The Teeth of the Tiger

What he had seen, what he saw, was certainly the most terrifying sight that he could possibly have beheld. Opposite him, at ten paces distance, with his hands in his pockets, his feet crossed, and one shoulder resting lightly against the rocky wall, stood not a man: it was not a man, and could not be a man, for this man, as the cripple knew, was dead, had died the death from which there is no recovery. It was therefore a ghost; and this apparition from the tomb raised the cripple's terror to its highest pitch.

He shivered, seized with a fresh attack of fever and weakness. His dilated pupils stared at the extraordinary phenomenon. His whole being, filled with demoniacal superstition and dread, crumpled up under the vision to which each second lent an added horror.

Incapable of flight, incapable of defence, he dropped upon his knees. And he could not take his eyes from that dead man, whom hardly an hour before he had buried in the depths of a well, under a shroud of iron and granite.

Arsène Lupin's ghost!

A man you take aim at, you fire at, you kill. But a ghost! A thing which no longer exists and which nevertheless disposes of all the supernatural powers! What was the use of struggling against the infernal machinations of that which is no more? What was the use of picking up the fallen revolver and levelling it at the intangible spirit of Arsène Lupin?

And he saw an incomprehensible thing occur: the ghost took its hands out of its pockets. One of them held a cigarette-case; and the cripple recognized the same gun-metal case for which he had hunted in vain. There was therefore not a doubt left that the creature who had ransacked the jacket was the very same who now opened the case, picked out a cigarette and struck a match taken from a box which also belonged to the cripple!

O miracle! A real flame came from the match! O incomparable marvel! Clouds of smoke rose from the cigarette, real smoke, of which the cripple at once knew the particular smell!

He hid his head in his hands. He refused to see more. Whether ghost or optical illusion, an emanation from another world, or an image born of his remorse and proceeding from himself, it should torture his eyes no longer.

But he heard the sound of a step approaching him, growing more and more distinct as it came closer! He felt a strange presence moving near him! An arm was stretched out! A hand fell on his shoulder! That hand clutched his flesh with an irresistible grip! And he heard words spoken by a voice which, beyond mistake, was the human and living voice of Arsène Lupin!

"Why, my dear sir, what a state we're getting ourselves into! Of course, I understand that my sudden return seems an unusual and even an inconvenient proceeding, but still it does not do to be so uncontrollably impressed. Men have seen much more extraordinary things than that, such as Joshua staying the sun, and more sensational disasters, such as the Lisbon earthquake of 1755.

"The wise man reduces events to their proper proportions and judges them, not by their action upon his own destiny, but by the way in which they influence the fortunes of the world. Now confess that your little mishap is purely individual and does not affect the equilibrium of the solar system. You know what Marcus Aurelius says, on page 84, of Charpentier's edition—"

The cripple had plucked up courage to raise his head; and the real state of things now became so obviously apparent that he could no longer get away from the undeniable fact: Arsène Lupin was not dead! Arsène Lupin whom he had hurled into the bowels of the earth and crushed as surely as an insect is crushed with a hammer; Arsène Lupin was not dead!

How to explain so astounding a mystery the cripple did not even stop to wonder. One thing alone mattered: Arsène Lupin was not dead. Arsène Lupin looked and spoke as a living man does. Arsène Lupin was not dead. He breathed, he smiled, he talked, he lived!

And it was so certainly life that the scoundrel saw before him that, obeying a sudden impulse of his nature and of his hatred for life, he flattened himself to his full length, reached his revolver, seized it, and fired.

He fired; but it was too late. Don Luis had caused the weapon to swerve with a kick of his boot. Another kick sent it flying out of the cripple's hand.

The villain ground his teeth with fury and at once began hurriedly to fumble in his pockets.

"Is this what you're looking for, sir?" asked Don Luis, holding up a hypodermic syringe filled with a yellow fluid. "Excuse me, but I was afraid lest you should prick yourself by mistake. That would have been a fatal prick, would it not? And I should never have forgiven myself."

