 1723, when the two daughters of the landlord were killed by the falling walls. It was, however, at once rebuilt, and a public-house, bearing the same sign, exists at 328, Gray's Inn Road – most probably occupying the original site.

CHAPTER VII

BETWEEN this house, and Bagnigge Wells, was Bagnigge Wash, or Marsh, and Black Mary's Wells, or Hole. The etymology of this place is contested. In the Gentleman's Magazine for 1813, part ii. p. 557, in an "Account of various Mineral Wells near London," is the following: "Lastly, in the same neighbourhood, may be mentioned the spring or conduit on the eastern side of the road leading from Clerken Well to Bagnigge Wells, and which has given name to a very few small houses as Black Mary's Hole. The land here was, formerly, called Bagnigg Marsh, from the river Bagnigg,34 which passes through it. But, in after-time, the citizens resorting to drink the waters of the conduit, which then was leased to one Mary, who kept a black Cow, whose milk the gentlemen and ladies drank with the waters of the Conduit, from whence, the wits of that age used to say, 'Come, let us go to Mary's black hole.' However, Mary dying, and the place degenerating into licentiousness, about 1687, Walter Baynes Esqre, of the Inner Temple, enclosed the Conduit in the manner it now is, which looks like a great oven. He is supposed to have left a fund for keeping the same in perpetual repair. The stone with the inscription was carried away during the night about ten years ago. The water (which formerly fed two ponds on the other side of the road) falls into the old Bagnigge river."

This etymon, however, is contested in a pamphlet called An experimental enquiry concerning the Contents, Qualities, Medicinal Virtues of the two Mineral Waters of Bagnigge Wells, &c., by John Bevis, M.D. This pamphlet was originally published in 1767, but I quote from the third edition of 1819. "At what time these waters were first known cannot be made out with any degree of evidence. A tradition goes that the place of old was called Blessed Mary's Well; but that the name of the Holy Virgin having, in some measure, fallen into disrepute after the Reformation, the title was altered to Black Mary's Well, as it now stands upon Mr. Rocque's map, and then to Black Mary's Hole; though there is a very different account of these latter appellations; for there are those who insist they were taken from one Mary Woolaston, whose occupation was attending at a well, now covered in, on an opposite eminence, by the footway from Bagnigge to Islington to supply the soldiery, encamped in the adjacent fields, with water. But waving such uncertainties, it may be relied on for truth, that a late proprietor, upon taking possession of the estate, found two wells thereon, both steaned in a workmanlike manner; but when, or for what purpose, they were sunk, he is entirely ignorant."

But Black Mary's Hole, during the first half of the last century, had a very queer reputation. There was a little public-house with the sign of "The Fox at Bay," which probably had something to do with the numerous highway robberies that occurred thereabouts.

In Cromwell's "History of Clerkenwell," pp. 318, 319, we hear of the last of Black Mary's Hole. He says, "Beneath the front garden of a house in Spring Place, and extending under the foot-pavement almost to the turnpike gate called the Pantheon Gate, lies the capacious receptacle of a Mineral Spring, which in former times was in considerable repute, both as a chalybeate, and for its supposed efficacy in the cure of sore eyes… About ten years back, when Spring Place was erected, the builder removed every external appearance of Walter Baynes's labours, and converted the receptacle beneath into a cesspool for the drainage of his houses. The spring thus degraded, and its situation concealed, it is probable that the lapse of a few more years would have effaced the memory of it for ever, had not an accident re-discovered it in the summer of 1826. Its covering, which was only of boards, having rotted, suddenly gave way, and left a large chasm in the footpath. After some efforts, not perfectly successful, to turn off the drainage, it was then arched with brickwork, and a leaden pump placed over it, in the garden where it chiefly lies. But the pump being stolen during the following winter, the spring has again fallen into neglect, and possibly this page alone will prevent its being totally forgotten."

Still following the Fleet to its outfall, we next come to Bagnigge Well, a chalybeate spring, first used medicinally, and then, like all these Spas, merely as a promenade, and place of out-of-door recreation.

Originally, this spring probably belonged to the Nunnery at Clerkenwell, and may possibly be the "Rode Well" mentioned in the Register of Clerkenwell. But we are indebted to Dr. Bevis, from whose pamphlet I have already quoted, for a history of its modern rise and development (p. 38).

"In the year 1757, the spot of ground in which this well is sunk was let out to a gentleman curious in gardening, who observed that the oftener he watered his flowers from it the worse they throve. I happened, toward the end of that summer, to be in company with a friend who made a transient visit to Mr. Hughes, and was asked to taste the water; and, being surprised to find its flavour so near that of the best German chalybeates, did not hesitate to declare my opinion, that it might be made of great benefit both to the public and himself. At my request, he sent me some of the water, in a large stone bottle, well corked, the next day; a gallon whereof I immediately set over a fire, and by a hasty evaporation found it very rich in mineral contents, though much less so than I afterwards experienced it to be when more leisurely exhaled by a gentle heat. Whilst this operation was carrying on, I made some experiments on the remainder of the water, particularly with powdered galls, which I found to give, in less than a minute, a very rich and deep purple tincture to it, that lasted many days without any great alteration. I reported these matters to Mr. Hughes, but, soon after, a very dangerous illness put a stop to my experiments, which I did not resume for a considerable time, when the proprietor called, and told me his waters were in very great repute, and known by the name of Bagnigge Wells; which I remembered to have seen in the newspapers, without so much as guessing it had been given to these springs. Mr. Hughes took me to his wells, where I was not a little pleased with the elegant accommodations he had provided for company in so short a time."

