Time and Tide by Weare and Tyne

LETTER IX.

THE USE OF MUSIC AND DANCING UNDER THE JEWISH THEOCRACY, COMPARED WITH THEIR USE BY THE MODERN FRENCH

40. Having, I hope, made you now clearly understand with what feeling I would use the authority of the book which the British public, professing to consider sacred, have lately adorned for themselves with the work of the boldest violator of the instincts of human honor and decency known yet in art-history, I will pursue by the help of that verse about Miriam, and some others, the subject which occupied my mind at both theaters, and to which, though in so apparently desultory manner, I have been nevertheless very earnestly endeavoring to lead you.

41. The going forth of the women of Israel after Miriam with timbrels and with dances, was, as you doubtless remember, their expression of passionate triumph and thankfulness, after the full accomplishment of their deliverance from the Egyptians. That deliverance had been by the utter death of their enemies, and accompanied by stupendous miracle; no human creatures could in an hour of triumph be surrounded by circumstances more solemn. I am not going to try to excite your feelings about them. Consider only for yourself what that seeing of the Egyptians "dead upon the sea-shore" meant to every soul that saw it. And then reflect that these intense emotions of mingled horror, triumph, and gratitude were expressed, in the visible presence of the Deity, by music and dancing. If you answer that you do not believe the Egyptians so perished, or that God ever appeared in a pillar of cloud, I reply, "Be it so—believe or disbelieve, as you choose;—This is yet assuredly the fact, that the author of the poem or fable of the Exodus supposed that, under such circumstances of Divine interposition as he had invented, the triumph of the Israelitish women would have been, and ought to have been, under the direction of a prophetess, expressed by music and dancing."

42. Nor was it possible that he should think otherwise, at whatever period he wrote; both music and dancing being, among all great ancient nations, an appointed and very principal part of the worship of the gods.

And that very theatrical entertainment at which I sate thinking over these things for you—that pantomime, which depended throughout for its success on an appeal to the vices of the lower London populace, was, in itself, nothing but a corrupt remnant of the religious ceremonies which guided the most serious faiths of the Greek mind, and laid the foundation of their gravest moral and didactic—more forcibly so because at the same time dramatic—literature.

43. Returning to the Jewish history, you find soon afterwards this enthusiastic religious dance and song employed, in their more common and habitual manner, in the idolatries under Sinai; but beautifully again and tenderly, after the triumph of Jephthah, "And behold his daughter came out to meet him with timbrels and with dances." Again, still more notably, at the triumph of David with Saul, "the women came out of all the cities of Israel singing and dancing to meet King Saul with tabrets, with joy, and with instruments of music." And you have this joyful song and dance of the virgins of Israel not only incidentally alluded to in the most solemn passages of Hebrew religious poetry (as in Psalm lxviii. 24, 25, and Psalm cxlix. 2, 3), but approved, and the restoration of it promised as a sign of God's perfect blessing, most earnestly by the saddest of the Hebrew prophets, and in one of the most beautiful of all his sayings.

"The Lord hath appeared of old unto me, saying, 'Yea, I have loved thee with an everlasting love. Therefore, with loving-kindness have I drawn thee.—I will build thee, and thou shalt be built, O Virgin of Israel; thou shalt again be adorned with thy tabrets, and thou shalt go forth in dances with them that make merry,'" (Jer. xxxi. 3, 4; and compare v. 13). And finally, you have in two of quite the most important passages in the whole series of Scripture (one in the Old Testament, one in the New), the rejoicing in the repentance from, and remission of, sins, expressed by means of music and dancing, namely, in the rapturous dancing of David before the returning ark; and in the joy of the father's household at the repentance of the prodigal son.

44. I could put all this much better, and more convincingly, before you, if I were able to take any pains in writing at present; but I am not, as I told you; being weary and ill; neither do I much care now to use what, in the very truth, are but tricks of literary art, in dealing with this so grave subject. You see I write you my letter straightforward, and let you see all my scratchings out and puttings in; and if the way I say things shocks you, or any other reader of these letters, I cannot help it; this only I know, that what I tell you is true, and written more earnestly than anything I ever wrote with my best literary care; and that you will find it useful to think upon, however it be said. Now, therefore, to draw towards our conclusion. Supposing the Bible inspired, in any of the senses above defined, you have in these passages a positively Divine authority for the use of song and dance, as a means of religious service, and expression of national thanksgiving. Supposing it not inspired, you have (taking the passages for as slightly authoritative as you choose) record in them, nevertheless, of a state of mind in a great nation, producing the most beautiful religious poetry and perfect moral law hitherto known to us, yet only expressible by them, to the fulfilment of their joyful passion, by means of professional dance and choral song.

