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Copyright
HarperCollinsPublishers
1 London Bridge Street,
London SE1 9GF
www.harpercollins.co.uk
Published by HarperVoyager
An imprint of HarperCollinsPublishers 2017
Copyright © Mark Lawrence 2016
Cover layout design © HarperCollinsPublishers Ltd 2016
Cover Illustration © Jason Chan
Map © Andrew Ashton
Mark Lawrence asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books
Source ISBN: 9780007531639
Ebook Edition © 2015 ISBN: 9780008171001
Version: 2017-10-27
Praise for The Wheel of Osheim
‘A triumphant conclusion … Jalan’s wry narration enhances Lawrence’s heady, enjoyable mix of court intrigue, dirty family politics, and ancient magic. Both new readers and series fans will enjoy this dark and lively epic fantasy’
Publishers Weekly
‘The Wheel of Osheim presents everything our followers could want in a fantasy book, which is no less than one would expect from Mark Lawrence’
Grimdark Magazine
‘Lawrence’s writing makes every page a pleasure to read … The Wheel of Osheim his most outstanding contribution to the genre … so far’
Fantasy-Faction.com
‘The best book I’ve read this year, maybe the best book I’ve read for a few years … I cannot recommend this trilogy highly enough’
FantasyBookReview.co.uk
Praise for The Liar’s Key
‘Lawrence improves with every book he writes and if he keeps on like this, we may have to turn the ratings system up to eleven. Magnificent, and highly recommended’
Starburst Magazine
‘The dialogue is a humorous, frightening lullaby that flawlessly depicts this dark, disturbing universe and its meticulously constructed characters, both friends and fiends’
RT Book Reviews
‘Mark gives us a perfect second book that, just like Jalan, is far more faceted that most. I’m already looking forward to starting it again’
Fantasy-Faction.com
‘Mark Lawrence should be commended on another excellent book of The Red Queen’s War trilogy’
Impulse Gamer
Praise for Prince of Fools
‘Mark Lawrence’s growing army of fans will relish this rollicking new adventure and look forward to the next one’
Daily Mail
‘A bit like The Wizard of Oz but with whores and gore’
Sun
‘Keeps us turning pages with a careful balance of quips and gory incident’
SFX
‘There are special rewards in store here for readers of The Broken Empire series. Highly recommended’
ROBIN HOBB, author of the internationally bestselling Realm of the Elderlings series
‘Mark Lawrence is the best thing to happen to fantasy in recent years’
PETER V. BRETT, internationally bestselling author of The Demon Cycle
‘A savage voice which is telling you a good jest while trying to drown you in story’
ROBERT LOW, author of The Kingdom Series and The Oathsworn Series
‘Really excellent, gritty fantasy – I’m trying to avoid comparison with A Game of Thrones, but I’m afraid it’s right there. But funnier. Very funny indeed’
ANTHONY MCGOWAN, author of The Knife That Killed Me
Praise for The Broken Empire trilogy
‘Excellent – on a par with George R.R. Martin’
CONN IGGULDEN
‘Like … Stephen Donaldson, Mark Lawrence gets the reader firmly behind the flawed saviour that he has created. Soaring fantasy’
Sun
‘Dark, disturbing and horribly gripping … [Prince of Thorns] is a dystopian thriller that strong-stomached readers … who love the TV series Game of Thrones will find right up their street’
The Times
‘[A] morbidly gripping, gritty fantasy tale’
Publishers Weekly
‘In recent years, a cohort of writers including Joe Abercrombie, Mark Lawrence and Brent Weeks has resurrected heroic fantasy and placed it firmly back in the bestseller lists’
Guardian
‘Dark and relentless, Prince of Thorns will pull you under and drown you in story. A two-in-the-morning page turner. Absolutely stunning … jaw-dropping’
ROBIN HOBB
‘A hard-edged tale of survival and conquest in a brutal medieval world, well told and very compelling’
TERRY BROOKS, internationally bestselling author of the Shannara books
‘Marks an unbroken and steady ascent to the top of my favourite-fantasy pile. Lawrence gets better with each book he writes’
MYKE COLE, author of the Shadow Ops series
‘Emperor of Thorns … is a mighty achievement that grew richer as it developed, and a brilliant twist at the very end brings this trilogy to a worthy and quite astounding conclusion’
Daily Mail
Dedication
Dedicated to my father, Patrick.