The cripple was disarmed. He hesitated for a moment, surprised that the enemy did not attack him more violently, and sought to profit by the delay. His small, blinking eyes wandered around him, looking for something to throw. But an idea seemed to strike him and to restore his confidence little by little; and, in a new and really unexpected fit of delight, he indulged in one of his loudest chuckles:

"And what about Florence?" he shouted. "Don't forget Florence! For I've got you there! I can miss you with my revolver and you can steal my poison; but I have another means of hitting you, right in the heart. You can't live without Florence, can you? Florence's death means your own sentence, doesn't it? If Florence is dead, you'll put the rope round your own neck, won't you, won't you, won't you?"

"Yes. If Florence were to die, I could not survive her!"

"She is dead!" cried the scoundrel, with a renewed burst of merriment, hopping about on his knees. "She's dead, quite, quite dead! What am I saying? She's more than dead! A dead person retains the appearance of a live one for a time; but this is much better: there's no corpse here, Lupin; just a mess of flesh and bone!

"The whole scaffolding of rocks has come down on top of her! You can picture it, eh? What a sight! Come, quick, it's your turn to kick the bucket. Would you like a length of rope? Ha, ha, ha! It's enough to make one die with laughing. Didn't I say that you'd meet at the gates of hell? Quick, your sweetheart's waiting for you. Do you hesitate? Where's your old French politeness? You can't keep a lady waiting, you know. Hurry up, Lupin! Florence is dead!"

He said this with real enjoyment, as though the mere word of death appeared to him delicious.

Don Luis had not moved a muscle. He simply nodded his head and said:

"What a pity!"

The cripple seemed petrified. All his joyous contortions, all his triumphal pantomime, stopped short. He blurted out:

"Eh? What did you say?"

"I say," declared Don Luis, preserving his calm and courteous demeanour and refraining from echoing the cripple's familiarity, "I say, my dear sir, that you have done very wrong. I never met a finer nature nor one more worthy of esteem than that of Mlle. Levasseur. The incomparable beauty of her face and figure, her youth, her charm, all these deserved a better treatment. It would indeed be a matter for regret if such a masterpiece of womankind had ceased to be."

The cripple remained astounded. Don Luis's serene manner dismayed him. He said, in a blank voice:

"I tell you, she has ceased to be. Haven't you seen the grotto? Florence no longer exists!"

"I refuse to believe it," said Don Luis quietly. "If that were so, everything would look different. The sky would be clouded; the birds would not be singing; and nature would wear her mourning garb. But the birds are singing, the sky is blue, everything is as it should be: the honest man is alive; and the rascal is crawling at his feet. How could Florence be dead?"

A long silence followed upon these words. The two enemies, at three paces distance, looked into each other's eyes: Don Luis still as cool as ever, the cripple a prey to the maddest anguish. The monster understood. Obscure as the truth was, it shone forth before him with all the light of a blinding certainty: Florence also was alive! Humanly and physically speaking, the thing was not possible; but the resurrection of Don Luis was likewise an impossibility; and yet Don Luis was alive, with not a scratch on his face, with not a speck of dust on his clothes.

The monster felt himself lost. The man who held him in the hollow of his implacable hand was one of those men whose power knows no bounds. He was one of those men who escape from the jaws of death and who triumphantly snatch from death those of whom they have taken charge.

The monster retreated, dragging himself slowly backward on his knees along the little brick path.

He retreated. He passed by the confused heap of stones that covered the place where the grotto had been, and did not turn his eyes in that direction, as if he were definitely convinced that Florence had come forth safe and sound from the appalling sepulchre.

He retreated. Don Luis, who no longer had his eyes fixed on him, was busy unwinding a coil of rope which he had picked up, and seemed to pay no further attention to him.

He retreated.

And suddenly, after a glance at his enemy, he spun round, drew himself up on his slack legs with an effort, and started running toward the well.

He was twenty paces from it. He covered one half, three quarters of the distance. Already the mouth opened before him. He put out his arms, with the movement of a man about to dive, and shot forward.

