Made For You

DAY 6: “THE PIPER-ETTES”

Grace

“HOW IS SHE?”

“Do you know when she’ll be back?”

The questions start the moment I walk into Jessup High School the next day. It’s not that they’re unexpected. Jessup has about twenty thousand people, which means that there are only two hundred or so students in my grade, which means they all have known one another since they were in preschool. Eva’s family is the biggest employer in Jessup. Although the Cooper Winery itself doesn’t have a huge staff, many of the businesses here are partially owned by the Coopers. They’re the modern equivalents of aristocracy. Added to that, Eva’s father is a minister’s son, so the combination of Cooper wealth and Tilling modesty makes Eva a veritable princess here.

“How is she?” Piper Kennelly follows me through the hall. Behind her are three of the “Piper-ettes,” the seemingly interchangeable girls who are vying for her attention or Eva’s. They stand silent but attentive. Much like Eva’s, Piper’s opinion matters.

“Awake. She’s awake and through surgery. She’s doing much, much better.”

“I’m so glad!” Piper hugs me then, which is unexpected. I realize, though, that this is about Eva. I’m the only one allowed to visit her right now, so my status with Piper and her ilk just increased.

The bulk of the day goes a lot like that. It seems like everyone who sees me asks about Eva. People who are typically nice but not friendly to me are suddenly at my side like we’re old friends. I almost hate them for their transparency.

“Tell Eva we asked after her,” another girl calls out as I walk into my second-to-last-period course. I debate pointing out that I’m not Eva’s servant, governess, or any other Southern cliché. I’ve learned though that such remarks tend to be the equivalent of fingernails on a chalkboard here, so I wave over my shoulder, hoping to keep a smile in place, and head into lit class.

In Jessup, American Lit focuses most of the attention on only one part of the country, and as much as I can appreciate Flannery O’Connor and William Faulkner, I’m pretty sure that there are giants in the field we’re skipping—giants whose works would probably be useful to know before college. Thankfully, I can order critical editions online and study up on those. I’m not sure that Mr. Ellsworth would be much use with non-Southern lit anyhow.

I shake my head and glance at reason number two that I dread this class. Slouching in the back row is Robert Baucom. Eva’s boyfriend of the past year is the epitome of everything I think is wrong with Jessup. His family, much like Eva’s, is one of the first families of Jessup. He wears the clothes that speak of money and status, and he’ll only date the kind of girls who can trace their pedigrees back to The War. If you told me—before I came here—that there were still places where social class and ancestry mattered this much, I probably would’ve laughed. Heritage, however, is no laughing matter in Jessup.

Despite my general loathing of Robert, I walk to the back of the room to try to talk to him. He’s watching me approach with a flicker of nervousness on his face. He does that a lot, as if I’m a bug and he’d like to study me, but only once I’m safely under a jar. It stopped being creepy a while ago, but it’s still irritating as hell.

He knows I’ve been opposed to Eva dating him, and although we’ve reached an uneasy truce, we’re both very aware of the other’s disdain.

“Robert.”

He nods in lieu of replying. It’s going to be one of those conversations apparently. Without Eva here to remind him that I’m not “the help,” he tends to act like a dismissive jerk when he has an audience. At Jessup High, Robert always has an audience.

I ignore the curious gazes of the people on either side of him. Reid Benson and Jamie Hall exchange one of the looks that passes for conversation among this crowd, and Grayson Lane simply stares at me. Reid and Jamie are about the most vulgar boys I’ve met in Jessup. Around here, it passes for charm with half the school, or maybe it’s their names that pass as charm, and the vulgarity is just overlooked because of it.

I smother a sigh and try again to talk to Robert. “I don’t know when you plan to see Eva, but I thought we could check our schedules to make sure we don’t overlap.”

Robert shrugs. “I’m not sure. I have exams and things, and she isn’t allowed visitors.” He knows as well as I do that if he wanted to go Eva would see him.

