The Hill of Venus
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Another moment, and she sank lifeless into his embrace.
The setting moon once more shone out from behind the clouds, and as the pallid crimson of her light faded behind the world's dark rim, there came from the distance the morning cry of the cock. Slowly, through the air, came the sound of a bell, and at this sound the frightened witches, swarm after swarm, streamed away from the mountain. He of the Leaden Lamb again became the great He-Goat, and sank lamentably bleating with his beautiful victim through the earth, leaving a stifling stench of sulphur behind. —
With a moan of intense agony Francesco awoke. His head was like lead, his body broken with weariness. A sharp odor of fog greeted his nostrils. He looked about for a moment, unable to determine where he was. A violent jerk, as he tried to move his arms, informed him of his condition, and with a groan he sank back, striking his head against the stone with a sharp pang. Again he closed his eyes, as if still haunted by the phantoms of the Witches' Sabbat. Had it been but a dream indeed? Vivid it stood before his soul, and out of the whole ghostly hubbub the pure face of Ilaria Caselli shone white as marble against a storm-cloud. Then, with the memory of her he loved dearer than life, with the memory of her whom he was to renounce forever, there returned the consciousness of his impending fate. Would she ever know why he had not returned, – and knowing, would her love for him endure?
The bell of Sta. Redegonda was tolling heavily and monotonously. Outside some one was knocking insistently, some one who had already knocked more than once. There was a brief pause, then the turning of a key in the lock grated unpleasantly on Francesco's ear.
As the door of his prison swung back, the dull morning light fell on the form of a monk, who had slowly entered in advance of some five or six men-at-arms, but paused almost instantly, as if looking for the object in quest of which he had come.
The import of the monk's presence at this hour was not lost upon Francesco. It was no hideous dream then, it was terrible reality; he was to die. To die without having committed a crime, without an offence with which he might charge his conscience; to die without a hearing, – without a trial. For a moment all that could render death terrible, and death in the form in which he was to meet it, most terrible of all, rushed through his mind. The love of life, despite the gloomy future it held out to him, re-asserted itself and, as a drowning man sees all the scenes of the past condensed into one last conscious moment, so before Francesco's inner gaze the pageant of his childhood, the sunny days at the Court of Avellino rushed past, as in the fleeting phantasmagoria of a dream. An hour hence, and his eyes would no longer gaze upon the scenes once dear to him as his youth; – he would have followed him, who would have consigned him to a living death; – he would have been gathered into annihilation's waste.
The monk had walked up slowly to the human heap he saw dimly writhing on the ground, and, bending over Francesco, exhorted him to think of the salvation of his soul, to which end, in consideration of his youth, the clemency of his judge had permitted him to receive the last rites of the Church.
At the sound of the monk's voice Francesco gave a start, but, as he made no reply, the friar bent over him anew, in an endeavor to scan the features of one so obdurate as to refuse his ministrations.
A mutual outcry of surprise broke the intense stillness. They had recognized each other, the monk who had carried to Gregorio Villani the Pontiff's conditional absolution, and the youth whom that decree had consigned to a living death.
To the monk's amazed question as to the cause of his terrible plight, Francesco wearily and brokenly replied that he knew of nothing. He had been insulted, overpowered and condemned.
Turning to the leader of the Provencals, the friar sternly plied him with questions, but his replies seemed far from satisfying, for the monk demanded to be conducted straightway to their master. Francesco heard them scurry from his prison, after securing the door, and, exhausted from his mental and bodily sufferings, his limbs aching as in the throes of a fever, he fell back against the damp stone and swooned.
When he waked, he found himself on a bed in a chamber, the only window of which opened on to a courtyard. The sun was riding high in the heavens and his beams, falling aslant on the opposite wall, exercised such a magical effect on the awakened sleeper, that he sat bolt upright on his couch and, turning to the friar at his bedside, demanded to know where he was.
The friar enjoined him to be silent and arose, to fetch a repast, but when he found that Francesco's restlessness was not likely to be assuaged by this method, he slowly and cautiously informed him of the events which had transpired, since he had visited him in his cell, to accompany him, on what was to have been, his last walk on earth.
