The Seaboard Parish, Complete

CHAPTER II. OUR LAST SHORE-DINNER

The next day was very lovely. I think it is the last of the kind of which I shall have occasion to write in my narrative of the Seaboard Parish. I wonder if my readers are tired of so much about the common things of Nature. I reason about it something in this way: We are so easily affected by the smallest things that are of the unpleasant kind, that we ought to train ourselves to the influence of those that are of an opposite nature. The unpleasant ones are like the thorns which make themselves felt as we scramble—for we often do scramble in a very undignified manner—through the thickets of life; and, feeling the thorns, we grumble, and are blind to all but the thorns. The flowers, and the lovely leaves, and the red berries, and the clusters of filberts, and the birds’-nests do not force themselves upon our attention as the thorns do, and the thorns make us forget to look for them. But a scratch would be forgotten—and that in mental hurts is often equivalent to a cure, for a forgotten scratch on the mind or heart will never fester—if we but allowed our being a moment’s repose upon any of the quiet, waiting, unobtrusive beauties that lie around the half-trodden way, offering their gentle healing. And when I think how, not unfrequently, otherwise noble characters are anything but admirable when under the influence of trifling irritations, the very paltriness of which seems what the mind, which would at once rouse itself to a noble endurance of any mighty evil, is unable to endure, I would gladly help so with sweet antidotes to defeat the fly in the ointment of the apothecary that the whole pot shall send forth a pure savour. We ought for this to cultivate the friendships of little things. Beauty is one of the surest antidotes to vexation. Often when life looked dreary about me, from some real or fancied injustice or indignity, has a thought of truth been flashed into my mind from a flower, a shape of frost, or even a lingering shadow—not to mention such glories as angel-winged clouds, rainbows, stars, and sunrises. Therefore I hope that in my loving delay over such aspects of Nature as impressed themselves upon me in this most memorable part of my history I shall not prove wearisome to my reader, for therein I should utterly contravene my hope and intent in the recording of them.

This day there was to be an unusually low tide, and we had reckoned on enlarging our acquaintance with the bed of the ocean—of knowing a few yards more of the millions of miles lapt in the mystery of waters. It was to be low water about two o’clock, and we resolved to dine upon the sands. But all the morning the children were out playing on the threshold of old Neptune’s palace; for in his quieter mood he will, like a fierce mastiff, let children do with him what they will. I gave myself a whole holiday—sometimes the most precious part of my life both for myself and those for whom I labour—and wandered about on the shore, now passing the children, and assailed with a volley of cries and entreaties to look at this one’s castle and that one’s ditch, now leaving them behind, with what in its ungraduated flatness might well enough personate an endless desert of sand between, over the expanse of which I could imagine them disappearing on a far horizon, whence however a faint occasional cry of excitement and pleasure would reach my ears. The sea was so calm, and the shore so gently sloping, that you could hardly tell where the sand ceased and the sea began—the water sloped to such a thin pellicle, thinner than any knife-edge, upon the shining brown sand, and you saw the sand underneath the water to such a distance out. Yet this depth, which would not drown a red spider, was the ocean. In my mind I followed that bed of shining sand, bared of its hiding waters, out and out, till I was lost in an awful wilderness of chasms, precipices, and mountain-peaks, in whose caverns the sea-serpent may dwell, with his breath of pestilence; the kraken, with “his skaly rind,” may there be sleeping

while

as he lies

There may lie all the horrors that Schiller’s diver encountered—the frightful Molch, and that worst of all, to which he gives no name, which came creeping with a hundred knots at once; but here are only the gracious rainbow-woven shells, an evanescent jelly or two, and the queer baby-crabs that crawl out from the holes of the bordering rocks. What awful gradations of gentleness lead from such as these down to those cabins where wallow the inventions of Nature’s infancy, when, like a child of untutored imagination, she drew on the slate of her fancy creations in which flitting shadows of beauty serve only to heighten the shuddering, gruesome horror. The sweet sun and air, the hand of man, and the growth of the ages, have all but swept such from the upper plains of the earth. What hunter’s bow has twanged, what adventurer’s rifle has cracked in those leagues of mountain-waste, vaster than all the upper world can show, where the beasts of the ocean “graze the sea-weed, their pasture”! Diana of the silver bow herself, when she descends into the interlunar caves of hell, sends no such monsters fleeing from her spells. Yet if such there be, such horrors too must lie in the undiscovered caves of man’s nature, of which all this outer world is but a typical analysis. By equally slow gradations may the inner eye descend from the truth of a Cordelia to the falsehood of an Iago. As these golden sands slope from the sunlight into the wallowing abyss of darkness, even so from the love of the child to his holy mother slopes the inclined plane of humanity to the hell of the sensualist. “But with one difference in the moral world,” I said aloud, as I paced up and down on the shimmering margin, “that everywhere in the scale the eye of the all-seeing Father can detect the first quiver of the eyelid that would raise itself heavenward, responsive to his waking spirit.” I lifted my eyes in the relief of the thought, and saw how the sun of the autumn hung above the waters oppressed with a mist of his own glory; far away to the left a man who had been clambering on a low rock, inaccessible save in such a tide, gathering mussels, threw himself into the sea and swam ashore; above his head the storm-tower stood in the stormless air; the sea glittered and shone, and the long-winged birds knew not which to choose, the balmy air or the cool deep, now flitting like arrow-heads through the one, now alighting eagerly upon the other, to forsake it anew for the thinner element. I thanked God for his glory.

