Folle-Farine

CHAPTER II

In one of the most fertile and most fair districts of northern France there was a little Norman town, very very old, and beautiful exceedingly by reason of its ancient streets, its high peaked roofs, its marvelous galleries and carvings, its exquisite grays and browns, its silence and its color, and its rich still life. Its center was a great cathedral, noble as York or Chartres; a cathedral, whose spire shot to the clouds, and whose innumerable towers and pinnacles were all pierced to the day, so that the blue sky shone and the birds of the air flew all through them. A slow brown river, broad enough for market-boats and for corn-barges, stole through the place to the sea, lapping as it went the wooden piles of the houses, and reflecting the quaint shapes of the carvings, the hues of the signs and the draperies, the dark spaces of the dormer windows, the bright heads of some casement-cluster of carnations, the laughing face of a girl leaning out to smile on her lover.

All around it lay the deep grass unshaven, the leagues on leagues of fruitful orchards, the low blue hills tenderly interlacing one another, the fields of colza, where the white bead-dress of the women workers flashed in the sun like a silvery pigeon's wing. To the west were the deep-green woods and the wide plains golden with gorse of Arthur's and of Merlin's lands; and beyond, to the northward, was the great dim stretch of the ocean breaking on a yellow shore, whither the river ran, and, whither led straight shady roads, hidden with linden and with poplar-trees, and marked ever and anon by a wayside wooden Christ, or by a little murmuring well crowned with a crucifix.

A beautiful, old, shadowy, ancient place; picturesque everywhere; often silent, with a sweet sad silence that was chiefly broken by the sound of bells or the chanting of choristers. A place of the Middle Ages still. With lanterns swinging on cords from house to house as the only light; with wondrous scroll-works and quaint signs at the doors of all its traders; with monks' cowls and golden croziers and white-robed acolytes in its streets; with the subtle smoke of incense coming out from the cathedral door to mingle with the odors of the fruits and flowers in the market-place; with great flat-bottomed boats drifting down the river under the leaning eaves of its dwellings; and with the galleries of its opposing houses touching so nearly that a girl leaning in one could stretch a Provence rose or toss an Easter-egg across to her neighbor in the other.

Doubtless there were often squalor, poverty, dust, filth, and uncomeliness within these old and beautiful homes. Doubtless often the dwellers therein were housed like cattle and slept like pigs, and looked but once out to the woods and waters of the landscapes round for one hundred times that they looked at their hidden silver in an old delf jug, or at their tawdry colored prints of St. Victorian or St. Scævola.

But yet much of the beauty and the nobility of the old, simple, restful rich-hued life of the past still abode there, and remained with them. In the straight lithe form of their maidens, untrammeled by modern garb, and moving with the free majestic grace of forest does. In the vast, dim, sculptured chambers, where the grandam span by the wood fire and the little children played in the shadows, and the lovers whispered in the embrasured window. In the broad market-place, where the mules cropped the clover, and the tawny awnings caught the sunlight, and the white caps of the girls framed faces fitted for the pencils of missal painters, and the wondrous flush of color from mellow fruits and flowers glanced amidst the shelter of deepest, freshest green. In the perpetual presence of their cathedral, which through sun and storm, through frost and summer, through noon and midnight, stood there amidst them, and beheld the galled oxen tread their painful way, and the scourged mules droop their humble heads, and the helpless harmless flocks go forth to the slaughter, and the old weary lives of the men and women pass through hunger and cold to the grave, and the sun and the moon rise and set, and the flowers and the children blossom and fade, and the endless years come and go, bringing peace, bringing war; bringing harvest, bringing famine; bringing life, bringing death; and, beholding these, still said to the multitude in its terrible irony, "Lo! your God is Love."

This little town lay far from the great Paris highway and all greatly frequented tracks. It was but a short distance from the coast, but near no harbor of greater extent than such as some small fishing village had made in the rocks for the trawlers. Few strangers ever came to it, except some wandering painters or antiquaries. It sent its apples and eggs, its poultry and honey, its colza and corn, to the use of the great cities; but it was rarely that any of its own people went thither.

Now and then some one of the oval-faced, blue-eyed, lithe-limbed maidens of its little homely households would sigh and flush and grow restless, and murmur of Paris; and would steal out in the break of a warm gray morning whilst only the birds were still waking; and would patter away in her wooden shoes over the broad, white, southern road, with a stick over her shoulder, and a bundle of all her worldly goods upon the stick. And she would look back often, often as she went; and when all was lost in the blue haze of distance save the lofty spire that she still saw through her tears, she would say in her heart, with her lips parched and trembling, "I will come back again. I will come back again."

But none such ever did come back.

They came back no more than did the white sweet sheaves of the lilies that the women gathered and sent to be bought and sold in the city—to gleam one faint summer night in a gilded balcony, and to be flung out the next morning, withered and dead.

