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"You shouldn't run like that. I am in no hurry."
"Be you not, sir? I thought, by the way you spoke, you be taken with a longing to get a-top o' the tower, and see all about you like. For you see, sir, fond as I be of the old church, I du feel sometimes as if she'd smother me; and then nothing will do but I must get at the top of the old tower. And then, what with the sun, if there be any sun, and what with the fresh air which there always be up there, sir,—it du always be fresh up there, sir," she repeated, "I come back down again blessing the old church for its tower."
As she spoke she was toiling up the winding staircase after me, where there was just room enough for my shoulders to get through by turning themselves a little across the lie of the steps. They were very high, but she kept up with me bravely, bearing out her statement that she was no stranger to them. As I ascended, however, I was not thinking of her, but of what she had said. Strange to tell, the significance of the towers or spires of our churches had never been clear to me before. True, I was quite awake to their significance, at least to that of the spires, as fingers pointing ever upwards to
"regions mild of calm and serene air,Above the smoke and stir of this dim spot,Which men call Earth;"but I had not thought of their symbolism as lifting one up above the church itself into a region where no church is wanted because the Lord God almighty and the Lamb are the temple of it.
Happy church indeed, if it destroys the need of itself by lifting men up into the eternal kingdom! Would that I and all her servants lived pervaded with the sense of this her high end, her one high calling! We need the church towers to remind us that the mephitic airs in the church below are from the churchyard at its feet, which so many take for the church, worshipping over the graves and believing in death—or at least in the material substance over which alone death hath power. Thus the church, even in her corruption, lifts us out of her corruption, sending us up her towers and her spires to admonish us that she too lives in the air of truth: that her form too must pass away, while the truth that is embodied in her lives beyond forms and customs and prejudices, shining as the stars for ever and ever. He whom the church does not lift up above the church is not worthy to be a doorkeeper therein.
Such thoughts passed through me, satisfied me, and left me peaceful, so that before I had reached the top, I was thanking the Lord—not for his church-tower, but for his sexton's wife. The old woman was a jewel. If her husband was like her, which was too much to expect—if he believed in her, it would be enough, quite—then indeed the little child, who answered on being questioned thereanent, as the Scotch would say, that the three orders of ministers in the church were the parson, clerk, and sexton, might not be so far wrong in respect of this individual case. So in the ascent, and the thinking associated therewith, I forgot all about the special object for which I had requested the key of the tower, and led the way myself up to the summit, where stepping out of a little door, which being turned only heavenwards had no pretence for, or claim upon a curiously crooked key, but opened to the hand laid upon the latch, I thought of the words of the judicious Hooker, that "the assembling of the church to learn" was "the receiving of angels descended from above;" and in such a whimsical turn as our thoughts will often take when we are not heeding them, I wondered for a moment whether that was why the upper door was left on the latch, forgetting that that could not be of much use, if the door in the basement was kept locked with the crooked key. But the whole suggested something true about my own heart and that of my fellows, if not about the church: Revelation is not enough, the open trap-door is not enough, if the door of the heart is not open likewise.
As soon, however, as I stepped out upon the roof of the tower, I forgot again all that had thus passed through my mind, swift as a dream. For, filling the west, lay the ocean beneath, with a dark curtain of storm hanging in perpendicular lines over part of its horizon, and on the other side was the peaceful solid land, with its numberless shades of green, its heights and hollows, its farms and wooded vales—there was not much wood—its scattered villages and country dwellings, lighted and shadowed by the sun and the clouds. Beyond lay the blue heights of Dartmoor. And over all, bathing us as it passed, moved the wind, the life-bearing spirit of the whole, the servant of the sun. The old woman stood beside me, silently enjoying my enjoyment, with a still smile that seemed to say in kindly triumph, "Was I not right about the tower and the wind that dwells among its pinnacles?" I drank deep of the universal flood, the outspread peace, the glory of the sun, and the haunting shadow of the sea that lay beyond like the visual image of the eternal silence—as it looks to us—that rounds our little earthly life.