Table of Contents
Cover
Title Page
Copyright
Praise for The Wheel of Osheim
Praise for The Liar’s Key
Praise for Prince of Fools
Praise for The Broken Empire Trilogy
Dedication
Map
Author’s Note
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Acknowledgements
Keep Reading …
About the Author
Also by Mark Lawrence
About the Publisher
Author’s Note
For those of you who have had to wait a year for this book I provide brief catch-up notes to Book 3, so that your memories may be refreshed and I can avoid the awkwardness of having to have characters tell each other things they already know for your benefit.
Here I carry forward only what is of importance to the tale that follows.
1. Jalan Kendeth, grandson to the Red Queen, has few ambitions. He wants to be back in his grandmother’s capital, rich, and out of danger. He’d also love to lord it over his older brothers Martus and Darin.
2. Life has become a little more complicated of late. Jalan still lusts after his former love, Lisa DeVeer, but she’s now married to his best friend. Additionally he’s still in massive debt to the murderous crime lord Maeres Allus, and wanted for fraud by the great banks of Florence. Plus, he’s vowed revenge on Edris Dean, the man who killed his mother and his sister. His sister was still in his mother’s womb and the necromantic sword Edris used (that Jalan now carries) trapped her in Hell, ready to return as an unborn to serve the Dead King. Jalan’s sister had the potential to be a powerful sorceress and will make a very dangerous unborn – such potent unborn require the death of a close family member to return to the living world.
3. Jalan has travelled from the frozen north to the burning hills of Florence. He began his trip with Norsemen Snorri and Tuttugu of the Undoreth, picking up a Norse witch named Kara, and Hennan, a young boy from Osheim, on the way.
4. Jalan and Snorri were bound to spirits of darkness and light respectively: Aslaug and Baraqel. During their journey those bonds were broken.
5. Jalan has Loki’s key, an artefact that can open any door. Many people want this – not least the Dead King who could use it to emerge from Hell.
6. In this book I use both Hell and Hel to describe the part of the afterlife into which our heroes venture. Hel is what the Norse call it. Hell is what it’s called in Christendom.
7. Tuttugu died in an Umbertide jail, tortured and killed by Edris Dean.
8. We last saw Jalan, Snorri, Kara and Hennan in the depths of the salt-mine where the door-mage, Kelem, dwelt.
9. Kelem was hauled off into the dark-world by Aslaug.
10. Snorri went through the door into Hel to save his family. Jalan said he would go with him, and gave Loki’s key to Kara so it wouldn’t fall into the Dead King’s hands. Jalan’s nerve failed him and he didn’t follow Snorri. He pickpocketed the key back off Kara and a moment later someone pushed the door open from the Hel side and hauled him through.
11. More generally: Jalan’s grandmother, Alica Kendeth, the Red Queen, has been fighting a hidden war with the Lady Blue and her allies for many years. The Lady Blue is the guiding hand behind the Dead King, and the necromancer Edris Dean is one of her agents.
12. Aiding the Red Queen are her twin older siblings, the Silent Sister – who sees the future but never speaks – and her disabled brother Garyus, who runs a commercial empire of his own.
13. The Red Queen’s War is about the change the Builders made in reality a thousand years previously – the change that introduced magic into the world shortly before the previous society (us in about fifty years) was destroyed in a nuclear war.
14. The change the Builders made has been accelerating as people use magic more – in turn allowing more magic to be used – a vicious cycle that is breaking down reality and leading to the end of all things.
15. The Red Queen believes the disaster can be averted – or that she should at least try. The Lady Blue wants to accelerate to the end, believing that she and a select few can survive to become gods in whatever will follow.
16. Dr Taproot appeared to be a circus master going about his business, but Jalan saw him in his grandmother’s memories of sixty years ago, acting as head of her grandfather’s security and much the same age as he is now…
17. The Wheel of Osheim is a region to the north where reality breaks down and every horror from a man’s imagination is given form. Kara’s studies indicate that at the heart of it was a great machine, a work of the Builders, mysterious engines hidden in a circular underground tunnel many miles across. Quite what role it plays in the disaster to come is unclear…
Prologue
In the deepness of the desert, amid dunes taller than any prayer tower, men are made tiny, less than ants. The sun burns there, the wind whispers, all is in motion, too slow for the eye but more certain than sight. The prophet said sand is neither kind nor cruel, but in the oven of the Sahar it is hard to think that it does not hate you.
