Donal Grant
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Presently came a long-drawn musical moan: it must be the sound of some muffled instrument! Verily night was the time for strange things! Could sounds be begotten in the fir trees by the rays of the hot sun, and born in the stillness of the following dark, as the light which the diamond receives in the day glows out in the gloom? There are parents and their progeny that never exist together!
Again the sound—hardly to be called sound! It resembled a vibration of organ-pipe too slow and deep to affect the hearing; only this rather seemed too high, as if only his soul heard it. He would steal softly down the dumb stone-stair! Some creature might be in trouble and needing help!
He crept back along the bartizan. The stair was dark as the very heart of the night. He groped his way down. The spiral stair is the safest of all: you cannot tumble far ere brought up by the inclosing cylinder. Arrived at the bottom, and feeling about, he could not find the door to the outer air which the butler had shown him; it was wall wherever his hands fell. He could not find again the stair he had left; he could not tell in what direction it lay.
He had got into a long windowless passage connecting two wings of the house, and in this he was feeling his way, fearful of falling down some stair or trap. He came at last to a door—low-browed like almost all in the house. Opening it—was it a thinner darkness or the faintest gleam of light he saw? And was that again the sound he had followed, fainter and farther off than before—a downy wind-wafted plume from the skirt of some stray harmony? At such a time of the night surely it was strange! It must come from one who could not sleep, and was solacing himself with sweet sounds, breathing a soul into the uncompanionable silence! If so it was, he had no right to search farther! But how was he to return? He dared hardly move, lest he should be found wandering over the house in the dead of night like a thief, or one searching after its secrets. He must sit down and wait for the morning: its earliest light would perhaps enable him to find his way to his quarters!
Feeling about him a little, his foot struck against the step of a stair. Examining it with his hands, he believed it the same he had ascended in the morning: even in a great castle, could there be two such royal stairs? He sat down upon it, and leaning his head on his hands, composed himself to a patient waiting for the light.
Waiting pure is perhaps the hardest thing for flesh and blood to do well. The relations of time to mind are very strange. Some of their phenomena seem to prove that time is only of the mind—belonging to the intellect as good and evil belong to the spirit. Anyhow, if it were not for the clocks of the universe, one man would live a year, a century, where another would live but a day. But the mere motion of time, not to say the consciousness of empty time, is fearful. It is this empty time that the fool is always trying to kill: his effort should be to fill it. Yet nothing but the living God can fill it—though it be but the shape our existence takes to us. Only where he is, emptiness is not. Eternity will be but an intense present to the child with whom is the Father.
Such thoughts alighted, flitted, and passed, for the first few moments, through the mind of Donal, as he sat half consciously waiting for the dawn. It was thousands of miles away, over the great round of the sunward-turning earth! His imagination woke, and began to picture the great hunt of the shadows, fleeing before the arrows of the sun, over the broad face of the mighty world—its mountains, seas, and plains in turn confessing the light, and submitting to him who slays for them the haunting demons of their dark. Then again the moments were the small cogs on the wheels of time, whereby the dark castle in which he sat was rushing ever towards the light: the cogs were caught and the wheels turned swiftly, and the time and the darkness sped. He forgot the labour of waiting. If now and then he fancied a tone through the darkness, it was to his mind the music-march of the morning to his rescue from the dungeon of the night.
But that was no musical tone which made the darkness shudder around him! He sprang to his feet. It was a human groan—a groan as of one in dire pain, the pain of a soul's agony. It seemed to have descended the stair to him. The next instant Donal was feeling his way up—cautiously, as if on each succeeding step he might come against the man who had groaned. Tales of haunted houses rushed into his memory. What if he were but pursuing the groan of an actor in the past—a creature the slave of his own conscious memory—a mere haunter of the present which he could not influence—one without physical relation to the embodied, save in the groans he could yet utter! But it was more in awe than in fear that he went. Up and up he felt his way, all about him as still as darkness and the night could make it. A ghostly cold crept through his skin; it was drawn together as by a gently freezing process; and there was a pulling at the muscles of his chest, as if his mouth were being dragged open by a martingale.