“Seriously?”

He doesn’t reply or look at me, instead busying himself flipping the pages in his book as if he’s searching for a passage.

Reid coughs like he’s hiding a laugh. I flip him off but don’t look away from Robert. I force a smile and step closer. “Robert?”

He looks up.

“She could’ve died.”

For a moment, he’s silent. He seems to be weighing his thoughts, and I hope that he’ll do the right thing. His friends, Eva’s friends, are watching. No one is laughing now. The thought of the Tilling-Cooper scion dying is never going to be funny in Jessup, not even for a moment while a bunch of boys try to prove they’re smart-asses.

“How is she? Really?” he asks.

“She’s recovering, but she’s lonely and upset. You visiting would help.” I want to believe there’s some good in Robert. I hope he’ll show me that now.

Instead, he looks down at his book again and says, “I’ll text her tonight.”

And my good intentions about not arguing with him slip a little. “She deserves better.”

Reid shoots me a quick secretive smile, but Robert and the other two boys are all ignoring me now. Despite being so crude, Reid usually seems like he’s trying to be nice to me. He also seems increasingly convinced that he can charm me out of my clothes.

Reid doesn’t even pretend he’s interested in dating. As he so bluntly put it late one night after everyone had either passed out, left, or retreated behind closed doors, “My grandmother would have to mainline Xanax before she’d allow me to date a non-Southern girl … especially an Asian one.” I couldn’t decide whether to give him points for honesty or slap him for being an imbecile.

Mr. Ellsworth walks into the room, so I go to my seat. Listening to him drone on about the exam schedule is almost soothing. I don’t understand a lot of Eva’s friends or her boyfriend. Half the school seems desperate to let me know that they care about Eva—whether or not they do, I can’t honestly say—but her actual boyfriend seems just as determined to be clear that he isn’t going to worry about her. Part of me wants to stop and ask Reid to explain. He’s been friends with them since birth so he must have some sort of insight.

Understanding Robert’s idiocy won’t fix it though, so I settle for hoping that this is the thing that will convince Eva to end things with him. If not, I may end up going native and spouting things like “cad” and “reprobate.” If common sense won’t make her see that he’s a jerk, maybe some Jessup-isms will get it done.

DAY 6: “THE SURPRISE”

Eva

MY ROOM IS GETTING dangerously close to smelling like a perfume shop. Apparently my no-visitors lie was interpreted as an invitation to send arrangements. A few flowers are nice, but after a dozen or so bouquets the scent is nauseating. I blame the smell for giving me a headache and have the nurses give away all of them—except the orchids my parents sent. They called late last night—apparently after all these years they still can’t master time-zone math. They think they can finally get a flight out, so I guess they’ll be here soon—and I’ll go home. I guess it’s good. I’m already feeling caged.

I’m off the antiseizure drug, but I’m still on the muscle relaxer. I can even have narcotics too now that my brain seems okay. The doctors and nurses focus on my brain, my leg, and nerve damage. They tell me how lucky I am that I haven’t lost any sensation in my face. They tell me how fortunate I am to be awake and seemingly not experiencing any mental degradation. They’re right. I still asked them to hang a towel covering the mirror in the bathroom. The scars horrify me.

Robert still hasn’t visited. He should know that I don’t include him in my no-visitors request; Grace knew it didn’t apply to her. Robert hasn’t even asked to see me. Of course, I haven’t asked him to visit either. I’m afraid of what he’ll think. Although neither Grace nor my grandfather looked at me like I’m ugly, I’m not sure I want to see what Robert’s expression is when he sees my face. Status matters to Robert. He has only dated girls who are pretty and from what his mother calls “the right families.” My last name alone wasn’t reason enough for him; it would be for her, but he’s told me frequently that he likes the way I look. Maybe he’s hoping that if he waits, I’ll be prettier. I don’t want to tell him how wrong he is.

