The Railway Children

CHAPTER 4

The Engine-Burglar

What was left of the second sheet and the Brunswick black came in very nicely to make a banner bearing the legend

and this was displayed to the Green Dragon about a fortnight after the arrival of the wonderful hamper. The old gentleman saw it, and waved a cheerful response from the train. And when this had been done the children saw that now was the time when they must tell Mother what they had done when she was ill. And it did not seem nearly so easy as they had thought it would be. But it had to be done. And it was done. Mother was extremely angry. She was seldom angry, and now she was angrier than they had ever known her. This was horrible. But it was much worse when she suddenly began to cry. Crying is catching, I believe, like measles and whooping-cough. At any rate, everyone at once found itself taking part in a crying-party.

Mother stopped first. She dried her eyes and then she said:

‘I’m sorry I was so angry, darlings, because I know you didn’t understand.’

‘We didn’t mean to be naughty, Mammy,’ sobbed Bobbie, and Peter and Phyllis sniffed.

‘Now, listen,’ said Mother; ‘it’s quite true that we’re poor, but we have enough to live on. You mustn’t go telling everyone about our affairs – it’s not right. And you must never, never, never ask strangers to give you things. Now always remember that – won’t you?’

They all hugged her and rubbed their damp cheeks against hers and promised that they would.

‘And I’ll write a letter to your old gentleman, and I shall tell him that I didn’t approve – oh, of course I shall thank him, too, for his kindness. It’s you I don’t approve of, my darlings, not the old gentleman. He was as kind as ever he could be. And you can give the letter to the Station Master to give him – and we won’t say any more about it.’

Afterwards, when the children were alone, Bobbie said:

‘Isn’t Mother splendid? You catch any other grown-up saying they were sorry they had been angry.’

‘Yes,’ said Peter, ‘she is splendid; but it’s rather awful when she’s angry.’

‘She’s like Avenging and Bright in the song,’ said Phyllis. ‘I should like to look at her if it wasn’t so awful. She looks so beautiful when she’s really downright furious.’

They took the letter down to the Station Master.

‘I thought you said you hadn’t got any friends except in London,’ said he.

‘We’ve made him since,’ said Peter.

‘But he doesn’t live hereabouts?’

‘No – we just know him on the railway.’

Then the Station Master retired to that sacred inner temple behind the little window where the tickets are sold, and the children went down to the Porter’s room and talked to the Porter. They learned several interesting things from him – among others that his name was Perks, that he was married and had three children, that the lamps in front of engines are called head-lights and the ones at the back tail-lights.

‘And that just shows,’ whispered Phyllis, ‘that trains really are dragons in disguise, with proper heads and tails.’

It was on this day that the children first noticed that all engines are not alike.

‘Alike?’ said the Porter whose name was Perks, ‘lor, love you, no, Miss. No more alike nor what you an’ me are. That little ’un without a tender as went by just now all on her own, that was a tank, that was – she’s off to do some shunting t’other side o’ Maidbridge. That’s as it might be you, Miss. Then there’s goods engines, great, strong things with three wheels each side – joined with rods to strengthen ’em as it might be me. Then there’s main-line engines as it might be this ’ere young gentleman when he grows up and wins all the races at ’is school – so he will. The main-line engine she’s built for speed as well as power. That’s one to the 9.15 up.’

‘The Green Dragon,’ said Phyllis.

‘We call her the Snail, Miss, among ourselves,’ said the Porter. ‘She’s oftener be’ind’and nor any train on the line.’

‘But the engine’s green,’ said Phyllis.

‘Yes, Miss,’ said Perks, ‘so’s a snail some seasons o’ the year.’

The children agreed as they went home to dinner that the Porter was most delightful company.

Next day was Roberta’s birthday. In the afternoon she was politely but firmly requested to get out of the way and keep there till tea-time.

‘You aren’t to see what we’re going to do till it’s done; it’s a glorious surprise,’ said Phyllis.

And Roberta went out into the garden all alone. She tried to be grateful, but she felt she would much rather have helped in whatever it was than have to spend her birthday afternoon by herself, no matter how glorious the surprise might be.

Now that she was alone, she had time to think, and one of the things she thought of most was what Mother had said in one of those feverish nights when her hands were so hot and her eyes so bright.

The words were: ‘Oh, what a doctor’s bill there’ll be for this!’

She walked round and round the garden among the rose-bushes that hadn’t any roses yet, only buds, and the lilac bushes and syringas and American currants, and the more she thought of the doctor’s bill, the less she liked the thought of it.