As he felt his way along the wall, sweeping its great endless circle round and round in spiral ascent, all at once his hand seemed to go through it; he started and stopped. It was the door of the room into which he had been shown to meet the earl! It stood wide open. A faint glimmer came through the window from the star-filled sky. He stepped just within the doorway. Was not that another glimmer on the floor—from the back of the room—through a door he did not remember having seen yesterday? There again was the groan, and nigh at hand! Someone must be in sore need! He approached the door and looked through. A lamp, nearly spent, hung from the ceiling of a small room which might be an office or study, or a place where papers were kept. It had the look of an antechamber, but that it could not be, for there was but the one door!—In the dim light he descried a vague form leaning up against one of the walls, as if listening to something through it! As he gazed it grew plainer to him, and he saw a face, its eyes staring wide, which yet seemed not to see him. It was the face of the earl. Donal felt as if in the presence of the disembodied; he stood fascinated, nor made attempt to retire or conceal himself. The figure turned its face to the wall, put the palms of its hands against it, and moved them up and down, and this way and that; then looked at them, and began to rub them against each other.
Donal came to himself. He concluded it was a case of sleepwalking. He had read that it was dangerous to wake the sleeper, but that he seldom came to mischief when left alone, and was about to slip away as he had come, when the faint sound of a far-off chord crept through the silence. The earl again laid his ear to the wall. But there was only silence. He went through the same dumb show as before, then turned as if to leave the place. Donal turned also, and hurriedly felt his way to the stair. Then first he was in danger of terror; for in stealing through the darkness from one who could find his way without his eyes, he seemed pursued by a creature not of this world. On the stair he went down a step or two, then lingered, and heard the earl come on it also. He crept close to the newel, leaving the great width of the stair free, but the steps of the earl went upward. Donal descended, sat down again at the bottom of the stair, and began again to wait. No sound came to him through the rest of the night. The slow hours rolled away, and the slow light drew nearer. Now and then he was on the point of falling into a doze, but would suddenly start wide awake, listening through a silence that seemed to fill the whole universe and deepen around the castle.
At length he was aware that the darkness had, unobserved of him, grown weaker—that the approach of the light was sickening it: the dayspring was about to take hold of the ends of the earth that the wicked might be shaken out of its lap. He sought the long passage by which he had come, and felt his way to the other end: it would be safer to wait there if he could get no farther. But somehow he came to the foot of his own stair, and sped up as if it were the ladder of heaven. He threw himself on his bed, fell fast asleep, and did not wake till the sun was high.
CHAPTER XIV.
THE SCHOOLROOM
Old Simmons, the butler, woke him.
"I was afraid something was the matter, sir. They tell me you did not come down last night; and breakfast has been waiting you two hours."
"I should not have known where to find it," said Donal. "The knowledge of an old castle is not intuitive."
"How long will you take to dress?" asked Simmons.
"Ten minutes, if there is any hurry," answered Donal.
"I will come again in twenty; or, if you are willing to save an old man's bones, I will be at the bottom of the stair at that time to take charge of you. I would have looked after you yesterday, but his lordship was poorly, and I had to be in attendance on him till after midnight."
Donal thought it impossible he should of himself have found his way to the schoolroom. With all he could do to remember the turnings, he found the endeavour hopeless, and gave it up with a not unpleasing despair. Through strange passages, through doors in all directions, up stairs and down they went, and at last came to a long, low room, barely furnished, with a pleasant outlook, and immediate access to the open air. The windows were upon a small grassy court, with a sundial in the centre; a door opened on a paved court. At one end of the room a table was laid with ten times as many things as he could desire to eat, though he came to it with a good appetite. The butler himself waited upon him. He was a good-natured old fellow, with a nose somewhat too red for the ordinary wear of one in his responsible position.
"I hope the earl is better this morning," said Donal.