Tahnoon’s back ached, his tongue scraped dry across the roof of his mouth. He rode, hunched, swaying with the gait of his camel, eyes squinting against the glare even behind the thin material of his shesh. He pushed the discomfort aside. His spine, his thirst, the soreness of the saddle, none of it mattered. The caravan behind him relied on Tahnoon’s eyes, only that. If Allah, thrice-blessed his name, would grant that he saw clearly then his purpose was served.
So Tahnoon rode, and he watched, and he beheld the multitude of sand and the vast emptiness of it, mile upon baking mile. Behind him, the caravan, snaking amid the depths of the dunes where the first shadows would gather come evening. Around its length his fellow Ha’tari rode the slopes, their vigilance turned outward, guarding the soft al’Effem with their tarnished faith. Only the Ha’tari kept to the commandments in spirit as well as word. In the desert such rigid observance was all that kept a man alive. Others might pass through and survive, but only Tahnoon’s people lived in the Sahar, never more than a dry well from death. Treading the fine line in all things. Pure. Allah’s chosen.
Tahnoon angled his camel up the slope. The al’Effem sometimes named their beasts. Another weakness of the tribes not born in the desert. In addition, they scrimped on the second and fourth prayers of each day, denying Allah his full due.
The wind picked up, hot and dry, making the sand hiss as it stripped it from the sculpted crest of the dune. Reaching the top of the slope, Tahnoon gazed down into yet another empty sun-hammered valley. He shook his head, thoughts returning along his trail to the caravan. He glanced back toward the curving shoulder of the next dune, behind which his charges laboured along the path he had set them. These particular al’Effem had been in his care for twenty days now. Two more and he would deliver them to the city. Two more days to endure until the sheikh and his family would grate upon him no longer with their decadent and godless ways. The daughters were the worst. Walking behind their father’s camels, they wore not the twelve-yard thobe of the Ha’tari but a nine-yard abomination that wrapped so tight its folds barely concealed the woman beneath.
The curve of the dune drew his eye and for a second he imagined a female hip. He shook the vision from his head and would have spat were his mouth not so dry.
‘God forgive me for my sin.’
Two more days. Two long days.
The wind shifted from complaint to howl without warning, almost taking Tahnoon from his saddle. His camel moaned her disapproval, trying to turn her head from the sting of the sand. Tahnoon did not turn his head. Just twenty yards before him and six foot above the dune the air shimmered as if in mirage, but like none Tahnoon had seen in forty dry years. The empty space rippled as if it were liquid silver, then tore, offering glimpses of some place beyond, some stone temple lit by a dead orange light that woke every ache the Ha’tari had been ignoring and turned each into a throbbing misery. Tahnoon’s lips drew back as if a sour taste had filled his mouth. He fought to control his steed, the animal sharing his fear.
‘What?’ A whisper to himself, lost beneath the camel’s complaints.
Revealed in ragged strips through rents in the fabric of the world Tahnoon saw a naked woman, her body sculpted from every desire a man could own, each curve underwritten with shadow and caressed by that same dead light. The woman’s fullness held Tahnoon’s eye for ten long heartbeats before his gaze finally wandered up to her face and the shock tumbled him from his perch. Even as he hit the ground he had his saif in hand. The demon had fixed its eyes upon him, red as blood, mouth gaping, baring fangs like those of a dozen giant cobras.
Tahnoon scrambled back to the top of the dune. His terrified steed was gone, the thud of her feet diminishing behind him as she fled. He gained the crest in time to see the slashed veil between him and the temple ripped wide, as if a raider had cut their way through the side of a tent. The succubus stood fully displayed and before her, now tumbling out of that place through the torn air, a man, half-naked. The man hit the sand hard, leapt up in an instant, and reached overhead to where the succubus made to pursue him, feeling her way into the rip that he’d dived through headfirst. As she reached for him, needle-like claws springing from her fingertips, the man jabbed upward, something black clutched in his fist, and with an audible click it was all gone. The hole torn into another world – gone. The demon with her scarlet eyes and perfect breasts – gone. The ancient temple vanished, the dead light of that awful place sealed away again behind whatever thinness keeps us from nightmare.
‘Fuck! Fuck! Fuck!’ The man started to hop from one bare foot to the other. ‘Hot! Hot! Hot!’ An infidel, tall, very white, with the golden hair of the distant north across the sea. ‘Fuck. Hot. Fuck. Hot.’ Pulling on a boot that must have spilled out with him, he fell, searing his bare back on the scalding sand and leaping to his feet again. ‘Fuck! Fuck! Fuck!’ The man managed to drag on his other boot before toppling once more and vanishing head over heels down the far side of the dune screaming obscenities.
