Matthew Hawkwood Thriller Series Books 1-3: Ratcatcher, Resurrectionist, Rapscallion

As they picked their way through dark, damp passages lined by walls the colour of peat, the boys paid little attention to their surroundings. They were on familiar ground in this netherworld of densely packed tenements and grim lodging houses; buildings so old and decrepit it hardly seemed possible they were still standing. An open cess trench ran down the middle of each alley. Rats skittered in the shadows. The waterlogged carcass of what could have been either animal or human floated in the effluent. Vague, sinister shapes haunted dark doorways or hovered in silhouette behind candlelit windows. Only the occasional voice raised in anger indicated that the slum was inhabited by humankind. With the late afternoon sun sinking slowly below the cluttered rooftops, the boys hurried deeper into the warren.

Mother Gant’s lodging house was nestled into the side of a small courtyard at the end of a hip-wide passage. With its overhanging eaves, narrow doorway and dirt-encrusted windows, it was typical of the many doss houses that infested the area. A tumbledown sty occupied one corner of the yard. Two raw-boned pigs rooted greedily in an empty trough. They looked up, snouts thrusting, grunting with curiosity as the boys ran past.

The hovel was low roofed, dim lit and smoky. The soot-blackened walls were of bare brick, the floor unboarded. A hearth ran along one wall. An oaken table took up the middle of the room. Seated around it were a dozen children of both sexes. Pale, unwashed, dressed in threadbare clothing, they ranged in age from six to sixteen. An old woman, garbed in black with a tattered shawl around her shoulders, stood at the hearth, ladling the contents of a large cooking pot. She looked up as the boys entered. In the flickering glow from the coals, her rheumy eyes glittered.

No one knew Mother Gant’s age, only that she had run the lodging house for as long as anyone in the neighbourhood could remember. It was well known that she had outlived three husbands; two had succumbed to disease, the third had disappeared one dark night never to be seen again. Rumour had it that the latter had been dropped into the river, his throat slit from ear to ear, after a tavern brawl. A drunkard and a wastrel, he had not been missed, certainly not by the Widow Gant.

The children seated around the table were not Mother Gant’s blood kin. The old lady had been named not for the size of her own brood but due to her habit of taking in waifs and strays. This display of generosity was not born of a sense of charity. It was greed that made Mother Gant open her doors to the orphans of the borough. She expected her young tenants to pay for the roof over their heads and the food in their bellies. And the rent she exacted was not coin of the realm – though that would not have been refused – it was contraband.

Mother Gant was a receiver of stolen property. She took in her orphans, she fed them and she housed them. Then she trained them and sent them out into the streets to steal for their supper. And woe betide anyone who returned empty-handed.

Fortunately for Tooler and Jem, their afternoon’s activity had yielded a good haul: three watches, two breast pins, a silver snuffbox, and no less than four pocketbooks. As the proceeds were deposited on the table, Mother Gant left the cooking pot and cooed softly to herself as she sifted through the valuables.

“You’ve done well, boys,” she simpered. “Mother’s very pleased.”

The old woman picked up the silver snuffbox and turned it over in her hands. Lifting the lid, she placed a pinch of snuff delicately on to the back of her hand, lowered her head and snorted the powder up each nostril in turn. Snapping shut the lid, she wiped her nose on her sleeve, grinned ferally, and slipped the box into her pocket.

“Extra helpings tonight, my lovelies,” she whispered, hobbling back towards the hearth. “Them as works the ‘ardest deserves their reward. Ain’t that right?”

At which point a long shadow fell across the open doorway.

“Hello, Mother – got room for one more?”

Mother Gant’s eyes blazed with alarm as the visitor stepped into the room.

The man was tall and dressed in a midnight-blue, calf-length riding coat, unbuttoned to reveal a sharp-cut black waistcoat, grey breeches and black knee-length boots. He was bareheaded. The face was saturnine, the hair black, streaked with grey above the temple. What was unusual, given the fashion of the time, was his hair, which was worn long and tied at the nape of the neck with a length of black ribbon. Below the man’s left eye, a small ragged scar was visible along the upper curve of his cheekbone.