"Well, I can't say. He's but a delicate man is the earl, and has been, so long as I have known him. He was with the army in India, and the sun, they say, give him a stroke, and ever since he have headaches that bad! But in between he seems pretty well, and nothing displeases him more than ask after his health, or how he slep the night. But he's a good master, and I hope to end my days with him. I'm not one as likes new faces and new places! One good place is enough for me, says I—so long as it is a good one.—Take some of this game pie, sir."
Donal made haste with his breakfast, and to Simmons's astonishment had ended when he thought him just well begun.
"How shall I find master Davie?" he asked.
"He is wild to see you, sir. When I've cleared away, just have the goodness to ring this bell out of that window, and he'll be with you as fast as he can lay his feet to the ground."
Donal rang the handbell. A shout mingled with the clang of it. Then came the running of swift feet over the stones of the court, and Davie burst into the room.
"Oh, sir," he cried, "I am glad! It is good of you to come!"
"Well, you see, Davie," returned Donal, "everybody has got to do something to carry the world on a bit: my work is to help make a man of you. Only I can't do much except you help me; and if I find I am not making a good job of you, I shan't stop many hours after the discovery. If you want to keep me, you must mind what I say, and so help me to make a man of you."
"It will be long before I am a man!" said Davie rather disconsolately.
"It depends on yourself. The boy that is longest in becoming a man, is the boy that thinks himself a man before he is a bit like one."
"Come then, let us do something!" said Davie.
"Come away," rejoined Donal. "What shall we do first?"
"I don't know: you must tell me, sir."
"What would you like best to do—I mean if you might do what you pleased?"
Davie thought a little, then said:
"I should like to write a book."
"What kind of a book?"
"A beautiful story."
"Isn't it just as well to read such a book? Why should you want to write one?"
"Because then I should have it go just as I wanted it! I am always—almost always—disappointed with the thing that comes next. But if I wrote it myself, then I shouldn't get tired of it; it would be what pleased me, and not what pleased somebody else."
"Well," said Donal, after thinking for a moment, "suppose you begin to write a book!"
"Oh, that will be fun!—much better than learning verbs and nouns!"
"But the verbs and nouns are just the things that go to make a story—with not a few adjectives and adverbs, and a host of conjunctions; and, if it be a very moving story, a good many interjections! These all you have got to put together with good choice, or the story will not be one you would care to read.—Perhaps you had better not begin till I see whether you know enough about those verbs and nouns to do the thing decently. Show me your school-books."
"There they all are—on that shelf! I haven't opened one of them since Percy came home. He laughed at them all, and so Arkie—that's lady Arctura, told him he might teach me himself. And he wouldn't; and she wouldn't—with him to laugh at her. And I've had such a jolly time ever since—reading books out of the library! Have you seen the library, Mr. Grant?"
"No; I've seen nothing yet. Suppose we begin with a holiday, and you begin by teaching me!"
"Teaching you, sir! I'm not able to teach you!"
"Why, didn't you as much as offer to teach me the library? Can't you teach me this great old castle? And aren't you going to teach yourself to me?"
"That would be a funny lesson, sir!"
"The least funny, the most serious lesson you could teach me! You are a book God has begun, and he has sent me to help him go on with it; so I must learn what he has written already before I try to do anything."
"But you know what a boy is, sir! Why should you want to learn me?"
"You might as well say that, because I have read one or two books, I must know every book. To understand one boy helps to understand another, but every boy is a new boy, different from every other boy, and every one has to be understood."
"Yes—for sometimes Arkie won't hear me out, and I feel so cross with her I should like to give her a good box on the ear. What king was it, sir, that made the law that no lady, however disagreeable, was to have her ears boxed? Do you think it a good law, sir?"
"It is good for you and me anyhow."
"And when Percy says, 'Oh, go away! don't bother,' I feel as if I could hit him hard! Yet, if I happen to hurt him, I am so sorry! and why then should I want to hurt him?"
"There's something in this little fellow!" said Donal to himself. "Ah, why indeed?" he answered. "You see you don't understand yourself yet!"