Tahnoon stood slowly, sliding his saif back into its curved scabbard. The man’s curses diminished into the distance. Man? Or demon? It had escaped from hell, so demon. But its words had been in the tongue of the old empire, thick with the coarse accent of northmen, putting uncomfortable angles on every syllable.
The Ha’tari blinked and there, written in green on red across the back of his eyelids, the succubus stretched toward him. Blinked again, once, twice, three times. Her image remained, enticing and deadly. With a sigh Tahnoon started to trudge down after the yelping infidel, vowing to himself never to worry about the scandalous nine-yard thobes of the al’Effem again.
1
All I had to do was walk the length of the temple and not be seduced from the path. It would have taken two hundred paces, no more, and I could have left Hell by the judges’ gate and found myself wherever I damn well pleased. And it would have been the palace in Vermillion that I pleased to go to.
‘Shit.’ I levered myself up from the burning sand. The stuff coated my lips, filled my eyes with a thousand gritty little grains, even seemed to trickle out of my ears when I tilted my head. I squatted, spitting, squinting into the brilliance of the day. The sun scorched down with such unreasonable fierceness that I could almost feel my skin withering beneath it. ‘Crap.’
She had been gorgeous though. The part of my mind that had known it was a trap only now struggled out from under the more lustful nine tenths and began shouting ‘I told you so!’
‘Bollocks.’ I stood up. An enormous sand dune curved steeply up before me, taller than seemed reasonable and blazing hot. ‘A fucking desert. Great, just great.’
Actually, after the deadlands even a desert didn’t feel too bad. Certainly it was far too hot, eager to burn any flesh that touched sand, and likely to kill me within an hour if I didn’t find water, but all that aside, it was alive. Yes, there wasn’t any hint of life here, but the very fabric of the place wasn’t woven from malice and despair, the very ground didn’t suck life and joy and hope from you as blotting paper takes up ink.
I looked up at the incredible blueness of the sky. In truth a faded blue that looked to have been left out in the sun too long but after the unchanging dead-sky with its flat orange light all colours looked good to my eye: alive, vibrant, intense. I stretched out my arms. ‘Damn, but it’s good to be alive!’
‘Demon.’ A voice behind me.
I made a slow turn, keeping my arms wide, hands empty and open, the key thrust into the undone belt struggling to keep my trews up.
A black-robed tribesman stood there, curved sword levelled at me, the record of his passage down the dune written across the slope behind him. I couldn’t see his face behind those veils they wear but he didn’t seem pleased to see me.
‘As-salamu alaykum,’ I told him. That’s about all the heathen I picked up during my year in the desert city of Hamada. It’s the local version of ‘hello’.
‘You.’ He gestured sharply upward with his blade. ‘From sky!’
I turned my palms up and shrugged. What could I tell him? Besides any good lie would probably be wasted on the man if he understood the Empire tongue as poorly as he spoke it.
He eyed the length of me, his veil somehow not a barrier to the depth of his disapproval.
‘Ha’tari?’ I asked. In Hamada the locals relied on desert-born mercenaries to see them across the wastes. I was pretty sure they were called Ha’tari.
The man said nothing, only watched me, blade ready. Eventually he waved the sword up the slope he’d come down. ‘Go.’
I nodded and started trudging back along his tracks, grateful that he’d decided not to stick me then and there and leave me to bleed. The truth was of course he didn’t need his sword to kill me. Just leaving me behind would be a death sentence.
Sand dunes are far harder to climb than any hill twice the size. They suck your feet down, stealing the energy from each stride so you’re panting before you’ve climbed your own height. After ten steps I was thirsty, by halfway parched and dizzy. I kept my head down and laboured up the slope, trying not to think about the havoc the sun must be wreaking on my back.
I’d escaped the succubus by luck rather than judgment. I’d had to bury my judgment pretty deep to allow myself to be led off by her in any event. True, she’d been the first thing I’d seen in all the deadlands that looked alive – more than that, she’d been a dream in flesh, shaped to promise all a man could desire. Lisa DeVeer. A dirty trick. Even so, I could hardly have claimed not to have been warned, and when she pulled me down into her embrace and her smile split into something wider than a hyena’s grin and full of fangs I was only half-surprised.