If Matthew Hawkwood had expected an extreme reaction to his entrance, he was not disappointed. Even as his gaze fell upon the pile of stolen artefacts, the room erupted.

Stools and benches were overturned as the children scattered like rabbits before a stoat. In a move that was remarkably sprightly, the old woman twisted and hurled the soup ladle towards the new arrival, at the same time letting loose a high-pitched screech. Whereupon the massive figure seated in the corner of the room who had, up until that moment, remained still and silent, rose to its feet.

All told, Mother Gant had given birth to three sons and one daughter. Her first-born son had been smitten by the pox, the manner by which her first and second husbands had met their demise. Her second son had also been taken from her, but not by illness. Press-ganged at the age of sixteen, consigned to a watery grave at the age of eighteen, his innards turned to gruel by a ball fired from a French frigate during an engagement off the coast of Morocco. As for the daughter, no one knew her exact whereabouts. Last heard of, she was earning a precarious living as a whore, working the streets and arcades of Covent Garden and the Haymarket. Which left Mother Gant’s youngest son, Eli, as the only child not to have flown the coop. Though, if the truth were told, it was doubtful if the youth could have survived the separation.

At the age of twenty, Eli had the neck and shoulders of a wrestler, forearms the size of oak saplings, and the hands of a blacksmith. But though he possessed the body of a man, he had the brain of an infant. Unable to fend for himself or perform anything beyond the most menial tasks, he had become little more than a chattel to his widowed mother, who used him as she might have done a dray horse: as a beast of burden. On the occasions that she conducted the more nefarious of her enterprises, however, she used his size and strength for intimidation and protection. Eli’s sole purpose in life was to serve his mother, a duty he carried out unconditionally.

As Tooler and Jem and the other children ran for the door, the lumbering, moon-faced figure of Eli Gant emerged from the gloom. Hearing Mother’s cry, Eli was reacting solely on instinct. The shrill note in the old woman’s voice told him that there was trouble and that she needed his help. That was all he needed to know. When he rose to his feet, the cudgel that had been propped against the arm of the chair was in his hand.

Hawkwood avoided the thrown soup ladle with ease. As the utensil clattered against the wall a flicker of amusement passed over his face. Then he caught sight of the apparition looming towards him and his expression changed. He turned to confront the new threat.

“Stop him, Eli! He’s here to hurt Mother!” The old woman’s voice pierced the room.

The attack, when it came, was sudden. For a man of his huge bulk, Eli Gant moved with surprising speed.

But Hawkwood was quicker. Even as the cudgel was raised, he swung his foot and kicked Gant hard between the legs. Eli’s jaw went slack. Dropping the club, he doubled over. A baton appeared in Hawkwood’s hand. Without losing momentum, he sidestepped and drove the short club viciously against the side of Gant’s head. The ground shook as Gant’s body hit the earthen floor. Staring down at the wheezing, prostrate form, Hawkwood shook his head wearily. He’d seen it all before.

When he looked up, Mother Gant had disappeared.

Hawkwood cursed and turned. “Rafferty!”

A bulky figure materialized behind him. Red-faced and coarse-featured, wearing the uniform of a conductor of the watch: black felt hat, double-breasted blue jacket and matching waistcoat. His eyebrows rose as he took in the man on the ground.

His eyes widened further as Hawkwood leapt over the stricken Gant, crossed the room and ripped away the ragged curtain that hung on a rail on the opposite wall. Concealed behind the curtain was an open doorway. Pausing on the threshold, Hawkwood peered into the darkness that lay beyond. A cold draught caressed his face and a vague shuffling noise sounded from somewhere ahead, then his eyes caught the feeble glow of a lantern and a hunched, dark-clothed figure scurrying away. Mother Gant, having abandoned her idiot son to guard her back, was on the run.

Hawkwood knew he had to act quickly. There was no telling how far the tunnel stretched or where it emerged. Given the nature of the area, it was likely the shaft led into a honeycomb of passages, trap doors, hidden stairwells and twisting alleyways running above and below ground level. And the old woman, of course, would know the place like the back of her crabby hand.