"No indeed!"
"Then how could you think I should understand you all at once?—and a boy must be understood, else what's to become of him! Fancy a poor boy living all day, and sleeping all night, and nobody understanding him!"
"That would be dreadful! But you will understand me?"
"Only a little: I'm not wise enough to understand any boy."
"Then—but isn't that what you said you came for?—I thought—"
"Yes," answered Donal, "that is what I came for; but if I fancied I quite understood any boy, that would be a sure sign I did not understand him.—There is one who understands every boy as well as if there were no other boy in the whole world."
"Then why doesn't every boy go to him when he can't get fair play?"
"Ah, why? That is just what I want you to do. He can do better than give you fair play even: he can make you give other people fair play, and delight in it."
"Tell me where he is."
"That is what I have to teach you: mere telling is not much use. Telling is what makes people think they know when they do not, and makes them foolish."
"What is his name?"
"I will not tell you that just yet; for then you would think you knew him, when you knew next to nothing about him. Look here; look at this book," he went on, pulling a copy of Boethius from his pocket; "look at the name on the back of it: it is the name of the man that wrote the book."
Davie spelled it out.
"Now you know all about the book, don't you?"
"No, sir; I don't know anything about it."
"Well then, my father's name is Robert Grant: you know now what a good man he is!"
"No, I don't. I should like to see him though!"
"You would love him if you did! But you see now that knowing the name of a person does not make you know the person."
"But you said, sir, that if you told me the name of that person, I should fancy I knew all about him: I don't fancy I know all about your father now you have told me his name!"
"You have me there!" answered Donal. "I did not say quite what I ought to have said. I should have said that when we know a little about a person, and are used to hearing his name, then we are ready to think we know all about him. I heard a man the other day—a man who had never spoken to your father—talk as if he knew all about him."
"I think I understand," said Davie.
To confess ignorance is to lose respect with the ignorant who would appear to know. But there is a worse thing than to lose the respect even of the wise—to deserve to lose it; and that he does who would gain a respect that does not belong to him. But a confession of ignorance is a ground of respect with a well-bred child, and even with many ordinary boys will raise a man's influence: they recognize his loyalty to the truth. Act-truth is infinitely more than fact-truth; the love of the truth infinitely beyond the knowledge of it.
They went out together, and when they had gone the round of the place outside, Davie would have taken him over the house; but Donal said they would leave something for another time, and made him lie down for ten minutes. This the boy thought a great hardship, but Donal saw that he needed to be taught to rest. Ten times in those ten minutes he was on the point of jumping up, but Donal found a word sufficient to restrain him. When the ten minutes were over, he set him an addition sum. The boy protested he knew all the rules of arithmetic.
"But," said Donal, "I must know that you know them; that is my business. Do this one, however easy it is."
The boy obeyed, and brought him the sum—incorrect.
"Now, Davie," said Donal, "you said you knew all about addition, but you have not done this sum correctly."
"I have only made a blunder, sir."
"But a rule is no rule if it is not carried out. Everything goes on the supposition of its being itself, and not something else. People that talk about good things without doing them are left out. You are not master of addition until your addition is to be depended upon."
The boy found it hard to fix his attention: to fix it on something he did not yet understand, would be too hard! he must learn to do so in the pursuit of accuracy where he already understood! then he would not have to fight two difficulties at once—that of understanding, and that of fixing his attention. But for a long time he never kept him more than a quarter of an hour at work on the same thing.
When he had done the sum correctly, and a second without need of correction, he told him to lay his slate aside, and he would tell him a fairy-story. Therein he succeeded tolerably—in the opinion of Davie, wonderfully: what a tutor was this, who let fairies into the school-room!