45. Now I want you to contrast this state of religious rapture with some of our modern phases of mind in parallel circumstances. You see that the promise of Jeremiah's, "Thou shalt go forth in the dances of them that make merry," is immediately followed by this, "Thou shalt yet plant vines upon the mountains of Samaria." And again, at the yearly feast to the Lord in Shiloh, the dancing of the virgins was in the midst of the vineyards (Judges xxi. 21), the feast of the vintage being in the south, as our harvest home in the north, a peculiar occasion of joy and thanksgiving. I happened to pass the autumn of 1863 in one of the great vine districts of Switzerland, under the slopes of the outlying branch of the Jura which limits the arable plain of the Canton Zurich, some fifteen miles north of Zurich itself. That city has always been a renowned, stronghold of Swiss Protestantism, next in importance only to Geneva; and its evangelical zeal for the conversion of the Catholics of Uri, and endeavors to bring about that spiritual result by stopping the supplies of salt they needed to make their cheeses with, brought on (the Uri men reading their Matt. v. 13, in a different sense) the battle of Keppel, and the death of the reformer Zwinglius. The town itself shows the most gratifying signs of progress in all the modern arts and sciences of life. It is nearly as black as Newcastle—has a railroad station larger than the London terminus of the Chatham and Dover—fouls the stream of the Limmat as soon as it issues from the lake, so that you might even venture to compare the formerly simple and innocent Swiss river (I remember it thirty years ago—a current of pale green crystal) with the highly educated English streams of Weare or Tyne; and, finally, has as many French prints of dissolute tendency in its principal shop windows as if they had the privilege of opening on the Parisian Boulevards.

46. I was somewhat anxious to see what species of thanksgiving or exultation would be expressed at their vintage, by the peasantry in the neighborhood of this much enlightened, evangelical, and commercial society. It consisted in two ceremonies only. During the day, the servants of the farms where the grapes had been gathered, collected in knots about the vineyards, and slowly fired horse-pistols, from morning to evening. At night they got drunk, and staggered up and down the hill paths, uttering, at short intervals, yells and shrieks, differing only from the howling of wild animals by a certain intended and insolent discordance, only attainable by the malignity of debased human creatures.

47. I must not do the injustice to the Zurich peasantry of implying that this manner of festivity is peculiar to them. A year before, in 1862, I had formed the intention of living some years in the neighborhood of Geneva, and had established myself experimentally on the eastern slope of the Mont Salève; but I was forced to abandon my purpose at last, because I could not endure the rabid howling, on Sunday evenings, of the holiday-makers who came out from Geneva to get drunk in the mountain village. By the way, your last letter, with its extracts about our traffic in gin, is very valuable. I will come to that part of the business in a little while. Meantime, my friend, note this, respecting what I have told you, that in the very center of Europe, in a country which is visited for their chief pleasure by the most refined and thoughtful persons among all Christian nations—a country made by God's hand the most beautiful in the temperate regions of the earth, and inhabited by a race once capable of the sternest patriotism and simplest purity of life, your modern religion, in the very stronghold of it, has reduced the song and dance of ancient virginal thanksgiving to the howlings and staggerings of men betraying, in intoxication, a nature sunk more than half-way towards the beasts; and you will begin to understand why the Bible should have been "illustrated" by Gustave Doré.

48. One word more is needful, though this letter is long already. The peculiar ghastliness of this Swiss mode of festivity is in its utter failure of joy; the paralysis and helplessness of a vice in which there is neither pleasure, nor art. But we are not, throughout Europe, wholly thus. There is such a thing, yet, as rapturous song and dance among us, though not indicative, by any means, of joy over repentant sinners. You must come back to Paris with me again. I had an evening to spare there, last summer, for investigation of theaters; and as there was nothing at any of them that I cared much about seeing, I asked a valet-de-place at Meurice's what people were generally going to. He said, "All the English went to see the Lanterne Magique." I do not care to tell you what general entertainment I received in following, for once, the lead of my countrymen; but it closed with the representation of the characteristic dancing of all ages of the world; and the dance given as characteristic of modern time was the Cancan, which you will see alluded to in the extract given in the note at page 80 of 'Sesame and Lilies' (the small edition; and page 54 of Vol. I. of the Revised Series of the Entire Works). "The ball terminated with a Devilish Chain and a Cancan of Hell, at seven in the morning." It was led by four principal dancers (who have since appeared in London in the Huguenot Captain), and it is many years since I have seen such perfect dancing, as far as finish and accuracy of art and fulness of animal power and fire are concerned. Nothing could be better done, in its own evil way, the object of the dance throughout being to express, in every gesture, the wildest fury of insolence and vicious passions possible to human creatures. So that you see, though, for the present, we find ourselves utterly incapable of a rapture of gladness or thanksgiving, the dance which is presented as characteristic of modern civilization is still rapturous enough—but it is with rapture of blasphemy.