Dwelling on the probable causes leading to his summary condemnation, the monk hinted at rumors, that Conradino, son of Emperor Conrad IV, had crossed the Alps in armed descent upon Italy, to wrest the lands of Manfred from Anjou's grasp. He further hinted at a conspiracy afoot among the Northern Italian Ghibellines, to rescue from her prison in Castel del Ovo, where she had been confined since the fatal battle of Benevento, the luckless Helena, Manfred's Queen. A fatal resemblance to one, known to have been entrusted with a similar task, had caused the swift issuance of the death-warrant on the part of Anjou's procurator, a sentence which no denial on his part would have suspended or annulled, as, incensed at Francesco's bearing and demeanor, he of the Leaden Lamb had remorselessly consigned him to his fate. And, but for his timely arrival and speedy intervention, and the vigorous protests with which the monk supported his claim of Francesco's innocence, the latter's fate would have been hopelessly sealed.
Francesco, partaking of the viands the monk had placed before him, listened attentively, while the friar assisted him, for as yet he could barely make use of his arms and hands, cut and bruised as they were from the cords of the Provencals.
The abuse and the insults to which he had been subjected since his arrival at Benevento, and the dire peril from which he had so narrowly escaped, had exasperated Francesco to a degree, that he was trembling in every limb with the memory of the outrage, and he vowed a heavy reckoning against the fiend who, unheard and untried, would have sent him to an ignominious death. Thereupon the friar informed him, that the Provencals had departed shortly after he had been released from his prison, and exhausted, Francesco fell back among the cushions into a deep and dreamless slumber, while the friar resumed his office of watchfulness by his bedside.
He awoke strengthened, and, save for the bruises testifying to his treatment at the hands of the Provencals, his splendid youth swiftly re-asserted itself. It suffered him no longer within the ominous confines of the Witches' City.
Heedless of the friar's protests, who declared that he was not strong enough to continue his journey, he summoned the Calabrian landlord whose deferential demeanor, when he entered Francesco's presence, was at marked variance with his conduct on the previous night.
After having paid his reckoning and secured his steed, Francesco thanked the friar for his intervention on his behalf, then, with some difficulty, he mounted and rode out of the gates of Benevento, without as much as looking back with a single glance upon the city's ominous walls.
CHAPTER IV
PROSERPINA
FRANCESCO arrived at Avellino at dusk. It was the hour when the castle courtyard was comparatively deserted. Only two bow-men guarded the lowered drawbridge, and they paid little heed to the familiar form of the youth as he slowly rode through the gate.
Throwing the reins of his steed to an attendant, Francesco dismounted and entered the castle, undecided what to do first. Seeing a page lounging in the hallway, he inquired if the Viceroy was in his apartments.
"He returned from the falcon hunt at dusk and has retired," came the response.
"Go, ask him if he will receive me," Francesco entreated, heavy-hearted.
The page bowed and ran up the winding stairway, leaving Francesco to wait in the hall below.
Presently he returned.
"The serving-man in my lord's antechamber has orders that my lord is to be disturbed by no one, since he is preparing for his departure on the morrow – "
"For his departure?"
The page eyed Francesco curiously, as if he wondered at his ignorance of that which was on the lips of all the court.
"You have not heard?"
"I have just returned to Avellino, – from a mission," he replied, avoiding the inquisitive gaze he knew to be upon him.
"Then you know not that King Conradino has crossed the Alps? The court departs on the morrow to join him before the walls of Pavia!"
Francesco's hand had gone to his head.
"Conradino has crossed the Alps?" he spoke as out of the depths of a dream.
"I will see the Viceroy on the morrow!"
Leaving the page to gaze after him in strange wonderment, Francesco went slowly towards the stairs. He shrank unspeakably from explanations and scenes of farewell. At the idea of pity and amazement which his fate might call up, he fairly shuddered. Perhaps there might be even sneers from his companions. And, by the time he had reached his own chamber, he was debating the possibility of departing as if for a journey with excuses to none save his liege lord, the Viceroy of Apulia.
Upon a wooden settle in his chamber, with the moonbeams pouring down from the window above it, he seated himself, and his heart beat up in his throat.
If it were true! If the ecstatic dream of his life might be realized! If face to face he might meet Conradino, the imperial youth, the rightful heir and ruler of these enchanting Southlands which smarted under Anjou's insufferable yoke!