One among the few who had thus gone whither the lilies went, and of whom the people would still talk as their mules paced homewards through the lanes at twilight, had been Reine Flamma, the daughter of the miller of Yprès.

Yprès was a beechen-wooded hamlet on the northern outskirt of the town, a place of orchards and wooded tangle; through which there ran a branch of the brimming river, hastening to seek and join the sea, and caught a moment on its impetuous way, and forced to work by the grim mill-wheels that had churned the foam-bells there for centuries. The mill-house was very ancient; its timbers were carved all over into the semblance of shields and helmets, and crosses, and fleur-de-lis, and its frontage was of quaint pargeted work, black and white, except where the old blazonries had been.

It had been handed down from sire to son of the same race through many generations—a race hard, keen, unlearned, superstitious, and caustic-tongued—a race wedded to old ways, credulous of legend, chaste of life, cruel of judgment; harshly strong, yet ignorantly weak; a race holding dearer its heir-loom of loveless, joyless, bigoted virtue even than those gold and silver pieces which had ever been its passion, hidden away in earthen pipkins under old apple-roots, or in the crannies of wall timber, or in secret nooks of oaken cupboards.

Claudis Flamma, the last of this toilsome, God-fearing, man-begrudging, Norman stock, was true to the type and the traditions of his people.

He was too ignorant even to read; but priests do not deem this a fault. He was avaricious; but many will honor a miser quicker than a spendthrift. He was cruel; but in the market-place he always took heed to give his mare a full feed, so that if she were pinched of her hay in her stall at home none were the wiser, for she had no language but that of her wistful black eyes; and this is a speech to which men stay but little to listen. The shrewd, old bitter-tongued, stern-living man was feared and respected with the respect that fear begets; and in truth he had a rigid virtue in his way, and was proud of it, with scorn for those who found it hard to walk less straightly and less circumspectly than himself.

He married late; his wife died in childbirth; his daughter grew into the perfection of womanhood under the cold, hard, narrow rule of his severity and his superstition. He loved her, indeed, with as much love as it was possible for him ever to feel, and was proud of her beyond all other things; saved for her, toiled for her, muttered ever that it was for her when at confession he related how his measures of flour had been falsely weighted, and how he had filched from the corn brought by the widow and the fatherless. For her he had sinned: from one to whom the good report of his neighbors and the respect of his own conscience were as the very breath of life, it was the strongest proof of love that he could give. But this love never gleamed one instant in his small sharp gray eyes, nor escaped ever by a single utterance from his lips. Reprimand, or homily, or cynical rasping sarcasm, was all that she ever heard from him. She believed that he despised, and almost hated her; he held it well for women to be tutored in subjection and in trembling.

At twenty-two Reine Flamma was the most beautiful woman in Calvados, and the most wretched.

She was straight as a pine; cold as snow; graceful as a stem of wheat; lovely and silent; with a mute proud face, in which the great blue eyes alone glowed with a strange, repressed, speechless passion and wishfulness. Her life was simple, pure, chaste, blameless, as the lives of the many women of her race who, before her, had lived and died in the shadow of that water-fed wood had always been. Her father rebuked and girded at her, continually dreaming that he could paint whiter even the spotlessness of this lily, refine even the purity of this virgin gold.

She never answered him anything, nor in anything contradicted his will; not one among all the youths and maidens of her birthplace had ever heard so much as a murmur of rebellion from her; and the priests said that such a life as this would be fitter for the cloister than the marriage-bed. None of them ever read the warning that these dark-blue slumbering eyes would have given to any who should have had the skill to construe them right. There were none of such skill there; and so, she holding her peace, the men and women noted her ever with a curious dumb reverence, and said among themselves that the race of Flamma would die well and nobly in her.

"A saint!" said the good old gentle bishop of the district, as he blessed her one summer evening in her father's house, and rode his mule slowly through the pleasant poplar lanes and breeze-blown fields of colza back to his little quiet homestead, where he tended his own cabbages and garnered his own honey.

Reine Flamma bowed her tall head meekly, and took his benediction in silence.

The morning after, the miller, rising, as his custom was, at daybreak, and reciting his paternosters, thanked the Mother of the World that she had given him thus strength and power to rear up his motherless daughter in purity and peace. Then he dressed himself in his gray patched blouse, groped his way down the narrow stair, and went in his daily habit to undraw the bolts and unloose the chains of his dwelling.

There was no need that morning for him; the bolts were already back; the house-door stood wide open; on the threshold a brown hen perched pluming herself; there were the ticking of the clock, the chirming of the birds, the rushing of the water, these were the only sounds upon the silence.