LETTER X.

THE MEANING AND ACTUAL OPERATION OF SATANIC OR DEMONIACAL INFLUENCE

49. You may gather from the facts given you in my last letter that, as the expression of true and holy gladness was in old time statedly offered up by men for a part of worship to God their Father, so the expression of false and unholy gladness is in modern times, with as much distinctness and plainness, asserted by them openly to be offered to another spirit: "Chain of the Devil," and "Cancan of Hell" being the names assigned to these modern forms of joyous procession.

Now, you know that, among the best and wisest of our present religious teachers, there is a gradual tendency to disbelieve, and to preach their disbelief, in the commonly received ideas of the Devil, and of his place, and his work. While, among some of our equally well-meaning, but far less wise, religious teachers, there is, in consequence, a panic spreading in anticipation of the moral dangers which must follow on the loss of the help of the Devil. One of the last appearances in public of the author of the 'Christian Year' was at a conclave of clergymen assembled in defense of faith in damnation.2 The sense of the meeting generally was, that there must be such a place as hell, because no one would ever behave decently upon earth unless they were kept in wholesome fear of the fires beneath it: and Mr. Keble, especially insisting on this view, related a story of an old woman who had a wicked son, and who, having lately heard with horror of the teaching of Mr. Maurice and others, exclaimed pathetically, "My son is bad enough as it is, and if he were not afraid of hell, what would become of him!" (I write from memory, and cannot answer for the words, but I can for their purport.)

50. Now, my friend, I am afraid that I must incur the charge of such presumption as may be involved in variance from both these systems of teaching.

I do not merely believe there is such a place as hell. I know there is such a place; and I know also that when men have got to the point of believing virtue impossible but through dread of it, they have got into it.

I mean, that according to the distinctness with which they hold such a creed, the stain of nether fire has passed upon them. In the depth of his heart Mr. Keble could not have entertained the thought for an instant; and I believe it was only as a conspicuous sign to the religious world of the state into which they were sinking, that this creed, possible in its sincerity only to the basest of them, was nevertheless appointed to be uttered by the lips of the most tender, gracious, and beloved of their teachers.

51. "Virtue impossible but for fear of hell"—a lofty creed for your English youth—and a holy one! And yet, my friend, there was something of right in the terrors of this clerical conclave. For, though you should assuredly be able to hold your own in the straight ways of God, without always believing that the Devil is at your side, it is a state of mind much to be dreaded, that you should not know the Devil when you see him there. For the probability is that when you do see him, the way you are walking in is not one of God's ways at all, but is leading you quite into other neighborhoods than His. On His way, indeed, you may often, like Albert Dürer's Knight, see the Fiend behind you, but you will find that he drops always farther and farther behind; whereas, if he jogs with you at your side, it is probably one of his own bypaths you are got on. And, in any case, it is a highly desirable matter that you should know him when you set eyes on him, which we are very far from doing in these days, having convinced ourselves that the graminivorous form of him, with horn and tail, is extant no longer. But in fearful truth, the Presence and Power of Him is here; in the world, with us, and within us, mock as you may; and the fight with him, for the time, sore, and widely unprosperous.

Do not think I am speaking metaphorically or rhetorically, or with any other than literal and earnest meaning of words. Hear me, I pray you, therefore, for a little while, as earnestly as I speak.

52. Every faculty of man's soul, and every instinct of it by which he is meant to live, is exposed to its own special form of corruption: and whether within Man, or in the external world, there is a power or condition of temptation which is perpetually endeavoring to reduce every glory of his soul, and every power of his life, to such corruption as is possible to them. And the more beautiful they are, the more fearful is the death which is attached as a penalty to their degradation.