I realize, however, that it doesn’t make sense to flinch away from the nurses or the doctors when they do their rounds. They aren’t flinching away from me. Living in the hospital means having someone come into my room to poke, prod, or check on me every couple of hours all day and all night. They’re mostly nice people, trying to be quiet when I’m napping and not staring at the mess that’s now my face. I suspect it’s easier for them because they’ve seen worse—at least I hope they have.

It makes me feel like a lousy person for thinking that, and if my father heard me, there would be a lecture on “counting my blessings.”

I hate thinking about all of this, but there’s not a whole lot else to do in the hospital. I read. I watch television. I text Grace, Robert, Piper, CeCe, and a few other people. It’s lonely, but I can’t deal with most of them seeing me yet.

I don’t even want to see me yet.

My nurse today, Kelli, is cool. She was here yesterday, too. She’s the youngest nurse I’ve had, only a few years older than me, but she’s not so old that she has that parent-vibe.

“How about a change of scenery?” Kelli busies herself opening the curtains, letting bright light pour into the room. “You could get the grand tour of Peds.”

They aren’t letting me walk yet because of the traumatic brain injury, but I don’t want to walk either, so it works out just fine. “No thanks,” I say.

“You’re moping. It won’t help to hide away in a dark room.” Kelli levels a look at me that would do Grace proud. It’s the keen gaze of someone who isn’t going to accept my excuses or whining. I’m torn between smiling at it and wishing the day nurse was the one from two days ago. She didn’t care that I was wallowing.

“Be right back.” Kelli leaves, and when she returns, she’s pushing a wheelchair. “There’s a great view down in the lounge.”

“Maybe later,” I hedge.

Kelli crosses her arms over her chest and looks at me. “You’re one of three patients I have right now, and I just checked on them. Now’s a good time.”

“Fine. Give me the grand tour.”

I reach out to grab her arm, and she helps me as I turn my body ninety degrees on the bed so I can get down. Then, she steadies me as I lower my good leg to the floor. It takes longer than I think it should every time I do this, but at least I’m getting out of bed.

After Kelli helps me into the chair and hangs my IV bag on the pole, she quietly hands me a tissue. “Do you want something for the pain?”

“Nope.” It hurts more than I expected, but I’d rather hurt than feel like puking. The muscle relaxers already make me queasy, and I’m trying to avoid as much of the pain meds as I can. I dislike the oxycodone they added on what they call “PRN” dose, which, I learned, just means “take as needed.” As far as I’m concerned, it’s not needed at all. I tried it, but it made me feel fuzzy-brained. Even without it my tongue feels fat, and my brain feels slow.

Kelli hands me the lap blanket Mrs. Yeung brought me. It’s something she made herself, and I can tell that it’s one of her more recent attempts. The stitches in this one are more even than the others I’ve seen. After I cover my cast and my bare leg with the puce and lime blanket, Kelli wheels me out of the room. It feels a little strange to be in public wearing a blanket, pajamas, and a robe, but it’s either this or have someone bring me a skirt because jeans won’t go over my cast, and even if they did, balancing on one foot to unhook jeans when I need to use the bathroom sounds like a bad idea. So, a nightgown it is.

The floor is flooded by natural light because of skylights and large windows, and the walls are decorated with photographs of nature. Huge potted plants—that I think are probably fake—add to the overall sense that the designers were trying to bring a little of the world outside into the hospital. The common area has chairs and game stations, racks of books, and a few tables. It’s as inviting as it could be considering where we are.

“This is the playroom,” Kelli says as she points to the left. “Over here is the Teen Zone.”

I snort. I don’t mean to, but I do. Then I quickly say, “Sorry.”

“I didn’t name it.” She sounds unoffended, almost happy.

We’re quiet as she pushes me through the hallway. Most of the patients’ doors are closed. A few rooms are vacant, and a few have doors wide open with families visible inside. I try not to stare. I wouldn’t want strangers invading my privacy. There are a few different types of cribs, and I guess that means that there are different ages of babies in them. That makes me feel sadder. It sucks to be in the hospital, but at least I’m old enough to ask questions and make some sense of everything. Babies can’t do that.