He called his daughter's name: there was no answer. He mounted to her chamber: it had no tenant. He searched hither and thither, in the house, and the stable, and the granary: in the mill, and the garden, and the wood; he shouted, he ran, he roused his neighbors, he looked in every likely and unlikely place: there was no reply.

There was only the howl of the watch-dog, who sat with his face to the south and mourned unceasingly.

And from that day neither he nor any man living there ever heard again of Reine Flamma.

Some indeed did notice that at the same time there disappeared from the town one who had been there through all that spring and summer. One who had lived strangely, and been clad in an odd rich fashion, and had been whispered as an Eastern prince by reason of his scattered gold, his unfamiliar tongue, his black-browed, star-eyed, deep-hued beauty, like the beauty of the passion-flower. But none had ever seen this stranger and Reine Flamma in each other's presence; and the rumor was discredited as a foulness absurd and unseemly to be said of a woman whom their bishop had called a saint. So it died out, breathed only by a few mouths, and it came to be accepted as a fact that she must have perished in the deep fast-flowing river by some false step on the mill-timber, as she went at dawn to feed her doves, or by some strange sad trance of sleep-walking, from which she had been known more than once to suffer.

Claudis Flamma said little; it was a wound that bled inwardly. He toiled, and chaffered, and drove hard bargains, and worked early and late with his hireling, and took for the household service an old Norman peasant woman more aged than himself, and told no man that he suffered. All that he ever said was, "She was a saint: God took her;" and in his martyrdom he found a hard pride and a dull consolation.

It was no mere metaphoric form of words with him. He believed in miracles and all manner of divine interposition, and he believed likewise that she, his angel, being too pure for earth, had been taken by God's own hand up to the bosom of Mary; and this honor which had befallen his first-begotten shed a sanctity and splendor on his cheerless days; and when the little children and the women saw him pass, they cleared from his way as from a prince's, and crossed themselves as they changed words with one whose daughter was the bride of Christ.

So six years passed away; and the name of Reine Flamma was almost forgotten, but embalmed in memories of religious sanctity, as the dead heart of a saint is imbedded in amber and myrrh.

At the close of the sixth year there happened what many said was a thing devil-conceived and wrought out by the devil to the shame of a pure name, and to the hinderance of the people of God.

One winter's night Claudis Flamma was seated in his kitchen, having recently ridden home his mare from the market in the town. The fire burned in ancient fashion on the hearth, and it was so bitter without that even his parsimonious habits had relaxed, and he had piled some wood, liberally mingled with dry moss, that cracked, and glowed, and shot flame up the wide black shaft of the chimney. The day's work was over; the old woman-servant sat spinning flax on the other side of the fire; the great mastiff was stretched sleeping quietly on the brick floor; the blue pottery, the brass pans, the oaken presses that had been the riches of his race for generations, glimmered in the light; the doors were barred, the shutters closed; around the house the winds howled, and beneath its walls the fretting water hissed.

The miller, overcome with the past cold and present warmth, nodded in his wooden settle and slept, and muttered dreamily in his sleep, "A saint—a saint!—God took her."

The old woman, hearing, looked across at him, and shook her head, and went on with her spinning with lips that moved inaudibly: she had been wont to say, out of her taskmaster's hearing, that no woman who was beautiful ever was a saint as well. And some thought that this old creature, Marie Pitchou, who used to live in a miserable hut on the other side of the wood, had known more than she had chosen to tell of the true fate of Reine Flamma.

Suddenly a blow on the panels of the door sounded through the silence. The miller, awakened in a moment, started to his feet and grasped his ash staff with one hand, and with the other the oil-lamp burning on the trestle. The watch-dog arose, but made no hostile sound.

A step crushed the dead leaves without and passed away faintly; there was stillness again; the mastiff went to the bolted door, smelt beneath it, and scratched at the panels.

On the silence there sounded a small, timid, feeble beating on the wood from without; such a slight fluttering noise as a wounded bird might make in striving to rise.

"It is nothing evil," muttered Flamma. "If it were evil the beast would not want to have the door opened. It may be some one sick or stray."

All this time he was in a manner charitable, often conquering the niggardly instincts of his character to try and save his soul by serving the wretched. He was a miser, and he loved to gain, and loathed to give; but since his daughter had been taken to the saints he had striven with all his might to do good enough to be taken likewise to that Heavenly rest.

Any crust bestowed on the starveling, any bed of straw afforded to the tramp, caused him a sharp pang; but since his daughter had been taken he had tried to please God by this mortification of his own avarice and diminution of his own gains. He could not vanquish the nature that was ingrained in him. He would rob the widow of an ephah of wheat, and leave his mare famished in her stall, because it was his nature to find in all such saving a sweet savor; but he would not turn away a beggar or refuse a crust to a wayfarer, lest, thus refusing, he might turn away from him an angel unawares.