53. Take, for instance, that which, in its purity, is the source of the highest and purest mortal happiness—Love. Think of it first at its highest—as it may exist in the disciplined spirit of a perfect human creature; as it has so existed again and again, and does always, wherever it truly exists at all, as the purifying passion of the soul. I will not speak of the transcendental and imaginative intensity in which it may reign in noble hearts, as when it inspired the greatest religious poem yet given to men; but take it in its true and quiet purity in any simple lover's heart,—as you have it expressed, for instance, thus, exquisitely, in the 'Angel in the House':—

Take this for the pure type of it in its simplicity; and then think of what corruption this passion is capable. I will give you a type of that also, and at your very doors. I cannot refer you to the time when the crime happened; but it was some four or five years ago, near Newcastle, and it has remained always as a ghastly landmark in my mind, owing to the horror of the external circumstances. The body of the murdered woman was found naked, rolled into a heap of ashes, at the mouth of one of your pits.

54. You have thus two limiting examples, of the Pure Passion, and of its corruption. Now, whatever influence it is, without or within us, which has a tendency to degrade the one towards the other, is literally and accurately "Satanic." And this treacherous or deceiving spirit is perpetually at work, so that all the worst evil among us is a betrayed or corrupted good. Take religion itself: the desire of finding out God, and placing one's self in some true son's or servant's relation to Him. The Devil, that is to say, the deceiving spirit within us, or outside of us, mixes up our own vanity with this desire; makes us think that in our love to God we have established some connection with Him which separates us from our fellow-men, and renders us superior to them. Then it takes but one wave of the Devil's hand; and we are burning them alive for taking the liberty of contradicting us.

55. Take the desire of teaching—the entirely unselfish and noble instinct for telling to those who are ignorant, the truth we know, and guarding them from the errors we see them in danger of;—there is no nobler, no more constant instinct in honorable breasts; but let the Devil formalize it, and mix the pride of a profession with it—get foolish people entrusted with the business of instruction, and make their giddy heads giddier by putting them up in pulpits above a submissive crowd—and you have it instantly corrupted into its own reverse; you have an alliance against the light, shrieking at the sun, and the moon, and stars, as profane spectra:—a company of the blind, beseeching those they lead to remain blind also. "The heavens and the lights that rule them are untrue; the laws of creation are treacherous; the poles of the earth are out of poise. But we are true. Light is in us only. Shut your eyes close and fast, and we will lead you."

56. Take the desire and faith of mutual help; the virtue of vowed brotherhood for the accomplishment of common purpose, (without which nothing great can be wrought by multitudinous bands of men); let the Devil put pride of caste into it, and you have a military organization applied for a thousand years to maintain that higher caste in idleness by robbing the laboring poor; let the Devil put a few small personal interests into it, and you have all faithful deliberation on national law rendered impossible in the parliaments of Europe, by the antagonism of parties.

57. Take the instinct for justice, and the natural sense of indignation against crime; let the Devil color it with personal passion, and you have a mighty race of true and tender-hearted men living for centuries in such bloody feud that every note and word of their national songs is a dirge, and every rock of their hills is a gravestone. Take the love of beauty, and power of imagination, which are the source of every true achievement in art; let the Devil touch them with sensuality, and they are stronger than the sword or the flame to blast the cities where they were born, into ruin without hope. Take the instinct of industry and ardor of commerce, which are meant to be the support and mutual maintenance of man; let the Devil touch them with avarice, and you shall see the avenues of the exchange choked with corpses that have died of famine.

58. Now observe—I leave you to call this deceiving spirit what you like—or to theorize about it as you like. All that I desire you to recognize is the fact of its being here, and the need of its being fought with. If you take the Bible's account of it, or Dante's, or Milton's, you will receive the image of it as a mighty spiritual creature, commanding others, and resisted by others: if you take Æschylus's or Hesiod's account of it, you will hold it for a partly elementary and unconscious adversity of fate, and partly for a group of monstrous spiritual agencies connected with death, and begotten out of the dust; if you take a modern rationalist's, you will accept it for a mere treachery and want of vitality in our own moral nature exposing it to loathsomeness or moral disease, as the body is capable of mortification or leprosy. I do not care what you call it,—whose history you believe of it,—nor what you yourself can imagine about it; the origin, or nature, or name may be as you will, but the deadly reality of the thing is with us, and warring against us, and on our true war with it depends whatever life we can win. Deadly reality, I say. The puff-adder or horned asp is not more real. Unbelievable,—those,—unless you had seen them; no fable could have been coined out of any human brain so dreadful, within its own poor material sphere, as that blue-lipped serpent—working its way sidelong in the sand. As real, but with sting of eternal death—this worm that dies not, and fire that is not quenched, within our souls or around them. Eternal death, I say—sure, that, whatever creed you hold;—if the old Scriptural one, Death of perpetual banishment from before God's face; if the modern rationalist one, Death Eternal for us, instant and unredeemable ending of lives wasted in misery.