“O, papa, it’s so jolly—so jolly!” shouted the children as I passed them again.

“What is it that’s so jolly, Charlie?” I asked.

“My castle,” screeched Harry in reply; “only it’s tumbled down. The water would keep coming in underneath.”

“I tried to stop it with a newspaper,” cried Charlie, “but it wouldn’t. So we were forced to let it be, and down it went into the ditch.”

“We blew it up rather than surrender,” said Dora. “We did; only Harry always forgets, and says it was the water did it.”

I drew near the rock that held the bath. I had never approached it from this side before. It was high above my head, and a stream of water was flowing from it. I scrambled up, undressed, and plunged into its dark hollow, where I felt like one of the sea-beasts of which I had been dreaming, down in the caves of the unvisited ocean. But the sun was over my head, and the air with an edge of the winter was about me. I dressed quickly, descended on the other side of the rock, and wandered again on the sands to seaward of the breakwater, which lay above, looking dry and weary, and worn with years of contest with the waves, which had at length withdrawn defeated to their own country, and left it as if to victory and a useless age of peace. How different was the scene when a raving mountain of water filled all the hollow where I now wandered, and rushed over the top of that mole now so high above me; and I had to cling to its stones to keep me from being carried off like a bit of floating sea-weed! This was the loveliest and strangest part of the shore. Several long low ridges of rock, of whose existence I scarcely knew, worn to a level with the sand, hollowed and channelled with the terrible run of the tide across them, and looking like the old and outworn cheek-teeth of some awful beast of prey, stretched out seawards. Here and there amongst them rose a well-known rock, but now so changed in look by being lifted all the height between the base on the waters, and the second base in the sand, that I wondered at each, walking round and viewing it on all sides. It seemed almost a fresh growth out of the garden of the shore, with uncouth hollows around its fungous root, and a forsaken air about its brows as it stood in the dry sand and looked seaward. But what made the chief delight of the spot, closed in by rocks from the open sands, was the multitude of fairy rivers that flowed across it to the sea. The gladness these streams gave me I cannot communicate. The tide had filled thousands of hollows in the breakwater, hundreds of cracked basins in the rocks, huge sponges of sand; from all of which—from cranny and crack, and oozing sponge—the water flowed in restricted haste back, back to the sea, tumbling in tiny cataracts down the faces of the rocks, bubbling from their roots as from wells, gathering in tanks of sand, and overflowing in broad shallow streams, curving and sweeping in their sandy channels, just like, the great rivers of a continent;—here spreading into smooth silent lakes and reaches, here babbling along in ripples and waves innumerable—flowing, flowing, to lose their small beings in the same ocean that met on the other side the waters of the Mississippi, the Orinoco, the Amazon. All their channels were of golden sand, and the golden sunlight was above and through and in them all: gold and gold met, with the waters between. And what gave an added life to their motion was, that all the ripples made shadows on the clear yellow below them. The eye could not see the rippling on the surface; but the sun saw it, and drew it in multitudinous shadowy motion upon the sand, with the play of a thousand fancies of gold burnished and dead, of sunlight and yellow, trembling, melting, curving, blending, vanishing ever, ever renewed. It was as if all the water-marks upon a web of golden silk had been set in wildest yet most graceful curvilinear motion by the breath of a hundred playful zephyrs. My eye could not be filled with seeing. I stood in speechless delight for a while, gazing at the “endless ending” which was “the humour of the game,” and thinking how in all God’s works the laws of beauty are wrought out in evanishment, in birth and death. There, there is no hoarding, but an ever-fresh creating, an eternal flow of life from the heart of the All-beautiful. Hence even the heart of man cannot hoard. His brain or his hand may gather into its box and hoard; but the moment the thing has passed into the box, the heart has lost it and is hungry again. If man would have, it is the giver he must have; the eternal, the original, the ever-outpouring is alone within his reach; the everlasting creation is his heritage. Therefore all that he makes must be free to come and go through the heart of his child; he can enjoy it only as it passes, can enjoy only its life, its soul, its vision, its meaning, not itself. To hoard rubies and sapphires is as useless and hopeless for the heart, as if I were to attempt to hoard this marvel of sand and water and sunlight in the same iron chest with the musty deeds of my wife’s inheritance.

“Father,” I murmured half aloud, “thou alone art, and I am because thou art. Thy will shall be mine.”

I know that I must have spoken aloud, because I remember the start of consciousness and discomposure occasioned by the voice of Percivale greeting me.