There were a good many trees in the church-yard, and as I looked down, the tops of them in their richest foliage hid all the graves directly below me, except a single flat stone looking up through an opening in the leaves, which seemed to have been just made for it to let it see the top of the tower. Upon the stone a child was seated playing with a few flowers she had gathered, not once looking up to the gilded vanes that rose from the four pinnacles at the corners of the tower. I turned to the eastern side, and looked over upon the church roof. It lay far below—looking very narrow and small, but long, with the four ridges of four steep roofs stretching away to the eastern end. It was in excellent repair, for the parish was almost all in one lord's possession, and he was proud of his church: between them he and Mr. Shepherd had made it beautiful to behold and strong to endure.
When I turned to look again, the little child was gone. Some butterfly fancy had seized her, and she was away. A little lamb was in her place, nibbling at the grass that grew on the side of the next mound. And when I looked seaward there was a sloop, like a white-winged sea-bird, rounding the end of a high projecting rock from the south, to bear up the little channel that led to the gates of the harbour canal. Out of the circling waters it had flown home, not from a long voyage, but hardly the less welcome therefore to those that waited and looked for her signal from the barrier rock.
Reentering by the angels' door to descend the narrow cork-screw stair, so dark and cool, I caught a glimpse, one turn down, by the feeble light that came through its chinks after it was shut behind us, of a tiny maiden-hair fern growing out of the wall. I stopped, and said to the old woman—
"I have a sick daughter at home, or I wouldn't rob your tower of this lovely little thing."
"Well, sir, what eyes you have! I never saw the thing before. Do take it home to miss. It'll do her good to see it. I be main sorry to hear you've got a sick maiden. She ben't a bedlar, be she, sir?"
I was busy with my knife getting out all the roots I could without hurting them, and before I had succeeded I had remembered Turner's using the word.
"Not quite that," I answered, "but she can't even sit up, and must be carried everywhere."
"Poor dear! Everyone has their troubles, sir. The sea's been mine."
She continued talking and asking kind questions about Connie as we went down the stair. Not till she opened a little door I had passed without observing it as we came up, was I reminded of my first object in ascending the tower. For this door revealed a number of bells hanging in silent power in the brown twilight of the place. I entered carefully, for there were only some planks laid upon the joists to keep one's feet from going through the ceiling. In a few moments I had satisfied myself that my conjecture about the keys below was correct. The small iron rods I had seen from beneath hung down from this place. There were more of them hanging shorter above, and there was yet enough of a further mechanism remaining to prove that those keys, by means of the looped and cranked rods, had been in connection with hammers, one of them indeed remaining also, which struck the bells, so that a tune could be played upon them as upon any other keyed instrument. This was the first contrivance of the kind I had ever seen, though I have heard of it in other churches since.
"If I could find a clever blacksmith in the neighbourhood, now," I said to myself, "I would get this all repaired, so that it should not interfere with the bell-ringing when the ringers were to be had, and yet Shepherd could play a psalm tune to his parish at large when he pleased." For Shepherd was a very fair musician, and gave a good deal of time to the organ. "It's a grand notion, to think of him sitting here in the gloom, with that great musical instrument towering above him, whence he sends forth the voice of gladness, almost of song to his people, while they are mowing the grass, binding the sheaves, or gazing abroad over the stormy ocean in doubt, anxiety, and fear. 'There's the parson at his bells,' they would say, and stop and listen; and some phrase might sink into their hearts, waking some memory, or giving birth to some hope or faint aspiration. I will see what can be done." Having come to this conclusion, I left the abode of the bells, descended to the church, bade my conductress good morning, saying I would visit her soon in her own house, and bore home to my child the spoil which, without kirk-rapine, I had torn from the wall of the sanctuary. By this time the stormy veil had lifted from the horizon, and the sun was shining in full power without one darkening cloud.
Ere I left the churchyard I would have a glance at the stone which ever seemed to lie gazing up at the tower. I soon found it, because it was the only one in that quarter from which I could see the top of the tower. It recorded the life and death of an aged pair who had been married fifty years, concluding with the couplet—
"A long time this may seem to be, But it did not seem long to we."
