Wisdom, Wit, and Pathos of Ouida

IN MAREMMA

He remembered two years before, when he had passed through Italy on his way eastward, pausing in Ferrara, and Brescia, and Mantua, and staying longer in the latter city on account of a trial then in course of hearing in the court of justice, which had interested him by its passionate and romantic history; it had been the trial of the young Count d'Este, accused of the assassination of his mistress. Sanctis had gone with the rest of the town to the hearing of the long and tedious examination of the witnesses and of accused. It had been a warm day in early autumn, three months after the night of the murder; Mantua had looked beautiful in her golden mantle of sunshine and silver veil of mist; there was a white, light fog on the water meadows and the lakes, and under it the willows waved and the tall reeds rustled; whilst the dark towers, the forked battlements, the vast Lombard walls, seemed to float on it like sombre vessels on a foamy sea.

He remembered the country people flocking in over the bridge, the bells ringing, the red sails drifting by, the townsfolk gathering together in the covered arcades and talking with angry rancour against the dead woman's lord. He remembered sitting in the hush and gloom of the judgment-hall and furtively sketching the head of the prisoner because of its extreme and typical beauty. He remembered how at the time he had thought this accused lover guiltless, and wondered that the tribunal did not sooner suspect the miserly, malicious, and subtle meaning of the husband's face. He remembered listening to the tragic tale that seemed so well to suit those sombre, feudal streets, those melancholy waters, seeing the three-edged dagger passed from hand to hand, hearing how the woman had been found dead in her beauty on her old golden and crimson bed with the lilies on her breast, and looking at the attitude of the prisoner—in which the judges saw remorse and guilt, and he could only see the unutterable horror of a bereaved lover to whom the world was stripped and naked.

He had stayed but two days in Mantua, but those two days had left an impression on him like that left by the reading at the fall of night of some ghastly poem of the middle ages. He had thought that they had condemned an innocent man, as the judge gave his sentence of the galleys for life: and the scene had often come back to his thoughts.

The vaulted audience chamber; the strong light pouring in through high grated windows; the pillars of many-coloured marbles, the frescoed roof; the country people massed together in the public place, with faces that were like paintings of Mantegna or Masaccio; the slender supple form of the accused drooping like a bruised lily between the upright figures of two carabineers; the judge leaning down over his high desk in black robes and black square cap, like some Venetian lawgiver of Veronese or of Titian; and beyond, through an open casement, the silvery, watery, sun-swept landscape that was still the same as when Romeo came, banished, to Mantua. All these had remained impressed upon his mind by the tragedy which there came to its close as a lover, passionate as Romeo and yet more unfortunate, was condemned to the galleys for his life. "They have ill judged a guiltless man," he had said to himself as he had left the court with a sense of pain before injustice done, and went with heart saddened by a stranger's fate into the misty air, along the shining water where the Mills of the Twelve Apostles were churning the great dam into froth, as they had done through seven centuries, since first, with reverent care, the builder had set the sacred statues there that they might bless the grinding of the corn.

Sitting now in the silence of the tomb, Sanctis recalled that day, when, towards the setting of the sun, he had strolled there by the water-wheels of the twelve disciples, and allowed the fate of an unknown man, declared a criminal by impartial judges, to cloud over for him the radiance of evening on the willowy Serraglio and chase away his peaceful thoughts of Virgil. He remembered how the country people had come out by the bridge and glided away in their boats, and talked of the murder of Donna Aloysia; and how they had, one and all of them, said, going back over the lake water or along the reed-fringed roads, to their farmhouses, that there could be no manner of doubt about it—the lover had been moon-struck and mad with jealousy, and his dagger had found its way to her breast. They had not blamed him much, but they had never doubted his guilt; and the foreigner alone, standing by the mill gateway, and seeing the golden sun go down beyond the furthermost fields of reeds that grew blood-red as the waters grew, had thought to himself and said half aloud:

"Poor Romeo! he is guiltless, even though the dagger were his"–

And a prior, black-robed, with broad looped-up black hat, who was also watching the sunset, breviary in hand, had smiled and said, "Nay, Romeo, banished to us, had no blood on his hand; but this Romeo, native of our city, has. Mantua will be not ill rid of Luitbrand d'Este."

Then he again, in obstinacy and against all the priest's better knowledge as a Mantuan, had insisted and said, "The man is innocent."

And the sun had gone down as he had spoken, and the priest had smiled—a smile cold as a dagger's blade—perhaps recalling sins confessed to him of love that had changed to hate, of fierce delight ending in as fierce a death-blow. Mantua in her day had seen so much alike of love and hate.

"The man is innocent," he had said insisting, whilst the carmine light had glowed on the lagoons and bridges, and on the Lombard walls, and Gothic gables, and high bell-towers, and ducal palaces, and feudal fortresses of the city in whose street Crichton fell to the hired steel of bravoes.

She had the heaven-born faculty of observation of the poets, and she had that instinct of delight in natural beauty which made Linnæus fall on his knees before the English gorse and thank God for having made so beautiful a thing.

Her sympathies and her imaginings spent themselves in solitary song as she made the old strings of the lute throb in low cadence when she sat solitary by her hearth on the rock floor of the grave; and out of doors her eyes filled and her lips laughed when she wandered through the leafy land and found the warbler's nest hung upon the reeds, or the first branching asphodel in flower. She could not have told why these made her happy, why she could watch for half a day untired the little wren building where the gladwyn blossomed on the water's edge. It was only human life that hurt her, embittered her, and filled her with hatred of it.