His rush was stopped. He rolled over on the ground, dragged back violently, with his arms fixed so firmly to his body that he was unable to stir.

It was Don Luis, who had never wholly lost sight of him, who had made a slip-knot to his rope and who had lassoed the cripple at the moment when he was going to fling himself down the abyss. The cripple struggled for a few moments. But the slip-knot bit into his flesh. He ceased moving. Everything was over.

Then Don Luis Perenna, holding the other end of the lasso, came up to him and bound him hand and foot with what remained of the rope. The operation was carefully performed. Don Luis repeated it time after time, using the coils of rope which the cripple had brought to the well and gagging him with a handkerchief. And, while applying himself to his work, he explained, with affected politeness:

"You see, sir, people always come to grief through excessive self-confidence. They never imagine that their adversaries can have resources which they themselves do not possess. For instance, when you got me to fall into your trap, how could you have supposed, my dear sir, that a man like myself, a man like Arsène Lupin, hanging on the brim of a well, with his arms resting on the brim and his feet against the inner wall, would allow himself to drop down it like the first silly fool that comes along?

"Look here: you were fifteen or twenty yards away; and do you think that I had not the strength to leap out nor the courage to face the bullets of your revolver, when it was a question of saving Florence Levasseur's life and my own? Why, my poor sir, the tiniest effort would have been enough, believe me!

"My reason for not making the effort was that I had something better to do, something infinitely better. I will tell you why, that is, if you care to know. Do you?

"Well, then, at the very first moment, my knees and feet, propped against the inner wall, had smashed in a thick layer of plaster which closed up an old excavation in the well; and this I at once perceived. It was a stroke of luck, wasn't it? And it changed the whole situation. My plan was settled at once. While I went on acting my little part of the gentleman about to tumble down an abyss, putting on the most scared face, the most staring eyes, the most hideous grin, I enlarged that excavation, taking care to throw the chunks of plaster in front of me in such a way that their fall made no noise. When the moment came, at the very second when my swooning features vanished before your eyes, I simply jumped into my retreat, thanks to a rather plucky little wriggle of the loins.

"I was saved, because the retreat was dug out on the side where you were moving and because, being dark itself, it cast no light. All that I now had to do was to wait.

"I listened quietly to your threatening speeches. I let the things you flung down the well go past me. And, when I thought you had gone back to Florence, I was preparing to leave my refuge, to return to the light of day, and to fall upon you from behind, when—"

Don Luis turned the cripple over, as though he were a parcel which he was tying up with string, and continued:

"Have you ever been to Tancarville, the old feudal castle in Normandy, on the banks of the Seine? Haven't you? Well, you must know that, outside the ruins of the keep, there is an old well which, like many other wells of the period, possesses the peculiarity of having two openings, one at the top, facing the sky, and the other a little lower down, hollowed out sideways in the wall and leading to one of the rooms of the keep.

"At Tancarville this second opening is nowadays closed with a grating. Here it was walled up with a layer of small stones and plaster. And it was just the recollection of Tancarville that made me stay, all the more as there was no hurry, since you had had the kindness to inform me that Florence would not join me in the next world until four o'clock. I therefore inspected my refuge and soon realized that, as I had already felt by intuition, it was the foundation of a building which was now demolished and which had the garden laid out on its ruins.

"Well, I went on, groping my way and following the direction which, above ground, would have taken me to the grotto. My presentiments were not deceived. A gleam of daylight made its way at the top of a staircase of which I had struck the bottom step. I went up it and heard the sound of your voice."

Don Luis turned the cripple over and over and was pretty rough about it.

Then he resumed:

"I wish to impress upon you, my dear sir, that the upshot would have been exactly similar if I had attacked you directly and from the start in the open air. But, having said this, I confess that chance favoured me to some purpose. It has often failed me, in the course of our struggle, but this time I had no cause to complain.

"I felt myself in such luck that I never doubted for a second that, having found the entrance to the subterranean passage, I should also find the way out. As a matter of fact, I had only to pull gently at the slight obstacle of a few stacked bricks which hid the opening in order to make my exit amid the remains of the castle keep.