There was no time to find a lantern of his own. He’d have to rely on the faint light ahead of him as a guide. He turned and nodded past the constable’s legs to where the hapless Eli Gant was still curled foetally on the floor. “Watch him.” Clasping the baton firmly, he plunged into the hole.

The smell was dreadful. It was the stench of damp and decay, pungent enough to clog the nostrils and make the eyes water. The floor of the tunnel was firm underfoot, but here and there the ground squelched alarmingly, sucking at his heels. More than once, his ears picked up the faint squeak of rodents and he felt the soft touch of their tiny paws as they ran across the toe of his boot.

It was hard to tell what the walls were made of. Sometimes his fingers brushed brick, sometimes wood, often so rotten it flaked off in his hand. Similarly, it was impossible to determine if it was sky over his head or stone. As his eyes grew accustomed to the dimness, he began to make out openings in the tunnel walls: junctions leading to even more escape routes. Occasionally, through a chink in a wall, he caught a glimmer of light, the flicker of a candle flame, a sign that somewhere within this strange subterranean world there existed vermin of a higher intellect than rats and mice. And always the fluttering lantern carried by the Widow Gant drew him further into the maze.

Abruptly, the glow ahead of him died. He paused, listening. He moved forward cautiously, senses alert for the slightest movement. He wondered how far he had come. It seemed like a mile, but in the darkness, distance was deceptive. It was probably no more than a hundred paces, if that.

He could just make out a pale crescent of light ahead. It appeared to be low down, perhaps an indication that there was a dip in the tunnel or a stairway. And then he saw there was a bend in the passage. He continued slowly, the baton held tightly in his fist.

He turned the corner and saw that the lantern had been placed on the ground next to what looked to be the old woman’s shawl. He bent to examine it.

It was then that the wizened, bat-like creature detached itself from the wall to his right, accompanied by a scream of such intensity it was almost impossible to imagine the source could be human.

Even as he turned, dropping the shawl, the glow from the lantern caught the glint of the knife blade as it curved towards his throat. Hawkwood hurled his body aside. The sliver of steel whipped past his face and he heard the grunt as the old woman realized she had missed her target. Christ, but she was fast! Faster than he would have thought possible, and hate had given her added impetus. Already she was turning again, driving the weapon towards his heart.

He felt the cloth tear on his upper arm as the razor-sharp blade sliced through his coat sleeve, the material parting like grape skin. Transferring the baton to his left palm, he struck upwards to turn the strike away, at the same time reaching for her wrist with his other hand. Her arm was no thicker than a child’s, but the power in the reed-thin body was astonishing. His fingers encircled her wrist, deflecting the blade’s cutting edge. At the same time, he struck down with the baton and heard the brittle snap of breaking bone. The knife dropped to the floor and her squeal of pain reverberated off the walls.

But, incredibly, she wasn’t finished. In the next second, her left hand was reaching towards his face as she launched herself at him, spitting and swearing as if possessed by devils, clawing for his eyes with nails as sharp as talons. So ferocious was the force of her attack, he was slammed against the wall of the tunnel. Air exploded from his lungs.

One-handed, she clung to him, kicking and gouging. Flecks of spittle landed on his face. He felt, too, her hot breath on his cheek, as rancid as a midden, and knew that somehow he had to finish it. He hooked the end of the baton into her stomach, felt the grip on his collar loosen, used his full body weight to drive his fist under her ribcage and punch her away.

There was a flat thud as the back of her head hit the wall, the screech dying on her lips as her frail body slid to the ground. She landed awkwardly, winded, legs akimbo, dress around her knees, thin breasts rising and falling as she gasped for air.

Hawkwood straightened and wiped the smear of phlegm from his jaw.

“Bitch.”

The crumpled figure at his feet let out a low moan.

Slipping the ebony baton inside his coat, he bent to retrieve the discarded shawl. He used the shawl to bind her wrists, making no allowances for the broken arm. In the vapid glow from the lantern, he could see that her eyes were glazed with pain. Her resistance was clearly spent.

When he had finished trussing her arms, he picked up the lantern. Holding it aloft, he lifted the old woman by the collar of her dress and began to retrace his steps down the tunnel, dragging her limp, unprotesting body behind him.

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