And presently she made up her mind. She went out through the side door of the garden and climbed up the steep field to where the road runs along by the canal. She walked along until she came to the bridge that crosses the canal and leads to the village, and here she waited. It was very pleasant in the sunshine to lean one’s elbow on the warm stone of the bridge and look down at the blue water of the canal. Bobbie had never seen any other canal, except the Regent’s Canal, and the water of that is not at all a pretty colour. And she had never seen any river at all except the Thames, which also would be all the better if its face was washed.

Perhaps the children would have loved the canal as much as the railway, but for two things. One was that they had found the railway first – on that first, wonderful morning when the house and the country and the moors and rocks and great hills were all new to them. They had not found the canal till some days later. The other reason was that everyone on the railway had been kind to them – the Station Master, the Porter, and the old gentleman who waved. And the people on the canal were anything but kind.

The people on the canal were, of course, the bargees, who steered the slow barges up and down, or walked beside the old horses that trampled up the mud of the towing-path, and strained at the long tow-ropes.

Peter had once asked one of the bargees the time, and had been told to ‘get out of that,’ in a tone so fierce that he did not stop to say anything about his having just as much right on the towing-path as the man himself. Indeed, he did not even think of saying it till some time later.

Then another day when the children thought they would like to fish in the canal, a boy in a barge threw lumps of coal at them, and one of these hit Phyllis on the back of the neck She was just stooping down to tie up her bootlace – and though the coal hardly hurt at all it made her not care very much about going on fishing.

On the bridge, however, Roberta felt quite safe, because she could look down on the canal, and if any boy showed signs of meaning to throw coal, she could duck behind the parapet.

Presently there was a sound of wheels, which was just what she expected.

The wheels were the wheels of the Doctor’s dogcart, and in the cart, of course, was the Doctor.

He pulled up and called out:

‘Hullo, head-nurse! Want a lift?’

‘I wanted to see you,’ said Bobbie.

‘Your mother’s not worse, I hope?’ said the Doctor.

‘No – but –’

‘Well, step in, then, and we’ll go for a drive.’

Roberta climbed in and the brown horse was made to turn round – which it did not like at all, for it was looking forward to its tea – I mean its oats.

‘This is jolly,’ said Bobbie, as the dogcart flew along the road by the canal.

‘We could throw a stone down any one of your three chimneys,’ said the Doctor, as they passed the house.

‘Yes,’ said Bobbie, ‘but you’d have to be a jolly good shot.’

‘How do you know I’m not?’ said the Doctor. ‘Now, then, what’s the trouble?’

Bobbie fidgeted with the hook of the driving apron.

‘Come, out with it,’ said the Doctor.

‘It’s rather hard, you see,’ said Bobbie, ‘to out with it; because of what Mother said.’

‘What did Mother say?’

‘She said I wasn’t to go telling everyone that we’re poor. But you aren’t everyone, are you?’

‘Not at all,’ said the Doctor cheerfully. ‘Well?’

‘Well, I know doctors are very extravagant – I mean expensive, and Mrs Viney told me that her doctoring only cost her twopence a week because she belonged to a Club.’

‘Yes?’

‘You see she told me what a good doctor you were, and I asked her how she could afford you, because she’s much poorer than we are. I’ve been in her house and I know. And then she told me about the Club, and I thought I’d ask you – and – oh, I don’t want Mother to be worried! Can’t we be in the Club, too, the same as Mrs Viney?’

The Doctor was silent. He was rather poor himself, and he had been pleased at getting a new family to attend. So I think his feelings at that minute were rather mixed.

‘You aren’t cross with me, are you?’ said Bobbie, in a very small voice.

The Doctor roused himself.

‘Cross? How could I be? You’re a very sensible little woman. Now look here, don’t you worry. I’ll make it all right with your Mother, even if I have to make a special brand-new Club all for her. Look here, this is where the Aqueduct begins.’

‘What’s an Aque – what’s its name?’ asked Bobbie.

‘A water bridge,’ said the Doctor. ‘Look.’

The road rose to a bridge over the canal. To the left was a steep rocky cliff with trees and shrubs growing in the cracks of the rock. And the canal here left off running along the top of the hill and started to run on a bridge of its own – a great bridge with tall arches that went right across the valley.

Bobbie drew a long breath.

‘It is grand, isn’t it?’ she said. ‘It’s like pictures in the History of Rome.’