Maybe Kelli senses my mood shifting or maybe she’s just used to people sinking into a funk when they have more cuts on their face than Frankenstein’s monster. Regardless of the reason, she starts talking again. “I hear that your friends can’t come during the week, right?”

“Jessup is a long drive.” I sound defensive, even though I try not to. I suspect that she already knows that I asked the desk to lie for me about the no-visitors policy.

“Maybe you can talk to some people here?” Kelli suggests.

I make a noncommittal noise because, truthfully, I’m simply not looking to make friends with the other patients.

Kelli wheels me past a kitchen and a laundry room, and then into a room that is a little bigger than the “Teen Zone.” There are a couple of sofas, a few chairs, a coffee table, and a decent-size television. It’s a slightly sterile version of the sort of living room that would be in most homes.

Another nurse comes around the corner. “You’re needed at the desk.”

“Do you want to go back or wait here?”

“Here.”

She smiles like I did something wonderful and then points at a panel that’s low enough to reach from a wheelchair. “There’s a call button if you need anything. I’ll be back, but page the desk if you’re ready to go back to your room sooner.”

I nod, and she leaves.

The window in the lounge overlooks a park. A group of about six people show up after I’ve been sitting there for a few minutes. They’re playing some sort of group Frisbee game. I watch them. That’s all I can do right now. It makes me feel pitiful, which pisses me off. God knows I’m not longing to chase a Frisbee. Sitting outside in the sunlight or taking a walk would be nice though. I can’t do either of those things. I’m not sure when or if I will ever be able to either.

My leg was apparently broken in several places. My thigh—the femur, according to Dr. Klosky—has a plate screwed onto it now. He explained it. In time the bone would grow over the metal. Better that than having shards floating about and lodging where they shouldn’t be; better a plate than not healing. Knowing all of that doesn’t erase the sense of queasiness that comes whenever I think about holes being drilled into my bone. I’m not even letting myself think about the possibility of lingering effects from my brain being jarred, or the swelling that went down, or the couple days unconscious. If I think about it, I’m not sure I can stop at a few tears. I’m not sure where to direct my anger, but I’m fighting my temper more and more lately. It twists in and around the sorrow and disgust.

Suddenly, being in the lounge isn’t as relaxing as it was supposed to be. I use my hands to push my chair closer to the call button, but before I reach it, I hear someone say my name.

“Eva?”

I look over my shoulder to see Nate staring at me in shock. I don’t know why he’s here at Mercy Regional Hospital or saying my name.

I stare at him as he steps farther into the room.

He drops onto the sofa across from me, careful to keep his distance from my extended leg, but near enough to talk without needing to be loud. “Hey.”

The urge to reach up and smooth down my hair makes me shake my head. My face is a maze of cuts and stitches, and I’m wearing my pajamas and one of the world’s least attractive blankets. My hair is the least of my issues.

“Hi,” I say and immediately realize that my conversation skills are about as bad as my fashion sense right now. Nate is talking to me after all this time. I’m not sure I’d know what to say to him even if we were somewhere normal. I certainly don’t know what to say here. I’m a little comforted that he doesn’t seem to know what to say either; he just nods and looks at me.

After an awkward moment during which I consider pushing the call button repeatedly so I can escape, he asks, “Did you just get here?”

“Here?”

“Mercy.” He stretches, tilting his head left and right as if he’s been sleeping in an uncomfortable position. “I’ve been in the lounge the past few evenings, and I haven’t seen you. Plus, those”—he points at my face—“look fresh.”

I’m more than a little confused that he’s not being a jerk like he has been for the past few years. I just don’t know if I should ignore him.

Cautiously, I say, “I’ve been in for a couple days. Someone hit me with a car.”