The mastiff scratched still at the panels; the sound outside had ceased.

The miller, setting the lamp down on the floor, gripped more firmly the ashen stick, undrew the bolts, turned the stout key, and opened the door slowly, and with caution. A loud gust of wind blew dead leaves against his face; a blinding spray of snow scattered itself over his bent stretching form. In the darkness without, whitened from head to foot, there stood a little child.

The dog went up to her and licked her face with kindly welcome. Claudis Flamma drew her with a rough grasp across the threshold, and went out into the air to find whose footsteps had been those which had trodden heavily away after the first knock. The snow, however, was falling fast; it was a cloudy moonless night. He did not dare to go many yards from his own portals, lest he should fall into some ambush set by robbers. The mastiff too was quiet, which indicated that there was no danger near, so the old man returned, closed the door carefully, drew the bolts into their places, and came towards the child, whom the woman Pitchou had drawn towards the fire.

She was a child of four or five years old; huddled in coarse linen and in a little red garment of fox's skin, and blanched from head to foot, for the flakes were frozen on her and on the little hood that covered, gypsy-like, her curls. It was a strange, little, ice-cold, ghostlike figure, but out of this mass of icicles and whiteness there glowed great beaming frightened eyes and a mouth like a scarlet berry; the radiance and the contrast of it were like the glow of holly fruit thrust out from a pile of drifted snow.

The miller shook her by the shoulder.

"Who brought you?"

"Phratos," answered the child, with a stifled sob in her throat.

"And who is that?"

"Phratos," answered the child again.

"Is that a man or a woman?"

The child made no reply; she seemed not to comprehend his meaning. The miller shook her again, and some drops of water fell from the ice that was dissolving in the warmth.

"Why are you come here?" he asked, impatiently.

She shook her head, as though to say none knew so little of herself as she.

"You must have a name," he pursued harshly and in perplexity. "What are you called? Who are you?"

The child suddenly raised her great eyes that had been fastened on the leaping flames, and flashed them upon his in a terror of bewildered ignorance—the piteous terror of a stray dog.

"Phratos," she cried once more, and the cry now was half a sigh, half a shriek.

Something in that regard pierced him and startled him; he dropped his hand off her shoulder, and breathed quickly; the old woman gave a low cry, and staring with all her might at the child's small, dark, fierce, lovely face, fell to counting her wooden beads and mumbling many prayers.

Claudis Flamma turned savagely on her as if stung by some unseen snake, and willing to wreak his vengeance on the nearest thing that was at hand.

"Fool! cease your prating!" he muttered, with a brutal oath. "Take the animal and search her. Bring me what you find."

Then he sat down on the stool by the fire, and braced his lips tightly, and locked his bony hands upon his knees. He knew what blow awaited him; he was no coward, and he had manhood enough in him to press any iron into his soul and tell none that it hurt him.

The old woman drew the child aside to a dusky corner of the chamber, and began to despoil her of her coverings. The creature did not resist; the freezing cold and long fatigue had numbed and silenced her; her eyelids were heavy with the sleep such cold produces, and she had not strength, because she had not consciousness enough, to oppose whatsoever they might choose to do to her. Only now and then her eyes opened, as they had opened on him, with a sudden luster and fierceness, like those in a netted animal's impatient but untamed regard.

Pitchou seized and searched her eagerly, stripping her of her warm fox-skin wrap, her scarlet hood of wool, her little rough hempen shirt, which were all dripping with the water from the melted snow.

The skin of the child was brown, with a golden bloom on it; it had been tanned by hot suns, but it was soft as silk in texture, and transparent, showing the course of each blue vein. Her limbs were not well nourished, but they were of perfect shape and delicate bone; and the feet were the long, arched, slender feet of the southern side of the Pyrenees.

She allowed herself to be stripped and wrapped in a coarse piece of homespun linen; she was still half frozen, and in a state of stupor, either from amazement or from fear. She was quite passive, and she never spoke. Her apathy deceived the old crone, who took it for docility, and who, trusting to it, proceeded to take advantage of it, after the manner of her kind. About the child's head there hung a little band of glittering coins; they were not gold, but the woman Pitchou thought they were, and seized them with gloating hands and ravenous eyes.

The child started from her torpor, shook herself free, and fought to guard them—fiercely, with tooth and nail, as the young fox whose skin she had worn might have fought for its dear life. The old woman on her side strove as resolutely; long curls of the child's hair were clutched out in the struggle; she did not wince or scream, but she fought—fought with all the breath and the blood that were in her tiny body.

She was no match, with all her ferocity and fury, for the sinewy grip of the old peasant; and the coins were torn off her forehead and hidden away in a hole in the wood, out of her sight, where the old peasant hoarded all her precious treasures of copper coins and other trifles that she managed to secrete from her master's all-seeing eyes.