‘Right!’ said the Doctor, ‘that’s just exactly what it is like. The Romans were dead nuts on aqueducts. It’s a splendid piece of engineering.’

‘I thought engineering was making engines.’

‘Ah, there are different sorts of engineering – making roads and bridges and tunnels is one kind. And making fortifications is another. Well, we must be turning back. And, remember, you aren’t to worry about doctor’s bills or you’ll be ill yourself, and then I’ll send you a bill as long as the aqueduct.’

When Bobbie had parted from the Doctor at the top of the field that ran down from the road to Three Chimneys, she could not feel that she had done wrong. She knew that Mother would perhaps think differently. But Bobbie felt that for once she was the one who was right, and she scrambled down the rocky slope with a really happy feeling.

Phyllis and Peter met her at the back door. They were unnaturally clean and neat, and Phyllis had a red bow in her hair. There was only just time for Bobbie to make herself tidy and tie up her hair with a blue bow before a little bell rang.

‘There!’ said Phyllis, ‘that’s to show the surprise is ready. Now you wait till the bell rings again and then you may come into the dining-room.’

So Bobbie waited.

‘Tinkle, tinkle,’ said the little bell, and Bobbie went into the dining-room, feeling rather shy. Directly she opened the door she found herself, as it seemed, in a new world of light and flowers and singing. Mother and Peter and Phyllis were standing in a row at the end of the table. The shutters were shut and there were twelve candles on the table, one for each of Roberta’s years. The table was covered with a sort of pattern of flowers, and at Roberta’s place was a thick wreath of forget-me-nots and several most interesting little packages. And Mother and Phyllis and Peter were singing – to the first part of the tune of St Patrick’s Day. Roberta knew that Mother had written the words on purpose for her birthday. It was a little way of Mother’s on birthdays. It had begun on Bobbie’s fourth birthday when Phyllis was a baby. Bobbie remembered learning the verses to say to Father ‘for a surprise’. She wondered if Mother had remembered, too. The four-year-old verse had been:

Daddy dear, I’m only four

And I’d rather not be more.

Four’s the nicest age to be,

Two and two and one and three.

What I love is two and two,

Mother, Peter, Phil, and you.

What you love is one and three,

Mother, Peter, Phil and me.

Give your little girl a kiss

Because she learned and told you this.

The song the others were singing now went like this:

Our darling Roberta,

No sorrow shall hurt her

If we can prevent it

Her whole life long.

Her birthday’s our fête day,

We’ll make it our great day,

And give her our presents

And sing her our song.

May pleasures attend her

And may the Fates send her

The happiest journey

Along her life’s way.

With skies bright above her

And dear ones to love her!

Dear Bob! Many happy

Returns of the day!

When they had finished singing they cried, ‘Three cheers for our Bobbie!’ and gave them very loudly. Bobbie felt exactly as though she were going to cry – you know that odd feeling in the bridge of your nose and the pricking in your eyelids? But before she had time to begin they were all kissing and hugging her.

‘Now,’ said Mother, ‘look at your presents.’

They were very nice presents. There was a green and red needle-book that Phyllis had made herself in secret moments. There was a darling little silver brooch of Mother’s shaped like a buttercup, which Bobbie had known and loved for years, but which she had never, never thought would come to be her very own. There was also a pair of blue glass vases from Mrs Viney. Roberta had seen and admired them in the village shop. And there were three birthday cards with pretty pictures and wishes.

Mother fitted the forget-me-not crown on Bobbie’s brown head.

‘And now look at the table,’ she said.

There was a cake on the table covered with white sugar, with ‘Dear Bobbie’ on it in pink sweets, and there were buns and jam; but the nicest thing was that the big table was almost covered with flowers – wallflowers were laid all round the tea-tray – there was a ring of forget-me-nots round each plate. The cake had a wreath of white lilac round it, and in the middle was something that looked like a pattern all done with single blooms of lilac or wallflower or laburnum.

‘What is it?’ asked Roberta.

‘It’s a map – a map of the railway!’ cried Peter. ‘Look – those lilac lines are the metals – and there’s the station done in brown wallflowers. The laburnum is the train, and there are the signal-boxes, and the road up to here – and those fat red daisies are us three waving to the old gentleman – that’s him, the pansy in the laburnum train.’

‘And there’s “Three Chimneys” done in the purple primroses,’ said Phyllis. ‘And that little tiny rose-bud is Mother looking for us when we’re late for tea. Peter invented it all, and we got all the flowers from the station. We thought you’d like it better.’