“That sucks.”

I start laughing. It’s not funny, not really, but it’s such an understatement after everything I’ve been feeling that it seems hilarious to me. He stares at me like maybe I’m a little unbalanced, which only makes me laugh more. It takes a minute to get my laughter under control. By then, tears fill my eyes.

I sniff and wipe the tears with the back of my hand, but in doing so, I bump one of the cuts on my cheek and gasp with pain.

“Shit,” Nate mutters, and he’s at my side holding out the box of tissues from the coffee table. “I didn’t mean to make you cry.”

“It still happens when I laugh—just like when we were kids.” My voice is shaky, more from pain than tears. I’m not completely lying: I do cry when I laugh.

“I’m sorry,” he says, his hand coming down on mine—and I’m … gone. I’m unable to speak. I feel the world around me vanish before I can ask whether he means that he’s sorry for the past three years or sorry that I’m in pain.

I pull over, my tires crunching on the gravel. I wasn’t drinking at all, but my vision is off. Something is wrong with me, and I’m afraid I won’t make it to the house. I guess it’s the flu or something, but I’ve never had the flu hit so suddenly.

My mother will be irritated when I wake her, but she’d be worse if I wrecked the truck.

I shiver as I get out of the truck.

With the help of the dashboard lights, I search the cab of my truck again, hoping that my phone fell out of my pocket and under the seat. The truck is clean enough that I know it’s not there, but I don’t see how it could be anywhere else. I had it earlier at the restaurant. I called Nora to talk to her and Aaron, but my brother was asleep, so I had Nora tell him I couldn’t make it until morning.

I feel out of it, tired enough that I worry that I’m coming down with something. I need to shake it off. I can’t carry germs to him. That’s the last thing he needs.

I wonder if I have any more of those germ masks at the house. I’m fairly certain I have gloves. Even if I feel better tomorrow, I’ll wear gloves and masks. Cystic fibrosis is hard enough for him to handle without adding colds or a flu.

“Eva?”

For a moment, I remember again that I’m not Nate. I’m Eva. Then the voice saying my name is swept away by a sharp pain in my stomach. Nate’s stomach. I think about how I’m Nate and not-Nate. My stomach—Eva’s stomach—shouldn’t hurt, but I’m swept further into Nate, and it’s all I can do to try to remember I’m not really him.

The stomach cramps become bad enough that I stumble and clutch the door frame of my truck. The pain is unexpected.

I pat my jeans pockets as if I would’ve missed my phone if it were there. It’s not there. I can’t call for help if my phone is gone.

My mouth feels like it’s filled with something hot and sour. I’m not throwing up. Yet. My heart feels too fast.

Someone pulls up in front of me, their headlights shining in my face so I can’t see who’s in the car. I’m not sure if it’s a helpful stranger or someone I know. There aren’t a lot of people who drive along Old Salem Road. Aside from a few houses and the reservoir, there’s nothing out this far. Mom always says that’s the only reason she’s willing to live at “the godforsaken end of the devil’s elbow.”

The lights make the person getting out of the car look like a silhouette. He’s not a huge man. I can tell that. He could be a bigger woman … I open my mouth to speak, but instead puke all over the seat of my truck. Something’s wrong. Something more than the flu.

“Sick,” I force out of lips that feel oddly numb.

The person from the car is beside me, but he—or she—isn’t speaking. I can see jeans and tennis shoes, but when I look up, I can’t see a face. It’s there; it has to be, but I can’t tell anything about it.

“You should’ve stayed away.” The voice sounds almost familiar, but the person is whispering.

I’m shivering so hard that my face hurts from clenching my jaw.

My legs are shaking too, and I hit the ground. I’m sitting in a puddle of vomit. The person opens a bottle of what looks like Mad Dog 20/20, grabs my chin with a gloved hand, and tilts my head back. The alcohol pours into my mouth faster than I can swallow, and it spills down my shirt.