How often had that fair-haired youth, gazing with longing eyes towards the Land of Manfred from the ramparts of his castle in the distant Tyrol, been the topic of converse at Avellino. His very name had kindled a holy flame in every heart. At his beck, the beck of the last of the Hohenstauffen, Ghibelline Italy would fly to arms as one man. Had the hour come at last?
A cold hand suddenly clutched his heart.
What was it to him? What was anything to him now? What right had he to enter the lists of those who would flock to the banners of the imperial youth? Had he not, from the day of his birth, forfeited the right to live and to act according to the dictates of his own heart? While they fought he must look on, bound foot and hand, an enemy to the cause which was his cause. An involuntary groan broke from his lips.
Too late – too late!
He arose, and, opening a chest in the wall of his chamber, Francesco took from it a faded flower wrapped in its now dry cloth. The former scarlet glory was gone, the petals were purple and old. He recalled the joy with which he had received it. A week ago he would have proclaimed it to all the world. Now the rose and his life were alike. Now he was conscious only of a sickening, benumbing bitterness of spirit, as he laid the faded flower tenderly into its former place. Then, lighting a cresset lantern in a niche in the wall, he turned away to look through his possessions, to pack what little he might take with him on the morrow. And the first necessity which came to his hand was a small, sharp, jewel-hilted dagger, – Ilaria's gift.
From without the encircling gardens of the castle there came strange sounds of laughter and merriment which struck Francesco with a deeper pang. For a time he resumed his seat and, with hands clasped round his knees, stared in immobile despair into the darkness. Eventually, the oppression of his mind becoming well-nigh unbearable, and, knowing that sleep would not come to him in his present overwrought state, Francesco arose and strayed out into the dimly lighted corridor, until he emerged on a terrace, whence a flight of broad marble stairs conducted to the rose-garden below. Beyond, a pile of gray buildings, rising among thickly wooded hills, was barely discernible in the misty moonlight. A fault breeze, blowing up from the gardens, bathed him in the fragrance of roses. He shuddered. From below where he stood came the sound of laughing voices.
Francesco peered down eagerly into the rose-garden, girdled by the wall of the terrace, on the summit of which he stood. The bushes were heavy with blossoms; they drooped over the white sand-strewn walk, even beneath the occasional shadow of a slender cypress that seemed to pierce the violet of the night-sky. They clambered up the sides of the fortress villa, and mingled with the ivy on the opposite sweep of the wall.
The garden was flooded with that golden moonlight which creates in the beholder the illusion of unreality; for not in the midnight dark, but where radiance is warmest and intensest, are spirits most naturally expected by the sensitive mind.
Where the light of the moon was most translucent, there stood a man in the mythical garb of Hermes, catching therein the full moon glamour.
As he looked up he met the gaze of Francesco.
"Come down, Francesco," he cried in comical despair. "Despite my winged feet I cannot pull the car of Amor, and he refuses to use his wings!"
A strange light leaped into Francesco's eyes.
"Why not summon Pluto, God of the Underworld?"
"He declines to waive his right to march beside Proserpina, and you know the Frangipani is quite capable of making a quarrel out of a revel."
"And who is Proserpina?"
"Ilaria Caselli."
"Who calls me?" a voice at this moment spoke from the thicket, and ere either could answer a girlish figure stepped into the moonlight, paused and looked in amaze at Francesco.
The latter exchanged a few words with his companion who bowed and withdrew.
Slowly she moved towards the terrace; lithe and languid, she seemed herself the Queen of Blossoms, her dusky hair, flower-crowned, enveloped in rainbow bloom.
"Francesco!" she called, surprise and appeal in her tone. "I knew not you were here! Come down!"
"Yes, – Ilaria," he said, yet stood at gaze and made no sign to stir. The light in his eyes had died. She stood below him, half in the light, half in the shadow, her neck and throat bare, her arms in tight sleeves of flower-embroidered gauze.
"Come down!" she called more imperiously. "Why do you delay?"
He moved round the wall to the descending stair and presently was by her side.
"When did you return?" she asked, extending her hands to him.
He took them, pressed them fervently in his own, then, bending over them, kissed them passionately.
"Within the hour," he replied, his eyes in hers.
"And your mission?"
"It is accomplished!"