The house attached to the Spa is said to have been the residence of Nell Gwyn, but tradition has assigned her so many houses; at Chelsea, Bagnigge Wells, Highgate, Walworth, and Filberts, near Windsor – nay, one enterprising tradesman in the Strand has christened a milk shop "Nell Gwyn's Dairy," and has gone to some expense, in pictorial tiles, to impress on passers-by the genuineness of his assertion.

Still, local tradition is strong, and, in a book called "The Recreations35 of Mr. Zigzag the elder" (a pseudonym for Mr. John Wykeham Archer, artist and antiquary), which is in the Library of the City of London, and which is profusely "Grangerised" by the author, is a small water colour of Bagnigge House, the reputed dwelling of Nell Gwyn, which I have reproduced in outline, and on this drawing is a note, "Moreover several small tenements at the north end of the Garden were formerly entitled Nell Gwynne's Buildings, which seems to verify the tradition." 36

But the evidence is all of a quasi kind. In the long room, supposed to have been the banqueting room, was, over the mantel, a bust, an alto relievo, of a female, supposed to be Nell Gwyn, and said to be modelled by Sir Peter Lely, enclosed in a circular border of fruit, which, of course, was at once set down as a delicate allusion to the actress's former calling of orange wench in the theatres. The bust and border were painted to imitate nature, and on either side were coats of arms – one the Royal arms, and, on the other side, the Royal arms quartered with others, which were supposed to be those assumed by the actress. When the old house was pulled down, the bust disappeared, and no one knows whither it went.

I give a quotation from the Sunday Times, July 5, 1840, not as adding authority, or weight, to the idea that Bagnigge House was Nell's residence, but to show how deeply rooted was the tradition. It is a portion of the "Maximms and Speciments of William Muggins, Natural Philosopher, and Citizen of the World" —

"Oh! how werry different London are now to wot it war at the time as I took my view on it from the post; none of them beautiful squares and streets, as lies heast and west, and north of the hospital, war built then; it war hall hopen fields right hup to Ampstead an Ighgate and Hislington. Bagnigge Well stood by itself at the foot of the hill, jist where it does now; and then it looked the werry pictur of countryfiedness and hinnocence. There war the beautiful white washed walls, with the shell grotto in the hoctagon summer house, where Nell Gwynne used to sit and watch for King Charles the Second. By the by, a pictur done by a famous hartist of them days, Sir Somebody Neller I thinks war his name, represents the hidentical ouse (it war a fine palace then) with the hidentical hoctagon summer house, with the beautiful Nelly leaning hout of the winder, with her lilly white hand and arm a-beckoning, while the King is seed in the distance galloping like vinking across the fields a waving his hat and feathers; while a little page, with little tobacker-pipe legs, in white stockings, stands ready to hopen a little door in the garden wall, and let hin the royal wisitor, while two little black and tan spanels is frisking about and playing hup hold gooseberry among the flower beds.

That ere pictur used to hang hup in the bar parlor; its wanished now – so are the bust as were in the long room; but there's another portrait pictur of her, all alone by herself, done by Sir Peter Lely, still to be seen. (This here last coorosity war discovered honly a year or two ago, rolled hup among sum rubbige in the loft hunder the roof.)"

The old house, however, was evidently of some importance, for, over a low doorway which led into the garden, was a stone, on which was sculptured a head in relief, and the following inscription —

thus showing that the Pindar of Wakefield was the older house, and famous in that locality. This doorway and stone were in existence within the last forty years, for, in a footnote to page 572 of the Gentleman's Magazine of June, 1847, it says, "The gate and inscription still remain, and will be found, where we saw them a few weeks since, in the road called Coppice Row, on the left going from Clerkenwell towards the New Road."

The following illustration gives Bagnigge Wells as it appeared at the end of last century.

We have read how these gardens were first started in 1757, but they soon became well known and, indeed, notorious, as we read in a very scurrilous poem called "Bagnigge Wells," by W. Woty, in 1760 —

The major portion of this poem (?) is rather too risque for modern publication, but the following extract shows the sort of people who went there with the view of benefiting their health —

And in the prologue to "Bon Ton: or High Life above Stairs," by David Garrick, acted at Drury Lane for the first time, for the benefit of Mr. King, in 1775, not much is said as to the character of its frequenters.

CHAPTER VIII

THE gardens were pretty, after the manner of the times; we should not, perhaps, particularly admire the formally cut lines and hedges, nor the fountain in which a Cupid is hugging a swan, nor the rustic statuary of the haymakers. Still it was a little walk out of London, where fresh air could be breathed, and a good view obtained of the northern hills of Hampstead and Highgate, with the interlying pastoral country, sparsely dotted with farmhouses and cottages. The Fleet, here, had not been polluted into a sewer as it was further on, and there were all the elements of spending a pleasant, happy day, in good air, amid rural scenes.