The whole story of a human life lay in that last verse. True, it was not good grammar; but they had got through fifty years of wedded life probably without any knowledge of grammar to harmonise or to shorten them, and I daresay, had they been acquainted with the lesson he had put into their dumb mouths, they would have been aware of no ground of quarrel with the poetic stone-cutter, who most likely had thrown the verses in when he made his claim for the stone and the cutting. Having learnt this one by heart, I went about looking for anything more in the shape of sepulchral flora that might interest or amuse my crippled darling; nor had I searched long before I found one, the sole but triumphant recommendation of which was the thorough "puzzle-headedness" of its construction. I quite reckoned on seeing Connie trying to make it out, looking as bewildered over its excellent grammar, as the poet of the other ought to have looked over his rhymes, ere he gave in to the use of the nominative after a preposition.
"If you could view the heavenly shore,Where heart's content you hope to find,You would not murmur were you gone before,But grieve that you are left behind."CHAPTER XVI.
CONNIE'S WATCH-TOWER
As I walked home, the rush of the rising tide was in my ears. To my fancy, the ocean, awaking from a swoon in which its life had ebbed to its heart, was sending that life abroad to its extremities, and waves breaking in white were the beats of its reviving pulse, the flashes of returning light. But so gentle was its motion, and so lovely its hue, that I could not help contrasting it with its reflex in the mind of her who took refuge from the tumult of its noises in the hollow of the old church. To her, let it look as blue as the sky, as peaceful and as moveless, it was a wild, reckless, false, devouring creature, a prey to its own moods, and to that of the blind winds which, careless of consequences, urged it to raving fury. Only, while the sea took this form to her imagination, she believed in that which held the sea, and knew that, when it pleased God to part his confining fingers, there would he no more sea.
When I reached home, I went straight to Connie's room. Now the house was one of a class to every individual of which, whatever be its style or shape, I instantly become attached almost as if it possessed a measure of the life which it has sheltered. This class of human dwellings consists of the houses that have grown. They have not been, built after a straight-up-and-down model of uninteresting convenience or money-loving pinchedness. They must have had some plan, good, bad, or indifferent, as the case may be, at first, I suppose; but that plan they have left far behind, having grown with the necessities or ambitions of succeeding possessors, until the fact that they have a history is as plainly written on their aspect as on that of any you or daughter of Adam. These are the houses which the fairies used to haunt, and if there is any truth in ghost-stories, the houses which ghosts will yet haunt; and hence perhaps the sense of soothing comfort which pervades us when we cross their thresholds. You do not know, the moment you have cast a glance about the hall, where the dining-room, drawing-room, and best bedroom are. You have got it all to find out, just as the character of a man; and thus had I to find out this house of my friend Shepherd. It had formerly been a kind of manor-house, though altogether unlike any other manor-house I ever saw; for after exercising all my constructive ingenuity reversed in pulling it to pieces in my mind, I came to the conclusion that the germ-cell of it was a cottage of the simplest sort which had grown by the addition of other cells, till it had reached the development in which we found it.
I have said that the dining-room was almost on the level of the shore. Certainly some of the flat stones that coped the low wall in front of it were thrown into the garden before the next winter by the waves. But Connie's room looked out on a little flower-garden almost on the downs, only sheltered a little by the rise of a short grassy slope above it. This, however, left the prospect, from her window down the bay and out to sea, almost open. To reach this room I had now to go up but one simple cottage stair; for the door of the house entered on the first floor, that is, as regards the building, midway between heaven and earth. It had a large bay-window; and in this window Connie was lying on her couch, with the lower sash wide open, through which the breeze entered, smelling of sea-weed tempered with sweet grasses and the wall-flowers and stocks that were in the little plot under it. I thought I could see an improvement in her already. Certainly she looked very happy.
"O, papa!" she said, "isn't it delightful?"
"What is, my dear?"
"O, everything. The wind, and the sky, and the sea, and the smell of the flowers. Do look at that sea-bird. His wings are like the barb of a terrible arrow. How he goes undulating, neck and body, up and down as he flies. I never felt before that a bird moves his wings. It always looked as if the wings flew with the bird. But I see the effort in him."
"An easy effort, though, I should certainly think."