"I am glad," she said, and saw not the look of anguish that passed over his face. "I came to ask you," her bosom was heaving strangely, "to be near me when the pageant breaks. I am afraid of Raniero Frangipani!"
"Yet you chose the role of Proserpina, knowing – " He broke off, a shiver of constraint in his voice.
"Who told you?"
He pointed in the direction where his informant had disappeared.
"Messer Gualtiero! You knew," he then continued slowly, "that Raniero would be your companion in the pageant!"
Ilaria pouted.
"Mine is the part of Lady of Sorrows – Queen of the Underworld!"
"And the Frangipani's society is the price you pay for your high estate."
She looked at him, then dropped her eyelids on a sudden.
"Why should I fear, when you are by?"
Something clutched at Francesco's throat.
"I may not always be near you!"
She arched her eyebrows.
"Then I must look for another protector!" she retorted with a shrug.
Noting the pain her words gave him, she added more softly:
"You will not leave me again?"
"You shrink from the Frangipani," he replied, ignoring her question. "Has he insulted you? Is he your enemy?"
"It is not because he is an enemy, but rather the opposite, that I would avoid Raniero Frangipani," was her low reply.
All the color had faded from Francesco's lips.
"You mean – " the words died in the utterance.
"He wooes me!" she said low.
A fierce light leaped into Francesco's eyes. She laid a tranquillizing finger on his arm.
"You have no cause for wrath, that I can see! And yet I would rather have you near than far. The Frangipani is filled with violent passions. He wooes me violently. Since you left Avellino," she added with seeming reluctance, "he seems to have taken new courage, and – some unexplained umbrage at – I know not what! 'Who is this Francesco Villani?' he said to me and his eyes glowered. 'What is his ancestry? What should entitle him to your regard?' Again and again he dwelled on this point, – Francesco, – you know I love you, – and I care not, – so you love me, – but you will tell me, – that I may silence him, – Francesco, – will you not?"
A shadow as from some unseen cloud swept over his face.
"I shall tell him myself, – and in your presence."
"You will not quarrel?" she said anxiously, holding out her hands to him.
He clasped the soft white fingers fiercely in his own, then pressed them to his throbbing heart. In the distance voices were heard calling, clamoring.
For some moments they gazed at each other in silence, then she said:
"They are calling me! I must return to my task of sorrow!"
"Strange words for a queen – " he said with an attempt at merriment.
"Queen of the Shades," she replied. "And I long for life – life – life! With all it has to give, with all it can bestow!"
A strange, witch-like fire had leaped into her eyes. Her lips, thirstily ajar, revealed two rows of white even teeth, and in that moment she looked so alluringly beautiful, that Francesco in a fever of passion threw his arms about her and kissed her passionately again and again, with moist, hungry lips.
"Will you not come?" she whispered, after having utterly abandoned herself to his embrace.
He shook his head.
"I have no part in this! I will await you here!"
The voices sounded nearer. Now could be distinguished the cry: "Proserpina – Proserpina!"
She turned reluctantly, with a last glance at him, and hastened back towards the revels.
Francesco watched the slender, girlish form, until she had mingled with the shadows of the trees. Then, with a low cry of anguish, he leaned against the balustrade and covered his face with his hands. —
And now the pageant began to gather in the garden, a pageant of Love in a guise such as might have been conceived by Petrarca, – a mediaeval divertissement, such as the courts of thirteenth century Italy were wont to delight in. And Francesco, slowly waking from a disordered reverie, leaned over the balustrade, straining his gaze towards the clearing, whence peals of laughter and music of citherns and cymbals heralded the approach of a procession, which in point of fantasticality did indeed honor to those who had contrived it.
It was a pageant of the Gods, the outgrowth and conception of a mind, not yet set adrift by the speculative theory and philosophy of a Dante or Petrarca, a mind still hovering between Roman austerity and Hellenic mystery.
As the procession emerged from the inner courtyard, a level ray of moonlight fell upon attires wherein seemed blended the gayest fantasy of all times: Juno frowning jealously on the bowed figure of her Lord; Mars and Venus, and Pluto, his dark face rising over folds of sombre purple, beside the magically fair Proserpina. After these there came groups of languid lovers of all ages; enchanters and victims: Orpheus and Eurydicé, Jason and Medea, Lancelot and Guinevere, Tristram and Iseult. Bound with great ropes of blossom or chains of tinsel, they moved sadly, crushed and sighing, behind the chariot of the King of Sighs. And he, the dismal ruler, seemed the personified memory of a figure in the lower church at Assisi, driven shrinking towards the pit by Giotto's grave angels of penance.