"Guided by the sound of your voice, I slipped through the stones and thus reached the back of the grotto in which Florence lay. Amusing, wasn't it?

"You can imagine what fun it was to hear you make your little speeches: 'Answer me, yes or no, Florence. A movement of your head will decide your fate. If it's yes, I shall release you. If it's no, you die. Answer me, Florence! A sign of your head: is the answer yes or no?' And the end, above all, was delicious, when you scrambled to the top of the grotto and started roaring from up there: 'It's you who have asked to die, Florence. You asked for it and you've got it!'

"Just think what a joke it was: at that moment there was no one in the grotto! Not a soul! With one effort, I had drawn Florence toward me and put her under shelter. And all that you were able to crush with your avalanche of rocks was one or two spiders, perhaps, and a few flies dozing on the flagstones.

"The trick was done and the farce was nearly finished. Act first: Arsène Lupin saved. Act second: Florence Levasseur saved. Act third and last: the monster vanquished … absolutely and with a vengeance!"

Don Luis stood up and contemplated his work with a satisfied eye.

"You look like a sausage, my son!" he cried, yielding at last to his sarcastic nature and his habit of treating his enemies familiarly. "A regular sausage! A bit on the thin side, perhaps: a saveloy for poor people! But there, you don't much care what you look like, I suppose? Besides, you're rather like that at all times; and, in any case, you're just the thing for the little display of indoor gymnastics which I have in mind for you. You'll see: it's an idea of my own, a really original idea. Don't be impatient: we shan't be long."

He took one of the guns which the cripple had brought to the well and tied to the middle of the gun the end of a twelve or fifteen yards' length of rope, fastening the other end to the cords with which the cripple was bound, just behind his back. He next took his captive round the body and held him over the well:

"Shut your eyes, if you feel at all giddy. And don't be frightened. I'll be very careful. Ready?"

He put the cripple down the yawning hole and next took hold of the rope which he had just fastened. Then, little by little, inch by inch, cautiously, so that it should not knock against the sides of the well, the bundle was let down at arm's length.

When it reached a depth of twelve yards or so, the gun stopped its further descent and there it remained, slung in the dark and in the exact centre of the narrow circumference.

Don Luis set light to a number of pieces of paper, which went whirling down, shedding their sinister gleams upon the walls. Then, unable to resist the craving for a last speech, he leaned over, as the scoundrel had done, and grinned:

"I selected the place with care, so that you shouldn't catch cold. I'm bound to look after you, you see. I promised Florence that I wouldn't kill you; and I promised the French Government to hand you over alive as soon as possible. Only, as I didn't know what to do with you until to-morrow morning, I've hung you up in the air.

"It's a pretty trick, isn't it? And you ought to appreciate it, for it's so like your own way of doing things. Just think: the gun is resting on its two ends, with hardly an inch to spare. So, if you start wriggling, or moving, or even breathing too hard, either the barrel or the butt end'll give way; and down you go! As for me, I've nothing to do with it!

"If you die, it'll be a pretty little case of suicide. All you've got to do, old chap, is to keep quiet. And the beauty of my little contrivance is that it will give you a foretaste of the few nights that will precede your last hour, when they cut off your head. From this moment forward you are alone with your conscience, face to face with what you perhaps call your soul, without anything to disturb your silent soliloquy. It's nice and thoughtful of me, isn't it? …

"Well, I'll leave you. And remember: not a movement, not a sigh, not a wink, not a throb of the heart! And, above all, no larks! If you start larking, you're in the soup. Meditate: that's the best thing you can do. Meditate and wait. Good-bye, for the present!"

And Don Luis, satisfied with his homily, went off, muttering:

"That's all right. I won't go so far as Eugène Sue, who says that great criminals should have their eyes put out. But, all the same, a little corporal punishment, nicely seasoned with fear, is right and proper and good for the health and morals."

Don Luis walked away and, taking the brick path round the ruins, turned down a little road, which ran along the outer wall to a clump of fir trees, where he had brought Florence for shelter.