"No doubt. But I see that he chooses and means to fly, and so does it. It makes one almost reconciled to the idea of wings. Do angels really have wings, papa?"
"It is generally so represented, I think, in the Bible. But whether it is meant as a natural fact about them, is more than I take upon me to decide. For one thing, I should have to examine whether in simple narrative they are ever represented with them, as, I think, in records of visions they are never represented without them. But wings are very beautiful things, and I do not exactly see why you should need reconciling to them."
Connie gave a little shrug of her shoulders.
"I don't like the notion of them growing out at my shoulder-blades. And however would you get on your clothes? If you put them over your wings, they would be of no use, and would, besides, make you hump-backed; and if you did not, everything would have to be buttoned round the roots of them. You could not do it yourself, and even on Wynnie I don't think I could bear to touch the things—I don't mean the feathers, but the skinny, folding-up bits of them."
I laughed at her fastidious fancy.
"You want to fly, I suppose?" I said.
"O, yes; I should like that."
"And you don't want to have wings?"
"Well, I shouldn't mind the wings exactly; but however would one be able to keep them nice?"
"There you go; starting from one thing to another, like a real bird already. When you can't answer one thing, off to another, and, from your new perch on the hawthorn, talk as if you were still on the topmost branch of the lilac!"
"O, yes, papa! That's what I've heard you say to mamma twenty times."
"And did I ever say to your mamma anything but the truth? or to you either, you puss?"
I had not yet discovered that when I used this epithet to my Connie, she always thought she had gone too far. She looked troubled. I hastened to relieve her.
"When women have wings," I said, "their logic will be good."
"How do you make that out, papa?" she asked, a little re-assured.
"Because then every shadow of feeling that turns your speech aside from the straight course will be recognised in that speech; the whole utterance will be instinct not only with the meaning of what you are thinking, but with the reflex of the forces in you that make the utterance take this or that shape; just as to a perfect palate, the source and course of a stream would be revealed in every draught of its water.
"I have just a glimmering of your meaning, papa. Would you like to have wings?"
"I should like to fly like a bird, to swim like a fish, to gallop like a horse, to creep like a serpent, but I suspect the good of all these is to be got without doing any of them."
"I know what you mean now, but I can't put it in words."
"I mean by a perfect sympathy with the creatures that do these things: what it may please God to give to ourselves, we can quite comfortably leave to him. A higher stratum of the same kind is the need we feel of knowing our fellow-creatures through and through, of walking into and out of their worlds as if we were, because we are, perfectly at home in them.—But I am talking what the people who do not understand such things lump all together as mysticism, which is their name for a kind of spiritual ash-pit, whither they consign dust and stones, never asking whether they may not be gold-dust and rubies, all in a heap.—You had better begin to think about getting out, Connie."
"Think about it, papa! I have been thinking about it ever since daylight."
"I will go and see what your mother is doing then, and if she is ready to go out with us."
In a few moments all was arranged. Without killing more than a snail or two, which we could not take time to beware of, Walter and I—finding that the window did not open down to the ground in French fashion, for which there were two good reasons, one the fierceness of the winds in winter, the other, the fact that the means of egress were elsewise provided—lifted the sofa, Connie and all, out over the window-sill, and then there was only a little door in the garden-wall to get her through before we found ourselves upon the down. I think the ascent of this hill was the first experience I had—a little to my humiliation, nothing to my sorrow—that I was descending another hill. I had to set down the precious burden rather oftener before we reached the brow of the cliffs than would have been necessary ten years before. But this was all right, and the newly-discovered weakness then was strength to the power which carries me about on my two legs now. It is all right still. I shall be stronger by and by.
We carried her high enough for her to see the brilliant waters lying many feet below her, with the sea-birds of which we had talked winging their undulating way between heaven and ocean. It is when first you have a chance of looking a bird in the face on the wing that you know what the marvel of flight is. There it hangs or rests, which you please, borne up, as far as eye or any of the senses can witness, by its own will alone. This Connie, quicker than I in her observation of nature, had already observed. Seated on the warm grass by her side, while neither talked, but both regarded the blue spaces, I saw one of those same barb-winged birds rest over my head, regarding me from above, as if doubtful whether I did not afford some claim to his theory of treasure-trove. I knew at once that what Connie had been saying to me just before was true.