As she walked one golden noon by the Sasso Scritto, clothed with its myrtle and thyme and its quaint cacti that later would bear their purple heads of fruit; the shining sea beside her, and above her the bold arbutus-covered heights, with the little bells of the sheep sounding on their sides, she saw a large fish, radiant as a gem, with eyes like rubies. Some men had it; a hook was in its golden gills, and they had tied its tail to the hook so that it could not stir, and they had put it in a pail of water that it might not die too quickly, die ere they could sell it. A little further on she saw a large green and gold snake, one of the most harmless of all earth's creatures, that only asked to creep into the sunshine, to sleep in its hole in the rock, to live out its short, innocent life under the honey smile of the rosemary; the same men stoned it to death, heaping the pebbles and broken sandstone on it, and it perished slowly in long agony, being large and tenacious of life. Yet a little further on, again, she saw a big square trap of netting, with a blinded chaffinch as decoy. The trap was full of birds, some fifty or sixty of them, all kinds of birds, from the plain brown minstrel, beloved of the poets, to the merry and amber-winged oriole, from the dark grey or russet-bodied fly-catcher and whinchat to the glossy and handsome jay, cheated and caught as he was going back to the north; they had been trapped, and would be strung on a string and sold for a copper coin the dozen; and of many of them the wings or the legs were broken and the eyes were already dim. The men who had taken them were seated on the thymy turf grinning like apes, with pipes in their mouths, and a flask of wine between their knees.

She passed on, helpless.

She thought of words that Joconda had once quoted to her, words which said that men were made in God's likeness!

While it is winter the porphyrion sails down the willowy streams beside the sultan-hen that is to be his love, and sees her not, and stays not her passage upon the water or through the air; she does not live as yet to him. But when the breath of the spring brings the catkins from the willows, and the violets amidst the wood-moss on the banks, then he awakes and beholds her; and then the stream reflects but her shape for him, and the rushes are full of the melody of his love-call. It was still winter with Este—a bitter winter of discontent; and he had no eyes for this water-bird that swam with him through the icy current of his adversity.

To break the frozen flood that imprisoned him was his only thought.

Air is the king of physicians; he who stands often with nothing between him and the open heavens will gain from them health both moral and physical.

"Yes; you have a right to know. After all, it was ruin to me, but it is not much of a story; a tale-teller with his guitar on a vintage night would soon make a better one. I loved a woman. She lived in Mantua. So did I, too. For her sake I lost three whole years—three years of the best of my life. And yet, what is gain except love, and what better than joy can we have? A pomegranate is ripe but once. And I—my pomegranate is rotten for evermore! We lived in Mantua. It is a strange sad place. It was great and gay enough once. Grander pomp than Mantua's there was never known in Italy. Felix Mantua!—and now it is all decaying, mouldering, sinking, fading; it is silent as death; the mists, the waters, the empty palaces, the walls that the marshes are eating little by little every day, the grass and the moss and the wild birds' nests on the roofs, on the temples, on the bridges, all are desolate in Mantua now. Yet is it beautiful in its loneliness, when the sunrise comes over the seas of reeds, and the towers and the arches are reflected in the pools and streams; and yet again at night, when the moon is high and the lagoons are as sheets of silver, and the shadows come and go over the bulrushes and St. Andrea lifts itself against the stars. Yes; then it is still Mantova la Gloriosa."

His voice dropped; the tears came into his closing eyes as though he looked on the dead face of a familiar friend.

He felt the home sickness of the exile, of the wanderer who knows not where to lay his head.

The glory was gone from the city.

Its greatness was but as a ghost that glided through its deserted streets calling in vain on dead men to arise.

The rough red sail of the fishing-boat was alone on the waters once crowded with the silken sails of gilded galleys; the toad croaked and the stork made her nest where the Lords of Gonzaga had gone forth to meet their brides of Este or of Medici; Virgil, Alboin, great Karl, Otho, Petrarca, Ariosto, had passed by here over this world of waters and become no more than dreams; and the vapours and the dust together had stolen the smile from Giulio's Psyche, and the light from Mantegna's arabesques. On the vast walls the grass grew, and in the palaces of princes the winds wandered and the beggars slept. All was still, disarmed, lonely, forgotten; left to a silence like the silence of the endless night of death. Yet it was dear to him; this sad and stately city, waiting for the slow death of an unpitied and lingering decay.

It was dear to him from habit, from birth, from memory, from affinity, as the reeds of its stagnant waters were dear to the sedge-warbler that hung its slender nest on the stem of a rush. A price was set on his head; and never more, he thought, would he see the sunshine in ripples of gold come over the grey lagoons.

No one cared; the terrible, barren, acrid truth, that science trumpets abroad as though it were some new-found joy, touched her ignorance with its desolating despair. No one cared. Life was only sustained by death. The harmless and lovely children of the air and of the moor were given over, year after year, century after century, to the bestial play and the ferocious appetites of men. The wondrous beauty of the earth renewed itself only to be the scene of endless suffering, of interminable torture. The human tyrant, without pity, greedy as a child, more brutal than the tiger in his cruelty, had all his way upon the innocent races to which he begrudged a tuft of reeds, a palm's breadth of moss or sand. The slaughter, the misery, the injustice, renewed themselves as the greenness of the world did. No one cared. There was no voice upon the blood-stained waters. There was no rebuke from the offended heavens. To all prayer or pain there was eternal silence as the sole reply.

The uneducated are perhaps unjustly judged sometimes. To the ignorant both right and wrong are only instincts; when one remembers their piteous and innocent confusion of ideas, the twilight of dim comprehension in which they dwell, one feels that oftentimes the laws of cultured men are too hard on them, and that, in a better sense than that of injustice and reproach, there ought indeed to be two laws for rich and poor.