She was waiting for him, still aching from the horrible suffering which she had endured, but already in full possession of her pluck, mistress of herself, and apparently rid of all anxiety as to the issue of the fight between Don Luis and the cripple.

"It's finished," he said, simply. "To-morrow I will hand him over to the police."

She shuddered. But she did not speak; and he observed her in silence.

It was the first time that they were alone together since they had been separated by so many tragedies, and next hurled against each other like sworn enemies. Don Luis was so greatly excited that, in the end, he could utter only insignificant sentences, having no connection with the thoughts that came rushing through his mind.

"We shall find the motor car if we follow this wall and then strike off to the left…. Do you think you can manage to walk so far? … When we're in the car, we'll go to Alençon. There's a quiet hotel close to the chief square. You can wait there until things take a more favourable turn for you—and that won't be long, as the criminal is caught."

"Let's go," she said.

He dared not offer to help her. For that matter, she stepped out firmly and her graceful body swung from her hips with the same even rhythm as usual. Don Luis once again felt all his old admiration and all his ardent love for her. And yet that had never seemed more remote than at this moment when he had saved her life by untold miracles of energy.

She had not vouchsafed him a word of thanks nor yet one of those milder glances which reward an effort made; and she remained the same as on the first day, the mysterious creature whose secret soul he had never understood, and upon whom not even the storm of terrible events had cast the faintest light.

What were her thoughts? What were her wishes? What aim was she pursuing?

These were obscure problems which he could no longer hope to solve.

Henceforth each of them must go his own way in life and each of them could only remember the other with feelings of anger and spite.

"No!" he said to himself, as she took her place in the limousine. "No! The separation shall not take place like that. The words that have to be spoken between us shall be spoken; and, whether she wishes or not, I will tear the veil that hides her."

The journey did not take long. At Alençon Don Luis entered Florence in the visitors' book under the first name that occurred to him and left her to herself. An hour later he came and knocked at her door.

This time again he had not the courage at once to ask her the question which he had made up his mind to put to her. Besides, there were other points which he wished to clear up.

"Florence," he said, "before I hand over that man, I should like to know what he was to you."

"A friend, an unhappy friend, for whom I felt pity," she declared. "I find it difficult to-day to understand my compassion for such a monster. But, some years ago, when I first met him, I became attached to him because of his wretchedness, his physical weakness, and all the symptoms of death which he bore upon him even then. He had the opportunity of doing me a few services; and, though he led a hidden life, which worried me in certain respects, he gradually and without my knowing it acquired a considerable influence over me.

"I believed in his insight, in his will, in his absolute devotion; and, when the Mornington case started, it was he, as I now realize, who guided my actions and, later, those of Gaston Sauverand. It was he who compelled me to practise lying and deceit, persuading me that he was working for Marie Fauville's safety. It was he who inspired us with such suspicion of yourself and who taught us to be so silent, where he and his affairs were concerned, that Gaston Sauverand did not even dare mention him in his interview with you.

"I don't know how I can have been so blind. But it was so. Nothing opened my eyes. Nothing made me suspect for a moment that harmless, ailing creature, who spent half his life in hospitals or nursing-homes, who underwent every possible sort of operation, and who, if he did sometimes speak to me of his love, must have known that he could not hope to—"

Florence did not finish her sentence. Her eyes had encountered Don Luis's eyes; and she received a deep impression that he was not listening to what she said. He was looking at her; and that was all. The words she uttered passed unheard.

To Don Luis any explanation concerning the tragedy itself mattered nothing, so long as he was not enlightened on the one point that interested him, on Florence's private thoughts about himself, thoughts of aversion, of contempt. Outside that, anything that she could say was vain and tedious.

He went up to her and, in a low voice, said:

"Florence, you know what I feel for you, do you not?"

She blushed, taken aback, as though the question was the very last that she expected to hear. Nevertheless, she did not lower her eyes, and she answered frankly:

"Yes, I know."

"But, perhaps," he continued, more eagerly, "you do not know how deeply I feel it? Perhaps you do not know that my life has no other aim but you?"