She lay silent a long time. I too was silent. At length I spoke.
"Are you longing to be running about amongst the rocks, my Connie?"
"No, papa; not a bit. I don't know how it is, but I don't think I ever wished much for anything I knew I could not have. I am enjoying everything more than I can tell you. I wish Wynnie were as happy as I am."
"Why? Do you think she's not happy, my dear?"
"That doesn't want any thinking, papa. You can see that."
"I am afraid you're right, Connie. What do you think is the cause of it?"
"I think it is because she can't wait. She's always going out to meet things; and then when they're not there waiting for her, she thinks they're nowhere. But I always think her way is finer than mine. If everybody were like me, there wouldn't be much done in the world, would there, papa?"
"At all events, my dear, your way is wise for you, and I am glad you do not judge your sister."
"Judge Wynnie, papa! That would be cool impudence. She's worth ten of me. Don't you think, papa," she added, after a pause, "that if Mary had said the smallest word against Martha, as Martha did against Mary, Jesus would have had a word to say on Martha's side next?"
"Indeed I do, my dear. And I think that did not sit very long without asking Jesus if she mightn't go and help her sister. There is but one thing needful—that is, the will of God; and when people love that above everything, they soon come to see that to everything else there are two sides, and that only the will of God gives fair play, as we call it, to both of them."
Another silence followed. Then Connie spoke.
"Is it not strange, papa, that the only thine here that makes me want to get up to look, is nothing of all the grand things round about me? I am just lying like the convex mirror in the school-room at home, letting them all paint themselves in me."
"What is it then that makes you wish to get up and go and see?" I asked with real curiosity.
"Do you see down there—away across the bay—amongst the rocks at the other side, a man sitting sketching?"
I looked for some time before I could discover him.
"Your sight is good, Connie: I see the man, but I could not tell what he was doing."
"Don't you see him lifting his head every now and then for a moment, and then keeping it down for a longer while?"
"I cannot distinguish that. But then I am shortsighted rather, you know."
"I wonder how you see so many little things that nobody else seems to notice, then, papa."
"That is because I have trained myself to observe. The degree of power in the sight is of less consequence than the habit of seeing. But you have not yet told me what it is that makes you desirous of getting up."
"I want to look over his shoulder, and see what he is doing. Is it not strange that in the midst of all this plenty of beautifulness, I should want to rise to look at a few lines and scratches, or smears of colour, upon a bit of paper?"
"No, my dear; I don't think it is strange. There a new element of interest is introduced—the human. No doubt there is deep humanity in all this around us. No doubt all the world, in all its moods, is human, as those for whose abode and instruction it was made. No doubt, it would be void of both beauty and significance to our eyes, were it not that it is one crowd of pictures of the human mind, blended in one living fluctuating whole. But these meanings are there in solution as it were. The individual is a centre of crystallisation to this solution. Around him meanings gather, are separated from other meanings; and if he be an artist, by which I mean true painter, true poet, or true musician, as the case may be he so isolates and represents them, that we see them—not what nature shows to us, but what nature has shown, to him, determined by his nature and choice. With it is mingled therefore so much of his own individuality, manifested both in this choice and certain modifications determined by his way of working, that you have not only a representation of an aspect of nature, as far as that may be with limited powers and materials, but a revelation of the man's own mind and nature. Consequently there is a human interest in every true attempt to reproduce nature, an interest of individuality which does not belong to nature herself, who is for all and every man. You have just been saying that you were lying there like a convex mirror reflecting all nature around you. Every man is such a convex mirror; and his drawing, if he can make one, is an attempt to show what is in this little mirror of his, kindled there by the grand world outside. And the human mirrors being all differently formed, vary infinitely in what they would thus represent of the same scene. I have been greatly interested in looking alternately over the shoulders of two artists, both sketching in colour the same, absolutely the same scene, both trying to represent it with all the truth in their power. How different, notwithstanding, the two representations came out!"