Round that chariot gathered fantastic shapes, clad in dim, floating garments, their faces concealed by gray masks on which the unknown artist had stamped an expression, now of wild dismay, now of grinning triumph, a presage, it would seem, of the Dreams and Errors, and the Wan Delusions, whom Petrarca conceived to be the closest companions of the lord of the mortal race.
Exclamations of delight from the balconies of the castle, where dusky groups of spectators were dimly discernible, broke the dream stillness of the night.
From his vantage point on the terrace Francesco's burning gaze, riveted on the pageant, followed the graceful swaying form of Proserpina with the pale face and lustrous eyes upturned to him, while the procession circled round the terrace, and a Wan Delusion, following directly in her wake, flung up her shadowy arms and groaned.
For these mediaeval folk threw themselves into the pageant with the dramatic impulse native to place and time. Incited by the tragedy of Benevento, still quivering through men's memory, and the apprehension of future clouded horizons, this occasion probably meant to many of them, as to Ilaria Caselli, the rejection rather than the assumption of a disguise, the free expression through the imaginative form, so natural to them, of the allegiance to passion in which their life was passed. Each acting his or her part, they moved slowly through the garden, Orpheus gazing back wildly in search of Eurydicé, Circé chanting low spells, Tristram touching his harp strings, his eyes upon Iseult, and all at will sighing and moaning and pointing in pathetic despair to the chains that bound them, and the arrows that transfixed.
Presently they gathered round a fountain, which, in the centre of a rose-garden, sent up its iridescent spray in the silver moonlight, and Tristram, stepping to the side of it, began to sing a Canzona, almost like a church chant, artificially lovely in the intermingling of the imagery of Night and of the Dawn. Orpheus and Circé followed with a Canzona which struck Francesco's ear with music new, yet charged with echoes of much that he had suffered during the past eventful days.
With the cadenza of the last stanzas the glow of torches had faded, and the revellers moved towards the opposite wall, whence Francesco was watching one by one, as they disappeared within a low doorway, leading to an inner stair. As they emerged upon the summit each reveller bore a lighted torch which hardly quivered in the still, balmy air of the summer night. A moment's confusion, and the entire pageant began to advance in single file against the dusky night-sky in which the moon, now soaring high above the trees, gleamed with a strange lustre. Above the garden they moved as above the far dim world, not earthly men and women in seeming, but phantoms of the air. The car of Pluto was illumined from within, and the red light struck with almost ghostly effect the gray faces and garments of the Delusions. The actors were hushed into silence by the unearthly beauty of the scene.
Francesco, from across the garden, watched with eyes heavy and weary, the Triumph of the Gods. As Proserpina came in sight, her pale face flashed on him by the light of the torches carried by Pluto. It was strangely alluring in its marble pallor, the dusky hair wreathed with jasmine stars. Francesco was seized in the grip of sudden terror. The lust of the flesh, the lust of the eyes were passing visibly before him under the violet night-sky. In a mad, delirious impulse, he thrust out his arm, the moonlight striking full upon his face. The revellers paused for an instant, then extended their arms with welcoming shouts. Proserpina, as she came near, threw a flowery chain round his neck. Breathless, dazed, Francesco saw them move away, the blood throbbing wildly in his temples.
The moon had passed her zenith when the revellers, having twice circled the walls, descended once more into the garden and dispersed, each at his or her own will, through the demesne. Terraces illumined by torch-light, afforded ample opportunity for wandering, and the ilex-wood which covered the castle hill, was a lure for the more venturesome. The castle itself had flung wide its portals, and a collation was being served within until a late hour. The gay company that so recently traversed the gardens had swiftly flown from one haunt of pleasure to the other. Most of the participants in the pageant, however, preferred to remain out-doors. Proserpina, Goddess of the Underworld, and the Delusions seemed still to extend their dreamy sway over the whole company. Day-light selves had disappeared, carrying with them any teasing pricks of conscience, and the greater number of the maskers continued through the night to play their parts without reserve.