“I beg your pardon,” he added; “I did not mean to startle you, Mr. Walton. I thought you were only looking at Nature’s childplay—not thinking.”

“I know few things more fit to set one thinking than what you have very well called Nature’s childplay,” I returned. “Is Nature very heartless now, do you think, to go on with this kind of thing at our feet, when away up yonder lies the awful London, with so many sores festering in her heart?”

“You must answer your own question, Mr. Walton. You know I cannot. I confess I feel the difficulty deeply. I will go further, and confess that the discrepancy makes me doubt many things I would gladly believe. I know you are able to distinguish between a glad unbelief and a sorrowful doubt.”

“Else were I unworthy of the humblest place in the kingdom—unworthy to be a doorkeeper in the house of my God,” I answered, and recoiled from the sound of my own words; for they seemed to imply that I believed myself worthy of the position I occupied. I hastened to correct them: “But do not mistake my thoughts,” I said; “I do not dream of worthiness in the way of honour—only of fitness for the work to be done. For that I think God has fitted me in some measure. The doorkeeper’s office may be given him, not because he has done some great deed worthy of the honour, but because he can sweep the porch and scour the threshold, and will, in the main, try to keep them clean. That is all the worthiness I dare to claim, even to hope that I possess.”

“No one who knows you can mistake your words, except wilfully,” returned Percivale courteously.

“Thank you,” I said. “Now I will just ask you, in reference to the contrast between human life and nature, how you will go back to your work in London, after seeing all this child’s and other play of Nature? Suppose you had had nothing here but rain and high winds and sea-fogs, would you have been better fitted for doing something to comfort those who know nothing of such influences than you will be now? One of the most important qualifications of a sick-nurse is a ready smile. A long-faced nurse in a sickroom is a visible embodiment and presence of the disease against which the eager life of the patient is fighting in agony. Such ought to be banished, with their black dresses and their mourning-shop looks, from every sick-chamber, and permitted to minister only to the dead, who do not mind looks. With what a power of life and hope does a woman—young or old I do not care—with a face of the morning, a dress like the spring, a bunch of wild flowers in her hand, with the dew upon them, and perhaps in her eyes too (I don’t object to that—that is sympathy, not the worship of darkness),—with what a message from nature and life does she, looking death in the face with a smile, dawn upon the vision of the invalid! She brings a little health, a little strength to fight, a little hope to endure, actually lapt in the folds of her gracious garments; for the soul itself can do more than any medicine, if it be fed with the truth of life.”

“But are you not—I beg your pardon for interposing on your eloquence with dull objection,” said Percivale—“are you not begging all the question? Is life such an affair of sunshine and gladness?”

“If life is not, then I confess all this show of nature is worse than vanity—it is a vile mockery. Life is gladness; it is the death in it that makes the misery. We call life-in-death life, and hence the mistake. If gladness were not at the root, whence its opposite sorrow, against which we arise, from which we recoil, with which we fight? We recognise it as death—the contrary of life. There could be no sorrow but for a recognition of primordial bliss. This in us that fights must be life. It is of the nature of light, not of darkness; darkness is nothing until the light comes. This very childplay, as you call it, of Nature, is her assertion of the secret that life is the deepest, that life shall conquer death. Those who believe this must bear the good news to them that sit in darkness and the shadow of death. Our Lord has conquered death—yea, the moral death that he called the world; and now, having sown the seed of light, the harvest is springing in human hearts, is springing in this dance of radiance, and will grow and grow until the hearts of the children of the kingdom shall frolic in the sunlight of the Father’s presence. Nature has God at her heart; she is but the garment of the Invisible. God wears his singing robes in a day like this, and says to his children, ‘Be not afraid: your brothers and sisters up there in London are in my hands; go and help them. I am with you. Bear to them the message of joy. Tell them to be of good cheer: I have overcome the world. Tell them to endure hunger, and not sin; to endure passion, and not yield; to admire, and not desire. Sorrow and pain are serving my ends; for by them will I slay sin; and save my children.’”

“I wish I could believe as you do, Mr. Walton.”

“I wish you could. But God will teach you, if you are willing to be taught.”

“I desire the truth, Mr. Walton.”

“God bless you! God is blessing you,” I said.

“Amen,” returned Percivale devoutly; and we strolled away together in silence towards the cliffs.

The recession of the tide allowed us to get far enough away from the face of the rocks to see the general effect. With the lisping of the inch-deep wavelets at our heels we stood and regarded the worn yet defiant, the wasted and jagged yet reposeful face of the guardians of the shore.

“Who could imagine, in weather like this, and with this baby of a tide lying behind us, low at our feet, and shallow as the water a schoolboy pours upon his slate to wash it withal, that those grand cliffs before us bear on their front the scars and dints of centuries, of chiliads of stubborn resistance, of passionate contest with this same creature that is at this moment unable to rock the cradle of an infant? Look behind you, at your feet, Mr. Percivale; look before you at the chasms, rents, caves, and hollows of those rocks.”