The tale was of no very original construction—the youngest brother gaining in the path of righteousness what the elder brothers lose through masterful selfishness. A man must do a thing because it is right, even if he die for it; but truth were poor indeed if it did not bring at last all things subject to it! As beauty and truth are one, so are truth and strength one. Must God be ever on the cross, that we poor worshippers may pay him our highest honour? Is it not enough to know that if the devil were the greater, yet would not God do him homage, but would hang for ever on his cross? Truth is joy and victory. The true hero is adjudged to bliss, nor can in the nature of things, that is, of God, escape it. He who holds by life and resists death, must be victorious; his very life is a slaying of death. A man may die for his opinion, and may only be living to himself: a man who dies for the truth, dies to himself and to all that is not true.
"What a beautiful story!" cried Davie when it ceased. "Where did you get it, Mr. Grant?"
"Where all stories come from."
"Where is that?"
"The Think-book."
"What a funny name! I never heard it! Will it be in the library?"
"No; it is in no library. It is the book God is always writing at one end, and blotting out at the other. It is made of thoughts, not words. It is the Think-book."
"Now I understand! You got the story out of your own head!"
"Yes, perhaps. But how did it get in to my head?"
"I can't tell that. Nobody can tell that!"
"Nobody can that never goes up above his own head—that never shuts the Think-book, and stands upon it. When one does, then the Think-book swells to a great mountain and lifts him up above all the world: then he sees where the stories come from, and how they get into his head.—Are you to have a ride to-day?"
"I ride or not just as I like."
"Well, we will now do just as we both like, I hope, and it will be two likes instead of one—that is, if we are true friends."
"We shall be true friends—that we shall!"
"How can that be—between a little boy like you, and a grown man like me?"
"By me being good."
"By both of us being good—no other way. If one of us only was good, we could never be true friends. I must be good as well as you, else we shall never understand each other!"
"How kind you are, Mr. Grant! You treat me just like another one!" said Davie.
"But we must not forget that I am the big one and you the little one, and that we can't be the other one to each other except the little one does what the big one tells him! That's the way to fit into each other."
"Oh, of course!" answered Davie, as if there could not be two minds about that.
CHAPTER XV.
HORSE AND MAN
During the first day and the next, Donal did not even come in sight of any other of the family; but on the third day, after their short early school—for he seldom let Davie work till he was tired, and never after—going with him through the stable-yard, they came upon lord Forgue as he mounted his horse—a nervous, fiery, thin-skinned thoroughbred. The moment his master was on him, he began to back and rear. Forgue gave him a cut with his whip. He went wild, plunging and dancing and kicking. The young lord was a horseman in the sense of having a good seat; but he knew little about horses; they were to him creatures to be compelled, not friends with whom to hold sweet concert. He had not learned that to rule ill is worse than to obey ill. Kings may be worse than it is in the power of any subject to be. As he was raising his arm for a second useless, cruel, and dangerous blow, Donal darted to the horse's head.
"You mustn't do that, my lord!" he said. "You'll drive him mad."
But the worst part of Forgue's nature was uppermost, in his rage all the vices of his family rushed to the top. He looked down on Donal with a fury checked only by contempt.
"Keep off," he said, "or it will be the worse for you. What do you know about horses?"
"Enough to know that you are not fair to him. I will not let you strike the poor animal. Just look at this water-chain!"
"Hold your tongue, and stand away, or, by—"
"Ye winna fricht me, sir," said Donal, whose English would, for years, upon any excitement, turn cowardly and run away, leaving his mother-tongue to bear the brunt, "—I'm no timorsome."
Forgue brought down his whip with a great stinging blow upon Donal's shoulder and back. The fierce blood of the highland Celt rushed to his brain, and had not the man in him held by God and trampled on the devil, there might then have been miserable work. But though he clenched his teeth, he fettered his hands, and ruled his tongue, and the Master of men was master still.
"My lord," he said, after one instant's thunderous silence, "there's that i' me wad think as little o' throttlin' ye as ye du o' ill-usin' yer puir beast. But I'm no gaein' to drop his quarrel, an' tak up my ain: that wad be cooardly." Here he patted the creature's neck, and recovering his composure and his English, went on. "I tell you, my lord, the curb-chain is too tight! The animal is suffering as you can have no conception of, or you would pity him."